201a
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. E-18) and “Important Notes” (p. E-19). These
sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have
gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be
saved and kept on hand as a convenient reference.
202
Copyright © 2008 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION.
220
All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
Printing Conventions and
icons in This Manual
Text or numerals Indicate buttons.
MODULATION.......................................................................................................... E-6
PEDAL FX (Pedal Effects)...................................................................................... E-9
enclosed in
square brackets [ ] [WRITE] WRITE button
Indicates information that
you should be aware of when
using the ME-70.
Indicates supplementary
information about an
operation.
Saving Tones (Patch Write) ...............................................................................E-10
Calling Up Tones (Patches) ...............................................................................E-11
Indicates information about a
convenient operation.
Indicates a reference page.
(p. E-**)
Creating Tones with Ease (EZ Tone) ..............................................................E-12
Checking the Values of Controls.....................................................................E-12
Tuning the Guitar (Tuner)..................................................................................E-13
Making the Settings for Control Operation ................................................E-15
Technology that simulates existing physical
structures, materials, and the like using
different, virtual means is called “modeling
technology.”
Restoring the Factory Settings (Factory Reset) ............. E-16
COSM (Composite Object Sound Modeling) is
a
technical innovation from Roland that
combines a number of such sound-modeling
technologies to create even newer sounds.
Appendices ....................................................................... E-17
USING THE UNIT SAFELY...............................................................................E-18
Important Notes ..............................................................................................E-19
*
G
6
0
3
7
0
0
8
-
0
1
*
Download from Www.Somanuals.com. All Manuals Search And Download.
Creating Sounds
INPUTPHONESPOWER ONREC OUT
Adjusting the Volume
1. Adjust the OUTPUT LEVEL knob.
AC Adaptor PSA series
(sold separately)
Be sure to use a PSA
series adaptor. The use
of any other adaptor
may cause malfunction.
To prevent the inadvertent disruption of power to your
unit (should the plug be pulled out accidentally), and to
avoid applying undue stress to the AC adaptor jack, anchor
the power cord using the cord hook, as shown in the
illustration.
Œ
Œ
Raising the OUTPUT LEVEL knob too much may result in sound distortion.
When the OUTPUT LEVEL knob is centered and all effects are off, input and
output are at the same level.
Turning Off the Power
1. Turn down the volume all the way on all equipment
(this unit, the amplifier, and everything else).
Connect a commercially available
anti-theft security cable here.
2. Switch off the amp and other connected devices.
3. Unplug the guitar or other instrument connected to
the INPUT jack on the ME-70.
The power to the ME-70 is switched off.
PCS-31L cable
(Sold separately)
guitar-amp simulatorGt.AMP
OUTPUT
Digital Recorder, etc.
Should you encounter unexpected results,
such as no sound being produced, check the
following.
White (L)
Red (R)
•
•
•
Are connections to other devices correctly made?
Check the connections once more.
Is the volume turned down?
Check the volume levels on any connected amp or mixer.
ꢂInserting a plug into the REC OUT/PHONES jack
automatically activates the built-in guitar-amp
simulator, enabling you to enjoy impressive guitar
sound even with headphones.
The same effect is applied to Gt. AMP OUTPUT at
this time, too.
Can you hear sound through the headphones when
headphones are connected?
If you can hear sounds, it may be that there is a short in the cable
used to connect the amp or other device, or perhaps a mistake in
an external device’s settings. Check the connecting cables and
external devices once more.
ꢂWhen you're performing using a guitar amp
connected to Gt. AMP OUTPUT, disconnect the
plug from the REC OUT/PHONES jack.
•
Sounds are not output when the toe of the expression
pedal is in the raised position while the pedal is set to
function as a volume pedal (p. E-9).
Expression
Pedal
E-3
Download from Www.Somanuals.com. All Manuals Search And Download.
Using the Effects
All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
Those companies are not affiliated with BOSS and have not licensed or authorized BOSS's ME-70. Their marks are used solely to identify the
equipment whose sound is simulated by BOSS's ME-70.
COMP/FX (Compressor/Effects)
You can select from among a wide variety of original effects, such as those that equalize the volume levels, or extend the sound without
distorting it (sustain).
fig.0140
TYPE knob
Use this to choose the type of compressor or effect.
This produces an effect that sustains the sound without
distortion. It also works as a limiter to suppress loud peaks in
the input signal.
1: COMP
2: T.WAH UP
This produces a wah effect matched to the intensity of picking.
3: T.WAH DOWN
4: SLOW GEAR
This removes the attack portion of the signal to create
violin-like sounds.
This simulates a fretless guitar.
5: DEFRETTER
6: Single Hum
7: Hum Single
8: SOLO
This changes a single-coil sound to a humbucker sound.
This changes a humbucker sound to a single-coil sound.
This produces the optimal sound for solo playing in
combination with OD/DS or PREAMP.
COMP Pedal
This switches the effect
on and off.
TYPE
What the controls do
SUSTAIN
ATTACK
LEVEL
COMP
This sets the sustain for the sound.
This sets the attack (onset) of the sound. This sets the volume level of the effect.
SENS
TONE
PEAK
T.WAH UP/
T.WAH DOWN
This sets the sensitivity of response to the This sets the tone (brightness) of the wah. This sets the intensity of the wah sound.
input sound.
SENS
ATTACK
LEVEL
SLOW GEAR
DEFRETTER
Single>Hum
Hum>Single
SOLO
This sets the sensitivity of response to the Adjusts the time needed for the volume This sets the volume level of the effect.
input sound.
to reach its maximum.
SENS
TONE
LEVEL
This sets the sensitivity of response to the This sets the tone.
input sound.
This sets the volume level of the effect.
LOW
HIGH
LEVEL
This adjusts the tone of the low fre-
quency range.
This adjusts the tone of the high fre-
quency range.
This sets the volume level of the effect.
LOW
HIGH
LEVEL
This adjusts the tone of the low fre-
quency range.
This adjusts the tone of the high fre-
quency range.
This sets the volume level of the effect.
LOW
HIGH
LEVEL
This adjusts the tone of the low fre-
quency range.
This adjusts the tone of the high fre-
quency range.
This sets the volume level of the effect.
E-4
Download from Www.Somanuals.com. All Manuals Search And Download.
Using the Effects
OD/DS (Overdrive/Distortion)
These effects add distinctive distortion or sustain.
fig.0140
TYPE knob
Use this to choose the type of overdrive or distortion.
This is a gain booster. It works well for creating distortion with a
COSM preamp, or for creating punchy clean tones when used
alone.
1: BOOST
This is an overdrive sound with natural-sounding distortion.
2: NATURAL
3: OD-1
This is the sound of the BOSS OD-1. It produces sweet,
mild distortion.
This is a unique overdrive that faithfully reproduces the
nuances of picking.
4: BLUES
This is a sharp distortion with rich sustain.
5: DIST
This is the sound of a vintage stack-type amp.
This is the sound of a large high-gain amp.
This is a distortion that emphasizes the midrange.
This is a distortion that cuts the midrange.
This is a distortion that is distinctively rough and heavy.
6: CLASSIC
7: MODERN
8: METAL
9: CORE
10: FUZZ
OD/DS pedal
This switches the effect
on and off.
What the controls do
DRIVE
TONE
LEVEL
Sets the intensity of the distortion.
Sets the brightness of the sound.
Sets the volume level for OD/DS.
E-5
Download from Www.Somanuals.com. All Manuals Search And Download.
Using the Effects
MODULATION
These effects broaden, modulate, and/or pitch shift the sound.
fig.0140
TYPE knob
Use this to choose the type of modulation.
1: CHORUS
This effect adds subtle wavering to transform the tone into one that is
broader, thicker, and more beautiful.
2: PHASER
3: FLANGER
4: ROTARY
5: UNI-V
This effect creates a sweeping, phase-shifted sound.
This creates a modulation effect like the rising and falling sound of a jet engine.
This effect produces the sound of rotating speakers.
This models the Uni-Vibe, an effect that's part of the rock sound of the 1960s.
This produces a retro effect through cyclical changes in the volume level.
6: TREMOLO
7: VIBRATO
This produces an intense vibrato effect unobtainable with normal guitar
playing.
8: HARMONIST This creates harmonies reminiscent of twin guitars.
Play only single notes when using the harmonist effect.
9: OCTAVE
10: DELAY
This imparts thickness by adding sound an octave lower.
MOD Pedal
This switches the effect
on and off.
Play only single notes when using the octave effect.
This delays the sound to produce an echo-like effect. At delay times of
100 to 990 ms (milliseconds), you can use it as a secondary delay.
TYPE
What the controls do
RATE
DEPTH
E. LEVEL
CHORUS
This sets the speed of the effect.
This sets the richness of the effect.
This sets the volume level of the effect.
RATE
DEPTH
RESONANCE
PHASER
FLANGER
ROTARY
UNI-V
This sets the speed of the effect.
This sets the richness of the effect.
This sets the intensity of the effect.
RATE
DEPTH
RESONANCE
This sets the speed of the effect.
This sets the richness of the effect.
This sets the intensity of the effect.
RATE
DEPTH
E. LEVEL
This sets the speed of the effect.
This sets the richness of the effect.
This sets the volume level of the effect.
RATE
DEPTH
E. LEVEL
This sets the speed of the effect.
This sets the richness of the effect.
This sets the volume level of the effect.
RATE
DEPTH
E. LEVEL
TREMOLO
VIBRATO
This sets the speed of the effect.
This sets the richness of the effect.
This sets the volume level of the effect.
RATE
DEPTH
E. LEVEL
This sets the speed of the effect.
This sets the richness of the effect.
This sets the volume level of the effect.
KEY
HARMONY
E. LEVEL
This sets the musical key of the song This sets the pitch of the harmony.
being played.
This sets the volume level of the effect.
HARMONIST
Ex.
-1 Octave
Detune
3rd
+1 Octave
—
D. LEVEL
E. LEVEL
OCTAVE
DELAY
This sets the volume level of the direct sound. This sets the volume level of the effect.
TIME
FEEDBACK
E. LEVEL
This sets the delay time (10 to 990
ms), in steps of 10 ms.
This set the number of repetitions for the delay. This sets the volume level of the effect.
You can control the RATE parameter using the expression pedal. For more information, read “Using Pedal FX” (p. E-9).
E-6
Download from Www.Somanuals.com. All Manuals Search And Download.
Using the Effects
DELAY
This delays the sound to produce an echo-like effect. It lets you add thickness and create complex sounds.
fig.0140
TYPE knob
Use this to choose the type of delay.
1: 1-99ms
This is a delay of 1 to 99 ms (milliseconds), which is ideal for a doubling
effect.
2: 100-990ms
This delay has a delay time of 100 to 990 ms (milliseconds).
3: 1000-6000ms
This is a delay of 1,000 to 6,000 ms (milliseconds), which is suited to
special effects.
4: ANALOG
This produces a mild analog delay sound.
5: MODULATE
This is a delay with a pleasant chorus-type effect added to the delay
repeats.
6: REVERSE
This produces the effect of playback in reverse.
7: CHO + DELAY
This produces chorus and delay effects at the same time.
(The settings for chorus cannot be changed.)
8: MOMENTARY
9: TAP
Delay is activated only while the DELAY pedal is pressed.
This determines the delay time by using the pedal.
10: PHRASE LOOP
This lets you record a performance and play it back repeatedly.
This is useful for both live performances and practice sessions.
DELAY pedal
This switches the effect
on and off.
In memory mode (p. E-10), MOMENTARY, TAP, and PHRASE LOOP pedal
operations use the number pedal for the currently selected patch.
TYPE
What the controls do
Ex.
FEEDBACK
E. LEVEL
TIME
2ms
99ms
1-99 ms
This sets the number of This sets the volume level of the delay sound.
repetitions for the delay.
This sets the delay time in steps of 1 ms.
Ex.
FEEDBACK
E. LEVEL
TIME
120ms
990ms
100-990 ms
This sets the number of This sets the volume level of the delay sound.
repetitions for the delay.
This sets the delay time in steps of 10 ms.
Ex.
FEEDBACK
E. LEVEL
TIME
1200ms
6000ms
This sets the number of This sets the volume level of the delay sound.
repetitions for the delay.
1000-6000 ms
This sets the delay time in steps of 100 ms.
Ex.
FEEDBACK
E. LEVEL
TIME
ANALOG
MODULATE
REVERSE
120ms
990ms
This sets the number of This sets the volume level of the effect.
repetitions for the delay.
This sets the delay time (10 to 990 ms), in steps of 10 ms.
CHO + DELAY
MOMENTARY
When TYPE is set to REVERSE, this adjusts the
balance of direct and effect sound.
Ex.
FEEDBACK
E. LEVEL
This sets the number of This sets the volume level of the delay sound.
repetitions for the delay.
This sets the beat for the delay sound.
TAP
“Applying Effects in Time with the Song Tempo (Tap
Tempo)” (p. E-14)
—
—
E. LEVEL
PHRASE LOOP
“Phrase Loop Play” (p. E-15)
You can control the E. LEVEL parameter using the expression pedal. For more information, read “Using Pedal FX” (p. E-9).
E-7
Download from Www.Somanuals.com. All Manuals Search And Download.
Using the Effects
fig.0160
PREAMP
This models preamp response. You can also use it as an equalizer.
fig.0140
TYPE knob
Use this to choose the type of preamp.
This turns off preamp modeling.
0: OFF
This is a 4-band parametric equalizer.
1: EQ
This is a clean sound that is smooth and warm.
This is a crunch sound reminiscent of a VOX combo amp.
This is a crunch sound like that of a Fender Bassman.
This is a sound reminiscent of 1970s Marshall amps.
This is a high-gain lead sound.
2: CLEAN
3: COMBO
4: TWEED
5: STACK
6: LEAD STK
7: R-FIER
This models a Mesa/Boogie Dual Rectifier.
TYPE
EQ
What the controls do
LEVEL
LOW
LOW-MID
HIGH-MID
HIGH
This sets the overall vol-
ume level.
These adjust the volume
of the respective EQ bands.
Frequency
GAIN
LEVEL
BASS
MIDDLE
TREBLE
This sets the
amount of distor-
tion of the preamp.
This sets the overall vol-
ume level of the pre-
amp.
CLEAN
COMBO
TWEED
STACK
LEAD STK
R-FIER
These adjust the volume
of the respective EQ bands.
Frequency
fig.0160
NS (Noise Suppressor)
This suppresses the noise and hum picked up by the guitar's pickup.
NS THRES (Noise Suppressor Threshold)
fig.0140
This adjusts the effect in response to the level of noise. A value of 0 switches off the noise suppressor.
Setting this higher than necessary may cause no sound to be produced when the guitar is played at low volume.
E-8
Download from Www.Somanuals.com. All Manuals Search And Download.
Using the Effects
REVERB
This adds lingering reverberations to the sound.
This adjusts the type of reverb and the size of the effect.
ROOM
HALL
This simulates the reverberations inside a room (setting value: 0. through 49.)
This simulates the reverberations inside a hall (setting value: 0. through 49.)
Display example
ROOM 12
HALL 49
The dot indicates that
the effect is HALL reverb.
PEDAL FX (Pedal Effects)
This produces a variety of effects using the unit's expression pedal.
fig.0140
Use this to choose the type of PEDAL FX.
1: WAH
This is a wah effect.
2: VOICE
This lets you create sounds that simulate a human voice.
3: +1 OCTAVE
4: -1 OCTAVE
This lets continuously vary the pitch up to one octave higher or lower than the
original sound.
Play single notes.
5: MOD RATE
6: DELAY LEV
This lets you control the rate of the MODULATION effect.
The MODULATION effect's RATE knob determines the maximum value of the range controlled with the
expression pedal.
This lets you control delay level when you're using the DELAY effect.
The DELAY effect's E. LEVEL knob determines the maximum value of the range controlled with the
expression pedal.
Using Pedal FX
PEDAL FX
Indicator
Firmly pressing the toe of the expression pedal (while putting some weight into it) switches the
function of the expression pedal.
PEDAL FX Indicator Explanation
Dark
Lit
Functions as VOLUME (volume pedal).
Functions as the effect selected using the PEDAL FX knob.
E-9
Download from Www.Somanuals.com. All Manuals Search And Download.
Saving/Calling Up and Using Tones
(Memory Mode)
The ME-70 has two primary operating modes: Manual mode and Memory mode. In Manual mode, the tones are produced by the actual positions
of the front-panel knobs for the various effects. In contrast, Memory mode allows you to save tone settings and recall them for later use.
Patches and Banks
In Memory mode, a combination (or set) of effects together with a
group of parameter settings is called a “patch.”
User Bank 9
User Bank 3
Preset Bank 9
Preset Bank 3
A group of four patches is called a “bank,” and the respective
patches in a bank correspond to the number pedals.
The banks are organized into nine “user banks” that you can freely
read from or write to, and nine read-only “preset banks.”
In total, the ME-70 has 72 patches.
User Bank 2
Preset Bank 2
Patch
Patch
User Bank 1
Preset Bank 1
Patch
Patch
Patch
ch
ch
Patch
Patch
Patch
Patch
ch
ch
Patch
These are read-only.
(Writing to them is not possible.)
You can read from
and write to these
without restriction.
Number Pedals
Changing Between the Manual and Memory Modes
When the unit is in Manual mode, the dot at the bottom right
of the display lights up. When the unit is in Memory mode, the
currently selected bank number is displayed.
1
1. Press number pedals 3 and 4 at the same time.
Manual Mode
Memory Mode
(User Bank 1)
Memory Mode
(Preset Bank 2)
2. Each press switches the ME-70 between Manual
mode and Memory mode.
Saving Tones (Patch Write)
This saves the control settings in a patch.
1. Press [WRITE].
The pedal indicators flash.
Œ
Œ
You can perform patch-write operations either in Manual mode or in Memory
mode.
2. Choose the user bank and patch number where
you'd like to save the patch.
Performing a patch-write operation switches the unit into Memory mode.
Œ
Choose the user bank number by pressing BANK [
] and [
].
Œ
Choose the patch number by pressing a number pedal (1 through 4).
Œ
Œ
Until you perform a patch-write operation, switching off the power or changing
patches will cause any tones you've created to be lost.
Carrying out a write operation causes any tone already saved at the destination
To stop the Write procedure, press [EDIT/EXIT].
patch to be lost.
fig.0270
3. Press [WRITE] again.
Pedal
Indicators
The tone is saved.
1, 3
2
2
To copy a patch, call up the patch you want to copy (p. E-11), then simply carry
out a write operation. You can copy the patch by choosing a different patch
number and saving it there.
E-10
Download from Www.Somanuals.com. All Manuals Search And Download.
Saving/Calling Up and Using Tones (Memory Mode)
Calling Up Tones (Patches)
To switch patches, use BANK [
(1-4).
] [
] and the number pedals
1. Press BANK [
] [
].
Choose the bank number to which you want to switch.
The displayed bank number flashes. (At this time, the tones are not yet
switched.)
For the bank number, you can choose a user bank from U1 through U9 or a
preset bank from P1 through P9.
Pressing number pedals 1 and 2 at the same time enables bank selection using
number pedals 1 and 2. After choosing the bank, you confirm the selection by
pressing number pedal 3 or 4.
2. Press any one of the number pedals from 1 through
4.
The unit switches to the patch with in the bank number you chose in
Step 1.
2
1
When you're selecting a patch within the same bank, you can skip Step 1.
You can also switch bank numbers using a foot switch. For more information,
read “Using External Foot Switches” (p. E-13).
Changing Tone Settings (Memory Edit Mode)
In Memory mode, editing effects or changing the noise-suppressor
threshold (NS THRES) is not possible.
When you want to make these changes, put the unit in Memory Edit
mode.
1. Refer to “Calling Up Tones (Patches)” and call up the
patch whose settings you want to change.
2. Press [EDIT/EXIT].
The unit switches to Memory mode and “Ed” appears in the display.
2, 4
3
3. Use the controls, pedals, and buttons to modify the
tone.
In Memory Edit mode, in Manual mode, the number pedals switch
effects on and off, and [
parameter.
] and [
] manipulate the NS THRES
4. Press [EDIT/EXIT].
The unit returns to Memory mode.
5. If you want to save the tone whose settings you've
changed, carry out a patch-write operation (p. E-10).
Until you perform a patch-write operation, switching off the power or changing
patches will cause any tones you've created to be lost.
E-11
Download from Www.Somanuals.com. All Manuals Search And Download.
Convenient Functions
Creating Tones with Ease (EZ Tone)
EZ Tone is a feature for creating sounds quickly and easily by calling up saved parameter settings for each individual effect type.
The ME-70 comes from the factory with optimal settings for each effect type saved as EZ Tones. If you like, you can edit an EZ Tone and save
your changes over the factory setting. This allows you to use EZ Tone to quickly call up your favorite settings for each effect type.
Choosing (Calling Up) an EZ Tone
When EZ TONE is on, you call up the saved settings for an effect with
its TYPE knob.
1. Press [EZ TONE].
The EZ TONE indicator lights.
1
2
Œ
Œ
You can use the number pedals to switch the effects on and off, allowing you to
check each effect's sound by itself.
To switch off PREAMP, use the TYPE knob to select OFF.
2. Use an effect’s TYPE knob to choose its EZ Tone.
Optimal effect parameters for the chosen TYPE value are set
automatically.
After you choose an EZ Tone, you can use the effect's controls to fine-tune the
sound as desired.
Saving the Created Tone as an EZ Tone
If you edit an EZ Tone with an effect's controls, you can save the
changes.
1. Hold down [EZ TONE] and press [WRITE].
The indicator for the save-destination effect flashes.
1
3
2
Pressing only [WRITE] commences the procedure for saving the current settings
for all effects as a patch.
2. Use BANK [
want to save.
] and [
] to choose the effect you
The selection cycles through the choices in this sequence, with the
current choice flashing: COMP/FX ꢀ OD/DS ꢀ MODULATION ꢀ DELAY
ꢀ PREAMP ꢀ all effects ꢀ COMP/FX ꢀ ...
When you select “all effects,” you’re saving the EZ Tones for every effect.
3. Press [WRITE].
The edited EZ Tone is stored in memory at the location now selected by
the TYPE knob.
Performing a save operation causes any previous EZ Tone already saved at the
TYPE destination to be lost.
Checking the Values of Controls
Operations such as calling up patches or EZ Tones may result in
discrepancies between the set parameters and the positions shown
by the controls.
1. Hold down [EDIT/EXIT] and turn the control for the
value you want to check.
The value of the control appears in the display for a brief time.
You can get the actual parameter values to appear in the display so
you can check them.
E-12
Download from Www.Somanuals.com. All Manuals Search And Download.
Convenient Functions
Tuning the Guitar (Tuner)
3. Play a single open note on the string to be tuned.
The name of the note closest to the pitch of the string played appears
in the display.
(C)
(F)
( sign)
(G)
(D)
(A)
(E)
(B)
4. Tune so that the desired pitch is displayed and both
tuning guide indicators light up.
1
2
Tuning Guide
1. Press number pedals 2 and 3 at the same time.
Each press switches the tuner on or off.
2. If necessary, you can change the reference pitch.
Too high
Too low
Tuned
When the tuner is on, you can change the reference pitch by pressing
(rapid flashing)
(rapid flashing)
NS THRES/BANK [
] or [
].
Display
35–45
Pitch
435–445 (Hz)
Bypass Feature (BYPASS)
In Tuner mode, the sound output is the same as the input
sound, with no effects applied (bypass).
Œ
Œ
The reference pitch appears in the display for a brief time.
You can use the expression pedal to control the volume.
The reference pitch setting is saved automatically, so there is no need to make
this setting each time you tune.
Œ
The reference pitch was set to 40 (440 Hz) when the unit was shipped from the
factory.
Using External Foot Switches
Connecting an optional footswitch (the BOSS FS-5U or FS-6) lets you
carry out the following operations.
Mode
Function
Manual
Switches the PREAMP effect on or off
Switches the REVERB effect on or off
Bank Number Up, Bank Number Down
1/4” phone cable (monaural)
(Commercially available item)
(Commercially available item)
Stereo 1/4” phone cable
Memory
PCS-31L cable
(Sold separately)
Footswitch
BOSS FS-6
(Sold separately)
Footswitch
BOSS FS-5U
(Sold separately)
Red
White
To prevent malfunction and/or damage to speakers or other devices, always
turn down the volume and turn off the power to all devices before making any
connections. Disconnecting or connecting plugs during startup may switch the
PREAMP effect or REVERB effect on or off.
If you're using an FS-5U switch, set the
POLARITY switch as shown in the
following.
If you're using an FS-6 switch, set the MODE
and POLARITY switches as shown below.
B
A
Manual
Mode
REVERB
ON/OFF
PREAMP
ON/OFF
REVERB
ON/OFF
PREAMP
ON/OFF
PREAMP
ON/OFF
Memory
Mode
Bank
Down
Bank
Up
Bank
Down
Bank
Up
Bank
Up
E-13
Download from Www.Somanuals.com. All Manuals Search And Download.
Convenient Functions
Applying Effects in Time with the Song Tempo (Tap Tempo)
When the DELAY effect is set to TAP, you can set the delay's tempo
by pressing a pedal in time with tempo of a song.
1. Set the DELAY effect's TYPE knob to TAP.
The pedal's indicator flashes in time with the currently set delay time.
2. Set the TIME knob at
or
.
This section describes how to carry out the operation when in Manual mode.
When you're in Memory mode, you can accomplish the same operation by
Choose the rhythm for the delay sound that's produced (dotted eighth
note or quarter note).
using the number pedal for the currently selected patch.
fig.0180
3. Press the DELAY pedal at least twice in time with the
song's tempo.
Timing
The timing of the delay sound is determined by the timing with which
you press the pedal. The ME-70 interprets each press as a quarter-note
interval, and sets the delay according to the note value set in Step 2.
The pedal's indicator flashes in time with the tempo you input.
Delay Sound
TIME knob
Setting Modulation Speed and Delay Time Using the Pedals
In addition to adjusting the speed (frequency) of modulation and
the delay time using the knobs, you can also set the timings you
want using the pedals.
1. Use the TYPE knobs for the MODULATION and
DELAY effects to choose the desired effects types.
When one of the TYPE settings shown below has been selected for the
MODULATION or DELAY effect, the settings described in this section cannot be
made using the pedals.
Effect
TYPE value
MODULATION HARMONIST
OCTAVE
DELAY
MOMENTARY
TAP
If you wish to select TAP as the DELAY effect, use the procedure described in
“Applying Effects in Time with the Song Tempo (Tap Tempo)” to set the delay
time with a pedal.
Pedal
Indicators
1
1
2–4
2. Hold down the MOD or DELAY pedal for at least two
seconds.
Œ
Œ
This section describes how to carry out the operation when in the Manual
mode. When you're in the Memory mode, you can accomplish the same
operation by using the number pedal for the currently selected patch.
Two seconds after you begin pressing the pedal, the pedal's indicator
starts to flash.
When you're in Memory mode and the MODULATION and DELAY effects are
both on, you can make the setting for only the delay time.
3. Press the MOD or DELAY pedal at least twice at the
speed you want.
The speed of the effect is set by the timing with which you press the
pedal. The pedal's indicator flashes in time with the modulation rate or
the delay sound.
4. Once again hold down the MOD or DELAY pedal for
at least two seconds.
The setting for the speed is completed, and the effect is turned on. The
pedal's indicator stops flashing and stays steadily illuminated.
After you've finished making the settings, moving the RATE knob or the TIME
knob deactivates the effect timing set using the pedal and returns priority to
the knob setting.
E-14
Download from Www.Somanuals.com. All Manuals Search And Download.
Convenient Functions
Phrase Loop Play
You can record up to 38 seconds of a performance and play back the
recorded section over and over. You can also layer additional
performances with the recording as it plays back (overdubbing).
This lets you create realtime backing performances on the fly.
1. Set the DELAY effect's TYPE knob to PHRASE LOOP.
The unit goes into recording standby and the pedal's indicator flashes
at a fixed interval.
2. Press the DELAY pedal.
Recording starts as soon as you press the DELAY pedal, and the pedal’s
indicator flashes rapidly.
This section describes how to carry out the operation when in Manual mode.
When you're in Memory mode, you can accomplish the same operation by
using the number pedal for the currently selected patch.
3. Press the DELAY pedal again.
Recording ends. As soon as recording stops, repeated playback of
what's been recorded starts, and the pedal's indicator lights
continuously.
An oscillating sound may be audible with extremely short recording times.
4. To layer additional recordings (overdubbing), repeat
Steps 2 and 3.
Pedal
Indicators
When you switch the DELAY effect's TYPE knob to another position or turn the
power off, the recorded data is deleted.
1
5
2,3,6
2.
5. Adjust the phrase loop's volume as desired with the
DELAY effect's E. LEVEL knob.
1.
STANDBY
REC
6. Press the pedal twice switch to stop the playback.
The unit returns to recording standby.
6.
6.
3.
Œ
Œ
Press the DELAY pedal twice within the span of one second.
When playback ends, the recorded data is deleted.
4.
4.
OVERDUB
PLAY
Pedal
Indicator
Lit
Dark
Making the Settings for Control Operation
When you call up patches or EZ Tones, an effect's parameters may
1. Press number pedals 3 and 4 at the same time to
not reflect the actual position of the control knobs. You can set how
the parameters behave when the control knobs are moved in this
state.
change to Manual mode (p. E-10).
2. Hold down [EDIT/EXIT] and press the COMP pedal.
3. Use NS THRES/BANK [
] or [
] to select the
method of control operation.
Display
n0
Control operation
The value changes immediately as the knob is
turned (factory setting).
n1
The value changes once the knob is turned past
the position corresponding to the currently set
value.
4. Press [WRITE].
The setting is stored in memory.
4
3
2
1
E-15
Download from Www.Somanuals.com. All Manuals Search And Download.
You can restore the settings in the ME-70 (User patch, tuner
reference pitch, and knob response method (p. E-15)) to the values
set when the unit was shipped from the factory.
1. Press number pedals 3 and 4 at the same time to
switch to Manual mode (p. E-10).
2. Hold down [EDIT/EXIT] press MOD Pedal.
3, 4
“F” appears in the display.
3. Press [WRITE].
The Tuning Guide flashes.
4. Press [WRITE] again.
The display flashes and the factory reset is executed.
Never turn off the power while Factory Reset is in progress.
2
1
Adjusting the Expression Pedal
The ME-70's expression pedal has been set for optimal operation at
1. Press number pedals 3 and 4 at the same time to
the factory. However, extended use and certain operating
environments can result in the pedal going out of adjustment.
If you encounter problems such as the expression pedal's ON/OFF
switch not functioning or the volume pedal not fully cutting off the
sound, you can use the following procedure to readjust the pedal.
switch to Manual mode (p. E-10).
2. Hold down [EDIT/EXIT] press DELAY Pedal.
The display shows “Pd,” then “Up.”
3. Move the heel of the expression pedal all the way
down, then release the pedal and press [WRITE].
The display shows “dn.”
3,4,6
4
4. Move the toe of the expression pedal all the way
down, then release the pedal and press [WRITE].
A value indicating the current stiffness (sensitivity) of the expression
pedal switch appears in the display.
If the display flashes in Steps 3 or 4, press the pedal again, and then press
[WRITE].
5. Use NS THRES/BANK [
] and [
] to adjust the
stiffness (sensitivity) of the expression pedal switch.
The lower the value, the more easily the switch will respond, even when
pressed lightly.
5
3
2
1
This is set to “5” when shipped from the factory.
When operating the expression pedal, be careful not to get your fingers
pinched between the movable part and the panel. In places with small children,
an adult should provide supervision and guidance until the child is capable of
following all the rules essential for the safe operation of the unit.
6. Press [WRITE].
The setting is saved in memory.
E-16
Download from Www.Somanuals.com. All Manuals Search And Download.
Appendices
Preset Patch List
Patch
Explanation
PU
Number
1-1
1-2
1-3
1-4
2-1
2-2
2-3
2-4
3-1
3-2
3-3
3-4
4-1
4-2
4-3
4-4
5-1
5-2
5-3
5-4
6-1
6-2
6-3
6-4
7-1
7-2
7-3
7-4
8-1
8-2
8-3
8-4
9-1
9-2
9-3
9-4
Rough distortion sound, good for backing.
S/H
S/H
S/H
S/H
H
Well sustained distortion sound, good for solos.
Crunch sound suitable for blues.
Clean sound for arpeggio.
Metal sound good for riffs.
Fuzz sound of the 60s with UNI-V. Speed of UNI-V effect can be changed with expression pedal.
Crunch sound, good for chord strokes.
S
S/H
S/H
S/H
S
Tight, clean sound, good for rhythm.
Drive sound for 70s hard rock.
Metal sound, good for single-coil pickups.
Rotary sound of the 70s. Speed of ROTARY effect can be changed with expression pedal.
Jazz sound, suitable for neck pickup.
S/H
H
Sweet drive sound for latin rock. Level of DELAY effect can be controlled with expression pedal.
This is a whimsical sound suited to 1970s progressive rock.
Tremolo sound, good for 60s surf rock.
H
S
S
Clean sound with T.WAH for funk.
Distortion sound for 80s metal.
S
H
This raises the pitch by an octave when the expression pedal is operated. It is suited to single-note phrases.
Crunch sound with COMPRESSOR for solos.
S/H
S
Phaser sound, good for rhythm.
S/H
S/H
S/H
S/H
S/H
S/H
S/H
S
Drive sound, good for punk rock.
Twin-lead-like distortion sound for single-note phrases in A minor (C major.)
90s alternative-rock sound.
Clean sound with pedal wah, good for rhythm.
Mild lead sound for jazz-fusion.
This produces an effect like a talk box when the pedal is operated.
Slap-back echo sound for country.
Clean tone for 60s Liverpool sound.
Heavy distortion combining sound an octave lower.
Wild distortion with FLANGER.
S
H
H
Hard rock sound with PHASER.
H
Changes a single-coil-pickup sound to a clean, humbucker sound.
This tone is suited to solos that combine PEDAL WAH and DISTORTION.
Synth-like sound using SLOW GEAR.
S
S/H
S
This is a crunch sound that uses a dotted eighth note delay. Pressing the number pedals changes the delay time.
Fretless guitar sound.
S
S
Œ
Œ
S = Patch that is optimal for a single-coil pickup
H = Patch that is optimal for a humbucking pickup
The entries under “PU” in the chart indicate the type of pickup suited to the respective patch.
Specifications
Output
Impedance
AC Adaptor: BOSS PSA series
Footswitch: BOSS FS-5U, FS-6
ME-70: GUITAR MULTIPLE EFFECTS
2k ohms
Options
24-bit + AF method
Display
7 segments, 2 digits LED
DC 9 V
Œ
Œ
0 dBu = 0.775 Vrms
In the interest of product improvement, the specifications and/or ap-
pearance of this unit are subject to change without prior notice.
Œ
AF method (Adaptive Focus method)
AD
Conversion
This is a proprietary method from Roland & BOSS
that vastly improves the signal-to-noise (S/N) ra-
tio of the A/D and D/A converters.
Power Supply
Current Draw
Dry Batteries (R6/LR6(AA) type) x 6
AC Adaptor (BOSS PSA series: sold separately)
130 mA
DA
Conversion
24-bit
Alkaline: 12 hours
Carbon: 3.5 hours
(These figures will vary depending on the
actual conditions of use.)
Expected bat-
tery life under
continuous use
Sampling
Frequency
44.1 kHz
Patch
36 (User) + 36 (Preset)
GUITAR INPUT: -10 dBu
AUX IN: -18 dBu
384 (W) x 229 (D) x 74 (H) mm
15-1/8 (W) x 9-1/16 (D) x 2-15/16 (H) inches
Nominal
Input Level
Dimensions
Maximum height:
384 (W) x 229 (D) x 100 (H) mm
15-1/8 (W) x 9-1/16 (D) x 3-15/16 (H) inches
GUITAR INPUT: 1M ohm
AUX IN: 22k ohms
Input
Impedance
Weight
3.5 kg, 7 lbs 12 oz (including batteries)
Nominal
Output Level
-10 dBu
Owner's Manual
Dry Batteries (Alkaline: LR6 (AA) type) x 6
Roland Service (Information Sheet)
Accessories
E-17
Download from Www.Somanuals.com. All Manuals Search And Download.
Appendices
USING THE UNIT SAFELY
019
108b
•
Batteries must never be
recharged, heated, taken apart,
or thrown into fire or water.
•
Before moving the unit,
disconnect the AC adaptor and
all cords coming from external
devices.
The
symbol alerts the user to important instructions or
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
..............................................................
The
symbol alerts the user to items that must never be
109b
•
carried out (are forbidden). The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
Before cleaning the unit, turn off
the power and unplug the AC
adaptor from the outlet (p. E-3).
...............................................................
*
Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
027
•
The
ꢂ
symbol alerts the user to things that must be
Never expose Battery to
excessive heat such as sunshine,
fire or the like.
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
..............................................................
110b
...............................................................
•
Whenever you suspect the
possibility of lightning in your
area, disconnect the AC adaptor
from the outlet.
101b
..............................................................
010
•
002c
•
•
The unit and the AC adaptor
should be located so their
location or position does not
interfere with their proper venti-
lation.
This unit, either alone or in
combination with an amplifier
and headphones or speakers,
Do not open (or modify in any
way) the unit or its AC adaptor.
111: Selection
•
may explode or leak and cause
damage or injury. In the interest
of safety, please read and
observe the following precau-
tions (p. E-2).
may be capable of producing
..............................................................
sound levels that could cause permanent
hearing loss. Do not operate for a long
period of time at a high volume level, or
at a level that is uncomfortable. If you
experience any hearing loss or ringing in
the ears, you should immediately stop
using the unit, and consult an audiologist.
...............................................................
003
•
Do not attempt to repair the
unit, or replace parts within it
(except when this manual
provides specific instructions
directing you to do so). Refer all
servicing to your retailer, the
nearest Roland Service Center,
or an authorized Roland
102d
•
Always grasp only the output
plug or the body of the AC
adaptor when plugging into, or
unplugging from, this unit or an
outlet.
1
•
Carefully follow the instal-
lation instructions for
batteries, and make sure you
observe the correct polarity.
..............................................................
2
3
5
...............................................................
012c
•
•
•
•
Avoid using new batteries together
with used ones. In addition, avoid
mixing different types of batteries.
103b
Immediately turn the power off,
remove the AC adaptor from the
outlet, and request servicing by
your retailer, the nearest Roland
Service Center, or an authorized
Roland distributor, as listed on
the “Information” page when:
distributor, as listed on the
“Information” page.
•
At regular intervals, you should
unplug the AC adaptor and
clean it by using a dry cloth to
wipe all dust and other accumu-
lations away from its prongs.
Also, disconnect the power plug
from the power outlet whenever
the unit is to remain unused for
an extended period of time. Any
accumulation of dust between
the power plug and the power
outlet can result in poor
..............................................................
Remove the batteries whenever the
unit is to remain unused for an
extended period of time.
004
•
Never install the unit in any of
the following locations.
•
Subject to temperature
extremes (e.g., direct
•
The AC adaptor or the power-supply
cord has been damaged; or
If a battery has leaked, use a soft
piece of cloth or paper towel to wipe
all remnants of the discharge from
the battery compartment. Then
install new batteries. To avoid inflam-
mation of the skin, make sure that
none of the battery discharge gets
onto your hands or skin. Exercise the
utmost caution so that none of the
discharge gets near your eyes.
sunlight in an enclosed
vehicle, near a heating duct,
on top of heat-generating
equipment); or are
•
•
If smoke or unusual odor occurs
Objects have fallen into, or liquid has
been spilled onto the unit; or
•
•
The unit has been exposed to rain (or
otherwise has become wet); or
The unit does not appear to operate
normally or exhibits a marked change
in performance.
insulation and lead to fire.
•
Damp (e.g., baths, washrooms, on
wet floors); or are
...............................................................
104
•
•
•
•
•
•
•
Exposed to steam or smoke; or are
Subject to salt exposure; or are
Humid; or are
Exposed to rain; or are
Dusty or sandy; or are
Try to prevent cords and cables
from becoming entangled. Also,
all cords and cables should be
placed so they are out of the
reach of children.
Immediately rinse the affected area
with running water if any of the
discharge has entered the eyes.
..............................................................
013
•
In households with small
children, an adult should
provide supervision until the
child is capable of following all
the rules essential for the safe
operation of the unit.
6
Subject to high levels of vibration and
shakiness.
...............................................................
•
Never keep batteries together with
metallic objects such as ballpoint
pens, necklaces, hairpins, etc.
106
•
Never climb on top of, nor place
heavy objects on the unit.
..............................................................
007
..............................................................
•
Make sure you always have the
unit placed so it is level and sure
to remain stable. Never place it
on stands that could wobble, or
on inclined surfaces.
112
..............................................................
•
Used batteries must be disposed
of in compliance with whatever
regulations for their safe
disposal that may be observed
in the region in which you live.
...............................................................
014
•
107d
Protect the unit from strong
impact.
•
Never handle the AC adaptor
body, or its output plugs, with
wet hands when plugging into,
or unplugging from, an outlet or
this unit.
(Do not drop it!)
..............................................................
..............................................................
008b
..............................................................
•
Use only the specified AC
adaptor (PSA series), and make
sure the line voltage at the
installation matches the input
voltage specified on the AC
adaptor’s body. Other AC
adaptors may use a different
polarity, or be designed for a
different voltage, so their use
could result in damage,
015
•
Do not force the unit’s power-
supply cord to share an outlet
with an unreasonable number of
other devices. Be especially
careful when using extension
cords—the total power used by
all devices you have connected
to the extension cord’s outlet
must never exceed the power
rating (watts/amperes) for the
extension cord. Excessive loads
can cause the insulation on the
cord to heat up and eventually
melt through.
...............................................................
For China
malfunction, or electric shock.
..............................................................
009
•
Do not excessively twist or bend
the power cord, nor place heavy
objects on it. Doing so can
damage the cord, producing
severed elements and short
circuits. Damaged cords are fire
and shock hazards!
..............................................................
016
•
Before using the unit in a foreign
country, consult with your
retailer, the nearest Roland
Service Center, or an authorized
Roland distributor, as listed on
the “Information” page.
..............................................................
011
•
Do not allow any objects (e.g.,
flammable material, coins, pins);
or liquids of any kind (water, soft
drinks, etc.) to penetrate the
unit.
..............................................................
..............................................................
E-18
Download from Www.Somanuals.com. All Manuals Search And Download.
Appendices
For EU Countries
Important Notes
UK
DE
FR
Power Supply: Use of
Maintenance
401a
Batteries
•
For everyday cleaning wipe the unit with
a soft, dry cloth or one that has been
slightly dampened with water. To remove
stubborn dirt, use a cloth impregnated
with a mild, non-abrasive detergent.
Afterwards, be sure to wipe the unit
thoroughly with a soft, dry cloth.
301
•
Do not connect this unit to same
electrical outlet that is being used by an
electrical appliance that is controlled by
an inverter (such as a refrigerator,
washing machine, microwave oven, or air
conditioner), or that contains a motor.
Depending on the way in which the
electrical appliance is used, power supply
noise may cause this unit to malfunction
or may produce audible noise. If it is not
practical to use a separate electrical
outlet, connect a power supply noise
filter between this unit and the electrical
outlet.
IT
402
•
Never use benzine, thinners, alcohol or
solvents of any kind, to avoid the possi-
bility of discoloration and/or defor-
mation.
ES
PT
NL
Repairs and Data
452
•
Please be aware that all data contained in
the unit’s memory may be lost when the
unit is sent for repairs. Important data
should always be written down on paper
(when possible). During repairs, due care
is taken to avoid the loss of data.
302
DK
NO
•
The AC adaptor will begin to generate
heat after long hours of consecutive use.
This is normal, and is not a cause for
concern.
303a
•
The use of an AC adaptor is recom-
SE
However, in certain cases (such as when
circuitry related to memory itself is out of
order), we regret that it may not be
possible to restore the data, and Roland
assumes no liability concerning such loss
of data.
mended as the unit’s power consumption
is relatively high. Should you prefer to use
batteries, please use the alkaline type.
FI
304b
HU
•
Batteries should always be installed or
replaced before connecting any other
devices. This way, you can prevent
malfunction and/or damage to speakers
or other devices.
PL
CZ
SK
EE
LT
Additional Precautions
551
•
306b
Please be aware that the contents of
memory can be irretrievably lost as a
result of a malfunction, or the improper
operation of the unit. To protect yourself
against the risk of loosing important data,
we recommend that you periodically
write down an important data you have
stored in the unit’s memory on paper.
•
Batteries are supplied with the unit. The
life of these batteries may be limited,
however, since their primary purpose was
to enable testing.
307
•
Before connecting this unit to other
devices, turn off the power to all units.
This will help prevent malfunctions and/
or damage to speakers or other devices.
552
LV
SI
•
Unfortunately, it may be impossible to
restore the contents of data that was
stored in the unit’s memory once it has
been lost. Roland Corporation assumes
no liability concerning such loss of data.
Placement
351
•
GR
Using the unit near power amplifiers (or
553
other equipment containing large power
transformers) may induce hum. To
alleviate the problem, change the orien-
tation of this unit; or move it farther away
from the source of interference.
•
Use a reasonable amount of care when
using the unit’s buttons, sliders, or other
controls; and when using its jacks and
connectors. Rough handling can lead to
malfunctions.
For the U.K.
352a
556
•
This device may interfere with radio and
television reception. Do not use this
device in the vicinity of such receivers.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: NEUTRAL
•
When connecting / disconnecting all
cables, grasp the connector itself—never
pull on the cable. This way you will avoid
causing shorts, or damage to the cable’s
internal elements.
BROWN: LIVE
352b
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the
terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
•
Noise may be produced if wireless
communications devices, such as cell
phones, are operated in the vicinity of
this unit. Such noise could occur when
receiving or initiating a call, or while
conversing. Should you experience such
problems, you should relocate such
wireless devices so they are at a greater
distance from this unit, or switch them
off.
558a
•
To avoid disturbing your neighbors, try to
keep the unit’s volume at reasonable
levels. You may prefer to use
For EU Countries
This product complies with the requirements of EMC Directive 2004/108/EC.
headphones, so you do not need to be
concerned about those around you
(especially when it is late at night).
For the USA
559a
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment
generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause
•
When you need to transport the unit,
package it in the box (including padding)
that it came in, if possible. Otherwise, you
will need to use equivalent packaging
materials.
355b
•
When moved from one location to
another where the temperature and/or
humidity is very different, water droplets
(condensation) may form inside the unit.
Damage or malfunction may result if you
attempt to use the unit in this condition.
Therefore, before using the unit, you
must allow it to stand for several hours,
until the condensation has completely
evaporated.
harmful interference to radio communications. However, there is no guarantee that interference will not occur in
a
particular
installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning
the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
562
•
Some connection cables contain resistors.
Do not use cables that incorporate
resistors for connecting to this unit. The
use of such cables can cause the sound
level to be extremely low, or impossible
to hear. For information on cable specifi-
cations, contact the manufacturer of the
cable.
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
360
•
Depending on the material and temper-
ature of the surface on which you place
the unit, its rubber feet may discolor or
mar the surface.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
You can place a piece of felt or cloth
under the rubber feet to prevent this
from happening. If you do so, please
make sure that the unit will not slip or
move accidentally.
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
(
)
For C.A. US Proposition 65
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
E-19
Download from Www.Somanuals.com. All Manuals Search And Download.
Index
MOMENTARY ...................................................................................... E-7
A
ANALOG ................................................................................................ E-7
ATTACK .................................................................................................. E-4
N
NS ............................................................................................................ E-8
NS THRES .............................................................................................. E-8
B
O
BANK ............................................................................................ E-10–11
OCTAVE ................................................................................................. E-6
OD ........................................................................................................... E-5
OUTPUT LEVEL .................................................................................... E-3
C
CHO + DELAY ...................................................................................... E-7
CHORUS ................................................................................................ E-6
COMBO .................................................................................................. E-8
COMP ..................................................................................................... E-4
COMP/FX .............................................................................................. E-4
PEAK ....................................................................................................... E-4
PEDAL FX .............................................................................................. E-9
PEDAL FX Switch ................................................................................ E-9
PHONES ................................................................................................. E-3
PHRASE LOOP ..................................................................................... E-7
POWER ON ........................................................................................... E-3
PREAMP ................................................................................................. E-8
D
D. LEVEL ................................................................................................. E-6
DEFRETTER ........................................................................................... E-4
DELAY ............................................................................................... E-6–7
DEPTH .................................................................................................... E-6
DRIVE ...................................................................................................... E-5
DS ............................................................................................................ E-5
RESONANCE ........................................................................................ E-6
REVERB .................................................................................................. E-9
REVERSE ................................................................................................ E-7
R-FIER ..................................................................................................... E-8
ROTARY ................................................................................................. E-6
E
EQ ............................................................................................................ E-8
EZ TONE .............................................................................................. E-12
F
S
FEEDBACK ....................................................................................... E-6–7
SENS ....................................................................................................... E-4
Single>Hum ........................................................................................ E-4
SLOW GEAR ......................................................................................... E-4
SOLO ...................................................................................................... E-4
STACK .................................................................................................... E-8
SUSTAIN ................................................................................................ E-4
G
Gt.AMP OUTPUT ................................................................................. E-3
GUITAR INPUT ..................................................................................... E-2
T.WAH .................................................................................................... E-4
TAP .......................................................................................................... E-7
TREMOLO ............................................................................................. E-6
TUNER .................................................................................................. E-13
H
HARMONIST ......................................................................................... E-6
HARMONY ............................................................................................ E-6
HIGH ....................................................................................................... E-4
Hum>Single ......................................................................................... E-4
K
UNI-V ...................................................................................................... E-6
L
LEAD STK ............................................................................................... E-8
LEVEL ...................................................................................................... E-8
V
VIBRATO ................................................................................................ E-6
M
Write ..................................................................................................... E-10
MEMORY MODE ............................................................................... E-10
MODULATE .......................................................................................... E-7
MODULATION ..................................................................................... E-6
G6037008R0
*
G
6
0
3
7
0
0
8
-
0
1
*
Download from Www.Somanuals.com. All Manuals Search And Download.
|