E L E C T R O S T A T I C L O U D S P E A K E R S
...the closest approach to the original sound
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‘Even if price weren’t an issue I’d be hard pushed
to find speakers that better the 988s’ combination
of talents... I can’t recommend them too highly’
Gramophone (March 2001)
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‘Quads can deliver a sublime
performance. They still take my breath
away with their profound revelation’
– Hi-Fi World , Noel Keywood
The closest approach...
There are few things in life as rewarding as a truly
invigorating live performance from our favourite artist
or orchestra.
It is often said of ‘box’ or cabinet mounted loudspeakers
that you can hear more of the box than the driver. This
is true, even with high-end ‘box’ loudspeakers. The box
- no matter how inert - will always colour the sound.
Electrostatic loudspeakers are therefore in a league of
their own in terms of ‘transparency’.
Reproducing that experience accurately in the home
requires loudspeakers that go beyond the conventional.
To really understand the ESL, a listener needs to be
familiar with the nature of a live performance. Whilst the
performance may be impressive and communicate all
kinds of emotions, it is never artificial. It sounds real
and natural.
But to get really close to the original sound, a standard
planar electrostatic speaker, needs more. At a live
performance, each sound comes from an identifiable
position on the stage. To reproduce this three-
dimensional sound ‘image’ accurately, we need to
produce an interference pattern upon the listener of
waves propagated from a pair of true point sources - in
much the same way as a laser produces a hologram.
The Quad ESL 988 and 989 speakers are the only
electrostatic speakers in the world to effectively mimic a
point-source.
At Quad, we believe this is the job of a loudspeaker.
To present the music in the raw, natural form -
nothing added, nothing taken away. In this respect,
the ESL is an acquired taste. It displays none of the
over-empasized bass boom or mid-range projection
that plagues moving-coil, box-bound speakers - so in
comparison, the ESL can seem rather meek and polite.
The characteristics, however, that can make these box
speakers so impressive, are also those that cause
fatigue and wear down the listener. Spend some time
with the ESL and you too will begin to realise that it’s
not always the one that shouts the loudest that gets
heard.
Five minutes spent listening to a well set-up pair of
Quad ESLs will confirm their ability to project the
positions of each and every vocalist in a choir, and
instrument in an orchestra - with a naturalness and level
of detail that makes the Quad ESL totally unique in
every respect.
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‘Going back to conventional speakers
afterwards merely highlights how great
the 989 is’ – Hi-Fi News (July 2000)
The closest approach...
Ask many of the finest recording professionals in the
world what their speaker of choice is as the answer is
surprisingly common. The Quad ESL opens a window
on a recording unlike any other speaker.
as an absolute reference? Next time you are visiting a hi-
fi show, look for the acoustic engineers - the amplifier
designers - even the other loudspeaker designers. More
likely than not, they will have a pair of ESLs hidden
away in a corner.
For professional musicians and studios, this is an
invaluable asset, for no matter how good a moving coil
loudspeaker may seem - no matter how impressive its
dynamic ability, the laws of physics are such that it
cannot be as fast and accurate as an electrostatic
transducer. An ESL is like a giant capacitor, tracking the
music signal with such precision and agility that using
them is the only real way to know exactly what is on the
recording.
Lastly consider the magazine reviewers - the so-called
critics with golden ears who listen daily to a multitude
of loudspeakers - assessing how they perform. What do
they use to compare all other speakers?
Once again, the results are clear. Although arguments
rage between them - Ken Kessler, Senior Reviewer at Hi-
Fi News Magazine awarded the ESL-57 ‘Product of the
Millennium’ back in 2000 and in his mind it has never
been surpassed. Paul Seydor, Hollywood editor and the
man in charge of the absolute sound waxes lyrical about
the ESL 63 at every opportunity, whilst Stereophile
magazine has awarded the ESL 989, not only Product of
the Year in 2004, but Component of the Year as well -
the highest of all awards. The real answer is that Quad
ESLs have always been in a class of their own, each
generation winning new fans and enthusiasts.
The Quad ESL has been used by Tony Faulkner for many
years. He use the ESL 63, the ESL 63 Pro and now uses a
pair of ESL 989s for his critical monitoring.
Tony has produced over a thousand classical music
recordings using the Quad ESL because he knows he
can trust what he hears - that the very essence of the
performance is being transferred.
Likewise with acoustic engineers - what do they regard
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‘When I return the 988s it will
be in a package much too small
for the speakers, but just large
enough to carry a check for
their remittance.’
– The Absolute Sound (July 2001)
‘The Best Late Night Speakers in
The World...ever!’
– Hi-Fi World (December 2000)
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ESL 989 vintage
After a number of years producing just a
single colour version of the ESL 988 and
ESL 989speakers, we decided to offer our
customers a couple of new alternatives.
Picture here is the ‘vintage’ finish, with
wooden top and base caps and an
classical style cloth ‘sock’
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ESL 988
The ESL-988 replaces the much-loved ESL-63 model.
Although of similar size and proportions, the
resemblance is only skin deep – for more than 90% of
the internal components have been re-designed,
upgraded, or modified. Twenty years of materials
science have led to improvements in virtually every
component and area of construction.
‘Quad has done it again: the
988s are world class - the single
driver presents a fabulously
together sound that’s tough to
match at any price’
The new model has better audio transformers, a new
power supply, improved diaphragms, a strong
heavyweight moulded base and new grille assemblies.
Particular attention has been given to the structural
integrity of the loudspeakers, which has been improved
beyond all recognition.
– What Hi-Fi? (December 2000)
The result of these changes is an electrostatic
loudspeaker that is as much a leader today as its
predecessor was 20 years ago. Larger dynamics and a
smoother response are two of the most noticeable
improvements in sound quality. A slight backward tilt
lifts the stereo image when these speakers are floor
standing.
ESL 989
The ESL-989 shares much of its technology with the ESL-
988, but it is a larger model with two extra bass panels
and a higher rated power supply. The extra panels
increase the bass output, but also contribute to an
enhanced performance in the mid-band, which was
already widely regarded as the cleanest in the world.
Although referred to as ‘bass panels’, the additional
electrostatic panels are, in fact, full range (as are all the
panels), but the increase in surface area allows a greater
volume of air to be moved, leading to an improvement
in the lower frequencies. This particular development
had been anticipated for many years, but was never
previously regarded as commercially and practically
viable.
The ESL-989 is Quad’s finest loudspeaker. It is a true full
range electrostatic loudspeaker reproducing music with
an ease and naturalness that is best described as
uncanny. It has a virtual absence of the familiar
loudspeaker problems of colouration, distortion, phase
and frequency response errors. All that remains is the
music and the original ambience. To the listener these
are the very ingredients needed to create a real
sensation of being there.
The Quad electrostatic loudspeakers are unique and
continue to be in a class of their own, but now have the
versatility and range to cope with a much wider
repertoire.
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Specifications
Model
Maximum Power Output
Sensitivity
ESL 988
ESL 989
2N/m2 at 2m on axis
2N/m2 at 2m on axis
1.5u bar per volt referred to 1m (86dB/2.83V RMS)
1.5u bar per volt referred to 1m (86dB/2.83V RMS)
8 ohm nominal
10V
Impedance
8 ohm nominal
10V
Maximum continuous input voltage
Programme peak ( 20 Hz to 20 kHz )
For undistorted output
40V
55V
40V
55V
Permitted peak input
125Hz . . . . . .5.0dB
500Hz . . . . . .6.4dB
1kHz . . . . . . . .7.2dB
8kHz . . . . . . .10.6dB
Directivity index
125Hz . . . . . .5.0dB
500Hz . . . . . .6.4dB
1kHz . . . . . . . .7.2dB
8kHz . . . . . . .10.6dB
-6dB at 35Hz 3rd order
-6dB > 20kHz
Axis band limits
( low level )
-6dB at 35Hz 3rd order
-6dB > 20kHz
220-240V or 110-120V
See rating details on base of unit
AC Input
220-240V or 110-120V
See rating details on base of unit
( double insulated )
1335mm x 670mm x 315mm
(including 185mm base)
Dimensions ( H x W x D )
(including 185mm base)
940mm x 670mm x 315mm
(including 185mm base)
25.3kg net
Weight
20.5kg net
Vintage & Nouveau
Both our international award-winning ESL
loudspeakers are now available for the first time in a
choice of colours and finishes. Whilst for some
audiophiles such details are of trifling importance,
Quad recognise that for many, the ESL needs to vanish
into it's surroundings visually as well as audibly –
whether these surroundings be a stately home or
docklands apartment.
The original black-on-black finish is now
complemented with the ‘Vintage’ and the ‘Nouveau’
finishes. Sonically, these are identical to the standard
model, but aesthetically, they offer more variety. The
Vintage models include a wooden base-plate, as well as
the wooden top-cap, reminiscent of the older ESL-63
and a woven – yet acoustically transparent sock as an
alternative to black. The Nouveau model has a brushed
metal top-cap and co-ordinated base to complement
the light blue colour of the cloth.
Vintage
Nouveau
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Quad Electroacoustics Ltd, IAG House, Sovereign Court, Ermine Business Park, Huntingdon, PE29 6XU
Tel :- 0845 4580011, Fax :- 01480 431767
www.quad-hifi.co.uk
The information in this brochure is subject to change without notice.
All rights reserved © 2004 Quad
Qu.ESL 25.10.2004
Quad is a member of the International Audio Group
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