DIGITAL ENSEMBLE
SX-PR604/M
SX-PR804/M
Operating Instructions
Before connecting, operating or adjusting this product, please read these
instructions completely. Please keep this manual for future reference.
This manual was printe
with soy based ink.
ENGLISH
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Caution for AC Mains Lead
WARNING: DO NOT CONNECT EITHER WIRE
TO THE EARTH TERMINAL WHICH IS MARKED
WITH THE LETTER E, BY THE EARTH SYMBOL
OR COLOURED GREEN OR GREEN/ YEL-
LOW.
(For United Kingdom)
(For the type as shown in figures A
and B)
For your safety, please read the following text
care-fully.
THIS PLUG IS NOT WATERPROOF
—KEEP DRY.
This appliance is supplied with a moulded three
pin mains plug for your safety and convenience.
A 5-ampere fuse is fitted in this plug. Should the
fuse need to be replaced please ensure that the
replacement fuse has a rating of 5-ampere and
that it is approved by ASTA or BSI to BS1362.
Before use
Remove the connector cover.
How to replace the fuse
The location of the fuse differ according to the type
of AC mains plug (figures A and B). Confirm the
AC mains plug fitted and follow the instructions
below. Illustrations may differ from actual AC
mains plug.
Check for the ASTA mark
on the body of the fuse.
or the BSI mark
If the plug contains a removable fuse cover you
must ensure that it is refitted when the fuse is re-
placed. If you lose the fuse cover the plug must
not be used until a replacement cover is obtained.
A replacement fuse cover can be purchased from
your local dealer.
1. Open the fuse cover with a screwdriver.
Figure A
Figure B
Fuse cover
CAUTION!
IF THE FITTED MOULDED PLUNG IS
UNSUITABLE FOR THE SOCKET OUTLET IN
YOUR HOME THEN THE FUSE SHOULD BE
RE-MOVED AND THE PLUG CUT OFF AND
2. Replace the fuse and close or attach the fuse
cover.
DIS-POSED OF SAFELY. THERE IS
A
DANGER OF SEVERE ELECTRICAL SHOCK
IF THE CUT OFF PLUG IS INSERTED INTO
ANY 13-AMPRERE SOCKET.
Figure B
Figure A
Fuse
(5 ampere)
Fuse
(5 ampere)
If a new plug is to be fitted please observe the
wiring code as stated below. If in any doubt please
consult a qualified electrician.
For United Kingdom and Republic of Ireland
IMPORTANT
The wires in this mains lead are coloured in accor-
dance with the following code:
www.panasonic.co.uk (for UK customers only)
•Order accessory and consumable items for your
product with ease and confidence by telephoning
our Customer Care Centre Mon–Friday
Blue: Neutral, Brown: Live.
As these colours may not correspond with the col-
oured markings identifying the terminals in your
plug, proceed as follows:
The wire which is coloured Blue must be con-
nected to the terminal which is marked with the
letter N or coloured Black or Blue.
The wire which is coloured Brown must be con-
nected to the terminal which is marked with the
letter L or coloured Brown or Red.
•O9:r00gaomo–n5l:i3n0eptmhr.o(uEgxhclouudrinIgntpeurnbelitcAhcocliedsasyosr.y)
•Morodsetrimngajaoprpclriceadtiitoann. d debit cards accepted.
•All enquiries transactions and distribution facilities
•aItrecopurlodvniüdfetdbedirseimctplylebr!y Panasonic UK Ltd.
Customer Care Centre
For UK customers: 08705 357357 For Republic of
Ireland customers: 01 289 8333
Technical Support
For UK customers: 0870 1 505610
This Technical Support Hot Line number is for
Panasonic PC software related products only.
For Republic of Ireland, please use the Customer
Care Centre number listed above for all enquiries.
For all other product related enquiries, please
use the Customer Care Centre numbers listed
above.
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THE FOLLOWING APPLIES
ONLY IN THE U.S.A.
WARNING:
TO REDUCE THE RISK OF FIRE, ELECTRIC
SHOCK OR PRODUCT DAMAGE, DO NOT EXPOSE
THIS APPARATUS TO RAIN, MOISTURE, DRIP-
PING OR SPLASHING AND THAT NO OBJECTS
FILLED WITH LIQUIDS, SUCH AS VASES, SHALL
BE PLACED ON THE APPARATUS.
CAUTION:
This equipment has been tested and found to
comply with the limits for a Class B digital device,
pursuant to Part 15 of the FCC Rules. These limits
are designed to provide reasonable protection
against harmful interference in a residential instal-
lation. This equipment generates, uses and can
radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may
cause harmful interference to radio communica-
tions. However, there is no guarantee that interfer-
ence will not occur in a particular installation. If this
equipment does cause harmful interference to radio
or television reception, which can be determined by
turning the equipment off and on, the user is en-
couraged to try to correct the interference by one
or more of the following measures:
THE FOLLOWING APPLIES ONLY
IN THE U.S.A. AND CANADA
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION:
TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT
REMOVE SCREWS.
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment
and receiver.
• Connect the equipment into an outlet on a circuit
different from that to which the receiver is con-
nected.
NO USER-SERVICEABLE PARTS
INSIDE.
REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
The lightning flash with arrowhead
symbol, within an equilateral tri-
angle, is intended to alert the user
to the presence of uninsulated
“dangerous voltage” within the pro-
duct’s enclosure that may be of
sufficient magnitude to constitute
a risk of electric shock to persons.
• Consult the dealer or an experienced radio/TV
technician for help.
FCC Warning:
To assure continued FCC emission limit compli-
ance, use only the provided power supply cord and
the shielded interface cable when connecting this
device to the computer.
Also, any unauthorized changes or modifications to
this equipment would void the user’s authority to
operate this device.
The exclamation point within an
equilateral triangle is intended to
alert the user to the presence of
important operating and main-
tenance (servicing) instructions in
the literature accompanying the
appliance.
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
(1) This device may not cause harmful interference,
and (2) this device must accept any interference
received, including interference that may cause un-
desired operation.
(for U.S.A. and Canada)
Responsible Party:
CAUTION:
Matshshita Electric Corporation of America
One Panasonic Way
Secaucus, NJ, 07094 USA
Telephone No.: 1-800-211-7262
TO PREVENT ELECTRIC SHOCK MATCH WIDE
BLADE OF PLUG TO WIDE SLOT, FULLY IN-
SERT.
THE FOLLOWING APPLIES ONLY IN THE U.S.A.
The model number and serial number are found
underneath the keyboard.
Please note the model and serial numbers in the
space provided below and retain this sheet as a
permanent record of your purchase to aid
identification in the event of theft.
Notice:
This product has a fluorescent lamp that contains a
small amount of mercury.
It also contains lead in some components. Disposal
of these materials may be regulated in your commu-
nity due to environmental considerations.
For disposal or recycling information please contact
your local authorities, or the Electronics Industries
Alliance: <http://www.eiae.org>
MODEL NUMBER
SERIAL NUMBER
(Except for U.S.A. and Canada)
THIS UNIT IS INTENDED FOR USE IN TROPICAL CLIMATES.
DENNA ENHET ÄR AVSEDD FÖR ANVÄNDNING PÅ PLATSER MED TROPISKT KLIMAT.
TÄMÄ LAITE ON TARKOITETTU KÄYTETTÄVÄKSI TROOPPISESSA ILMASTOSSA.
DETTE APPARATET ER BEREGNET TIL BRUK UNDER TROPISKE KLIMAFORHOLD.
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THE FOLLOWING APPLIES ONLY IN THE U.S.A.
IMPORTANT SAFETY INSTRUCTIONS
Read these operating instructions carefully before using the unit. Follow the safety instructions on the unit and
the safety precautions listed below. Keep these operating instructions handy for future reference.
6.Carts and stands—Use the unit only
with carts and stands recommended by
the manufacturer. Move carts with
care. Sudden stops, excessive force,
and uneven surfaces can cause carts
to overturn.
7.Wall and ceiling mounting—Do not mount the unit
on walls or ceilings unless specified in the
instructions.
Safety
1.Power Source—Connect the unit to a power source
of the type described in these instructions or as
marked on the unit.
2.Polarization—The unit is equipped with a polarized
power plug where one blade is wider than the other.
This safety feature ensures that the plug fits into
your household AC outlet only one way. If the plug
doesn’t fit one way, try reversing it. If the plug still
doesn’t fit, contact an electrician to replace the
obsolete outlet. Do not attempt to defeat the safety
purpose of the plug.
3.Power Cord protection—Route the AC power
supply cord so that it will not be walked on or
pinched by items placed on or against it. Never take
hold of the plug or cord with wet hands. Always
grasp the plug body firmly when connecting and
disconnecting it.
Environmnet
1.Water and moisture—Do not use the unit near
water, such as near a bathtub or swimming pool.
Avoid damp basements.
2.Heat—Situate the unit away from heat sources,
such as radiators.
Do not situate where temperatures fall below 5°C
(41°F) or rise above 35°C (95°F).
4.Overloading—When connecting the AC power
supply cord, be careful not to overload the
household AC outlet, extension cord, or outlet from
any other device as this can result in fire or electric
shock.
Maintenance
(See page 7 for details.)
5.Nonuse periods—Turn the unit off when it is not
in use. Unplug the unit from the household AC outlet
if it is not to be used for a long time. Unplug the
unit during lightning storms.
6.Attachments and accessories—Use only the
attachments and accessories recommended in
these operating instructions.
Unplug the unit from the household AC outlet before
cleaning.
Clean with a damp cloth.
Do not use abrasive pads, scouring powders, or
solvents.
Service
1.Damage Requiring Service—The unit should be
serviced by qualified service personnel if:
(a) The AC power supply cord or the plug has been
damaged; or
Installation
(b) Objects or liquids have gotten into the unit; or
(c) The unit has been exposed to rain; or
(d) The unit does not operate normally or exhibits
a marked change in performance; or
(e) The unit has been dropped or the cabinet
damaged.
Placement
1.Ventilation—Situate the unit so that it receives
proper ventilation. Do not install in a confined space
such as a bookcase or cabinet. Allow at least 10
cm (4 inches) clearance from the rear of the unit.
To prevent the risk of electric shock or fire due to
overheating ensure curtains and other materials do
not obstruct the unit’s ventilation.
2.Foreign material—Ensure objects and liquids do
not get into the unit. Avoid exposing the unit to
excessive smoke, dust, mechanical vibration, and
shock.
2.Servicing—Do not attempt to service the unit
beyond that described in these operating
instructions. Refer all other servicing to authorized
servicing personnel.
3.Replacement parts—When parts need replacing
ensure the servicer uses parts specified by the
manufacturer or parts that have the same
characteristics as the original parts. Unauthorized
substitutes may result in fire, electric shock, or other
hazards.
3.Magnetism—Situate the unit away from equipment
and devices that generate strong magnetic fields.
4.Stacking—Do not place heavy objects on top of
this unit.
4.Safety check—After repairs or service, ask the
servicer to perform safety checks to confirm that
the unit is in proper working condition.
5.Surface—Place the unit on a flat, level surface.
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Cautions for safest use of this unit
Installation location
If operation seems abnormal
Immediately turn off the power, disconnect the
power cord plug from the electrical outlet, and con-
tact the store where it was purchased.
1. A well-ventilated place.
Take care not to use this unit in a place where it
will not receive sufficient ventilation, and not to
permit the ventilation holes to be covered by cur-
tains, or any similar materials.
Discontinue using the unit at once. Failure to do so
may result in additional damage or some other un-
expected damage or accident.
2. Place away from direct sunlight and excessive
heat from heating equipment.
• Because the power source is located inside the
3. A place where humidity, vibration and dust are
minimized.
unit, it is normal for the cabinet to become warm.
A word about the power cord
Power source
1. Be sure the line voltage selector is in accord-
ance with local voltage in your area before con-
necting the plug to the socket.
If the power cord is scarred, is partially cut or
broken, or has a bad contact, it may cause a fire or
serious electrical shock if used. NEVER use a dam-
aged power cord for any appliance. Moreover, the
power cord should never be forcibly bent.
2. DC power cannot be used.
Don’t touch the inside parts of this
unit.
Handling the power cord
1. Never touch the power cord, or its plug, with wet
Some places inside this unit have high voltage
potential. Never try to remove the top or back
panels of this unit, or to touch inside parts by hand
or with tools.
hands.
2. Don’t pull the power cord.
Metal items inside the unit may re-
sult in electric shock or damage.
Do not permit metal articles to get inside the unit.
Contact someone who is qualified in order to in-
spect the inside, or to replace a fuse, if such be-
comes necessary. Never attempt to do these things
yourself.
Be especially careful with regard to this point if
children are near this unit. They should be warned
never to try to put anything inside.
Maintenance
The following suggestions will assist you in keep-
ing the unit in top condition.
If, nevertheless, some such article does get inside,
disconnect the power cord plug from the electrical
outlet, and contact the store where the unit was
purchased.
• Be sure to switch the instrument off after use,
and do not switch the unit on and off in quick
succession, as this places an undue load on the
electronic components.
• To keep the luster of the surface and buttons,
simply use a clean, damp cloth; polish with a
soft, dry cloth. Polish may be used but do not
use thinners or petro-chemical-based polishes.
• A wax-based polish may be used on the cabinet,
although you will find that rubbing with a soft
cloth will suffice.
If water gets into the unit
Disconnect the power cord plug from the electrical
outlet, and contact the store where it was pur-
chased.
As a precaution, it is suggested that flower vases
and other containers which hold liquids not be
placed on the top of this unit.
This product may receive radio interference
SVENSK: Det kan inträffa att den här produkten
under användningen tar emot radiostörningar,
orsakade av mobiltelefoner. Öka avståndet mellan
produkten och mobiltelefonen om störningarna är
uppenbara.
caused by mobile telephones during use. If such
interference is apparent, please increase separa-
tion between the product and the mobile telephone.
SERVICE MUST BE CARRIED OUT BY DEALER
OR OTHER QUALIFIED PERSON
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Contents
Cautions for safest use of this unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Controls and functions (PR604) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Controls and functions (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
BASIC FUNCTIONS
Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Playing the piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Progressive Pianist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
See and listen to the demonstration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Select a sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Select the registration for a music style (PIANO STYLIST) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Automatic panel settings (ONE TOUCH PLAY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Record your performance (SEQUENCER) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Store your panel settings (PANEL MEMORY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Save data on a floppy disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Load rhythm data from a Technics pattern disk (COMPOSER LOAD) . . . . . . . . . . . . . . . . . . . . . . . 27
Play back commercial song disks (DIRECT PLAY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Theatre Sonic (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Remote Controller (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
PRACTICAL APPLICATIONS
About the display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Favorites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Part I Sounds and effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Selecting sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Overview of sounds and effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Assigning parts to the keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Touch Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Mic Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Techni-chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Part II Playing the rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Selecting rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Overview of rhythm performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Playing the rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Auto Play Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Fade In/Fade Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Sound Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
One Touch Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Piano Stylist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Music Style Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Panel Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Part III Piano Performance Pads (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Playing phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Copying phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Compile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Record a phrase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Part IV Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Outline of the Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Slide Show . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Sequencer parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Easy Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Realtime Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Sequencer Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Naming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Panel Write . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Song Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Punch Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Track Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Song Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Track Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Note Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Drum Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Copy and paste the recorded data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Changing the note position etc. of the recorded data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Part V Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Outline of the Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Simple recording method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
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Create a completely new rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Chord Modify Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Measure Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Pattern Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Part VI Disk Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Outline of the Disk Drive function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Outline of the procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Loading data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Direct Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Song Medley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Saving data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Disk management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Set the automatic display when a disk is inserted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Part VII Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Outline of the Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Master Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Key Scaling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Sound Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
APC Reverb Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Part VIII Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Outline of the Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Tone Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Part IX Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Outline of the Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Tone Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Pitch Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Filter Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Amplitude Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
LFO (cyclic modulation) Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Effect Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Controller Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Store the new sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Part X Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Outline of Control functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Pedal Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Part XI Customize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Outline of Customize functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Display Time Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Data Protection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
MIDI Setting Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Video Out Mode Setting (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Theatre Sonic Speaker Mode (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Part XII MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
What is MIDI? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Outline of MIDI functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Control Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Realtime Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Common Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Mode Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Input/output Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
MIDI Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Program Change MIDI Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Panel Memory Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Computer Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Initialize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Assembly (PR604) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Assembly (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Symptoms which appear to be signs of trouble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Error messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Supplied accessories
Please check the supplied accessories.
CD-ROM
Remote Controller,
Batteries (PR804)
Music stand
AC cord
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Controls and functions (PR604)
AUTO PLAY CHORD
Add an automatic
accompaniment to your
selected rhythm.
(Refer to page 47.)
PIANO STYLIST
You can choose to have
all the settings of this
PROGRESSIVE PIANIST
Your piano offers a fun method
of learning to play piano.
instrument automatically
(Refer to page 16.)
set. (Refer to page 53.)
PROGRESSIVE
PIANIST
SOUND
TEMPO PROGRAM
/
AUTO PLAY CHORD
RHYTHM GROUP
ARRANGER
PIANO STYLIST
SPLIT
8&16
BEAT
MOVIE
&
SET OFF/ON
DEMO
POINT MODE OFF/ON
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
FAVORITES
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
IN
1
OUT
MAX
MAX
MUSIC STYLE
ARRANGER
SYNCHRO
START
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
1
2
4
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
FADE IN/OUT
RHYTHM GROUP
FAVORITES
Begin your song with a slowly
increasing volume, or end it by
having the sound slowly fade
away.
Various rhythm patterns are
available for each rhythm
group.
Fashion a customized
display in which all your
favorite sounds, rhythms
and styles are assembled.
(Refer to page 33.)
(Refer to page 44.)
(Refer to page 51.)
Tuning
Unlike an acoustic piano, your PR Series Digital Ensemble never needs tuning.
The pitch of this instrument can be adjusted for when playing along with other instruments. (Refer
to page 107.)
About the backup memory
The settings and memories are maintained for approximately 80 minutes after the power to this
instrument is turned off. If you wish to keep the memory contents, before you turn off the
instrument, use the SAVE procedure to store the desired data on a disk for recall at a later time.
• The backup memory does not function until the power has been on for about 10 minutes.
• When you quit the operating mode, a REMINDER display may appear to remind you to save the
data.
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DISPLAY
Displays performance information,
function settings and other messages.
(Refer to page 31.)
• Use the LCD CONTRAST buttons to
adjust the display so that it is easy to
read.
EFFECT
Add various effects to the
sounds. (Refer to page 39.)
SEQUENCER
Record and play back your
performance.
(Refer to page 61.)
SOUND GROUP
TRANSPOSE
Various sounds are
available for each sound
group.
Raise or lower the keyof
the entire keyboard.
(Refer to page 42.)
(Refer to page 34.)
SEQUENCER
SOUND GROUP
EFFECT
TRANSPOSE
R1/R2 OCTAVE
PROGRAM
SAX
&
ORGAN
&
SOUND
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DISK
IN USE
MENUS
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
CHORD STEP REC
PART SELECT
MALLET
ORCH PERC
&
DIGITAL
DRAWBAR
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
&
HARPSI
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
PIANO
ELECTRIC
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
PAGE
DISPLAY HOLD EXIT
CONDUCTOR
PANEL MEMORY
TECHNI-CHORD
CONDUCTOR
Block chords are
Assign a different sound to each
part, then assign the desired
parts to sections of the keyboard.
(Refer to page 36.)
automatically added to
the melody. (Refer to
page 43.)
PANEL MEMORY
Store the panel settings, then recall
them instantaneously just by pressing
a button or two. (Refer to page 55.)
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Controls and functions (PR804)
AUTO PLAY CHORD
Add an automatic
accompaniment to your
selected rhythm.
(Refer to page 47.)
PIANO PERFORMANCE PADS
PIANO STYLIST
Add various phrases to your
performance with the pad
buttons. (Refer to page 57.)
You can choose to have
all the settings of this
instrument automatically
set. (Refer to page 53.)
RHYTHM GROUP
Various rhythm patterns are
available for each rhythm
group.
(Refer to page 44.)
PROGRESSIVE PIANIST
Your piano offers a fun method
of learning to play piano.
(Refer to page 16.)
SX-PR804
PROGRESSIVE
PIANIST
SOUND
TEMPO PROGRAM
/
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
ARRANGER
PIANO STYLIST
SPLIT
8&16
BEAT
MOVIE
&
SET OFF/ON
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
FAVORITES
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
IN
1
OUT
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
1
2
4
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
FAVORITES
FADE IN/OUT
Fashion a customized display
in which all your favorite
Begin your song with a slowly
increasing volume, or end it by
sounds, rhythms and styles are
assembled. (Refer to page 33.)
having the sound slowly fade away.
(Refer to page 51.)
Tuning
Unlike an acoustic piano, your PR Series Digital Ensemble never needs tuning.
The pitch of this instrument can be adjusted for when playing along with other instruments. (Refer
to page 107.)
About the backup memory
The settings and memories are maintained for approximately 80 minutes after the power to this
instrument is turned off. If you wish to keep the memory contents, before you turn off the
instrument, use the SAVE procedure to store the desired data on a disk for recall at a later time.
• The backup memory does not function until the power has been on for about 10 minutes.
• When you quit the operating mode, a REMINDER display may appear to remind you to save the
data.
12
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DISPLAY
Displays performance information, function
settings and other messages.
(Refer to page 31.)
• Use the LCD CONTRAST buttons to
adjust the display so that it is easy to read.
EFFECT
Add various effects to the
sounds. (Refer to page 39.)
SEQUENCER
Record and play back your
performance.
(Refer to page 61.)
TRANSPOSE
SOUND GROUP
Raise or lower the key
Various sounds are
of the entire keyboard.
available for each sound
(Refer to page 42.)
group. (Refer to page 34.)
SEQUENCER
SOUND GROUP
THEATRE SONIC
EFFECT
TRANSPOSE
R1/R2 OCTAVE
PROGRAM
SAX
&
ORGAN
&
SOUND
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DISK
IN USE
MENUS
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
CHORD STEP REC
PART SELECT
MALLET
ORCH PERC
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
&
HARPSI
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
PIANO
ELECTRIC
DIGITAL
DRAWBAR
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
PAGE
DISPLAY HOLD EXIT
CONDUCTOR
PANEL MEMORY
TECHNI-CHORD
Block chords are
automatically added to the
melody.
(Refer to page 43.)
CONDUCTOR
Assign a different sound to
each part, then assign the
desired parts to sections of
the keyboard.
(Refer to page 36.)
PANEL MEMORY
Store the panel settings, then recall
them instantaneously just by pressing
a button or two. (Refer to page 55.)
13
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Getting started
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
4
(PR804)
Plug the power cord into an outlet.
Set the MAIN VOLUME to an
appropriate level with the sliding
control.
1
2
4
Press the POWER button to turn it on.
MAIN
VOLUME
MAX
POWER
OFF
ON
MIN
(Right end of the keyboard)
• The power indicator in the left front of the body
is lit.
Touch any note on the keyboard.
• Your piano features Touch Response. You
control the volume by playing the keys harder
or softer.
3
Keyboard cover
Open and close the cover slowly.
Music Stand
PR604: Insert the music stand and fix it.
PR804: Set the music desk at desired
position and insert it.
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Playing the piano
Your piano is equipped with various fine functions which make it an extremely versatile instrument.
But it should be remembered that it is first of all a fine piano. Select one of the piano sounds and
enjoy its excellent quality.
When you activate the SIMPLE PIANO feature, the entire keyboard is instantly transformed into a
piano, regardless of the current instrument settings.
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
1
2
Press the SIMPLE PIANO button to
1
2
turn it on.
SIMPLE PIANO
• The indicator lights.
• The display changes to the SIMPLE PIANO
display.
Select the desired type of piano sound.
• The sounds and effects are automatically set.
• COMPLETED!” is shown on the display, and
then the normal display reappears.
Play anywhere on the keyboard.
3
• This procedure will cancel the current settings for
sounds and effects, etc. Therefore, if you wish to later
recall the current settings, be sure to store them in the
PANEL MEMORY (page 55) or save them to a disk
(page 99) before beginning this procedure.
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Progressive Pianist
Your piano offers a fun method of learning to play piano. Start one of the 100 etudes incorporated in
this piano, read the music in the display, listen to the gentle accompaniment for your own and, have
a good practice!
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
1 9 2-8
Press the PROGRESSIVE PIANIST
When you have finished listening,
1
2
6
button.
press the appropriate button to access
the next step.
• In the Practice Makes Perfect/Musical
Discovery mode, press the PLAY (STEP2)
button, and for the Grand Performer/Pianist
Mode Session mode, follow the step number to
continue your practice.
PROGRESSIVE
PIANIST
Select the goal of the practice.
Press the RESET button.
7
8
Press the START/STOP button to start
the exercise. Play the keyboard and
follow the music exactly.
• To redo your exercise from the beginning,
press the START/STOP button to stop the
music and press the RESET button. You can
also use the MEAS button to start from a
desired position.
• If the tempo of the accompaniment is too fast,
press the SLOW 1 button in the ONE TOUCH
TEMPO section. If it is still too fast, press the
SLOW 2 button. (You can also use the
TEMPO/PROGRAM dial to adjust the tempo.)
• The music pages shown on the display turn
automatically. If you wish to turn them
manually, set TURN PAGE to MANUAL and
you can press the PAGE button to change the
display (upper; previous page, lower; next
page). In this case, you can also turn the page
by depressing the left pedal.
Use the SONG ∧ and ∨ buttons to
select a preferred song.
3
Press the LISTEN button.
4
5
Press the START/STOP button on the
control panel and listen to the model
interpretation while watching the music
• To play a different song while the performance
is stopped, press the EXIT button, and then
repeat the above procedure from step 2.
on the display.
• Press the START/STOP button to stop the
model performance. Press it again to continue
the interpretation from the point at which it was
interrupted.
To exit this feature, press the
PROGRESSIVE PIANIST button again.
9
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See and listen to the
demonstration
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
1 3
2
Press the DEMO button.
When you are finished listening to the
demonstration tunes, press the DEMO
button again.
1
2
3
DEMO
Use the buttons to the left and right
the display to select the demonstration
tune you wish to see and listen to.
(PR804)
• The demonstration performance and display
corresponding to your selection will begin.
• To end the demonstration before it has
finished, press the START/STOP button.
Slide Show
The Slide Show function displays the images
which change in concordance with the music
progression. Enjoy, with the DEMO songs, a
variety of the images which switch
automatically according to each image of the
music.
• You can set images for the Slide Show for your own
music. (See page 63.)
• If you press and hold the DEMO button for a few
seconds, or if you press first the DEMO button and then
the START/STOP button, all the internal demo tunes are
demonstrated in order in a medley performance. The
medley performance continues until the START/STOP
button or the DEMO button is pressed again.
• Some of the buttons do not function during the DEMO
mode.
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Select a sound
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
2 1 2 A
In the CONDUCTOR section on the
panel, press the RIGHT 1 button to
turn it on.
Add reverberation.
1
2
Press the REVERB button to turn it on.
A
LEFT
RIGHT 2
RIGHT 1
REVERB
CONDUCTOR
In the SOUND GROUP or PIANO
section, press one of the sound
buttons.
SOUND GROUP
SAX
&
ORGAN
&
SOUND
STRINGS
VOCAL
BRASS
SYNTH
SOLOIST
MIXTURES
WOODWIND
ACCORDION
EXPLORER
GUITAR
& HARPSI
MALLET &
ORCH PERC
BASS
DRUM KITS
MEMORY
PIANO
ELECTRIC
DIGITAL
DRAWBAR
GRAND
UPRIGHT
MODERN
(PR804)
Select a sound from the list of sounds
shown on the display.
3
4
• For most of the buttons, the list of sounds is
contained on two or more screen “pages.” To
see a different part of the list, press either
PAGE button.
Play the keyboard.
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Select the registration for a
music style (PIANO STYLIST)
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
BRASS
SYNTH
SOLOIST
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
GUITAR
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
VOCAL
BASS
DRUM KITS
MIXTURES
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
1 7
2-6
Press the PIANO STYLIST button to
turn it on.
Use the GENRE/ERA/ALPHABET
button to select a group. Use the
1
2
5
STYLE button to select a style.
• In the above example, GENRE was selected.
• If the list covers more than one screen “page,”
the MORE button is shown on the display. Use
the MORE button to switch between screen
pages.
PIANO STYLIST
• The AUTO PLAY CHORD and SYNCHRO
START turn on, and the sounds, effects,
rhythm, tempo, volume balance, etc. which are
best suited for the selected music style are
automatically selected.
Press the PIANO STYLES button.
Play the keyboard.
• When you specify a chord on the left area of
the keyboard, the automatic accompaniment
immediately begins to play.
• You can use the TEMPO/PROGRAM dial to
adjust the tempo.
6
7
Use the ARRANGE MODE button to
3
4
select the desired type of arrangement.
• Select the type you wish to play
(PIANO SOLO/PIANO & COMBO
/PIANO & ENSEMBLE).
When you are finished selecting the
style, turn the PIANO STYLIST button
off.
Use the SELECT MODE button to
specify how you wish to select a style.
GENRE: Select a style by musical genre.
ERA: Select a style by era.
ALPHABET: Select a style from an alphabetical
list.
19
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Automatic panel settings
(ONE TOUCH PLAY)
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
—
+
—
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
GUITAR
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
OFF
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
1 3 5 2
In the RHYTHM GROUP section,
At the end of your performance, press
1
2
3
4
5
press the button for a desired rhythm.
the INTRO & ENDING 1 or 2 button.
RHYTHM GROUP
INTRO & ENDING
8&16
BEAT
MOVIE &
SHOW
1
2
ROCK
&
POP
BALLAD
JAZZ
&
SWING
METRONOME
SOUL &
DISCO
GOSPEL &
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MEMORY
LOAD
WESTERN
WALTZ
WORLD
• An ending pattern is played, after which the
automatic accompaniment stops.
• If the START/STOP button is pressed, the
accompaniment stops immediately.
Select a rhythm from the list of
rhythms on the display.
Press and hold the ONE TOUCH
PLAY button for a few seconds.
ONE TOUCH
PLAY
• The sound, effects and tempo suitable for the
selected rhythm are automatically selected.
The tempo can be adjusted with the
TEMPO/PROGRAM dial.
Use your left hand to play the chords
and your right hand to play the melody.
• Pressing a key on the left area of the keyboard
will cause the automatic rhythm pattern to start
playing (synchro start).
20
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C
C
F
F
G
7
7
C
C
G
G7
F
C
• In this example you played chords by pressing the keys
for the “root notes” (ONE FINGER chords). But you can
also specify the chord by playing all the notes in the
chord. (Refer to page 47.)
• You can insert a fill-in pattern while the preset rhythm
pattern is playing by pressing either the FILL IN 1 or
FILL IN 2 button.
21
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Record your performance
(SEQUENCER)
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
GUITAR
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
2
1
Sonatina
Right hand
Left hand
In the SEQUENCER section, press the
Press the OK button.
1
2
EASY REC button to turn it on.
SEQUENCER
PLAY
EASY REC
CHORD EP REC
OTHER PARTS/TR
HELP
LCD CONTRAST MUTE
PAGE
• The display changes to the REALTIME
RECORD display.
22
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SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
A B
4
Play the song on the keyboard.
Playing back your recorded
performance
3
4
Press the SEQUENCER RESET (FILL
IN 1) button.
A
When you have finished playing, press
the EASY REC button again to turn it
off.
FILL IN
1
2
SEQUENCER
SEQUENCER
RESET
COUNT
INTRO
PLAY
EASY REC
CHORD P REC
Press the START/STOP button.
B
• The PLAY button in the SEQUENCER section
turns on.
START / STOP
1
2
3
4
BEAT
• Your performance is played back just as you
recorded it.
• When you are finished playing back your
performance, press the PLAY button in the
SEQUENCER section to turn it off.
23
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Store your panel settings
(PANEL MEMORY)
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
OFF
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
2 3
Set up the desired panel settings
(sounds, volumes, etc.)
With the SET button held down, press
one of the numbered buttons of the
PANEL MEMORY (1 to 8).
1
2
3
SET
Use the NEXT BANK button to select
a bank (A, B, C).
1
2
3
4
5
6
7
8
PANEL MEMORY
SET
NEXT BANK BANK VIEW
• The current panel settings are now stored in
the specified bank and number. When you
select the same bank and number again, the
stored panel settings are recalled.
• The bank names are shown on the display.
Bank name
24
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Save data on a floppy disk
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
SYNTH
SOLOIST
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
GUITAR
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MIXTURES
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
2-5
Insert a disk you wish to save to into
Select TECHNICS FORMAT.
1
2
3
the Disk Drive slot. Push it all the way
in until you hear a click.
OTHER PARTS/TR
HELP
DISPLAY HOLD
EXIT
LCD CONTRAST MUTE
PAGE
Specify a file number to save to.
4
5
On the DISK MENU display, select
SAVE.
OTHER PARTS/TR
HELP
DISPLAY HOLD
EXIT
LCD CONTRAST MUTE
PAGE
Press the SAVE button.
OTHER PARTS/TR
DISPLAY HOLD
HELP
EXIT
LCD CONTRAST MUTE
PAGE
• If you attempt to use the SAVE procedure
when an unformatted disk is inserted into the
Disk Drive slot, the FORMAT display appears.
Follow the instructions on the display to format
the disk. (Formatting the disk will clear any
data which is currently stored on the disk.)
OTHER PARTS/TR
HELP
DISPLAY HOLD
EXIT
LCD CONTRAST MUTE
PAGE
• The performance data of the song recorded in
the SEQUENCER is saved on the floppy disk.
25
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SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
5
2 3
4 1
Press the LOAD button.
• The data is copied to the internal memory of
this instrument.
Recall data from a floppy disk
3
Press and hold the DISK button for a
1
few seconds.
Press the PLAY button in the
SEQUENCER section to turn it on.
4
DISK
LOD
DISK
IN USE
SEQUENCER
PLAY
EASY REC
CHORD STEP REC
Select the file you wish to load.
2
Press the START/STOP button.
5
START / STOP
1
2
3
4
BEAT
OTHER PARTS/TR
HELP
DISPLAY HOLD
EXIT
LCD CONTRAST MUTE
PAGE
• The recalled song is played back.
The following data can be saved/loaded:
CURRENT PANEL (The current panel settings)
PANEL MEMORY
SEQUENCER
PERFORMANCE
COMPOSER (MEMORY contents)
SOUND MEMORY
EFFECT MEMORY
PADS (USER memories of the PIANO PERFORMANCE PADS) (PR804)
MIDI (USER memory of the MIDI PRESETS)
FAVORITES
BACKUP
• For detailed information, refer to page 94.
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Load rhythm data from a Technics
pattern disk (COMPOSER LOAD)
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
SYNTH
SOLOIST
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
GUITAR
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MIXTURES
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
2
3 4
Insert a commercially sold Technics
pattern disk into the Disk Drive slot.
Press the LOAD button.
1
2
4
In the RHYTHM GROUP section,
press and hold the LOAD (MEMORY)
button for a few seconds.
OTHER PARTS/TR
HELP
DISPLAY HOLD
EXIT
LCD CONTRAST MUTE
PAGE
RHYTHM GROUP
8&16
BEAT
MOVIE &
SHOW
ROCK
&
POP
BALLAD
JAZZ
&
SWING
METRONOME
• Rhythm data is loaded to the COMPOSER
memory (MEMORY). You can use the rhythms
during your performance, just like the preset
rhythms.
SOUL &
DISCO
GOSPEL &
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MEMORY
LD
WESTERN
WALTZ
WORLD
Select the name of the pattern to load.
3
OTHER PARTS/TR
DISPLAY HOLD
HELP
EXIT
LCD CONTRAST MUTE
PAGE
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Play back commercial song disks
(DIRECT PLAY)
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
OFF
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
2-4
Insert the song disk into the Disk Drive
slot.
Press the START button.
• The selected song is played back.
1
2
4
On the DISK MENU display, select
DIRECT PLAY.
OTHER PARTS/TR
DISPLAY HOLD
HELP
EXIT
LCD CONTRAST MUTE
PAGE
Use the buttons below teh display to
select a song.
3
OTHER PARTS/TR
DISPLAY HOLD
HELP
EXIT
LCD CONTRAST MUTE
PAGE
• For SMF songs, use the PLAY AS button to
specify a sound arrangement mode.
• DIRECT PLAY is possible from the following disks:
Standard MIDI File
Standard MIDI File with Lyrics
DISK ORCHESTRA
COLLECTION™ (DOC)
PianoDisc™
* All product and company names are trademarks or
registered trademarks of their respective owners.
* DISK ORCHESTRA COLLECTION is a trademark of
the YAMAHA Corporation.
28
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Theatre Sonic (PR804)
The THEATRE SONIC feature creates a special sound field to give stereoscopic effects to the instru-
ment sound. This effect can be enhanced by adding external rear speakers.
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
A
Sound-field schema
Speakers of the instrument
Orchestra or band sound
L
R
L
R
R
L
Piano
Piano
L
R
Player
Orchestra or band sound
Rear speakers
L
R
Player
THEATRE SONIC OFF
THEATRE SONIC ON
Press the THEATRE SONIC button to
A
turn it on.
THEATRE SONIC
• The effect is applied.
• Even if rear speakers are not connected, a
virtual 4-channel effect is applied.
• For connection of external rear speakers, refer to page
136.
• Change the mode according to the presence of the rear
speakers (refer to page 125).
• The effect can be set to on or off for each part (refer to
page 108).
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Remote Controller (PR804)
You can use the included wireless remote control to adjust the MAIN VOLUME, activate DIRECT
PLAY (page 98), and activate SEQUENCER playback (page 67).
•To operate DIRECT PLAY with the remote controller, the normal playback display must be present with the disk inserted,
and for the SEQUENCER playback, the instrument must be in the stand-by mode for playing back.
Battery installation
• Before insertion, make sure the battery polarity is as
indicated.
• Do not use old batteries together with new ones.
• Remove the batteries from the battery compartment
and store separately when the instrument is not to be
used for a long time.
+
+
(LR03, AAA, AM-4)
Button functions
Correct use of the remote
controller
VOLUME
Adjust the total volume level.
• You can adjust the volume level within the value set by
the MAIN VOLUME control of the instrument.
• The volume level adjusted with the remote controller is
reset when the instrument power is turned off.
S
O
N
G
S
T/S
OD
S
KPEI
IP RQ
EV
UD
A
O
C
O
EGIT
CPech
LATL
U
/P
EL
AUSE
T
F
G P
E
A
N
F
A
L
0
F
Y
5
Disk Drive
7
M
A
R
E
S
EN n
E
i
c
Y
LE
30
30
Remote
controller
Within 7m
<DIRECT PLAY/SEQUENCER>
PLAY/PAUSE
SENSOR
Play back or stop the performance
temporarily.
• No object should be present between the remote control
and the SENSOR.
• Avoid exposing the SENSOR to sources of strong
radiation such as direct sunlight or fluorescent lamps.
• Keep the surfaces of the SENSOR and the emitter of
the controller clean.
FF
Fast forward (for DIRECT PLAY only)
SONG SKIP
Skip the current song (for DIRECT PLAY
only)
CAUTION:
• Do not disassemble or modify.
• Do not place any heavy object on top of the remote
controller.
STOP
Stop the performance.
• Do not expose to direct sunlight for long periods of time.
• Do not spill any liquid.
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About the display
A large-size display, easy to operate with excellent readability, is used for displaying various information such as the names of
the selected sounds and rhythms etc. and when setting the functions. Let’s take a look.
•The display illustrations shown in this User’s Manual are examples for the sake of clarification; the actual displays on your
instrument may differ from the illustrations.
Normal display (HOME PAGE)
This is the kind of information you see on the display during
a normal performance.
RIGHT 1 part sound
RIGHT 2 part sound
Tempo
LEFT part sound
Volume of each part
(PR804)
Selected rhythm
Volume balance
At the bottom half of the normal display, the volume balance
of each part is represented in a fader illustration and by a
number (0 to 127). You can use the balance buttons below
the display to adjust the volumes.
<Performance parts>
RT: RIGHT APC: AUTO PLAY CHORD PADS: PIANO PERFORMANCE PADS (PR804)
METR: METRONOME
When setting the volume balance, press the upper button to
increase the volume and the lower button to decrease it.
• Hold a button down to scroll the volume quickly.
MUTE
To mute a part, press both the corresponding upper and lower
buttons at the same time.
• The volume display for a muted part is shown as “MUTE”.
• Pressing either balance button for a muted part will cancel
the mute function.
OTHER PARTS/TR button
If you press the OTHER PARTS/TR button, the display
changes to show the volumes of PART (PT) 1–16. You can
then adjust the volumes of these parts. These parts are active
when playing back a song disk or when this instrument is
connected to external MIDI equipment and is used as a multi-
timbre sound generator.
• When there are other parts or tracks to access, the OTHER
PARTS/TR indicator is lit.
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⇒ Press the button corresponding to the ∧ or ∨ button on
the display to change the value.
• In this manual, this procedure is written as follows: “Use
the ∧ and ∨ buttons to adjust the pitch.”
PAGE
When there are additional parts to the current display, a page
number indication, for example PAGE1/2, appears in the
upper right corner of the screen. For example, 1/2 indicates
that there are two pages of the display, and the current page
is page 1. In this case, you can use the upper and lower
PAGE buttons, to the right of the balance buttons, to view
different “pages” of the display.
TEMPO/PROGRAM
If the TEMPO/PROGRAM indicator is lit while you are using
the display to adjust the setting, it indicates that this dial can
be used to quickly change the displayed value or setting.
TEMPO / PROGRAM
PAGE
• Press the upper button to view the next page of the display,
and the lower button to view the previous page of the
display.
• On the last page of the display, pressing the upper button
returns to the first page. And conversely, on the first page
of the display, pressing the lower button will skip to the last
page.
• The setting which can be adjusted is highlighted on the
display.
Menu display
EXIT
The PROGRAM MENUS button controls multiple functions.
Press the button to access its menu display.
While the setting display is shown, press this button to go
back to the previous display.
PROGRAM
MENUS
DISPLAY HOLD EXIT
Example of menu display: PROGRAM
MENUS
Select a function from the menu display by pressing the corre-
sponding button to the left or right of the display indicated
by the
and
arrows.
DISPLAY HOLD
Press this button to turn it on when you wish to maintain the
current display. You can keep a display which is normally
automatically canceled, for example, or even during a per-
formance, you can monitor information which is not shown
on the normal display.
DISPLHOLD
(PR804)
• In this manual, the steps describing how to select a function
from a menu display are generally abbreviated as follows,
for example: “On the PROGRAM MENUS display, select
SOUND.”
• The indicator for this button may flash if the current display
is one which is normally automatically canceled.
• If the PROGRAM MENUS button, for example, is pressed,
the DISPLAY HOLD mode is canceled.
Setting display
CONTRAST
When you select an item from the menu display, the setting
display for the item is shown.
Use the LCD CONTRAST buttons to adjust the readability
The buttons to the right, left and/or directly below the display
are used to select and adjust the settings.
of the display.
Example of setting display: MASTER
TUNING
LCD CONTRAST
(Left of the display)
MUTE
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HELP
You can find an explanation of each button’s function on the
display.
1. Press the HELP button.
2. Use the buttons below the display to select a
language.
HELP
3. Press the OK button.
4. Press a button on the panel whose explanation
you wish to read.
• The following display appears.
• An explanation of the button’s function is shown on the
display.
5. Press the HELP button again to exit the help
mode.
• Attention display messages and error messages are also
shown in the selected language.
• The appearance of the display on your instrument may be
different from the illustrated display in this manual depend-
ing on the region in which your instrument was purchased
and the selected display language.
Favorites
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP T
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
(PR804)
You can record a special display of your favorite sounds and rhythms, styles.
1. Select the sounds, rhythm and styles you wish
4. Use the CATEGORY L and M buttons to
to record.
select the desired item (CURRENT SOUND/
• Use the PIANO STYLIST feature to select the style. (Refer
to page 53.)
RHYTHM/STYLE).
• The selected sound/rhythm/style are shown in the ITEM
column.
2. Press the FAVORITES button.
5. While pressing the SET button, specify where
FAVORITES
you wish to paste (put) the item.
• While the SET button is depressed, the display appears
as shown below. Use the buttons to the left and right of
the display to specify where you wish to paste the item.
• The display looks similar to the following.
6. Repeat steps 3 to 5 to create the display you
want.
• There are nine settable items on the display.
• To record a sound or rhythm other than that selected in
step 1, while the FAVORITES display is shown use the
panel buttons to select the desired sound or rhythm. (The
corresponding selection window is superimposed on the
display.)
• To record a style other than that selected in step 1, after
the other recording procedures are completed and the
OK button is pressed, repeat the procedure from step 1.
3. Press the FAVORITES SETTING button.
• The display looks similar to the following.
7. Press the OK button.
• Your customized display is stored.
Recall a FAVORITES display
1. Press the FAVORITES button.
2. Use the buttons to the left and right of the
display to specify the ITEM you wish to recall.
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Part I Sounds and effects
Overview of sounds and effects
The following is an overview of the sound parts of this instrument.
NX SOUND
Part
NX SOUND is the Technics original sound generator format
which evokes realtime performance quality and expressive
power, and dramatically expands the number of sounds and
effects generated. This format includes GM2 (General MIDI
Level 2), and make various controls possible when data is
created and reproduced by computer.
This instrument is mainly organized into the following parts.
RIGHT 1, RIGHT 2, LEFT:
These are the parts the performer plays on the keyboard.
• These are independent from the playback parts. For
example one can to perform on the keyboard while
playing back a song disk with 16-part standard MIDI files
(SMF).
• For information about GM2, refer to page 95.
• Equipment with the logo shown below is compatible with
NX SOUND song data.
PART1 to 16:
SMF song disk playback parts, or parts for MIDI receive.
ACCOMP1 to 5, BASS, DRUMS 1, 2:
Parts for the automatic accompaniment.
PADS:
Parts for the PIANO PERFORMANCE PADS (PR804)
METRONOME:
The part for the METRONOME sounds.
Selecting sounds
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT BRILLIANCE
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONOR
PANEL MEMORY
(PR804)
Select the sounds for the three parts you can play on the keyboard—RIGHT 1, RIGHT 2 and LEFT. After first selecting a part
and a SOUND GROUP, choose the desired sound from the display.
Select a sound
1. In the PART SELECT section, choose RIGHT
3. Select the desired sound from the list on the
display.
1, RIGHT 2 or LEFT.
PART SELECT
LEFT
RIGHT 2
RIGHT 1
• The CONDUCTOR buttons are used to specify which part
is heard. (Refer to page 36.)
• For the RIGHT 1 and RIGHT 2 parts, when a CONDUC-
TOR button is selected, the corresponding PART SELECT
button is also activated.
• You can use the PAGE buttons to view a different part of
the list (except for a portion of the PIANO group).
• The sound you select is memorized for the part you
selected in step 1.
2. Select a sound group.
SOUND GROUP
• The sound display may differ depending on the effect
SAX
&
ORGAN
&
SOUND
STRINGS
BRASS
SYNTH
SOLOIST
MIXTURES
WOODWIND
ACCORDION
EXPLORER
settings.
GUITAR
& HARPSI
MALLET &
ORCH PERC
4. Play the keyboard.
VOCAL
BASS
DRUM KITS
MEMORY
PIANO
ELECTRIC
DIGITAL
DRAWBAR
GRAND
UPRIGHT
MODERN
(PR804)
• The sounds in DRUM KITS are percussion sounds that
you play by striking the keyboard keys.
• MEMORY is reserved for storing sounds you modify.
(Refer to page 119.)
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Part I
Sounds and effects
SOUND EXPLORER
This is a convenient feature for finding the sound you want
from the many available sounds.
1. In the PART SELECT section, select a part.
3. Use the ∧ and ∨ buttons to select a GROUP
of sound.
2. Press the SOUND EXPLORER button to turn
4. Use the buttons on both side of the display to
it on.
select the sound.
SOUND
• The list of sounds is contained on several screen “pages.”
Use the PAGE buttons to see a different part of the sound
list.
EXPLORER
• The numerical value that is displayed for each sound is
the MIDI [BANK MSB, LSB]-PROGRAM CHANGE num-
ber.
• Use the buttons to the left and right of the display to select
the sound.
• GM2 sounds are selected from the GM2 EXTEND or GM2
DRUM KITS group.
ALPHABET
Press the CATEGORY button to show the sound names in
alphabetical order.
• Press the ALPHABET button to return to the CATEGORY
display.
DIGITAL DRAWBAR
You can play organ sounds while controlling the drawbars
on the display.
TREMOLO
1. In the PART SELECT section, select a part.
Tremolo is a rapid oscillation in volume, like the effect of a
rotating speaker. The tremolo speed can be changed while
you are playing.
2. Press the DIGITAL DRAWBAR button to turn
it on.
• The display looks similar to the following.
⇒ Use the TREMOLO button to switch between
the SLOW and FAST rotating speeds.
• The tremolo setting is effective for each part in common.
• You can also use the DIGITAL EFFECT button to switch
between SLOW and FAST.
• The tremolo does not work when the MULTI EFFECT
button is on.
Other settings
DRAWBAR ATTACK TIME:
Select ATTACK TIME, and use the ∧ and ∨ buttons
to adjust the time it takes for the drawbar sound to
sound after a key is played.
3. Use the balance buttons below the display to
adjust the volume of each drawbar.
• The volume of each drawbar is illustrated on the display
and changes when you press the corresponding balance
buttons to adjust the volume.
DRAWBAR RELEASE TIME:
Select RELEASE TIME, and use the ∧ and ∨ buttons
to adjust the time it takes for the drawbar sound to die
out after the keys are released.
• The DIGITAL DRAWBAR can not be selected for the
COMPOSER, SOUND ARRANGER or PIANO PER-
FORMANCE PADS (PR804).
PERCUSSIVE TONE DECAY:
Select DECAY, and use the ∧ and ∨ buttons to adjust
the time it takes for the percussive tone to die out.
PERCUSSIVE TONE LEVEL:
Change the sound type
Select LEVEL, and use the ∧ and ∨ buttons to adjust
⇒ Use the <Jazz Drawbars> / <Rock Drawbars>
the volume of the percussive tone.
button to select the type of sound.
• The above settings are effective for all the parts in com-
mon.
PERCUSSIVE TONE
PERCUSSIVE TONE adds a tone with a fast initial attack to
the drawbar sounds. You can select two pitch levels of attack
tones.
⇒ Use the PERCUSSIVE TONE 2 2/3’ and 4’ but-
tons to turn the respective tone on or off.
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Part I
Sounds and effects
About foot marks
The foot indication on each balance button (for example 8’) refers to the pitch of a rank of pipes in a pipe organ. If 8’ is used
as the standard (the pitch as played on the keyboard), a 16’ rank pitch will be one octave below the 8’ rank pitch, and a 4’
rank pitch one octave above.
When the middle C key is pressed, the sounds of the different pitch ranks are as follows.
1
2
3
1
16'
8'
5 /3 '
4'
2 /3 '
2' 1 /5 ' 1 /3'
1'
Assigning parts to the keyboard
SX-PR804
SOUND
ARRANGER
PROGRESSIVE
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
PIANO STYLIST
PIANIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
BRASS
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
GUITAR
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
VOCAL
BASS
DRUM KITS
MEMORY
MA
VOLUE
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
RIGHT
2
RIGHT
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
LEFT
RIGHT
2
RIGHT
1
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
The CONDUCTOR buttons are used to assign the parts (RIGHT 1, RIGHT 2, LEFT) to the keyboard in many different ways.
CONDUCTOR
CONDUCTOR settings
How sounds are assigned to the keyboard
All keys produce the RIGHT 1 sound.
LEFT
RIGHT 2
RIGHT 1
RIGHT 1
CONDUCTOR
All keys produce the RIGHT 2 sound.
LEFT
RIGHT 2
RIGHT 1
RIGHT 2
CONDUCTOR
All keys produce both the RIGHT 1 sound and the RIGHT 2 sound.
LEFT
RIGHT 2
RIGHT 1
RIGHT 1 + RIGHT 2
CONDUCTOR
The left keys produce the LEFT sound and the right keys produce the RIGHT 1 sound
and the RIGHT 2 sound.
LEFT
RIGHT 2
RIGHT 1
RIGHT 1 + RIGHT 2
LEFT
CONDUCTOR
The left keys produce the LEFT sound and the right keys produce the RIGHT 1 sound.
LEFT RIGHT 1
LEFT
RIGHT 2
RIGHT 1
CONDUCTOR
The left keys produce the LEFT sound and the right keys produce the RIGHT 2 sound.
RIGHT 2
LEFT
RIGHT 2
RIGHT 1
LEFT
CONDUCTOR
• The volume for each part can be adjusted independently. (Refer to page 31.)
• The following conditions are in effect when the AUTO PLAY CHORD is used.
BASIC, ADVANCED mode: You cannot assign sounds to all the keys.
PIANIST mode: The keyboard cannot be split.
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Part I
Sounds and effects
SPLIT
You can split the keyboard into right and left sections (SPLIT),
2. Use the SPLIT POINT button to define the
point that divides the left and right keyboard
sections.
and assign a different sound to each section.
1. Press the LEFT button in the CONDUCTOR
to turn it on.
G2
C4
C3
• If the LEFT part does not turn on, then turn off the AUTO
PLAY CHORD, or select any mode except PIANIST.
SPLIT
POINT
• Each time the SPLIT POINT button is pressed, the indica-
tion moves to the next split point in the following order.
G2 ➝ C3 ➝ C4 ➝ customized split point (all indicators
off) (see below).
Customized split point
Use the following procedure if you wish to store a split point
at a location other than G2, C3 or C4.
1. Press and hold the SPLIT POINT button for a
2. Press a key on the keyboard to specify the
few seconds.
desired split point.
• A split point is set at the location of the pressed key, and
is indicated on the keyboard illustration on the display.
• The key at the split point is the lowest note of the right
keyboard section.
SPLIT
POINT
• The following display appears.
• After a few seconds, the display exits the setting mode.
• Whenever the keyboard is split, you can select your cus-
tomized split point by pressing the SPLIT POINT button
until none of the split point indicators is lit. In this case,
the customized split point is indicated on the display.
RIGHT 1/RIGHT 2 OCTAVE
During your performance you can quickly change the octave
of the RIGHT 1 and RIGHT 2 parts. Use this convenient func-
tion to expand the octave range of the keyboard, especially
during a split-keyboard performance.
• The note pitches (NOTE NUMBER) recorded in the
SEQUENCER and during MIDI transmission are also af-
fected by this octave setting. However, it does not affect
SEQUENCER playback or received MIDI data.
⇒ Use the R1/R2 OCTAVE buttons (+ and –) to
change the octave.
R1/R2 OCTAVE
–
+
• Press the + button to raise the pitch and the – button to
lower the pitch (–2 to +2).
• The display looks similar to the following.
• You can also use the ∧ and ∨ buttons on the R 1/R 2
OCTAVE display to change the octave.
• The display returns to the previous display after a few
seconds.
• A lit + or – indicator shows that the octave has been
changed.
• To cancel the octave change, press both buttons at the
same time.
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Part I
Sounds and effects
Pedals
Sustain pedal
Sostenuto pedal
Soft pedal
Sustain pedal
Sostenuto pedal
When a key is released while this pedal is depressed, the
sound is sustained so that it lingers and slowly fades out.
• This effect does not work for the sounds in the DRUM
KITS group.
If this pedal is pressed while the keys are pressed, the sustain
effect is applied to those notes only. If the pedal is pressed
first and the keys are then pressed, the sustain effect does
not work for those notes.
• This effect does not work for some sounds.
• The length of the sustain can be set for each part. (Refer
to page 104.)
• PR804: This pedal is an eight-stage pedal, and the length
of the sustain is controlled by the degree to which the
pedal is depressed.
• For continuous-type sounds, such as ORGAN, the notes
sound as long as the pedal is pressed.
• You can select a different function to control with this
pedal. (Refer to page 121.)
Soft pedal
When this pedal is depressed, the sound is softer and the
volume is slightly lower.
• You can select a different function to control with this
pedal. (Refer to page 121.)
String resonance
String resonance is the sound heard in an acoustic piano
when the struck strings produce a sympathetic resonance of
the other unstruck strings. For the GRAND PIANO and
UPRIGHT PIANO sounds, string resonance is produced as
long as the sustain pedal is depressed. The amount of string
resonance can be adjusted.
1. Press and hold the GRAND button for about
3 seconds.
GRAND
• STRING RESONANCE DEPTH is shown on the display.
2. Use the ∧ and ∨ buttons to adjust the amount
of resonance (0 to 99).
• The higher the number, the greater the amount of reso-
nance.
• When set to 0, there is no string resonance.
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Part I
Sounds and effects
Touch Sensitivity
SX-PR804
SOUND
ARRANGER
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BABANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
Adjust keyboard touch response.
1. Press the PROGRAM MENUS button to turn
3. Use the buttons to the left of the display to
select the function you wish to set. Use the L
and M buttons to adjust the setting.
it on.
PROGRAM
MENUS
TOUCH SENSITIVITY: This is the keyboard touch response
setting.
• Select from HEAVY 3, HEAVY 2, HEAVY 1, NORMAL and
LIGHT.
MINIMUM RANGE: Specify whether or not the keyboard keys
function when the keys are pressed very softly (ON/OFF).
• When set to ON, the keys do not function when they are
pressed very softy, as in an acoustic piano. When set to
OFF, the keys function even when they are pressed very
softly.
• The display looks similar to the following.
4. When you have finished adjusting the settings,
press the PROGRAM MENUS button again.
2. Select TOUCH SENSITIVITY.
• The display looks similar to the following.
Effects
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT BRILLIANCE
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
You can achieve even fuller and stirring sounds by adding various effects for each part.
• To enable the best effects for each sound, the DIGITAL EFFECT may switch on or off automatically depending on the MULTI
EFFECT setting.
MULTI EFFECT
The MULTI EFFECT works like a studio effects processor,
Type and parameter settings
providing effects such as CHORUS, PHASER, DELAY and
DISTORTION. This effect can be set for each part.
1. Press and hold the MULTI EFFECT button for
a few seconds.
1. In the CONDUCTOR or PART SELECT sec-
• The display changes to the following.
tion, turn on the part to which this effect will
be applied.
2. Press the MULTI EFFECT button to turn it on.
MULTI EFFECT
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Part I
Sounds and effects
2. Use the L and M buttons to select an effect
CHORUS
group.
Add breadth to the sound. This effect can be set for each
part.
• The EFFECT MEMORY is for edited effects (see below).
3. Use the buttons to the right of the display to
1. Select the sound to which the effect will be
applied.
select the type.
• If the types comprise more than one display “page,” use
the PAGE buttons to switch pages.
• If you press the VARI button to turn it ON, the effect
2. Press the CHORUS button to turn it on.
variation is selected.
CHORUS
• This display can also be accessed from the REVERB &
EFFECT MENU display. (Refer to page 109.)
• The on or off status of the CHORUS is preset for each
sound.
EFFECT EDIT
The effects can be edited and then stored in a memory.
Type and parameter settings
1. Select an effect type to use as a base.
1. Press and hold the CHORUS button for a few
seconds.
2. Press the EFFECT EDIT button.
• The display looks similar to the following.
• The display changes to the following.
2. Use the L and M buttons to select an effect
3. Use the PARAMETER L and M buttons to
group.
select the parameter.
• The EFFECT MEMORY is for edited effects (see below).
• The parameters vary depending on the effect type
selected as the base.
• (V) indicates a parameter for the VARIATION.
3. Use the buttons to the right of the display to
select the type.
• If the types comprise more than one display “page,” use
the PAGE buttons to switch pages.
4. Use the VALUE ∧ and ∨ buttons to adjust the
setting.
• This display can also be accessed from the REVERB &
EFFECT display. (Refer to page 109.)
5. Press the EFFECT NAMING button and assign
a name to the effect, if necessary.
EFFECT EDIT
Your edited effect can be stored in a memory for later recall.
• The procedure is the same as for MULTI EFFECT.
• Refer to page 55 for details about the NAMING procedure.
6. Use the EFFECT MEMORY LIST L and M
buttons to specify the location in which to store
the edited effect.
7. Press the WRITE button.
DIGITAL EFFECT
DIGITAL EFFECT gives the sound richness and enhances
your performance. This effect can be set for each part.
1. Select the sound to which the effect will be
applied.
2. Press the DIGITAL EFFECT button to turn it
on.
DIGITAL EFFECT
• The on or off status of the DIGITAL EFFECT is preset
for each sound.
• This effect may not work for some sounds.
• If a DRAWBAR sound is not selected for a performance
part, and if the MULTI EFFECT is off for all parts, the
nuance of this effect in the RIGHT 1 part and other parts
will differ.
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Part I
Sounds and effects
REVERB
SOLO
REVERB applies a reverberation effect to the sound. This
Each part can be set to monophonic sound.
effect is applied to all the parts in common.
1. Select a part.
⇒ Press the REVERB button to turn it on.
REVERB
2. Press the SOLO button to turn it on.
SOLO
• This effect does not work for the METRONOME.
• The sound of that part will be monophonic.
Type and parameter settings
• This feature does not work for the DRUM KITS sounds.
• When two CONDUCTOR parts, one with the SOLO turned
on and one with the SOLO turned off, are mixed, then
only the highest pitch of the played chord plays in the
sound for which the SOLO is turned on.
1. Press and hold the REVERB button for a few
seconds.
• The display changes to the following.
• In the initialized condition, the SOLO is automatically
turned on or off depending on the sound you select.
BRILLIANCE
The brightness of the sound can be set for each performance
part.
1. Press the BRILLIANCE button.
2. Use the L and M buttons to select an effect
BRILLIANCE
group.
• The EFFECT MEMORY is for edited effects (see below).
• The display looks similar to the following.
3. Use the buttons to the right of the display to
select the type.
• If the types comprise more than one display “page,” use
the PAGE buttons to switch pages.
4. Use the TOTAL DEPTH ∧ and ∨ buttons to
set the depth of the effect.
• This display can also be accessed from the REVERB &
EFFECT display. (Refer to page 109.)
2. Use the PART ∧ and ∨ buttons to select a
part.
EFFECT EDIT
Your edited effect can be stored in a memory for later recall.
• The procedure is the same as for MULTI EFFECT.
3. Use the buttons to the left of the display to
select the level of brightness.
• For some sounds, the brightness does not change.
• The display returns to the previous display a few seconds
after you have changed the setting.
Mic Reverb & Effect
These settings apply when a microphone is connected to the MIC input terminal and, for example, you wish to add a reverb effect
the to microphone input.
1. Press the PROGRAM MENUS button to turn
2. Select REVERB & EFFECT.
it on.
PROGRAM
MENUS
3. Select MIC REVERB & EFFECT.
• The display looks similar to the following.
• The display looks similar to the following.
(continued on the next page)
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Part I
Sounds and effects
DELAY 1:
Alpine echo.
DELAY 2:
An echo with broadened left and right voices.
EXCITER:
4. Use the buttons to the left of the display to
select an item you wish to set (MIC REVERB
SETTING/MIC EFFECT SETTING).
The voice is modulated for dramatic effect.
TALKING CAT:
A loud or soft voice produces the sound of a cat
meowing.
RING MODULATOR:
Space alien voice.
PITCH SHIFTER 1:
The effect of a two-voice chorus.
PITCH SHIFTER 2:
5. Use the PARAMETER L and M buttons to
select the function, and use the VALUE ∧ and
∨ buttons to change the setting.
MIC REVERB (separate reverb for mic input)
TYPE:
Type of reverb (ROOM/KARAOKE/STAGE/CAVE)
REVERB TIME:
The time it takes for the reverb sound to die out
VOLUME:
Reverb volume
MIC EFFECT
The voice repeats while changing pitch.
VOICE CHANGER 1:
Shrill female voice.
VOICE CHANGER 2:
(separate effect for microphone input)
TYPE: Effect type setting
CHORUS:
Supernatural male voice.
• The parameters differ depending on the TYPE.
The effect of several people singing.
FLANGER:
6. Use the MIC REV and MIC EFF buttons to the
right of the display to set the corresponding
A unique tone applied to the voice gives it a rap music
flavor.
PHASER:
effect to ON or OFF.
• For connecting a microphone, refer to page 136.
• Use the MIC VOLUME dial to adjust the microphone
volume.
A different tone from FLANGER.
Transpose
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
UCTOR
PANEL MEMORY
The TRANSPOSE buttons are used to change the key of the entire instrument in semi-tone steps across an entire octave.
Suppose you learn to play a song—in the key of C, for example—and decide you want to sing it, only to find that it’s either too
high or too low for your voice. Your choice is to either learn the song all over again in a different key, or to use the TRANSPOSE
feature.
TRANSPOSE
–
+
<<Example: transposed to D>>
Played keys
⇒ Adjust the key with the + and – buttons.
• The key is changed in half-tone increments up to plus or
minus one octave.
• If the two buttons are pressed at the same time, the key
returns to C.
• When the TRANSPOSE function is active, the transposed
key is shown on the display, and the + or – indicator is
lit.
C major
Notes that sound
D major
Actual key
42
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Part I
Sounds and effects
Techni-chord
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
VOLUME
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
TECHNI-CHORD turns your single note melodies into full chords and offers you a choice of different types from a simple duet
which adds one harmony note to your melody note, to big band reeds which adds four harmony notes to your melody note. If
TECHNI-CHORD is part of a ONE TOUCH PLAY or PIANO STYLIST registration, a suitable TECHNI-CHORD type will be selected
automatically.
Example:
Left hand (chord)
C
F
G
C
Right hand (melody)
ORCHESTRATOR
1. Split the keyboard into left and right sections.
You can specify which part is used for the harmony tones.
Your TECHNI-CHORD performance is enhanced by selecting
harmony sounds different from the sounds you play and the
sounds produced by the automatic accompaniment.
2. Press the TECHNI-CHORD button to turn it
on.
⇒ Use the ∧ and ∨ buttons to select the part for
TECHNI-CHORD
the harmony notes.
• If CONDUCTOR is selected, the harmony notes are pro-
duced in the sounds of the part which is currently selected
in the CONDUCTOR (RIGHT 1, RIGHT 2). In other words,
the harmony notes are produced in the same sound as
the melody notes. If both RIGHT 1 and RIGHT 2 are on,
the harmony notes are produced in the sound of the
RIGHT 1 part.
3. Play the keyboard.
• The melody you play with your right hand is automatically
played in chords which are based on the chords you play
with your left hand.
• This feature does not work for a part for which SOLO is
set to on.
• In the case of EASY RECORD (see page 65), when set
to CONDUCTOR or a part other than PART 4, the
TECHNI-CHORD sound is not recorded; so when you use
EASY RECORD, please set to one or the other.
• This feature is very effective when used with the AUTO
PLAY CHORD.
Type setting
1. Press and hold the TECHNI-CHORD button
for a few seconds.
• The display looks similar to the following.
2. Use the
, L, M,
harmony style.
buttons to select the
• When the OCTAVE, HARD ROCK or FANFARE style is
selected, the TECHNI-CHORD functions even when the
keyboard is not split.
43
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Part II Playing the rhythm
Overview of rhythm performance
An explanation follows of the terms related to this instrument’s rhythm performance.
STYLE
Rhythm and accompaniment pattern
Each rhythm is comprised of not only a DRUMS pattern,
RHYTHM
but also of accompaniment patterns called BASS and AC-
COMP. The combination of all of these is the rhythm.
PANEL setting
VARIATION 1
• The accompaniment pattern sounds when you perform
PANEL setting
PANEL setting
VARIATION 2
using the AUTO PLAY CHORD (APC). (Refer to page
47.)
VARIATION 3
VARIATION 4
Rhythm and Style
PANEL setting
One rhythm of this instrument is comprised of four VARIA-
TION patterns, and for each one the optimum sounds and
effects are set.
Selecting rhythms
SX-PR804
SOUND
PROGRESSIVE
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
PIANIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
Many exciting rhythms are stored in the memory of this instrument. First select one of the rhythm groups and then choose the
desired rhythm.
Select a rhythm
• A list of rhythms available for each rhythm group can be
1. In the RHYTHM GROUP section, select a
found in the separate REFERENCE GUIDE provided.
rhythm group.
• If there is more than one page to the display, use the
PAGE buttons to move from one screen page to another.
• Because the “Classic Ballad” rhythm of the BALLAD
group does not have a drum part, no sound is produced
RHYTHM GROUP
8&16
BEAT
MOVIE &
SHOW
ROCK
&
POP
BALLAD
JAZZ
&
SWING
METRONOME
if you play this rhythm without the AUTO PLAY CHORD.
SOUL &
DISCO
GOSPEL &
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MEMORY
LOAD
WESTERN
WALTZ
WORLD
VARIATION
There are four variations available for each rhythm. Use the
VARIATION buttons to select the desired variation.
• For information about the METRONOME, see the follow-
ing section.
• MEMORY is the group in which you store the rhythms
you create with the COMPOSER. (Refer to page 85.)
MUSIC STYLE
VARIATION
ARRANGER
1
2
3
4
2. Select the desired rhythm from the list on the
display.
• Confirm that the MUSIC STYLE ARRANGER button is
off. (If it is on, press it once to turn it off.)
• The nuance of the pattern differs with each variation
number.
• You can change to a different variation while the rhythm
is playing.
44
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Part II
Playing the rhythm
METRONOME
1. In the RHYTHM GROUP section, select
METRONOME.
• The following display appears.
2. Select the time signature for the metronome.
• Select “Metronome Off” if you do not wish the first beat
of the measure to be accented.
• Press the START/STOP button to start the metronome.
Start the rhythm
There are two ways to start the rhythm.
Normal start
Adjust the tempo
The tempo of the rhythm pattern is adjusted with the
TEMPO/PROGRAM dial.
1. Select a rhythm.
TEMPO / PROGRAM
2. Press the START/STOP button to turn it on.
START / STOP
1
2
3
4
BEAT
• The selected rhythm pattern immediately begins to play.
• You can stop the rhythm by pressing the START/STOP
button again to turn it off.
• The BEAT indicators above the START/STOP button light
to indicate the beat. On the first beat of the measure, the
red indicator lights. On the second and succeeding beats
of the measure, the green indicators light in order.
• The tempo is shown on the display as a numerical value
(ꢀ = 40 to 300).
• When the TEMPO/PROGRAM indicator is lit, the
TEMPO/PROGRAM dial cannot be used to adjust the
tempo.
• To adjust the tempo during playback, refer to page 68.
TAP TEMPO
You can set the tempo of the rhythm by tapping this button
few times with your finger at the tempo you wish to play.
Synchronized start
With the synchronized start feature, the rhythm pattern starts
when you play a key on the keyboard.
1. Select a rhythm.
TAP TEMPO
2. Press the SYNCHRO START button to turn it
on.
• The tempo at which the button is tapped is detected, and
the tempo automatically changes correspondingly.
SYNCHRO
START
3. Play a key to the left of the keyboard split
point.
Split point
• The rhythm pattern begins to play.
• You can use the synchronized start feature even when
the keyboard is not divided into left and right sections. To
start the rhythm, press a key to the left of the specified
split point.
45
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Part II
Playing the rhythm
Playing the rhythm
SX-PR804
SOUND
PROGRESSIVE
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
PIANIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
Intro, fill-in and ending patterns fitting each different rhythm pattern are permanently recorded in your instrument, thus allowing a
versatile rhythm performance.
•These patterns are not available for the METRONOME.
INTRO
Begin the rhythm performance with an intro pattern.
1. Press the INTRO & ENDING 1 or INTRO &
ENDING 2 button to turn it on.
INTRO & ENDING
1
2
2. Press the START/STOP button to start the
rhythm.
START / STOP
1
2
3
4
BEAT
• An intro pattern is played, after which the normal rhythm
pattern begins.
COUNT INTRO
You can begin the rhythm performance with a spoken one-
measure count.
Mode setting
You can select the mode for the count sound.
1. Press the COUNT INTRO (FILL IN 2) button
to turn it on.
FILL IN
2
1. Press the MODE button in the AUTO PLAY
CHORD section to turn it on.
COUNT
INTRO
AUTO PLAY CHORD
MODE OFF/ON
2. Press the START/STOP button to start the
CHORD NDER
rhythm.
• A spoken one-measure count is played, after which the
normal rhythm pattern begins.
• The display looks similar to the following.
2. Use the COUNT INTRO button to select a
mode.
VOICE: A spoken count (initialized setting).
CLICK: A clicking sound for the count.
46
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Part II
Playing the rhythm
FILL IN
ENDING
You can insert a fill-in pattern any time during the rhythm
performance. Choose from two different fill-in patterns.
Finish the rhythm performance with an ending pattern.
1. Select a rhythm and press the START/STOP
1. Select a rhythm and press the START/STOP
button.
button.
2. Press the INTRO & ENDING 1 or INTRO &
2. Press the FILL IN 1 or FILL IN 2 button.
ENDING 2 button to turn it on.
FILL IN
INTRO & ENDING
1
2
1
2
SEQUENCER
RESET
COUNT
INTRO
• A fill-in pattern is heard immediately for the remainder of
the measure.
• When a FILL IN button is pressed on the last beat of the
measure, the fill-in pattern continues to the end of the
following measure.
• An ending pattern is produced, and then the rhythm per-
formance stops.
• If you accidentally press the INTRO & ENDING button in
the middle of the tune, you can press the FILL IN 1 or
FILL IN 2 button. The ending pattern stops, and a fill-in
pattern is produced, after which the normal rhythm per-
formance continues.
Auto Play Chord
SX-PR804
SOUND
PROGRESSIVE
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
PIANIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
1
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
Simply by playing a chord on the keyboard, the AUTO PLAY CHORD function automatically plays an accompaniment pattern
which matches perfectly the selected rhythm. With a real accompaniment as a background, you can concentrate on playing the
melody.
How the AUTO PLAY CHORD works
When an AUTO PLAY CHORD mode is selected, an auto-
matic accompaniment which matches the rhythm you have
chosen is played in the chord which you specify with your
left hand. The melody is played with your right hand.
• The accompaniment pattern of the AUTO PLAY CHORD
is composed of 8 parts: DRUMS 1, 2, BASS, ACCOMP
Chord
Melody
1–5.
• The volume of each part can be adjusted with the buttons
below the display. (Refer to page 31.)
How to play chords
There are four different ways to specify chords on the key-
board.
BASIC mode
For beginning players, a left-hand chord can be specified with
just one finger. You can either press one key on the left key-
board section to specify the root note (one-finger), or play
all the notes of the chord (fingered).
• The LEFT button in the CONDUCTOR turns off. You can
turn it on and the LEFT part will be heard, but when the
LEFT HOLD function is OFF, only the <Fingered> method
can be used to specify chords. (Refer to page 49.)
• When the rhythm is on, even if the keys are released, the
accompaniment continues to play in the specified chord
until you specify another chord.
47
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Part II
Playing the rhythm
<One-finger>
Example: C chord
Press a key in the left keyboard section to specify the root
note. The major chord corresponding to this root note is auto-
matically played in an accompaniment pattern.
• When three or more keys of a chord are pressed, it is
recognized as a <fingered> chord.
Minor, seventh and minor seventh chords are also easily produced.
minor chord
seventh chord
minor seventh chord
Play the root note plus a black
key to the left of it.
Play the root note plus a white
key to the left of it.
Play the root note plus a black
key and a white key to the left
of it.
Example: Cm
Example: C7
Example: Cm7
<Fingered>
Specify the chord by playing all the notes in the chord. When
you play chords this way, the AUTO PLAY CHORD recog-
nizes more chord types, and thus the scope of your perform-
ance expression is expanded.
• Play chords by pressing at least three keys.
• If the CHORD FINDER procedure is used, you can see the
types of chords that can be specified and the keys you
press to play them. (Refer to page 50.)
ADVANCED 1 mode
PIANIST mode
In this mode, the chord is specified by playing it (fingered)
on the left part of the keyboard. Chords which the AUTO
PLAY CHORD does not recognize are ignored.
• The keyboard automatically divides into left and right play-
ing sections.
In the PIANIST mode, the entire keyboard can be used to
specify chords for the automatic accompaniment. This mode
is used to add an automatic accompaniment to the perform-
ance on a standard piano.
• The keyboard does not split.
• The sound selected for the left section of the keyboard is
produced, but you can mute this part. (Refer to page 31.)
• Play chords by pressing at least three keys.
• If the CHORD FINDER procedure is used, you can see the
types of chords that can be specified and the keys you
press to play them. (Refer to page 50.)
• Chords can be specified (fingered) anywhere on the key-
board.
• Chords are specified in the same manner as for the AD-
VANCED 1 mode, and the types of chords are also the
same.
• When the rhythm is on, even if the keys are released, the
accompaniment continues to play in the specified chord
until you specify another chord.
<APC HOLD>
During a performance in the PIANIST mode, for example, if
you press the pedal to which the APC HOLD function is as-
signed, the currently specified chord is maintained, allowing
you to focus your performance on a solo melody.
• The accompaniment continues in the same chord as long
as the pedal is depressed, and it does not change even if
other chords are played.
ADVANCED 2 mode
Chords are specified in the same manner as for <Fingered>
chords in the BASIC mode. However, if the AUTO PLAY
CHORD does not recognize the chord, the automatic accom-
paniment is based on the pitches of some of the pressed
keys.
• To change the pedal assignment, refer to page 121.
48
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Part II
Playing the rhythm
How to use the AUTO PLAY CHORD
1. Select the desired rhythm and sound(s), and
6. Specify a chord.
• If the BASIC or ADVANCED mode was selected, specify
the chord on the keyboard section to the left of the split
point.
set the tempo.
• Do not select METRONOME.
2. Press the AUTO PLAY CHORD’s OFF/ON
Split point
button to turn it on.
AUTO PLAY CHORD
MODE OFF/ON
CHORD FINDER
• An accompaniment pattern in the specified chord is auto-
matically played. Play the melody with your right hand.
3. Press the AUTO PLAY CHORD’s MODE but-
Example of how to play a BASIC <One-Finger> accom-
paniment
ton to turn it on.
• The display looks similar to the following.
Play the melody with your right hand.
C
F
G
C
Left hand
4. Select an AUTO PLAY CHORD mode.
• When you use FILL IN, INTRO and ENDING, the auto-
matic accompaniment is also used in these patterns.
• You can set the mode which determines how the LEFT
part sounds during an AUTO PLAY CHORD performance.
(Refer to the following section on “LEFT HOLD”.)
• In the initialized condition, when the rhythm is off, if an
AUTO PLAY CHORD mode is on and a chord is specified,
the specified root note (R. BASS part) and chord notes
(CHORD part) are produced. The volumes of these notes
can be adjusted. (Refer to page 31.)
• After a few seconds, the display returns to the previous
display.
• If the BASIC or an ADVANCED mode was selected, the
keyboard automatically splits into right and left sections.
ON BASS
If the ON BASS button is ON, the BASS part is produced in
the key of the lowest note of the played chord, thus making
it possible to play chords such as C on G (excluding <one-
finger> chords).
• For example, with the ON BASS button on, if you play a
C chord by pressing the keys G, C and E, the BASS part
is produced in the key of G.
7. To stop the automatic accompaniment, press
the START/STOP button.
• If you wish the automatic accompaniment to begin and
end the performance, set the OFF/ON button to off.
5. Press the START/STOP button to begin the
rhythm.
• You can start the rhythm by playing a key on the keyboard.
(Refer to page 45.)
LEFT HOLD
This setting determines how the LEFT part sounds when the
LEFT button in the CONDUCTOR is on during a performance
with the BASIC or ADVANCED 1, 2 mode.
OFF:
1. Press the AUTO PLAY CHORD’s MODE but-
The LEFT part sounds from the pressed chord keys.
• When BASIC is selected, the LEFT part turns off. The
LEFT part sounds if you turn it on, but <one-finger> chords
cannot be specified.
ton to turn it on.
• The display changes to the following.
ON:
Specifying <one-finger> chords in the BASIC mode pro-
duces the full chords; otherwise the LEFT part notes are
those of the pressed chord keys.
• When BASIC is selected the LEFT part turns off, but it
will sound if you turn it on.
• Touch response does not function for the LEFT part.
• When the mode is set to ON, during a rhythm perform-
ance, the LEFT part continues to play even when the keys
are released.
2. Use the LEFT HOLD: ON/OFF button to set
the mode to on or off.
49
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Part II
Playing the rhythm
APC VOLUME
CHORD FINDER
To adjust the volume balance between the automatic accom-
paniment and the parts you play manually on the keyboard,
the volume of all the automatic accompaniment parts can be
lowered as one.
The CHORD FINDER can help, for example, when you do
not know which keys to press to specify a given chord. When
you input the chord name, the CHORD FINDER shows you
which keys to press and even lets you hear the notes that
make up.
⇒ Use the APC/SEQUENCER VOLUME slide
1. Press the AUTO PLAY CHORD’s MODE but-
control to adjust the volume.
ton to turn it on.
APC/SEQUENCER
VOLUME
• The display changes to the following.
MAX
OFF
• Use this control to lower the automatic accompaniment
volume when it is too loud relative to your manual per-
formance.
• At the MAX position, the volumes of the automatic ac-
companiment parts correspond to their current settings;
at the OFF position, the volume is 0. The volume should
normally be set to MAX.
2. Select CHORD FINDER.
• The display changes to the following.
• The set values are shown in the APC column of the volume
balance display. (Refer to page 31.)
• The volume can be adjusted for each part. (Refer to page
31.)
• When the position of the slide control coincides with the
actual volume, the indicator is lit. When the volume is
changed by of the PANEL MEMORY or SEQUENCER
playback, the actual volume differs from that indicated by
the position of the slide control. In this case, the indicator
is not lit.
• The volume of the PIANO PERFORMANCE PADS part
does not change. (PR804)
• During SEQUENCER playback or disk DIRECT PLAY,
operation of this slide control affects the total volume of
all the playback parts.
3. Use the APC MODE button to select the auto-
matic accompaniment mode you will use to
specify chords (BASIC, ADVANCED1).
• When storing chords with the SEQUENCER, this button
is not shown (MODE is fixed at BASIC).
• In the list column are shown the chords which can be
specified in each mode.
4. Use the ROOT buttons to select the root note
of the chord. Use the TYPE buttons to select
the type of chord.
• A typical way to finger the specified chord (TYPICAL) is
illustrated on a keyboard diagram.
• Each time the INV. button is pressed, different INVER-
SION fingerings are illustrated in order. (If there is no
INVERSION fingering for the specified chord, this button
is not shown on the display.)
• When the button with a picture of an ear is pressed, the
notes of the illustrated chord sound.
5. To exit the CHORD FINDER procedure, press
the EXIT button.
EXIT
• You can also access this display by pressing and holding
the CHORD FINDER (MODE) button for a few seconds.
AUTO PLAY CHORD
MODE
CHORD FINDER
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Part II
Playing the rhythm
Fade In/Fade Out
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
VOLUME
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUEN
RE
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
Add interest to your performance by starting a part with a fade-in or ending it with a fade-out.
FADE IN
FADE OUT
At the beginning of the song, the volume of each part rises
slowly.
At the end of the song, the volume of each part gradually
fades to nothing.
1. Set up the panel settings for your perform-
ance.
1. Start the performance.
2. Turn on the FADE OUT button at the point you
2. Turn on the FADE IN button.
want the fade-out to start.
FADE
FADE
IN
OUT
IN
OUT
• The indicator flashes. In this condition, the volumes for
all parts change to 0 and no sound is produced from this
instrument until the FADE IN is turned off or until step 3
is executed.
• The volumes of all the parts slowly fade to 0.
• The indicator flashes to show that fade-out is completed,
and then goes out. The volumes for all parts return to
their specified settings.
• If you wish to interrupt the fade-out, press the FADE OUT
button to turn it off.
3. Play the keyboard or press the START/STOP
button.
• The volume slowly builds to its preset level.
• For the fade-in effect for a rhythm part or when playing
back a SEQUENCER performance, turn on the FADE IN
button before pressing the START/STOP button.
• At the end of the fade-in, the FADE IN indicator goes out.
• During the fade-in, the IN indicator is lit, and FADE IN is
shown on the normal display.
The volume balance buttons do not work while the
FADE IN or FADE OUT indication is shown on the
display.
FADE SETTING
Adjust the settings for the FADE IN and FADE OUT.
FADE IN
1. Press and hold the FADE IN or FADE OUT
TIME:
button for a few seconds.
Specify the time elapsed between 0 volume to the set
volume (1 measure to 16 measure).
FADE OUT
FADE
IN
OUT
TIME:
Specify the time elapsed between the set volume and
0 volume (1 measure to 16 measure).
AUTO RESET:
• The display looks similar to the following.
Specify whether the volume of each part automatically
returns to its specified setting (ON, OFF).
RHYTHM AUTO STOP:
Specify whether the rhythm turns off after fade-out is
completed (ON, OFF).
SEQ AUTO STOP:
Specify whether the SEQUENCER playback automat-
ically stops after fade-out is completed (ON, OFF).
• The display returns to the previous display a few seconds
after you have changed the settings.
• You can also access this display from the CONTROL
MENU display. (Refer to page 120.)
2. Use the L and M buttons to select the item.
Use the ∧ and ∨ buttons to change the setting.
51
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Part II
Playing the rhythm
Sound Arranger
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
EFFECT
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
MENUS
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
PLAY
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BRILLIANCE
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
F
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQU
T
I
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
The SOUND ARRANGER feature lets you select other sounds for the AUTO PLAY CHORD parts of each rhythm.
1. Select the rhythm whose sound you wish to
5. Repeat steps 3 and 4 for the other parts as
desired.
change.
• Do not select the METRONOME or the MEMORY button.
6. When you have finished selecting the sounds,
2. In the SOUND ARRANGER section, press the
press the SET button.
SET button to turn it on.
SOUND
ARRANGER
SET OFF/ON
Playing back the sounds
1. In the SOUND ARRANGER section, press the
OFF/ON button to turn it on.
SOUND
ARRANGER
• The display looks similar to the following.
SET OFF/ON
2. Start the rhythm (automatic accompaniment).
• When the OFF/ON button is off, the factory-preset sounds
are produced.
3. Use the L and M buttons to select the part
• This setting can be set separately for each rhythm.
• If you wish to modify the settings you specified, while the
OFF/ON button is on, press the SET button to turn it on.
whose sound you wish to change.
4. Select the desired sound.
• The DIGITAL EFFECT on/off status can also be specified
(except for DRUMS part).
• For the DRUMS part, select sounds from the DRUM KITS
group.
• Sounds from the DIGITAL DRAWBAR groups cannot be
selected for the ACCOMP and BASS parts.
• The sound and on/off status of the DIGITAL EFFECT are
shown on the display.
One Touch Play
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT BRILLIANCE
BASS
DRUM KITS
MEMORY
MAIN
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
VOLUME
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
ONE TOUCH PLAY automatically sets a suggested combination of sounds and an appropriate tempo for your chosen rhythm
style.
• The AUTO PLAY CHORD and the SYNCHRO START are
1. Select a rhythm pattern.
automatically turned on, and the sounds and effects,
• Do not select the METRONOME or the MEMORY button.
volume balances, tempo etc. that are ideal for your
selected rhythm are automatically set.
2. Press and hold the ONE TOUCH PLAY button
for a few seconds.
3. Play the keyboard.
ONE TOUCH
PLAY
• When you specify a chord, the automatic rhythm begins
to play immediately.
• During setting, the style name is shown on the display.
52
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Part II
Playing the rhythm
Piano Stylist
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
EFFECT
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
MENUS
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BRILLIANCE
BASS
DRUM KITS
MEMORY
MAIN
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
VOLUME
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INT
NDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
This feature automatically launches the appropriate instrument settings when you select the style of the arrangement you wish to
play in. By using this feature, you can easily achieve a performance like that of a first-rate pianist.
PIANO STYLES
Select a suitable style for your performance based principally
6. Play the keyboard.
on the piano sound.
• When you specify a chord on the left area of the keyboard,
the automatic accompaniment begins to play.
• You can use the TEMPO/PROGRAM dial to adjust the
tempo.
1. Press the PIANO STYLIST button to turn it
on.
PIANO STYLIST
7. When you are finished selecting the style, turn
the PIANO STYLIST button off.
• The display looks similar to the following.
ENSEMBLE STYLES
Select a style suitable for an ensemble performance that uses
the many sounds and rhythms incorporated in this instrument.
1. On the PIANO STYLIST display, press the
ENSEMBLE STYLES button.
• The display looks similar to the following.
2. Press the PIANO STYLES button.
• The display looks similar to the following.
2. Use the GROUP button the select a style
group.
3. Use the ARRANGE MODE button to select the
• These are the same as the groups for the RHYTHM
desired type of arrangement.
GROUP button.
• Select the type you wish to play (PIANO SOLO/PIANO &
COMBO/PIANO & ENSEMBLE).
3. Use the RHYTHM button to select a rhythm,
and the STYLE button to select a style.
• The AUTO PLAY CHORD and SYNCHRO START turn
on, and the sounds, effects, rhythm, tempo, volume
balance etc. which are best suited for the selected music
style are automatically selected.
4. Use the SELECT MODE button to specify how
you wish to select a style.
GENRE: Select a style by musical genre.
ERA: Select a style by era.
ALPHABET: Select a style from an alphabetical list.
4. Play the keyboard.
5. Use the GENRE/ERA/ALPHABET button
below the display to select a group. Use the
• When you specify a chord on the left area of the keyboard,
the automatic accompaniment immediately begins to play.
• You can use the TEMPO/PROGRAM dial to adjust the
tempo.
STYLE button to select a style.
• In the above example, GENRE was selected.
• If the list covers more than one screen “page,” the MORE
button is shown on the display. Use the MORE button to
switch between screen pages.
5. When you are finished selecting the style, turn
the PIANO STYLIST button off.
• The AUTO PLAY CHORD and SYNCHRO START turn
on, and the sounds, effects, rhythm, tempo, volume
balance, etc. which are best suited for the selected music
style are automatically selected.
53
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Part II
Playing the rhythm
Music Style Arranger
SX-PR804
SOUND
PROGRESSIVE
TEMPO
/
PROGRAM
SEQUENCER
EFFECT
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
ARRANGER
PIANO STYLIST
PIANIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
MENUS
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT BRILLIANCE
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
The MUSIC STYLE ARRANGER helps you to make professional registration changes during your performance. Select between
four contrasting registrations at the push of a button, or let your instrument change the registration automatically for you when
you use FILL IN 1 or 2. The MUSIC STYLE ARRANGER will also alter the accompaniment in character with the registration
change creating a polished sounding arrangement.
MUSIC STYLE ARRANGER mode
How to use the MUSIC STYLE AR-
You can define which panel settings change by pressing a
FILL IN button when the MUSIC STYLE ARRANGER is used.
RANGER
1. Select a rhythm pattern.
1. Press and hold the MUSIC STYLE AR-
• Do not select the METRONOME or the MEMORY button.
RANGER button for a few seconds.
• The display changes to the following.
2. Press the MUSIC STYLE ARRANGER button
to turn it on.
MUSIC STYLE
ARRANGER
3. Use the VARIATION buttons to select a style
(1 to 4).
2. Select the mode.
MUSIC STYLE
VARIATION
ARRANGER
RHYTHM: Only the rhythm changes.
1
2
3
4
SOUND & RHYTHM: The sound, effects, rhythms, etc.
change.
PANEL MEMORY: The PANEL MEMORY number (BANK A:
1 to 4) changes. You can store your desired panel settings
in the PANEL MEMORY beforehand and switch from one
to another quickly.
• The nuance of the pattern differs with each number.
• The panel settings (including the tempo) change accord-
ing to the selected rhythm and music style. The AUTO
PLAY CHORD and the SYNCHRO START button are
automatically turned on. When a key on the left section
of the keyboard is pressed, the automatic rhythm begins
to play immediately.
• After a few seconds, the display exits the setting mode.
• You can also access this setting display from the CON-
TROL MENU display. (Refer to page 120.)
• During your performance, the style can be changed, but
the tempo does not change.
How to change the music style
during your performance
⇒ While you are playing the keyboard with the
MUSIC STYLE ARRANGER on, press the
FILL IN 1 or FILL IN 2 button.
FILL IN
1
2
SEQUENCER
RESET
COUNT
INTRO
• Each time the FILL IN 1 button is pressed, the FILL IN
1 pattern plays, and then the music style changes in the
4 ➝ 3 ➝ 2 ➝ 1 order. And each time the FILL IN 2 button
is pressed, the FILL IN 2 pattern plays, and then the style
changes in the 1 ➝ 2 ➝ 3 ➝ 4 order.
54
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Part II
Playing the rhythm
Panel Memory
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
MULTI EFFECT CHORUS
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
PLAY
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
BLUES
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
PANEL MEMORY stores all the current panel settings so you can recall them at the push of a button.
How to store the panel settings
Assign a name to the bank/memory
Store up to 24 panel settings (3 banks x 8 memories). By
storing all the panel settings you use for a song in the same
bank, for example, you can switch from one panel setup to
the next in a flash.
You can assign names to the banks and memories.
1. Select a bank or memory.
2. Use the PAGE buttons to go to the PAGE2/2
1. Set up the desired panel settings (sounds,
volumes, etc.)
BANK VIEW page on the display.
3. Press the BANK NAMING button to assign a
name to the bank, or the MEMORY NAMING
2. Press the BANK VIEW button to turn it on.
button for the memory.
• The display looks similar to the following.
SET
NEXT BANK BANK VIEW
• The BANK SELECT display appears.
3. Use the buttons to the left of the display to
select the desired bank (A, B, C).
4. Assign a name.
4. With the SET button held down, press one of
• Press the ABC button to enter alphabetical characters.
While the SHIFT button is pressed, upper case letters are
entered.
the numbered buttons of the PANEL
MEMORY (1 to 8).
• Press the 123 button to enter numbers, etc. While the
SHIFT button is pressed, you can enter symbols.
• Press the POSITION button to move the cursor.
• You can also use the TEMPO/PROGRAM dial to select
the characters.
SET
1
2
3
4
5
6
7
8
PANEL MEMORY
• Press the INS button to enter a space at the cursor
position.
• Press the DEL button to erase the character at the cursor
position.
• Press the CLR button to erase the entire name.
• Press the →← button to center the name.
• The panel settings are now stored in the specified bank
and number.
BANK VIEW
After selecting a bank, you can use the PAGE buttons to go
to the PAGE2 BANK VIEW page and confirm the memory
names of that bank’s 8 memories.
5. When you have finished assigning the name,
press the OK button.
• You can use the BANK ∧ and ∨ buttons to view other
banks.
• You can also access this display by pressing and holding
any of the PANEL MEMORY number buttons (1 to 8) for
a few seconds.
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Part II
Playing the rhythm
Recall the panel setup
PANEL MEMORY mode
You can define which panel settings are recalled when the
1. Press the BANK VIEW button to turn it on.
PANEL MEMORY is used.
Select a bank.
1. Press and hold the SET button for a few sec-
2. Press the desired PANEL MEMORY number
onds.
button (1 to 8).
• The display changes to the following.
• The panel setup changes to the one stored in the specified
memory.
• You can then change the sound settings, etc. manually;
however, the contents of the memory remain unchanged
until you store them again.
• The “Control Preset” bank of the PIANO PERFORMANCE
PADS (PR804), the soft pedal, or the sostenuto pedal
can also be used to change from one PANEL MEMORY
setup to another.
• The currently selected bank, memory number and memory
name are shown in the top line on the normal display.
2. Select the mode.
NORMAL:
NEXT BANK
You can press the NEXT BANK button to switch to the next
bank. This allows you to change banks without exiting the
normal display.
The sounds and volume balance, and CONDUCTOR sta-
tus are stored.
EXPAND:
All the instrument’s settings are stored, including the
rhythm (except for SOUND ARRANGER on/off status),
TRANSPOSE, tempo, etc.
SET
NEXT BANK BANK VIEW
• After a few seconds, the display exits the setting mode.
EXPAND MODE FILTER
• Each time the NEXT BANK button is pressed, the bank
changes in order from A to B to C. Following bank C, the
bank changes to A.
• The panel settings change when a PANEL MEMORY
number button (1 to 8) is pressed.
You can specify which data is stored in the EXPAND mode.
1. Use the PAGE buttons to access the PAGE
2/2 EXPAND MODE FILTER display.
• The display looks similar to the following.
2. Use the Land M buttons to select the item.
3. Use the ON and OFF buttons to store the on
or off status for the selected item.
56
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Part III Piano Performance Pads (PR804)
Playing phrases
SX-PR804
SOUND
PROGRESSIVE
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
PIANIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
GUITAR
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
During your performance, you can insert a short recorded phrase or effect sounds by pressing a pad button. A different group of
phrases is recorded in each bank.
1. Press the BANK button.
3. Press a pad button (1 to 6).
AUTO SETTING
BANK
STOP
1
4
2
3
5
SOLO
6
SOLO
2. Select the desired bank from the display.
• A different phrase is assigned to each pad button.
• Information about the phrase, such as its name and the
measure number, is shown in the normal display.
• The volume can be adjusted on the normal display.
• The selected phrase is played in the current tempo.
• To stop the phrase before it has ended, press the STOP
button.
• The list of banks consists of three screen pages. Use the
PAGE buttons to move from one screen page to another.
• Some phrases continue to play until the STOP button is
pressed (the LOOP indication appears).
• During a rhythm performance, some phrases may play in
time with the measure count.
• When the automatic accompaniment is on, the phrase is
played in the specified chord.
• “User Bank” 1, 2 and 3 are for storing your original
phrases.
• “Compile Bank” 1 and 2 are for assigning phrases as you
desire.
SOLO
• Various functions are assigned to each pad button in
“Control Preset”.
Pad buttons 5 and 6 (SOLO) are phrases with chord pro-
gressions. Just by pressing one of these pad buttons, the
phrase changes following a chord progression that is typical
for the music genre of that bank.
• Use with the automatic accompaniment during your per-
formance.
1: ROTARY SLOW/FAST
2: PANEL MEMORY BANK INCREMENT
3: GLIDE
4: PANEL MEMORY DECREMENT
5: PANEL MEMORY BANK DECREMENT
6: PANEL MEMORY INCREMENT
• Pad button 5 accesses a major chord type progression, and
pad button 6 a minor chord type progression.
• A table showing the chord progression for each bank can
be found in the separate REFERENCE GUIDE provided.
• For more information about these functions, please see
to page 121.
• When using the “Control Preset” bank, set the AUTO
SETTING button to OFF. When using the PANEL
MEMORY, turn off the PAD BANK of the EXPAND MODE
FILTER.
• The display returns to the previous display after a few
seconds.
AUTO SETTTING
When this button is set to on, the bank automatically changes
according to the automatic setting functions in the PIANO
STYLIST, the ONE TOUCH PLAY and the MUSIC STYLE
ARRANGER. When it is set to off, the bank does not auto-
matically change according to these functions.
AUTO SETTING
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Part III
Piano Performance Pads (PR804)
Copying phrases
You can copy the desired data, as phrases, from the SEQUENCER to each pad memory of a “User Bank”.
• Chord data is also copied to pad buttons 5 and 6 (SOLO).
PHRASE COPY
SEQ TO PAD COPY
Copy a phrase from one pad to another.
1. Record a phrase in the SEQUENCER, or load
1. Press the PROGRAM MENUS button to turn
data from a disk.
it on.
• After this procedure, please do not change the song
number.
• For details about SEQUENCER operation, refer to page
61.
PROGRAM
MENUS
• For information about loading data, refer to page 96.
• The display looks similar to the following.
2. Press the PROGRAM MENUS button to turn
it on.
3. Select PIANO PERFORM PADS.
4. Select SEQ TO PAD COPY.
• The display looks similar to the following.
2. Select PIANO PERFORMANCE PADS.
• The display looks similar to the following.
5. Select the measures of SEQUENCER data
you wish to copy from.
• On the SEQUENCER side, use the ∧ and ∨ buttons to
make the corresponding settings.
FIRST MEAS: The first measure of the phrase you
wish to copy.
LAST MEAS: The last measure of the phrase you wish
to copy.
3. Select PHRASE COPY.
• The display looks similar to the following.
TRANSPOSE: The setting to transpose the chords
when they are copied.
• The maximum that can be copied is 16 measures.
• When copying to pad button 5 or 6, the chord track is
automatically displayed, and the chord data is also copied.
However, when chord data from step record input does
not exist, the measures are blank. In this case, PART 2
cannot be used.
4. Select the pad you wish to copy from.
• If you wish to convert the chords during playback, set
TRANSPOSE to the key of C and then copy the phrase.
• Use the buttons on the FROM side to set the desired
settings.
BANK:
PAD:
Bank name
Pad number (1 to 6)
6. Select the pad button you wish to copy to.
• On the PERFORMANCE PAD side, use the ∧ and ∨
buttons to make the corresponding settings.
5. Select the pad you wish to copy to.
USER BANK: The name of the bank (A/B/C).
PAD: Pad button number (1 to 6).
PART: The part to copy to.
• Use the buttons on the TO side to set the desired settings.
USER BANK:
PAD:
Bank name (USER A, B, C)
Pad number (1 to 6)
• Only a SOLO phrase can be copied to the SOLO pads (5
and 6).
7. Use the TRACK ∧ and ∨ buttons to select the
SEQUENCER track number to copy from.
6. Press the OK button.
• If there is CHORD data, it is automatically selected.
7. Press the PROGRAM MENUS button to turn
8. Press the OK button.
• A confirmation display appears. Press the YES button if
you wish to copy the phrase, or press the NO button to
cancel the procedure.
it off.
• If you wish to modify a portion of the copied phrase, press
the EDIT button to change to the recording display.
9. When you have completed the procedure,
press the PROGRAM MENUS button to turn
it off.
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Part III
Piano Performance Pads (PR804)
Compile
You can assign desired phrases from different banks in “Compile Bank” 1 and 2.
1. Press the PROGRAM MENUS button to turn
3. Select COMPILE SET.
• The display looks similar to the following.
it on.
PROGRAM
MENUS
• The display looks similar to the following.
• You can press the NAMING button and assign a name to
the bank.
4. Press the BANK button to select a bank (Com-
pile Bank: 1/2).
2. Select PIANO PERFORMANCE PADS.
• The display looks similar to the following.
5. Use the PADS L and M buttons to select the
pad to which to assign the phrase.
6. Use the BANK and PHRASE ∧ and ∨ buttons
to select the desired bank and phrase you wish
to assign.
• The “Control” bank cannot be selected.
7. Repeat steps 5 and 6 to assign phrases to the
other pad buttons.
8. When you have finished assigning the
phrases, turn off the PROGRAM MENUS but-
ton.
Record a phrase
“User Bank” A, B and C are reserved for storing your original phrases.
1. Press the PROGRAM MENUS button to turn
3. Use the buttons to the left of the display to
it on.
select a RECORDING BANK.
• The display looks similar to the following.
• The display changes to the RECORD PAD display.
• You can press the BANK NAMING button and assign a
name to the bank.
• If the BANK CLR button is pressed, all the data in the
bank is cleared (a confirmation display appears).
4. Use the buttons below the display to select
the pad number to record.
• The display changes to the PAD RECORDING display.
• You can press the PAD NAMING button and assign a
name to the bank.
• To clear all the current data in the selected pad, press
the CLEAR THE PAD button, and then press the YES
button on the confirmation display.
2. Select PIANO PERFORMANCE PADS.
• The display looks similar to the following.
5. Use the MEAS ∧ and ∨ buttons specify the
number of measures in the phrase. Use the
TIME SIGNATURE ∧ and ∨ buttons to specify
the time signature of the phrase.
• This step is possible only if the CLEAR THE PAD proce-
dure was executed.
(continued on the next page)
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Part III
Piano Performance Pads (PR804)
6. Press the OK button.
• For details about KEY SETTING, refer to page 87.
• For details about CHORD MODIFY CHANGE, refer to
page 88.
7. Select the part to record to.
• Press the button for PART 1 or PART 2.
• Recording begins as soon as the pad is selected.
• Two parts can be recorded (PAD 1–4).
• The display looks similar to the following.
• Refer to page 89 for detailed information about PART
SETTING.
8. Proceed to record.
• The recording procedure is the same as for the COM-
POSER. (Refer to page 85.)
• When played back by the AUTO PLAY CHORD, the
recorded phrase will be played in the specified chord.
• In the PLAY SETTING, if LOOP is set to OFF, LOOP
recording is not possible.
PLAY SETTING
CHORD STEP RECORD
Select a playback mode.
A chord progression can be stored in PAD 5 and PAD 6.
1. On the PAD RECORDING display, press the
1. On the REALTIME RECORDING display,
PLAY SETTING button.
press the CHORD STEP REC button.
• The display looks similar to the following.
• The display looks similar to the following.
2. Use the START ∧ and ∨ buttons to select a
2. Use the CURSOR buttons to move the cursor
playback mode.
to the position you wish to input.
• The cursor moves in 1/8-note increments.
SYNCHRO:
During a rhythm performance, the phrase playback
begins in time with the beat.
INSTANT:
3. Input the chord by playing it on the keyboard.
• The chord name is shown.
• Use the keys to the left of the specified keyboard split
point (except for PIANIST mode).
The phrase starts to play immediately when the pad
button is pressed, regardless of the rhythm.
4. Press the OK button.
3. Use the LOOP ∧ and ∨ buttons to enable or
disable loop playback.
5. Repeat steps 2 to 4 to store the rest of the
ON:
Once the pad button is pressed, the phrase is
played back repeatedly until the STOP button is
pressed.
chord progression.
• To delete a chord which has been input, move the cursor
to the specific chord and press the ERS button.
OFF:
The phrase is played back only once.
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Part IV Sequencer
Outline of the Sequencer
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
1
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
4
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
5
SOLO
6
SOLO
1
2
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
A sequencer records your performance in a similar way to a tape recorder. This instrument’s SEQUENCER allows you to record
up to 10 performances in a variety of ways. You may want to record your entire performance in one go (especially if you are using
AUTO PLAY CHORD to provide the accompaniment), or to build up a complex arrangement with several different parts playing
together, like an orchestral score. This instrument’s SEQUENCER has 16 tracks. This means that you can record 16 different
parts. However, you don’t have to use all 16 tracks. For some uses you may only need to use one or two tracks. This instrument’s
SEQUENCER enables you to edit your recorded performance. Unlike a tape recorder you can change the sound or the tempo
during playback, or correct wrong notes or timing errors.
SEQUENCER features
Memory capacity
Up to 10 songs can be stored in the SEQUENCER. Expressed
in terms of notes, the total number of notes which can be
stored in all the SEQUENCER songs and tracks is about
40,000. The remaining memory available for recording is
shown on the display as a percentage (MEMORY= %).
• When “Memory full!” appears on the display, no more data
can be stored in the SEQUENCER.
You can change the tempo without chang-
ing the pitch
When you record your performance at a slow tempo and play
it back at a faster tempo, the pitch stays the same.
Consistent sound
Your performance is reproduced by a sound module as it
reads digital data. So, unlike a recorded tape, the sound
never deteriorates no matter how many times you play back
your performance.
• The recorded contents can be saved on a disk for recall at
a later time. (Refer to page 99.)
SEQUENCER menu
Edit your recorded performance
Comprehensive editing functions allow you to modify your
recorded performance. Data can easily be erased, corrected
or copied, providing an especially convenient tool for creating
your original tunes.
The configuration of the SEQUENCER setting display is as
follows.
1. Press the PROGRAM MENUS button to turn
it on.
Instant search
A recorded tape has to be rewound, but digital action means
you can return to the beginning of your performance, or find
any measure, instantly.
PROGRAM
MENUS
• The display looks similar to the following.
Save your performances on disks
All the data of your recorded performances can be stored on
disks. The built-in Disk Drive also allows you to play com-
mercially sold disks on your own Keyboard.
• Features and operation of the built-in Disk Drive are ex-
plained in Part VI: Disk Drive (page 94).
Popular features
2. Select SEQUENCER.
Simplified recording method
• The display looks similar to the following.
EASY RECORD is a feature that allows you to bypass the
more complex recording procedures so you can record and
play back your performance quickly and easily.
• You can also record an accompaniment from the AUTO
PLAY CHORD.
Create a one-man ensemble
Use the REALTIME RECORD function to record your per-
formance in up to 16 tracks and create your own orchestra
or band.
• The SONG ∧ and ∨ buttons are used to select a song.
• You can press the NAMING button and assign a name to
the song. (Refer to page 69.)
• You can press the PANEL WRITE button to store the
current settings of the instrument at the beginning of the
song. (Refer to page 69.)
Store individual data to create your song
For repeating patterns or those especially complicated
phrases, the STEP RECORD feature is convenient for re-
cording the notes one-by-one.
• This method can be used to store both the chord progres-
sion for the automatic accompaniment and the rhythm
changes.
(continued on the next page)
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Part IV
Sequencer
<RANGE EDIT>
3. Select RECORD & EDIT, COPY & PASTE or
RANGE EDIT, and follow the corresponding
procedure.
<RECORD & EDIT>
<COPY & PASTE>
Summary of the SEQUENCER menu items
RECORD & EDIT
These functions are recording and editing operations used
for creating a new performance.
TRACK MERGE (page 80)
Merge the recorded contents of two tracks and store in
a third track.
REALTIME RECORD (page 65)
TRACK CLEAR (page 78)
Record each part of your performance just as you play
it on the keyboard.
Erase the contents of a specific track.
SONG CLEAR (page 70)
PUNCH RECORD (page 70)
Erase all the recorded data of a song.
Correct a selected portion of your recorded perform-
ance.
MEASURE COPY (page 81)
Copy the contents of specific measures.
STEP RECORD (page 71)
MEASURE ERASE (page 81)
Store the sounds note-by-note on the display.
• You can also store the chord or rhythm progression for
the AUTO PLAY CHORD.
Erase the contents of specific measures.
MEASURE DELETE (page 81)
Delete specific measures from the performance.
TRACK ASSIGN (page 76)
Assign parts to tracks.
MEASURE INSERT (page 82)
Insert additional measures in the performance.
QUANTIZE (page 77)
APC TO SMF CONVERT (page 82)
Correct the timing of your performance.
With this function, the automatic accompaniment per-
formance data that is recorded collectively in the
APC/CHORD/RHYTHM/CONTROL part is distributed
among separate tracks.
SONG SELECT (page 70)
Select a song.
SONG CLEAR (page 70)
Erase all the recorded data of a song.
RANGE EDIT
Change the note position etc. in the recorded data.
TRACK CLEAR (page 78)
Erase the contents of a specific track.
NOTE EDIT (page 78)
QUANTIZE (page 77)
Store and correct performance (NOTE) data on a piano
roll display.
Correct the timing of your performance.
VELOCITY CHANGE (page 83)
DRUM EDIT (page 79)
Modify the recorded velocity (how hard the keyboard was
played) of performance data.
Store and correct DRUMS part data on a special display.
NOTE CHANGE (page 83)
COPY & PASTE
Copy recording data and paste it to the desired location.
Change the pitch of specific notes.
TRANSPOSE (page 83)
TRACK COPY (page 80)
Change the key of the performance data.
Copy data of specific tracks.
ADVANCE/DELAY (page 84)
Speed up or delay the sound production of perform-
ance data.
SONG COPY (page 80)
Copy data of specific songs.
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Part IV
Sequencer
About the measure count
The measure count on the display corresponds to the
time signature of the selected rhythm. However, if rhythm
data is stored in the RHYTHM part and that part is played
back, the measure count on the display corresponds to
the stored rhythm data. (Refer to page 75.)
• If you wish to use a time signature not available in the
preset rhythms, use the COMPOSER to create a new
time signature. (Refer to page 86.)
Slide Show
This instrument can show various images which change automatically corresponding to the music progression just like the DEMO
performance. Using the Slide Show function, you can create a multi-media show of images synchronizing with the sound.
Schematic
PICTURE 1
PIC #1
PICTURE 3
PIC #3
PICTURE 5
PIC #5
Intro
Theme A
Theme B
Ending
PIC #2
PICTURE 2
PIC #4
PICTURE 4
PIC #6
PICTURE 6
Set the images
Load your original images
To set the images, proceed as follows.
Besides a variety of preset images of the instrument, you
can use your original images on your PC, etc.
1. Record a song in the SEQUENCER. (See
pages 65 to 67.)
1. Save the image data to a disk.
• The instrument can read .BMP and .JPG formats (not
compatible with all data with those extensions).
2. Specify the points (PIC) at which the image
must be changed on the STEP RECORD
(CONTROL) display. (See page 73.)
2. Insert the disk into the DISK DRIVE. (See page
96.)
3. Replay the song.
3. Load the data using the STEP RECORD dis-
play.
• The selected image is displayed in whole screen at the
specified point (PIC). The image continues to be shown
until the next PIC point comes.
• Images will be displayed on either the normal display or
the SEQUENCER PLAY display.
MEMO
• This instrument is compatible with images sized 640
x 240 pixels. Even though an image sized up to 640
x 480 pixels can be read, the data will be cut out to
640 x 240 pixels when loading.
• PR804: You can output the displayed images to a external
monitor such as a TV set. (See page 136.)
• Depending on the size, it may not be possible to load
the image.
• After the PICTURE LOAD display appears, no sound
is produced on the instrument.
• PR604: The display consists of a monochrome, 4-
gradation screen. It is recommend that you remake
the images beforehand to adapt for the screen capacity
using a graphic application, etc, in your computer.
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Part IV
Sequencer
Sequencer parts
The following summary explains what is stored in each SEQUENCER part.
Part name
[name on display]
Used for
Recorded contents
RIGHT1 [RT1]
RIGHT2 [RT2]
LEFT [LFT]
Recording the performance of • Sound and volume settings
each part (REALTIME/STEP)
• PART EXPRESSION
• Contents of sound and effect settings that can be set on the
MIXER display (Refer to page 105.)
PART1 [P 1]
– PART9 [P 9]
PART11 [P 11]
– PART16 [P16]
• PITCH BEND, MODULATION data
• Pedal operation
DRUMS [DRM]
(PART 10)
Recording
performance with the DRUM
KITS group sounds
the
drums • Sound and volume settings
• PART EXPRESSION
• Contents of sound and effect settings that can be set on the
MIXER display (Refer to page 105.)
(REALTIME/STEP)
CONTROL [CTL]
Recording changes in the • Rhythm setting and selection changes
panel button status
• REVERB on/off
(REALTIME/STEP)
• AUTO PLAY CHORD status, volume balance
• MUSIC STYLE ARRANGER status
• FILL IN 1, 2, INTRO & ENDING 1, 2 on
• PANEL MEMORY selection changes
• TRANSPOSE status
• TECHNI-CHORD status
• START/STOP on/off
• TEMPO setting
• CONDUCTOR status
• PIANO PERFORMANCE PADS setting (PR804)
• FADE IN/OUT operation
• APC/SEQUENCER VOLUME settings.
• TOTAL EXPRESSION
• Images for SLIDE SHOW (PIC) (STEP)
AUTO PLAY CHORD
[APC]
Recording chords for the
AUTO PLAY CHORD
(REALTIME)
• Chord progression
• AUTO PLAY CHORD status, volume balance
• START/STOP on/off
• FILL IN 1, 2, INTRO & ENDING 1, 2 on
CHORD [CHD]
Recording chord progression • Chord progression
for the AUTO PLAY CHORD
• FILL IN 1, 2, INTRO & ENDING 1, 2 on
(STEP)
RHYTHM [RHY]
Settings related to rhythm • Rhythm settings and selection changes
(STEP)
• FILL IN 1, 2, INTRO & ENDING 1, 2 on
• START/STOP on/off
• TEMPO setting
• You can use the TRACK ASSIGN function to assign parts to tracks as you wish. (Refer to page 76.)
• Those items above which are not operations available with this instrument can be recorded only from MIDI input.
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Part IV
Sequencer
Easy Record
Suppose you are playing your instrument and you wish to record and play back your performance to hear how it sounds. You can
bypass the set-up procedures of the full-scale sequencer and begin recording quickly and easily.
• Note that by executing EASY REC, the original data in the selected song number is erased.
Recording procedure
1. Press the EASY REC button to turn it on.
4. Press the OK button.
• The display changes to the REALTIME RECORD display.
SEQUENCER
PLAY
EASY REC
5. Play the keyboard.
• Recording begins as soon as you start the rhythm or play
the keyboard.
CHORD EP REC
• For a performance using rhythm, be sure to press the
START/STOP button or the ENDING button to end your
performance.
• The display changes to the following.
6. When you have finished recording, press the
EASY REC button to turn it off.
• The PLAY button turns on.
Playback
1. Press the SEQUENCER RESET (FILL IN 1)
2. Use the SONG ∧ and ∨ buttons to select the
button.
song number in which to record (1 to 10).
• If you press the NAMING button, you can assign a name
to your song. (Refer to page 69.)
FILL IN
1
SEQUENCER
RESET
3. Set the desired sounds, effects, rhythms, etc.
2. Press the START/STOP button.
• Your recorded performance is played back automatically.
• When you are finished playing back your performance,
press the SEQUENCER PLAY button to turn it off.
Realtime Record
With REALTIME RECORD, your performance is recorded with the timing exactly as you played it on the keyboard. Use this mode
to record your performance in up to 16 tracks and create your own orchestra or band.
Recording procedure
• When you press the PANEL WRITE button, the PANEL
1. Press the PROGRAM MENUS button to turn
WRITE display appears. To store the currently active
it on.
settings, such as the sounds, at the beginning of the song,
press the OK button.
• The display changes to the following.
3. Use the SONG ∧ and ∨ buttons to select a
song number in which to record. (The song
number is shown on the display.)
4. Select RECORD & EDIT.
• The display looks similar to the following.
2. Select SEQUENCER.
• The display looks similar to the following.
5. Select REALTIME RECORD.
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Part IV
Sequencer
• The display looks similar to the following.
• If you wish to redo the recording, press the REC STOP
button and then record again. To change the sounds and
effects, etc. please set them again.
• If you make a mistake in recording, you can correct a
specific portion of your performance without having to
redo the whole part. (Refer to page 70.)
11.When you have finished recording, press the
REC STOP button on the display, or turn off
the PROGRAM MENUS button.
6. Use the buttons below the display to turn on
• When the PROGRAM MENUS button is turned off or the
REC STOP button is pressed, the ending command (END)
is recorded. Note that, as long as the ending command
is not recorded, blank recording continues even if you
stop playing.
the “REC” indication above the track numbers
you are going to record.
• While you are recording, you can play back tracks which
are already recorded. Press the corresponding balance
buttons to display “PLAY” above the track number you
wish to have played back.
• The SEQUENCER PLAY button turns on.
• You can record multiple parts at the same time if the
corresponding RIGHT 1, RIGHT 2 and LEFT part buttons
in the CONDUCTOR are ON. Parts other than these can
only be recording one at a time.
Multi-track recording
Use the following procedure to record one track while listen-
ing to the track or tracks already recorded.
• To record AUTO PLAY CHORD (APC) parts, turn on the
AUTO PLAY CHORD’s OFF/ON button. In this case,
press the START/STOP button when beginning recording.
• If CHD is selected, it changes to APC.
• The track for the RHYTHM (RHY) part can be selected
for recording only when STEP RECORD is active.
1. Follow the procedure to record the first track,
and press the REC STOP button at the end
of the recording.
• The indication for the track just recorded changes from
“REC” to “PLAY”.
7. Set the sounds, effects, volumes, etc. for the
2. Turn on the “REC” indication for the track you
wish to record next, and select the sounds and
effects, etc.
parts you are going to record.
• If you press the MIXER button, you can use the MIXER
display to visually adjust the settings for each track.
• The LOCAL CONTROL ON/OFF setting on the MIXER
display is used to specify whether the part assigned to
that track sounds when it is played on the keyboard during
recording. For the LOCAL CONTROL ON/OFF during
playback, use the TRACK ASSIGN display to adjust the
settings. (Refer to page 76.)
3. Press the START/STOP button and begin re-
cording.
• Tracks for which “PLAY” is shown are played back, and
you can record in time with this.
• If you are recording GM2 song data, select from the GM2
group in the SOUND EXPLORER.
• The panel settings which are active at the beginning of
recording are stored.
4. Press the REC STOP button at the end of the
recording.
5. Repeat steps 2 to 4 for other tracks, as
desired.
8. Use the TEMPO/PROGRAM to adjust the re-
cording tempo.
• The tempo is shown on the display as ꢀ =.
• If you wish to record the tempo setting and tempo
changes, store them in the control (CTL) part, or use the
step record to store them in the rhythm (RHY) part.
6. When multi-track recording is finished, turn off
the PROGRAM MENUS button.
• If you wish to store part settings that you modified after
recording as beginning song data, press the MIXER button
and follow the PANEL WRITE procedure. (Refer to page
69.)
• To record rhythm START/STOP data in a multi-track re-
cording, input the data in the CONTROL or RHYTHM part
of the STEP RECORD. (Refer to page 71.)
9. Turn the metronome on or off as desired with
the ON/OFF button at the upper right of the
display.
• The metronome selection alternates between ON and
OFF each time the button is pressed.
• When set to ON, the metronome volume setting display
is momentarily shown.
• The metronome sound is not recorded.
10.Play the keyboard.
• Recording begins.
• You can also press the START/STOP button to start the
rhythm and begin recording.
• If the metronome is on, when you press the START/STOP
button, a two-measure count plays, after which recording
automatically begins. In this case, the rhythm does not
start. Recording does not start until the two-measure
count is completed.
• The recording status is continuously updated on the dis-
play:
MEASURE= indicates the current measure.
TIME SIG.= indicates the current time signature.
MEMORY= indicates the remaining memory (%) avail-
able for recording.
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Part IV
Sequencer
CYCLE RECORD
This mode allows you to have specified recording measures
continuously repeated. Thus you can record measures by
adding notes during any cycle.
1. On the REALTIME RECORD display, specify
“REC” for a track number you are going to
record, and “PLAY” for track numbers you wish
to have played back.
5. Press the START/STOP button.
• If the metronome is on, cycle recording of the specified
measures begins after a two-measure count.
• Recording does not start even when the keyboard is
played.
2. Press the CYCLE: OFF button.
6. Play the keyboard.
• The display looks similar to the following.
• The specified measures are repeated, during which time
you can record by adding notes little by little at the correct
timing (over-dubbing).
• If you wish to erase all the performance data from the
specified measures, press the CLEAR button.
• If the CYCLE: ON button is pressed, it changes to OFF.
This button does not function during recording.
• To return to the REALTIME RECORD display, press the
EXIT button.
• Cycle record can also be started from the REALTIME
RECORD display whenever the CYCLE: ON indication is
shown.
3. Use the START MEASURE ∧ and ∨ buttons
to specify the beginning measure number.
7. When you have finished recording, press the
REC STOP button on the display, or turn off
the PROGRAM MENUS button.
4. Use the END MEASURE ∧ and ∨ buttons to
specify the ending measure number.
• The measure in which the END command has been stored
can also be specified.
START
1
END
2
3
4
CYCLE END MEASURE: 4
Sequencer Play
Play back your recorded performance.
• You can select two or more tracks to play back at one
time.
1. Press the SEQUENCER PLAY button to turn
it on.
SEQUENCER
4. Press the SEQUENCER RESET (FILL IN 1)
PLAY
EASY REC
button.
• The SEQUENCER returns to the beginning of the song
and the beginning panel settings are recalled.
CHORD STEP REC
5. To begin playback from a measure other than
measure 1, press the MEAS button, and then
use the MEAS ∧ and ∨ buttons to specify the
• The display looks similar to the following.
beginning measure.
• “MEASURE=” indicates the current measure number.
6. Press the START/STOP button.
• The recorded performance is played back from the
specified measure.
• When playback is begun from a measure in which an
INTRO, COUNT INTRO, FILL IN or ENDING is recorded,
the corresponding function does not work.
• You can press the MIXER button and modify the settings
for each part.
2. Use the SONG button to select the song num-
ber you wish to play back.
3. Use the balance buttons below the display to
show “PLAY” above the track numbers you
7. To stop playback, press the START/STOP but-
wish to have played back.
• Highlighted track numbers indicate tracks that are already
recorded. Only highlighted track numbers can be selected
for playback.
ton.
• If the START/STOP button is pressed again, playback will
continue from the point it was interrupted.
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Part IV
Sequencer
8. When you are finished playing back your per-
formance, press the SEQUENCER PLAY but-
ton to turn it off.
If
a
rhythm progression has been recorded in the
RHYTHM (RHY) part, the MEASURE display used in the
STEP RECORD and EDIT displays conforms to the time
signature data stored in the RHYTHM part.
Adjusting the playback tempo
Even with a song having recorded tempo data, you can use TEMPO/PROGRAM or TAP TEMPO to adjust the tempo to your
liking.
• When the tempo is changed, all the tempo data of that song is automatically changed by the same ratio. Accordingly, even
in song data in which tempo change data is stored, a single adjustment of the tempo produces a natural-sounding playback.
• To return to the original tempo, while the song is stopped press the SEQUENCER RESET button (the tempo data is necessary
at the beginning of the CONTROL track). Note that the tempo change is also canceled when you switch to another song or
load a new song.
• The adjusted tempo is canceled when you begin the recording procedure and the original tempo data will be recorded.
CYCLE PLAY
MEDLEY
You can have specified measures played back repeatedly.
Multiple recorded songs can be played back in a medley.
1. On the SEQUENCER PLAY display, specify
“PLAY” for track numbers you wish to have
played back.
1. On the SEQUENCER PLAY display, press the
MEDLEY button.
• The display looks similar to the following.
2. Press the CYCLE button.
• The display looks similar to the following.
2. Specify the order of songs in the medley.
• If ALL is pressed, all the files are selected, and the songs
are played back in order in a medley. If ALL is pressed
again, the files are deselected.
• You can use the buttons below the display to select a
song to add to the song list, then press the ADD button
to add it to the list. Repeat these steps to create your
own list of songs to have played back. A M01, M02 etc.
next to the file name indicates its order in the list.
• You can delete a marked file from the medley song list
by selecting it and pressing the ADD button.
3. Use the START MEASURE ∧ and ∨ buttons
to specify the beginning measure number.
4. Use the END MEASURE ∧ and ∨ buttons to
specify the ending measure number.
• The measure in which the END command has been stored
can also be specified.
• Use the LOOP button to specify ON or OFF for repeat
playback of the medley.
START
1
END
3. Press the START button.
2
3
4
• During medley playback, you can use the SKIP button to
skip to the next song.
CYCLE END MEASURE: 4
5. Press the START/STOP button.
• Cycle playback of the specified measures begins.
• Normally the rhythm pattern is not played back.
6. To stop cycle playback, press the START/
STOP button again.
• During playback stop, if the SEQUENCER RESET (FILL
IN 1) button is pressed, the SEQUENCER returns to the
measure number specified in step 3. If the SEQUENCER
RESET button is pressed again, the SEQUENCER returns
to measure 1.
• If you press the CYCLE: ON button to turn it OFF, cycle
playback is not possible.
• To return to the SEQUENCER PLAY display, press the
EXIT button.
• Cycle playback can also be specified on the SEQUENCER
PLAY display whenever the CYCLE: ON indication is
shown.
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Part IV
Sequencer
SEQUENCER VOLUME
When playing the keyboard along with a recorded perform-
ance, you can adjust the total volume of all the playback parts
as one.
• At the MAX position, the volume of the playback parts
correspond to their current settings; at the OFF position,
the volume is 0.
⇒ Use the APC/SEQUENCER VOLUME slide
control to adjust the volume.
• The volume can be adjusted for each part. (Refer to page
APC/SEQUENCER
VOLUME
31.)
MAX
• Except during SEQUENCER playback or DIRECT PLAY
of a disk, this slide control adjusts the total volume of all
the automatic accompaniment parts.
• During SEQUENCER recording, the volume is automat-
ically at its maximum regardless of the position of the
slide control. During playback, however, lowering the slide
control from the MAX position will lower the volume from
its recorded level. For this reason, the slide control should
normally be left in the MAX position.
OFF
• Use this control to lower the volume of the recorded
playback parts when it is too loud relative to the volume
of your manual performance.
• The volume of all sounds other than your manual per-
formance—including PIANO PERFORMANCE PADS
(PR804), MIDI input, etc.—is lowered.
Naming
Here is the way to assign a name to your recorded song.
1. On the SEQ MENU display use the SONG ∧
3. Assign a name to the song.
• Press the ABC button to enter alphabetical characters.
While the SHIFT button is pressed, upper case letters are
entered.
• Press the 123 button to enter numbers, etc. While the
SHIFT button is pressed, you can enter symbols.
• Press the POSITION button to move the cursor.
• You can also use the TEMPO/PROGRAM dial to select
the characters.
and ∨ buttons to select a song.
2. Press the NAMING button.
• The display looks similar to the following.
• Press the INS button to enter a space at the cursor
position.
• Press the DEL button to erase the character at the cursor
position.
• Press the CLR button to erase the entire name.
• Press the →← button to center the name.
4. Press the OK button.
Panel Write
You can change the panel status which is in effect at the beginning of the song. These are the settings which are recalled when
the SEQUENCER RESET button is pressed.
1. On the SEQ MENU display, use the SONG ∧
3. Press the OK button.
• “COMPLETED!” is shown on the display.
and ∨ buttons to select the song number. Then
select PANEL WRITE.
• The display looks similar to the following.
• PANEL WRITE is automatically activated at the when you
start to record.
• For rhythm data, the data in the RHYTHM part has priority.
2. Use the panel buttons to change to the desired
panel settings.
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Part IV
Sequencer
Song Select
You can select a desired song from the list of recorded songs.
1. On the SEQ MENU display, select RECORD
& EDIT.
3. Use the SONG SELECT L and M buttons to
select a song.
• The total amount of memory used for the current song is
shown as a percentage (%) to the right of the song name.
• If the NAMING button is pressed, the NAMING display
appears.
• To optimize memory, songs you do not wish to preserve
should be deleted. (Refer to page 77.)
2. On the RECORD & EDIT display, select SONG
SELECT.
• The display looks similar to the following.
Punch Record
If you make a playing error during REALTIME RECORD or would like to change the recording for some other reason, you can
use the punch recording feature to correct a selected portion of the performance without having to redo the whole part.
Playing error
Recording the performance
Punch out
Punch in
Replay this portion
Recording mode
Playback
1. On the SEQ MENU display, use the SONG
SELECT ∧ and ∨ buttons to select the song
number. Then select RECORD & EDIT.
6. During playback, press the PUNCH IN button
at the point you want to begin recording.
• Recording begins as soon as the PUNCH IN button is
pressed. Begin playing at this point.
• The REC indication changes to the PUNCH indication.
2. On the RECORD & EDIT display, select
• The PUNCH IN button switches to the REC STOP button.
PUNCH RECORD.
• The display looks similar to the following.
7. Press the REC STOP button at the point you
want to stop recording.
• Punch recording stops immediately.
• You can also begin punch-in recording by playing the
keyboard.
• You can specify the punch-in/punch-out points with the
pedal. (Refer to page 121.)
3. Select the track which contains the portion you
want to correct.
• You cannot select a track in which no data is stored.
• On the display “REC” indicates tracks which are being
recorded, and “PLAY” indicates tracks which are being
played back.
4. Use the MEAS ∧ and ∨ buttons to specify the
beginning measure of playback.
• “MEASURE=” indicates the current measure number.
5. Press the START/STOP button to begin play-
back of the specified track.
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Part IV
Sequencer
AUTO PUNCH RECORD
You can also set the punch-in and punch-out points before-
hand, so that recording automatically begins and ends at the
specified points.
1. On the PUNCH RECORD display, press the
5. Press the EXIT button.
• The display changes to the PUNCH RECORD display.
AUTO: OFF button.
• If REC is not shown for any track, the button does not
turn ON.
• The display looks similar to the following.
6. Press the START/STOP button.
• Playback begins from the measure indicated by CUR-
RENT MEASURE on the display.
• Pertinent information, such as the FIRST MEASURE, is
shown in the upper section of the display.
7. Correct the performance.
• The mode changes automatically to the recording mode
at the specified FIRST measure. Begin playing at this
point. The mode automatically changes back to the play-
back mode at the specified LAST measure.
• To discontinue punch recording in the middle, press the
CANCEL button. In this case, the recorded contents up
to that point are erased.
2. Use the FIRST MEASURE ∧ and ∨ buttons
to specify the number of the punch-in
measure.
3. Use the LAST MEASURE ∧ and ∨ buttons to
specify the number of the punch-out measure.
• The number of the LAST measure must be higher than
the number of the FIRST measure.
• The specified measure is recorded.
4. Use the COUNT IN MEASURE ∧ and ∨ but-
tons to specify the number of lead-in measures
you wish to have played back before the
punch-in measure.
• Set the metronome to on or off with the ON or OFF button.
Step Record
STEP RECORD is simply a method of making a tune by storing the sounds note-by-note on the display. Instead of playing the
keyboard directly as in the REALTIME RECORD mode, you can take your time to input each single note. This is an especially
effective method for storing complicated passages that are difficult to play or when the exact timing of a part is critical.
Recording procedure
Record the keyboard performance and panel changes.
• The display changes to the STEP RECORD input display
similar to the following.
1. On the SEQ MENU display, use the SONG ∧
and ∨ buttons to select the song number. Then
select RECORD & EDIT.
2. On the RECORD & EDIT display, select STEP
RECORD.
• The display changes to the PART SELECT display.
• If you selected the track to which the CHORD part has
been assigned, the display changes to the STEP RE-
CORD: CHORD display. (Refer to page 74.)
• If you selected the track to which the RHYTHM part has
been assigned, the display changes to the STEP RE-
CORD: RHYTHM display. (Refer to page 75.)
• If you selected the track to which the CONTROL part has
3. Use the balance buttons below the display to
been assigned, the display changes to the STEP RE-
specify the track for the part you are going to
record (only one track can be selected at a
time).
CORD: CONTROL display.
4. Use the MEAS L and M buttons to select the
measure.
• This step is not necessary if you are recording from
measure 1 of a blank track.
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Part IV
Sequencer
Storing control data
Various control data can be stored at the cursor position.
5. Use the CURSOR
and
buttons to move
the cursor to the note position (dot) you are
going to store.
• Each dot represents one-eighth of a quarter-note (a thirty-
second note).
1. On the STEP RECORD: MELODY display,
press the CTL button.
• When storing triplets, it may not be possible to match the
timing exactly with the 1/32-note steps. However, if you
select triplet-type notes for the note length (LENGTH) in
step 6 below, the timing is automatically corrected.
2. Use the CTL ∧ and ∨ buttons to select the
control data you wish to insert.
• Select from PAN, KEY SHIFT (COARSE TUNE), TUNING
(FINE TUNE), BEND SENS.
6. Use the left REC NOTE LENGTH ∧ and ∨
buttons to specify the note value. Select from
3. Use the VALUE ∧ and ∨ buttons to adjust the
ꢁ
ꢁ, ꢂ ꢂ, ꢃ ꢃ, ꢀ ꢀ, ꢄ, ꢅ, ꢅ × 2 to 4. (A 3
3,
3,
3,
3,
numerical value of the setting.
denotes a triplet-type note.)
4. Press YES button.
• For note values other than these, use the center REC
NOTE LENGTH buttons to specify the note value to be
added to that which you specified with the left buttons.
Correcting the data
1. In the STEP RECORD mode, specify the track
you wish to correct.
Example: To record a dotted quarter-note ( ꢀ. )
ꢀ + ꢃ
2. Use the MEAS buttons to go to the measure
you wish to modify. Use the CURSOR buttons
7. Use the right REC NOTE LENGTH ∧ and ∨
buttons to specify the actual length of the pro-
duced sound for the desired legato or staccato
effect.
to move the cursor to the point ( ) you wish
*
to edit.
• The data stored at that point is shown on the display.
• When multiple data is stored at one point, different data
is displayed in order each time a CURSOR button is
pressed. When a chord is recorded, a different note in
the chord is displayed each time a CURSOR button is
pressed.
TENU (tenuto): Sound is produced for 95% of the note
length.
NORM (normal): 80%
STAC (staccato): 50%
CUTT (cutting): 25%
3. Correct the data.
8. Specify the pitch and velocity of the note by
There are three types of data:
playing the keyboard.
• The dot on the display where the note is stored changes
Performance data
to a
mark.
NOTE data (note pitch) and VEL data (how hard the key was
played) and LEN data (1 = 1/96 of a quarter note [ ꢀ ]) are
displayed. Use the relevant buttons to correct the data as
desired.
*
• When recording chords, you can store multiple notes at
one position.
• Any panel setting changes—for example changes in the
sound selection, button operation, etc.—are recorded at
the cursor position.
• When the TEMPO/PROGRAM dial is operated, the input
value is indicated on the display. Confirm that this is the
correct value and press the YES button to record the value
or the NO button to cancel it.
Sound data
The name of the sound is displayed. Change the sound as
desired (the sound setting display is interposed on the current
display).
Control data
BAL:
The name of the function is displayed. Change the data as
desired.
To specify the volume at the cursor position, after pressing
the BAL button, use the VALUE buttons to set the volume
(0 to 127).
• Press the ERS button to erase the data which is displayed.
• You can also correct data which was stored in the REAL-
TIME RECORD mode.
• Performance (NOTE) data can be recorded or edited on
a piano roll display. (Refer to page 78.)
ERS:
If you make a mistake, move the cursor to the error, and
after displaying the data you wish to erase, press the ERS
button.
REST:
To store a rest, after specifying the note LENGTH, press
the REST button.
• Positions at which nothing is stored are read as rests.
9. Repeat steps 5 through 8 to continue storing
notes.
• To input data on another track, press the button for the
desired track and repeat the procedure from step 2.
10.When you have finished recording, press the
PROGRAM MENUS button to turn it off.
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Part IV
Sequencer
Assigning the images
Assign images to the selected point (PIC) of a song.
1. Use the SONG SELECT ∧ and ∨ of the
SEQUENCER MENU display to select a song
number to which the images will be assigned,
and select RECORD & EDIT.
• The moment where the images are displayed may be
retarded slightly from the specified point. If this is too
excessive, adjust the point so that it occurs slightly
sooner.
• When two assigned points are too close, the result may
not be favorable. It is recommended that the interval
between two points should not be less than two beats
for a ꢀ=120 tempo music for example.
2. Select STEP RECORD on the RECORD &
EDIT display.
• The preset images are not compatible with other models.
3. Use the balance buttons below the display to
select CONTROL TRACK (CTL).
• The display looks similar to the following.
PICTURE LIST
On the step 3 display, if you press the PICTURE button, a
list of USER image data will be displayed.
4. Use the MEAS ∧ and ∨ buttons to specify the
measure to assign.
5. Use the CURSOR buttons to move the cursor
(reversed box) to the point you are going to
assign an image.
• Each point represents one-eighth of a quarter note ( a
thirty-second note).
• Press the RENAME button to rename the image data
name.
• Press the DEL button to delete selected image data.
Loading your original images
1. Save the image data to a disk using your PC.
etc.
6. Press the PIC button.
• The display looks similar to the following.
2. Insert the disk with saved data into the DISK
DRIVE. (See page 96.)
3. On the CONTROL display of the STEP RE-
CORD, press the PICTURE button.
4. On the PICTURE LIST display, press the PIC-
TURE LOAD button.
• The display looks similar to the following.
7. Use the PRESET/USER button to select one.
PRESET:
preset images
USER:
your original images loaded beforehand
8. Use the VALUE button to select the image
number.
9. Press the YES button.
5. Select the image data file to be loaded.
• The image of the specified number is assigned to that
• When you select a image sized over 640 x 240 pixels,
press the TRIMMING button to select the type of data
cutting out.
point (PIC).
10.Repeat the steps 4 to 9 to continue assigning.
11.When you have finished assigning, press the
6. Use the USER PICTURE ∧ and ∨ buttons to
specify the image number to which the image
data will be loaded.
PROGRAM MENUS button to turn it off.
• When you play back the song, the images appear on the
display and change automatically corresponding to the
music progression (Slide Show).
7. Press the LOAD button.
• The image is loaded and “COMPLETED!” is shown on the
display.
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Part IV
Sequencer
Store a chord progression
Store the chord progression for the AUTO PLAY CHORD in the track for the CHORD part. Then, when the AUTO PLAY CHORD
is used during playback, even if you do not specify the chords with your left hand, the chords change automatically.
• The chord length is specified with the CHORD STEP RECORD keys on the keyboard.
Reset key
DELETE
ꢃ
ꢀ
ꢀ ꢆ
ꢄ
ꢄ ꢆ
ꢅ
Press to begin storing from the beginning.
Correction keys
Move back one step.
Move forward one step.
Repeat key
Press to end the chord-storing procedure and to
specify automatic repeat playback of the stored
progression.
Note value keys
ꢅ
Whole note
ꢄ.
ꢄ
Dotted half-note
Half-note
End key
ꢀ.
ꢀ
Dotted quarter-note
Quarter-note
Eighth-note
Press after the whole chord progression has been
stored.
ꢃ
DELETE key
DELETE Press to erase data.
• To erase all the data from the current track, while
pressing the DELETE key, press the End key (
).
Example of storing a chord progression
<Measure 1, measure 2>
Measure 1
2
C
ꢅ
3
4
⇒ While playing a C chord with your left hand,
ꢅ
C
Am
F
D7
G7
press the key one time with your right hand.
ꢅ
ꢅ
ꢄ
ꢄ
ꢄ
ꢄ
1. On the SEQ MENU display, use the SONG ∧
and ∨ buttons to select the song number. Then
select RECORD & EDIT.
2. On the RECORD & EDIT display, select STEP
• A “beep” tone indicates that the chord has been success-
fully stored.
RECORD.
• The dot on the display where the chord is stored changes
• The display changes to the PART SELECT display.
to a mark and the cursor automatically moves forward,
*
in accordance with the specified note value, to the next
unrecorded position. The chord name is shown on the
display.
3. Using the balance buttons below the display,
select the track to which the CHORD (CHD/
APC) part has been assigned.
• The display changes to the STEP RECORD: CHORD input
display similar to the following.
• This display can also be accessed by pressing and holding
the CHORD STEP REC (EASY REC) button for a few
seconds.
<Measure 3>
(1) While playing an Am chord, press the ꢄ key
one time.
ꢄ
(2) While playing an F chord, press the ꢄ key one
time.
4. Store the chords.
ꢄ
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Part IV
Sequencer
<Measure 4>
Control data
The name of the stored function (INTRO, FILL, etc.) is dis-
played. You can press the DELETE key to erase the data
which is displayed.
(1) While playing a D7 chord, press the ꢄ key
one time.
(2) While playing a G7 chord, press the ꢄ key
TRACK CLEAR
one time.
To erase all data from the current track, press the CLR button,
and then press the YES button on the confirmation display.
• If you wish to cancel the clear procedure, press the NO
button.
• You can press the INTRO & ENDING button or a FILL
IN button on the panel to store the desired pattern at the
cursor position. (An INTRO or COUNT INTRO can be
stored only at the beginning.)
• Store a rest by pressing a note value key without speci-
fying a chord.
Store a rhythm progression
5. At the end of the chord progression, press the
Changes in the rhythm selection and tempo, as well as the
intro, fill-ins and the ending, can be stored by measures with
the step recording method.
End key (
).
• This instrument exits the recording mode.
• During playback, playback of the recorded chord progres-
sion stops at this point. For automatic repeat playback of
the chord progression, press the Repeat key (
stead of the End key ( ).
) in-
1. On the SEQ MENU display, use the SONG ∧
and ∨ buttons to select the song number. Then
select RECORD & EDIT.
• When you play back the track for the CHORD part, the
chords of the automatic accompaniment change in ac-
cordance with the stored chord progression.
• Chords can also be specified with <one finger>.
• If the ON BASS button is on, chords such as “C on G”
can also be specified (except in the ONE FINGER mode).
• The CHORD FINDER feature, which shows you how to
finger a specified chord, is available. (Refer to page 50.)
2. On the RECORD & EDIT display, select STEP
RECORD.
• The display changes to the PART SELECT display.
3. Using the balance buttons below the display,
select the track to which the RHYTHM (RHY)
part has been assigned.
• The display changes to the STEP RECORD: RHYTHM
input display similar to the following.
Correct the recorded chord progression
1. Follow the procedure to select the STEP RE-
CORD: CHORD display.
2. Use the MEAS buttons to go to the measure
you wish to modify. Use the
and
Cor-
rection keys to move the cursor to the point
( ) you wish to edit.
*
• The lengths of rests are indicated by the respective rest
value × its multiplier.
4. Use the MEAS L and M buttons to go to the
Example:
measure you wish to record.
ꢇ
....................... 1-beat rest (quarter rest)
ꢈ
....................... 1/2-beat rest (eighth rest)
ꢈ
ꢇ
5. Store the rhythm data.
× 1 + ......... 1-1/2-beat rest
• Data which can be stored:
(dotted quarter rest)
ꢇ
START/STOP
× 10.............. 10-beat rest
Changes in the rhythm selection
COUNT INTRO, INTRO, FILL IN,
ENDING
Tempo changes
• To go to the end of the chord progression, while pressing
the Reset key (
), press the
key.
• Be sure to store the START/STOP data in the measure
in which the rhythm starts or stops.
• If you are storing a COUNT INTRO or INTRO, store this
data before the START/STOP data.
• If the tempo is changed, the display changes to the con-
firmation display. After specifying the desired tempo,
Press the YES button to store the specified tempo, or
press the NO button to cancel the new tempo value.
3. Correct the chord data.
Chord data
When the chord name is displayed at the cursor position,
you can press the DELETE key to erase the data and then
store a new chord.
• If you do not erase the displayed data before entering new
chord data, the new data is inserted at this point, and the
displayed data is merely shifted by the note value of the
new chord.
6. Repeat steps 4 and 5 to continue storing the
rhythm progression.
• Rests can also be erased. Each time the DELETE key is
ꢈ
ꢇ
pressed, the rest is erased in units of × 1. The rest is
erased last.
7. At the end of the rhythm progression, press
• If you wish to cancel the REPEAT, enter an END command.
the END button.
• If the REP button is pressed instead of the END button,
during playback the recorded rhythm progression is re-
peated.
• This instrument exits the recording mode.
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Part IV
Sequencer
Correct the recorded rhythm progression
1. Follow the procedure to select the STEP RE-
CORD: RHYTHM display.
TRACK CLEAR
To erase all data from the current track, press the CLR button,
and then press the YES button on the confirmation display.
• If you wish to cancel the clear procedure, press the NO
button.
2. Use the MEAS buttons to go to the measure
you wish to modify. (The is highlighted.)
*
3. Correct the rhythm data.
• Press the ERS button to erase data at the cursor position.
• If you wish to cancel the REPEAT, enter an END com-
mand.
• If you select a rhythm with a different time signature, the
time signature of all subsequent measures will also
change.
• If data has already been recorded in other tracks, you
cannot select a rhythm with a different time signature.
Track Assign
Each SEQUENCER part is already assigned to a track number. However, you can use the TRACK ASSIGN function to assign
parts to tracks as you wish.
TRACK ASSIGN PRESET
1. On the SEQ MENU display, use the SONG ∧
A preset track assignment can be selected.
and ∨ buttons to select the song number. Then
select RECORD & EDIT.
1. On the TRACK ASSIGN display, press the
PRESET button.
2. On the RECORD & EDIT display, select
• The display looks similar to the following.
TRACK ASSIGN.
• The display looks similar to the following.
2. Use the SONG ∧ and ∨ buttons to select the
song number for which the preset track as-
3. Use the TR L and M buttons to select the
signment will be effective.
track.
• If ALL SONGS is selected, the track assignment is effec-
tive for all the songs.
4. Use the TRACK ASSIGN ∧ and ∨ buttons to
select the part for the specified track.
3. Select the track assign mode.
• When a part other than the CONTROL, APC, CHORD or
RHYTHM part is assigned, the track assign procedure is
completed at this point.
INITIAL:
Factory-preset settings.
• Either the CHORD part or APC part can be assigned to
TECHNICS MULTI RECORDING:
a track, but not both.
The optimum track assignment for multiplex recording.
• The CONTROL, APC, CHORD and RHYTHM parts cannot
be assigned to more than one track.
GM MULTI RECORDING:
• You can use the ON and OFF buttons for LOCAL CONT.
to specify whether or not the sound of the part assigned
to this track is generated. Because no sound is generated
for this instrument’s parts assigned to tracks set to OFF
through this procedure, use this setting to generate sound
from an external sound source through the MIDI connec-
tors.
• You can use the MIDI OUT ON and OFF buttons to specify
whether or not the data of the part assigned to this track
is sent as MIDI data. When set to OFF, the data is not
sent, even if MIDI equipment is connected.
The optimum track assignment for creating GENERAL
MIDI data.
4. Press the OK button.
• “COMPLETED!” is shown on the display and the selected
track assign mode is enabled.
• You can confirm the track assignment settings on the
TRACK ASSIGN display.
5. When assigning the CONTROL, APC, CHORD
or RHYTHM part, press the OK button.
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Part IV
Sequencer
Quantize
The QUANTIZE function can correct the timing of your performance after it has been recorded. If the rhythm is slightly out of sync
or inexact, it will automatically be corrected to the specified quantize level.
1. On the SEQ MENU display, select RECORD
& EDIT.
6. Use the VALUE ∧ and ∨ buttons to specify
the quantize level.
• Select from ꢀ, ꢃ, ꢃ3, ꢉ, ꢉ3, ꢁ, ꢁ3.
(A 3 denotes a triplet-type note.)
2. On the RECORD & EDIT display, select
QUANTIZE.
7. Use the STRENGTH ∧ and ∨ buttons to select
• The display looks similar to the following.
the amount of quantize (%).
• 100% is a convenient setting. When set to 100%, the
performance data is quantized exactly to the level
specified for the VALUE (“just”). For example, at 50%,
the data is quantized to a point that is half that of the just
level. By this setting, you can attain an effect that is very
slightly off-beat from the rhythm.
8. Use the WINDOW ∧ and ∨ buttons to specify
the range (%) affected by the quantize setting.
• With the increment set to 100 for the VALUE, at a +
setting, data close to the just point is corrected, and at a
– setting, data far from the just point is corrected. For
example, if set to –30% the quantize function affects data
far from the just point, and if set to +30% the quantize
function affects data close to the just point. +100% is
usually a convenient setting.
Rhythm as written in
the score
Timing of actual
performance
• The +100% setting and the –100% setting are the same.
Quantized
Example: When VALUE is set to ꢀ
performance
ꢃ
3. Use the TRACK ∧ and ∨ buttons to specify
100% 50%
just
50% 100%
the track number.
+100%
+50%
+30%
–50%
–30%
–100%
• You cannot select the track for the CONTROL, RHYTHM
or CHORD part.
• If ALL is selected, all the tracks are quantized.
4. Use the FIRST MEASURE ∧ and ∨ buttons
to specify the start point (measure number).
9. Press the OK button.
5. Use the LAST MEASURE ∧ and ∨ buttons to
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
specify the end point (measure number).
Song Clear
Erase the recorded contents of all tracks.
3. Use the SONG No./ALL ∧ and ∨ buttons to
1. On tne SEQ MENU display, select RECORD
& EDIT.
specify the number of the song to erase.
• The data size (KB) and the total amount of SEQUENCER
memory or current song memory used is shown as a
percentage (%) to the right of the song name.
• If ALL SONGS is selected, all the songs recorded in the
SEQUENCER will be erased.
2. On the RECORD & EDIT display, selct SONG
CLEAR.
• The display looks similar to the following.
4. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
• If the YES button is pressed, “COMPLETED!” appears on
the display, the specified songs are erased.
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Part IV
Sequencer
Track Clear
Erase the contents of a specific track.
1. On the SEQ MENU display, select RECORD
& EDIT.
4. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
2. On the RECORD & EDIT display, select
• If the YES button is pressed, the specified tracks are
erased.
TRACK CLEAR.
• The display looks similar to the following.
3. Use the balance buttons to select the track or
tracks you wish to clear.
• A “CLR” mark is shown for the selected tracks.
Note Edit
You can edit performance (NOTE) data on a piano roll display. This differs from the normal STEP RECORD edit procedure, and
is a convenient way to check the data for each note.
• Data other than NOTE data cannot be corrected or recorded. To correct or record other types of data, use the STEP RECORD
display. (Refer to page 71.)
1. On the SEQ MENU display, select RECORD
& EDIT.
6. Select the data to edit (it changes to a
highlighted horizontal bar). Edit the data.
• Use the POS L and M buttons to move the cursor, the
NOTE ∧ and ∨ buttons to change the note number, the
VEL ∧ and ∨ buttons to change the velocity (how hard
the keys are played), and the LEN ∧ and ∨ buttons to
change the note length (1 = 1/96 of a quarter note [ ꢀ ]).
• Use the GRAPH L and M buttons to view a higher or
lower section of the keyboard (in one-octave steps).
• If the ERS button is pressed, the selected NOTE data is
erased.
2. On the RECORD & EDIT display, select NOTE
EDIT.
3. On the PART SELECT display, select a track.
• The CHORD, RHYTHM and CONTROL tracks cannot be
selected.
• The display looks similar to the following.
7. Repeat steps 4 to 6 to continue editing.
Inserting note data
You can also store note data on this display.
1. Specify the point where the new note data will
be stored.
4. Use the MEAS L and M buttons to select the
measure you wish to edit.
2. Use the LEN ∧ and ∨ buttons to specify the
note length.
5. Use the CURSOR
and
buttons to move
• Examples of note lengths (ꢀ = 96)
the cursor ( M) to the point you wish to edit.
• Recorded performance (NOTE) data is shown as horizon-
tal bars. Data selected for editing is highlighted.
91: tenuto (95%)
76: normal (80%)
48: staccato (50%)
24: cutting (25%)
• You can use the INC ∧ and ∨ buttons to change the
increment of cursor movement. The resolution can be set
at ꢀ /96. However, if NOTE data is present between in-
crements, the cursor will stop.
3. Play a key on the keyboard to specify the note
pitch (NOTE NUMBER) and velocity (how hard
the key is played).
• Use the POS L and M buttons to change the value.
Example: 10.2.48 indicates a point in measure 10, beat
2, point 48 (one point is 1/96 of a quarter note [ ꢀ ]).
4. Repeat steps 1 to 3 to input more note data.
•
is shown at the point where the END command is
stored.
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Part IV
Sequencer
CYCLE PLAY
3. Use the END MEASURE ∧ and ∨ buttons to
You can aurally check the data you are editing by accessing
the CYCLE PLAY display from the NOTE EDIT display.
• If you wish other tracks to be played back, they should
be selected beforehand on the SEQUENCER PLAY dis-
play. (Refer to page 67.)
select the last playback measure.
4. Press the START/STOP button.
• Cycle playback of the specified measures begins.
• If the SOLO button is turned on, playback changes to that
of the recording track only. If it is turned off, all the tracks
specified on the SEQUENCER PLAY display are played
back.
1. On the NOTE EDIT display, press the PLAY
button.
• The display looks similar to the following.
5. To stop cycle playback, press the START/
STOP button again.
• During playback stop, if the SEQUENCER RESET (FILL
IN 1) button is pressed, the SEQUENCER returns to the
measure number specified in step 2. If the SEQUENCER
RESET button is pressed again, the SEQUENCER returns
to measure 1.
2. Use the START MEASURE ∧ and ∨ buttons
to select the beginning playback measure.
Drum Edit
The DRUMS part can be edited on a specialized display. This differs from the normal STEP RECORD edit procedure, and is a
convenient way to check the data for each note.
• Use the POS ∧ and ∨ buttons to change the value.
Example: 10.2.48 indicates a point in measure 10, beat
2, point 48 (one point is 1/96 of a quarter note [ ꢀ ]).
1. On the SEQ MENU display, select RECORD
& EDIT.
•
is shown at the point where the END command is
stored.
2. On the RECORD & EDIT display, select DRUM
EDIT.
7. Select the data to edit (it changes to a long
bar). Edit the data.
3. On the PART SELECT display, select the track
• Use the POS L and M buttons to move the cursor, the
SND ∧ and ∨ buttons to change the percussion instru-
ment sound, and the VEL ∧ and ∨ buttons to change the
velocity (how hard the keys are played).
• If the ERS button is pressed, the selected NOTE data is
erased.
for the DRUMS part.
• The CHORD, RHYTHM and CONTROL tracks cannot be
selected.
• The display looks similar to the following.
8. Repeat steps 2 to 5 to continue editing.
Inserting DRUMS data
You can also store DRUMS data on this display.
1. Specify the point where the new note data will
be stored.
4. Use the SOUND L and M buttons to select
2. Use the VEL ∧ and ∨ buttons to specify the
the percussion instrument you wish to edit.
• The number to the left of the instrument name is its MIDI
NOTE NUMBER in the Technics arrangement.
• If sounds other than percussion instrument sounds are
assigned, they are not displayed.
velocity (how hard the key is played).
3. Press the ENTER button to store the data.
• Instead of the ENTER button, you can store data (includ-
ing velocity data) by playing the keyboard. In this case,
the instrument is that specified on the display, regardless
of which key is played.
5. Use the MEAS L and M buttons to select the
measure you wish to edit.
6. Use the CURSOR
and
buttons to
4. Repeat steps 1 to 3 to input more DRUMS
data.
move the cursor (M) to the point you wish to
edit.
• Recorded performance data is shown as vertical bars.
Data selected for editing is highlighted.
CYCLE PLAY
You can aurally check the data you are editing by accessing
the CYCLE PLAY display from the DRUM EDIT display.
• The procedure is the same as for NOTE EDIT.
• If you wish other tracks to be played back, they should
be selected beforehand on the SEQUENCER PLAY dis-
play. (Refer to page 67.)
• You can use the INC ∧ and ∨ buttons to change the
increment of cursor movement. The resolution can be set
at ꢀ /96. However, if NOTE data is present between in-
crements, the cursor will stop.
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Part IV
Sequencer
Copy and paste the recorded data
You can copy and paste specific portions of the recorded data.
Select the function
1. On the SEQ MENU display, use the SONG ∧
2. On the COPY & PASTE display, select a func-
tion.
and ∨ buttons to select the number of the
song. Then select COPY & PASTE.
• The display looks similar to the following.
3. Perform the editing procedures. (See below.)
• During the editing procedure, if the indicator for the
TEMPO/PROGRAM is lit, you can use the TEMPO/PRO-
GRAM for the editing function.
SONG COPY
TRACK COPY
Copy all the recording data of a song to a specific song
memory.
Copy the recorded data from specific tracks of a song.
1. Specify the track you wish to copy from.
• On the FROM side, use the SONG ∧ and ∨ buttons and
TRACK ∧ and ∨ buttons to specify a track.
• If ALL is selected, all the tracks of the specified song
number will be copied.
1. On the FROM side, use the ∧ and ∨ buttons
to select the song number you wish to copy
from.
2. On the TO side, use the ∧ and ∨ buttons to
2. Specify the track you wish to copy to (TO side).
3. Press the OK button.
select the song number to copy to.
3. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
• The track assignment settings are also copied. Note that
in some cases, the CONTROL, RHYTHM and CHORD
part data in the destination tracks may be lost.
TRACK MERGE
Merge the recorded contents of two tracks (source tracks)
and store the merged contents in a third track (destination
track).
1. Select the two source tracks (FROM).
• On the FROM side, use the TRACK ∧ and ∨ buttons to
select the two source tracks.
• You cannot select the track to which the CONTROL,
RHYTHM or CHORD part has been assigned.
• When the TRACK MERGE function is executed, the data
is erased from the two source tracks.
• If the part assigned to the left source track (“left” meaning
its position on the TRACK MERGE display) is different
from the part assigned to the right source track, when the
parts are merged in the destination track, the new track
is assigned the same part as the left track.
2. Select the destination track (TO).
• Use the TRACK ∧ and ∨ buttons to the right of the display
to specify the track number.
3. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
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Part IV
Sequencer
MEASURE COPY
MEASURE ERASE
Copy recorded data of specified measures to a specified
Erase the recorded contents of specific measures. You can
also specify which type of data is to be erased.
• Note that only the contents of the measures are erased,
not the measures themselves; the length of the perform-
ance remains the same.
point.
• On the destination track, the new data replaces the current
measure contents.
1. Specify the measures you wish to copy from
the source track (FROM).
• On the FROM side, specify the settings with the corre-
sponding buttons.
1. Use the TRACK ∧ and ∨ buttons to specify
the track number.
• This function does not work for the RHYTHM part or
CHORD part in which a repeat command has been stored.
• If ALL is selected, data is erased from the specified
measures of all the tracks at one time.
TRACK: Specify the track number you wish to copy the
measures from.
• You cannot select the track for the RHYTHM part or
CHORD part in which a repeat command has been
stored.
• If ALL is selected, the specified measures are copied
to all tracks at the same time.
FIRST MEAS: Specify the first measure to copy.
LAST MEAS: Specify the last measure to copy.
2. Use the FIRST MEASURE ∧ and ∨ buttons
to specify the start point (measure number).
3. Use the LAST MEASURE ∧ and ∨ buttons to
specify the end point (measure number).
2. Specify where you wish to copy the selected
measures to.
4. Use the ERASE DATA ∧ and ∨ buttons to
• On the TO side, specify the settings with the correspond-
ing buttons.
specify the type of data to be erased.
ALL: All data is erased.
TRACK: Specify the track number you wish to copy to.
• Measures in a track for the CONTROL, RHYTHM or
CHORD part can be copied only to the same track.
START MEAS: Specify the start point to copy the selected
measures to.
NOTE: Only note data is erased.
CONTROL: Only control data (volume, effect and other
panel settings as well as selection changes) is erased.
REPEAT: Specify the number of times the selected meas-
ures are to be repeated.
5. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
3. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
• Note that if the END command is included in the source
data, it is also copied. Any data following the END com-
mand is not copied.
MEASURE DELETE
Delete specified measures from a track.
• The length of the performance accordingly decreases by
the number of deleted measures.
2. Use the FIRST MEASURE ∧ and ∨ buttons,
to specify the first measure to delete.
3. Use the LAST MEASURE ∧ and ∨ buttons to
specify the last measure to delete.
4. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
1. Use the TRACK ∧ and ∨ buttons to select the
track from which measures are to be deleted.
• This function does not work for the CHORD or RHYTHM
track in which the repeat function has been stored.
• If ALL is selected, the specified measures are deleted
from all the tracks at one time.
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Part IV
Sequencer
MEASURE INSERT
APC TO SMF CONVERT
Insert specified measures at a specified point.
• The length of the performance accordingly increases by
the number of inserted measures.
When a sequence is recorded using AUTO PLAY CHORD,
the SEQUENCER data just contains a chord sequence on
one track. APC TO SMF CONVERT creates a sequencer file
in which the APC/CHORD/RHYTHM/CONTROL parts and
PIANO PERFORMANCE PADS (PR804) phrases are each
recorded on a separate track, allowing you to save the
sequence in standard MIDI File format for playback on other
instruments.
1. Specify the measures you wish to copy from
the source track.
• On the FROM side, specify the settings with the corre-
sponding buttons.
TRACK: Specify the track number you wish to copy the
measures from.
• This function does not work for the CHORD or
RHYTHM track in which the repeat function has been
stored.
• If ALL is selected, the measures are inserted in all
tracks at the same time.
FIRST MEAS: Specify the first measure to copy.
LAST MEAS: Specify the last measure to copy.
1. Use the TR L and M buttons to select the
track you wish to convert.
• In the PART column, the part name currently assigned is
shown.
• In the DATA column, a check mark (√) indicates a track
in which data is stored.
• Tracks in which RHYTHM, CONTROL, APC and CHORD
parts are stored cannot be selected (– – – is shown).
2. Use the APC/PAD ∧ and ∨ buttons to select
2. Specify where you wish to insert the selected
the parts you wish to convert.
measures.
• Parts that are set to OFF will not be converted.
• On the TO side, specify the settings with the correspond-
ing buttons.
3. Press the CONVERT button.
• Note that after the conversion, the automatic accompa-
niment part data is cleared; if necessary, save this data
beforehand.
TRACK: Specify the track number.
• Measures from the CHORD, RHYTHM or CONTROL
track can only be inserted in the same track.
START MEAS: Specify the start point to insert the selected
measures.
• A confirmation display appears.
REPEAT: Specify the number of times the selected meas-
ures are to be repeated.
4. Press EXECUTE to continue with the conver-
sion, or press the CANCEL button is you wish
to discontinue.
• After the EXECUTE button is pressed, the conversion
begins. Conversion takes the same length of time as
playback.
3. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
• Note that if the END command is included in the source
data, it is also inserted. Any data following the END
command is not inserted.
• If you wish to discontinue the conversion process midway,
press the ABORT button.
Changing the note position etc. of the re-
corded data
You can change the note pitch and position etc. of recorded data.
Select the function
1. On the SEQ MENU display, use the SONG ∧
2. On the RANGE EDIT display, select a function.
3. Perform the editing procedures. (See below.)
and ∨ buttons to select the number of the
song. Then select RANGE EDIT.
• The display looks similar to the following.
• During the editing procedure, if the indicator for the
TEMPO/PROGRAM is lit, you can use the TEMPO/PRO-
GRAM for the editing function.
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Part IV
Sequencer
VELOCITY CHANGE
TRANSPOSE
Modify the recorded velocity in specific measures of specific
tracks.
Change of key of specific measures of specific tracks.
1. Use the TRACK ∧ and ∨ buttons to select the
1. Use the TRACK ∧ and ∨ buttons to select the
track you wish to edit.
track you wish to edit.
• You cannot select the track for the CONTROL, RHYTHM
or CHORD part.
• If ALL is selected, all tracks will be edited.
• You cannot select the track for the CONTROL, RHYTHM
or CHORD part.
• If ALL is selected, all tracks will be edited.
2. Use the FIRST MEASURE ∧ and ∨ buttons
to specify the start point (measure number) of
the transpose.
2. Use the FIRST MEASURE ∧ and ∨ buttons
to specify the start point (measure number) of
the velocity change.
3. Use the LAST MEASURE ∧ and ∨ buttons to
specify the end point (measure number) of the
transpose.
3. Use the LAST MEASURE ∧ and ∨ buttons to
specify the end point (measure number) of the
velocity change.
4. Use the TRANSPOSE ∧ and ∨ buttons to
4. Use the VELOCITY ∧ and ∨ buttons to specify
specify the change in pitch.
the change in velocity.
• Increments are in semitones. A value of 12 is one octave.
A – value lowers the pitch, and a + value raises it.
• The value you select will be added to or deleted from the
current velocity.
5. Press the OK button.
5. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
NOTE CHANGE
Change of pitch of specified notes.
5. Use the CHANGE TO ∧ and ∨ buttons to
specify the pitch you wish to change to.
6. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
1. Use the TRACK ∧ and ∨ buttons to select the
track you wish to edit.
• You cannot select the track for the CONTROL, RHYTHM
or CHORD part.
• If ALL is selected, all tracks will be edited.
2. Use the FIRST MEASURE ∧ and ∨ buttons
to specify the start point (measure number) of
the note change.
3. Use the LAST MEASURE ∧ and ∨ buttons to
specify the end point (measure number) of the
note change.
4. Use the TARGET NOTE ∧ and ∨ buttons to
specify the pitch of the note you wish to
change.
• The number next to the note name is its note number.
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Part IV
Sequencer
ADVANCE/DELAY
Speed up or delay the sound production of specified per-
formance data.
1. Use the TRACK ∧ and ∨ buttons to select the
track you wish to edit.
• You cannot select the track for the CONTROL, RHYTHM
or CHORD part.
• If ALL is selected, all tracks will be edited.
2. Use the FIRST MEASURE ∧ and ∨ buttons
to specify the start point (measure number) of
the change.
3. Use the LAST MEASURE ∧ and ∨ buttons to
specify the end point (measure number) of the
change.
4. Use the ADVANCE/DELAY ∧ and ∨ buttons
to accelerate or delay the timing of the sound
production (–96 to +96).
• A + value causes the notes to sound later, and a – value
causes the notes to sound earlier.
5. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
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Part V Composer
Outline of the Composer
SX-PR804
SOUND
PROGRESSIVE
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
PIANIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BAK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
The COMPOSER enables you to create your own accompaniment patterns. A pattern is comprised of 8 parts: DRUMS 1, 2, BASS
and ACCOMP1–5 parts. These parts would form the backing of a song.
Rhythm components which can be stored
Different INTRO 1, 2, VARIATION 1 to 4, ENDING 1, 2 pat-
terns can be created for each MEMORY (A, B, C).
• Each VARIATION is made of a PATTERN, FILL 1 and FILL
2.
• A Maj (major) and Min (minor) pattern is available for each
of the INTRO and ENDING 1 and 2.
INTRO
VARI 1
VARI 2
VARI 3
VARI 4
ENDING
1 Maj
1 Min
2 Maj
2 Min
PATTERN PATTERN PATTERN PATTERN 1 Maj
FILL IN 1
FILL IN 2
FILL IN 1
FILL IN 2
FILL IN 1
FILL IN 2
FILL IN 1
FILL IN 2
1 Min
2 Maj
2 Min
•The patterns in the table above can be created for each MEMORY (A, B, C).
Memory capacity
Expressed in terms of notes, the total number of notes which
MEMORY
can be stored in all the COMPOSER memories is about
13,000. The remaining memory available for recording is
shown on the recording display as a percentage (%).
• When “Memory full!” appears on the display no more data
can be stored in the COMPOSER.
Because the contents of the MEMORY are erased after about
80 minutes after the power is turned off, you should save
the data on floppy disks if you wish to keep it. (Refer to page
99.)
COMPOSER menu
1. Press the PROGRAM MENUS button to turn
Summary of the COMPOSER menu items
RECORDING MEMORY-A
it on.
• The display looks similar to the following.
Create a memory in the MEMORY A bank.
RECORDING MEMORY-B
Create a memory in the MEMORY B bank.
RECORDING MEMORY-C
Create a memory in the MEMORY C bank.
PATTERN COPY (page 92)
Copy a rhythm/COMPOSER pattern into a memory.
2. Select COMPOSER.
SEQ TO COMPOSER COPY (page 93)
Copy recorded data in the SEQUENCER to the
COMPOSER.
• The display looks similar to the following.
LOAD SINGLE COMPOSER
Recall the desired COMPOSER data from data
saved on a disk. This procedure is the same as
when COMPOSER is selected for SINGLE LOAD.
(Refer to page 96.)
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Part V
Composer
Three ways to record in the COMPOSER
There are three ways to create and record a rhythm.
Simple recording method
Pattern Copy (page 92)
Use EASY COMPOSER to quickly create a unique rhythm
Copy a preset rhythm or SEQUENCER data to a COMPOSER
just by selecting a pattern for each part.
memory, edit it as you like, and then store it as a new rhythm.
Create a completely new rhythm
Compose all the parts of a completely new rhythm from
scratch.
• You can use either realtime recording or step record for
any part of the recording.
Simple recording method
With EASY COMPOSER you can easily create a unique
rhythm pattern by selecting a different style for each part of
the rhythm.
1. On the COMPOSER MENU display, select
5. Use the VARI ∧ and ∨ buttons to select the
EASY COMPOSER.
variation number.
• The display looks similar to the following.
• The number of variations differs depending on the
selected style.
• A part which is set to OFF does not sound. Note that the
“BsDrum&Snare” part cannot be set to OFF.
6. Repeat steps 3 to 5 to select styles for the
other parts.
7. Press the SET button.
• The rhythm pattern is played back.
• If you are not satisfied with the rhythm pattern, repeat
steps 3 to 7.
• If you wish to correct the sounds or phrases in your rhythm
pattern, press the EDIT button. The display changes to
the recording display.
2. Use the MEM ∧ and ∨ buttons to select the
memory in which to record your rhythm.
• Select from A-vari 1 to 4, B-vari 1 to 4 and C-vari 1 to 4.
3. Use the PART L and M buttons to select the
part.
• For playback, refer to page 89.
• In the EASY COMPOSER, the new rhythm pattern is
divided into 9 parts, to each of which a style and variation
is assigned.
4. Use the STYLE ∧ and ∨ buttons to select a
style.
Create a completely new rhythm
Clear the memories and compose a completely new rhythm from scratch.
•You can also use this method when copying a pattern from a preset rhythm or the SEQUENCER.
Prepare to record
• If the MEM CLR button is pressed, all the current contents
1. On the COMPOSER MENU display, select a
memory in which to record (RECORDING
MEMORY A, B, or C).
• The display looks similar to the following.
of the MEMORY are erased (a confirmation display ap-
pears).
• You can press the NAMING button and assign a name to
the MEMORY.
• To assign a name to each VARIATION, press the VARI
button and select a number.
2. Use the buttons below the display to select
the pattern you want to create.
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Part V
Composer
3. On the RECORD MEMORY display, press the
6. Use the MEASURE ∧ and ∨ buttons to specify
the number of measures in your new rhythm
pattern (1 to 16).
OK button.
• The display looks similar to the following.
7. Use the TIME SIGNATURE ∧ and ∨ buttons
to specify the meter of the pattern (1/4 to 8/4).
• When the settings for the MEASURE and TIME SIGNA-
TURE of the INTRO or ENDING patterns are changed,
the Maj and Min settings change at the same time.
8. Press the OK button.
4. Press the CLEAR THE ENTIRE PATTERN
button.
• The display looks similar to the following.
5. Press the YES button.
• All the data for the selected pattern is erased.
KEY SETTING
Recording procedure
Set the key and chord in which you wish the recorded pattern
to be played. If the recorded performance is played in a key
or chord different from this setting, the automatic accompani-
ment will not be able to distinguish the correct chord.
1. On the RECORDING display press the KEY
SETTING button.
• The display looks similar to the following.
1. In the START RECORDING area on the dis-
play, select the rhythm part you want to record
first.
BAS: BASS
AC1–5: ACCOMP 1–5
DR1, 2: DRUMS 1, 2
• The metronome sound starts and the display looks similar
to the following.
2. Use the KEY ∧ and ∨ buttons to set the key.
Use the CHORD ∧ and ∨ buttons to set the
chord type (Maj/Min).
3. When you have finished making the settings,
press the EXIT button.
2. Adjust the tempo.
• The tempo is shown on the display as ꢀ =.
• The tempo can be freely adjusted when you play back
the rhythm pattern, so record at the tempo which is easiest
for you to play.
3. Select the sound.
• For the DRUMS part, only sounds from the DRUM KITS
sound group can be selected.
• For the ACCOMP and BASS parts, select sounds from
groups other than the DIGITAL DRAWBAR sound groups.
(continued on the next page)
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Part V
Composer
ALL ERAS:
4. Record the part.
The performance recorded in the selected part is erased
for as long as this button is pressed.
QUANTIZE:
Smooth out any unevenness in the timing of your per-
formance.
• Before recording, select the note value for the desired
quantize level. (The quantize level is shown on the display
as QTZ=.)
• The specified number of measures are repeatedly played
back, during which time any newly played notes are added
to those already recorded. The current measure number
is shown on the display as “MEASURE=”.
SOLO:
Mute all parts except the part which is currently being re-
corded.
• Record the performance in C major for correct chord
progressions during playback. Follow the KEY SETTING
procedure if you wish to record the performance in a
different scale.
• A MUTE mark is shown for the other parts on the display.
• To turn off the SOLO function, press this button again.
KEY IN CHORD MODIFY (except for INTRO, ENDING,
DRUMS):
• The sustain pedal operation or PITCH BEND and MOD-
ULATION effects when MIDI data is received are also
recorded (except for the DRUMS part).
Use the GROUP and TYPE ∧ and ∨ buttons to select
the type of pattern progression.
• This setting is for the sound that is going to be recorded
from this time.
Button functions
5. Use the buttons below the display to switch to
a different recording part, and proceed to re-
cord each part in turn.
PART BALANCE:
Adjust the volume of each part on the PART BALANCE
display. (These settings are not recorded.)
• The METRONOME volume setting can be adjusted on
the PAGE 2/2 display.
6. When you have finished recording the rhythm,
PART SETTING:
turn off the PROGRAM MENUS button.
You can make detailed settings for each part. (Refer to
page 89.)
STEP RECORD:
Change to the STEP RECORD mode. (Refer to page 90.)
PART CLR:
Erase all recorded contents of the currently selected part.
NOTE CLR:
Data is erased one note or one percussion instrument
(DRUMS part) sound at a time.
• Hold and press this button, and press the keyboard key
that corresponds to the note or percussion instrument
(DRUMS part) sound you wish to erase.
Chord Modify Change
For data that has already been recorded, you can select the type of pattern progression for the bass and accomp parts.
•This function cannot be used for the INTRO and ENDING patterns.
1. On the RECORDING display, press the
4. Use the FUNCTION ∧ and ∨ buttons to enable
CHORD MODIFY CHANGE button.
or disable the function.
• The display looks similar to the following.
KEEP:
No change.
CHANGE:
The change is enabled.
5. When you have finished making the settings
for each part, press the OK button.
6. Press the EXIT button.
2. Use the PART L and M buttons to select the
part you wish to set.
3. Use the GROUP and MODIFY TYPE ∧ and ∨
buttons to select the corresponding progres-
sion type.
• If a progression type for which the note name is displayed
(in C key) was selected for the chord group, played notes
which are not displayed are changed to notes which are
displayed.
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Part V
Composer
Part Setting
You can make detailed settings for each part.
BALANCE:
Adjust the volume balance.
PAN:
1. On the REALTIME RECORDING display,
press the PART SETTING button.
• The settings comprise three pages of the display. Use
the PAGE buttons to switch pages.
Adjust the stereo balance of each part (LEFT 64 – CEN-
TER – RIGHT 63).
• At “LEFT 64”, the sound is all the way to the left, at “RIGHT
63” all the way to the right. The center point is CENTER.
2. Use the PART L and M buttons to select a
part.
BEND RANGE:
Adjust the range of pitch change when PITCH BEND data
is received (0 to 12).
3. Use the ∧ and ∨ buttons to set the correspond-
ing item.
<PAGE 2>
<PAGE 1>
EQ-Hi:
PITCH POINT:
Sound correction in the high range.
The pitch at which the pattern progression sound is
lowered by one octave.
• When the root note of the specified chord is higher than
the set pitch point, the pitch of that part is automatically
lowered by one octave, thus avoiding an unnaturally high
accompaniment pitch.
• Use the FC ∧ and ∨ buttons to adjust the standard
frequency. Use the GAIN ∧ and ∨ buttons to set the ratio
of change.
EQ-Low:
Sound correction in the low range.
• Use the FC ∧ and ∨ buttons to adjust the standard
• This is effective only for the part for which the Melody
group was selected in CHORD MODIFY CHANGE.
SOUND:
Use the panel buttons to select the sound.
DIGI EFF:
Set the DIGITAL EFFECT to on or off.
• (SOUND) is the initialized setting of the sound.
frequency. Use the GAIN ∧ and ∨ buttons to set the ratio
of change.
REV:
Depth of the REVERB (0 to 127).
CHO:
Depth of the CHORUS (0 to 127).
Playback
1. In the RHYTHM GROUP section, press the
2. Select the desired memory (A/B/C).
MEMORY button.
3. Use the VARIATION buttons to select a var-
RHYTHM GROUP
iation.
8&16
BEAT
MOVIE &
SHOW
ROCK
&
POP
BALLAD
JAZZ
&
SWING
METRONOME
4. Press the START/STOP button.
SOUL &
DISCO
GOSPEL &
BLUES
COUNTRY
&
MARCH
&
LATIN
&
• The DRUMS part begins to play back.
MEMORY
LOD
WESTERN
WALTZ
WORLD
• The BASS and ACCOMP parts are played back when
you use the AUTO PLAY CHORD.
• The display looks similar to the following.
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Part V
Composer
Step Record
Use STEP RECORD to store the notes one-by-one on the display. This is a convenient way to store complicated patterns that
are difficult to play.
Recording procedure
1. While you are recording, press the STEP RE-
6. Repeat steps 2 through 5 to continue storing
CORD button.
• The display changes to the STEP RECORD display similar
to the following.
notes.
• To record a different part, use the PART ∧ and ∨ buttons
to select another part.
• PAGE 1/2: The NOTE, VEL(OCITY), LEN(GTH), CHORD
MODIFY and CONTROL can be revised later. Move the
cursor to select the data you wish to revise, correct the
value, and then press the OK button.
• You can easily switch between the REALTIME mode and
the STEP mode any time during recording. To return to
the realtime recording display during the STEP RECORD
mode, press the EXIT button.
2. Use the CURSOR buttons to move the cursor
to the note position you are going to store.
• Each dot represents one-eighth of a quarter-note (a thirty-
second note).
• When storing triplets, it may not be possible to match the
timing exactly with the 1/32-note steps. However, if you
select triplet-type notes for the note length (LENGTH) in
step 4 below, the timing is automatically corrected.
3. Use the left LENGTH buttons to specify the
note value you are going to store next. Select
from ꢁ3, ꢁ, ꢉ3, ꢉ, ꢃ3, ꢃ, ꢀ3, ꢀ, ꢄ, ꢅ, ꢅ × 2 to 4.
(A 3 denotes a triplet-type note.)
• For note values other than these, use the right LENGTH
buttons to specify the note value to be added to that which
you specified with the left buttons.
Example: To record a dotted quarter-note (ꢀ.)
ꢀ + ꢃ
4. Use the PHRS ∧ and ∨ buttons to specify the
actual length of the produced sound for the
desired legato or staccato effect.
TENU (tenuto):
Sound is produced for 95% of the
note length.
NORM (normal):
STAC (staccato):
CUTT (cutting):
80%
50%
25%
5. Specify the pitch and velocity of the note by
playing the keyboard.
• The dot on the display where the note is stored changes
to a
mark.
*
• When recording chords, you can store multiple notes at
one position.
REST:
To store a rest, after specifying the note LENGTH,
press the REST button.
• Positions at which nothing is stored are read as rests.
ERS:
If you make a mistake, move the cursor to the error,
and after displaying the data you wish to erase,
press the ERS button.
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Part V
Composer
Measure Edit
You can edit the recorded data one measure at a time.
Select the function you wish to edit.
1. During recording, press the MEASURE EDIT
3. Follow the procedure to edit the function (see
below).
button.
• The display looks similar to the following.
• Only the contents of the same pattern can be edited.
2. Select the function.
MEASURE COPY
Copy recorded data of specified measures to a specified
point.
• On the destination track, the new data replaces the current
measure contents.
MEASURE ERASE
Erase the recorded contents of specific measures.
• Note that only the contents of the measures are erased,
not the measures themselves; the length of the perform-
ance remains the same.
1. Specify the measures you wish to copy from
the source track (FROM).
• On the FROM side, specify the settings with the corre-
sponding buttons.
1. Use the PART ∧ and ∨ buttons to specify the
part.
PART:
• If ALL is selected, data is erased from the specified
measures of all the parts at one time.
Select the part to copy from. (If ALL is selected, all
parts are copied.)
2. Use the FIRST MEASURE ∧ and ∨ buttons
FIRST MEASURE:
Specify the first measure to copy.
to specify the start point (measure number).
3. Use the LAST MEASURE ∧ and ∨ buttons to
LAST MEASURE:
specify the end point (measure number).
Specify the last measure to copy.
4. Press the OK button.
2. Specify where you wish to copy the selected
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
measures to.
• On the TO side, specify the settings with the correspond-
ing buttons.
PART:
Select the part to copy to.
START MEASURE:
Specify the start point to copy the selected measures
to.
3. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
• If the FROM and TO parts are the same and the FROM
and TO measures overlap, copy is not possible.
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Part V
Composer
MEASURE DELETE
MEASURE INSERT
Delete specified measures from all parts at once.
• The length of the performance accordingly decreases by
the number of deleted measures.
Insert blank measures at a specified point.
• The length of the performance accordingly increases by
the number of inserted measures.
1. Use the FIRST MEASURE ∧ and ∨ buttons,
1. Use the FIRST MEASURE button to select the
point (measure) where the measures are to
be inserted.
to specify the first measure to delete.
2. Use the LAST MEASURE ∧ and ∨ buttons to
specify the last measure to delete.
2. Use the NUMBER OF MEASURE button to
• One measure is the smallest unit that can be deleted.
select the number of blank measures to insert.
• No more than 16 measures total can be inserted.
3. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
3. Press the OK button.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
• When the INTRO or ENDING measures are deleted, the
Maj and Min data are erased at the same time.
• The Maj or Min data is inserted in the INTRO and ENDING
at the same time.
Pattern Copy
Use this function to copy a pattern from a rhythm or from SEQUENCER data.
PATTERN COPY
Copy a rhythm to the COMPOSER.
• You can also copy a pattern from the MEMORY.
1. On the COMPOSER MENU display, select
4. Press the OK button.
• When copying has been successfully completed,
PATTERN COPY.
“COMPLETED!” appears on the display.
• The display looks similar to the following.
• If you wish to use the COMPOSER functions to edit the
copied data, press the EDIT button, and follow the pro-
cedure to record a pattern.
Copying one part at a time.
1. Use the PAGE ∧ and ∨ buttons to select PAGE
2. Select the pattern you wish to copy.
• In the FROM box, specify the settings with the correspond-
ing buttons.
2/2.
• The display looks similar to the following.
GROUP:
RHYTHM:
PATTERN:
Group name
Rhythm name
Pattern name
• If ALL is selected, all the patterns are copied.
3. Select the memory you wish to copy to.
• In the TO box, specify the settings with the corresponding
buttons.
2. Use the MEM ∧ and ∨ buttons to specify the
pattern to copy to.
MEMORY:
PATTERN:
Memory name (A, B or C)
Pattern name
3. Use the PART L and M buttons to specify the
• If ALL is selected, all the patterns are copied.
part you wish to copy to.
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Part V
Composer
4. On the FROM side, use the buttons to specify
the part to copy from.
• For the DRUM part you can specify the DRUMS 1 or 2
part; for other parts you can specify a part other than a
DRUMS part.
5. On the TO side, use the FUNC ∧ and ∨ buttons
to specify for each part whether or not to copy
the data.
KEEP:
Part data is not copied.
CLEAR:
Part data is erased.
COPY:
Part data is copied.
6. Press the OK button.
SEQ TO COMPOSER COPY
Data from the SEQUENCER can be copied to a COMPOSER
memory. For example, you can use a rhythm pattern on a
song disk as the automatic accompaniment for your own per-
formance.
1. Play back the song you wish to copy from
SEQUENCER to confirm the tracks, the meas-
ures and the time signature you wish to copy.
9. For each COMPOSER part, specify the
SEQUENCER track from which to copy data.
• Use the PART L and M buttons to specify the part name,
and the TRACK ∧ and ∨ buttons to specify the track
number.
2. Follow the procedure in “Prepare to record” to
• Parts which are set to OFF are blank.
prepare the COMPOSER memory you will be
copying to. (Refer to page 86.)
10.Press the OK button.
• Be sure that time signature setting in the SEQUENCER
data you are copying from and the time signature in the
COMPOSER memory you are copying to are the same,
or the data will not be copied successfully.
• “COMPLETED!” is shown on the display.
• If you wish to use the COMPOSER function to edit the
copied data, press the EDIT button, and follow the pro-
cedure to record a pattern.
• In the case of INTRO or ENDING, if a measure contains
a Maj or Min command, it is reproduced in the other
pattern as well.
3. On the COMPOSER MENU display, select
SEQ TO COMPOSER COPY.
• The display looks similar to the following.
4. Use the FIRST MEASURE ∧ and ∨ buttons
to specify the number of the first measure to
copy.
5. Use the LAST MEASURE ∧ and ∨ buttons to
specify the number of the last measure to
copy.
6. Use the TRANSPOSE ∧ and ∨ buttons to
change the key of the copied measures (–24
to +24).
• Units are in semitones.
7. Use the MEMORY ∧ and ∨ buttons to specify
the COMPOSER memory to copy to.
8. Use the PATTERN ∧ and ∨ buttons to specify
the pattern to copy to.
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Part VI Disk Drive
Outline of the Disk Drive function
The Disk Drive enables you to store recorded and stored data from this instrument’s memories on disks, as well as play commercial
recorded disks on this instrument.
Internal memory and Floppy Disk
Drive
Main parts of the Floppy Disk Drive
Disk slot
The storable internal memory of this instrument as well as
the backup time are limited. However, the Disk Drive maxi-
mizes your control of data management by allowing you to
store (SAVE) this instrument’s data on disks, and then to
recall (LOAD) it at any time.
Eject button
SAVE
LOAD
Eject button
⇒ Press to remove the disk from the Disk Drive.
• You can use 3.5 inch 2DD (720 KB) or 2HD (1.44 MB)
disks; however, 2HD disks formatted as 2DD cannot be
used.
Disk Drive
Disk
Using commercial song disks
The following data can be saved/loaded:
PERFORMANCE
Not only disks recorded on this instrument, but also data from
commercial song disks can be read on this instrument.
• This instrument accepts the following file formats:
TECHNICS File format
CURRENT PANEL (The current panel settings)
PANEL MEMORY*
Standard MIDI File format
SEQUENCER
Loading Technics File format disks
Using Technics file format disks allows you load new SOUND
EDIT, rhythm & accompaniments, PANEL MEMORY, PADS
and Song data into your instrument to expand its potential
even further.
COMPOSER* (MEMORY contents)
SOUND MEMORY*
EFFECT MEMORY*
PADS (USER memories of the PIANO PERFORMANCE
PADS) (PR804)
About Standard MIDI Files
“Standard MIDI File” (SMF) is a standardized data format
which makes it possible for music data to be exchanged
among different sequencers. Data stored in this format on
sequencers of different models can be played back on this
instrument, and vice versa. Note, however, that Standard
MIDI Files ensure the compatibility of data such as NOTE
data (keyboard performance data), VELOCITY (how hard the
keyboard is played), PROGRAM NUMBER data (voice num-
ber data), etc. Because it does not guarantee 100% faithful
reproduction of recorded music which is replete with such
data, it may be necessary for you to adjust the settings to
your satisfaction.
• Only files with the “.MID” extension can be loaded.
• Standard MIDI File FORMAT 1 can be loaded, but not
saved.
• This instrument’s SEQUENCER data can be saved to a
disk in Standard MIDI File (FORMAT 0) and can be used
by other equipment.
BACKUP
MIDI (USER memory of the MIDI PRESETS)
FAVORITES
• When creating or saving song data, it is recommended that
you use the performance data in the PERFORMANCE
group.
• Instead of using MIDI & FAVORITES as frequently loaded
and saved data, it is recommended that you save it with
other data as this instrument’s backup data.
• A mark indicates that data can be loaded to and from a
*
specific memory (SINGLE LOAD).
• The SEQUENCER contents can be saved in one-song in-
crements (SEQUENCER SONG SAVE).
• Please use 2HD disks to load/save BACKUP data.
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Part VI
Disk Drive
SMF with LYRICS
Playback of commercial song disks
SMF with LYRICS is a format in which character information
that is included with the MIDI data, such as karaoke lyrics,
can be displayed. This instrument supports this format,
making it possible to view the lyrics on the display while a
performance is played back.
DIRECT PLAY lets you enjoy playing commercially sold song
disks directly from a disk. It’s fast because you don’t have
to load the disk data into your instrument’s memory.
• DIRECT PLAY is possible from the following disks:
Standard MIDI File
Standard MIDI File with Lyrics
DISK ORCHESTRA COLLECTION™ (DOC)
PianoDisc™
GENERAL MIDI LEVEL 2 (GM2)
This instrument complies with GENERAL MIDI (GM) LEVEL
2 standards. GM LEVEL 2 is a uniform world standard for
MIDI sound generators that improves on existing GM stand-
ards, in order to realize an enhanced performance expres-
sion. Sound generators of this class can reproduce virtually
the identical conditions that were in effect at the time of re-
cording.
* All product and company names are trademarks or
registered trademarks of their respective owners.
* DISK ORCHESTRA COLLECTION is a trademark of
the YAMAHA Corporation.
Equipment which conforms to GENERAL MIDI LEVEL 2
standards is indicated by the following logo.
• This instrument also conforms to GENERAL MIDI playback.
Outline of the procedure
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
DISK IN USE
1. Insert the disk into the Disk Drive slot. Push
it all the way in until you hear a click.
• On this instrument, if the normal display is active, it auto-
matically changes to the DISK MENU display when a disk
is inserted into the Disk Drive (initialized settings). The
PREFERENCES menu is used to specify which display
is shown when a disk is inserted.
DISK
LOAD
DISK
IN USE
This indicator lights when data is being loaded or saved.
• To prevent data loss, do not eject the disk or turn off the
power while this indicator is lit.
2. Select a menu on the DISK MENU display.
• If the DISK MENU display does not appear, turn on the
DISK button.
About the menu
3. Follow the procedure for the function (see
below).
• When function is being set, if the TEMPO/PROGRAM
indicator is lit, the TEMPO/PROGRAM is available for
setting the current function.
4. When you have finished setting the functions,
LOAD (page 96)
Load data from a disk into this instrument’s memory.
SAVE (page 99)
turn off the DISK button.
Save data from this instrument’s memory to a disk.
DIRECT PLAY (page 98)
DISK
LD
DISK
IN USE
Direct playback of SMF etc. commercial song disks and
medley playback.
SONG MEDLEY (page 99)
Medley playback of songs in the floppy disk (Technics
format).
DISK TOOLS (page 102)
Disk management procedures, such as disk format.
PREFERENCES (page 102)
The display screen settings during disk save.
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Part VI
Disk Drive
Loading data
Recall (load) the data from the disk to this instrument’s memories.
• Note that the load procedure causes any data which is currently stored in the relevant memories to be erased.
LOAD
Load data that saved to a disk into this instrument’s memory.
LOAD OPTION
Specify the kind of data you wish to load from the disk to
your instrument.
1. Insert the disk with the stored data into the
Disk Drive. Push it all the way in until you hear
a click.
1. Use the PAGE buttons to access the PAGE
2/3 LOAD OPTION display.
• The display looks similar to the following.
2. Use the buttons below the display to specify
2. On the DISK MENU display, select LOAD.
the types of data you wish to load (YES/NO).
• - - - - - indicates that this type of data has not been saved.
• This setting is canceled when you quit the LOAD display
or when another file is selected.
• The display looks similar to the following.
3. Press the LOAD button.
• The LOAD operation begins.
SINGLE LOAD
You can specify which data to load from a disk into a specific
PANEL MEMORY, COMPOSER (MEMORY), SOUND
MEMORY, EFFECT MEMORY or SEQUENCER (when
SONG SAVE was executed) memory.
• If there are only SMF files on the disk, the display auto-
matically changes to the SMF LOAD display.
3. Use the buttons below the display to select
the file (Technics file) you wish to load.
• If there are SMF files on the disk and you wish to load
an SMF file, press the SMF button. (Refer to page 97.)
1. Use the PAGE buttons to access the PAGE
3/3 SINGLE LOAD display.
• The display looks similar to the following.
4. Press the LOAD button.
• The LOAD operation begins.
• When the operation has been successfully completed,
“COMPLETED!” is shown on the display.
• If song data was loaded, you can press the START/STOP
button to begin playback when the SEQUENCER PLAY
display is active.
• You can also access the LOAD display by pressing the
DISK button for a few seconds.
2. Use the MODE button to select the data you
wish to load.
3. Use the BANK/SINGLE button to select the
load increment (except for SEQUENCER).
BANK: Load one bank at a time.
SINGLE: Load the smallest data increment.
4. Follow the appropriate procedure to load the
specified data.
• Specify the data source (left side), and the data destina-
tion (this instrument’s memory location) for TO.
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Part VI
Disk Drive
SMF LOAD
5. Press the LOAD button.
Load data which was saved in the “Standard MIDI File” (SMF)
• The LOAD operation begins.
format.
• When the operation has been successfully completed,
“COMPLETED!” is shown on the display.
• If you press the START/STOP button, playback of the
loaded data begins.
1. On the LOAD (PAGE 1/3) display, press the
SMF button.
• The display looks similar to the following.
• During the LOAD operation, data that cannot be
processed by this instrument is ignored.
COMPOSER LOAD
Load COMPOSER data only from a disk.
1. In the RHYTHM GROUP section, press and
hold the LOAD (MEMORY) button for a few
seconds.
• For disks which contain SMF files only, this display ap-
pears automatically when LOAD is selected on the DISK
MENU display.
RHYTHM GROUP
8&16
BEAT
MOVIE &
SHOW
ROCK
&
POP
BALLAD
JAZZ
&
SWING
METRONOME
2. Use the buttons below the display to select
the filename you wish to load.
• If the number of files is 10 or more, you can use the PREV
and NEXT buttons to go back or advance 10 files at a
time.
SOUL &
DISCO
GOSPEL &
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MEMORY
LOD
WESTERN
WALTZ
WORLD
• If you press the TECH button, the display changes to the
LOAD display for Technics files.
• You can use the INFO button to switch the displayed data.
DISK: Disk name
• The display looks similar to the following.
SONG: Song name
3. Use the TO SONG button to select the number
to load to (this instrument’s SEQUENCER
song number).
• Songs to load are specified one at a time.
• The song name to load to is shown below the TO SONG
button.
2. Select the name of the file you wish to load.
3. Press the LOAD button.
4. Use the LOAD AS button to specify the load
method.
Select from the following.
GM/GM2 → GM2:
• Data is loaded to this instrument’s COMPOSER memory
(MEMORY).
Activate the GM2 initialized settings, and load
GM/GM2 data.
NX → NX:
Active the NX SOUND settings, and load NX data.
GM/GM2 → NX:
Activate the NX SOUND initialized settings, and load
GM/GM2 data.
PREV. TEC → NX:
Activate the NX SOUND initialized settings, and load
SMF data that was saved in the TECHNICS mode on
a previous model. (The volume balance and octave
settings may differ from the saved settings.)
• If you select the setting which is different from that in
which the song was stored, the sounds, octaves, and
arrangement of percussion instrument sounds, etc. will
be different.
About LOAD AS
<→GM2>
<→NX>
The SMF data you load is played back in PARTS 1-16, al-
lowing you to play the RIGHT 1, RIGHT 2 and LEFT parts
on the keyboard in time with the recording.
• Your keyboard performance is not output as MIDI data.
If you wish your keyboard performance to be output as
MIDI data, select <PR → Ext. Sequencer> in MIDI PRE-
SETS. (Refer to page 132.)
The SMF data you load is played back matching the part
settings and MIDI settings that were in effect when the data
was saved.
• SMF data that was saved on models that are not NX-com-
patible is played back in parts RIGHT 1, RIGHT 2, LEFT,
and PART 4-16.
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Part VI
Disk Drive
Direct Play
You can enjoy immediate playback of “Standard MIDI File” (SMF), “Disk Orchestra Collection” (DOC) and “PianoDisc” disks—all
without loading the song data.
• For SMF files, use the PLAY AS button to specify a sound
1. Insert the disk with the stored data into the
arrangement mode.
Disk Drive.
GM2: GM2 LEVEL 2
NX: NX SOUND
PREV. TEC: Data from Technics instruments not having
2. On the DISK MENU display, select DIRECT
NX SOUND capability.
• For SMF files, you can use the INFO button to switch the
displayed data.
PLAY.
• The display looks similar to the following.
DISK: Disk name
SONG: Song name
<Example: SMF>
• For SMF files, use the MIDI OUT button to specify whether
or not MIDI data is output during playback (ON/OFF).
(This cannot be changed during playback.)
4. Press the START button.
• The selected song is played back.
• You can also start playback of the song by pressing the
START/STOP button on the panel.
3. Use the buttons below the display to select
the song you wish to have played.
• If the number of files is 10 or more, you can use the PREV
and NEXT buttons to go back or advance 10 files at a
time.
you can play a keyboard performance on the channel
which was last set to MUTE.
• For DOC disks:
You can use the PART 1, PART 2 and ORCH (other ac-
companiment parts) buttons to set the respective parts to
ON or OFF. You can play the parts set to OFF on the
keyboard.
Adjusting the playback tempo
Even with a song having recorded tempo data, you can use
TEMPO/PROGRAM or TAP TEMPO to adjust the tempo to
your liking.
• When the tempo is changed, all the tempo data of that
song is automatically changed by the same ratio. Accord-
ingly, even in song data in which tempo change data is
stored, a single adjustment of the tempo produces a
natural-sounding playback.
• For PIANO DISC playback:
You can use the PART 1 and ORCH (other accompa-
niment parts) buttons to set the respective parts to ON
or OFF. You can play the parts set to OFF on the key-
board.
The display during playback
<Example: SMF>
MEDLEY PLAY
With DIRECT PLAY, songs saved on a disk can be played
back continuously in a medley.
1. On the DIRECT PLAY display, set the MED-
LEY settings.
• If ALL is pressed, all the files are selected, and the songs
are played back in order in a medley. If ALL is pressed
again, the files are deselected.
• You can use the buttons below the display to select a
song to add to the song list, then press the ADD button
to add it to the list. Repeat these steps to create your
own list of songs to have played back. A M01, M02 etc.
next to the file name indicates its order in the list.
• If the number of files is 10 or more, you can use the PREV
and NEXT buttons to go back or advance 10 files at a
time.
Next song
Fast forward
Play/pause
Stop
Previous song
• You can delete a marked file from the medley song list
by selecting it and pressing the ADD button.
• Use the LOOP button to specify ON or OFF for repeat
playback of the medley.
• During playback, the buttons below the display are used
for player functions such as fast forward, pause, etc.
• During playback, if you press the MIXER button you can
change the settings for each part.
• If you press the MIC button during playback, the display
changes to the MIC REVERB & EFFECT setting display.
2. Press the START button.
• Medley playback begins.
• For SMF disks:
• During medley playback, you can use the SKIP button to
skip to the next song.
For “SMF with LYRICS” disks, by pressing the LYRICS
button, the lyrics are shown on the display.
For a “minus one” performance, use the MUTE CH buttons
to select the channel you wish to mute. Following this,
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Part VI
Disk Drive
Song Medley
Songs saved from the SEQUENCER to a disk (disk data) in the TECHNICS FORMAT can be played back in a medley.
1. On the DISK MENU display, select SONG
3. Press the START button.
• Medley playback begins.
MEDLEY from the display.
• The display looks similar to the following.
• During the performance, the display changes to the play-
back display.
• During a medley performance, if you press the MIXER
button you can change the settings for each part.
• During a medley performance, you can use the SKIP
button to skip to the next song.
• If the disk contains SMF or other files, but no TECHNICS
FORMAT file, the display changes to the DIRECT PLAY
display.
2. Select the order of files in the medley.
• If ALL is pressed, all the files are selected, and the songs
are played back in numerical in a medley.
• You can select a file and song, then press the ADD button
to add it to the song list. Repeat these steps to create
your own list of songs to have played back. A M01, M02
etc. next to the file name indicates its order in the list.
• You can delete a marked file from the medley song list
by selecting it and pressing the ADD button.
• Use the LOOP button to specify ON or OFF for repeat
playback of the medley.
• You can use the MODE button to select the medley mode.
10 SNGS:
Songs 1 to 10 from each file are played in a medley.
1 SONG:
Only song 1 from each file is played back in a med-
ley.
Saving data
The recorded data and panel settings of this instrument can be saved on a disk.
Disks
You can use 3.5 inch 2DD (720KB) or 2HD (1.44MB) disks.
FORMAT
• How to distinguish the two disk types:
Disks which are used for the first time with this instrument
have to be formatted through the following procedure. When
an unformatted disk is inserted into the Disk Drive slot and
you attempt to execute the save or load procedure, the DISK
FORMAT display appears. Follow the instructions shown to
format the disk.
2 D D
2 H D
• Note that this procedure clears any data which is currently
stored on the disk.
No hole
Hole
• Although 2HD disks can hold more data and are convenient
for quick loading and saving, some models may be able to
read only 2DD disks. Therefore, you may not be able to
use your 2HD disk data with other musical instrument mod-
els.
1. Select the type of format (2DD or 2HD).
• Be sure to select the type which is the same as your disk
type.
• If the type is automatically detected, the display changes
directly to the following display, without showing the type
select display.
• When saving data to the disk, the write-protect tab must
be closed.
• The display looks similar to the following.
Storage is not
possible
Storage is
possible
Open
Closed
• If you wish to select the type again, use the PAGE button
to access the PAGE 2/2 display.
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Part VI
Disk Drive
2. Press the YES button to format the disk, or
4. Press the OK button.
press the NO button to cancel the format.
• When the YES button is pressed, disk format begins. After
about 1–2 minutes, formatting is completed and DISK
NAMING display is shown.
• The FORMAT display can also be accessed from the DISK
TOOLS menu when, for example, you wish to reformat a
disk. (Refer to page 102.)
3. Use the buttons below the display to assign a
name.
• Use the POSITION buttons to highlight the character
position in the name box. Use the ABC...123 buttons to
select the alphanumeric character. Repeat these steps to
type the whole name.
• Press the INS button to enter a space at the cursor
position.
• Press the DEL button to erase the character at the cursor
position.
• Press the CLR button to erase the entire name.
• Press the →← button to center the name.
SAVE
1. Insert a formatted disk into the Disk Drive slot.
3. Select the type of data save you want.
Push it all the way in until you hear a click.
• A disk which is used with this instrument for the first time
must first be formatted.
TECHNICS FORMAT:
Save this instrument’s data in the Technics File format.
SMF FORMAT 0:
Save the SEQUENCER data in the “Standard MIDI
File” format (FORMAT 0).
2. On the DISK MENU display, select SAVE.
• The display looks similar to the following.
TECHNICS FORMAT
3. Use the buttons below the display to assign a
name.
• Press the ABC button to enter alphabetical characters.
While the SHIFT button is pressed, upper case letters are
entered.
• Press the 123 button to enter numbers, etc. While the
SHIFT button is pressed, you can enter symbols.
• Press the POSITION button to move the cursor.
• You can also use the TEMPO/PROGRAM dial to select
the characters.
• Press the INS button to enter a space at the cursor
1. Use the buttons below the display to specify
position.
the file number you wish to save to.
• Press the DEL button to erase the character at the cursor
position.
• Press the CLR button to erase the entire name.
• Press the →← button to center the name.
• The types of data that can be saved are shown in a frame
on the right side of the display. If you press the SAVE
button, all the indicated data is saved. Ordinarily PER-
FORMANCE data is selected, but you can use the SAVE
OPTION to select specific data to save.
4. Press the OK button.
• The display returns to the SAVE display.
2. If you wish to assign a name to the file, press
the NAME button.
5. Press the SAVE button.
• The display looks similar to the following.
• The SAVE operation begins.
• If you attempt to save data to a file number in which data
is currently saved, the display changes to the confirmation
display. Press the YES button to continue the SAVE pro-
cedure, or press the NO button if you wish to cancel it.
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Part VI
Disk Drive
<SAVE OPTION>
Specify the kind of data you wish to save to the disk. To
maximize effective use of disk memory or to minimize the
save time, select only the type of data you wish to save.
SMF FORMAT 0
This instrument’s SEQUENCER data can be saved in the
“Standard MIDI File” format (FORMAT 0) for use on other
instruments.
• What you can save in the SMF format (FORMAT 0) is
ordinary performance data, such as note data. Data such
as chord and rhythm data, COMPOSER data, etc. is not
saved. If you wish to also save this special Technics data,
save the data in the Technics File format.
1. Use the PAGE buttons to access the 2/3 SAVE
OPTION display.
• The display looks similar to the following.
• If you use the APC TO SMF CONVERT function of the
SEQUENCER, you can convert the patterns of the auto-
matic accompaniment, etc. in their respective tracks.
2. Use the buttons below the display to specify
the types of data you wish to save (YES/NO).
• For PANEL MEMORY, select from NO/1 BANK/ALL.
If you save data with 1 BANK selected, only BANK 1 data
is saved.
• Press the PERFORM button to select all the performance
data, or press the BACKUP button to select all the back
up data at once.
1. Use the buttons below the display to select
the song number you wish to save to.
• If the number of files is 10 or more, you can use the PREV
and NEXT buttons to go back or advance 10 files at a
time.
• If the ALL OFF button is pressed, all the settings change
to NO.
2. If you wish to assign a name to the file, press
the NAME button.
3. Press the SAVE button.
• The SAVE operation begins.
3. Use the buttons below the display to assign a
name.
<SEQUENCER SONG SAVE>
You can specify a single song in the SEQUENCER to save
to the disk.
4. Press the OK button.
• The display returns to the SAVE display.
1. Use the PAGE buttons to access the 3/3
SEQUENCER SONG SAVE display.
5. Use the FROM SONG buttons to select the
SEQUENCER song number you wish to save.
• The song name to save from is shown below the FROM
SONG button.
• The display looks similar to the following.
6. Use the PANEL HEADER buttons to specify
ON or OFF.
ON: The sound and volume settings for each part are
saved as data at the beginning of the file.
OFF: This data is not saved.
2. Use the buttons below the display to select
the song number you wish to save.
7. Use the 1 MEASURE SPACE buttons to select
ON or OFF.
3. Press the SAVE button.
• The SAVE operation begins.
ON: A one-measure space is added to the beginning of
the file.
OFF: No space is added.
If there is no point assignment in the SEQUENCER song
you are trying to save even though your original images
have been loaded, when the SAVE button is pressed, a
display appears asking whether or not the image data is
to be saved.
• When there is various data other than performance data
stored at the beginning of a file, the start of playback may
be delayed. This can be avoided by set the 1 MEASURE
SPACE to ON, thereby inserting a space at the beginning
of the performance.
• If it seems the data you saved with the 1 MEASURE
SPACE set to OFF is not played back properly, try saving
it again with it set to ON.
• When set to ON, a space is added each time a file is
saved. Therefore, if you have already saved a file once
with the 1 MEASURE SPACE set to ON, please set it to
OFF each time the file is subsequently saved.
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Part VI
Disk Drive
8. Use the SAVE AS button to select the sound
9. Press the SAVE button.
• The SAVE operation begins.
generator mode (GM/GM2/NX).
• If the data created on this instrument was saved in the
GM/GM2 mode, the sounds etc. may change. If saving
data in the GM/GM2 mode, be sure to select sounds from
the SOUND EXPLORER sound groups when you create
data.
• When the operation has been successfully completed,
“COMPLETED!” is shown on the display.
• If you attempt to save data to a file number in which data
is currently saved, the display changes to the confirmation
display. Press the YES button to continue the SAVE pro-
cedure, or press the NO button if you wish to cancel it.
—GM: GM BASIC and Standard Kit
—GM2: GM2 EXTEND and GM2 DRUM KITS
Disk management
Various disk management procedures, such as file erase, file copy, and disk format, are available from the DISK TOOLS menu.
DISK TOOLS
1. Insert the disk into the Disk Drive slot.
3. Select a function and follow the procedure to
execute it.
• Use the buttons below the display to select a file.
• You can press the SMF/TECH button to change to the
display for procedures related to SMF/TECH files.
• Use the buttons to the left and right of the display to
access the corresponding setting display.
2. On the DISK MENU display, select DISK
TOOLS from the display.
• The display looks similar to the following.
RENAME: Assign a name to a file.
DEL: Delete a file.
FORMAT: Reformat the disk.
COPY (TECH): Copy a file.
MOVE (TECH): Replace a file.
INFO (DISK/SONG) (SMF files only): Select whether to
display the disk data or the song names.
Set the automatic display when a disk is
inserted
When a disk is inserted in the Disk Drive, the display automatically changes to a disk-procedure display. Follow this procedure
to customize the automatic display.
PREFERENCES
DISK INSERT OPTION:
1. On the DISK MENU display, select PREFER-
The display automatically changes to a disk-procedure
display when a disk is inserted in the Disk Drive (OFF,
DISK MENU, LOAD, DIRECT PLAY, SONG MEDLEY).
ENCES.
• The display looks similar to the following.
• During playback, recording or changing the settings, the
displays unrelated to the settings made here do not
change.
FILE TYPE PRIORITY:
Specify the desired priority ranking of displayed files when
several types of files are recorded on one disk (TECH-
NICS/SMF).
3. Press the OK button.
2. Use the buttons to the left of the display to
select the item, and the ∧ and ∨ buttons to
change the setting.
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Part VII Sound
Outline of the Sound
SX-PR804
SOUND
ARRANGER
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BAK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
The SOUND mode is used for making fine adjustments to the functions related to sound, such as tone, and tuning.
Summary of the SOUND menu items
1. Press the PROGRAM MENUS button to turn
PART SETTING (page 103)
it on.
Set the various sound attributes for each part.
MIXER (page 105)
PROGRAM
MENUS
Use the MIXER display to visually adjust the major set-
tings of each part.
MASTER TUNING (page 107)
Select the type of tuning for the instrument.
KEY SCALING (page 107)
• The display looks similar to the following.
Select the type of scaling (tuning).
TECHNI-CHORD
Select the TECHNI-CHORD harmony style. (Refer to
page 43.)
SOUND LOAD OPTION (page 108)
Specify whether the various data accompanying a
sound, such as effects, are used when the sound is
recalled.
APC REVERB SETTING (page 108)
Adjust the degree of REVERB for each automatic ac-
companiment part.
THEATRE SONIC PART SETTING (PR804) (page 108)
Set the THEATRE SONIC effect to on or off for each
part.
2. Select SOUND.
• The display looks similar to the following.
5. When you have finished setting the functions,
press the PROGRAM MENUS button to turn
it off.
A word about parts
The organization of the sound parts is as follows.
(PR804)
3. Select the desired menu.
Normal parts (16 parts):
RIGHT 1, RIGHT 2, LEFT, PART 1 to 16
• It is suggested that PART 10 be used for the DRUMS
part.
AUTO PLAY CHORD (automatic accompaniment) parts:
ACCOMP 1–5, BASS, DRUMS 1, 2, CHORD, R.BASS.
PIANO PERFORMANCE PADS part (PR804):
PADS
4. Follow the procedures on the corresponding
menu display.
• When the TEMPO/PROGRAM indicator is lit, it indicates
that the TEMPO/PROGRAM is available for setting the
current function.
Part Setting
Set the various sound attributes for each part.
• The settings display is comprised of 5 pages. Use the
PAGE buttons to switch pages.
• When you have completed adjustment of an attribute, use
the buttons along the bottom of the display to select the
next attribute you wish to adjust.
Selecting an attribute
1. On the SOUND MENU display, select PART
SETTING.
4. When you have completed adjusting all of the
settings for one part, select another part and
repeat the adjustment procedure as desired.
2. Use the PART SELECT ∧ and ∨ buttons to
select the part.
3. Use the buttons below the display to adjust
each attribute (explained in detail following).
• If necessary, assign a sound to the selected part at this
time.
• The settings and effects of the PAN, EFFECT etc. may
differ depending on the sound.
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Part VII
Sound
SUSTAIN:
<PAGE 1>
Use the ∧ and ∨ buttons to adjust the length of the sustain
(1–8). Use the ON/OFF buttons to enable or disable the
sustain effect, when the sustain pedal is depressed.
GLIDE PEDAL:
Use the GLIDE ON/OFF buttons to enable or disable the
glide effect, if it has been assigned to the pedal.
• For pedal settings, refer to page 121.
KEY SHIFT:
SOUND:
Use the KEY ∧ and ∨ buttons to specify the amount of
Use the SOUND ∧ and ∨ buttons to select a sound.
• The buttons on the control panel may also be used to
select a sound.
key shift (–24 to +24).
• A value of 1 means a shift of one semi-tone. To raise (or
lower) the pitch one octave, set the value to +12 (or –12).
• The ∨ button is used to lower the pitch, and the ∧ button
to raise the pitch.
VOLUME:
Use the VOLUME ∧ and ∨ buttons to adjust the volume
(0 to 127).
TUNING:
Use the TUN ∧ and ∨ buttons to adjust the fine tuning
PAN:
(–128 to +127).
Use the PAN ∧and ∨ buttons to adjust the stereo balance
• The ∨ button is used to lower the pitch, and the ∧ button
to raise the pitch.
(L64–CENTER(CTR)-R63).
• At L64, the sound is completely to the left, at R63
completely to the right. At CENTER, the sound is at the
center. The display indicates the selected position.
• Even at the same numerical value, the stereo balance
may differ slightly depending on the sound.
ORIGINAL TUNING:
Use the ORIG. ON/OFF button to enable or disable the
tuning for each sound.
• For details about ORIGINAL TUNING, refer to page 107.
<PAGE 2>
<PAGE 3>
REVERB:
FILTER RESONANCE:
Use the REVERB ∧ and ∨ buttons to adjust the depth
Use the RESO∧ and ∨ buttons to adjust the amount of
of the REVERB (0 to 127).
resonance (0 to 127).
DIGITAL EFFECT:
BRIGHTNESS:
Use the DIG. EFFECT ON/OFF buttons to set the DIGI-
TAL EFFECT to on or off.
Use the BRIGHTNESS∧ and ∨ buttons to adjust the
brightness of the sound (0 to 127).
CHORUS:
ATTACK TIME:
Use the ON/OFF button to set the CHORUS to on or off.
Use the ∧ and ∨ buttons to adjust the depth of the effect
(0 to 127).
Use the ATTACK ∧ and ∨ buttons to specify the attack
time (0 to 127).
DECAY TIME:
MULTI:
Use the DECAY ∧ and ∨ buttons to specify the decay
Use the ON/OFF button to set the MULTI EFFECT to on
or off. Use the ∧ and ∨ buttons to adjust the depth of
the effect (0 to 127).
time (0 to 127).
RELEASE TIME:
Use the RELEASE ∧ and ∨ buttons to specify the release
EQ LOW:
time (0 to 127).
Use the FC, GAIN ∧ and ∨ buttons to adjust the sound
quality in the lower range.
VIBRATO RATE:
Use the RATE ∧ and ∨ buttons to specify the vibrato
EQ HI:
speed (0 to 127).
Use the FC, GAIN ∧ and ∨ buttons to adjust the sound
quality in the upper range.
VIBRATO DEPTH:
Use the DEPTH ∧ and ∨ buttons to specify the vibrato
depth (0 to 127).
VIBRATO DELAY:
Use the DELAY ∧ and ∨ buttons to specify the time in-
terval from when the keys are played until the vibrato
starts (0 to 127).
•The center value is 64 ( 0).
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Part VII
Sound
BEND RANGE:
<PAGE 4>
Use the BEND RANGE ∧ and ∨ buttons to specify the
PITCH BEND range (0 to 12). Increments are in semi-
tones.
The higher the number, the greater the change in pitch
when PITCH BEND data is received as MIDI data.
MODULATION SENSITIVITY:
Use the MOD. SENS ∧ and ∨ buttons to adjust the sen-
sitivity of the MODULATION (when MIDI data is recieved).
• Use the MSB ∧ and ∨ buttons (half-tone increments) and
the LSB ∧ and ∨ buttons to adjust the setting.
MONO/POLY MODE:
Use the MONO/POLY MODE∧ and ∨ buttons to select
the output mode.
PORTAMENTO:
Use the ON/OFF buttons to enable or disable the porta-
mento function. (Portamento is a continuous gliding move-
ment from one tone to another.)
• Use the ∧ and ∨ buttons to specify the portamento time.
• PORTAMENTO does not function for the POLY MODE.
Mixer
Use the MIXER display to visually adjust the major settings of each part. Use this display to make broad, general changes to the
settings.
1. On the SOUND MENU display, select MIXER.
• The MIXER display consists of 5 pages. Use the PAGE
buttons to switch among the pages.
• Each time the OTHER PARTS/TR button is pressed, the
part that is displayed changes.
2. Adjust each parameter.
<PAGE 1/5>
<PAGE 2/5>
SOUND:
REVERB:
Select SOUND. Use the buttons below the display to set
the sound for the corresponding part.
• The buttons in the panel can also be used to select the
sound.
Select REVERB. Use the buttons below the display to set
the level of the REVERB for the corresponding part (0 to
127).
MULTI:
PAN:
Select MULTI. Use the buttons below the display to set
the MULTI EFFECT to ON or OFF for each part.
Select PAN. Use the buttons below the display to adjust
the stereo balance of the corresponding part (L64–CTR–
R63).
MULTI DEPTH:
Select MULTI DEPTH. Use the buttons below the display
to adjust the depth of the MULTI EFFECT for the corre-
sponding part (0 to 127).
VOLUME:
Select VOLUME. Use the buttons below the display to
adjust the volume of the corresponding part (0 to 127).
• To mute a part, press both the corresponding balance
buttons as the same time. To cancel the mute, press either
balance button for the part.
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Part VII
Sound
<PAGE 3/5>
<PAGE 4/5>
DIGITAL EFFECT:
EQUALIZER HIGH:
Select DIGITAL EFF. Use the buttons below the display to
set the DIGITAL EFFECT to ON or OFF for the corresponding
part.
Sound quality correction in the high range. Select EQUAL-
IZER HI FC; use the buttons below the display to set the
standard frequency. Select EQUALIZER HI GAIN; use the
buttons below the display to set the ratio of change.
CHORUS:
Select CHORUS. Use the buttons below the display to
set the CHORUS to ON or OFF for each part.
EQUALIZER LOW:
Sound quality correction in the low range. Select EQUAL-
IZER LOW FC; use the buttons below the display to set
the standard frequency. Select EQUALIZER LOW GAIN;
use the buttons below the display to set the ratio of
change.
CHORUS DEPTH:
Select CHORUS DEPTH. Use the buttons below the dis-
play to set the depth of the CHORUS for the corresponding
part (0 to 127).
MIDI CHANNEL:
<PAGE 5/5>
Select MIDI CHANNEL. Use the balance buttons below
the display to set the MIDI channel for each part (CH1–
CH16).
• Information about MIDI channels can be found on page
128.
LOCAL CONTROL:
Select LOCAL CONTROL. Use the balance buttons below
the display to turn LOCAL CONTROL ON or OFF for each
part.
KEY SHIFT:
• Even at the same numerical value, the PAN and effects
may differ depending on the sound.
• For some parts, such as the automatic accompaniment
parts, the items that can be adjusted are limited.
Select KEY SHIFT. Use the buttons below the display to
adjust the shift width of the output pitch of each part (in
semitone increments; –24 to +24).
EDIT MIXER
If you press the EDIT MIXER button on the PAGE 5/5 display,
the display changes the setting display to modify the sounds.
<PAGE 1>
<PAGE 2>
BRIGHTNESS:
Select BRIGHTNESS. Use the buttons below the display
to set the amount of brightness applied to each part (0
to 127).
ATTACK TIME:
Select ATTACK TIME. Use the buttons below the display
to set the sound attack time for each part (0 to 127).
VIBRATO RATE:
Select VIBRATO RATE. Use the buttons below the display
to adjust the vibrato speed for each part (0 to 127).
DECAY TIME:
Select DECAY TIME. Use the buttons below the display
to set the sound decay time for each part (0 to 127).
VIBRATO DEPTH:
Select VIBRATO DEPTH. Use the buttons below the dis-
play to adjust the vibrato depth for each part (0 to 127).
RELEASE TIME: Select RELEASE TIME. Use the buttons
below the display to set the release time for each part (0
to 127).
VIBRATO DELAY:
Select VIBRATO DELAY. Use the buttons below the dis-
play to specify the time interval from when the keys are
played until the vibrato starts for each part(0 to 127).
FILTER RESONANCE:
Select FILTER RESONANCE. Use the buttons below the
display to set the amount of resonance applied to each
part (0 to 127).
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Part VII
Sound
Master Tuning
This setting is used to fine-tune the pitch of the entire instrument. This is convenient when this instrument is played with other
instruments or with a recorded performance.
1. On the SOUND MENU display, select
MASTER TUNING.
• The display changes to the following.
2. Use the ∧ and ∨ buttons to adjust the pitch.
• Pressing the ∧ and ∨ buttons at the same time will reset
the tuning to the standard 440.0 Hz.
Key Scaling
For each part you can change the tuning of each key within a one-octave range. In addition to equal temperament tuning, you
can perform in other types of scales, for example Arabic tuning.
1. On the SOUND MENU display, select KEY
6. Repeat steps 3 to 6 for each part, as neces-
sary.
SCALING.
• The display looks similar to the following.
7. Press the SET button.
• The OCTAVE TUNING for the specified type and key is
automatically set.
Settings for each key.
On the KEY SCALING display, you can adjust the tuning for
each key.
2. Press the OCTAVE TUNING TEMPLATE but-
Use the buttons below the display to adjust the tuning for
each key.
• The pitch can be raised or lowered by a maximum of one
half-tone.
ton.
• The display looks similar to the following.
• You can use the PART SELECT ∧ and ∨ buttons to
switch the part.
• Use the ALL PARTS INITIAL button to return all parts to
the flat tuning.
ORIGINAL tuning
Each instrument of each sound has its own original tuning
data. This setting affects the tuning curve that spans the en-
tire keyboard. So, for example, the acoustic piano-type
sounds duplicate those of a real piano, in that the high notes
are tuned slightly higher and the low notes slightly lower.
You can specify for each part whether this original tuning is
enabled or not.
3. Use the PART ∧ and ∨ buttons to select the
part to set.
• If ALL is selected, all the parts are set at once.
4. Use the TYPE ∧ and ∨ buttons to select the
1. Use the PART SELECT ∧ and ∨ buttons to
type of tuning.
select a part.
• Select from FLAT, WERCKMEISTER, KIRNBERGER,
ARABIC 1 to 5, SLENDRO, and PELOG.
2. Use the ORIGINAL TUNING ON/OFF button
to select ON or OFF.
5. Use the SHIFT ∧ and ∨ buttons to select the
key to perform in.
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Part VII
Sound
Sound Load Option
The data for each individual sound is set with the most suitable effect settings, etc., but in some cases when switching from one
sound to another and these settings are recalled, the setup is not the way you want it. By using the SOUND LOAD OPTION, you
can adjust the settings so that specific data is not recalled.
1. On the SOUND MENU display, select SOUND
LOAD OPTION.
• The display looks similar to the following.
2. Use the L and M buttons to select an item.
Use the ∧ and ∨ button to set the filter to ON
or OFF.
APC Reverb Setting
Although an appropriate REVERB is applied for the automatic accompaniment parts depending on the rhythms by default, you
can adjust the REVERB level for each part.
1. On the SOUND MENU display, select APC
REVERB SETTING.
• The display looks similar to the following.
2. Use the PART L and M buttons to select the
part, the DEPTH ∧ and ∨ buttons to set the
value (PRESET IN RHYTHM, 0 – 127).
• PRESET IN RHYTHM is an optimal preset value for each
rhythm for use with the APC Reverb Setting.
Theatre Sonic Part Setting (PR804)
The THEATRE SONIC effect can be set to on or off for each part.
1. On the SOUND MENU display, select
THEATRE SONIC PART SETTING.
• The display looks similar to the following.
2. Use the PART L and M buttons to select the
part, the ∧ and ∨ buttons to set the value
(ON/OFF).
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Part VIII Reverb & Effect
Outline of the Reverb & Effect
SX-PR804
SOUND
ARRANGER
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
RIGHT
2
RIGHT
1
SET
6
NEXT BABANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
LEFT
RIGHT
2
RIGHT
1
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
In the REVERB & EFFECT mode, you can make detailed settings related to this instrument’s effects.
1. Press the PROGRAM MENUS button to turn
Summary of the REVERB & EFFECT
it on.
menu items
TONE CONTROL
PROGRAM
MENUS
Settings for the entire instrument’s final output
sound quality.
REVERB:
• The display looks similar to the following.
REVERB type and detailed settings (page 41)
CHORUS:
CHORUS type and detailed settings (page 40)
MULTI:
MULTI type and detailed settings (page 39)
MIC REVERB & EFFECT:
Settings for the effects that are applied to MIC. (page
41)
SOUND LOAD OPTION
Specify whether the various data accompanying a
sound, such as effects, are used when the sound is
recalled. (page 108)
2. Select REVERB & EFFECT.
• The display looks similar to the following.
MIXER
Use the MIXER display to visually adjust the major
settings of each part. (page 105)
3. Select the desired menu.
4. Follow the procedures on the corresponding
menu display.
• When the TEMPO/PROGRAM indicator is lit, it indicates
that the TEMPO/PROGRAM is available for setting the
current function.
5. When you have finished setting the functions,
press the PROGRAM MENUS button to turn
it off.
Tone Control
Quality compensation for the sounds of this entire instrument (final output).
1. On the REVERB & EFFECT display, select
2. Use the BASS and TREBLE ∧ and ∨ buttons
TONE CONTROL.
to adjust the sound quality to your liking.
• If the BASS or TREBLE is set too high, depending on the
selected sound, the sound may be distorted. In this case,
lower the setting or lower the MAIN VOLUME setting.
• The display looks similar to the following.
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Part IX Sound Edit
Outline of the Sound Edit
SX-PR804
SOUND
PROGRESSIVE
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
PIANIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BAK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
SOUND EDIT enables you to create your own new sound by altering one of the this instrument’s preset sounds. Your new sound
can be stored in one of the sound memory locations. SOUND EDIT has two methods of use. You can edit in detail using functions
more commonly associated with a synthesizer, or you can use EASY EDIT which allows you to change some basic parameters
on one page.
• To record the DIGITAL DRAWBAR settings, first adjust
the settings, then enter the SOUND EDIT mode, press
the WRITE button and follow the procedure on the display.
1. Select a sound to edit.
2. Turn on the PROGRAM MENUS button.
PROGRAM
MENUS
Summary of the SOUND EDIT menu items
EASY EDIT (page 111)
The most often used edit functions—such as bright-
ness and attack speed—are assembled on one display
for easy sound modification.
• The display looks similar to the following.
TONE (page 111)
Modify the tones which make up the sound.
PITCH (page 113)
Adjust the settings related to the pitch.
FILTER (page 114)
Adjust the amount of frequency cut in specific
frequency ranges.
3. Select SOUND EDIT.
• The display looks similar to the following.
AMPLITUDE (page 116)
Volume settings.
LFO (page 117)
Cyclic modulation settings.
EFFECT (page 118)
Settings related to the various effects applied to the
sound.
CONTROLLER (page 118)
4. Select the desired menu and follow the pro-
Specify how wheel operation etc. affects the sound.
cedures on the corresponding setting display.
• To check the sound of a single tone, press the SOLO
button to highlight the SOLO indication. Only the currently
selected tone sounds when a key is played.
• When the TEMPO/PROGRAM indicator is lit, it indicates
that the TEMPO/PROGRAM is available for setting the
current function.
5. When the sound is just the way you like it, on
the SOUND EDIT MENU display press the
WRITE button to store your new sound.
• Press the EDITED (or ORIGINAL) button to switch be-
tween the modified sound (EDITED) and the original
sound (ORIGINAL). This allows you to compare the edited
sound to the original sound as you are modifying it.
• When DRUM KIT sounds are selected and the SOUND
EDIT is activated, the setting display looks different from
that for other sounds, but the basic operation is the same.
(To specify the percussion instrument you wish to edit,
use the ∧ and ∨ buttons to select the sound name, or
alternatively, while pressing the keyboard key for the
corresponding sound, press the NOTE SELECT button.)
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Part IX
Sound Edit
Easy Edit
The most commonly used edit functions are consolidated on one display, providing convenient and quick editing operation.
1. On the SOUND EDIT menu display, select
EASY EDIT.
• The display changes to the following.
Easy Edit items
BRILLIANCE:
Adjust the brightness of the sound.
VIBRATO DEPTH:
Set vibrato depth.
VIBRATO SPEED:
Set vibrato speed.
VIBRATO DELAY:
2 Use the buttons below the display to specify
Set time delay between key played and vibrato start.
the value of the attribute.
• An effect may remain unchanged when EASY EDIT is
used to set the value, if another EDIT function was first
used to set the value to its upper or lower limit.
OCT SHIFT:
Shift the octave range.
ATTACK:
Adjust attack time.
3. Press the WRITE button to store your new
sound.
RELEASE:
• Storing your new sound is explained on page 119.
• If a sound is stored in the EASY EDIT mode, and is later
selected in the EASY EDIT mode, the displayed value of
an attribute may be different from the value when it was
stored. The sound itself, however, is exactly as it was
stored.
Adjust time of sound fade-out after key is released.
DIG.EFFECT:
Select type of effect. (Refer to page 118.)
Tone Edit
Modify the separate tones which comprise the sound.
About tones
TONE SELECT
A sound may be made up of at most four tones.
1. On the SOUND EDIT menu, select TONE.
• The display looks similar to the following.
1st tone
2nd tone
SOUND
3rd tone
4th tone
2. Use the buttons to the left of the display to
select the tone you wish to edit (1st, 2nd, 3rd,
• A special process is used to produce real-sounding piano
type tones. For this reason, some edit procedures for
piano sounds, FILTER or AMPLITUDE for example, may
differ from those for other sounds.
4th).
• Use the ON/OFF buttons to select ON or OFF.
3. Select a sound for the tone.
• Use the GROUP ∧ and ∨ buttons to select the group,
and the TONE NAME ∧ and ∨ buttons to select the
sound.
• A “ ” mark in the TONE DYNAM column indicates that a
*
TONE DYNAMICS change was made to the sound.
4. Use the LEVEL ∧ and ∨ buttons to adjust the
volume.
5. Use the KEY ∧ and ∨ buttons to set the pitch
of the output sound.
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Part IX
Sound Edit
6. Use the DETUNE ∧ and ∨ buttons for fine
KEY LAYER
adjustment of the pitch deviation.
Adjust the relation of tone output to keyboard location.
7. Use the PANNING ∧ and ∨ buttons to adjust
1. Use the PAGE buttons to view the 2/4 display.
the stereo balance.
• The display looks similar to the following.
• PAN: CTR is the center point. At L64, the sound is all the
way to the left, at R63 all the way to the right.
• If STEREO R or STEREO L is selected for the MODE,
the balance is fixed (cannot be moved).
8. Use the DELAY ∧ and ∨ buttons to adjust the
delay time of the sound.
• The higher the number, the longer the delay before sound
output.
2. Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
9. Use the TRIGGER ∧ and ∨ buttons to select
a trigger mode.
KEY ON:
3. Use the L-FADE ∧ and ∨ buttons and the LOW
The normal mode, in which sound is emitted when the
key is played.
∧ and ∨ buttons to define the area of the lower
range of tone output.
• By entering different values for the L-FADE and LOW
settings, you can define a sloping volume increase to the
peak output volume which corresponds to the note pitch.
KEY OFF:
Sound is emitted when the key is released (like muted
strings, for example).
4. Use the HIGH ∧ and ∨ buttons and the H-
LEGATO:
Sound is emitted only when the key is played legato.
FADE ∧ and ∨ buttons to define the area of
the higher range of tone output.
NON LEG:
• By entering different values for the H-FADE and HIGH
settings, you can define a sloping volume decrease from
the peak output which corresponds to the note pitch.
• By overlapping the L-FADE and H-FADE curves of each
different tone, you can achieve a cross-fade effect, where
the sound gradually changes in relation to pitch.
Sound is not emitted when the key is played legato.
PEDAL:
The sound is produced only while the SUSTAIN button is
on.
CHORD:
5. Repeat steps 2 to 4 for the other tones, as
desired.
The sound is emphasized when chords are played (like
the cutting sound of a guitar, for example).
TONE COPY
You can copy the tone of a particular sound to a specified
tone in the sound you are editing.
1. On the 1/4 display, press the TONE COPY
button.
2. Use the FROM ∧ and ∨ buttons to select the
tone to copy from.
• Use the OPTION ∧ and ∨ buttons to select the item you
wish to copy.
3. Use the TO ∧ and ∨ buttons to select the tone
you wish to copy to.
4. Press the OK button.
• Tone copy is executed.
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Part IX
Sound Edit
VELOCITY LAYER
TONE DYNAMICS
Adjust these settings to regulate the tone output relative to
the velocity.
You can adjust the settings so that a different sound (tone)
is output for each tone depending on the velocity (how hard
the keys are played).
1. Use the PAGE buttons to view the 3/4 display.
1. Use the PAGE buttons to view the 4/4 display.
• The display looks similar to the following.
• The display looks similar to the following.
2. Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
2. Use the buttons to the left of the display to
select a tone.
3. Use the L-FADE ∧ and ∨ buttons and the LOW
ꢊ
3. Use the L and M buttons to select the column
∧ and ∨ buttons to define the
sound output
for the function you wish to adjust.
area for the lower range.
4. Select the tone waveform.
4. Use the HIGH ∧ and ∨ buttons and the H-
• Use the GROUP ∧ and ∨ buttons to select the sound
group. Use the TONE WAVEFORM ∧ and ∨ buttons to
select the waveform.
FADE ∧ and ∨ buttons to define the ff sound
output area for the higher range.
• By overlapping the L-FADE and H-FADE curves of each
different tone, you can change the way the tone sounds
relative to how hard or softly the keyboard is played.
5. Use the LEVEL ADJUST ∧ and ∨ buttons to
adjust the volume. Use the FILTER ADJUST
∧ and ∨ buttons to set the sound.
5. Repeat steps 2 to 4 for the other tones, as
desired.
6. Use the VELOCITY ∧ and ∨ buttons to specify
the velocity range.
• When the upper limit of a waveform is set to 127, no more
waveforms can be added.
7. Repeat steps 3 to 6 to edit the other
waveforms, as desired.
8. Repeat steps 2 to 7 for the other tones, as
desired.
Pitch Edit
Adjust the settings related to the pitch of the sound.
KEY SHIFT & DETUNE
1. On the SOUND EDIT menu display, select
4. Use the DETUNE ∧ and ∨ buttons to fine-ad-
PITCH.
just the pitch.
• The display looks similar to the following.
• Slight differences in the DETUNE values between the
tones add fullness to the sound.
5. Use the TONE SCALE ∧ and ∨ buttons to
select the type of scale (NORM, 1/2, 1/4, 1/8,
1/16, 1/32, 1/64, FIX).
• NORM is the normal scale type. For example, when 1/2
is selected, a difference in pitch between one key and the
adjacent key becomes half the normal pitch difference.
When FIX is selected, the pitch is the same regardless
of which key is played.
2. Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
6. Repeat steps 2 to 5 for the other tones, as
desired.
3. Use the KEY SHIFT ∧ and ∨ buttons to specify
the output pitch.
• Units are in semitones.
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Part IX
Sound Edit
PITCH ENVELOPE
PITCH ENVELOPE TOUCH & KEY FOLLOW
Specify how the pitch changes over time, from the time the
key is played to the time the sound dies out.
Specify how the pitch envelope changes in relation to note
pitch.
1. Use the PAGE buttons to view the 2/3 display.
1. Use the PAGE buttons to view the 3/3 display.
• The display looks similar to the following.
2. Use the buttons to the left of the display to
select a tone.
2. Use the buttons to the left of the display to
select a tone.
3. Use the TOUCH ∧ and ∨ buttons to change
3. Adjust the settings for the pitch change en-
the respective touch settings.
velope.
• Use the TIME ∧ and ∨ buttons to specify the time change
depending on touch. Use the LEVEL ∧ and ∨ buttons to
specify the pitch change level depending on touch.
• At a – setting, the softer the keys are pressed, the greater
the change. At a + setting, the harder the keys are
pressed, the greater the change.
• Use the buttons below the display to set the corresponding
values. The envelope is created on the display as you
input the settings.
• Use the TOTAL DEPTH ∧ and ∨ buttons to specify the
maximum level.
• Use the START PITCH ∧ and ∨ buttons to set the start
point. Use the STOP PITCH ∧ and ∨ buttons to set the
stop point.
4. Change the key follow settings for the AT-
TACK (ATK), DECAY (DCY) and RELEASE
(RLS).
4. Repeat steps 2 and 3 for the other tones, as
desired.
• Use the ∧ and ∨ buttons corresponding to the EN-
VELOPE KEY FOLLOW attributes to adjust the settings.
Use the CENTER ∧ and ∨ buttons to select the center
of the bend direction.
Filter Edit
Make major changes to the sound by eliminating specific frequency ranges.
FILTER & EQUALIZER
LPF24 (low-pass filter 24)
1. On the SOUND EDIT menu, select FILTER.
A stronger low-pass filter than LPF+EQ.
• The display looks similar to the following.
HPF24 (high-pass filter 24)
A stronger high-pass filter than HPF+EQ.
BPF (band-pass filter)
Cuts off signals that are not within in the area between
the two specified CUTOFF frequencies.
• For this mode, adjust the settings on the EQUALIZER/FIL-
TER side as well.
THRU
2. Use the buttons to the left of the display to
select a tone.
No filter effect is applied.
4. Use the CUTOFF ∧ and ∨ buttons to set the
3. Use the MODE button to select the filter mode.
frequency range which is cut by the filter.
LPF(6)+EQ (low-pass filter + equalizer)
Signals higher than the cut-off frequency are cut. Normal
sounds are softened.
5. Use the RESO ∧ and ∨ buttons to specify the
resonance value (dB).
• Resonance is effect which adds character to the sound
by emphasizing the harmonic components of frequencies
close to the cut-off frequency.
HPF(6)+EQ (high-pass filter + equalizer)
Signals lower than the cut-off frequency are cut. Normal
sounds are sharpened.
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Part IX
Sound Edit
<Equalizer>
For LPF(6)+EQ/HPF(6)+EQ filters, the sound quality can be
modified by the EQUALIZER.
RANGE
Select the setting range (HIGH or LOW).
FREQ
Set the standard frequency.
GAIN
Set the level increase or decrease from the value set for
FREQ (dB).
6. Repeat steps 2 to 5 for each tone, as desired.
TOUCH & KEY FOLLOW
FILTER ENVELOPE
Adjust how the filter is applied relative to touch and pitch.
Specify how the filter changes over time, from the time the
key is played to the time the sound dies out.
1. Use the PAGE buttons to view the 2/4 display.
1. Use the PAGE buttons view the 3/4 display.
• The display looks similar to the following.
• The display looks similar to the following.
2. Use the buttons to the left of the display to
select a tone.
2. Use the buttons to the left of the display to
select a tone.
3. Use the FILTER TOUCH ∧ and ∨ buttons to
3. Use the FILTER ENVELOPE ∧ and ∨ buttons
modify how the respective filters are applied
to modify the respective filter envelopes.
• Use the buttons below the display to adjust the respective
settings.
relative to key touch.
• Use the CUT OFF ∧ and ∨ buttons to specify the amount
of change in the cut-off frequency. Use the CURVE ∧
and ∨ buttons to specify the curve of change. Use the
RESO ∧ and ∨ buttons to specify the degree of change
in the resonance value.
• You can use the CUTOFF ADJUST buttons to set the
total upper and lower settings, the START POINT buttons
to set the start point, and the STOP POINT buttons to set
the stop point.
4. Use the FILTER KEY FOLLOW ∧ and ∨ but-
4. Repeat steps 2 and 3 for the other tones, as
desired.
tons to modify how the respective filters are
applied relative to note pitch.
• Use the SLOPE ∧ and ∨ buttons to adjust the bend slope.
Use the RANGE ∧ and ∨ buttons to specify the pitch
range.
5. Repeat steps 2 to 4 for the other tones, as
desired.
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Part IX
Sound Edit
FILTER ENVELOPE TOUCH & KEY FOLLOW
Specify how the filter envelope (curve) changes relative to
touch or note pitch.
1. Use the PAGE buttons to view the 4/4 display.
3. Use the TOUCH ∧ and ∨ buttons to modify
• The display looks similar to the following.
how the respective filter envelopes change
relative to touch.
• Use the TIME ∧ and ∨ buttons to specify the time change,
and the LEVEL ∧ and ∨ buttons to specify the level,
relative to touch.
• At a – setting, the softer the keys are played, the greater
the change. At a + setting, the harder the keys are played,
the greater the change.
4. Use the ENVELOPE KEY FOLLOW ∧ and ∨
buttons to modify how the respective filter en-
2. Use the buttons to the left of the display to
select a tone.
velopes change relative to note pitch.
• Adjust the respective slopes for attack (ATK), decay
(DCY) and release (RLS). Use the CENTER ∧ and ∨
buttons to specify the center of the bend slope by note
name.
Amplitude Edit
Adjust the settings related to the volume of the sound.
LEVEL
ENVELOPE
Specify how the volume changes over time, from the time
the key is played to the time the sound dies out.
1. On the SOUND EDIT menu, select AMPLI-
TUDE.
• The display looks similar to the following.
1. Use the PAGE buttons to view the 2/3 display.
• The display looks similar to the following.
2. Use the buttons to the left of the display to
select a tone.
2. Use the buttons to the left of the display to
select a tone.
3. Use the LEVEL ∧ and ∨ buttons to select the
volume.
3. Adjust the settings for the volume envelope.
• Use the buttons below the display to set the corresponding
values. The envelope is created on the display as you
input the settings.
4. Use the TOUCH ∧ and ∨ buttons to set the
amount of volume change in relation to how
• Use the SUSTAIN PEDAL ∧ and ∨ buttons to select the
hard the keyboard is played.
• At a – value, the softer the keyboard is played, the louder
the sound. At a + value, the harder the keyboard is played,
the louder the sound.
type of sustain.
LONG:
Extend the release time of the sound.
HOLD:
5. Use the CURVE ∧ and ∨ buttons to select the
Maintain the key-pressed condition.
type of volume curve depending on touch.
4. Repeat steps 2 and 3 for the other tones, as
desired.
6. Use the LEVEL KEY FOLLOW ∧ and ∨ but-
tons to change the respective key follow set-
tings.
• Use the SLOPE ∧ and ∨ buttons to adjust the bend slope.
Use the RANGE ∧ and ∨ buttons to specify the pitch
range by note name.
7. Repeat steps 2 to 6 for the other tones, as
desired.
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Part IX
Sound Edit
ENVELOPE TOUCH & KEY FOLLOW
Specify how the volume changes relative to touch or note
pitch over time.
1. Use the PAGE buttons to view the 3/3 display.
3. Use the TOUCH ∧ and ∨ buttons to change
the touch settings.
• Use the ATK ∧ and ∨ buttons to specify the ATTACK
time change depending on touch. Use the DCY ∧ and ∨
buttons to specify the DECAY time change depending on
touch.
• At a – setting, the softer the keys are pressed, the greater
the change. At a + setting, the harder the keys are
pressed, the greater the change.
4. Change the key follow settings for the AT-
2. Use the buttons to the left of the display to
select a tone.
TACK, DECAY and RELEASE.
• Use the ∧ and ∨ buttons corresponding to the EN-
VELOPE KEY FOLLOW attributes to adjust the settings.
Use the RANGE buttons to specify the keyboard range.
LFO Edit
LFO can be applied to the pitch, amplitude, filter and/or pan to produce a cyclic modulation of the sound.
•Twelve LFO groups can be used.
LFO
1. On the SOUND EDIT MENU display, select
5. Use the CONNECTION ON/OFF buttons to
LFO.
specify whether or not the LFO is applied to
• The display looks similar to the following.
the tone.
• An arrow mark indicates that the LFO is applied.
6. Use the TONE SETTINGS ∧ and ∨ buttons to
adjust the respective parameters.
PHASE
Phase
• A + indicates normal phase, and a - indicates an inverted
phase.
2. Use the PAGE buttons to select the respective
WAVE
characteristics.
Modulate the waveform.
SIN: Sine wave
PAGE 1/4: PITCH (vibrato effect)
PAGE 2/4: AMP (tremolo effect)
PAGE 3/4: FILTER (wah-wah effect)
PAGE 4/4: PAN (auto pan effect)
TRI: Triangle wave
SQR: Square wave
SAW: Saw tooth wave
3. Use the buttons to the left of the display to
select a tone.
DELAY
Delay time is the time elapsed from when the keyboard
key is pressed until the modulation begins.
4. Use the LFO SETTINGS ∧ and ∨ buttons to
DEPTH
adjust the respective assigned LFO’s.
• LFO which share the same number on other displays are
also changed with this adjustment.
Modulation depth
TOUCH
Degree of modulation change in relation to touch
SELECT
Select the assigned LFO number (1 to 12)
7. Repeat steps 2 to 6 for the other tones, as
desired.
SPEED
• You can press the OVERVIEW button to confirm the status
of each LFO setting.
Adjust the modulation speed.
KEYSYNC
When playing more than one note, specify whether the
LFO starts or not each time a key is pressed (ON/OFF).
• When KEYSYNC is set to ON: if, while playing one note,
you play a second note, the LFO is applied to the second
note as well.
PHASE
Degree of phase change.
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Part IX
Sound Edit
Effect Edit
These are settings related to the various effects applied to your edited sound.
DIGITAL EFFECT
EFFECT
1. Use the PAGE buttons to view the 2/2 display.
1. On the SOUND EDIT menu display, select
• The display looks similar to the following.
• The display for the effect type which is best-suited for the
sound currently being edited is selected.
EFFECT.
• The display looks similar to the following.
2. Use the TYPE ∧ and ∨ buttons to select the
2. Use the respective CHORUS ∧ and ∨ buttons
type of effect.
to specify how the CHORUS is applied.
<ON/OFF button>
3. Use the REVERB ADJUST ∧ and ∨ buttons
Specify whether the DIGITAL EFFECT button turns on or
off when the sound is selected. When set to ON, the DIG-
ITAL EFFECT button turns on automatically when the
sound is selected.
to specify how the REVERB is applied.
4. Use the MONO/POLY ∧ and ∨ buttons to
<STEREO/MONO button>
select the sound output mode.
Select stereo (STEREO) or monaural (MONO) output of
the effect.
5. MONO: Use the PORTAMENTO ON/OFF but-
tons set portamento to on or off. Use the TIME
∧ and ∨ buttons to set the portamento time.
3. Use the buttons along the bottom of the display
to select the attribute you wish to adjust.
• When the type is changed, the parameters revert to the
factory defaults.
Controller Edit
Specify how operation of the controllers, such as the wheels, etc., affects the sound.
•These settings are effective when the instrument recieves controller data.
CONTROLLER
1. On the SOUND EDIT menu display, select
5. Use the TONE ENABLE ON/OFF ∧ and ∨
CONTROLLER.
• The display looks similar to the following.
buttons to set the controller to on or off for
each tone.
• When set to INV, the effect is applied inversely.
6. Repeat steps 2 to 5 for the other controllers,
as desired.
7. Use the GLIDE ∧ and ∨ buttons to select
whether or not the glide effect is active.
ENABLE:
2. Use the buttons to the left of the display to
The glide effect is enabled.
select a controller.
• Two functions can be assigned to each controller.
DISABLE:
The glide effect is disabled.
3. Use the FUNCTION ∧ and ∨ buttons to select
a function for the controller.
4. Use the DEPTH ∧ and ∨ buttons to set the
depth of the function applied by the controller.
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Part IX
Sound Edit
Store the new sound
The MEMORY button in the SOUND GROUP section accesses memory banks reserved for the sounds you create with the SOUND
EDIT. You can store up to 40 original sounds then select the sounds just like the other sounds in the SOUND GROUP.
Procedure
Select a new sound
You can select your original sound just like the other sounds
1. When you have edited the sound to just the
in the SOUND GROUP.
way you like it, on the SOUND EDIT menu
display press the WRITE button.
• The display changes to the MEMORY WRITE display.
1. In the SOUND GROUP section, press the
MEMORY button.
SOUND GROUP
SAX
&
ORGAN
&
SOUND
STRINGS
VOCAL
BRASS
SYNTH
SOLOIST
MIXTURES
WOODWIND
ACCORDION
EXPLORER
GUITAR
& HARPSI
MALLET &
ORCH PERC
BASS
DRUM KITS
MEMORY
2. To assign a name to your new sound, press
the SOUND NAMING button.
• If you do not assign a name to your sound, the name
becomes the same as the original sound from which you
started. In this case, skip to step 5.
• The list of sounds is shown on the display.
2. Select the desired sound from the list on the
display.
• The display changes to the SOUND NAMING display.
3. Use the buttons below the display to assign a
name.
• Press the ABC button to enter alphabetical characters.
While the SHIFT button is pressed, upper case letters are
entered.
• Press the 123 button to enter numbers, etc. While the
SHIFT button is pressed, you can enter symbols.
• Press the POSITION button to move the cursor.
• You can also use the TEMPO/PROGRAM dial to select
the characters.
• Press the INS button to enter a space at the cursor
position.
• Press the DEL button to erase the character at the cursor
position.
• Press the CLR button to erase the entire name.
• Press the →← button to center the name.
4. When you have finished typing the name,
press the OK button.
• The display returns to the MEMORY WRITE display.
5. Use the ∧ and ∨ buttons to select the
MEMORY number in which to store the new
sound (1–40).
6. Press the OK button.
• The new sound is stored, and “COMPLETED!” is shown
on the display.
• The SOUND EDIT mode is turned off.
• The stored sound memories can be saved on a disk for
recall at a later time. (Refer to page 99.)
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Part X Control
Outline of Control functions
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BANBANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
Various settings related to the operation of this instrument are adjusted with the CONTROL functions.
1. Press the PROGRAM MENUS button to turn
4. Follow the procedure to adjust the settings.
• While you are adjusting the settings, when the
TEMPO/PROGRAM indicator is lit, it indicates that the
dial is available for setting the current function.
it on.
PROGRAM
MENUS
5. When you have finished setting the functions,
press the PROGRAM MENUS button to turn
it off.
• The display looks similar to the following.
2. Select CONTROL.
• The display looks similar to the following.
3. Select a function.
INITIAL
Return the settings and memories to the factory-preset
status. (Refer to page 135.)
PEDAL SETTING (page 121)
Various functions can be assigned to the soft and
sostenuto pedals.
FADE IN/OUT SETTING
Settings related to the FADE IN/FADE OUT. (Refer to
page 51.)
PANEL MEMORY MODE
Define which panel settings are stored when the PANEL
MEMORY is used. (Refer to page 56.)
MUSIC STYLE ARRANGER MODE
Define which panel settings change by pressing a FILL
IN button when the MUSIC STYLE ARRANGER is used.
(Refer to page 54.)
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Part X
Control
Pedal Setting
By assigning one of the many programmable functions to each of the soft and sostenuto pedals, you can then control the function
during your performance just by pressing the pedal.
MULTI EFFECT:
1. On the CONTROL MENU display, select
MULTI EFFECT button on/off
PEDAL SETTING.
• The display looks similar to the following.
ROTARY SLOW/FAST:
TREMOLO SLOW/FAST of the DIGITAL DRAWBAR
MIC REVERB:
MIC REVERB on/off
MIC EFFECT:
MIC EFFECT on/off
PUNCH RECORD:
Punch in/punch out (Refer to page 70.)
2. Use the L and M buttons to select a pedal,
and the ∧ and ∨ buttons to select its function.
APC HOLD:
Memorize the chord specified for the automatic accom-
paniment.
OFF:
No function is assigned.
FADE IN:
SOFT PEDAL:
FADE IN button on/off
Soft pedal on/off
FADE OUT:
SOSTENUTO PEDAL:
FADE OUT button on/off
Sostenuto pedal on/off
PAD 1 to 6 (PR804):
P. MEM INCREMENT:
Specified PIANO PERFORMANCE PADS on
Increment the PANEL MEMORY number selection by 1.
TAP TEMPO:
P. MEM DECREMENT:
TAP TEMPO button on
Decrement the PANEL MEMORY number selection by 1.
• If the PEDAL SETTING function in the DATA PROTEC-
P. MEM BANK INC.:
TION menu is set to OFF, the setting contents may change
Change to the next PANEL MEMORY bank in order.
during song playback, etc. If you do not wish the setting
contents to change, set PEDAL SETTING to ON. (Refer
P. MEM BANK DEC.:
to page 123.)
Change to the previous PANEL MEMORY bank in order.
• In the PROGRESSIVE PIANIST mode, if you set TURN
PAGE to MANUAL, the LEFT PEDAL functions to turn the
PANEL MEMORY 1 to 8:
display page.
The specified PANEL MEMORY number is turned on.
P. MEM INC.+DEC.:
Press the switch to increment the PANEL MEMORY num-
ber selection by one; release the switch to return to the
previous number.
START/STOP:
START/STOP button on/off
FILL IN 1:
FILL IN 1 button on
FILL IN 2:
FILL IN 2 button on
INTRO & ENDING 1:
INTRO & ENDING 1 button on
INTRO & ENDING 2:
INTRO & ENDING 2 button on
GLIDE:
Glide on/off (The glide effect “bends” the pitch down by
about one semitone.)
• This effect does not work for some sounds.
TECHNI-CHORD:
TECHNI-CHORD button on/off
DIGITAL EFFECT:
DIGITAL EFFECT button on/off
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Part XI Customize
Outline of Customize functions
SX-PR804
SOUND
PROGRESSIVE
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
PIANIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
BEAT
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
RIGHT
2
RIGHT
1
SET
6
NEXT BABANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
LEFT
RIGHT
2
RIGHT
1
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
Many of this instrument’s settings can be customized for maximum playing convenience and ease.
VIDEO OUT MODE SETTING (PR804) (page 124)
1. Press the PROGRAM MENUS button to turn
Change the output mode for the VIDEO OUT terminal.
it on.
THEATRE SONIC SPEAKER MODE (PR804) (page 125)
PROGRAM
MENUS
Specify a mode when THEATRE SONIC is set to ON.
4. Follow the procedure to adjust the settings.
• While you are adjusting the settings, when the
TEMPO/PROGRAM indicator is lit, it indicates that the
TEMPO/PROGRAM is available for setting the current
function.
• The display looks similar to the following.
5. When you have finished setting the functions,
press the PROGRAM MENUS button to turn
it off.
2. Select CUSTOMIZE.
• The display looks similar to the following.
(PR804)
3. Select a function.
FAVORITES SETTING
FAVORITES display settings (page 33)
DISPLAY TIME OUT (page 123)
Adjust settings related to the screen display.
DATA PROTECTION (page 123)
Specify when you don’t want the data to change in cases
where it normally does, for instance during disk load and
when automatic settings are made, etc.
MIDI SETTING LOAD OPTION (page 124)
Specify how MIDI data is handled when data is loaded
from a disk.
LANGUAGE SETTING
Select your preferred language for the displayed mes-
sages.
• The display is different, but the operation is the same as
for HELP (page 32).
DISK PREFERENCES
Automatic display when a floppy disk is inserted (page
102).
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Part XI
Customize
Display Time Out
Numerous message displays and setting displays conveniently guide you through the operation steps of this instrument. Once
you become familiar with the operation of your instrument, however, you may wish to shorten or even suspend the display time
of the message displays.
ERROR MESSAGE:
1. On the CUSTOMIZE MENU display, select
Error notification display (DEFAULT, HOLD, 1 to 10 sec)
DISPLAY TIME OUT.
• The display looks similar to the following.
SOUND/RHYTHM SELECT:
Sound/rhythm and PIANO PERFORMANCE PADS
(PR804) BANK selection display (DEFAULT, HOLD, 1 to
10 sec)
EASY SETTING:
Display time when the setting display was accessed
pressing and holding a panel button (DEFAULT, HOLD,
1 to 10 sec)
• When set the OFF, the display will not appear.
2. Use the DISPLAY TYPE L and M buttons to
• When set to DEFAULT, the display time returns to the
initialized setting.
select the function.
• You can specify 1 to 10 seconds for the display time.
• When set to HOLD, the DISPLAY HOLD automatically
turns on.
SAVE REMINDER:
Reminder display (OFF, DEFAULT, HOLD, 1 to 10 sec)
‘COMPLETED’ MESSAGE:
3. Use the TIME ∧ and ∨ buttons to change the
Operation successfully completed (OFF, DEFAULT,
HOLD, 1 to 10 sec)
setting.
ARE YOU SURE?:
4. Press the OK button.
Display requires user action for confirmation (OFF, DE-
FAULT, HOLD)
• Some messages may be displayed even if they are set
to OFF.
Data Protection
Data which you don’t want to change but which is normally overwritten during disk load, song change, or the automatic setting
functions, etc. can be protected from accidental overwriting.
1. In the CUSTOMIZE MENU display, select
DATA PROTECTION.
• The display looks similar to the following.
2. Use the ITEM ∧ and ∨ buttons to select an
item.
3. Use the ON/OFF button to select ON or OFF.
ON: The data is protected and will not be changed.
OFF: The data is not retained.
4. Repeat steps 2 and 3 for each item.
5. Press the OK button.
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Part XI
Customize
MIDI Setting Load Option
Specify how MIDI data is handled when data is loaded from a disk.
Load MIDI Parameters?
1. On the CUSTOMIZE MENU display, select
From Registration file:
MIDI SETTING LOAD OPTION.
Specify whether MIDI data is also loaded when panel data
is loaded (NO/YES).
• The display looks similar to the following.
From Sequencer Song:
Specify whether MIDI data is loaded or changed when
SEQUENCER data is loaded or when the SONG is
changed by the SEQUENCER SONG SELECT, SONG
COPY or TRACK ASSIGN (NO/YES).
• The MIDI settings are always stored at the start of each
recorded SEQUENCER SONG and when PANEL WRITE
is executed. In the initialized state, the MIDI settings are
not loaded even when the SONG is changed. However,
changing this setting to YES will cause the stored MIDI
settings to also load in these cases.
2. Use the L and M buttons to select an item.
Use these settings when:
GM2 mode ON:
Specify how the MIDI settings of this instrument are af-
fected when GM2 is on.
• Select from INITIAL, (initialized settings), PRESET (MIDI
PRESETS), and KEEP (the settings do not change).
NX SOUND mode ON:
Specify how the MIDI settings of this instrument are af-
fected when NX SOUND is ON.
• Select from INITIAL, (initialized settings), PRESET (MIDI
PRESETS), and KEEP (the settings do not change).
3. Use the ∧ and ∨ buttons to change the setting.
4. Press the OK button.
Video Out Mode Setting (PR804)
Select the output mode for the VIDEO OUT terminal when viewing display images, such as SLIDE SHOW or lyrics, on your external
video monitor or TV.
1. On the CUSTOMIZE MENU display, select
VIDEO OUT MODE SETTING.
• The display looks similar to the following.
2. Select PAL or NTSC.
• This setting is kept even after the power is turned off.
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Part XI
Customize
Theatre Sonic Speaker Mode (PR804)
Specify whether the THEATRE SONIC effect is to be created using only speakers of the instrument or using external rear speakers
as well.
1. On the CUSTOMIZE MENU display, select
THEATRE SONIC SPEAKER MODE.
• The display looks similar to the following.
2. Select a mode.
VIRTUAL REAR SPEAKERS:
The effect is created using only internal speakers.
ACTUAL REAR SPEAKERS
The effect is created using external rear speakers as well.
• Do not select this mode when no external speakers are
connected.
3. Press the OK button.
• For connection of external rear speakers, refer to page
136.
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Part XII MIDI
What is MIDI?
MIDI (Musical Instrument Digital Interface) is the international standard for digital communication of electronic musical instrument
data. This means that any equipment which has a MIDI terminal—such as electronic musical instruments and personal comput-
ers—can easily exchange digital data with other MIDI equipment without resorting to complicated conversions or connections.
MIDI terminals
(On the rear panel)
IN:
The terminal by which this instrument receives data
from other equipment.
OUT:
The terminal that transmits data from this instrument to
other equipment.
THRU:
THRU
OUT
MIDI
IN
The terminal that transfers data from the IN terminal
directly.
• For these connections, use a commercially available MIDI
cable.
Connection examples
To generate sound from a connected instrument by playing this instrument
MIDI cable
OUT
IN
Another MIDI instrument
This instrument
To generate sound from this instrument by operating a connected instrument
MIDI cable
IN
OUT
Another MIDI instrument
This instrument
To connect with a MIDI sequencer
MIDI cable
IN
OUT
IN
OUT
MIDI sequencer
This instrument
MIDI channels
Many different kinds of performance data are sent using just
one MIDI cable. This is possible because MIDI signals are
sent and received through 16 different “basic channels” (num-
bered 1 to 16). In order for the exchange of data to take
place, the channels on the transmission side must match the
channels on the receiving side. This characteristic also
makes it possible to link multiple sound generators and to
control each by matching specific channels.
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Part XII
MIDI
The following kinds of data can be transmitted/received.
NOTE data
PROGRAM CHANGE
This is sound change data. When a different sound is selected
on the transmitting instrument, the sound on the receiving
instrument also changes.
This is the most basic kind of MIDI data which is exchanged,
and is used to specify which keys are played and how hard
they are played.
NOTE NUMBER: Number specifying which key is played.
NOTE ON: Specifies that a key is played.
NOTE OFF: Specifies that a key is released.
VELOCITY: Specifies how hard a key is struck.
CONTROL CHANGE
These are volume, sustain, effect, etc. data used to enhance
performance expression. Each function is distinguished by
its control number, and the function which can be changed
by the control differs depending on the instrument.
• MIDI notes are assigned numbers from 0 to 127, with middle
C (C3) as 60. Note pitches are in semitone increments,
with the higher numbers assigned to the higher pitches.
EXCLUSIVE data
This is data that is specific to this instrument, and data for
the GENERAL MIDI LEVEL 2 mode setting.
Outline of MIDI functions
SX-PR804
SOUND
PROGRESSIVE
PIANIST
TEMPO
/
PROGRAM
SEQUENCER
AUTO PLAY CHORD
PIANO PERFORMANCE PADS
RHYTHM GROUP
SOUND GROUP
THEATRE SONIC
EFFECT
ARRANGER
PIANO STYLIST
TRANSPOSE
R1/R2 OCTAVE
SPLIT
PROGRAM
MENUS
8&16
BEAT
MOVIE
&
SAX
&
ORGAN
&
SOUND
SET OFF/ON
STRINGS
VOCAL
BRASS
GUITAR
SYNTH
SOLOIST
MIXTURES
MULTI EFFECT CHORUS
REVERB
BRILLIANCE
PLAY
EASY REC
DISK
LOAD
DEMO
POINT MODE OFF/ON
AUTO SETTING
BANK
STOP
DISK
IN USE
ROCK
&
POP
BALLAD
JAZZ
&
SWING
SHOW
METRONOME
WOODWIND
ACCORDION
EXPLORER
–
+
–
+
FAVORITES
CHORD STEP REC
CHORD FINDER
FADE
ONE TOUCH
PLAY
SIMPLE PIANO
PART SELECT
SOUL
&
GOSPEL
BLUES
COUNTRY
&
MARCH
&
LATIN
&
MALLET
&
TECHNI-CHORD
SOLO
DIGITAL EFFECT
BASS
DRUM KITS
MEMORY
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MEMORY
LOAD
4
DISCO
&
WESTERN
WALTZ
WORLD
&
HARPSI
ORCH PERC
IN
OUT
LEFT
LEFT
RIGHT
2
RIGHT
RIGHT
1
1
SET
6
NEXT BAK BANK VIEW
MAX
MAX
1
2
3
MUSIC STYLE
ARRANGER
SYNCHRO
START
PIANO
ELECTRIC
VARIATION
3
START
/
STOP
3
FILL IN
INTRO
1
&
ENDING
2
DIGITAL
DRAWBAR
1
2
4
GRAND
UPRIGHT
MODERN
1
2
3
4
5
7
8
RIGHT
2
4
5
SOLO
6
SOLO
1
2
1
2
BEAT
LCD CONTRAST
MUTE
HELP OTHER PARTS/TR
PAGE
TAP TEMPO
MIN
OFF
SEQUENCER
RESET
COUNT
INTRO
D
I
S
P
L
A
Y
H
O
L
D
E
X
I
T
CONDUCTOR
PANEL MEMORY
1. Press the PROGRAM MENUS button to turn
3. Select a function.
it on.
4. Follow the procedure to adjust the settings.
• While you are adjusting the settings, when the
TEMPO/PROGRAM indicator is lit, it indicates that the
TEMPO/PROGRAM is available for setting the current
function.
• The display looks similar to the following.
5. When you have finished setting the functions,
press the PROGRAM MENUS button to turn
it off.
2. Select MIDI.
• The display looks similar to the following.
Summary of the MIDI menu items
PART SETTING (page 128)
MIDI PRESETS (page 132)
Set the MIDI CHANNEL, OCTAVE and LOCAL CON-
TROL settings for each part.
Establish the optimum settings depending on how
this instrument is connected to other equipment.
• You can save the settings you specify yourself.
CONTROL MESSAGES (page 129)
Enable or disable the exchange of various CONTROL
data.
MODE SETTING (page 131)
NX SOUND and GM LEVEL 2 ON setting
REALTIME MESSAGES (page 129)
PROGRAM CHANGE MIDI OUT (page 133)
Settings for transmitting the desired PROGRAM
CHANGE data on the specified MIDI channel.
Enable or disable the exchange of REALTIME COM-
MANDS, and select the CLOCK mode.
COMMON SETTING (page 130)
PANEL MEMORY OUTPUT (page 133)
Set the functions which are common to all parts.
Settings that affect the transmission data when the
PANEL MEMORY buttons are operated.
INPUT/OUTPUT SETTING (page 131)
Settings which determine how various performance
data is treated during data transmission and recep-
tion.
COMPUTER CONNECTION (page 134)
Mode settings related to the flow of MIDI signals
when this instrument is connected to a personal com-
puter.
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Part XII
MIDI
Part Setting
Follow this procedure to set the functions which can be set for each part: MIDI CHANNELs, the OCTAVE data to NOTE data
during transmission, and LOCAL CONTROL (whether or not the sound generator of this instrument is active during transmission).
1. On the MIDI MENU display, select PART SET-
4. Use the OCTAVE ∧ and ∨ buttons to set the
TING.
octave shift value (–3 to 3).
• The display looks similar to the following.
• Octave shift is set for transmitted data only; however the
transmitted and received octave shifts are linked. For
example, if the transmitted octave shift is set to 1, the
received octave shift is automatically set to –1.
5. Use the LOCAL ON and OFF buttons to enable
or disable this instrument’s sound generator.
• When set to ON, the performance from this instrument is
transmitted as MIDI data and also sounds from this in-
strument. When set to OFF, the performance from this
instrument is transmitted as MIDI data but does not sound
from this instrument.
2. Use the PART L and M buttons to select a
part.
• The list of parts covers 4 pages. Use the OTHER
PARTS/TR button or PAGE button to view different parts.
6. Repeat steps 2 to 5 for each part as desired.
3. Use the CHANNEL ∧ and ∨ buttons to select
a MIDI CHANNEL for the part (OFF, 1 to 16).
• A part which has been set to OFF cannot be used to
transmit or receive MIDI data.
• The initialized settings are as follows:
RIGHT 1
RIGHT 2
LEFT
1
2
3
PART 1
PART 2
PART 3
PART 4
PART 5
PART 6
PART 7
PART 8
PART 9
PART 10
PART 11
PART 12
PART 13
PART 14
PART 15
PART 16
CONTROL
OFF
OFF
OFF
4
5
6
7
8
9
10
11
12
13
14
15
16
OFF
ACCOMP 1 – 5 OFF
BASS
OFF
OFF
OFF
DRUMS 1 – 2
CHORD
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Part XII
MIDI
Control Messages
Enable or disable the exchange of various control data.
1. On the MIDI MENU display, select CONTROL
4. Repeat steps 1 and 2 for each control as
desired.
MESSAGES.
• The display looks similar to the following.
• The CONTROL MESSAGES display consists of 3 pages.
Use the PAGE buttons to switch between pages.
2. Use the MESSAGE L and M buttons to select
the control message.
3. Use the OFF/ON buttons to specify on or off
for the control message.
ON: Data for the control operation is exchanged.
OFF: Data for the control operation is not exchanged.
• The BANK SELECT setting is effective only when PRG.
CHANGE is set to ON.
• The EFFECT & REVERB setting controls the DIGITAL
EFFECT, CHORUS, MULTI EFFECT and REVERB on/off.
• RPN is the general term for KEY SHIFT, TUNING, PITCH
BEND RANGE and MODULATION SENSITIVITY.
Realtime Messages
Enable or disable the exchange of START/STOP data (REALTIME COMMANDS), and select the CLOCK mode.
1. On the MIDI MENU display, select REALTIME
4. Repeat steps 2 and 3 for the other function if
desired.
MESSAGES.
• The display looks similar to the following.
2. Use the buttons on the left side of the display
to select a function.
3. Use the ∧ and ∨ buttons to change the setting.
REALTIME COMMANDS
ON: Rhythm and SEQUENCER start/ stop, continue,
and song position pointer data can be transmitted/re-
ceived.
OFF: This data cannot be transmitted/received.
CLOCK
INTERNAL: This instrument’s internal clock is used to
control the performance. The clock of the connected
equipment is disabled.
MIDI: The clock of the connected equipment is used to
control the performance. This instrument’s clock is
disabled. (The tempo is displayed as “ꢀ = – – –.”)
• The CLOCK is set to INTERNAL when the power to this
instrument is turned on.
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Part XII
MIDI
Common Setting
Set the functions which are common to all parts.
DRUMS TYPE
NX SOUND:
1. On the MIDI MENU display, select COMMON
SETTING.
Keyboard percussion instrument sounds correspond
to the same key note numbers for connected NX
SOUND Technics models that are set to this type.
PREV. TECH:
• The display looks similar to the following.
Keyboard percussion instrument sounds correspond
to the same key note numbers for connected non-
NX SOUND Technics models that are set to this
type.
SONG SELECT
ON: Song number data can be exchanged.
OFF: Song number data cannot be exchanged.
2. Use L and M buttons to select the item.
PREVIOUS MODEL MODE
NOTE ONLY:
ON: INTRO, FILL IN, ENDING and APC CONTROL,
FADE IN/OUT data are converted to CONTROL
CHANGE data for previous models* and then trans-
mitted.
OFF: The above settings are not converted.
* “Previous models” include all Technics instrument mod-
els except for:
Of the performance data, specify whether or not only note
data is exchanged.
PROGRAM CHANGE TO P. MEM:
Enable or disable the exchange of program change num-
bers for the RIGHT 1 part by operation of the PANEL
MEMORY buttons.
• For this setting, the PANEL MEMORY 1 to 8 program
change numbers correspond to the bank numbers as
follows:
KN7000/6500/6000
PR604/804/603/703/903/1000
3. Use ∧ and ∨ buttons to change the setting.
BANK A = 0 to 7
BANK B = 8 to 15 ...
4. Repeat steps 2 and 3 for the other settings as
desired.
INTRO, FILL-IN, ENDING:
Enable or disable the exchange of intro, fill-in and ending
data.
APC CONTROL:
Enable the exchange of data for the on/off status of the
AUTO PLAY CHORD modes.
FADE IN/OUT:
Specify whether or not FADE IN/OUT data is exchanged.
PROGRAM CHANGE MODE
NX SOUND:
Program change numbers are standardized among
NX SOUND Technics models which are set to this
mode. The program change number assigned to a
given sound on one model is assigned to the same
sound on all models which are set to the same
mode.
PREV. TECH:
Program change numbers are standardized among
non-NX SOUND Technics models which are set to
this mode. The program change number assigned
to a given sound on one model is assigned to the
same sound on all models which are set to the
same mode.
MAP R:
GS basic sounds are transmitted and received as GS
program change numbers.
MAP Y:
XG basic sounds are transmitted and received as XG
program change numbers.
* GS is a trademark of Roland Corporation. XG is a
trademark of Yamaha Corporation.
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Part XII
MIDI
Mode Setting
Initialize the settings for when the NX SOUND or GM LEVEL 2 mode is ON.
1. On the MIDI MENU display, select MODE
SETTING.
• The display looks similar to the following.
2. Select the mode.
• There are two modes for GM LEVEL 2 depending on the
parts to use.
• The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel
the function.
• When using an external sequencer in GM LEVEL 2, select
<Ext. Sequencer> in the MIDI PRESETS options.
Input/output Setting
Make the settings which determine how various performance data is treated during data transmission and reception.
• The upper (127) and lower (1) limits cannot be
1. On the MIDI MENU display, select
exceeded.
INPUT/OUTPUT SETTING.
FIX:
• The display looks similar to the following.
The VELOCITY value of all received NOTE ON data
is set to a fixed value. (1 to 127)
• S∨elbeuctttoVnEsLtOoCcIhTaYngFeIXthEeDvVaAluLeU. E. Use the ∧ and
TECHNI-CHORD OUTPUT
ON: Keyboard notes generated by the TECHNI-CHORD
function are also transmitted.
OFF: Only key note data of the pressed keys is trans-
mitted.
2. Use the L and M buttons to select the item.
TRANSPOSE OUTPUT
ON: The note data of the transposed notes is trans-
mitted.
OFF: The note data of the played keys is transmitted.
RIGHT 1 INPUT
CONDUCTOR:
When data for the RIGHT 1 part is received, the CON-
DUCTOR determines which part it is used for.
DIRECT:
DRUM PATTERN OUTPUT
ON: Data from the DRUMS part is transmitted.
OFF: Data from the DRUMS part is not transmitted.
When data for the RIGHT 1 part is received, it is
treated as RIGHT 1 data, and performance data for
all parts is received on their respective basic chan-
nels.
AUTO PLAY CHORD OUTPUT
ON: The data for the ACCOMP, BASS and CHORD
parts is transmitted.
OFF: The data for the above parts is not transmitted.
• MIDI channels should be assigned to the above parts
before exchanging data.
AUTO PLAY CHORD INPUT
ON: Input data for the ACCOMP, BASS, DRUMS and
CHORD parts is received.
OFF: Data for the above parts is not received.
• MIDI channels should be assigned to the above parts
before exchanging data.
AUTO OCTAVE SHIFT OUTPUT
ON: If the octave has been automatically changed, the
data of the transposed notes is transmitted, depend-
ing on the sound.
VELOCITY INPUT
DIRECT:
OFF: The note data of the played keys is transmitted.
The VELOCITY value of received NOTE ON data is
treated as is.
OFFSET:
3. Use the ∧ and ∨ buttons to select the setting.
The VELOCITY value of received NOTE ON data is
offset (–50 to 50).
• Select VELOCITY OFFSET VALUE. Use the ∧ and
∨ buttons to change the value.
• All the values are offset from the current value by
the fixed amount.
4. Repeat steps 2 and 3 for each item as desired.
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Part XII
MIDI
MIDI Presets
Establish the optimum settings depending on how this Keyboard is connected to other equipment, and on whether this Keyboard
is used as the master or the slave.
Storing user settings
1. On the MIDI MENU display, select MIDI PRE-
After you change the MIDI settings, you can store your cus-
SETS.
tomized settings in USER preset memory.
• The display looks similar to the following.
1. Adjust the various MIDI settings.
2. Go to PAGE 4/4 of the MIDI PRESETS display.
• The display looks similar to the following.
2. Use the L and M buttons to select the con-
nection setup.
• The PAGE 1/4 display shows connection setups with this
instrument as the SLAVE. And the PAGE 2/4 display
shows connection setups with this instrument as the
MASTER.
3. Use the WITH SPLIT POINT? button to specify
• The MASTER is the instrument used to transmit data, and
whether or not to also store the keyboard split
the SLAVE is the instrument used to receive the data.
• Use the buttons below the display to select WITHOUT
APC (the AUTO PLAY CHORD is not used) or WITH APC
(the performance includes AUTO PLAY CHORD).
point (YES/NO).
4. Press the WRITE button.
3. Press the OK button.
Recalling the USER settings
1. Go to PAGE 3/4 of the MIDI PRESETS display.
• When the settings have been successfully stored,
“COMPLETED!” appears on the display.
Notice
When an instrument such as an organ or accordion with
separate or divided keyboards dedicated to melody and
chords is used as the master instrument, if this instru-
ment’s split point is set to a note below the lowest note
of the melody keyboard of the master instrument, it is
possible to produce melody notes on multiple parts by
this instrument’s CONDUCTOR settings.
• Assign the RIGHT 1 channel as the CHANNEL for the
melody keyboard. Assign the CHORD channel (or if you
also wish the played note to be produced, CHORD +
LEFT) as the CHANNEL for the chord keyboard.
• You will also have to specify CONDUCTOR as the
RIGHT 1 INPUT for the INPUT/OUTPUT SETTING.
2. Press the OK button.
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Part XII
MIDI
Program Change MIDI Out
Use this function to immediately transmit specific PROGRAM CHANGE and BANK SELECT data from this display on a specified
MIDI channel.
1. On the MIDI MENU display, select PROGRAM
3. Use the ∧ and ∨ buttons to change the setting.
CHANGE MIDI OUT.
• The display looks similar to the following.
4. Press the SEND button.
• The specified data is transmitted.
• The data is unconditionally transmitted regardless of the
other settings.
2. Use the L and M buttons to select a function.
MIDI CHANNEL:
The MIDI channel to transmit to (1 to 16).
PROGRAM CHANGE:
Specify the PROGRAM CHANGE number to transmit (1
to 128).
BANK SELECT MSB:
Specify the BANK SELECT MSB to transmit (0 to 127).
BANK SELECT LSB:
Specify the BANK SELECT LSB to transmit (OFF, 0 to
127).
• When set to OFF, neither the LSB nor the MSB are
transmitted.
Panel Memory Output
These are settings affect the transmission data when the PANEL MEMORY buttons are operated.
1. On the MIDI MENU display, select PANEL
7. Use the BANK MSB ∧ and ∨ buttons to specify
MEMORY OUTPUT.
a BANK MSB (0 to 127).
• The display looks similar to the following.
8. Use the VOL ∧ and ∨ buttons to specify the
volume (0 to 127, or OFF).
9. Repeat steps 4 to 7 for each part, as neces-
sary.
10.Repeat steps 3 to 9 for each PANEL MEMORY
number, as necessary.
2. Use the P.MEM ∧ and ∨ buttons to select a
PANEL MEMORY number.
3. Use the OFF/ON ∧ and ∨ buttons to specify
whether the data in the selected PANEL
MEMORY number is transmitted or not.
4. Use the PART ∧ and ∨ buttons to select a
part (RIGHT 1, RIGHT 2 or LEFT).
5. Use the P. CNG ∧ and ∨ buttons to specify a
program change number (0 to 127, or OFF).
6. Use the BANK LSB ∧ and ∨ buttons to specify
a BANK LSB (0 to 127).
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Part XII
MIDI
Computer Connection
These settings are used to select the mode related to MIDI signal flow when a personal computer is connected to the USB terminal
of this instrument.
•When connecting to a personal computer, install the USB driver on the included CD-ROM to the computer first. (Refer to the
separate manual for more information.)
1. Turn off the power to this instrument.
2. Connect a personal computer to the USB ter-
minal on the rear of this instrument.
3. Turn on the power to this instrument.
4. On the MIDI MENU display, select COM-
PUTER CONNECTION.
• The display looks similar to the following.
5. Use the ∧ and ∨ buttons to select a mode.
NORMAL:
Ordinary mode
PC as master:
The mode which is appropriate for data transmission
PR as master:
The mode when this instrument is used as the master
keyboard.
PR as slave:
The mode when this instrument is used as a slave instru-
ment.
INTERFACE:
The mode when this instrument is used as a connecting
device between a PC with only USB terminals and an in-
strument with only MIDI terminals.
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Initialize
This instrument has many settable functions and storable memories. However, you can return the settings and memory to the
factory-preset status.
INITIAL
1. Press the PROGRAM MENUS button to turn
4. Use the L and M buttons to select the desired
it on.
type of initialization.
• PERFORMANCE includes all the items which are listed
below it.
PROGRAM
MENUS
5. Press the OK button.
• The display changes to the confirmation display. Press
the YES button if you wish to execute the initialization.
Press the NO button if you wish to cancel the procedure.
• The display changes to the following.
• Initialization begins. When initialization is completed,
“COMPLETED!” is shown on the display and this instru-
ment returns to the normal performance mode.
• The MIDI & FAVORITES are not initialized by this proce-
dure.
(PR804)
2. Select CONTROL.
• The display looks similar to the following.
You can also reset all the PERFORMANCE items with the
following procedure:
Turn off the power to this instrument once. Then, while
pressing the three lower left buttons in the RHYTHM
GROUP section (SOUL & DISCO, GOSPEL & BLUES and
COUNTRY & WESTERN) at the same time, turn the power
on again.
3. Select INITIAL.
• This display changes to the following.
(PR804)
Power on settings
When the POWER button of this instrument is turned on, the settings below are automatically set to those suitable for piano
performance.
Sound
GRAND PIANO (CONCERT)
CONDUCTOR
RIGHT 1
TRANSPOSE
C
R1/R2 OCTAVE
Off
SYNCHRO START
AUTO PLAY CHORD
All PART SETTING items for the RIGHT 1 part
PEDAL SETTING
Off
Off
Appropriate values
Left: SOFT
Center: SOSTENUTO
• When you turn the power on, you can recall all the settings which were in effect at the time you turned the instrument off:
while depressing the sustain (right) pedal, turn on the power.
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Connections
(on the rear panel)
VIDEO OUT
(NTSC/PAL)
MIDI
OUT
THEATRE SONIC
THRU
IN
PEDAL IN
AUX IN
USB
LINE OUT
EXT OUT
(PR804)
THEATRE SONIC EXT OUT (PR804)
USB
External rear speakers for the THEATRE SONIC effect can
be connected to these terminals. (Refer to page 124.)
This terminal allows connection to a personal computer with
a USB cable (commercially available type AB cable).
Used with the applications on the included CD-ROM, you can
record this instrument’s audio sound or manage the instru-
ment data with your PC.
• Applications
Audio Recorder:
Application for Recording this instrument’s sounds and
for saving recorded digital audio files in WAV, WMA
(Windows Audio Format) and MP3 formats.
Song Manager:
Application for managing this instrument’s data on your
PC by means of a USB cable.
AUX IN (input level 0.5 Vrms, 6 kΩ)
Other instruments such as a sound generator can be con-
nected to this terminal, and the sound will be output from
this instrument’s speakers. To receive monaural sound, con-
nect the other instrument to the R/MONO terminal. (Do not
connect the L terminal.)
LINE OUT (output level 1.5 Vrms, 600 Ω)
By connecting an external high-power amplifier, the sound
can be reproduced at a high volume. To output monaural
sound, connect the external equipment to the R/MONO ter-
minal. (Do not connect the L terminal.)
VIDEO OUT (PR804)
The display images or lyrics when playing songs, and the
image of the normal display are output through this terminal.
• The output mode (NTSC/PAL) can be selected. (See page
124.)
MIDI
These terminals are for connection to another MIDI instru-
ment. (Refer to page 126.)
(beneath the left end of keyboard)
MIC
MAX
VOLUME
MIN
PHONES
PHONES × 2
Headphones can be connected to this instrument.
• When headphones are plugged into this jack, the
speakers of this instrument are disabled.
MIC
A microphone can be connected to this instrument and
the sound output through the speakers. Use the VOLUME
control to adjust the volume.
• Effects such as reverb can be applied to the microphone
input. (Refer to page 41.)
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Assembly (PR604)
Follow the steps below to assemble your Technics piano. Make sure you are using the correct parts and that they are in the correct direction.
• At least 2 people are required for assembly.
• To disassemble the piano, reverse the procedure.
1. Remove the packing and take the parts out of the
carton. Confirm that all the parts on the printed list
are present.
6. Secure the piano body to the stand.
List
Black
Screw (A)
2. The following parts are in the screw kit.
Brass-colored screw . . . . . . . 4
Black screw (A) . . . . . . . . . . . 6
Black screw (B) . . . . . . . . . . . 4
Clamp . . . . . . . . . . . . . . . . . . 3
(1) Insert 2 screws in the 2 rear screw holes on the underside of the
piano body, and turn each screw 5 or 6 times. Push the piano
body forward so that the screws are fully inserted in the cutout of
the metal piece on either side plank. (This enables you to easily
position the piano body on the stand.)
(2) Adjust the piano body so that the right and left sides project
evenly over the stand.
3. Affix the right and left side planks to the pedal box.
Pedal cord
(3) Positioning the piano body on the stand, confirm that the 4
screws can easily be inserted.
(4) Tighten the 4 screws securely.
7. Connect the pedal cord and power cord to the termi-
nals.
(1) Use the 4 brass-colored screws to secure the planks.
(2) Loosen the pedal cord, stowed on the inner side of the pedal
box, and extend it.
L mark
PEDAL
IN
plug
4. Affix the rear panel.
• Use 2 black screws (A) and 4 black screws (B) to affix the rear
panel.
(A)
With the L mark
upwards, insert
the plug fully.
(B)
(1) Plug the pedal cord and power cord into the terminals on the
rear of the piano.
5. Place the piano body on the stand.
(2) Remove the backing from the clamps and affix them as shown in
the figure. Secure the pedal cord to the clamps.
WARNING:
Avoid pinching your fingers.
Confirm: After assembling, check these points.
• Are any parts left over?
Note 1
➝ Check the assembly procedure again.
Holding the piano body at least
10 cm in from the edge, place
it on the stand so that it does
not fall off.
• Does the piano rattle when it is rocked?
➝ Make sure all the screws are securely tightened.
• Is the power cord firmly inserted?
➝ Check again.
Note 2
If the piano body is placed too
far to the right or left, or to the
front or back, it will become
unstable.
• Is the plug of the pedal cord inserted as far into the connector
terminal as it will go?
➝ If it is not completely inserted, the sustain and other pedal
functions may not work.
When the piano has been moved or transported, retighten the
screws securely.
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Assembly (PR804)
Follow the steps below to assemble your Technics piano. Make sure you are using the correct parts and that they are in the correct direction.
•At least 2 people are required for assembly.
•To disassemble the piano, reverse the procedure.
1. Remove the packing and take the parts out of the
carton. Confirm that all the parts on the printed list
are present.
6. Secure the piano body to the stand.
List
2. The following parts are in the screw kit.
Black screws (long) . . . . . . . . 2
Black screw
(short)
Black screws (short) . . . . . . 12
Black screws (slim) . . . . . . . . 2
3. Affix the pedal box to the speaker box.
(1) Insert 2 screws in the left and right screw holes on the front un-
derside of the piano body, and turn each screw for 5 or 6 revolu-
tions to fix them temporarily. Set the piano body so that the
screws hitch over the side panels, and slide the piano body to fix
it’s position.
(2) Once the position is fixed, tighten the screws securely to fasten
the piano body.
7. Connect the pedal cord, power cord and speaker
cord to the terminals.
Black screw (slim)
Black screw (long)
PEDAL IN
With the ⇑ mark
upwards, insert the
plug fully.
4. Affix the right and left side panels to the speaker
box.
Black screw (short)
Adjuster
(1) Plug the pedal chord, power cord and speaker cord into the ter-
minals on the rear of the piano.
(2) When the piano is in place, turn the adjuster to stabilize the
pedal box.
Confirm: After assembling, check these points.
• Are any parts left over?
➝ Check the assembly procedure again.
• Does the piano rattle when it is rocked?
➝ Make sure all the screws are securely tightened.
• Are the speaker cord and power cord firmly inserted?
➝ Check again.
5. Place the piano body to the stand.
WARNING:
Avoid pinching your fingers.
• Is the plug of the pedal cord inserted as far into the connector
Note 1
terminal as it will go?
Holding the piano body at least
10 cm in from the edge, place it
on the stand so that it does not
fall off.
➝ If it is not completely inserted, the sustain and other pedal
functions may not work.
• Does the pedal box move when the pedals are pressed?
➝ Turn the adjuster to stabilize the pedal box.
Note 2
If the piano body is placed too
far to the right or left, or to the
front or back, it will become
unstable.
When the piano has been moved or transported, retighten the
screws securely.
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Symptoms which appear to be signs of trouble
The following changes in performance may occur in the Technics Keyboard but do not indicate trouble.
Phenomenon
Remedy
The buttons, keys, etc. malfunction.
• Turn off the POWER button once, then turn it on again. If this
procedure is not successful, turn off the POWER button once.
Then, while pressing the three lower left buttons in the RHYTHM
GROUP section (SOUL
&
DISCO, GOSPEL
&
BLUES,
COUNTRY & WESTERN) at the same time, turn the POWER
button on again. (Note that, in this case, all programmable
settings, functions and memories return to their factory-preset
status.)
No sound is produced when the keys are pressed.
• The MAIN VOLUME is at the minimum setting. Adjust the
volume with the MAIN VOLUME control.
• The volumes for the selected parts are set to the minimum
levels. Use the balance buttons to set the volumes of the
relevant parts to appropriate levels. (Refer to page 31.)
• The part is muted. (Refer to page 31.)
• The LOCAL CONTROL for a part performed on the keyboard
is set to OFF. Set the LOCAL CONTROL to ON. (Refer to page
128.)
Only percussive instrument sounds are produced when • In the SOUND GROUP section, the DRUM KITS button is on.
the keyboard is played.
The volume is very low when the keyboard is played. • The volume setting in the SEQUENCER contents is very low.
Follow the INITIAL procedure to reset the settings. (Refer to
page 135.)
The sound you hear is different from the sound you • This sometimes occurs when you play back SEQUENCER or
selected.
COMPOSER data which was created on a different model, or
when MIDI data is received from a connected instrument. Select
the desired sounds again.
The sustain does not work even when the sustain pedal • The sustain pedal is not connected. Connect the pedal cord
is depressed. firmly to the PEDAL IN terminal on the back of the instrument.
The sostenuto pedal and soft pedal do not operate • Different functions can be programmed in these pedals. You
properly. For example, when the soft pedal is can return the pedals to their original functions by turning off
depressed, the rhythm starts or a fill-in is played.
the instrument once, or by using the PEDAL SETTING mode.
(Refer to page 120.)
The rhythm does not start.
• The DRUMS volume is set to the minimum level. Use the
balance buttons to set the DRUMS volume to an appropriate
level.
• A SEQUENCER PLAY button is on. When you are not playing
back the SEQUENCER performance, turn off the SEQUENCER
PLAY button.
• CLOCK is set to MIDI. Set CLOCK to INTERNAL. (Refer to
page 129.)
No sound is produced for the automatic accom- • An ACCOMP part does not sound if its corresponding volume
paniment, or only the sounds of some parts are is set to the minimum level. Use the respective balance buttons
produced.
to set the ACCOMP 1–5 volumes to appropriate levels.
Storage is not possible.
• The remaining memory capacity of the SEQUENCER is 0.
Follow the SONG CLEAR or TRACK CLEAR procedure to erase
the memory. (Refer to pages 77, 78.)
The playback measure indication is different from when • The number of measures corresponds to the time signature of
the performance was recorded.
the rhythm selected at the start of recording. To change the
rhythm in the middle of the song, record the rhythm change in
the RHYTHM part. (Refer to page 75.)
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Phenomenon
Storage is not possible.
Remedy
• The remaining memory capacity of the COMPOSER is 0.
Setting the time signature and number of measures is • The time signature and number of measures cannot be changed
not possible.
for a pattern which is currently recorded in the COMPOSER. If
you wish to change the time signature and/or measure data,
first follow the procedure to clear the memory. (Refer to page
86.)
The playback timing of the rhythm pattern is different • The QUANTIZE function was on when the pattern was recorded
from the timing with which it was recorded.
and the timing was automatically corrected. Set the quantize
level to a smaller note unit or to OFF when recording. (Refer
to page 88.)
The Disk Drive produces a noise during recording or • This occurs when the Disk Drive is reading a disk. It does not
playback. indicate a problem.
When the procedure to load from a disk is performed, • When performing the load operation from
a
disk, this
the contents of the keyboard memory are erased.
instrument’s memory changes to that of the data loaded from
the disk. If you wish to preserve a song which is stored in this
instrument’s memory, save it on a disk before performing the
load procedure. (Refer to page 99.)
Data cannot be exchanged through MIDI terminals.
The sound quavers or is distorted.
• Match the channels on the transmitting side and the receiving
side. (Refer to page 127.)
• When the USB terminal or both the MIDI IN and OUT terminals
are connected to a computer, depending on the computer
software the received data may be sent back to the instrument
just as it is. Because of this the sound generated from the keys
and the sound generated from the returned data are both
produced, causing undesirable effects, such as the sounds
canceling each other out, for example. In this case, either
change the software settings to prevent received data from
being returned, or set the MIDI LOCAL CONTROL to off.
Noise from a radio or TV can be heard.
• This sometimes occurs when electrical equipment such as a
radio or TV is used near the instrument. Try moving such
electrical equipment further away from the instrument.
• The sound may be coming from a nearby broadcast station or
amateur radio station. If the sound is bothersome, consult your
dealer or service center.
The cabinet becomes warm during use.
• This instrument has a built-in power source that heats the
cabinet to some degree. This is not an indication of trouble.
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Error messages
No.
Contents
No.
Contents
The data on the disk that you are using is for a
different product.
The time signature of the pattern from which you
are copying is different from the COMPOSER
memory that you are using.
Either: Change the time signature
of the COMPOSER memory
00
An error has occurred while the disk was loading.
Please try again!
01
31
There is no disk in the Disk Drive.
02
03
or:
Copy from a pattern that has
the same time signature
The file that you tried to load is empty.
Memory full
32
33
An error has occurred while the disk was saving.
Please try again!
05
06
07
Select a Track before setting parameters for AUTO
PUNCH RECORD.
The disk that you are using is write protected.
Please remove the write protection and try again.
The file that you are trying to load was saved on
a previous model. It is only possible to load using
the “PERFORMANCE” option.
43
44
46
47
54
The disk that you are using is full. Please use
another disk.
It is impossible to edit a Drum Kit. Please select
a different sound from any group except Keyboard
Percussion.
An error has occurred while the disk was
formatting. The disk that you are using may be
faulty.
08
Please try formatting another disk.
It is only possible to insert MELODY Tracks.
Tracks such as RHYTHM, CHORD and CONTROL
cannot be inserted.
The data is already copy protected.
10
15
The song you are trying to save is empty.
This procedure is not possible with a composer
pattern or the metronome. Please select a preset
rhythm pattern.
This STANDARD MIDI FILE is incompatible with
this instrument and cannot be loaded.
16
17
18
It is not possible to record using preset banks,
compile banks, or control banks. Please select
one of the user banks.
This is not a STANDARD MIDI FILE.
The timebase (PPQ resolution) that you tried to
load is not 24/48/96/192/288/384 PPQ.
Special tracks such as CHORD (APC), RHY and
CTL exist in the song from which you are copying
and are incompatible with the destination song
because it is in the GM mode.
A problem has occurred with your SEQUENCER
Data.
This might be due to a damaged or faulty disk.
55
56
58
20
Memory full
21
22
AUTO PUNCH recording has been unsuccessful
because SEQUENCER operation was interrupted
before the PUNCH OUT measure was reached.
It is necessary to press REC STOP to complete
this procedure.
The song that you have tried to load exceeds this
instrument’s available memory and cannot be
loaded. The selected song memory has been
cleared.
It is impossible to change the time signature
because it has already been set in the existing
tracks.
23
A rhythm track already exists. It is impossible to
assign two tracks to rhythm.
24
25
The computer connection is not active because
the computer port switch is set to MIDI. Please
turn the power off, set the switch to the desired
setting and turn the power back on.
62
It is only possible to change the velocity on a
melody track.
It is only possible to merge melody tracks.
Tracks such as rhythm, chord and control cannot
be merged.
Please select the Panel Memory that you want to
name.
64
65
26
It is not possible to use the CHORD FINDER in
this mode. Please select CHORD FINDER from
HOME page or CHORD STEP RECORD page.
It is only possible to copy melody tracks.
Tracks such as rhythm, chord and control cannot
be copied.
27
28
SOLO pads are special pads which include Chord
information. Pleases use SOLO pads when the
rhythm and accompaniment is playing.
This song is too long to be saved as a MIDI file.
66
67
68
The MIDI file that you have tried to load exceeds
the memory capacity of this instrument and cannot
be played. The SEQUENCER memory has been
cleared.
There are no APC or CHORD tracks. Select and
APC track or CHORD track, and try again.
29
It is not possible to record directly into the SOLO
pads. Record on the SEQUENCER and Copy the
melody and chord information into a SOLO pad.
It is not possible to change the time signature or
measure length of a COMPOSER pattern after it
has been recorded. If you want to proceed, you
must first clear the entire COMPOSER pattern.
It is not possible to delete all measures.
69
70
30
It is not possible to insert over 16 measures in a
PATTERN.
It is not possible to set the start measure to the
measures you set to copy.
71
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Index
FLOPPY DISK FORMAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
A
ADVANCED . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
APC CONTROL (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
APC/SEQUENCER VOLUME . . . . . . . . . . . . . . . . . . . . . . . 50, 69
AUTO PLAY CHORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
AUTO PLAY CHORD INPUT (MIDI) . . . . . . . . . . . . . . . . . . . . . 131
AUTO PLAY CHORD OUTPUT (MIDI) . . . . . . . . . . . . . . . . . . . 131
AUTO SETTING (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
AUX IN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
G
GENERAL MIDI LEVEL 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
GLIDE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
H
Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
HELP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
I
B
INITIAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
INPUT/OUTPUT SETTING (MIDI) . . . . . . . . . . . . . . . . . . . . . . 131
INTRO & ENDING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
BACKUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Backup memory (PR604) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Backup memory (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
BANK (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
BANK VIEW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
BASIC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
BEAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
BEND RANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
BRILLIANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
K
KEY SCALING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
KEY SHIFT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
L
LANGUAGE SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
LEFT HOLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
LINE OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
LOAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
LOCAL (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
C
CHORD FINDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
CHORD STEP RECORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
CHORUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
CLOCK (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
COMMON SETTING (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
COMPOSER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
COMPUTER CONNECTION . . . . . . . . . . . . . . . . . . . . . . . . . . 134
CONDUCTOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
CONTRAST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
CONTROL MESSAGES (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . 129
COUNT INTRO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
CUSTOMIZE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
M
MAIN VOLUME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
MASTER TUNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
MEASURE COPY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
MEASURE ERASE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
MEMORY, RHYTHM GROUP . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
MEMORY, SOUND GROUP . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
METRONOME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
MIC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
MIDI PRESETS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
MIDI SETTING LOAD OPTION . . . . . . . . . . . . . . . . . . . . . . . . . 124
MIXER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
MODE SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
MODULATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
MULTI EFFECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Music stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
MUSIC STYLE ARRANGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
MUTE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
D
DEMO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
DIGITAL DRAWBAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
DIGITAL EFFECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
DIRECT PLAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Disk Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
DISK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
DISPLAY TIME OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
DISPLAY HOLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
DRUM PATTERN OUTPUT (MIDI) . . . . . . . . . . . . . . . . . . . . . 131
DRUMS TYPE (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
N
NOTE EDIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
NOTE ONLY (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
O
E
ON BASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
ONE FINGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
ONE TOUCH PLAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
OTHER PARTS/TR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
EASY REC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Error messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
EXIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
F
P
FADE IN/OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
FAVORITES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
FILL IN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
FINGERED . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
PAGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
PAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
PANEL MEMORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
PANEL MEMORY OUTPUT (MIDI) . . . . . . . . . . . . . . . . . . . . . . 131
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PART SELECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
PART SETTING (SOUND) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
PART SETTING (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
PATTERN COPY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
PEDAL SETITNG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
PERFORMANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
PIANIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
PIANO STYLIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
PIANO PERFORMANCE PADS (PR804) . . . . . . . . . . . . . . . . . . 57
PROGRAM CHANGE MODE (MIDI) . . . . . . . . . . . . . . . . . . . . 130
PROGRESSIVE PIANIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
PUNCH RECORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
TRACK ASSIGN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
TRACK CLEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
TRACK MERGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
TRANSPOSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
U
USB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
V
VARIATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
VELOCITY CHANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Volume balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Q
QUANTIZE, COMPOSER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
QUANTIZE, SEQUENCER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
R
REALTIME COMMANDS (MIDI) . . . . . . . . . . . . . . . . . . . . . . . 128
REALTIME RECORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
REVERB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
RHYTHM GROUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
RIGHT 1 INPUT (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
RIGHT 1/RIGHT 2 OCTAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
S
SAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
SET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
SEQUENCER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
SEQUENCER PLAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
SEQUENCER RESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
SEQUENCER SONG SAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
SIMPLE PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
SINGLE LOAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
SMF LOAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
SMF SAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
SOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
SONG CLEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
SONG SELECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
SOUND ARRANGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
SOUND EXPLORER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
SOUND EDIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
SOUND GROUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
SPLIT POINT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Standard MIDI File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
START/STOP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
STEP RECORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
STEP RECORD: CHORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
STEP RECORD: RHYTHM . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
STOP (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
SUSTAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
SYNCHRO START . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
T
TAP TEMPO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
TECHNI-CHORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
TEMPO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
TEMPO/PROGRAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
THEATRE SONIC (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
TONE CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
TOUCH SENSITIVITY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
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Specifications
SX-PR604/M
SX-PR804/M
KEYBOARD
88 KEYS
SOUND GENERATOR
MAX. POLYPHONY
PCM
64 NOTES
1039 SOUNDS
128 NOTES
NUMBER OF SOUNDS
1123 SOUNDS
(1005 SOUNDS + 2 ORGAN DRAWBARS
+ 32 DRUM KITS)
(1082 SOUNDS + 2 ORGAN DRAWBARS
+ 39 DRUM KITS)
PIANO GROUP
SOUND GROUP
GRAND, UPRIGHT, ELECTRIC, MODERN
GUITAR & HARPSI, STRINGS, BRASS,
VOCAL, SAX & WOODWIND,
GUITAR & HARPSI, STRINGS, BRASS,
VOCAL, SAX & WOODWIND,
ORGAN & ACCORDION, SYNTH,
MALLET & ORCH PERC, BASS,
DRUM KITS, SOUND EXPLORER,
MIXTURES, DIGITAL DRAWBAR
ORGAN & ACCORDION, SYNTH,
MALLET & ORCH PERC, BASS,
DRUM KITS, SOUND EXPLORER,
MIXTURES, SOLOIST, DIGITAL DRAWBAR
PIANIST SONG
ꢀ
ꢀ
ꢀ
SIMPLE PIANO
FAVORITES
PEDAL
SUSTAIN, SOSTENUTO, SOFT
THEATRE SONIC
—
ꢀ
EFFECT
DIGITAL EFFECT, MULTI EFFECT, BRILLIANCE, REVERB, CHORUS, SOLO
PART SELECT
TRANSPOSE
RIGHT1, RIGHT2, LEFT
12 NOTES
NUMBER OF
RHYTHMS
160 RHYTHMS × 4 VARIATIONS
RHYTHM GROUP
8 & 16 BEAT, JAZZ COMBO, COUNTRY & WESTERN, BALLAD, LATIN & WORLD,
SOUL & DISCO, GOSPEL & BLUES, BIG BAND & SWING, MARCH & WALTZ,
BALLROOM & SHOW TIME
METRONOME
CONTROLS
ꢀ
MAIN VOLUME, APC/SEQUENCER VOLUME, BALANCE, MUTE,
CONDUCTOR, START/STOP, INTRO & ENDING 1, INTRO & ENDING 2,
FILL IN 1, FILL IN 2, COUNT INTRO, SYNCHRO START,
TEMPO/PROGRAM, TAP TEMPO, FADE IN/OUT, SPLIT POINT,
R1/R2 OCTAVE
PIANO PERFORMANCE
PADS
20 BANKS × 6 PADS WITH SOLO
(USER BANK × 3, COMPILE BANKS × 2,
CONTROL PRESET × 1)
—
STOP, AUTO SETTING
AUTO PLAY CHORD
MODE: BASIC, ADVANCED 1, ADVANCED 2, PIANIST
ON BASS, CHORD FINDER, LEFT HOLD
MUSIC STYLE ARRANGER
SOUND ARRANGER
PIANO STYLIST
ꢀ
ꢀ
ꢀ
ONE TOUCH PLAY
ꢀ
TECHNI-CHORD
PANEL MEMORY
SEQUENCER
ꢀ
3 BANKS × 8, SET, NEXT BANK, BANK VIEW
16 TRACKS
RESOLUTION: 1/96 PER BEAT
STORAGE CAPACITY: APPROX. 40000 NOTES (10 SONGS MAX.)
INPUT MODES: EASY RECORD, REALTIME RECORD, STEP RECORD
FUNCTIONS: RECORD & EDIT, COPY & PASTE, RANGE EDIT
COMPOSER
5 PARTS: BASS, ACCOMP 1–5, DRUMS 1, 2
STORAGE CAPACITY: APPROX.13000 NOTES
INPUT MODES: REALTIME RECORD, STEP RECORD
FUNCTIONS: PATTERN COPY, SEQ TO COMPOSER COPY, LOAD SINGLE COMPOSER
MEMORY: 3 BANKS
DISK DRIVE
3.5 inch DISK DRIVE for 2HD (1.44 MB), 2DD (720 KB)
LOAD, SAVE, DIRECT PLAY, SONG MEDLEY, DISK TOOLS, PREFERENCES
SOUND SETTING
PART SETTING, MIXER, MASTAR TUNING, KEY SCALING, APC REVERB SETTING,
TECHNI-CHORD, SOUND EDIT
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SX-PR604/M
SX-PR804/M
REVERB & EFFECT
CUSTOMIZE
TONE CONTROL, REVERB, CHORUS, MULTI, SOUND LOAD OPTION, MIXER
DISPLAY TIMEOUT, DATA PROTECTION,
FAVORITES SETTING,
DISPLAY TIMEOUT, DATA PROTECTION,
FAVORITES SETTING,
MIDI SETTING LOAD OPTION,
LANGUAGE SETTING,
MIDI SETTING LOAD OPTION,
LANGUAGE SETTING,
DISK PREFERENCE
DISK PREFERENCE,
VIDEO OUT MODE SETTING,
THEATRE SONIC SPEAKER MODE
CONTROL
INITIAL, PEDAL SETTING, PANEL MEMORY MODE, MUSIC STYLE ARRANGER MODE,
FADE IN/OUT SETTING
DISPLAY
HELP
LCD: PAGE, CONTRAST, EXIT, DISPLAY HOLD
ꢀ
ꢀ
DEMO
TERMINALS
PHONES × 2, LINE OUT (R/MONO,L),
AUX IN (R/MONO,L), USB,
MIDI (IN, OUT, THRU), PEDAL IN
PHONES × 2, LINE OUT (R/MONO,L),
AUX IN (R/MONO,L), USB,
MIDI (IN, OUT, THRU), PEDAL IN,
THEATRE SONIC EXT OUT (R,L),
VIDEO OUT
MIC INPUT
OUTPUT
ꢀ (MIC REVERB & EFFECT)
120W (60W × 2)
16 cm × 2, 6.5 cm× 2,
MONITOR SPEAKER × 2
SPEAKERS
16 cm × 2, 6.5 cm × 2
POWER REQUIREMENT
95 W
125W (NORTH AMERICA, MEXICO, EUROPE, AUSTRALIA AND NEW ZEALAND)
AC120/220/230–240V 50/60 Hz
AC120V 60 Hz (NORTH AMERICA AND MEXICO)
AC230-240V 50/60 Hz (EUROPE, AUSTRALIA AND NEW ZEALAND)
DIMENSIONS (W × H × D)
140.6 cm × 106 cm × 65.2 cm
(55-11/32" × 41-23/32" × 25-21/32")
139.7 cm × 107.7 cm × 67.5cm
(55" × 42-13/32" × 26-9/16")
NET WEIGHT
59 kg (130.1 lbs.)
90 kg (198.4 lbs)
ACCESSORIES
AC CORD, MUSIC STAND,
AC CORD, MUSIC STAND,
CD-ROM (AUDIO RECORDER, SONG
MANAGER, USB DRIVER, PROGRESSIVE
PIANIST MUSIC SCORE)
CD-ROM (AUDIO RECORDER, SONG
MANAGER, USB DRIVER, PROGRESSIVE
PIANIST MUSIC SCORE),
REMOTE CONTROL, BATTERIES
•Design and specifications are subject to change without notice.
•In some markets, some models may not be available.
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(For U.S.A.)
PANASONIC CONSUMER ELECTRONICS COMPANY,
DIVISION OF MATSUSHITA ELECTRIC CORPORATION OF AMERICA
One Panasonic Way, Secaucus, New Jersey 07094
PANASONIC SALES COMPANY, DIVISION OF MATSUSHITA ELECTRIC
OF PUERTO RICO, INC.,
Ave. 65 de Infanteria, Km. 9.5
San Gabriel Industrial Park, Carolina, Puerto Rico 00985
Panasonic/Technics Musical Instrument
Products Limited Warranty
Limited Warranty Coverage
Limited Warranty Limits And Exclusions
If your product does not work properly because of a defect in materials or workmanship, Panasonic
Consumer Electronics Company or Panasonic Sales Company (collectively referred to as “the
warrantor”) will, for the length of the period indicated on the chart below, which starts with the date of
original purchase (“warranty period”), at its option either (a) repair your product with new or refurbished
parts, or (b) replace it with a new or a refurbished product. The decision to repair or replace will be
made by the warrantor.
This warranty ONLY COVERS failures due to defects in materials or workmanship, and DOES NOT
COVER normal wear and tear or cosmetic damage. The warranty ALSO DOES NOT COVER damages
which occurred in shipment, or failures which are caused by products not supplied by the warrantor, or
failures which result from accidents, misuse, abuse, neglect, mishandling, misapplication, alteration,
faulty installation, set-up adjustments, misadjustment of consumer controls, improper maintenance,
power line surge, lightning damage, modification, rental use of the product, service by anyone other
than a Factory Servicenter or other Authorized Servicer, or damage that is attributable to acts of God.
Product
Parts
Labor
Service
Technics Organs, Digital Pianos,
Digital Ensemble Series, Tone Cabinets,
Panasonic Digital Pianos
THERE ARE NO EXPRESS WARRANTIES EXCEPT AS LISTED UNDER “LIMITED WARRANTY
COVERAGE”. THE WARRANTOR IS NOT LIABLE FOR INCIDENTAL OR CONSEQUENTIAL
DAMAGES RESULTING FROM THE USE OF THIS PRODUCT, OR ARISING OUT OF ANY BREACH
OF THIS WARRANTY, INCLUDING WITHOUT LIMITATION, LOSS OF GOODWILL, PROFITS OR
REVENUE, LOSS OF USE OF THIS PRODUCT OR ANY ASSOCIATED EQUIPMENT, COST OF
SUBSTITUTE EQUIPMENT, DOWNTIME COSTS, OR CLAIMS OF ANY PARTY DEALING WITH
BUYER FOR SUCH DAMAGES. (As examples, this excludes damages for lost time, cost of having
someone remove or re-install an installed unit if applicable, travel to and from the servicer, loss of
media, data or other memory content. The items listed are not exclusive, but are for illustration only.)
ALL EXPRESS AND IMPLIED WARRANTIES, INCLUDING THE WARRANTY OF
MERCHANTABILITY, ARE LIMITED TO THE PERIOD OF THE LIMITED WARRANTY.
Three (3) Years
One (1) Year
In-Home or Carry-In
Technics Keyboards
One (1) Year
One (1) Year
One (1) Year
One (1) Year
In-Home or Carry-In
Carry-In or Mail-In
Panasonic Keyboards, Synthesizers,
Sound Modules, Expansion Boards,
Disk Drives, Drum Percussion Units,
MIDI Orchestra, Key Board Amplifiers,
Foot Pedals, Foot Controllers,
Personal Music PA Systems
During the “Labor” warranty period there will be no charge for labor. During the “Parts” warranty period,
there will be no charge for parts. You must carry-in or mail-in your product or arrange for in-home
service, as applicable, during the warranty period. If non-rechargeable batteries are included, they are
not warranted. This warranty only applies to products purchased and serviced in the United States or
Puerto Rico. This warranty is extended only to the original purchaser of a new product which was not
sold “as is”. A purchase receipt or other proof of the original purchase date is required for warranty
service.
Some states do not allow the exclusion or limitation of incidental or consequential damages, or
limitations on how long an implied warranty lasts, so the exclusions may not apply to you.
This warranty gives you specific legal rights and you may also have other rights which vary from state to
state. If a problem with this product develops during or after the warranty period, you may contact your
dealer or Servicenter. If the problem is not handled to your satisfaction, then write to the warrantor's
Consumer Affairs Department at the addresses listed for the warrantor.
Carry-In, Mail-In or In-Home Service
For Carry-In, Mail-In or In-Home Service (as applicable) in the United States call 1-800-211-
PANA(7262) or visit Panasonic Web Site: http://www.panasonic.com
PARTS AND SERVICE (INCLUDING COST OF AN IN-HOME SERVICE CALL IF APPLICABLE)
WHICH ARE NOT COVERED BY THIS LIMITED WARRANTY ARE YOUR RESPONSIBILITY.
For assistance in Puerto Rico call Panasonic Sales Company (787)-750-4300 or fax (787)-768-2910.
In-Home service, if applicable, requires clear, complete and easy access to the product by the
authorized servicer and does not include removal or re-installation of an installed product. It is possible
that certain in-home repairs will not be completed in-home, but will require that the product, or parts of
the product, be removed for shop diagnosis and/or repair and then returned.
Customer Services Directory
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