D01134020A
HS-4000
4 Channel Audio Recorder
OWNER'S MANUAL
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IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
Do not expose this apparatus to drips or splashes.
•
•
Do not place any objects filled with liquids, such as
vases, on the apparatus.
Do not install this apparatus in a confined space such
as a book case or similar unit.
•
•
4 Follow all instructions.
The apparatus draws nominal non-operating power
from the AC outlet with its POWER or STANDBY/ON
switch not in the ON position.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
The apparatus should be located close enough to the
AC outlet so that you can easily grasp the power cord
plug at any time.
•
7 Do not block any ventilation openings. Install in
accordance with the manufacturer's instructions.
The mains plug is used as the disconnect device, the
disconnect device shall remain readily operable.
•
•
8 Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
Products with Class I construction are equipped with a
power supply cord that has a grounding plug. The cord
of such a product must be plugged into an AC outlet
that has a protective grounding connection.
9 Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding
type plug has two blades and a third grounding
prong. The wide blade or the third prong are
provided for your safety. If the provided plug does
not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
If the product uses batteries (including a battery pack
or installed batteries), they should not be exposed to
sunshine, fire or excessive heat.
•
•
CAUTION for products that use replaceable lithium
batteries: there is danger of explosion if a battery is
replaced with an incorrect type of battery. Replace only
with the same or equivalent type.
10 Protect the power cord from being walked on
or pinched particularly at plugs, convenience
receptacles, and the point where they exit from the
apparatus.
Caution should be taken when using earphones or
headphones with the product because excessive sound
pressure (volume) from earphones or headphones can
cause hearing loss.
•
11 Only use attachments/accessories specified by the
manufacturer.
RACK-MOUNTING THE UNIT
ª
Use the supplied rack-mounting kit to mount the unit in a
standard 19-inch rack, as shown below.
12 Use only with the cart, stand, tripod, bracket, or
table specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when
moving the cart/apparatus combination to avoid
injury from tip-over.
Remove the feet of the unit before mounting.
13 Unplug this apparatus during lightning storms or
when unused for long periods of time.
CAUTION
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
Leave 1U of space above the unit for ventilation.
•
•
Allow at least 10 cm (4 in) at the rear of the unit for
ventilation.
TASCAM HS-4000
3
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IMPORTANT SAFETY INSTRUCTIONS
By changing the positions where the rack mount ears are
attached to the unit, it is possible to install the unit into a
rack so that its front panel is about 4 cm inside the front of
the rack.
Remove the three screws that attach the rack mount ears
from each side and then use the screws to reattach the
ears as shown in the illustration below.
4
TASCAM HS-4000
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Contents
Recording.........................................................................................44
TASCAM HS-4000
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5
Contents
....................................................................................................46
T/C page...........................................................................................75
Recording.........................................................................................51
File names........................................................................................83
6
TASCAM HS-4000
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Contents
TASCAM HS-4000
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7
1 − Introduction
Thank you very much for purchasing a TASCAM HS-4000 4
Channel Audio Recorder. Please read this manual thoroughly
before using the unit so that you understand correct operating
procedures and can use its functions fully. We hope that you
enjoy using this unit for many years.
Headphone output
XLR time code input and output
BNC media reference (NTSC/PAL black burst signals, and
HDTV Tri–level signals) and word clock input and
output/thru
Compatible with 48 kHz pull-up/pull-down operation
Copying files to connected USB memory is possible (planned
for a future firmware version upgrade)
Please keep this manual so that you can read it at any time. A
digital copy of this manual can also be downloaded from our
website (http://tascam.com/)
LAN (Gigabit Ethernet) functions allow file transmission,
remote control and observation over a network (planned for
a future firmware version upgrade)
Parallel remote control is possible
RS–232C serial remote control is possible (planned for a
future firmware version upgrade)
RS–422 (9–pin serial protocol) serial remote control is
possible
Rack mounting (2U) is possible
Features
CompactFlash cards are used as recording media (Ultra DMA
compatible)
Two CompactFlash card slots allows two cards to be loaded
and recorded to simultaneously using dual player mode
(planned for a future firmware version upgrade)
4-track simultaneous recording is possible at up to 96 kHz,
24-bit sample rates
Confidence monitoring allows simultaneous playback of the
signal as it is being recorded (when recording two tracks at
up to 44.1/48 kHz,)
Included items
This product includes the following items.
Simultaneous playback of four tracks, including two stereo
pairs (dual playlist mode)
Three operation modes: timeline, take and playlist
In timeline mode, linear recording and playback like a tape
recorder are possible
In take mode, playback and flash start of takes are possible
In playlist mode, takes can be added to a list and played back
in list order or activated using flash start
In single playlist mode, playback of up to 4 tracks is possible
In dual playlist mode, 2 stereo tracks can be independently
played back and controlled
Using the ONLINE key, online playback and monitoring
playback are possible
Take care when opening the package not to damage the items.
Keep the package materials for transportation in the future.
Please contact the store where you purchased this unit if any of
these items are missing or have been damaged during
transportation.
Main unit (HS-4000)................................................................................1
Power cord set...........................................................................................1
Rack-mounting screw kit.....................................................................1
Security screws..........................................................................................3
Warranty card............................................................................................1
Owner's manual (this manual)..........................................................1
Broadcast Wave Format (BWF) file recording
Flash start is possible using a TASCAM RC–HS32PD, RC–SS20
(both sold separately)
Conventions used in this manual
In this manual, we use the following conventions:
In addition to using the remote controllers that are sold
separately, flash start is also possible using PARALLEL control
or a keyboard
Auto cue, auto ready and incremental play functions
Importing and exporting AES31 editing information in
timeline mode are possible
Playlist mode (compatible with JPPA flash start playlist file
loading)
JOG/SHUTTLE function
Intuitive operation is possible using graphical interface on
TFT color touchscreen
Keys, jacks and other parts on the main unit and external
devices are indicated like this: MENU
Messages on the unit’s display are shown like this: ON
“CompactFlash card” is abbreviated as “CF card.”
Additional information is provided as necessary as tips, notes
and cautions.
TIP
These are tips about how to use the unit.
NOTE
These provide additional explanations and describe special cases.
CAUTION
4 channels of XLR analog balanced inputs and outputs
2 stereo pairs of XLR AES/EBU digital inputs and outputs
2 channels of XLR analog monitoring outputs
Failure to follow these instructions could result in injury, damage to
equipment or lost recording data, for example.
8
TASCAM HS-4000
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1 − Introduction
Intellectual property rights
Cleaning the unit
TASCAM is a trademark of TEAC Corporation, registered in
the U.S. and other countries.
Wipe the unit with a soft dry cloth to clean it. Do not use any
benzine, paint thinner, alcohol or other chemical agents. Doing
so could damage the surface of the unit or cause fading.
CompactFlash is a US registered trademark of SanDisk
Corporation.
Cleaning the display
Other company names, product names and logos in this
document are the trademarks or registered trademarks of
their respective owners.
Slightly wipe the display with a soft dry cloth that does not shed
dust (e.g. a cleaning cloth). Avoid wiping with a stiff cloth or
rubbing with force. Doing so could damage the surface of the
LCD. Do not use benzene, thinner, manicure remover, alcohol or
similar substances.
Any data, including, but not limited to information, described
herein are intended only as illustrations of such data and/or
information and not as the specifications for such data
and/or information. TEAC Corporation disclaims any
warranty that any use of such data and/or information shall
be free from infringement of any third party’s intellectual
property rights or other proprietary rights, and further,
assumes no liability of whatsoever nature in the event of any
such infringement, or arising from or connected with or
related to the use of such data and/or information.
About CF cards
Precautions for use
CompactFlash cards are precision devices. To prevent damage to
the card or the slot, please observe the following cautions.
・Do not leave a CF card in an extremely hot or cold location.
・Do not leave a CF card in an extremely damp location.
・Do not allow a CF card to become wet.
This product is designed to help you record and reproduce
sound works to which you own the copyright, or where you
have obtained permission from the copyright holder or the
rightful licensor. Unless you own the copyright, or have
obtained the appropriate permission from the copyright
holder or the rightful licensor, your unauthorized recording,
reproduction or distribution thereof may result in severe
criminal penalties under copyright laws and international
copyright treaties. If you are uncertain about your rights,
contact your legal advisor. Under no circumstances will TEAC
Corporation be responsible for the consequences of any
illegal copying performed using the recorder.
・Do not place any object on top of a CF card, or twist or
bend it.
・Do not subject a CF card to strong impact.
・Do not insert or remove a CF card during recording,
playback, data transfer or other operations that access a
card.
Media that has been confirmed for use with
this unit
This unit uses CF cards for recording and playback.
We recommend using genuine TASCAM CF cards, but use of
other CF cards that are available commercially is possible.
Microdrives cannot be used with this unit.
Precautions for placement and use
・ The guaranteed operating temperature range of this
The capacities and performance of your HS-4000 will vary based
on the speed and abilities of the Compact Flash (CF) media used.
Older and some cheaper Compact Flash (CF) cards use slower
memory components and little internal buffering which results
in poor recording performance. Newer CF cards, particularly
those made for high-precision DSLR cameras, not only perform
reading and writing faster, but also come in larger storage size.
A list of CF cards that we have confirmed to work with this unit is
provided on our website (http://www.tascam.com).
If a CF card is used that has not been confirmed, this unit might
not operate correctly.
product is 5º - 35º C (41º- 95º F).
・ Do not install in the following types of places. Doing so
could degrade the sound quality and/or cause malfunctions.
•
Places with significant vibrations or that are otherwise
unstable
•
•
•
•
Near windows or other places exposed to direct sunlight
Near heaters or other extremely hot places
Extremely cold places
Places with bad ventilation or high humidity
・ Make sure that the unit is mounted in a level position for
correct operation.
・ In order to promote the emission of heat, do not place
anything on top of this product.
・ Do not place this product on top of a powered amplifier or
other equipment that emits heat.
Beware of condensation
If the unit is moved from a cold to a warm place, or used
immediately after a cold room has been heated or otherwise
exposed to a sudden temperature change, condensation could
occur. Should this happen, leave the unit for one or two hours
before turning the unit on.
TASCAM HS-4000
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9
2 − Names and functions of parts
Front panel
1 POWER switch
6 MENU key
○
○
Use to turn the power on and off.
Press to open the MENU screen.
This switch has a cover to prevent misoperation. Open the
cover from below to access and operate the switch.
Press the MENU key while pressing and holding the HOME
key to open the LOCK SETUPscreen. (See “Lock function”
on page 24.)
2 USB connector
○
7 Color display
○
By connecting a USB flash drive, for example, you can back
up data from a CF card and save files to the card. (Support
planned in a version upgrade.)
This 3.5–inch TFT color display has a 320 x 240 resolution.
It shows various types of information and is used for
numerous operations.
By connecting a USB keyboard, you can input the names of
projects and sessions, for example.
By default, the unit is set to use Japanese keyboards, which
have a different layout from US keyboards. To use a US
keyboard, change the setting on the PREFERENCES page
of the SYSTEM SETUPscreen. (See “PREFERENCES page”
on page 80.)
8 DATA dial
○
Turn this to use as a DATA dial and press it to use it as an
ENTER key. When setting parameter values, press while
turning to change them in large increments (coarse mode).
When a pop-up window is open, this works as an OKor
CLOSEbutton.
Turn the DATA dial while pressing and holding the HOME
key to adjust the brightness of the color display, the PAUSE,
REC, PLAY and ONLINE keys and the JOG (SHUTTLE),
SLOT 1 and SLOT 2 indicators.
NOTE
Do not disconnect USB flash memory when using it to copy files. You can
connect and disconnect USB flash memory at all other times.
You can connect and disconnect USB keyboards at any time.
This unit is not compatible with USB hubs and other devices with USB hub
functions.
Push and turn the DATA dial while pressing and holding the
HOME key to adjust the brightness of only the color display.
3
○
SLOT 1 and SLOT 2 indicators
9 STOP [RETAKE] key
○
The indicator for the currently selected CF card slot lights.
When recording or copying, it blinks rapidly.
When no CF card is inserted in the current slot, it blinks
slowly.
Press to stop recording or playback.
Press this while pressing and holding the SHIFT key to
retake the recording (erasing the last recorded take).
10 PLAY key/indicator
○
CAUTION
Do not remove a CF card from a slot when its indicator is blinking rapidly.
When stopped or in playback standby, press this key to start
playback. This key lights during playback.
4 CF card slot (SLOT 1/SLOT 2)
○
Press this key when in recording standby to start recording.
In timeline mode, press the PLAY key while pressing and
holding the REC key to start recording from that point.
Both the PLAY and REC keys light during recording.
Insert CF cards here, (See “Inserting and removing CF cards”
on page 21.)
5 HOME key
○
Press to open the Home Screen.
11 PAUSE key/indicator
○
Press the MENU key while pressing and holding the HOME
key to open the LOCK SETUPscreen. (See “Lock function”
on page 24.)
Turn the DATA dial while pressing and holding the HOME
key to adjust the brightness of the color display, the PAUSE,
REC, PLAY and ONLINE keys and the JOG (SHUTTLE),
SLOT 1 and SLOT 2 indicators.
Press this key when stopped or during playback to put the
unit in playback standby. This key lights when in standby.
Press this key while recording to put the unit in recording
standby. Both the PAUSE and REC keys light when in
recording standby.
Push and turn the DATA dial while pressing and holding the
HOME key to adjust the brightness of only the color display.
10
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2 − Names and functions of parts
12 REC key/indicator
19 LCD TILT button
○
○
When a recordable CF card is installed and the unit is
stopped in timeline mode, press this key to put the unit into
recording standby. Both the PAUSE and REC keys light
during recording standby.
Press this button to unlock the color display, so that you can
adjust its angle by pulling the bottom of the display
outward.
To put the display away, press this button to unlock it and
push the bottom inward.
In timeline mode, press the PLAY key while pressing and
holding the REC key to start recording from that point.
Both the PLAY and REC keys light during recording.
20 m[
] and ,[
] keys (search)
○
Press one of these keys to search.
13 ONLINE key/indicator
○
m[
,[
] key: search backward
] key: search forward
Press to turn online playback mode on/off. The indicator
lights when on and is unlit when off. (When dual playlist
mode is active, the indicator reflects the currently selected
player.)
Press one of these keys while pressing and holding the
SHIFT key to search at high speed.
21 .//[MARK.//] keys (skip)
○
The switch has a cover to prevent misoperation. Open the
cover from below to access and operate the switch. (See
“Online functions” on page 89.)
Use these keys to skip between regions, takes and entries.
Press these keys while pressing and holding the SHIFT key
to move to the previous/next mark. After moving, the same
playback state resumes (stopped/playback standby/
playback).
14 PHONES knob/jack
○
Connect stereo headphones to this standard stereo phone
jack.
22 MARK key
○
This jack outputs the signal from the internal monitoring
mixer.
Use the PHONES knob to adjust the headphones output
level.
Press this key to add a mark at the currently located time.
The maximum number of marks, including automatic marks,
possible in a single session/take is 99. (See “Mark functions”
on page 84.)
CAUTION
23 SHIFT key
Before connecting headphones, turn the PHONES knob to the minimum
volume. Failure to do so could cause sudden loud noises to occur, which
might damage your hearing or equipment.
○
When stopped/in playback standby/during playback:
・Press the .key while pressing and holding this key to
move to the previous mark, and resume the same
playback state.
15 KEYBOARD connector
○
Connect an IBM PC-compatible keyboard with a PS/2
interface here, and use it to input project and session names,
for example.
・Press the /key while pressing and holding this key to
move to the next mark, and resume the same playback
state.
By default, the unit is set to use Japanese keyboards, which
have a different layout from US keyboards. To use a US
keyboard, change the setting on the PREFERENCESpage
of the SYSTEMSETUPscreen. (See “PREFERENCES page” on
page 80.)
・Press the m[
] or ,[
] key while pressing
and holding this key to search at high speed.
・Press the JOG (SHUTTLE) key while pressing and
holding this key to activate the shuttle operation mode.
・Press the STOP (RETAKE) key while pressing and
holding this key to retake the recording (erasing the last
recorded take).
16 PROJECT key
○
Press to open screens related to projects (PROJECT selection,
SESSION selection, AES31 file selection, TAKE selection and
PLAYLIST selection screens). The last used project-related
screen opens.
・Press the CALL key while pressing and holding this key
to turn synchronization with timecode ON/OFF.
24 JOG (SHUTTLE) key and indicator
○
(See “PROJECT screen” on page 32.)
Use to enable use of the JOG/SHUTTLE dial. Press this key
to enable the jog operation mode of the JOG/SHUTTLE dial.
When this mode is enabled, this indicator lights.
17 EXIT/CANCEL (PEAK CLEAR) key
○
Press to cancel input or item selection.
Press this key while pressing the SHIFT key to enable the
shuttle operation mode of the JOG/SHUTTLE dial. When
this is enabled, this indicator blinks.
When a pull-up or pull-down menu is open, press to close it.
On the Home Screen, when no pull-up/pull-down menu is
open, this key functions as a reset button for peak hold
marks shown on the level meters
When the MENUscreen or project screen is open, press this
to return to the Home Screen.
On other screens, press this to return to the previous screen.
When a pop-up window is open, press this to cancel an
operation.
Press this key again to disable either mode.
25 JOG/SHUTTLE dial
○
When in jog operation mode, turn this to change the
playback position by a corresponding amount.
When in shuttle operation mode, turn this to adjust the
playback speed according to the degree of rotation.
If you return to the original position when in shuttle
operation mode, the transport status is restored to how it
was before shuttle playback was begun.
18 CALL [CHASE] key
○
Press to locate to and pause playback at the call point,
which is where playback last started from playback standby.
Press this key while pressing and holding the SHIFT key to
turn synchronization with timecode ON/OFF.
TASCAM HS-4000
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11
2 − Names and functions of parts
Rear panel
26 ANALOG LINE IN 1–4 connectors
34 REMOTE connectors
○
○
These XLR connectors are balanced analog line inputs. (1:
GND, 2: HOT, 3: COLD)
Connect
separately) here.
CAUTION
a
TASCAM RC-HS32PD remote control (sold
27 DIGITAL LINE IN 1–2 connectors
○
This is not an Ethernet connector (LAN, etc.). Never connect this to a network
using an Ethernet cable. Doing so could damage this unit or equipment in the
network.
Use these balanced XLR connectors (1 and 2) for digital
audio input in AES3-2003/IEC60958-4 (AES/EBU) or
IEC60958-3 (S/PDIF) format.
Sampling frequencies of 88.2 and 96 kHz are transmitted at
double speed.
The built-in sampling rate converter can handle 32–192 kHz.
35 RS-422 connectors
○
Connect an external controller, for example, to this 9-pin
D-sub connector for RS-422 serial control.
28 MONITOR ANALOG OUT L/R connectors
NOTE
○
It cannot be used at the same time as the RS-232C connector. (See “RS-422
These balanced analog XLR connectors output the left and
right signals from the internal monitoring mixer. (1: GND, 2:
HOT, 3: COLD)
page” on page 77.)
36 TIMECODE IN connector
○
This XLR connector is a balanced input for SMPTE timecode
input.
29 RS-232C connector
○
Connect an external controller, for example, to this 9-pin
D-sub connector for RS-232C serial control.
37 TIMECODE OUT connector
○
NOTE
This XLR connector is a balanced output for SMPTE
timecode output.
・ The RS-232C connector will be made functional in a future firmware
version update.
38 WORD/VIDEO IN connectors
○
・ It cannot be used at the same time as the RS-422 connector. (See
“RS-232C page” on page 77.)
This BNC-type connector is for input of a word clock signal
(44.1 kHz, 48 kHz, 48 kHz pull-down, 48 kHz pull-up, 88.2 kHz,
96 kHz) or a video reference signal (NTSC/PAL black burst
signal, HDTV Tri-Level signal). Use the switch to set whether
or not to terminate with 75 Ω.
30 PARALLEL connector
○
Connect an external controller, for example, to this 25-pin
D-sub parallel control connector.
31 AC IN connector
○
39 WORD/VIDEO THRU/WORD OUT connector
○
Connect the included power cord here.
This BNC-type connector is for output of a word clock signal
(thru, 44.1 kHz, 48 kHz, 48 kHz pull-down, 48 kHz pull-up,
88.2 kHz, 96 kHz) or a video reference signal (IN connector
signal thru only).
32 ANALOG LINE OUT 1–4 connectors
○
These XLR connectors are balanced analog line outputs. (1:
GND, 2: HOT, 3: COLD)
Use the THRU/WORD OUT switch to set the signal output.
In dual playlist mode, player A outputs from connectors 1
and 2, while player B outputs from connectors 3 and 4.
40 75Ω OFF/ON and THRU/WORD OUT switch
○
Use this switch to make the following settings.
・Whether or not the WORD/VIDEO IN connector has
termination resistance (75 Ω)
33 DIGITAL LINE OUT 1/2 connectors
○
These XLR connectors are balanced outputs for digital audio
in AES3-2003/IEC 60958-4 (AES/EBU) format.
Sampling frequencies of 88.2 and 96 kHz are transmitted at
double speed.
・The WORD/VIDEO output THRU/OUT setting (OUT is only
for WORD)
In dual playlist mode, player A outputs from connector 1,
while player B outputs from connector 2.
12
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2 − Names and functions of parts
41 ETHERNET connector
○
Use this Ethernet connector to connect with a network for
file transfer and to control this unit from an external source.
(This is planned to be made functional in a future firmware
version update.)
42 GROUND terminal
○
When using a TASCAM RC-HS32PD remote control (sold
separately), depending on the operating environment, the
color display might flicker or noise might be heard when
monitoring. If this occurs, use the GROUND terminal.
(Please prepare a wire to use with the GROUND terminal.)
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13
2 − Names and functions of parts
When the main unit’s playlist mode is set to [dual], and REMOTE
Select (pin 14) is set to hi, use pin 20 (A/B SELECT) to select player
A or B (Hi for player A and Lo for player B).
The following pins affect the selected player.
Pin 5 (SKIP FWD)
Pin 6 (SKIP BWD)
Pin 15 (PAUSE)
Pin 17 (AUX1)
Pin 18 (AUX2)
PARALLEL connector
The PARALLEL connector on the rear panel allows external
control of this unit. The pin assignments are as follows.
Pin Timeline / Take /
No. Playlist [Single]
RC-SS20
PonMode
GND
FLASH 1
FLASH 2
FLASH 3
FLASH 4
FLASH 5
STOP
Playlist [Dual]
GND
I/O
1
GND
2
3
4
5
6
7
8
9
PLAY
STOP
RECORD
SKIP FWD
SKIP BWD
(Reserved)
PLAY A
STOP A
(Reserved)
SKIP FWD
SKIP BWD
STOP B
I
I
I
I
I
I
I
O
Pin 19 (AUX3)
The following example is of a connection that uses a fader to
start and stop playback of this device.
FADER_START FADER_START A FADER_START
TALLY_BC_STOP TALLY_PAUSE B TALLY_BC_STOP
TALLY_PAUSE /
TALLY_PAUSE A /
10 TALLY_BC_PAUS TALLY_PAUSE A TALLY_BC_PAUS
O
E
E
11 TALLY_RECORD (Reserved)
RESERVED
TALLY_STOP
TALLY_PLAY
O
O
O
12 TALLY_STOP
13 TALLY_PLAY
TALLY_STOP A
TALLY_PLAY A
REMOTE_SELECTREMOTE_SELECT
REMOTE_SELEC
T, L
14
,
,
I
For information about the assignment of AUX 1–3 (pins 17–19)
functions, see the “PARALLEL page” on page 76.
H or Open
H or Open
15 PAUSE
PAUSE
PLAY B
AUX1, FF
AUX2, REW
AUX3, MARK
A/B SELECT
FLASH 6
FLASH 7
FLASH 8
FLASH 9
FLASH 10
FLASH_PAGE
TALLY_BC_STAN
DBY
TALLY_CF1 /
TALLY_BC_CM
I
I
I
I
I
I
NOTE
16 (Reserved)
17 AUX1, FF
18 AUX2, REW
19 AUX3, MARK
20 (Reserved)
When controlling this unit with an external device that is connected to the
PARALLEL connector, by simultaneously inputting PLAY and RECORD
signals while this unit is stopped, you can start recording immediately. In
addition, by simultaneously inputting PLAY and RECORD signals during
playback in timeline mode, you can start overwriting the recording.
TALLY_BC_STAN
DBY
21
TALLY_PLAY B
TALLY_STOP B
O
RS–232C connector
The RS–232C connector on the rear panel can be connected to
an RS–232C connector on a computer to allow control of this
unit from that computer.
Make settings related to communication on the RS–232Cpage
of the REMOTESETUPscreen. (See “RS–232C page” on page 77.)
22 TALLY_BC_CM
O
O
O
23 TALLY_ONLINE TALLY_ONLINE A TALLY_ONLINE
TALLY_CF2 /
24 TALLY_BC_END TALLY_ONLINE B
TALLY_BC_END
25 +5V
+5V
+5V
NOTE
I： Command input for transport control
・ RS–232C connector functions will be supported in a future firmware
version update.
Internal circuit, +5V pull-up
Operates with low commands of 50 msec or more
O：Command output, for tally output
The internal circuit is open collector (10
impedance)
Low command output when operating
20 V dielectric strength, 35 mA maximum current
*+5V: 50 mA maximum supplied current
・ Please contact TASCAM customer support for information about this
unit’s RS–232C command protocol.
Ω
output
RS–422 connector
You can control this unit remotely by connecting the RS–422
connector on its rear panel to a controller or editor compatible
with SONY P2 protocol (RS–422).
Make settings related to operation on the REMOTE SETUP
screen RS–422page. (See “RS–422 page” on page 77.)
When REMOTE Select (pin 14) is set to high, it functions
according to the operation mode and can be used as an ordinary
parallel controller. When set to low, flash start mode is enabled.
In addition, depending on the high/low setting of the Flash Page
(pin 20), the key assignments are as follows.
NOTE
Please contact TASCAM customer support for information about this unit’s
protocol compatibility.
Pin 14
Low
Low
Pin 20
High
Low
Flash start take
1–10
11–20
TALLY_BC_*: Use menu setting to switch output (OFF, ON)
(When an RC–SS20 is connected set output to OFF.)
TALLY_BC_STOP/CM/END:
TALLY_BC_STANDBY/PAUSE:
250 msec pulse output
Level output
14
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2 − Names and functions of parts
Home Screen
Press the HOME key to open the Home Screen.
Touch this area to open the SYNCT/Cscreen. (See "Sync
and time code settings (SYNC T/C)" on page 73.)
In timeline mode
3
4
5
6
6 Audio synchronization status
1
2
○
button/indicator
When synchronized to a Master clock,
the SYNCindicator appears green.
The SYNCindicator blinks when not
synchronized to a Master clock.
7
8
14
15
16
17
§
Touch this area to open the SYNC T/Cscreen. (See “Sync
and time code settings (SYNC T/C)” on page 73.)
9
10
11
12
13
7 Transport status indicator
○
This icon shows the current transport status.
Playing back or jogging playback (forward)
Jogging playback (reverse)
18
Playback standby
Stopped
Searching backward
Searching forward
19
20
21 22
23
24
Searching backward (high-speed search)
Searching forward (high-speed search)
The number shown when searching backward
(shuttle operation) changes with the current
speed: x2, x4, x8, x16, x32.
The number shown when searching forward
(shuttle operation) changes with the current
speed: x2, x4, x8, x16, x32.
1 ONLINE status indicator
○
When the online sending mode is ON, the red
icon appears.
When the online sending mode is OFF, the
icon does not appear.
2 Repeat status indication
○
When repeat playback is ON, the green
icon appears.
Recording
Recording standby
When repeat playback is OFF, the
not appear.
icon does
Touch this area to open the PLAY SETUPscreen.
8 Session name (button)
3 Time counter (button)
○
○
This shows the currently active session name.
A “*” appears when the session has not been saved after
editing (including the addition and removal of session
editing marks).
The time displayed is the elapsed time, the remaining time
or the time code time.
Touch this area to change the time display mode.
4 Time mode indicator (button)
○
Touch this area to open a pull-down menu.
This shows the current time display mode. Touch this area
to change the time display mode.
The time elapsed from the beginning of the
timeline is shown.
The time code for the timeline is shown.
5 Time code status button/indicator
○
When accurate time code is input and recognized
correctly, the TC indicator appears green.
When time code is not recognized correctly, the
TC indicator does not appear.
START TIME EDIT button
This opens the START TIMEscreen where you can set the
timeline mode starting time. This can only be selected when
stopped.
Synchronized playback status is shown when playback is
synchronized to timecode.
The CHASE indicator appears green only
when playback or recording is
synchronized with external timecode or
the built-in timecode generator
(selectable).
The CHASE indicator blinks when not
operating with timecode synchronization
(for example, when stopped). This includes
when synchronization is lost during
synchronized playback.
SAVE button
Save the contents of the session.
This can only be selected when the transport is stopped.
EXPORT AES31 button
This outputs (exports) the session as an AES31 file. This can
only be selected when stopped. (See “Exporting AES31
editing information” on page 46.)
§
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2 − Names and functions of parts
channels that are not soloed appear shaded.
Touch the same channel pair again to stop soloing them.
9 Track numbers and record function and
○
input monitoring indicators
11 Time display area
○
The indicators at the left end of the level meters show the
status of record arming and input monitoring. The
background colors of the indicators mean the following.
When the time display mode has been set to show a
timeline with four equal divisions, four times are shown.
This area has 4 equal divisions, showing 4 time points on the
timeline. The values match the time display mode.
REC OFF
REC ON
MON OFF
MON ON
12 Mark display area
○
Timeline marks appear here.
This area scrolls horizontally to correspond with the time
counter.
10 Level meters
○
The input signal level for a track is shown if input monitoring
for it is set to ON or if it is armed for recording and not
playing back.
： BC$CM mark
： BC$END mark
： BC$FILE mark
Each track also has an overload indicator at its right end that
appears red when the input overloads.
During playback, the playback level of a track is shown if
input monitoring is set to OFF.
When the input source is set to a digital input, but there is
no input signal or if the input signal differs from the internal
setting, the channel meter display area appears gray and
one of the following messages appears. (The “x” indicates
the channel.)
： BC$PAUSE mark
： BC$STANDBY mark
： BC$START mark
： BC$STOP mark
： IN mark
： OUT mark
： Other types of marks
13 Track display area
○
Display
Meaning
No input signal
The regions of tracks 1–4 (from top to bottom) are shown
here.
D-INx NO SIGNAL
Region fade-ins, fade-outs and cross-fades are shown in
blue.
Normal areas: white
Being recorded: red
Fade-in, fade-out, cross-fade regions: blue
This area scrolls horizontally to correspond with the time
counter.
Input signal is not
D-INx UNLOCK
synchronized with the system
Cbit information of the input
signal is not audio
D-INx NOT AUDIO
Other input signal Cbit
information differs from the
actual operation mode
D-INx Cbit ERROR
14 EDIT button
○
Touch this to turn ON/OFF the edit mode, which allows you
to divide, erase and cut parts of regions. (See “Editing
regions” on page 47.)
D–IN1 UNLOCKshown
The following settings can be made for the display of the
level meters on the METER SETUPscreen from the MENU
screen.
・Metering point
・Peak hold time
15 Recording media display (button)
○
This shows which of the CF card slots is being used and its
remaining recording time.
・Release time
The background of the media that is currently being used
appears green during playback and red when recording.
If there is no media in the CF card slot, No Mediaappears
on a light gray background.
・Overload indicator peak level
・Reference level line display on/off
You can also touch these areas to output just one pair of
channels (1-2 or 3-4) for monitoring (solo function).
If the CF card has no projects or sessions, No Project
appears. When an unformatted CF card is inserted,
UNFORMATappears.
When a CF card is inserted in the CF card slot that is not
being used during recording, UNMOUNT appears. When
recording is stopped, the usual screen is shown.
If the total number of entries, including files and subfolders,
inside a session folder exceeds about 5000, recording
becomes impossible and Rec Limitis shown. For details,
see “Recording operation limitations” on page 30.
The level meters and track numbers for the soloed channels
appear highlighted in yellow. The level meters for the
16
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2 − Names and functions of parts
Press this area to open the CFSELECTscreen. (See “CF card
(OUT) point.
selection” on page 26.)
CLEAR button
Touch to discard the currently set bounce starting (IN) and
ending (OUT) points.
16 Monitoring mixer overload indicators
○
When the monitoring mixer L or R channel has overloaded,
the background of that channel appears red.
(See “Bouncing” on page 48)
17 Zoom rate
○
21 NEXT TAKE NAME button
○
This shows the track area zoom ratio and extent of the area
displayed.
Turn the DATA dial to the right to zoom in (reduce the
displayed area) and turn it to the left zoom out (increase the
displayed area).
Touch this button to open the NEXT TAKE NAMEpage
where you can set the name that will be given to takes or
files recorded in the future.
● First half of take names
The first half of the take name can be set to either the User
Wordor the Session Name(default).
18 Timeline cursor
○
This cursor shows the position of recording or playback. It is
always shown in the middle of the screen.
CAUTION
The first half of the take name can only be changed when the unit is stopped.
“User Word” mode (button)
19 REC/MON button
○
Use the user word for the first half of the take name.
Press the EDITbutton to open the screen where you can
change the user word. (This works the same as the screen
for editing project names.)
Press this button to open a pull-up with RECand MON
buttons that allow you to enable recording and input
monitoring for the tracks.
Record arm buttons (REC buttons)
“Session Name” mode (button)
Use the session name as the first half of the take name.
These buttons arm tracks for recording.
The signals of tracks that are armed are recorded during
recording. When a channel is armed for recording, the signal
from the assigned input connector is input when the unit is
stopped, recording or in recording standby.
Input monitoring button (MON buttons)
These buttons enable/disable input monitoring.
When enabled for a channel, sound input through the
assigned input connector is always input.
20 BOUNCE I/O button
○
Touch this button to open a pull-up with buttons related to
bouncing.
●
Second half of take names
The second half of the take name is comprised of one
alphabetical letter and a three-digit number.
Press the EDITbutton to open the screen where you can
change the letter.
You can change the three-digit number with the +and –
buttons. You can also touch the numerical part to
highlight it in yellow and use the DATA dial to change
the number.
In the following cases, “---” appears and the value
cannot be changed.
・No project or session is loaded
・The selected CF card is unavailable
・When the numerical part of the file name of the
current take is 999
Bounce button
Touch this button to bounce. In the following circumstances,
this button appears gray and cannot be used.
・When both starting (IN) and ending (OUT) points have
not been set
NOTE
The NextTakeNamesetting is saved with each project. If you change
projects, the setting of the loaded project is used.
The numerical part of the second half of the take name can be changed
even during playback and recording. (The first half of the take name and
the letter in the second half can only be changed when stopped.)
・During playback or recording
SET IN button
Touch to set the current position as the bounce starting (IN)
point.
SET OUT button
Touch to set the current position as the bounce ending
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2 − Names and functions of parts
If the first half of the take name or the letter in the second half is different,
a take that has the same three-digit number in the second half can be
created.
Mode
Meaning
Bar display
The current playback Elongates from left end
position relative to the to right end
length of the take or
Shortens from left end
entry is shown.
22 INFO button
○
Touch this button to open an information display that
shows the current settings of the unit and information
about the loaded file.
to right end
The current playback Elongates from left end
position relative to the to right end
length of all the takes in
Shortens from left end
the session or the entire
to right end
playlist is shown.
Elongates from left end
to right end
During recording and recording standby, however, the time
bar and division lines are not shown.
27 Take/entry name (button)
○
The upper section shows the current settings of this unit.
Touch this area to open the SYNC T/Cscreen.
This shows the name and mode icon of the currently active
take or entry.
The lower section shows information about the currently
loaded session. Touch this area to open the project screen.
The name of the previous mark most recently passed or at
the current time is shown on the right. When the name of a
mark other than an automatic mark is shown, touch this
area to open the MARK NAME editing screen.
When in recording standby, this shows the file name that
will be given to the next recorded take.
The two types of file mode icons are as follows.
: Monophonic mode
: Polyphonic mode
When in playlist mode, a “*” appears in the icon if the playlist
has not been saved after editing (including the addition and
removal of entries).
23 Mark List button
○
Touch this button to open the mark list.
(See “Mark list screen” on page 84.)
Touch this area to open a pull-down menu.
In take mode
24 Manual Locate button
○
Touch this button to open the MANUAL LOCATEscreen.
(See “Manual locate function” on page 87.)
In take mode or single playlist mode
25
26
27
TAKE List button
This opens the take selection screen (TAKEscreen). At this
time, even if you press the session name display area, the
SESSION selection screen will not open. (See “Project
screen” on page 32.)
28
30
29
CIRCLE @ TAKE button
31
32
Touch this to add or remove “@” at the beginning of
the current take name. (See “Using @ with take names”
on page 55.)
In single playlist mode
33
34
In take mode
When in single playlist mode, the REC/MONand NEXT
TAKE NAMEbuttons are not shown.
25 Take/entry number
○
The number of the currently selected take or entry is shown.
Take numbers are assigned in the order that they are
recorded within a session.
26 Time bar
○
This shows the current playback position. What is shown
depends on the time display mode.
18
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2 – Name and functions of parts
shown, touch this area to open the MARK NAME editing
screen.
ASSIGN FILE button
This shows the ASSIGNscreen where you can assign files.
(See “Assign File screen” on page 60.)
33 REC/MON button
○
ENTRY LIST button
This is the same as on the Home Screen in timeline mode.
This shows the entry list (ENTRY) screen. (See “Entry list
34 NEXT TAKE NAME button
○
screen” on page 60.)
This is the same as on the Home Screen in timeline mode.
ADJUST ENTRY button
In dual playlist mode
This opens the ADJUST ENTRY ***screen where you
can edit an entry. (See “Editing entry titles” on page 63,
“Edit the playback starting time” on page 64, “Editing
the playback starting point” on page 65 and “Editing
the playback end point” on page 66.)
35 36
37
38
SAVE button
This saves the current playlist. This can only be selected
when stopped. (See “Saving a playlist” on page 67.)
39
40
45
SAVE AS button
41
This adds a name to the current playlist and saves it. This
can only be selected when stopped. (See “Saving a
playlist” on page 67.)
46
47
42
43
44
EXPORT PPL button
48
This creates a JPPA PPL file from the current playlist. This
can only be selected when stopped. (See “Creating a JPPA
PPL file from the loaded playlist” on page 68.)
28 Level meters
○
These are the same as on the Home Screen in timeline
mode.
49
50
As on the Home Screen in timeline mode, you can touch this
area to use the solo function.
The left side is Player A, which can be used to play playlist A, and
the right side is Player B, which can be used to play playlist B.
Operation of both Players A and B is the same. Items 4○5‒4○8 in
the center are shared by both players.
29 Time display area
○
The Time display area is divided into 4 equal regions. The
times displayed in each region depend on the time display
mode as shown in the following table.
35 Transport status indicator
○
This icon shows the current transport status.
Touch this area to open the PLAY SETUPscreen.
The icons have the same meanings as on the Home Screen
in timeline mode.
Left
00:00:00:00
Right
Empty Empty Total take or
entry length
36 ONLINE status indication
○
Total take or
entry length
Empty Empty 00:00:00:00
When the online playback mode is ON, the
icon appears.
00:00:00:00
Empty Empty Total session or
playlist length
When online playback mode is OFF, the
icon appears with green letters.
Total session or Empty Empty 00:00:00:00
playlist length
37 Time counter display (button)
○
The time displayed is the elapsed time or the remaining
time.
Starting time of Empty Empty Ending time of
When online playback mode is ON, the background appears
red.
Otherwise, this is the same as on the Home Screen in
timeline mode.
session or
playlist
session or
playlist
During recording and recording standby, however, the time
bar and division lines are not shown.
38 Time mode indicator (button)
○
30 Flash Page number and knob
○
This shows the current time display mode. Touch this area
to change the time display mode.
The time elapsed from the beginning of the
entry is shown.
This shows the Flash Page number. Touch this area to
enable selection (yellow background), and turn the DATA
dial to change the page number (turn right to increase and
turn left to decrease).
The time remaining until the end of the entry is
shown.
The time elapsed from the beginning of the
playlist is shown.
The time remaining until the end of the playlist
is shown.
The time code time of the playing entry is
shown.
31 Current time cursor
○
This cursor shows the playback position and scrolls
horizontally in correspondence with the time counter.
It is not shown during recording (take mode only).
32 Mark name
○
This is the name of the mark at the current time or the
nearest preceding mark.
When the name of a mark other than any automatic mark is
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2 − Names and functions of parts
Touch this area to enable monitoring of a playlist.
When selected for monitoring, the area around the meters
appears yellow.
When an input overloads, the corresponding Lor Rappears
red.
39 Time bar
○
This shows the playback position of the currently playing
entry or playlist.
Otherwise, this is the same as on the Home Screen in take
mode.
42 Mark name
○
40 File or title name (button)
○
This is the name of the mark at the current time or the
nearest preceding mark. This is the same as on the Home
Screen in take mode.
The currently active playlist entry number is shown inside
the icon.
Blank:
CF card not available or loading
No entry
000:
43 Mark List button
○
Three–digit number:The number of the currently
Touch this button to open the mark list for that player. This
is the same as on the Home Screen in timeline mode.
selected entry
The name of the currently active entry is shown to the right
of the icon. If the title has been set for the corresponding
entry in the playlist, that title is shown.
A “*” appears in the icon if the playlist has not been saved
after editing (including the addition and removal of entries).
Touch this area to open a pull-down menu.
ASSIGN FILE button
This shows the ASSIGNscreen where you can assign files.
(See “Assign File screen” on page 60.)
44 Manual Locate button
○
Touch this button to open the MANUAL LOCATE screen for
that player. Otherwise, this is the same as on the Home
Screen in timeline mode.
45 MON A+B button
○
When ON, the button is highlighted in blue and meters for
both players are highlighted. When first turned OFF,
monitoring is disabled for both players.
ENTRY LIST button
This shows the entry list (ENTRY) screen. (See on page 60.
“Entry list screen”)
46 Monitoring mixer overload indicator
○
If the left or right channel of the monitoring mixer overloads,
the background of the corresponding L or R will appear red.
ADJUST ENTRY button
47 Audio synchronization status
○
This opens the ADJUST ENTRY ***screen where you
can edit an entry. (See “Editing entry titles” on page 63,
“Edit the playback starting time” on page 64, “Editing
the playback starting point” on page 65 and “Editing
the playback end point” on page 66.)
(button/indicator)
This is the same as on the Home Screen in timeline mode.
48 Time code status (button/indicator)
○
This is the same as on the Home Screen in timeline mode.
SAVE A+B button
This saves the current playlists. This can only be selected
when stopped. (See “Saving a playlist” on page 67.)
49 Flash Page number and knob
○
This is the same as on the Home Screen in take mode.
However, touching this in the unselected player will, in
addition to enabling flash page selection, also assign the
transport keys, ONLINE key and JOG/SHUTTLE dial on the
front panel to the corresponding player.
SAVE AS(A) or SAVE AS(B) button
Use this to name and save the currently selected player’s
playlist. This can only be selected when stopped. (See on
page 67. “Saving a playlist”)
50 SELECT button
○
EXPORT PPL button
Touch this button on a player to assign the transport keys,
ONLINE key and JOG/SHUTTLE dial on the front panel to
the corresponding player.
Create a JPPA PPL file from the current playlist. This can
only be selected when stopped. (See “Creating a JPPA PPL
file from the loaded playlist” on page 68.)
41 Level meters (button)
○
The playback level is shown.
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3 − Preparation
Removing CF cards
Turn the unit power OFF or stop operations before removing a
CF card.
Inserting and removing CF cards
Inserting CF cards
Insert a CF card into CF card SLOT 1 or SLOT 2 on the front panel
of the unit in order to use it for recording and playback.
CAUTION
Never remove a CF card during recording, playback or any other operation
that accesses the CF card. Doing so could, for example, cause recording errors,
loss of recorded data, and sudden loud noises to be output through
monitoring equipment, which could result in damaged equipment and
hearing loss.
NOTE
CF cards can be inserted whether the power is ON or OFF.
1. Pull the CF card slot cover forward to open it.
1. Pull the CF card slot cover forward to open it.
2. Press the square button to the right of the CF card
slot to bring the button out.
2. Insert the CF card with the correct orientation.
With the labeled side up, insert the end with the connector
completely.
3. Press the square button in again to partially eject the
CF card.
4. Pull the CF card out by hand.
3. Close the cover.
Security screws
The included security screws can be used to lock the CF card slot
covers.
Use a Phillips head screwdriver to install or remove the screws.
NOTE
If you cannot close the slot cover, remove the CF card once, press the square
button to the right of the slot and then reinsert the card.
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3 – Preparation
Cautions related to display use
About the display
The display can easily be scratched, so do not use pointed
objects, including fingernail tips, to touch it. Always touch it
with your fingers.
Do not press the display forcefully with a finger or poke it
with a pen, toothpick or other pointed object. Doing so
could scratch the display or cause malfunction.
The display touch screen is constructed of a film and glass.
Do not apply strong force to its surface. Doing so could
break the glass.
When using the display, do not put a hand on the panel or
push around the display forcefully. Doing so could prevent
accurate position detection.
Do not place anything on top of the display or otherwise
put weight on the same place for a long time. Doing so
could cause the panel to warp or result in inaccurate
position detection.
Adjusting the display angle
Push the LCD TILT button to unlock the display, and then pull
the bottom of the display forward to adjust the angle. Pull the
bottom of the display until you hear a clicking sound.
To restore it to its flat position, push the LCD TILT button again
to unlock the display, and push the bottom of the display. Push
the bottom of the display until you hear a clicking sound.
CAUTION
Do not push the display screen itself.
Do not apply a commercially-available screen protection
film to the display. Doing so could prevent normal
operation.
Gently wipe the display with a soft dry cloth that does not
shed dust (e.g. a cleaning cloth). Avoid wiping with a stiff
cloth or rubbing with force. Doing so could damage the
surface of the LCD. Do not use benzene, thinner, manicure
remover, alcohol or similar substances.
Adjusting display and indicator brightness
NOTE
Turn the DATA dial while pressing and holding the HOME key to
adjust the brightness of the color display, the PAUSE, REC, PLAY
and ONLINE keys, and the JOG (SHUTTLE), SLOT 1 and SLOT 2
indicators. Push and turn the DATA dial while pressing and
holding the HOME key to adjust only the brightness of the color
display.
The display is produced with extremely high-precision manufacturing
technologies, and 99.99% or more of the pixels are effective, but sometimes
pixels might not appear or might appear as red or black dots. This is not a
malfunction.
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3 – Preparation
Turning the power ON and OFF
Setting the time of the built-in clock
1. Press the MENU key on the front panel to open the
Open the front panel POWER switch cover and press the POWER
switch.
MENUscreen.
Startup screen
2. Touch the SYSTEM SETUPbutton to open the SYSTEM
SETUPscreen.
Home Screen
To turn the power OFF, push the POWER switch on the front
panel again.
CAUTION
Never turn the power OFF during recording, playback, or any other operation
that accesses the CF card. Doing so could, for example, cause recording errors,
loss of recorded data, and sudden loud noises to be output through
monitoring equipment, which could result in damaged equipment and
hearing loss.
3. Touch the CLOCKADJUSTtab to open the page where
you can set the built-in clock.
4. Touch the item that you want to change, and use the
DATA dial on the front panel to change the value.
5. Touch the SET button or push the DATA dial to
confirm the setting.
NOTE
After purchasing this unit, set the clock before making your first recording. If
you do not set the clock, the time stamps on recording files will not be correct.
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3 – Preparation
Lock function
Press the MENU key while pressing and holding the HOME key
on the front panel to open the LOCK SETUPscreen where you
can disable or enable operation from the front panel and
external devices.
When the LCD Sectionis set to LOCK:
If the display is touched, the following pop-up message
appears when the display (panel) is locked.
If one of the keys around the display is pressed, the
following pop-up message appears when the display
(keys) is locked.
When Transportis set to LOCK, if one of the transport
keys is pressed, the following pop-up message appears
when the transport is locked.
The front panel is divided into two sections, which can be locked
and unlocked separately.
Types of external devices are also divided into two categories,
which can be locked and unlocked separately.
If you press the button for a section, it changes from UNLOCKto
LOCK(with a yellow background) and the locked area appears
dimmed.
When REMOTE/KEYBOARDis set to LOCK, if a remote
control or keyboard connected to a remote connector is
used, the following pop-up message appears when
remote/keyboard control is locked.
Everything locked
When EXTERNALCONTROLis set to LOCK, if an operation
is conducted using RS–232C, RS–422, PARALLEL or
ETHERNET, the following pop-up message appears when
external input is locked.
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3 – Preparation
Recording times
The table below shows the total amount of recording time (in
hours and minutes) possible on CF cards of various capacities for
each available recording format.
File recording format
and number of tracks
recorded
CF card capacity
8 GB
6:18
5:48
4:12
3:52
2:06
1:56
16 GB
12:36
11:34
8:24
32 GB
25:12
23:08
16:48
15:26
8:24
16-bit, 44.1 kHz, 4 tracks
16-bit, 48 kHz, 4 tracks
24-bit, 44.1 kHz, 4 tracks
24-bit, 48 kHz, 4 tracks
24-bit, 88.2 kHz, 4 tracks
24-bit, 96 kHz, 4 tracks
7:42
4:10
3:50
7:42
The recording times shown above are estimates. They might
differ depending on the CF card in use.
The recording times shown above are not continuous
recording times, but rather they are the total possible
recording times for the CF card.
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4 – Basic operation
In this chapter, we explain the basic operation procedures that
are the same in each operation mode.
The display on this unit functions as a touchscreen.
Operate the unit using its keys, switches and touchscreen display
buttons.
CF card preparation
CF card selection
1. Press the MENU key on the front panel to open the
On every screen except the Home Screen, a
button appears
MENUscreen.
at the top left. Touch this button to return to the previous screen.
NOTE
You can also return to the previous screen by pressing the EXIT/CANCEL
(PEAK CLEAR) key.
2. Touch the CF MANAGEbutton to open the CF MANAGE
screen.
3. Touch the SELECTbutton next to the CFSELECTitem
to open the CF SELECTscreen.
4. Touch the button for the CF card that you want to use to
select it. The background of the selected CF card appears
yellow.
5. Touch the SET button to return to the CFMANAGEscreen.
6. If you also want to format the CF card now, follow the
procedures starting with step 3 in “Formatting a CF card”
below.
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4 – Basic operation
formatting, the following pop-up message appears.
Formatting a CF card
CAUTION
・
・
Formatting a CF card erases all the data on it.
Always format CF cards with this unit before using them in it. If a CF card
that has been formatted by another device or PC is used, operation
might be affected.
7. Press the MENU key on the front panel to open the
MENUscreen.
When formatting completes, the following pop-up message
appears.
12. Touch the OKbutton on the pop-up message. The
CREATE PROJECTscreen automatically opens.
8. Touch the CF MANAGEbutton to open the CF MANAGE
screen.
To make a new project, follow the procedures starting with
step 2 in the following “Creating a new project” section.
Creating a project automatically after quick
formatting
If you press the QUICK&CreateProjectbutton instead of
the QUICKbutton next to the FORMATitem, a new project will
be created after the CF card is quick-formatted.
When doing this, however, you cannot change the project
settings. The new project will be created with the same settings
as the current project.
9. Touch the QUICKbutton next to the FORMAT item.
The following pop-up message appears.
1. Press the MENU key on the front panel to open the MENU
screen. Then, touch the CF MANAGEbutton on the MENU
screen to open the CF MANAGEscreen.
粗利
2. Touch the Quick&CreateProjectbutton next to the
FORMATitem. The following pop-up window message
appears.
NOTE
If no CF card is inserted in that slot, the following pop-up message
appears.
This window shows the project name, session name,
sampling frequency, bit rate, frame type and number of
tracks in the project to be created.
10. Click the OK button in the pop-up window.
A
reconfirmation pop-up window appears.
11. Touch the OKbutton on the pop-up message. During
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4 – Basic operation
you can set the starting time and number of tracks in
timeline mode, for example.
For details about each item, see “Creating new projects” on
page 34.
3. Touch the OKbutton in the pop-up window.
Another pop-up window appears to reconfirm.
NOTE
Instead of touching the NEXTbutton, you can touch the CREATEPROJECT
button on CREATEPROJECTscreen page one (1/3at the bottom of the
page) to create a project with the current settings without adjusting them on
the following screens. Touching the CREATEPROJECTbutton on CREATE
PROJECTpage two (2/3at the bottom of the page) has the same effect. In
either case, continue the procedures from step 4.
4. Touch the OKbutton in the pop-up window to start
quick formatting.
3. After you complete making settings touch the
After quick formatting completes, a new project is created
automatically.
CREATE PROJECTbutton.
After the project is created, the Home Screen reopens.
NOTE
If a project with the same project name already exists, the CREATE
PROJECT button appears gray and you will not be able to create a new
project. If this happens, change the project name.
NOTE
Touch the CANCELbutton in the pop-up window to cancel formatting and
return to the CFMANAGEscreen.
4. Check the settings on the confirmation pop-up
message that appears. Press the OKbutton to confirm
them and return to the Home Screen.
Creating a new project
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
Setting the master clock
1. Press the HOME key on the front panel to open the
Home Screen.
2. Touch the CREATE PROJECTbutton to open the
CREATE PROJECTscreen.
2. Touch the SYNCbutton to open the SYNC T/Cscreen.
The CREATE PROJECTscreen has 3 pages.
On the first page, you can set the project name, the name of
the first created session, the sampling frequency, and the
sampling frequency written to BWF chunks.
For details about each item, see “Creating new projects” on
page 34.
3. Select the master clock that you want to use from the
MASTERitem. (See “Sync and time code settings (SYNC
T/C)”on page 73.)
Touch the NEXTbutton to open the next page.
On this page, you can set the frame type and bit length.
Touch the NEXTbutton again to open the third page where
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4 – Basic operation
Setting reference levels
1. Press the MENU key on the front panel to open the
Setting inputs and outputs
MENUscreen.
Setting the inputs
1. Press the MENU key on the front panel to open the
MENUscreen.
2. Press the SYSTEM SETUPbutton to open the SYSTEM
SETUPscreen.
2. Touch the MIXER SETUPbutton to open the MIXER
SETUPscreen.
On the PREFERENCESpage, set the digital reference level,
analog input reference level and analog output reference
level. (You can also set the keyboard type and online
function on this page.)
On the INPUTpage, make settings for each channel’s input
source. For details, see “INPUT page” on page 78.
For details, see “PREFERENCES page” on page 80.
3. If necessary, touch the MONITOR MIXERor SETUPtab
to open the corresponding page where various
settings can be made.
3. If necessary, touch the ANALOG Ref. LEVEL ADJUST
tab to adjust each channel.
On the MONITORMIXERpage, make settings related to the
internal monitoring mixer. For details about this screen, see
“MONITOR MIXER page” on page 78.
On the ANALOGRef.LEVELADJUSTpage, you can make
precise adjustments to the reference levels of the analog
inputs and outputs for each channel independently. For
details about this screen, see “ANALOG Ref. LEVEL ADJUST
page” on page 80.
On the SETUPpage, you can turn the muting function for
monitoring during online playback on/off.
NOTE
On the CLOCKADJUSTpage, you can change the system time.
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4 – Basic operation
Connecting headphones
Connect headphones to the PHONES jack on the front panel.
Keep the headphones knob turned all the way to the left
(volume minimized) when connecting headphones.
Recording operation limitations
A limitation of this unit is that recording in a folder becomes
impossible when the total number of files, subfolders and other
items in it becomes large. For this reason, the following things
might occur.
When the total number of items in one folder exceeds
about 20000
Recording of a new take might not be possible even when
starting recording from a stopped state. When a project or
session is loaded, recording to that session might not be
possible. In these cases, the following pop-up message
appears.
Headphones
CAUTION
In this case, the remaining recording time indicator for the
currently selected CF card on the Home Screen shows Rec
Limit.
Before connecting headphones, turn the PHONES knob to the minimum
volume. Failure to do so could cause sudden loud noises to occur, which
might damage your hearing or equipment.
Online function
Turn the ONLINE switch on the front panel ON to enable sound
to be output through the unit’s output connectors. (The ONLINE
switch has a cover, so open this cover to press the ONLINE
switch.)
CAUTION
The total number of items inside one folder includes files and folders not
created by this unit. Management files, system files and other files and folders
that are not ordinarily visible are also included in the total.
The ONLINE switch lights when ON.
You can also connect a TASCAM RC–HS32PD remote controller
(sold separately), for example, and use its master fader to adjust
the level suitably. When the master fader is lowered completely,
sound is not output from the output connectors.
Press the ONLINE switch again to turn it OFF. That switch
becomes unlit, and sound ceases to be output from the output
connectors.
For details about the online function, see “Online functions” on
page 89.
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5 – Projects
Project organization
This unit manages audio files in projects. A CF card contains
project folders, and each project folder contains session folders
that hold audio files, which are called takes.
File formats
This unit can record and play files with the following types of
formats.
File format
BWF
Project
Contains all the materials for one program or work
Sampling frequencies
44.1, 48, 47.952, 48.048, 88.2, 96 kHz
(47.952, 48.048: 48 kHz 0.1% pull-down/pull-up)
Session
A collection of materials within a project
Take
Bit-length
16/24-bit
Materials recorded in a session
However, in timeline mode, instead of takes, recordings are
managed in units called regions.
Number of tracks
4 tracks
CAUTION
The sampling frequency in a project is fixed.
File modes
Monophonic, polyphonic (monophonic mode is planned for a
future firmware version upgrade)
Monophonic and polyphonic modes
In monophonic mode, each track is recorded as an independent
monaural BWF file.
In polyphonic mode, multiple tracks are recorded together as a
single BWF file.
When transferring a file to an audio application that is
compatible with polyphonic files, multiple tracks can be
imported at once.
NOTE
In current version, monophonic mode cannot be selected. It will be set
automatically to polyphonic mode. Monophonic mode is planned for a
future firmware version upgrade.
Folders where files are saved in mono mode
In monophonic mode, files can be saved in one of two places
(folders).
SubFolder mode
Subfolders are created for each take inside session folders,
and recorded audio files are saved in them.
Session Root mode
Recorded audio files are saved directly inside the session
folder.
CAUTION
・
When Session Root mode is selected, the number of files created in the
session folder is large. For this reason, the maximum number of takes
that can be recorded in one session is greatly reduced. (See “Recording
operation limitations” on page 30.)
・
During recording, you can press the REC key to start recording a new
take. This function can be used 4 seconds after beginning recording in
Polyphonic and SubFolder modes, but in Session Root mode, you might
have to wait more than 4 seconds.
NOTE
・
・
The default setting is SubFolder.
Monophonic mode is planned for a future firmware version upgrade.
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5 – Projects
MULTI SELECT button
PROJECT screen
Touch to enable the selection of multiple projects.
Press the PROJECT key on the front panel to open the project
screen.
The last used priject screen page (project selection, session
selection, AES31 file selection, take selection or playlist selection)
opens. The following explanations assume that the PROJECT
selection screen is open.
MENU button
Touch to open a pull-up menu where you can select LOAD,
REBUILD, EDIT NAMEand DELETE.
Scroll buttons
Use these buttons to scroll to the beginning or end of the
project list or scroll one page (five lines) forward or
backward. You can also scroll through the project list one
line at a time using the DATA dial.
Project name/session name at the top right of the
screen
Touch to open the following screen according to mode.
Timeline mode:
AES31 file selection screen for the current session
Take mode:
Project selection screen
Take selection screen for the current session
Playlist mode:
Playlist selection screen for the current session
Session selection screen
Directory display
The current directory level and number of projects is shown.
(In the example above, the root directory of CF card 1
contains 12 projects.)
Project name display
NUM OF SESSION
This shows the current project name.
Touch this area to open the project selection screen.
This shows the number of sessions in each project.
Fs
NUM OF TAKE (timeline and take modes)
This shows the number of takes in the session.
TOTAL TIME (timeline and take modes)
This shows the total time of the takes in the session.
NUM OF PLAYLISTS (playlist mode)
This shows the number of playlists in the session.
This shows the sampling frequency of the project. The
sampling frequency values are abbreviated as follows.
Sampling frequency
Fs
abbreviation
44k
44.1 kHz
47.952 kHz (48 kHz –0.1% pull-down) 48k–
48.048 kHz (48 kHz +0.1% pull-up)
88.2 kHz
48k+
ENTER buttons
88k
Depending on the mode, touch the e button for the
current session, which is shown as a yellow folder with a “C”
on it, to open that session’s AES31 file selection screen
(timeline mode), take selection screen (take mode) or
playlist selection screen (playlist mode).
ENTER buttons
Touch the ebutton for the current project, which is shown
as a yellow folder with a “C” on it, to view the contents of
that project.
If you touch the e button for any project other than the
current project a pop-up window will appear confirming
that you want to load that project. Touch the OKbutton to
show the contents of that project after it completes loading.
If you touch the e button for any session other than the
current session a pop-up window will appear confirming
that you want to load that session. Touch the OKbutton to
show the contents of that session.
Project name buttons
Session name buttons
Touch to select that project. The folder icon for the currently
loaded project is yellow and has a “C” on it.
Touch to select that session. The folder icon for the currently
loaded session is yellow and has a “C” on it.
INFO button
INFO button
Touch this button to open a pop-up window that shows
information about the project that is currently selected.
If no project is selected, press this button to show
information about the entire CF card.
Touch this button to open a pop-up window that shows
information about the session that is currently selected.
If no session is selected, press this button to show
information about the current project.
CREATE PROJECT button
Touch to open the CREATE PROJECTscreen.
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5 – Projects
Session name display
MAKE SESSION button
This shows the current session name.
Touch to open the screen where you can create a new
session.
Touch this area to open the session selection screen. Note,
however, the session selection screen cannot be opened
from a take selection screen that was opened by touching
the TAKELISTbutton in the pull-down menu that appears
when you touch a take name button on the Home Screen.
MULTI SELECT button
Touch to enable the selection of multiple sessions.
MENU button
Touch to open a pull-up menu where you can select LOAD,
REBUILD, COPYand DELETE.
LENGTH buttons
This shows the take length (time).
Scroll buttons
LOAD buttons
Use these buttons to scroll to the beginning or end of the
session list or scroll one page (five lines) forward or
backward. You can also scroll through the session list one
line at a time using the DATA dial.
Press a take’s ebutton to load that take.
Take name buttons
Touch to select a take.
The icon for the currently loaded take is yellow and has a
“C” (indicating current) on it.
Project name/session name at the top right of the
screen
INFO button
Touch to open the following screen according to mode.
Timeline mode:
AES31 file selection screen for the current session.
Take mode:
Take selection screen for the current session
Playlist mode:
Playlist selection screen for the current session
Touch this button to open a pop-up window that shows
information about the take that is currently selected.
If no take is selected, press this button to show information
about the current session.
CIRCLE @ TAKE button
Touch this button when a take is selected to add an “@” to
the beginning of that take’s name. If that take already has
“@“ at its beginning, touch this to remove it.
AES31 file selection screen
The AES31 file selection screen is only shown when the
operation mode is timeline mode.
MULTI SELECT button
Touch to enable the selection of multiple takes.
MENU button
Touch to open a pull-up menu where you can select LOAD,
REBUILDand EDIT TC.
Scroll buttons
Use these buttons to scroll to the beginning or end of the
take list or scroll one page (five lines) forward or backward.
You can also scroll through the take list one line at a time
using the DATA dial.
Playlist selection screen
The playlist selection screen is only shown when the operation
mode is playlist mode.
Session name display
This shows the current session name.
Touch this area to open the session selection screen.
IMPORT buttons
Touch the e button for the corresponding AES31 file to
import its editing information.
AES31 file name buttons
Touch to select the corresponding AES31 file.
INFO buttons
Touch this button when an AES31 file is selected to open a
pop-up window with information about the selected file.
When no AES31 file is selected, this button is disabled.
Session name display
Take selection screen
The take selection screen is only shown when the operation
mode is take mode.
This shows the current session name
Touch this area to show the session selection screen.
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5 – Projects
characters allowed is indicated by a yellow background.
LOAD buttons
■ Fs
Press the loaded playlist’s e button to open the playlist
selection screen, where you can view and work with playlist
entries.
Set that sampling frequency of the project.
48k–0.1% sampling frequency is pull-down compatible,
and 48k+0.1% is pull-up compatible.
If you press the ebutton for a playlist that is not loaded, a
pop-up appears to confirm that you want to load that
playlist.
■ BWF Chunk Fs
Set the sampling frequency written to the BWF chunk of
each recorded audio file. To use the actual sampling
frequency of the recordings, select Actual Rate.
For pull-up/pull-down, select Fake Rate to write 48k
instead of 48k 0.1%.
Playlist name buttons
Touch to select a playlist.
In single mode, “C” (current) appears inside the icon of the
currently loaded playlist. In dual mode, “A” appears inside
the icon of the playlist loaded for player A and “B” appears
inside the icon of the playlist loaded for player B.
■ NEXT button
Touch to open the next page.
■ CREATE PROJECT button
Touch this to create a project with the current settings. If
a project with the same name already exists, this button
appears gray and you will not be able to create a new
project.
INFO button
Touch this button to open a pop-up window that shows
information about the playlist that is currently selected.
If no playlist is selected, press this button to show
information about the current session.
NEW/IMPORT button
3. After you complete making settings, press the NEXT
button.
Touch this to open a pull-up menu where you can select
NEWand IMPORT.
MULTI SELECT button
Touch to enable the selection of multiple playlists.
MENU button
Touch to open a pull-up menu where you can select LOAD
(LOAD to Aand LOAD to Bin dual mode), EDIT NAME
and DELETE.
Scroll buttons
Use these buttons to scroll to the beginning or end of the
playlist or scroll one page (five lines) forward or backward.
You can also scroll through the playlist one line at a time
using the DATA dial.
CREATE PROJECT screen 2
You can make the following settings on this screen.
■ Frame Type
Set the time code frame type.
■ Bit Length
Set the bit length used during recording.
Project operations
■ PREV button
Creating new projects
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Touch the CREATE PROJECTbutton on the PROJECT
screento open the CREATE PROJECTscreen.
This screen has three pages.
Open the previous screen.
4. After you complete making settings, press the NEXT
button.
CREATE PROJECT screen 3
You can make the following settings on this screen.
■ TIMELINE START TIME
CREATE PROJECT screen 1
Set the starting time used in timeline mode. Press the
EDITbutton to open a screen where you can change the
starting time.
■ TIMELINE Rec Tracks
Set the number of recording tracks used in timeline
mode.
You can make the following settings on this screen.
■ Project Name
Touch the Project Name button to open the screen where
you can edit the project name.
The maximum number of characters for project and
session names is 31. Extra characters are discarded.
■ OTHERS
■ Session Name
Touch the Current Setting button to use the current
settings of other parameters when creating the project or
touch Factory Preset to use the default settings.
Touch the Session Namebutton to open the 1st
SESSIONscreen where you can change the name of the
first session.
On the 1st SESSIONscreen, the maximum number of
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5 – Projects
5. After you complete making settings touch the
■ <- / -> buttons
Use these to move the cursor.
CREATE PROJECTbutton.
NOTE
■ Enter button
・
If a project with the same project name already exists, the CREATE
PROJECTbutton appears gray and you will not be able to create a new
project. If this happens, change the project name.
Touch this to confirm the input name.
NOTE
When the PROJECTNAMEscreen is open, you can also use an external
・
On screens 2 and 3, press the PREVbutton to return to the previous
screen.
keyboard to input names.
2. Touch the Enter button on the PROJECT NAMEscreen
6. When the confirmation message appears in a pop-up,
or press the DATA dial to confirm the project name.
press the OKbutton.
Character input limitation
The maximum number of characters allowed is indicated by the
yellow background in the project name display area. Excess
characters have a gray background and are discarded when the
Enterbutton is pressed.
Changing a project name later
1. Select the project that you want to change on the
PROJECT screen. The background of the selected
project name appears yellow.
When project creation completes, the Home Screen
reopens.
NOTE
・
Immediately after creation, the new project becomes the current
(loaded) project.
2. Touch the MENUbutton on the PROJECTscreen to
・
The letter “C” appears in the
icon, which is also highlighted yellow,
open a pull-up menu.
to the left of the name of the current project name on the PROJECT
screen.
Editing the project name
1. Touch the Project Name button on the CREATE
PROJECTscreen to open the PROJECT NAMEscreen.
3. Touch the EDIT NAMEbutton in the pull-up menu to
open the PROJECT NAMEscreen.
NOTE
When multiple projects are selected, the EDITNAMEbutton in the pull-up
menu is not available.
4. Input the project name using the procedures
■ Date button
Touch this button to change the project name to the date
currently set for the unit in a “yyyy–mm–dd” format.
described above.
5. Touch the Enterbutton on the PROJECTNAMEscreen
or press the DATA dial to confirm the project name
and return to the PROJECTscreen.
NOTE
・
If the same project name or session name already exists, an underscore
(_) followed by a number that has not been used is added.
After pressing the Datebutton to change the name to the date, you can
further edit the name on this screen.
Editing the name of the first session
Touch the Session Namebutton on the CREATE PROJECT
・
screen to open the 1st SESSIONscreen, as shown below.
■ Project name display area
The input project name is shown.
The maximum number of characters allowed is indicated
by a yellow background.
■ Character buttons
Use these to input the project name.
■ BS button
Use this to erase the character to the left of the cursor.
■ DEL button
Follow the same procedures as in “Editing the project name” on
page 35 to change the name.
Use this to erase the character to the right of the cursor.
■ Shift button
Touch this to switch between numerals and symbols and
uppercase and lowercase Roman letters.
NOTE
Session names cannot be changed later.
■ Caps button
Loading projects
1. Press the PROJECT key on the front panel to open the
Use to input uppercase letters.
■ Space button
Use to input a space.
PROJECTscreen.
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5 – Projects
5. Touch the OKbutton or press the DATA dial when a
confirmation pop-up message appears.
During rebuilding, a progress status pop-up appears. When
rebuilding completes, the pop-up disappears.
2. Select the project that you want to load.
3. Touch the MENUbutton on the PROJECTscreen to
NOTE
open a pull-up menu.
If you rebuild when no project has been selected in the PROJECTscreen, the
selected CF card is rebuilt entirely.
4. Touch the LOADbutton in the pull-up menu.
NOTE
Erasing a project
When multiple projects are selected, the LOADitem is not available.
5. Touch the OKbutton or press the DATA dial when the
confirmation pop-up message appears.
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
After loading completes the Home Screen opens.
2. Select the project that you want to erase.
Touch the MULTI SELECTbutton on the PROJECTscreen
to allow the selection of multiple projects.
3. Touch the MENUbutton on the PROJECTscreen to
open a pull-up menu.
Rebuilding projects
Rebuilding a project makes it possible to play files that were not
recorded by this unit, including files that have been copied
between sessions on the unit and audio files that have been
copied to a CF card session from a computer. These files will be
indexed by this unit.
One project selected
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Select the project that you want to rebuild.
You can touch the MULTI SELECT button on the
PROJECTscreen to allow the selection of multiple projects.
3. Touch the MENUbutton on the PROJECTscreen to
open a pull-up menu.
Multiple projects selected
4. Touch the DELETEbutton in the pull-up menu.
5. Touch the OKbutton or press the DATA dial when a
confirmation pop-up message appears.
During erasure, a progress status pop-up appears. When
erasure completes, the pop-up disappears.
One project selected
CAUTION
When you erase a project, all session folders, session data, takes and playlists
in the project are also erased.
Multiple projects selected
4. Touch the REBUILDbutton in the pull-up menu.
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5 – Projects
Session operations
Creating new sessions
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Touch the ebutton of the project to which you want
to add a session to open the session selection screen.
If it is not the current project, a pop-up window
appears confirming that you want to load it. Touch
the OKbutton.
During the creation of a session, a progress status pop-up
appears.
When session creation completes, the pop-up disappears.
NOTE
・
Immediately after creation, the new session becomes the current
(loaded) session.
・
The letter “C” appears in the
icon to the left of the name of the
current session on the session selection screen.
Loading sessions
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Touch the ebutton for the project that contains the
session that you want to load to open the session list.
If it is not the current project, a pop-up window
appears confirming that you want to load it. Touch
the OKbutton.
3. Touch the MAKE SESSIONbutton to open the MAKE
SESSIONscreen.
3. Select the session that you want to load.
4. Touch the MENUbutton on the SESSIONscreen to
open a pull-up menu.
You can make the following settings on this screen.
Session Name
Touch the Session Namebutton to open a screen
where you can change the name of the session.
The maximum number of characters for session names is
31. Extra characters are discarded. The maximum number
5. Touch the LOADbutton in the pull-up menu.
6. Touch the OKbutton or press the DATA dial when a
confirmation pop-up message appears.
of characters allowed is indicated by
background.
a
yellow
After loading completes the Home Screen opens.
TIMELINE START TIME
Press the EDITbutton to open a screen where you can
change the starting time in timeline mode.
TIMELINE Rec Tracks
Set the number of recording tracks used in timeline
mode.
Options: 2tr, 3tr, 4tr
NOTE
The letter “C” appears in the
session.
CAUTION
icon to the left of the name of the current
・
・
Session names cannot be changed later.
You cannot use the “@” symbol at the beginning of a session name.
4. Touch the MAKE SESSIONbutton.
5. Touch the OKbutton or press the DATA dial when the
confirmation pop-up message appears.
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5 – Projects
Rebuilding sessions
Copying sessions
You can copy session folders between CF 1 and CF 2 (two CF
cards are necessary). When you copy a session, the same
directory structure is created at the copy destination.
Rebuilding a session makes it possible to play back files that
were not recorded by this unit, including files that have been
copied between session folders on the unit and audio files that
have been copied to a CF card session folder from a computer.
These files will be indexed by this unit.
NOTE
・
To play copied session on this unit, you must rebuild the destination
project or session.
1. Press the PROJECT key on the front panel to open the
・
If you copy a session with a different sampling frequency into a project,
the session cannot be rebuilt.
PROJECTscreen.
2. Touch the ebutton for the project that contains the
session that you want to rebuild to open the session
selection screen. If it is not the current project, a
pop-up window appears confirming that you want to
load it. Touch the OKbutton.
3. Select the session that you want to rebuild.
Touch the MULTISELECTbutton to enable the selection of
multiple sessions.
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Touch the ebutton for the project that contains the
session that you want to copy to open the session
selection screen. If it is not the current project, a
pop-up window appears confirming that you want to
load it. Touch the OKbutton.
3. Select the session that you want to copy.
Touch the MULTISELECTbutton to enable the selection of
multiple sessions.
4. Touch the MENU button on the session selection
screen to open a pull-up menu.
4. Touch the MENU button on the session selection
screen to open a pull-up menu.
One session selected
One session selected
Multiple sessions selected
5. Touch the REBUILDbutton in the pull-up menu.
6. Touch the OKbutton or press the DATA dial when a
Multiple sessions selected
5. Touch the COPYbutton in the pull-up menu.
confirmation pop-up message appears.
6. Touch the OKbutton or press the DATA dial when a
confirmation pop-up message appears.
During rebuilding, a progress status pop-up appears.
When rebuilding completes, the pop-up disappears.
NOTE
During copying, a progress status pop-up appears.
When copying completes, the pop-up disappears.
You can also rebuild a session from that session’s take selection screen.
NOTE
If a session with the same name already exists on the destination CF card, a
message confirming that you want to overwrite the existing one appears.
Touch the OKbutton or press the DATA dial to overwrite the existing file and
copy the selected session to the destination.
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5 – Projects
Erasing sessions
1. Press the PROJECT key on the front panel to open the
Switching project screens
When you press the ENTERbutton or a folder name (project
name or session name) button on a project screen (project
selection screen, session selection screen, AES31 file selection
screen, take selection screen, playlist selection screen), a different
screen will open as shown below.
PROJECTscreen.
2. Touch the ebutton for the project that contains the
session that you want to erase to open the session
selection screen. If it is not the current project, a
pop-up window appears confirming that you want to
load it. Touch the OKbutton.
3. Select the session that you want to erase.
Touch the MULTISELECTbutton to enable the selection of
multiple sessions.
4. Touch the MENU button on the session selection
screen to open a pull-up menu.
Project selection screen
One session selected
Session selection screen
When Timeline
mode
Multiple sessions selected
5. Touch the DELETEbutton in the pull-up menu.
6. Touch the OKbutton or press the DATA dial when a
confirmation pop-up message appears.
AES31 file selection screen
When Take
mode
During erasure, a progress status pop-up appears.
When erasure completes, the pop-up disappears.
CAUTION
When you erase a session, all session data, takes and playlists in that folder
are also erased.
Take selection screen
When Playlist
mode
Playlist selection screen
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6 – Overview of operation modes
This unit has the following three operation modes.
Playlist mode functions
Timeline mode provides a working environment (session)
based on linear time similar to a tape recorder.
In timeline mode, up to 4 tracks can be recorded and played
back. Marks, including BWF–J CUE points, can also be
edited.
The following functions can be used in playlist mode.
Playlists can be edited and managed.
Auto cue, auto ready and incremental play functions are
available.
Take mode uses takes (files) as recording and playback units.
Up to 4 tracks can be played back. Marks, including BWF–J
CUE points, can also be edited.
Compatibility with JPPA flash start standards enable
importing and exporting, and the exchange of playlists with
other devices.
Playlist mode provides a playlist playback function.
In addition, single mode and dual mode each of the following
options.
Furthermore, playlist mode has both a single mode, which
allows one playlist to be played back, and a dual mode,
which allows two playlists to be played back independently.
In single mode, up to four tracks can be played during
playlist playback. In dual mode, two two-track playlists can
be played back and controlled independently.
Single mode
Unit functions as a single playback system.
Playback of polyphonic files with up to four channels is
possible at all compatible sampling frequencies (Fs).
Using a TASCAM RC–HS32PD or other remote controller,
flash start playback is possible (three pages of 32 keys each).
Playback with time code synchronization is possible.
Timeline mode functions
The following functions can be used in timeline mode.
Dual mode
Up to four channels of simultaneous recording and
playback is possible at all compatible sampling frequencies
(Fs).
Confidence monitoring during recording allows the
recorded sound to be read back from the CF card and
output simultaneously. (This function can only be used
during 2-track recording with sampling frequencies of 44.1
or 48 kHz.)
Recording on both of the CF cards in slots 1 and 2 at the
same time is possible. (This function is planed for a future
firmware version upgrade.) (Confidence monitoring cannot
be used with this function.)
Recording and playback with time code synchronization is
possible.
A single file can be created from a designated time interval
in a session using the bounce function.
Different types of marks, including BWF–J CUE points, can
be set, managed, edited and used for playback.
Reading and editing of BWF–J chunks is possible. (Support
for BEXT and CM chunks is planned for a future firmware
version upgrade.)
Unit functions as two independent playback systems (using
separate playlists for each).
Simultaneous playback of two polyphonic files with up to
two channels each is possible at all compatible sampling
frequencies (Fs).
Using a TASCAM RC–HS32PD or other remote controller,
flash start playback is possible (each player can have 6 pages
of 16 keys each or 8 pages of 12 keys each and independent
page switching).
CAUTION
・
In dual mode, the playlists must be loaded from the same session.
(Loading playlists from different sessions into player A and player B is not
possible.)
・
The same playlist cannot be loaded into both player A and player B at
the same time.
Compatibility with AES31 format allows importing,
exporting and the exchange of data with other devices
In timeline mode, playback units are called “regions,” and their
extent is shown in the track area of the Home Screen.
Take mode functions
The following functions can be used in take mode.
Up to four channels of simultaneous recording and
playback is possible at all compatible sampling frequencies
(Fs).
Confidence monitoring during recording allows the
recorded sound to be read back from the CF card and
output simultaneously. (This function can only be used
during 2-track recording with sampling frequencies of 44.1
or 48 kHz.)
Auto cue, auto ready and incremental play functions are
available.
Using a TASCAM RC–HS32PD or other remote controller,
flash start playback is possible (three pages of 32 keys each).
Different types of marks, including BWF–J CUE points, can
be set, managed, edited and used for playback.
Reading and editing of BWF–J chunks is possible. (Support
for BEXT and CM chunks is planned for a future firmware
version upgrade.)
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6 – Overview of operation modes
Selecting the operation mode
1. Press the MENU key on the front panel to open the
MENUscreen.
2. Press the OPERATION MODEbutton to open the
OPERATION MODEscreen.
3. Press the button for the mode that you want to use to
select it.
The button for the selected mode appears yellow.
TIME LINE MODE
TAKE MODE
PLAYLIST MODE (SINGLE)
PLAYLIST MODE (DUAL)
4. Press the SETbutton to enable the selected mode
and return to the Home Screen.
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7 – Timeline mode
In this chapter, we explain how to use the timeline mode. To use
this unit in timeline mode, set the unit’s operation mode to
TIMELINE MODE. (See “Selecting the operation mode” on the
previous page.)
4. Touch the OKbutton when the confirmation pop-up
message appears.
When creation of the project completes, the Home Screen
reopens.
Please refer to “4 – Basic operation” when reading this chapter.
Creating new sessions
Create new sessions as necessary. You do not need to create a
new session if you plan to record into an existing one.
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Touch the ebutton of the project in which you want
to create a new session to open its session selection
screen.
Preparing to record
Basic preparations
Refer to “4 – Basic operation” and make the basic preparations
for recording.
Creating a new project
Create new projects as necessary. You do not need to create
a new project if you plan to record into an existing one.
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Press the CREATE PROJECTbutton on the PROJECT
screen to open the CREATE PROJECTscreen.
3. Touch the MAKE SESSIONbutton to open the MAKE
SESSIONscreen.
On this screen, set the project name, the name for the first
session, the sampling frequency and the sampling
frequency written to the BWF chunk in recorded audio files.
Touch the NEXTbutton to open the next page.
4. Touch the Session Name button to open the
SESSION NAMEscreen where you can change the
session name.
Set the frame type then bit length.
Touch the NEXTbutton to open the next page.
To input the session name follow the same procedures in
“Editing the project name” on page 35.
NOTE
You cannot use the “@” symbol at the beginning of a session name.
5. Touch the Enterbutton or press the DATA dial to
return to the MAKE SESSIONscreen.
6. If necessary, set the timeline starting time and
number of recording tracks.
7. When you have finished making settings, press the
Finally, set the starting time and number of tracks to be
recorded in timeline mode, and then set whether other
settings should be retained from the currently open project
or whether the factory defaults should be used instead.
For further details about these settings, see “Creating new
projects” on page 34.
MAKE SESSIONbutton.
8. Touch the OKbutton or press the DATA dial when the
confirmation pop-up message appears.
3. After you complete making settings touch the
CREATE PROJECTbutton.
After session creation completes, the Home Screen opens.
For details about session operations, see “Session operations” on
page 37.
NOTE
If a project with the same project name already exists, the CREATE
PROJECTbutton appears gray and you will not be able to create a new
project. If this happens, change the project name.
You can also touch the CREATEPROJECTbutton on CREATEPROJECT
screens 1/3 and 2/3 to create a project.
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7 – Timeline mode
Arming tracks for recording
1. Press the HOME key on the front panel to open the
Home Screen.
On the REC MODE page, you can turn confidence
monitoring on or off. For details, see “Confidence
monitoring” on page 88.
Setting the file format
Touch the FILEFORMATtab on the RECSETUPscreen to open
the following screen.
2. Touch the REC/MONbutton to open a pull-up with
REC and MONbuttons.
On the FILE FORMATpage, set bit-length, maximum file size,
and how files are treated when recording is paused. The selected
items appear light blue.
For details, see “FILE FORMAT page” on page 71.
NOTE
In timeline mode, you cannot select the file mode. The mono file recording
folder setting cannot be changed.
To arm tracks for recording, touch their record arm buttons.
When a track is armed to record, its button appears red.
NOTE
Other recording settings
Touch the OPTIONStab of the REC SETUPscreen to open the
following screen.
In the current version, all tracks are armed for recording together. They
cannot be individually armed. Record arming by track is planned in a future
version upgrade.
Recording mode settings
1. Press the MENU key on the front panel to open the
MENUscreen.
On the OPTIONSpage, you can set the pre-recording time and
the use of auto markers. For details, see “OPTIONS page” on page
72.
2. Press the REC SETUPbutton to open the REC SETUP
screen.
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7 – Timeline mode
Stopping recording
To stop recording, press the STOP (RETAKE) key.
Making a recording
Locate to the recording start position
Retaking a recording
Press the STOP (RETAKE) key while pressing and holding the
SHIFT key to erase the last recorded region. The recorded sound
file itself will remain as a take.
Even if you press the PAUSE key during recording to create
multiple consecutive regions (files) during recording, all regions
from the start to the end of recording will be erased.
Use the m[
] and ,[
] keys, jump to a mark or
use the manual locate function to locate to the time where you
want to start recording.
When time code synchronization is ON, recording will occur at
the input time code, so locating as described above is not
necessary.
Recording
When unit is stopped, press the REC key to put the unit into
recording standby. At this time, the
transport status.
icon indicates this
In recording standby, press the PLAY key to start recording at
the located point (current point). When synchronized to time
code, recording starts at the time input by time code at the
moment that the PLAY key is pressed.
The transport status display at the top left of the Home Screen
changes into the recording status display and part of the
background of the Home Screen becomes red, indicating that
the unit is recording. The time counter starts at the same time.
When the elapsed time (ABS time) from the beginning of the
timeline reaches 23:59:59:MM (MM is the maximum number of
frames), “RECORDstopped.ABStimeisover24h” appears
in a pop-up message and recording stops.
NOTE
When stopped, pressing the PLAY key while pressing and holding the REC
key will also start recording.
Overwriting a recording
During playback, press the REC and PLAY keys simultaneously
to start recording instantaneously from that point.
NOTE
・
・
Recording can also be controlled using parallel control (except retaking).
When in recording standby, the parallel control signals output are high
for TALLY_RECORD and low for TALLY_PAUSE.
When in recording standby, the REC and PAUSE keys on the front panel
will be lit.
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7 – Timeline mode
Locate to the playback start position
Playback in timeline mode
Use the m[
] and ,[
] keys, jump to a mark or
use the manual locate function to locate to the time where you
want to start playback
When time code synchronization is ON, playback will occur at
the input time code, so locating as described above is not
necessary.
Project/session selection
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
Playback control in timeline mode
Press the PLAY key to start playback.
Press the PAUSE key to pause playback.
Press the PLAY key again to resume playback.
Press the STOP (RETAKE) key to stop playback.
Press the .[MARK.] key or / [MARK/] key to skip
to the start of another region.
Press and hold the m[
] or ,[
] key to search
backward or forward.
Press the .[MARK.] or /[MARK/] key while
pressing and holding the SHIFT key to move between marks.
Press and hold the m[
] or ,[
] key while
pressing and holding the SHIFT key to search at high-speed.
While pressing the STOP key, press the .[MARK .] key or/
[MARK/] key to skip to the beginning of the first region
recorded or the end of the last region. (This only works with
the front panel keys.)
2. Touch the ebutton next to the project that you want
to play to open the session selection screen. If it is not
the current project,
a
pop-up window appears
NOTE
confirming that you want to load it. Touch the OK
button.
Playback functions can also be used through parallel control.
3. Touch a session name button to select that session.
Using the call function
Press the CALL (CHASE) key to locate to the point where
playback was last started from playback standby (call point) and
put the unit in playback standby mode.
4. Touch the MENUbutton to open a pull-up menu and
touch the LOADbutton.
The “Load selected Session?” pop-up appears.
BWF–J cue point
When the Follow BWF–J item is set to ON, if a BWF–J cue point is
detected during playback, the following corresponding
operation will occur. In addition, if the BWF–J Tally Out item is set
to ON, in response to each BWF–J cue point, the CUE signal and
tally signal will be output from the parallel remote connector.
However, when playback is synchronized with time code, only
the CUE signal and tally signal will be output.
5. Touch the OKbutton.
When loading completes, the Home Screen opens.
Setting input monitoring
Turn input monitoring OFF for the channels (tracks) that you are
playing back. If input monitoring is ON for a channel, sound will
be input through the corresponding input connector.
BC$STANDBY
When a session is loaded, the transport
locates to the first BC$STANDBY point that
occurs and pauses. During playback,
playback pauses when this point is
reached. In either case, a BC$STANDBY tally
is output.
1. Touch the REC/MONbutton on the Home Screen to
open a pull-up with RECand MONbuttons.
BC$CM
During playback, when this point is
reached, a BC$CM CUE signal is output.
During playback, when this point is
reached, a BC$END CUE signal is output.
During playback, when this point is
reached, a BC$STOP CUE signal is output,
and playback stops.
BC$END
BC$STOP
BC$FILE
During playback, when this point is
reached, a BC$END CUE signal is output. If
the beginning of a following entry
(BC$STANDBY CUE point) exists, that CUE
will be followed.
2. If input monitoring is on for any playback channels
(MON buttons appear blue), touch those MON
buttons to turn them off (turning them gray).
BC$PAUSE
During playback, when this point is
reached, a BC$PAUSE tally is output, and
playback pauses.
Setting the online function
Refer to “Online functions” on page 89 and make settings for the
online outputs.
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7 – Timeline mode
Exporting AES31 editing information
You can export the currently loaded session to an AES31 file. The
exported file is created in the current session.
Importing and exporting AES31
editing information
1. Press the HOME key on the front panel to open the
Home screen.
2. Touch the session name button on the Home Screen to
open a pull-down menu.
Importing AES31 editing information
You can import AES31 editing information located in the current
session to the currently loaded session.
When viewed on a computer, the directory of the CF card should
be as follows.
{CF drive name}:\{project name}\{session name}\{AES31 editing
information}
NOTE
You cannot import an AES31 editing information file from a folder other than
that of the current session.
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Touch the ebutton next to the project that contains
the session with the AES31 editing information that
you want to import to open the session selection
screen. If it is not the current project, a pop-up
window appears confirming that you want to load it.
Touch the OKbutton.
3. Press the EXPORT AES31button on the pull-up menu
to open the AES31 NAMEscreen where you can input
the AES31 data file name.
3. Touch the e button for the session with the AES31
editing information that you want to import to open the
AES31 selection screen. If it is not the current session,
a pop-up window appears confirming that you want
to load it. Touch the OKbutton.
If AES31 editing files are found in the session, they appear in
the list.
Input the file name. Follow the procedures in “Editing the
project name” on page 35.
NOTE
If the current session has already had an AES31 file imported or exported, a
pop-up window appears confirming that you want to overwrite that file.
TIP
If you press the INFObutton after selecting a file by touching the filename
area, the date and time last changed and the file size of that file are shown.
Touch the OKbutton to overwrite that file or press the RENAMEbutton to
open the AES31NAMEscreen.
4. Press the e button next to the AES31 editing
information file that you want to import.
5. When a confirmation message pop-up appears, touch
4. Touch the Enterbutton on the AES31NAMEscreen or
press the DATA dial.
5. When a confirmation message pop-up appears, touch
the OKbutton or press the DATA dial.
the OKbutton or press the DATA dial.
While importing AES31 editing information, a progress
status pop-up appears.
When importing completes, the pop-up disappears.
While the file is being created, a progress status pop-up
appears.
When file creation completes, the pop-up disappears.
NOTE
NOTE
The imported contents replace contents in the current session.
After importing, touch the session name button to open the pull-down menu,
and touch the Savebutton to save the session to the CF card.
If a file with the same name already exists, a pop-up window opens to
confirm whether you want to overwrite that file or not. Touch the OKbutton
to overwrite that file, or touch the CANCELbutton to return to the AES31
NAMEscreen.
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7 – Timeline mode
completion and the Home Screen reopens.
Editing regions
You can cut, erase and divide regions.
1. Press the HOME key to open the Home Screen.
The EDITpull-up window will still be open.
Erasing a region (Erase)
You can erase a region without changing the positions of the
following regions. (The erased region becomes silent.)
▼
2. Touch the EDIT MODEbutton to enter edit mode.
1. Use the PLAY, mand ,keys, for example, to move
the timeline cursor to the region that you want to erase.
2. Touch the EDITbutton, and touch the Erasebutton in
the pull-up menu.
After erasing a region, a pop-up window appears showing
completion and the Home Screen reopens.
The EDITpull-up window will still be open.
The EDIT MODEbutton becomes white with red lettering,
and the REC/MON, Bounce I/Oand NEXT TAKE NAME
buttons disappear and are replaced by the EDITbutton.
The region where the timeline cursor (blue vertical line) is
becomes light blue, showing that it is the one that can be
edited.
Dividing a region (Divide)
You can divide the selected region at the position of the timeline
cursor into two regions.
▼
If the timeline cursor is on a border between regions, the
one to the right can be edited.
3. Touch the EDITbutton to open a pull-up menu.
1. Use the PLAY, mand ,keys, for example, to move
the timeline cursor to the time where you want to divide
the region.
2. Touch the EDITbutton, and touch the Dividebutton
in the pull-up menu.
After dividing a region, a pop-up window appears showing
completion and the Home Screen reopens.
The EDITpull-up window will still be open.
Undoing the previous edit (UNDO)
You can undo the previous cut, erase or divide edit.
1. Touch the EDITbutton, and touch the UNDObutton in
the pull-up menu.
The pull-up menu includes three buttons used for
editing—Cut, Eraseand Divide—and the UNDOand
REDObuttons.
NOTE
After undoing an edit, a pop-up window appears showing
completion and the Home Screen reopens.
If you do not save a session after editing it, all changes will be cleared when
you load another session, remove a CF card or turn off the unit’s power, for
example.
Cutting a region (Cut)
You can erase the selected region and move the following
regions forward.
▼
The EDITpull-up window will still be open.
NOTE
If no editing has been conducted, the UNDObutton is disabled. The
UNDObutton appears with white letters when it is possible to undo an
edit.
1. Use the PLAY, mand ,keys, for example, to move
the timeline cursor to the region that you want to cut.
2. Touch the EDITbutton, and touch the Cutbutton in the
pull-up menu.
Only the last edit can be undone. Undoing earlier edits is not possible.
After cutting a region, a pop-up window appears showing
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7 – Timeline mode
Redoing an edit (REDO)
After undoing an edit, you can redo it.
1. Touch the EDITbutton, and touch the REDObutton in
the pull-up menu.
After redoing an edit, a pop-up window appears showing
completion and the Home Screen reopens.
Input the file name. Follow the procedures in “Editing the
project name” on page 35.
10. Touch the Enterbutton on the BOUNCE NAMEscreen.
11. When a confirmation message pop-up appears, touch
the OKbutton or press the DATA dial.
The EDITpull-up window will still be open.
NOTE
If no edit has been undone, the REDObutton is disabled. The REDO
button appears with white letters when it is possible to redo an edit.
Only the last undone edit can be redone. Redoing multiple undo
operations is not possible.
Bouncing
You can output part of a region or an interval that crosses
multiple regions as a single take.
While the file is being created, a progress status pop-up
appears.
When file creation completes, the pop-up disappears.
NOTE
Designating the bounce starting point
1. Press the HOME key to open the Home Screen.
You can cancel a bounce by pressing the CANCELbutton while the progress
pop-up window is open.
2. Use the mand ,keys, for example, to locate the
bounce start point (time).
3. Touch the Bounce I/Obutton to open a pull-up
Clearing the bounce starting and ending points
12. Touch the Bounce I/Obutton to open a pull-up with
buttons related to bouncing.
13. Touch the CLEAR button on the pull-up menu to
menu with buttons related to bouncing.
discard the currently set IN and OUT points.
14. When a confirmation message pop-up appears, touch
the OKbutton or press the DATA dial. The IN ( ) and
OUT
(
)
marks in the mark display area will
disappear.
Saving a session
If you do not save a session after editing it, including adding or
changing marks, all changes will be cleared when you load
another session, remove a CF card or turn off the unit’s power,
for example.
4. Touch the SET INbutton on the pull-up menu to set
the bounce starting point (IN point).
The IN mark ( ) appears at the current position in the mark
display area.
NOTE
Designating the bounce ending point
5. Use the mand ,keys, for example, to locate the
After regions have been edited or marks have been added or edited in a
session, an “*” appears in the session name icon.
bounce ending position (time).
1. Press the HOME key to open the Home Screen.
6. Touch the Bounce I/Obutton to open a pull-up with
2. Touch the session name button on the Home Screen, and
then touch the SAVEbutton in the pull-down menu to
save the session.
buttons related to bouncing.
7. Touch the SET OUTbutton on the pull-up menu to set
the bounce ending point (OUT point).
The OUT mark ( ) appears at the current position in the
mark display area.
Bouncing the interval
8. Touch the Bounce I/Obutton to open a pull-up with
buttons related to bouncing.
9. Touch the BOUNCEbutton on the pull-up menu to
open the BOUNCE NAMEscreen where you can input
the bounce file name.
After saving completes, the Home Screen reopens.
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8 – Take mode
In this chapter, we explain how to use the take mode. To use this
unit in take mode, set the unit’s operation mode to TAKE MODE.
(See “Selecting the operation mode” on page 41.)
Please refer to “4 – Basic operation” on page 26 when reading
this chapter.
message appears.
When creation of the project completes, the Home Screen
reopens.
Creating new sessions
Create new sessions as necessary. You do not need to create a
new session if you plan to record into an existing one.
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Touch the ebutton of the project in which you want
to create a new session to open its session selection
screen. If it is not the current project, a pop-up
window appears confirming that you want to load it.
Touch the OKbutton.
Preparing to record
Basic preparations
Refer to “4 – Basic operation” and make the basic preparations
for recording.
Creating a new project
Create new projects as necessary. You do not need to create a
new project if you plan to record into an existing one.
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Press the CREATE PROJECTbutton on the PROJECT
screen to open the CREATE PROJECTscreen.
3. Touch the MAKE SESSIONbutton to open the MAKE
SESSIONscreen.
On this screen, set the project name, the name for the first
session, the sampling frequency and the sampling
frequency written to the BWF chunk in recorded audio files.
Touch the NEXTbutton to open the next page.
4. Touch the Session Name button to open the
SESSION NAMEscreen where you can change the
session name.
Set the frame type then bit length.
Touch the NEXTbutton to open the next page.
To input the session name follow the same procedures in
“Editing the project name” on page 35.
NOTE
You cannot use the “@” symbol at the beginning of a session name.
5. Touch the Enterbutton or press the DATA dial to
return to the MAKE SESSIONscreen.
6. If necessary, set the timeline starting time and
number of recording tracks.
7. When you have finished making settings, press the
Finally, set the starting time and number of tracks to be
recorded in timeline mode, and then set whether other
settings should be retained from the currently open project
or whether the factory defaults should be used instead.
For further details about these settings, see “Creating new
projects” on page 34.
MAKE SESSIONbutton.
8. Touch the OKbutton or press the DATA dial when the
confirmation pop-up message appears.
3. After you complete making settings touch the
CREATE PROJECTbutton.
After session creation completes, the Home Screen opens.
NOTE
For details about session operations, see “Session operations” on
page 37.
If a project with the same project name already exists, the CREATEPROJECT
button appears gray and you will not be able to create a new project. If this
happens, change the project name.
4. Touch the OKbutton when the confirmation pop-up
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8 – Take mode
Arming tracks for recording
1. Press the HOME key on the front panel to open the
Home Screen.
On the REC MODE page, you can turn confidence
monitoring on or off. For details, see “Confidence
monitoring” on page 88.
Setting the file format
Touch the FILEFORMATtab on the RECSETUPscreen to open
the following screen.
2. Touch the REC/MONbutton to open a pull-up with
REC and MONbuttons.
On the FILE FORMATpage, set bit-length, maximum file size,
and how files are treated when recording is paused. The selected
items appear light blue.
For details, see “FILE FORMAT page” on page 71.
NOTE
In take mode, you cannot select the file mode. The mono file recording folder
setting cannot be changed.
To arm tracks for recording, touch their record arm buttons.
When a track is armed to record, its button appears red.
Other recording settings
Touch the OPTIONStab of the REC SETUPscreen to open the
following screen.
Recording mode settings
1. Press the MENU key on the front panel to open the
MENUscreen.
On the OPTIONSpage, you can set the pre-recording time and
the use of auto markers. For details, see “OPTIONS page” on page
72.
2. Press the REC SETUPbutton to open the REC SETUP
screen.
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Stopping recording
To stop recording, press the STOP (RETAKE) key.
Making a recording
Recording
When unit is stopped, press the REC key to put the unit into
recording standby. At this time, the
transport status.
In recording standby, press the PLAY key to start recording.
The transport status display at the top left of the Home Screen
changes into the recording status display and part of the
background of the Home Screen becomes red, indicating that
the unit is recording. The time counter starts at the same time.
Retaking a recording
Press the STOP (RETAKE) key while pressing and holding the
SHIFT key to erase the last recorded take. (The recorded audio
file itself will be erased.)
If you press the PAUSE key during recording to record multiple
consecutive takes (files) and the PAUSE MODEitem is set to
SPLIT, this will only erase the last take. If it is set to NO SPLIT,
the recording is not split into multiple takes, so this will erase the
entire recording from start to finish.
icon indicates this
NOTE
When stopped, pressing the PLAY key while pressing and holding the REC
For details about the PAUSE MODEitem see the FILE FORMAT
page on page 71.
key will also start recording.
NOTE
・
・
Recording can also be controlled using parallel control (except retaking).
In take mode, even if you press the REC and PLAY keys at the same time
during playback, you cannot overwrite a recording.
・
When in recording standby, the parallel control signals output are high
for TALLY_RECORD and low for TALLY_PAUSE.
When in recording standby, the REC and PAUSE keys on the front panel
will be lit.
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8 – Take mode
Playback
Project/session/take selection
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
6. Touch the LOADbutton in the pull-up menu.
7. When a confirmation message appears in the pop-up
window, touch the OKbutton or press the DATA dial.
When loading completes, the Home Screen opens.
NOTE
You can also press the ebutton for a take to load it.
In this case, no pop-up window appears, and the take selection screen
remains open after loading (the Home screen does not reopen.)
NOTE
You can also touch the session/take name area on the Home Screen to open
the PROJECTscreen.
Setting input monitoring
Turn input monitoring OFF for the channels (tracks) to be played
back. When input monitoring is ON for a channel, sound will be
input through that channel’s audio input.
2. Touch the ebutton for the project that contains the
take you want to load to open the session selection
screen. If it is not the current project, a pop-up
window appears confirming that you want to load it.
Touch the OKbutton.
1. Touch the REC/MONbutton on the Home Screen to open
a pull-up with RECand MONbuttons.
3. Touch the ebutton for the session that contains the
take you want to load to open the take selection
screen. If it is not the current session, a pop-up
window appears confirming that you want to load it.
Touch the OKbutton.
2. If input monitoring is on for any playback channels (MON
buttons appear blue), touch those MONbuttons to turn
them off (turning them gray).
Setting the online function
Refer to “Online functions” on page 89 for details about making
settings for the online outputs.
Playback control
Press the PLAY key to start playback.
Press the PAUSE key to pause playback.
Press the PLAY key again to resume playback.
Press the STOP (RETAKE) key to stop playback.
Press the.[MARK.] key or /[MARK/] key to
switch takes.
NOTE
To load a take from the current session, instead of steps 1–4 above, touch the
session name button at the top right of the project screen or touch the take
name button on the Home Screen, and touch the TAKEListbutton in the
pull-down menu to open the take selection screen for the current session.
4. Select the take that you want to load.
5. Touch the MENUbutton in the take selection screen to
open the pull-up menu.
Press and hold the m[
] or ,[
] key to search
backward or forward.
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8 – Take mode
Press the .[MARK.] or /[MARK/] key while
pressing and holding the SHIFT key to move between marks.
Press and hold the m[
] key or ,[
] key while
pressing and holding the SHIFT key to search at high-speed.
NOTE
・
On the PLAYSETUPscreen, you can set whether only the currently
selected take is played or whether all the takes within the current session
are played. You can also enable and disable repeat playback. (See
“Playback settings (PLAY SETUP)” on page 73.)
・
Playback functions can also be used through parallel control.
Using the call function
Press the CALL (CHASE) key to locate to the point where
playback was last started from playback standby (call point) and
put the unit in playback standby mode.
BWF–J cue point
When the Follow BWF–J item is set to ON, during playback if a
BWF–J cue point is detected, the following corresponding
operation will occur. In addition, if the BWF–J Tally Out item is set
to ON, in response to each BWF–J cue point, the CUE signal and
tally signal will be output from the parallel remote connector.
BC$STANDBY
When a take is loaded, the transport
locates to this point as the playback start
point. During playback, playback pauses
when this point is reached. In either case, a
BC$STANDBY tally is output.
BC$CM
During playback, when this point is
reached, a BC$CM CUE signal is output.
During playback, when this point is
reached, a BC$END CUE signal is output.
During playback, when this point is
reached, a BC$STOP CUE signal is output,
and playback stops.
BC$END
BC$STOP
BC$FILE
During playback, when this point is
reached, a BC$END CUE signal is output. If
the beginning of a following take
(BC$STANDBY CUE point) exists, that CUE
will be followed.
BC$PAUSE
During playback, when this point is
reached, a BC$PAUSE tally is output, and
playback pauses.
Using the flash start function in take mode
Using a TASCAM RC–HS32PD (sold separately) or other remote
controller, flash start playback is possible.
For details, see “Flash start function” on page 90.
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8 – Take mode
8. Use the number buttons to input the take start time.
・If you begin input without selecting a digit, input will start
from the smallest one.
Take operations
・To input a specific digit, touch it to make its background
yellow, and then use the number buttons or the DATA
dial to enter two digits at a time.
Changing the start time of a take
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
・Touch the CLEARbutton to erase all entered values.
2. Touch the ebutton for the project that contains the
take for which you want to edit the start time to open
the session selection screen. If it is not the current
project, a pop-up window appears confirming that
you want to load it. Touch the OKbutton.
3. Touch the ebutton for the session that contains the
take for which you want to edit the start time to open
the take selection screen. If it is not the current
session, a pop-up window appears confirming that
you want to load it. Touch the OKbutton.
9. Touch the ENTERbutton to confirm the setting.
TIP
・
・
This can also be edited using an externally connected keyboard.
Press the keyboard’s ESC key to clear all the values.
10. When the confirmation pop-up window appears,
touch the OKbutton or press the DATA dial.
NOTE
To load a take from the current session, instead of steps 2–3, touch the
session name button at the top right of the project screen or touch the take
name button on the Home Screen, and touch the TAKEListbutton in the
pull-down menu to open the take selection screen for the current session.
4. Select the take that you want to edit the start time.
5. Touch the MENUbutton on the take selection screen
to open a pull-up menu.
6. Press the EDITTCbutton in the pull-up menu to open
the TAKE TCscreen.
7. On the TAKE T/Cscreen, use the FRAME EDITbutton
to set whether or not to input the frame value.
Frame edit on
Frame edit off
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8 – Take mode
Using @ with take names
Select a take and touch the CIRCLE TAKEbutton to add an “@”
to the beginning of that take’s name. If that take already has “@”
at its beginning, touch this to remove it.
You can also touch a take name button on the Home Screen,
and touch the CIRCLE TAKEbutton in the pull-down menu
that opens to add “@” to or remove “@” from the beginning of
that take name.
NOTE
This function is not available in versions 1.00–1.05. It is available with a
version upgrade.
TIP
Use this function to add “@” to good takes, for example.
CAUTION
Take names cannot be edited.
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9 – Playlist mode
In this chapter, we explain how to use the playlist mode. To use
this unit in playlist mode, set the unit’s operation mode to
PLAYLIST MODE. (See “Selecting the operation mode” on page
41.)
Please refer to “4 – Basic operation” on page 26 when reading
this chapter.
NOTE
Playlist operations
If you touch a ebutton to load a session, this pop-up window will not open.
When loading a session completes, the last loaded playlist is
automatically loaded (or a default playlist is created for a
new session) and the Home Screen reopens.
Loading project/sessions
Takes/files can only be added to the playlist from the currently
loaded session.
When takes/files that are in other sessions are added to a playlist
they are copied to the current session.
Load the session first.
Creating a new playlist
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
1. Press the PROJECT key on the front panel to open the
2. Touch the ebutton for the project in which you want
to create a new playlist to open the session selection
screen. If it is not the current project, a pop-up
window appears confirming that you want to load it.
Touch the OKbutton.
PROJECTscreen.
3. Touch the ebutton for a session where you want to
create a new playlist to open the playlist selection
screen. If it is not the current session, a pop-up
window appears confirming that you want to load it.
Touch the OKbutton.
2. Touch the ebutton for the project that you want to
NOTE
select to open the session selection screen. If it is not
When you create a session, three playlists are created automatically—for
single mode and for A and B in dual mode.
the current project,
a
pop-up window appears
confirming that you want to load it. Touch the OK
button.
4. Touch the NEW/IMPORTbutton to open a pull-up
menu.
3. Touch the name of the session to select it.
Its background appears yellow.
4. Touch the MENU button on the session selection
screen to open a pull-up menu.
5. Touch the NEWbutton in the pull-up menu to open
the PLAYLIST NAMEscreen where you can input the
playlist name.
5. Press the LOADbutton in the pull-up menu.
NOTE
You can also load a session by pressing its ebutton. In this case, if it is not the
current session, a pop-up window appears confirming that you want to load
it. Touch the OKbutton.
6. Touch the OKbutton or press the DATA dial when a
confirmation pop-up message appears.
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9 – Playlist mode
To enter the playlist name, follow the procedures in “Editing
the project name” on page 35.
If it is not the current session, a pop-up window appears
confirming that you want to load it. Touch the OK
button.
6. Touch the Enterbutton or press the DATA dial.
4. Touch the NEW/IMPORTbutton to open a pull-up
7. When the confirmation message pop-up appears, in
single mode, touch the OKbutton or press the DATA
dial to confirm the session name. In dual mode, touch
the LOAD to Abutton to load the playlist to player A
after it is created, or touch the LOAD to Bbutton to
load the playlist to player B.
menu.
5. Touch the IMPORT button in the pull-up menu to
open the IMPORT PPLscreen.
Single mode
Dual mode
While the playlist is being created, a progress status pop-up
appears.
When playlist creation completes, the pop-up disappears.
A list will be shown of all the JPPA PPL files found within the
"_playlists" folder under the session folder.
6. Touch the ebutton for the PPL file that you want to
NOTE
load.
In single mode, “C” (current) appears inside the icon of the currently loaded
playlist. In dual mode, “A” appears inside the icon of the playlist loaded for
player A and “B” appears inside the icon of the playlist loaded for player B.
NOTE
Touch a name in the list to select a file, and the touch the Info button to show
file information.
7. Touch the OK button or press the DATA dial when the
Creating a playlist from a JPPA PPL file
confirmation pop-up message appears.
You can create a playlist by loading a JPPA PPL format file.
Playlist files must be placed inside “_playlists” folders (directories),
which are in session folders, on the CF card in advance.
When viewed on a computer, the directory of the CF card should
be as follows.
{CF drive name}:\{project name}\{session name}\_playlists\{JPPA
PPL file name}
CAUTION
While the playlist is being created, a progress status pop-up
appears.
When playlist creation completes, the pop-up disappears.
After importing, a playlist is created in this session.
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
NOTE
2. Touch the ebutton for the project that contains the
session in which you want to load a PPL file to open
the session selection screen.
・
If the PPL file contains multiple output ports, a playlist will be created for
each output port.
After a playlist is created it becomes the currently loaded playlist.
・
If it is not the current project, a pop-up window appears
confirming that you want to load it. Touch the OK
button.
CAUTION
When a JPPA PPL format file is loaded, playlists are created for both player A
and player B.
3. Touch the e button for the current session to open
the playlist selection screen.
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9 – Playlist mode
confirming that you want to load it. Touch the OK
Changing a playlist name later
You can change playlist names later.
1. Press the PROJECT key on the front panel to open the
button.
4. Select the playlist that you want to load.
5. Touch the MENU button on the Playlist selection
PROJECTscreen.
screen to open a pull-up menu.
2. Touch the ebutton for the project that contains the
playlist for which you want to change the name to
open the session selection screen.
If it is not the current project, a pop-up window appears
confirming that you want to load it. Touch the OK
button.
3. Touch the ebutton for the session that contains the
playlist for which you want to change the name to
open the playlist selection screen.
If it is not the current session, a pop-up window appears
confirming that you want to load it. Touch the OK
button.
Single mode
4. Select the playlist that you want to change. The
background of the selected playlist name appears
yellow.
5. Touch the MENUbutton to open a pull-up menu.
Dual mode
6. In single mode, touch the LOADbutton in the pull-up
menu. When in dual mode, press the LOAD to Aor
LOAD to Bbutton to load it to the desired player.
7. When a confirmation message pop-up appears, touch
the OK button or press the DATA dial.
6. Touch the EDIT NAMEbutton in the pull-up menu to
open the PLAYLIST NAMEscreen.
Single mode
NOTE
The EDITNAMEbutton in the pull-up menu cannot be selected if the loaded
playlist is selected, if multiple playlists are selected or if the selected playlist is
not visible (scrolled off screen).
7. Input the playlist name. Follow the procedures in
Dual mode
“Editing the project name” on page 35.
After loading completes, the Home Screen opens.
8. Touch the Enter button on the PLAYLIST NAME
screen or press the DATA dial to confirm the playlist
name and return to the playlist selection screen.
NOTE
On the playlist selection screen, instead of touching the MENUbutton
followed by the LOADbutton (or LOADtoA/Bbutton) in the pull-up menu
item, you can also press the ebutton for the playlist that you want to play
back to load it.
Loading playlists
1. Press the PROJECT key on the front panel to open the
When in single mode, the same pop-up message as above appears. Touch
the OKbutton or press the DATA dial.
When in dual mode, the pop-up window has LOADtoAand LOADtoB
buttons. Touch the one for the desired player.
PROJECT screen.
2. Touch the ebutton for the project that contains the
playlist you want to load to open the session
selection screen.
If it is not the current project, a pop-up window appears
confirming that you want to load it. Touch the OK
button.
3. Touch the ebutton for the session that contains the
playlist you want to load to open the playlist
selection screen.
If it is not the current session, a pop-up window appears
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9 – Playlist mode
Sorting contents in a playlist
You can sort items in a playlist in order of start time. (This
function is planned for a future firmware version upgrade.)
Deleting a playlist
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
2. Touch the ebutton for the project that contains the
playlist you want to delete to open the session
selection screen.
If it is not the current project, a pop-up window appears
confirming that you want to load it. Touch the OK
button.
3. Touch the ebutton for the session that contains the
playlist you want to delete to open the playlist
selection screen.
If it is not the current session, a pop-up window appears
confirming that you want to load it. Touch the OK
button.
4. Select the playlist that you want to delete.
Touch the MULTISELECTbutton to enable the selection of
multiple playlists.
5. Touch the MENU button on the Playlist selection
screen to open a pull-up menu.
6. Touch the DELETEbutton in the pull-up menu.
7. Touch the OKbutton or press the DATA dial when a
confirmation pop-up message appears.
During erasing, a progress status pop-up appears.
When erasing completes, the pop-up disappears.
NOTE
You cannot delete the currently loaded playlist.
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9 – Playlist mode
information pop-up for that entry.
When an entry is not selected, press this button to show
information about the current playlist.
Editing a playlist (adding, clearing
and editing entries)
7
PLAY buttons
○
A playback unit in a playlist is called an “entry”.
Touch to play the corresponding entry. These turn green
during playback of the corresponding entries. Touch one
during playback to stop playback of the corresponding
entry.
A maximum of 100 entries can be added to a playlist.
Only takes (files) in the session in which the playlist was created
can be added as entries. When a take (file) that is in another
session in the same project is added to a playlist, it is copied to
the session where the playlist was made.
Even during playback of a playlist, entries can be added to or
removed from it and their names can be changed. The entry that
is currently playing, however, cannot be changed.
8
○
Scroll buttons
Use these buttons to scroll to the beginning or end of the
take list or session list, or to scroll one page (five lines)
forward or backward. You can also scroll through the entry
list one line at a time using the DATA dial.
Use the Entry list and Assign file screens to edit playlists.
9 START TC/LENGTH display
○
Entry list screen
To open this screen, touch a take or entry name button on the
Home Screen to open a pull-down menu and touch the ENTRY
LISTbutton, or touch the ENTRYgpart of the
The entry starting time or entry length (time) is shown. The
START TC/LENGTH button item shown in white is
currently displayed.
10 MULTI SELECT button
○
ENTRYgtASSIGNbutton on the ASSIGN screen.
Touch to enable the selection of multiple entries.
11 MENU button
○
1
2
Touch to open a pull-up menu where you can select
3
4
CLEAR, ADJUST, SAVE(in dual mode, SAVE A+B), SAVE
AS(in dual mode, SAVE AS(x): where X is the current
player mode shown by the A/B buttons) and EXPORT PPL.
7
8
5
6
Assign File screen
To open this screen, touch a take or entry name button on the
Home Screen to open a pull-down menu and touch the ASSIGN
FILEbutton, or touch the tASSIGNpart of the
ENTRYgtASSIGNbutton on the ENTRY list screen.
9
1
11
12
13
1
○
ENTRY gtASSIGN button
Switches between the entry list and ASSIGN file screens.
16
17
14
15
Touch the tASSIGNpart to open the ASSIGN file screen.
2
○
A/B buttons/indicators (dual mode only)
These show which player’s playlist is currently selected. The
selected player’s button appears light blue.
18
Touch the Abutton to open the playlist entry list for Player A
or the Bbutton to open the playlist entry list for Player B.
3
○
Playlist name display
The current playlist name is shown.
21
4
○
START TC/LENGTH button
19
20
Touch this area to switch between showing the starting
time (START TC) and the length (LENGTH) in the START
TC/LENGTHcolumn. The one shown in white is currently
displayed.
12 ENTRYgtASSIGN button
○
Switches between the entry list and ASSIGN file screens.
Touch the ENTRYgpart to open the ENTRY list screen.
5
○
Entry name button
13 Current button
○
Touch to select the corresponding entry.
Touch this button to open the take name list of the current
session.
The entry number appears inside the
icon.
The entry verification status also appears inside the
icon. If the format of the file is found to be incorrect, its
name appears in gray.
14 Key set selection button
○
Use the key assign buttons to select whether the left key set
or the right key set is shown.
When entries have been edited but not saved,
appears.
Currently loaded entry
Entry that is okay
The layout of these buttons differs according to the player
mode and RC–HS32PDFlashstartkeymodesetting
on the GENERALpage of the REMOTE SETUPscreen.
Entry is a format that cannot be played back
No entry
Player mode Key mode Left button Right button
Single mode
16x2
16x2
12x2
1–16
A 1–16
A 1–12
17–32
B 1–16
B 1–12
Dual mode
6 INFO button
○
When an entry is selected, press this button to open an
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9 – Playlist mode
15 Key assign list / button
○
These buttons are entry assignments.
The flash page number and flash key number are shown
separated by a “–”.
The playlist verification status also appears inside the
icon.
The icon for the currently playing entry is
is highlighted in green.
and its button
Entry currently being played back
Single mode
Entry that is okay
Entry has a file format that cannot be played back
No entry
After touching one of these buttons, touch a take name
button to assign that take to that button.
16 Current folder name display/button
○
This shows the name of the folder, which is selected in the
current list display area.
Touch this button to show the session list in the take list
display area.
Dual mode
2. Touch the file name or title name display button to open a
pull-down menu, and touch the ASSIGN FILEbutton to
open the ASSIGN file screen where you can assign entries.
17 Take name list / buttons
○
This is a list of the takes in the current session.
After touching a key assign button, touch a take name
button to assign that take to that key assign button.
When only the project name is shown in the current folder
name display/button, if you touch it, a list of the sessions in
the current project will be shown. Touch the button of the
session that you want to load to open the list of takes in that
session.
18 Scroll buttons
○
Use these buttons to scroll to the beginning or end of the
take list or session list, or to scroll one page (five lines)
forward or backward. You can also scroll through the take
list one line at a time using the DATA dial.
Single mode
19 Page display and selection buttons
○
The current key assign button page is shown.
Touch the +or –button to change the page.
The number of pages differs according to the player mode
and RC–HS32PDFlashstartkeymodesetting on the
GENERALpage of the REMOTE SETUPscreen.
20 INFO button
○
When a key assign button is selected, press this button to
open an information pop-up for that key assign button.
When a take is selected, press this button to open an
information pop-up for that take.
When nothing is selected, press this button to show
information about the current playlist.
Dual mode
On the left side are the buttons that can receive
assignments, and on the right side is the list of takes that can
be assigned.
NOTE
You can also touch the tASSIGNbutton on the Entry List screen to open the
21 MENU button
○
Assign File screen.
Touch to open a pull-up menu where you can select
REBUILD, CLEAR, ADJUST, SAVE(in dual mode, SAVE
A+B), SAVEAS(in dual mode, SAVEAS(x): where X is the
current player mode shown by key set selection buttons)
and EXPORT PPL.
Assigning a take to an entry
1. Press the HOME key on the front panel to open the
Home Screen.
3. First, select the key assign button of the take that you
want to assign.
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9 – Playlist mode
NOTE
The display of the buttons differs somewhat according to whether the player
mode is set to single or dual mode and whether the RC–HS32PDFlash
StartKeyModeitem is set to 16X2or 12X2. (For more about the
RC–HS32PDFlashStartKeyModeitem, see “Setting the flash key
function” on page 90.)
4. Use the “+” and “–” buttons to open the page where
you want to assign a file.
5. In single mode, select 1–16or 17–32to show the
Dual mode player B
flash start key to which you want to assign a file.
6. In the key assign button list on the left, select the one
that you want to assign to. The selected button appears
light blue.
NOTE
If you select
a
button that already has an entry assigned to it, the
corresponding take appears like yellow in the take list.
7. Touch a take name in the take list to assign that take
to that button.
When a take is assigned to a button, the button’s icon
Single mode 1–16
changes from
NOTE
(no assignment) to
.
Only takes in the project where the playlist is can be added to the playlist.
If the take that you want to add does not appear, use the scroll buttons or
DATA dial to scroll through the list until the take appears and then touch
its name.
TIP
If the take that you want to add is in a different session in the same project,
touch the current session name button to open the session list. Then, touch
the name of the session that contains the take that you want to add to open
that session’s take name list.
Single mode 17–32
When in dual mode touch the A:1–16button to make an
assignment for player A, or touch the B:1–16button to
make an assignment for player B.
8. Repeat steps 3–7 as necessary.
9. After you have completed making assignments, save
the playlist as necessary.
To save a playlist, touch the MENUbutton on the ASSIGN file
or ENTRY list screen to open a pull-up menu, and touch the
SAVEbutton (in dual mode, SAVE A+Bbutton). From the
Home Screen, you can touch a file name or title name
button to open a pull-down menu with the SAVEbutton (in
dual mode, SAVEA+Bbutton). For details about saving, see
“Saving a playlist” on page 67.
CAUTION
Dual mode player A
If you do not save the playlist, all changes will be lost when another playlist is
loaded, the CF card is removed or the unit’s power is turned off, for example.
Entry number page allocation
Playlist entry numbers are displayed according to the player mode and key mode settings.
Mode
Single mode
Dual mode
RC-HS32PD Flash Start
Key Mode setting
16x2
16x2
12x2
Key set selection button
1-16
001 - 016
033 - 048
065 - 080
－
17-32
A1-16
B1-16
A1-12
B1-12
1
2
3
017 - 032 A: 001 - 016 B: 001 - 016 A: 001 - 012 B: 001 - 012
049 - 064 A: 017 - 032 B: 017 - 032 A: 013 - 024 B: 013 - 024
081 - 096 A: 033 - 048 B: 033 - 048 A: 025 - 036 B: 025 - 036
Page
number
4
5
6
7
8
－
－
－
－
－
A: 049 - 064 B: 049 - 064 A: 037 - 048 B: 037 - 048
A: 065 - 080 B: 065 - 080 A: 049 - 060 B: 049 - 060
A: 081 - 096 B: 081 - 096 A: 061 - 072 B: 061 - 072
－
－
－
－
－
－
－
－
A: 073 - 084 B: 073 - 084
A: 085 - 096 B: 085 - 096
Note: “―” means there is no corresponding page.
“A:” indicates entry numbers for the Player A playlist, and “B:” for the Player B playlist.
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9 – Playlist mode
Clearing entry assignments
1. Press the HOME key on the front panel to open the
Editing entry titles
1. Press the HOME key on the front panel to open the
Home screen.
Home screen.
2. Touch the file name or title name display button and
then touch the ENTRY LISTbutton in the pull-down
menu to open the ENTRY list screen where you can
work with entries.
2. Touch a file name or title name button display and then
touch the ADJUSTENTRYbutton in the pull-down menu to
open the ADJUSTENTRYXXXscreen. (“XXX” is the entry
number.)
3. Select the entry for which you want to clear the entry
NOTE
assignment. Its background appears yellow.
You can also open this screen by touching the MENUbutton and then
touching the ADJUSTbutton in the pull-up menu when a take is selected on
the ENTRY list screen or one of the key assign buttons on the left is selected on
the ASSIGN file screen.
4. Touch the MENUbutton on the Entry List screen to
open a pull-up menu.
5. Touch the CLEARbutton in the pull-up menu to clear
Entry List Screen
the entry.
NOTE
On the Assign File screen, when a button on the left is selected, you can clear
its entry by touching the take name that appears yellow in the take list on the
right side or by touching the MENUbutton and then touching the CLEAR
button on the pull-up menu.
Assign File Screen
3. The characters shown next to the TITLEbutton is the
title of the selected entry. Touch the TITLEbutton to
open the EDIT TITLEscreen where you can change
the title of the entry.
Input the title name. Follow the procedures in “Editing the
project name” on page 35.
4. Touch the Enterbutton on the EDITTITLEscreen or
press the DATA dial to change the entry title.
NOTE
If the entry that you are trying to edit is currently playing, when you touch the
Enterbutton, a “Cannotchangenow.CurrentlyPlaying” message
appears, and you will not be able to edit the title. Stop playback before
touching the Enterbutton.
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9 – Playlist mode
3. The value shown next to the Start TCitem is the
playback starting time for the selected entry. Press
the EDITbutton for the START TCitem to open the
EDIT START T/Cscreen where you can change the
playback starting time.
Edit the playback starting time
1. Press the HOME key on the front panel to open the
Home screen.
2. Touch a file name or title name button display and then
touch the ADJUSTENTRYbutton in the pull-down menu to
open the ADJUSTENTRYXXXscreen. (“XXX” is the entry
number.)
Use the FRAME EDITbutton on the EDIT START T/C
screen to set whether or not you will edit the frame value.
4. Use the number buttons to input the playback
starting time for the entry.
NOTE
You can also open this screen by touching the MENUbutton and then
touching the ADJUSTbutton in the pull-up menu when a take is selected on
the ENTRY list screen or one of the key assign buttons on the left is selected on
the ASSIGN file screen.
・If you begin input without selecting a digit, input will start
from the smallest one.
・To input a specific digit, touch it to make its background
yellow, and then use the number buttons or the DATA
dial to enter two digits at a time.
・Touch the CURRENT ▼button to copy the current time
code time to the input value.
・Touch the CLEARbutton to erase all entered values.
5. Touch the ENTERbutton to confirm the setting.
NOTE
If the entry that you are trying to edit is currently playing, when you touch the
Enterbutton, a “Cannotchangenow.CurrentlyPlaying” message
appears, and you will not be able to change the playback starting time. Stop
playback before touching the Enterbutton.
Entry List Screen
TIP
・
You can also use the PLAY key and other transport keys while listening
to the audio to find the location, and then press the CURRENT▼
button to input that value here.
・
・
This can also be edited using an externally connected keyboard.
Press the keyboard’s ESC key to clear all the values.
Assign File Screen
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9 – Playlist mode
Editing the playback starting point
1. Press the HOME key on the front panel to open the
Home screen.
2. Touch a file name or title name button display and then
touch the ADJUSTENTRYbutton in the pull-down menu to
open the ADJUSTENTRYXXXscreen. (“XXX” is the entry
number.)
Use the FRAMEEDITbutton on the EDITSTARTPOINT
screen to set whether or not you will edit the frame value.
4. Use the number buttons to input the playback start
point for the entry.
・If you begin input without selecting a digit, input will start
from the smallest one.
・To input a specific digit, touch it to make its background
yellow, and then use the number buttons or the DATA
dial to enter two digits at a time.
・Touch the CURRENT ▼ button to copy the current
playback position to the input value.
・Touch the CLEARbutton to erase all entered values.
・Touch the Mark Listbutton to open the mark list
screen where you can copy the time from a designated
mark.
NOTE
You can also open this screen by touching the MENUbutton and then
touching the ADJUSTbutton in the pull-up menu when a take is selected on
the ENTRY list screen or one of the key assign buttons on the left is selected on
the ASSIGN file screen.
Entry List Screen
On this screen, press the ebutton of a mark to copy its
time to the playback start point and return to the
ADJUST ENTRYXXXscreen.
NOTE
If the entry that you are trying to edit is currently playing, when you touch the
ebutton, a “Cannotchangenow.CurrentlyPlaying” message
appears, and you will not be able to change the playback start point. Stop
playback before touching the ebutton.
Assign File Screen
5. Touch the ENTERbutton to confirm the setting.
3. The Start Pointvalue shown for the Start End
Point item is the playback start point for the
selected entry. Press the EDITbutton for the Start
Pointto open the EDIT START POINTscreen where
you can change the playback start point.
NOTE
If the entry that you are trying to edit is currently playing, when you touch the
Enterbutton, a “Cannotchangenow.CurrentlyPlaying” message
appears, and you will not be able to change the playback start point. Stop
playback before touching the Enterbutton.
TIP
・
You can also use the PLAY key and other transport keys while listening
to the audio to find the location, and then press the CURRENT▼
button to input that value here.
・
・
This can also be edited using an externally connected keyboard.
Press the keyboard’s ESC key to clear all the values.
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9 – Playlist mode
Use the FRAME EDITbutton on the EDIT END POINT
screen to set whether or not you will edit the frame value.
4. Use the number buttons to input the playback end
point for the entry.
Editing the playback end point
1. Press the HOME key on the front panel to open the
Home screen.
2. Touch a file name or title name button display and then
touch the ADJUSTENTRYbutton in the pull-down menu to
open the ADJUSTENTRYXXXscreen. (“XXX” is the entry
number.)
・If you begin input without selecting a digit, input will start
from the smallest one.
・To input a specific digit, touch it to make its background
yellow, and then use the number buttons or the DATA
dial to enter two digits at a time.
・Touch the CURRENT ▼ button to copy the current
playback position to the input value. Touch the SET MAX
button to set the input value to the end of the take.
・Touch the CLEARbutton to erase all entered values.
・Touch the Mark Listbutton to open the mark list
screen where you can copy the time from a designated
mark.
NOTE
You can also open this screen by touching the MENUbutton and then
touching the ADJUSTbutton in the pull-up menu when a take is selected on
the ENTRY list screen or one of the key assign buttons on the left is selected on
the ASSIGN file screen.
On this screen, press the ebutton of a mark to copy its
time to the playback end point and return to the ADJUST
ENTRYXXXscreen.
NOTE
If the entry that you are trying to edit is currently playing, when you touch the
ebutton, a “Cannotchangenow.CurrentlyPlaying” message
appears, and you will not be able to change the playback end point. Stop
playback before touching the ebutton.
Entry List Screen
5. Touch the ENTERbutton to confirm the setting.
NOTE
If the entry that you are trying to edit is currently playing, when you touch the
Enterbutton, a “Cannotchangenow.CurrentlyPlaying” message
appears, and you will not be able to change the playback end point. Stop
playback before touching the Enterbutton.
TIP
・
You can also use the PLAY key and other transport keys while listening
to the audio to find the location, and then press the CURRENT▼
button to input that value here.
Assign File Screen
3. The EndPointvalue shown for the StartEndPoint
item is the playback end point for the selected entry.
Press the EDITbutton for the End Pointto open the
EDIT END POINTscreen where you can change the
playback end point.
・
・
This can also be edited using an externally connected keyboard.
Press the keyboard’s ESC key to clear all the values.
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9 – Playlist mode
2. Touch a file name or title name button to open a
pull-down menu and touch the SAVE ASbutton. (In
dual mode, there are SAVEAS(A)and SAVEAS(B)
buttons that save the current playlist of the selected
Player A or B.)
Saving a playlist
NOTE
After editing a playlist, save it as necessary. If you do not save a playlist after
editing it, all changes will be cleared when you load another playlist, remove
a CF card or turn off the unit’s power, for example.
An “*” appears in the file name or title name button when editing has
occurred but it has not been saved yet. When an “*” is shown, a pop-up
message asking if you want to save the playlist will appear when you try to do
something that would clear the edits, including when loading another
playlist, creating a new playlist and changing the operation mode. (When in
dual mode if an “*” appears for both A and B this message will appear
twice, once for the Player A playlist and once for the Player B playlist.)
1. Press the HOME key on the front panel to open the
Home screen.
2. Touch a file name or title name button to open a
pull-down menu and touch the SAVEbutton to start
saving the playlist. (In dual mode, this button
becomes SAVE A+Band saves playlists for both
Players A and B.)
The PLAYLIST NAMEscreen where you can input new
playlist names opens.
3. Input the playlist name. Follow the procedures in
“Editing the project name”on page 35.
4. Touch the Enter button on the PLAYLISTNAMEscreen
or press the DATA dial to save the playlist with this
name.
While saving, a progress status pop-up appears.
When saving completes, the pop-up disappears.
While the file is being created, a progress status pop-up
appears.
When file creation completes, the pop-up disappears.
NOTE
You can also save a playlist by touching the MENUbutton on the ASSIGN file
or ENTRY list screen to open a pull-up menu and touching the SAVEbutton
TIP
You can also name and save a playlist by touching the MENUbutton on the
ASSIGN file or ENTRY list screen to open a pull-up menu, and touch the SAVE
ASbutton (in dual mode, SAVEAS(A)or SAVEAS(B)).
Entry List Screen
Single Mode
Assign File Screen
Naming a playlist and saving it
On the Entry List or Assign File screen, after touching the MENU
button to open the pull-up, if you press the SAVE ASbutton
instead of the SAVEbutton, you can name the playlist before
saving it.
Dual Mode
1. Press the HOME key on the front panel to open the
Home screen.
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9 – Playlist mode
Creating a JPPA PPL file from the loaded
playlist
1. Press the HOME key on the front panel to open the
Home screen.
2. Touch the File or Title Name button on the Home
screen to open a pull-down menu.
Entry List Screen
3. Touch the EXPORT PPLbutton in the pull-down menu
to open the PPL EXPORTscreen where you can edit
the name of the JPPA PPL file that will be created.
Assign File Screen
4. Touch the Enterbutton on the PPLEXPORTscreen or
press the DATA dial.
5. Touch the OKbutton or press the DATA dial when a
confirmation pop-up message appears.
Input the file name. Follow the procedures in “Editing the
project name” on page 35.
NOTE
The selected playlist is converted into JPPA PPL file. The file
is created inside the _playlists folder, which is in the session
folder that contains the selected playlist.
While the file is being created, a progress status pop-up
appears.
If you have previously created the current playlist from a JPPA PPL file
(imported) or created a JPPA PPL file (exported) from the current playlist, a
pop-up window will appear to confirm that you want to overwrite that
JPPA PPL file.
When file creation completes, the pop-up disappears.
NOTE
When a JPPA PPL format file is created, playlist information for both player
A and player B is output into a single file.
If a file with the same name already exists, a pop-up window opens to
confirm whether you want to overwrite that file or not. Touch the OK
button to overwrite that file, or touch the CANCELbutton to return to the
AES31NAMEscreen.
Touch the OKbutton to overwrite that file or the RENAMEbutton to open
the PPLEXPORTscreen.
You can also touch the MENUbutton on the ENTRY list or ASSIGN file
screen to open a pull-up menu, and touch the EXPORTPPLbutton to
create a JPPA PPL file.
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9 – Playlist mode
The items in the menu differ between single and dual mode.
Playback
Project/session/playlist selection
1. Press the PROJECT key on the front panel to open the
PROJECTscreen.
Playlist selection screen pull-up in single mode
Playlist selection screen pull-up in dual mode
6. In single mode, touch the LOADbutton in the pull-up
menu to load the playlist.
In dual mode, touch the LOADtoAor LOADtoBbutton
in the pull-up menu to load the playlist to player A or
player B, respectively.
2. Touch the ebutton next to the project that contains
the playlist that you want to play to open the session
selection screen.
A confirmation pop-up appears.
If it is not the current project, a pop-up window appears
confirming that you want to load it. Touch the OK
button.
Single mode
3. Touch the ebutton for the session that contains the
playlist that you want to play to open the playlist
selection screen.
If it is not the current session, a pop-up window appears
confirming that you want to load it. Touch the OK
button.
[Dual mode, LOAD to A selected]
7. Touch the OKbutton or press the DATA dial.
When loading completes, the Home Screen opens.
NOTE
On the playlist selection screen, instead of touching the MENUbutton
followed by the LOADbutton (or LOADtoA/Bbutton) in the pull-up menu
item, you can also press the ebutton for the playlist that you want to play to
load it.
When in single mode, the same pop-up message as above appears. Touch
the OKbutton or press the DATA dial.
When in dual mode, the pop-up window has LOADtoAand LOADtoB
buttons. Touch the one for the desired player.
TIP
You can also touch the current project/session name button at the top right
of the PROJECT screen to open the playlist selection screen for the current
session.
4. Touch the name of the playlist that you want to play
to select it. Its background becomes yellow.
5. Touch the MENU button on the Playlist selection
screen to open a pull-up menu.
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9 – Playlist mode
backward or forward.
Selecting the current player
When in dual player mode, set which player the controls on the
front panel affect.
Press the .[MARK.] or /[MARK/] key while
pressing and holding the SHIFT key to move between marks.
Press and hold the m[
] key or ,[
] key while
pressing and holding the SHIFT key to search at high-speed.
1. Press the HOME key on the front panel to open the
Home Screen.
NOTE
・
On the PLAY SETUPscreen, you can set whether only the currently
selected entry is played or whether all the entries within the current
playlist are played. You can also enable and disable repeat playback.
(See “Playback settings (PLAY SETUP)” on page 73.)
・
Playback functions can also be used via parallel control.
Using the call function in playlist mode
Press the CALL (CHASE) key to locate to the point where
playback was last started from playback standby (call point) and
put the unit in playback standby mode.
BWF–J cue point
When the Follow BWF–J item is set to ON, during playback if a
BWF–J cue point is detected, the following corresponding
operation will occur. In addition, if the BWF–J Tally Out item is set
to ON and the unit is in single player mode, in response to each
BWF–J cue point, the CUE signal and tally signal will be output
from the parallel remote connector.
Dual player Home Screen
2. Touch the SELECT button for the player that you
want to select.
The background of the selected player becomes yellow.
BC$STANDBY
During entry selection, this point is used
as the playback start point. During
playback, playback pauses when this
point is reached. In either case, a
BC$STANDBY tally is output.
BC$CM
During playback, when this point is
reached, a BC$CM CUE signal is output.
During playback, when this point is
reached, a BC$END CUE signal is output.
During playback, when this point is
reached, a BC$STOP CUE signal is output,
and playback stops.
BC$END
BC$STOP
Dual player Home Screen with player B selected
BC$FILE
During playback, when this point is
reached, a BC$END CUE signal is output. If
the beginning of a following take
(BC$STANDBY CUE point) exists, that CUE
will be followed.
Setting the online function
When a player is selected, press the ONLINE key on the front
panel to set whether or not the sound from that player is output
through the output connectors.
Refer to “Online functions” on page 89 for details about making
settings for the online outputs.
BC$PAUSE
During playback, when this point is
reached, a BC$PAUSE tally is output, and
playback pauses.
NOTE
You cannot turn this function on or off for a player that is not selected. Select
the player first and then press the ONLINE key to turn this function on/off for
it.
Using the flash start function in playlist
mode
Using a TASCAM RC–HS32PD (sold separately) or other remote
controller, flash start playback is possible.
For details, see “Flash start function” on page 90.
Playback control in playlist mode
Press the PLAY key to start playback.
Press the PAUSE key to pause playback.
Press the PLAY key again to resume playback.
Press the STOP (RETAKE) key to stop playback.
Press the .[MARK.] key or /[MARK/] key to
switch entries.
Press and hold the m[
] or ,[
] key to search
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10 – Internal settings
In this chapter, we explain the unit’s internal settings in detail.
Recording settings (REC SETUP)
The REC SETUPscreen has three tabbed pages: REC MODE,
FILE FORMATand OPTIONS. Touch the tabs at the bottom of
the screen to open the corresponding page.
Menu screen
Press the MENU key on the front panel to open the following
MENUscreen.
REC MODE page
Make settings related to the recording mode.
Confidence monitoring
Turn the confidence monitoring function, which allows
immediate playback of the recorded signal for monitoring, ON
(default) or OFF.
To use the confidence monitoring function, however, the
sampling frequency and number of tracks must be set as follows.
REC SETUP button
Make recording settings.
Fs (sampling frequency):
44.1k, 48k, 48k–0.1%or 48+0.1k
TIMELINE Rec Tracks(in timeline mode):
2tr
PLAY SETUP button
Make playback settings.
SYNC T/C button
Make synchronization and time code settings.
Number of tracks armed for recording (in take
mode):
No more than 2 total
REMOTE SETUP button
Make settings for external remote control.
FILE FORMAT page
Make settings related to the file format.
MIXER SETUP button
Make mixer settings.
METER SETUP button
Make level meter settings.
SYSTEM SETUP button
Make system settings.
VERSION INFO button
Show the system version.
CF MANAGE button
File Mode
Manage CF cards.
Use the following buttons to set the recording file mode.
OPERATION MODE button
Make operation mode system settings.
MONO button:
Each track is treated as a monophonic file. (This option will
be selectable in a future firmware version upgrade)
POLY button (default):
Multiple tracks are combined into polyphonic files.
Mono File Place
When the File Modeis set to MONO, set the folder where audio
files are saved with the following buttons.
Sub Folder button (default):
Audio files are saved in subfolders created for each take
within the session folder.
Session Root button:
Audio files are saved directly in the session folder.
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10 – Internal settings
CAUTION
OPTIONS page
Make settings related to the pre–recording and auto markers.
・
In both modes, a subfolder is created for each take inside the folder, and
management files are generated in these subfolders.
・
When Session Root mode is selected, the maximum number of takes
that can be recorded in a single session is greatly reduced from normal.
For this reason, when switching to Session Root mode the following
pop-up window appears with a warning about the reduced maximum
limit to the number of takes.
PreREC Time
When PreREC Timeis ON, the signal input during recording
standby is captured by the built-in memory for the set amount of
time, allowing a maximum of 5 seconds to be recorded before
recording is started manually.
When switching to Sub Folder mode, the following pop-up window
appears explaining the restored maximum limit to the number of takes.
To set the pre–recording time, touch the knob, and adjust the
value using the DATA dial.
Setting range: 1–5 seconds (default: 2seconds)
Auto Marker
Make settings related to auto markers.
・
・
When Session Root mode is selected, the number of files created is large.
For this reason, the maximum number of takes that can be recorded is
greatly reduced. (See “Recording operation limitations” on page 30.)
During recording, you can press the REC key to start recording a new
take. This function can be used 4 seconds after beginning recording in
polyphonic and subfolder modes, but inSession Root mode, you might
have to wait more than 4 seconds.
Audio Over:
Use this to add markers when the set audio level is
exceeded.
Turn this function ON or OFF and set the detection level.
(Default: OFF)
To set the detection level, touch the knob, and adjust the
value using the DATA dial.
Setting options: –0.20dB(default), –0.17dB, –0.13dB,
–0.10dB, –0.06dB, –0.03dB
Settings made here are reflected in the OverLevelsetting
on the METER SETUPscreen.
Bit Length
Set the quantization bit rate for recording files using the
following buttons.
Setting buttons: 16bit(default), 24bit
Max File Size
Set the maximum size for recording files using the following
buttons.
Setting buttons: 640MB, 1GB, 2GB(default)
Pause Mode
Set whether or not to divide files when a recording is paused
using the following buttons.
Time Interval:
Use this to add marks at fixed time intervals. Turn this
function ON or OFF and set the time interval. (Default: OFF)
To set the time, touch the knob, and adjust the value using
the DATA dial. The range of setting values is 1–10 minutes
(default: 5minutes).
Sync Unlock:
Setting buttons: SPLIT(default), NO SPLIT
Use this to add a mark when synchronization with the
master clock is lost. Turn this function ON or OFF. (Default:
OFF)
NOTE
An “audio over” occurs when the level exceeds the maximum level (full scale)
minus the value set by the user. (In the example above, this would be when
the level exceeds the maximum level minus 0.20 dB.)
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Auto Ready
Playback settings (PLAY SETUP)
Use this screen to make settings related to playback.
GENERAL page
Turn the auto ready function ONor OFF(default).
If auto ready is ON, when playback of a take completes the unit
automatically stops at the beginning of the next take.
This setting affects all modes except timeline mode.
Make various settings related to the playback mode on this
page.
Inc. Play
Turn the incremental play function ONor OFF(default).
When incremental play is ON, press the PLAY key during
playback to move to the beginning of the next take and
continue playing, or press the STOP (RETAKE) key during
playback to move to the beginning of the next take and pause
playback.
This setting affects all modes except timeline mode.
PLAY Inhibit Time
This sets a time interval during which playback of the same take
(entry) cannot be restarted.
Play Mode
The following keys and commands are disabled (excluding flash
start keys/commands for other takes/entries) for the duration of
this setting. The PLAY key on the front panel of the unit, the
PLAY key, flash start keys and fader start function of the TASCAM
RC-HS32PD remote control (sold separately), and play and flash
start commands from external controllers (RS-422, RS-232C,
parallel, keyboard).
Setting range: 0–1000 msec (100 msec intervals), Inf (during
playback the affected keys are disabled for this amount of time)
Default value: 0 msec
Set how the playback of takes and entries is handled using the
following buttons. This setting affects all modes except timeline
mode.
One Take button (default):
Only the currently selected take or playback is played back.
All Take button:
All the takes in the currently loaded session or all the entries
in the playlist are played back.
Repeat Mode
Turn repeat playback ONand OFF(default).
Follow BWF–J
NOTE
When the PLAYInhibitTimeitem is set to Inf, the incremental play
function is automatically fixed to OFF and cannot be switched to ON.
Turn the BWF–J cue point function ONor OFF(default). This
setting can be made separately for each mode.
When the BWF–J cue point function is ON, operation will follow
BWF–J cue points set in sessions and takes. For details about
operation, see the following pages.
Timeline mode: page 45
Take mode: page 53
Sync and time code settings (SYNC T/C)
Make various settings related to audio synchronization and time
code on this page.
This screen has five pages: CLOCK, SYNC, T/C, SETUPand I/O.
Touch the tabs at the bottom of the screen to open the
corresponding page.
Playlist mode: page 70
CLOCK page
View various clock status information and select the clock used
for synchronization.
CONTROL page
Make various settings related to the playback functions on this
page.
STATUS
The top section shows the project sampling frequency and clock
synchronization status.
Auto Cue
Turn the auto cue function ONor OFF(default). If auto cue is ON,
whenever a take is changed or loaded, the unit will enter
playback standby at the point where sound first starts in the take.
When PlayModeis set to OneTakeand no sound is detected
before the end of the take, the unit stops at the start of the take.
When PlayModeis set to AllTakeand no sound is detected
before the end of the take, the unit continues detection in the
next take.
The bottom section shows digital input signal status in the
format D-INx(xshows the channels), as follows.
Digital input signal status
Locked
When sampling rate
conversion is ON
Unlocked
Display
Locked (xx.xxx kHz)
Locked(xx.xxxkHzFsCnv)
Unlocked (xx.xxx kHz)
Unlocked (no signal)
This setting affects all modes except timeline mode.
No signal
No audio signal present Not Audio
Other Cbit information Unmatched Cbit
differs from the actual
To set the auto cue start point detection level, touch the knob
area and use the DATA dial to change the value.
Options: –72dB, –66dB, –60dB, –54dB(default), –48dB,
–42dB, –36dB, –30dB, –24dB
operation mode
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10 – Internal settings
MASTER
Play Fs setting
Pull-down
Use the buttons to select the master clock to use.
Project
sampling
frequency
48 kHz
48 kHz
pull-down
INT button (default):
Use this unit’s internal clock.
WORD button:
Synchronize with the word clock input through the
WORD/VIDEO IN connector.
VIDEO button:
Synchronize with the video clock input through the
WORD/VIDEO IN connector.
OFF
48 kHz
48 kHz - 0.1% Not possible 48 kHz
Pull-up
48 kHz−0.1% 48 kHz+0.1%
48 kHz pull-up 48 kHz+0.1% 48 kHz
Not possible
All others Project
sampling
Not possible Not possible
frequency
DIN–1, DIN–2 buttons:
Synchronize with the clock of the digital signal selected as
the input of DIGITAL IN 1/2.
You cannot select an input as the master clock if the
sampling rate converter is ON for that input.
NOTE
Set this to OFFbefore recording.
Recording is not possible when set to Pull-up+0.1%or Pull-down
–0.1%. If you try to record when not OFF, “CannotREC” appears in a
warning pop-up window.
NOTE
TC Chase
・
・
A
mark appears on the button of the currently active master clock.
If synchronization from an external clock is interrupted, the unit’s
internal clock becomes active. In this case, the mark appears on
Use to turn playback synchronized with timecode ONor OFF
(default).
Set it to ONwhen you want to match the timing of this unit’s
audio with a timecode master device (audio recorder, video or
built-in time code generator).
the INT button to show that it has become the active clock, and the
mark appears on the button of the selected external clock that was lost.
You can also set timecode offset (TC Offset) with the timecode
master device. Touch the EDITbutton to open the CHASE
Offsetscreen where you can set the offset value in a range
between −23:59:59.29 and +23:59:59.29 (default: 00:00:00.00).
NOTE
TC Chase can also be turned ON and OFF by pressing the SHIFT and CALL
keys at the same time.
TC Rechase
Turn this function, which re-synchronizes when synchronization
with timecode becomes inaccurate, ONor OFF(default).
When set to OFF, after synchronizing once, input time code is
ignored and the unit operates in free run mode.
When set to ON, set the amount of inaccuracy that triggers
rechasing.
SYNC page
Make settings related to synchronization on this page.
To set the amount of inaccuracy that triggers rechase, touch the
knob and turn the DATA dial to select a value in frames of 1/3, 1,
2(default), 5or 10.
Master TC
Set whether the unit synchronizes with the built-in timecode
generator or with timecode input from another device.
Internal button:
Synchronize with the built-in generator.
External button (default):
Synchronize with timecode input from another device.
STATUS
Shows the status of the currently loaded project’s sampling
frequency and clock synchronization.
Play Fs
When playing a take with a sampling frequency of 48 kHz, 48 kHz
pull-up or 48 kHz pull-down, the unit can be made to
synchronize with an external clock by setting it to play back with
pull-up or pull-down.
Depending on the combination of Project sampling frequency
and Play Fs settings, the unit will operate with the sampling
frequency shown below (default: OFF).
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10 – Internal settings
T/C page
Make settings related to time code on this page.
SETUP page
Make settings related to the time code generator on this page.
Set to free run
STATUS
This area shows the currently loaded project’s time code frame
type.
TC GEN MODE
Use the buttons to set the time code generator mode.
FREE RUN button:
The time code generator runs on its own.
FREE ONCE button:
After the input time code is captured once, the unit starts
free run mode.
TIME OF DAY button:
Set to jam sync (and free once)
STATUS
If you conduct any of the following operations, the time will
be captured from the internal clock and free run mode will
start.
• Turn the power on
• Set TC GEN MODEto this mode
• Reset the internal clock
JAM SYNC button:
When time code is input, the unit synchronizes to it. If time
code input is interrupted, the unit enters free run mode.
REGEN button:
The unit synchronizes to the input time code.
This shows the time code generator mode of the unit and the
time code frame type of the currently loaded project.
GENERATOR
The top line shows the current time code generator.
The bottom line shows the user bits (UB).
Touch the GENERATORitem EDITbutton or the user bits (UB)
display area to open the T/C USER BITSscreen.
When the time code generator is in free run mode, touch the
RESTARTbutton to reset the time code of the time code
generator to the start time.
TC IN
REC RUN button (default):
The time code generator only functions during recording. At
all other times, the time code generator stops.
The top line shows the time of the input time code and the
frame type. The bottom line shows the user bits (UB) of the input
time code.
In Free Run mode, touch the CAPTUREbutton to capture the
current time code and set it as the time code of the time code
generator.
If the time code generator mode is Free Once or Jam Sync, the
capture status (WAITING) indicator lights green when waiting
for time code, and it turns off after time code is captured.
Frame Type
Set the time code frame type of the currently loaded project.
Setting buttons: 23.976F, 24F, 25F, 29.97DF(default),
29.97ND, 30DF, 30ND
START TIME
When you touch the GENERATORitem RESTARTbutton, the
time when the time code restarts is shown.
Touch the STARTTIMEitem EDITbutton or the STARTTIME
display area to open the START TIMEscreen.
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10 – Internal settings
entry that is lined up will start playback standby.
I/O page
RC–HS32PD Flash Start Key Mode
This sets the number of flash start keys for a TASCAM
RC–HS32PD remote controller (sold separately) in dual playlist
mode.
Set the synchronization signal status display and time code
output on this page.
16x2 keys button:
16 keys can be used by both A and B for a total of 32 keys.
12x2 keys button:
12 keys can be used by both A and B for a total of 24 keys.
NOTE
In take mode and single playlist mode, 32 keys are always used.
FADER MODE
STATUS
Set whether faders on an external TASCAM RC-HS32PD remote
controller (sold separately), for example, are enabled or not.
When set to Disable, the internal fader is fixed at 0 dB.
Setting buttons: Disable, Enable(default)
This shows the status of synchronization signals.
TIMECODE IN:
When time code is input, the time code frame rate is shown.
FADER Start MODE
WORD/VIDEO IN:
When the fader start function of an external TASCAM RC-HS32PD
remote controller (sold separately), for example, is on, set whether
fader start, which allows you to start playback by raising the fader
from ∞ when in playback standby, is enabled or not.
Setting buttons: Disable, Enable(default)
When a synchronization signal is detected at this connector,
WORD, VIDEOor TriLevelis shown.
TC Out Mode
Use the buttons to set the time code output mode.
GenOut button:
Time code is output from the internal time code generator.
PlayOut button (default):
In timeline mode, the time code time for playback and
recording is output. In take and playlist modes during
playback, the time code recorded in the file is output.
FADER Stop MODE
When the fader start function of an external TASCAM RC-HS32PD
remote controller (sold separately), for example, is on, set whether
fader stop, which allows you to put playback into standby by
lowering the fader to ∞ during playback, is enabled or not.
Setting buttons: Disable, Enable(default)
NOTE
If both the FADERStartMODEand FADERStopMODEitems are set to
Disable, the fader start function of the external TASCAM RC-HS32PD
remote controller (sold separately) will be turned off automatically, and the
FADER START indicator will turn off. In this state, if you press the Fader Start
key on the TASCAM RC-HS32PD remote controller, a “Cannot Change Now.
Fixed in current mode” warning appears in a pop-up window.
Remote settings (REMOTE SETUP)
Make settings for the PARALLEL, RS-232C and RS-422
connectors.
The REMOTESETUPscreen has 4 pages: GENERAL. PARALLEL,
RS-232Cand RS-422. Touch the tabs at the bottom of the
screen to open the corresponding page.
PARALLEL page
Set the AUX 1-3 functions of the PARALLEL connector.
GENERAL page
Make flash start key settings on this page.
AUX Assign
Flash Start Key Method
Touch a knob to select it, making the background yellow, and
turn the DATA dial to set the parameter.
The parameters that can be selected include F.FWD, REW, MARK,
MARKSKIP–, MARKSKIP+, ONLINE, CALLand FADERSTART
B.
Set how the flash start key operates.
This function is planned for a future firmware version upgrade.
Currently, the setting cannot be changed from Flash Start.
Flash Start button (default):
Touch a flash start key to start flash playback.
● AUX1 Function:
Set the function of PARALLEL connector pin 17 (AUX1)
(default: MARK SKIP+).
● AUX2 Function:
Set the function of PARALLEL connector pin 18 (AUX2)
(default: MARK SKIP–).
● AUX3 Function:
Standby button:
When stopped, touch a flash start key to start playback
standby. Then, press the PLAY key to start playback.
During playback, touching another flash start key will cause
the corresponding take or entry to become lined up for
playback. Press the PLAY key to start playback of that entry.
If the Play Modeis set to All Take, when the currently
playing entry completes playback, the entry that is lined up
will start playing. If the Play Modeis set to One Take,
when the currently playing entry completes playback, the
Set the function of PARALLEL connector pin 19 (AUX3)
(default: MARK).
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BWF–J Tally
RS–422 page
Make RS-422 serial control transmission settings on this page.
When not operating in BWF–J mode (when the Follow BWF-J
item is OFF), set whether a BWF–J tally is output.
Setting buttons: OFF(default), ON
NOTE
BWF-J tallys are always output when BWF-J mode is on.
RS–232C page
Make RS-232C serial control transmission settings on this page.
Serial Mode
Set the serial connection mode with the following buttons.
RS–232C support is planned for a future firmware version
upgrade.
Setting buttons: RS–232C, RS–422(default)
NOTE
・
The RS-232C and RS-422 connectors cannot both be used at the same
time. Only the connector selected with this setting is operable.
This setting is synchronized with the Serial Mode item on the RS-232C
page.
Serial Mode
Set the serial connection mode with the following buttons.
RS–232C support is planned for a future firmware version
upgrade.
・
Video Resolve
Setting buttons: RS–232C, RS–422(default)
When slaving this unit to a VCR, video sync signals might be used
instead of word sync signals for the common standard clock. In
the same way as with word sync signals, you can select whether
the video clock is followed (synchronizing the beginning of time
code frames with video signal frame edges) or it is independent
from the frame clock.
NOTE
・
The RS-232C and RS-422 connectors cannot both be used at the same
time. Only the connector selected with this setting is operable.
This setting is synchronized with the Serial Mode item on the RS-422
page.
・
Baud Rate (bps)
Set the transmission speed (baud rate) with these buttons.
Setting buttons (bps): 4800, 9600, 19200and 38400(default)
This must be turned ON to accurately control this unit from a
video editor.
ON(default): Time code frame edges synchronized with video
Data Length
signal frame edges
Set the data length in bits with these buttons.
Setting buttons (bits): 7or 8(default)
OFF:
Independent from video frame clock
Parity Bit
Set whether or not there is a parity bit with these buttons.
Setting buttons: NONE(default), EVENand ODD.
Stop Bit
Set the stop bit with these buttons. The options are 1 (default
setting) and 2.
Setting (bit): 1(default) or 2
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METER buttons
Use these buttons to set whether the meter shows the position
before or after the online fader.
Touch the button on the left to show the level before the fader
or touch the button on the right to show the level after the fader
on the meter.
Mixer settings (MIXER SETUP)
Make mixer settings on this screen.
The MIXER SETUPscreen has 3 pages: INPUT, MONITOR
MIXERand SETUP.
Touch the tabs at the bottom of the screen to open the
corresponding page.
Post/Pre Fader buttons
Use these buttons to set whether the monitoring output is from
before or after the online fader.
INPUT page
Make input settings on this page.
Pre Fader button:
Signals from before the online fader are output for
monitoring.
Post Fader button (default):
Signals from after the online fader are output for
monitoring.
Pan knobs
Use these to adjust the stereo position used for monitoring each
channel. Touch a knob, making its background yellow, and use
the DATA dial to set its stereo position.
Range: L100 – C – R100
Default: L100for CH1 and CH3 and R100for CH2 and CH4
Level knob
Use this to adjust the level of the monitoring output. Touch this
knob, making its background yellow, and use the DATA dial to
adjust the level.
INPUT SOURCE
Set the input source for each channel. Select an analog input
(AnalogX) or digital input (DigitalX). (“X” is the channel.) Analog
and digital cannot be selected at the same time.
Analog 1–4 buttons (default):
Analog Inputs 1–4
Digital 1L, 1R, 2L, 2R buttons:
Left and right channels for digital inputs 1 and 2
Range (dB): –∞ to +10 (default: 0)
NOTE
If the monitoring mixer overload indicator appears on the Home Screen, use
the level knob to lower the level.
Fs CONVERT
Turn the sampling rate converter ON or OFF (default) for each
pair of inputs. Channels 1–2 and 3–4 must be set in pairs, so
different settings cannot be used for the channels in each pair
(1–2 and 3–4).
Monitoring mixer overload indicators
If the left or right monitoring mixer channel overloads, the
background of the corresponding L or R becomes red.
MONITOR PAN
Use these to adjust the stereo position used for monitoring each
channel. Touch a knob, making its background yellow, and use
the DATA dial to set its stereo position.
Range: L100 – C – R100
Default: L100for CH1 and CH3 and R100for CH2 and CH4
MONITOR MIXER page
Make monitoring mixer settings on this page. This page differs in
single player and dual player modes.
Single player mode
Dual player mode
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SETUP page
Level meters settings (METER SETUP)
Make level meter settings on this screen.
Monitor Mute by Online
Set whether monitoring is automatically muted or not during
online playback (default: OFF).
Output 1-4 Source
Select the output signals for Outputs 1-4.
Metering Point
Set whether the meters show the signal before or after the
online faders.
Meters show the signal before the faders
(default).
CH1-4 OUT button (default):
Output the signals of CH1-4 as is to the ANALOG LINE OUT
1-4 connectors.
:
Meters show the signal after the faders. In this
case, the button appears light blue.
:
ANALOG DIGITAL Timeline, take,
Dual playlist
Ref. Level Line
Touch to turn the reference level line that appears on the level
meter ON(default) or OFF.
LINE OUT LINE OUT single playlist
mode
connector connector
mode
1
2
3
4
1 (CH1) CH1
Player A-L
Player A-R
Player B-L
Player B-R
1 (CH2) CH2
2 (CH1) CH3
2 (CH2) CH4
1+3/2+4 Mix Out button:
The signals of CH1 and CH3 are mixed and output through
the ANALOG LINE OUT 1 and 3 connectors and the left
channels of the DIGITAL LINE OUT 1 and 2 connectors, and
the signals of CH2 and CH4 are mixed and output through
the ANALOG LINE OUT 2 and 4 connectors and the right
channels of the DIGITAL LINE OUT 1 and 2 connectors.
Reference level line display ON
Over Level
Use this to set the level at which the overload indicator lights.
The peak indication level is this amount below the maximum
level (full scale).
Touch this knob and use the DATA dial to adjust the level.
Options: –0.20dB(default), –0.17dB, –0.13dB, –0.10dB,
–0.06 dB, –0.03 dB.
This setting is reflected in the Audio Over setting of the Auto
Marker item on the OPTIONS page of the REC SETUP screen.
Peak Hold Time
Use this to set the peak hold time.
ANALOG DIGITAL Timeline, take,
Dual playlist
LINE OUT LINE OUT single playlist
mode
connector connector
mode
1
2
3
4
1 (CH1) CH1+CH3
1 (CH2) CH2+CH4
A-L + B-L
A-R + B-R
A-L + B-L
A-R + B-R
2 (CH1) CH1+CH3
2 (CH2) CH2+CH4
Touch this knob and use the DATA dial to adjust the time.
Options: 0sec, 1sec,2sec(default) and inf(hold forever).
NOTE
A and B indicate Players A and B, and + indicates that the signals are mixed.
Release Time
Use this to set the release time.
Touch this knob and use the DATA dial to adjust the time.
Options: Slow, Normal(default) and Fast
NOTE
If you press the EXIT/CANCEL (PEAK CLEAR) key when the Home Screen is
open, the peak hold display resets.
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10 – Internal settings
ANALOG Ref. LEVEL ADJUST page
You can make fine adjustments to the analog input and output
reference levels independently for each channel.
System settings (SYSTEM SETUP)
Make system settings on this screen.
The SYSTEM SETUPscreen has 3 pages: PREFERENCES,
ANALOG Ref. LEVEL ADJUSTand CLOCK ADJUST.
Touch the tabs at the bottom of the screen to open the
corresponding page.
PREFERENCES page
Set system preferences on this page.
Use an INXknob to adjust the analog input level of the
corresponding channel, and use an OUTXknob to adjust the
analog output level of the corresponding channel. (“X” is the
channel number.)
Touch a knob to select it, highlighting its area in yellow, and use
the DATA dial to adjust the level.
Turn the dial to adjust it in 0.1-dB intervals, and press and turn
the dial to adjust it in 1-dB intervals. The value is shown beneath
each knob.
KBD Type
Set the connected keyboard type to either USfor
English-language keyboards or JPNfor Japanese keyboards.
Setting buttons: US, JPN(default)
Setting range: –6dB to +6dB (default: 0dB)
If an analog input for a channel is not set, the corresponding
knob will not be shown and “Analog INX not selected” will
appear in the menu area.
ONLINE Function
Set whether or not to enable the online function (default:
Switchable).
Set to “Switchable” to allow online playback mode to be enabled
from the parallel connector, serial connector (RS-232C) or a
TASCAM RC-HS32PD remote controller (sold separately).
Set to AlwaysONto not allow online playback to be used and
always output the sound from all connectors. For details, see
“Online functions” on page 89.
Digital Ref. Level
Set the reference level for digital inputs and outputs to a number
of decibels below the maximum level (full scale).
Setting buttons: –9dB, –14dB, –16dB, –18dB, –20dB(default)
CH4 has no analog input
CLOCK ADJUST page
Set the time of the built-in clock.
Analog Input Ref. Lvl
Set the reference level for analog inputs.
The options differ according to the Digital Ref. Level
setting.
Digital Ref. Level setting
－9dB
Analog Input Ref. Lvl
Fixed at +6dB
+4dBor –20dB
Not －9dB
Analog Output Ref. Lvl
Set the reference level for analog outputs.
The options differ according to the Digital Ref. Level
setting.
Touch the item that you want to set, and use the DATA dial to
adjust the item. (See “Setting the time of the built-in clock” on
page 23.)
Touch the SETbutton on the CLOCKADJUSTpage or press the
DATA dial to confirm the setting.
Digital Ref. Level setting
－9dB
Analog Output Ref. Lvl
Fixed at +6dB
+4dBor –20dB
Not －9dB
NOTE
NOTE
While setting the time, the clock stops and the “:” does not blink. When you
touch the SET button, the clock starts again and the “:” blinks.
Sound input through the analog audio inputs according to the analog input
reference level becomes sound in the digital domain according to the digital
reference level.
The analog audio outputs output digital sound according to the digital
reference level as analog sound according to the analog output reference
level.
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Version display (VERSION INFO)
This page shows the unit’s SYSTEM version.
Operation mode selection
(OPERATION MODE)
Set the unit’s operation mode on this page.
Touch the bottom center of the screen to show the version of
the internal device data and the version of any TASCAM
RC-HS32PD remote controller (sold separately) connected to the
unit.
After selecting an operation mode, touch the SET button to
switch to it and return to the Home Screen.
TIMELINE MODE
The timeline mode becomes active and the Home Screen
reopens.
TAKE MODE
The take mode becomes active and the Home Screen reopens.
PLAYLIST MODE (SINGLE)
The playlist mode (single mode) becomes active and the Home
Screen reopens.
PLAYLIST MODE (DUAL)
The playlist mode (dual mode) becomes active and the Home
Screen reopens.
Managing CF cards (CF MANAGE)
Use this screen to manage CF cards.
NOTE
If you execute any of the FORMAT item commands or CF COPY, all the data
on the CF card will be erased. Execute these commands only if you are
absolutely certain that you want to erase the card.
CURRENT MEDIA
This shows the currently selected card slot name and its status.
CF SELECT
Touch this to open the CF SELECTscreen where you can
choose the CF card for recording and playback.
FORMAT
Format the CF card.
QUICK button:
This only formats CF card management information.
FULL button:
This formats the entire CF card.
QUICK & Create Project button:
After formatting only the CF card management information,
a new project is automatically created with the same
settings as the current project.
CF COPY
This copies the entire CF card in the current CF slot to the other
CF slot.
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10 – Internal settings
Folder structure
ROOT
│ │
├─ Project01
The folder structure is as shown below.
│ ├─ Session001 (POLY example)
│ │ │
You can check the CF card folder and file structure by accessing
it from a computer using a card reader, for example.
Be aware, however, if you change or erase files inside a project,
or change any names, the HS-4000 might not be able to play
that project.
│ │ ├─ defaultAES.adl *1
│ │ ├─ Session001–T001.wav
│ │ │
│ │ ├─ Session001–T002.wav
│ │ │:
│ │ │:
│ │ ├─ Session001.adl
│ │ │
│ │ └─ _playlists
│ │
│ │
│ │
│ │
│ │
│ │
│ │
│ │
│ │
│ │
│ │
│ │
│ │
│
├─ defaultPPL.ppl *2
├─ Playlist01.tpl
├─ Playlist02.tpl
│:
│:
├─ exportedPPLFile.ppl
│:
│:
├─ PPLFileforImport.ppl
│:
│:
│ └─ Session002 (MONO & Sub Folder example)
│
│
│
├─ defaultAES.adl *1
│
├─ Session002–T001
│
│ │
│
│
│
│
│
│ ├─ Session002–T001_1.wav
│ ├─ Session002–T001_2.wav
│ ├─ Session002–T001_3.wav
│ └─ Session002–T001_4.wav
│
│
├─ Session002–T002
│
│ │
│
│
│
│
│
│
│ ├─ Session002–T002_1.wav
│ ├─ Session002–T002_2.wav
│ ├─ Session002–T002_3.wav
│ └─ Session002–T002_4.wav
│:
│:
│
├─── Session002.adl
│
│
│
│
└─ _playlists
│
│
│
│
│
│
│
│
│
│
│
│
│
├─ defaultPPL.ppl *2
├─ Playlist01.tpl
├─ Playlist02.tpl
│:
│:
├─ exportedPPLFile.ppl
│:
│:
├─ PPLFileforImport.ppl
│:
│:
├─ Project02
│ │
│ └─ Session001 (MONO & Session Root example)
│
│
│
│
│
│
├─ defaultAES.adl *1
├─ Session001–T001_1.wav
├─ Session001–T001_2.wav
├─ Session001–T001_3.wav
│
├─ Session001–T001_4.wav
│
│
│
│
│
│
│
│
├─ Session001–T002_1.wav
├─ Session001–T002_2.wav
├─ Session001–T002_3.wav
├─ Session001–T002_4.wav
│:
│:
│
├─ Session001.adl
│
│
│
│
└─ _playlists
│
│
│
│
│
│
│
│
│
│
│
│
│
├─ defaultPPL.ppl *2
├─ Playlist01.tpl
├─ Playlist02.tpl
│:
│:
├─ exportedPPLFile.ppl
│:
│:
├─ PPLFileforImport.ppl
│:
│:
└─ Project03
:
:
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10 – Internal settings
*1: This AES31 file is automatically created
*2: This PPL file is automatically created
These files are created automatically when you save a session or
playlist, but they are not shown when the file structure is viewed
on the unit.
NOTE
・
・
Poly files are created directly in the session folder.
With mono files, subfolders are created inside the session folder for each
take. When the MonoFilePlacesetting is SubFolder, files are
created in the take subfolders. When the setting is SessionRoot, files
are created directly in the session folder.
CAUTION
・
Even when MonoFilePlaceis set to SessionRoot, subfolders are
created and management files are stored in them. Do not erase these
subfolders.
・
Other management files and folders are created in addition to these.
File names
The format used in naming files is as follows.
1–4 track poly files
[Take name first half]-[letter][take number].wav
1–4 track mono files (planned for a future firmware
version upgrade)
[Take name first half]-[letter][take number]_[track number].wav
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11 – Mark and locate functions
Using keys to locate to marks
Mark functions
While pressing and holding the SHIFT key. press
the .[MARK.] or /[MARK/] key while pressing
and holding the SHIFT key to locate to the previous or next
mark.
Adding marks
Use the following methods to create marks.
One session in timeline mode or one file (take) in take mode can
have a maximum of 99 marks, including automatically-created
marks.
NOTE
If MARK SKIP +/– is input using parallel control, the unit will locate to the next
or previous mark.
● Push the MARK key on the front panel.
Press the MARK key to add a mark at that playback/recording
time. In timeline mode, marks are added to the timeline and file
itself.
Mark list screen
Touch the Mark Listbutton on the Home Screen to open the
MARK LISTscreen.
Mark names are in the format “MARK XX”.
● Use the auto marker function
NAME buttons
Touch to sort by mark name in descending or ascending order.
When the mark names are sorted in ascending order, a △ icon
appears inside the NAMEbutton. When in descending order, a
▽ icon appears inside this button.
TIME buttons
Touch to sort marks by time in descending or ascending order.
When they are sorted by time in ascending order, a △ icon
appears inside the TIMEbutton. When in descending order, a
▽ icon appears inside this button.
Mark name buttons
Touch to select a mark.
When the auto marker function is ON, marks can be
automatically added when audio overs occur, at regular time
intervals and when synchronization errors occur (see “OPTIONS
page” on page 72).
In timeline mode, marks are added to the timeline and file itself.
Marks are named according to how they were made.
LOCATE (
) buttons
Touch one of these to locate to the corresponding mark.
LIST INFO button
Touch this to see a list of the number of marks by type in the
currently selected take.
EDIT NAME button
Touch this button to open the MARKNAMEscreen where you can
edit the name of the selected mark.
When auto marks are made
When audio over occurs
At every time interval
Mark name
OVER xx
TIME xx
When a synchronization error occurs UNLK xx
CAUTION
The following auto marks can be turned on/off.
These are only added to the file (take), and will not appear in the timeline in
timeline mode.
EDIT TIME button
Touch this button to open the MARKEDITscreen where you can
edit the position of the selected mark.
MULTI SELECT button
Use this to enable the selection of multiple marks.
DELETE button
Touch this button to erase the selected mark.
Scroll buttons
Use these buttons to scroll to the beginning or end of the mark
list or scroll one page (five lines) forward or backward. You can
also scroll through the mark list one line at a time using the
DATA dial.
When auto marks are made
Recording start point
Mark name
REC xx
Recording end point
Pre-recording start point
END xx
PRE xx
NOTE
・
An “audio over” occurs when the level exceeds the maximum level (full
scale) minus the value set by the user. (In the example above, this would
be when the level exceeds the maximum level minus 0.20 dB.)
If a mark is triggered using parallel control, a mark is added in the same
manner as if the MARK key had been pushed.
・
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11 – Mark and locate functions
NOTE
Locating to marks
On the marklistinformationscreen, you can select the mark or type of
mark that you want to delete and press the DELETEbutton to erase all the
marks of the same type.
Touch a
button to locate to the corresponding mark.
When you do this, a “Delete all marks of this type?” confirmation pop-up
appears. Touch the OKbutton or press the DATA dial to erase all the marks of
the same type.
Viewing mark information
Touch the LIST INFO button on the MARK LISTscreen to
open the LIST INFO page. This screen shows a list of the number
of marks by type in the currently loaded take.
Touch the LIST INFO button again to return to the MARK
LISTscreen.
Mark list information screen
Mark list information screen
NOTE
After recording, the MARKLISTscreen might show a TOTALnumber of
marks that is 2 or 3 greater than the sum of the MANUALMARK, TIME, OVER
and UNLKmarks. This is because the total includes REC, END and PRE (when
using prerecording) marks that are always created during recording.
Erasing marks using the mark list information screen
Erasing marks
1. Select the mark that you want to erase on the MARK
LISTscreen.
MARK LIST screen
2. Touch the DELETEbutton on the MARK LISTscreen.
When a confirmation pop-up message appears, press the
OKbutton or the DATA dial to erase the mark.
Erasing a mark using the MARK LIST screen
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11 – Mark and locate functions
Editing mark positions
You can change the position (time) of marks added using the
MARK list (marks named “MARKXX”).
Editing mark names
1. Select the mark that you want to edit on the MARK LIST
screen.
NOTE
Automatically placed marks cannot be edited.
1. Select the mark that you want to edit on the MARK
LISTscreen.
2. Touch the EDIT NAMEbutton to open the MARK NAME
screen.
2. Touch the EDIT TIMEbutton to open the MARK EDIT
screen.
Touch the FRAME EDITbutton to set whether or not the
frame value can be edited.
Follow the procedures in “Editing the project name” on
page 35.
メモ
You can also open the MARKNAMEscreen by touching the mark name area
on the Home Screen (in timeline mode, when the INFO display is open).
However, since the names of automatic marks cannot be edited, the MARK
NAMEscreen is not shown for them.
FRAME EDIT on
Mark name
If you want to input a BWF–J cue, touch the BC$button at
the upper right and select a cue name from the pull-down.
FRAME EDIT off
3. Touch a number button to edit a mark. Use the DATA
dial to change the time for the selected number.
Press the ENTER button to confirm the setting and return to
the MARK LISTscreen.
Touch the CLEAR button to reset the input value.
・If you begin input without selecting a digit, input will start
from the smallest one.
・To input a specific digit, touch it to make its background
yellow, then use the number buttons or the DATA dial to
enter two digits at a time.
・Touch the CURRENT ▼ button to copy the current
playback position to the input value.
TIP
・
・
This can also be edited using an externally connected keyboard.
Press the keyboard’s Enter key to confirm a setting and its ESC key to
clear all the values.
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11 – Mark and locate functions
Manual locate function
You can directly input a time and locate to it.
Touch the Manual Locate button on the Home Screen to open
the MANUAL LOCATEscreen.
Touch the FRAME EDITbutton to set whether or not the frame
value can be edited.
FRAME EDIT on
FRAME EDIT off
There are three locate modes as follows.
ABS:
Input an actual time and locate to it.
+: Input an amount of time to go forward from the current
time.
–: Input an amount of time to go backward from the current
time.
Input the time using the number buttons.
You can also select a number field in the LOCATEarea and use
the DATA dial to adjust the time.
Press the LOCATEbutton to locate to that new time and return
to the Home Screen.
Touch the CLEARbutton to clear all input values.
TIP
・
・
This can also be input using an externally connected keyboard.
Press the keyboard’s Enter key to confirm a setting and its ESC key to
clear all the values.
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12 – Other functions
Confidence monitoring
During recording, the recorded audio can be read back right
away from the media and output for monitoring.
1.
Press the MENU key on the front panel to open the
MENUscreen.
2.
Touch the REC SETUPbutton to open the REC SETUP
screen.
3.
Touch the ConfidenceMonitorONbutton to enable
the confidence monitoring function (default: ON).
Confidence monitoring operation conditions
To use the confidence monitoring function, the following
settings are necessary.
Fs (sampling frequency): 44.1k, 48k, 48k–0.1% or 48+0.1k
TIMELINE Rec Tracks: 2tr (in timeline mode)
Number of tracks armed for recording (in take mode):
No more than 2 total
NOTE
・
Set the Fs item when creating a project, and set the TIMELINE Rec Tracks
item when creating a session (or when creating a project for the first
session). These cannot be changed after the creation of a project or
session.
・
・
When using confidence monitoring, the playback sound is delayed
about 2.4 seconds before output.
When a region (take) is divided or the recording region (take) reaches the
maximum size, the confidence monitoring playback sound will be
interrupted for a few seconds.
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12 – Other functions
Online functions
Use the ONLINE key to turn this function on/off.
Enabling the online function
In order to use online function, the online function must be set
to Switchable.
1. Press the MENU key on the front panel to open the
MENU screen.
When connected to a parallel control: ONLINE event
When connected to an RS–232C serial control: ONLINE
command
TASCAM RC–HS32PD remote controller (sold separately):
press the ONLINE key
In dual mode, only online playback mode for the selected player
can be turned ON/OFF on screen. When using a TASCAM
RC–HS32PD remote controller (sold separately), however,
regardless of which player is selected, you can press the player A
or B ONLINE key to turn online playback mode ON/OFF for the
corresponding player.
When online playback mode is turned ON/OFF, the following
occurs depending on the mode.
Timeline, take and single playlist modes
When online playback mode is turned ON, the Home Screen
opens automatically, and the
the top of the screen.
icon appears red at
When online playback mode is turned OFF, the
icon does not appear at the top of the screen.
Dual playlist mode
When online playback mode is turned ON, the Home Screen
2. Press the SYSTEM SETUPbutton to open the SYSTEM
opens automatically, and the
the top of the screen.
icon appears partially red at
SETUPscreen.
When online playback mode is turned OFF, the
top of the screen becomes
icon at the
.
Outputs during online playback
The relationship between online playback mode and sound
outputs are as follows.
Online playback mode
Analog line outputs (1−4)
Digital line outputs (1−2, AES/EBU)
Analog monitoring outputs (L, R)
Headphones
OFF
ON
O
O
O*
O*
O*
–
–
3. Touch the Switchable button of the ONLINE
Functionitem to change the online function setting
(default value: Switchable).
O*
O*
When the online function setting is AlwaysON, the online
playback mode is always enabled and the ONLINE key stays
lit to indicate this status.
RC–HS32PD (headphones, speakers) O*
*The monitoring signal is always output.
CAUTION
When the ONLINE Function item is set to AlwaysON, sound is always output
Switching the online playback mode
When the online function can be changed (ONLINEFunction
item is set to Switchable), the following operations can be
used to turn the online playback mode on/off.
from all connectors.
CAUTION
By turning the MonitorMutebyOnlineitem (MIXERSETUPscreen
SETUPpage) ON, you can enable monitoring output to automatically be
turned off when online playback mode is on. (For details about the Monitor
MutebyOnlineitem, see “SETUP page” of “Mixer settings (MIXER SETUP)” in
10 – Internal settings.)
HS-4000 front panel: Press the ONLINE key
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12 – Other functions
Flash start function
Selecting the flash page
1. In take mode, select the session that you want to play
back in. (See “Loading sessions”on page 37)
When in playlist mode, select a playlist. (See “Loading
playlists” on page 58.)
2. Use the DATA dial to select the page that contains the
takes or files that you want to play.
Use the flash start function to instantly start playback of takes
that you have designated in advance.
A maximum of 96 takes (2x96 takes in dual player mode) can be
started instantly using a keyboard or devices connected to this
the unit’s remote connectors (REMOTE and PARALLEL).
When in dual playlist mode, use the SELECTbutton to
select the current player first.
The first 96 numbered takes or files in the selected session or
playlist can be played back using flash start. The pages
depend on the RC–HS32PDFlashStartKeyModeand
player mode.
Setting the flash key function
1. Press the MENU key on the front panel to open the
MENUscreen.
Take or single
playlist mode
Page 16x2
Dual playlist mode
16x2
1–16
17–32
33–48
49–64
65–80
81–96
―
12x2
1–12
1
2
3
4
5
6
7
8
1–32
33–64
65–96
―
―
―
13–24
25–36
37–48
49–60
61–72
73–84
85–96
―
―
―
NOTE
When using a TASCAM RC–HS32PD remote controller (sold separately), file
names (or the first parts of long file names) appear on the keys, making it easy
to check the files.
2. Touch the REMOTE SETUPbutton to open the REMOTE
SETUPscreen.
Flash start playback
When the Flash Start Key Methoditem is set to Flash
Start, touching a flash start key causes the corresponding take
or file to start playback instantly.
Standby playback
When the Flash Start Key Methoditem is set to Standby,
if you press a flash start key when stopped, the take or file that
corresponds to that key is put in playback standby and that key
blinks yellow. Following this, pressing the PLAY key will cause
playback to start and the key to become green. During playback,
touching another flash start key will cause the corresponding
take or file to become lined up for playback, and that key will
become yellow. When a take or entry is lined up for playback,
pressing the PLAY key will cause that take to start playing. To
cancel standby, touch the key for the lined up take (yellow key)
again.
On the GENERALpage, set what happens when a flash start
key is pressed, and set whether the two banks of flash start
keys have 12 or 16 buttons each when using the TASCAM
RC–HS32PD remote controller (sold separately) in dual
playlist mode.
For details, see the “GENERAL page” of the “REMOTE SETUP
screen” on page 76.
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12 – Other functions
Moving the cursor:
Operation using a computer
keyboard
You can control this unit by connecting an IBM-PC-compatible
keyboard with a PS/2 or USB interface to the unit. Connect PS/2
keyboards to the KEYBOARD connector on the front panel of
this unit. Connect USB keyboards to the USB connector on the
front panel of this unit.
Use the / keys.
Use the HOME/↑ key to move the cursor to the beginning.
Use the END/↓ key to move the cursor to the end.
Erasing characters:
Use the Delete key to erase the character at the cursor position.
Use the Backspace key to erase the character before the cursor
position.
Inserting characters:
Input the character at the desired position.
A variety of operations are possible, but using the keyboard is
especially efficient for inputting names.
CAUTION
Setting the keyboard type
Set the type of keyboard connected on the PREFERENCES
page of the SYSTEM SETUP screen. (See “PREFERENCES page”
on page 80.)
・
The following symbols and punctuation marks cannot be used in
names.
\ / : * ? " < > |
・
・
Japanese katakana cannot be input.
The letter in the second half of the next take name can only be an
uppercase letter from the alphabet.
Use the keyboard to input names
You can edit and input characters for the following items in the
same manner as inputting characters on a computer.
List of keyboard operations
In addition to inputting names, a keyboard can be used to
control the transport and conduct various other operations. The
following is a summary of keyboard key functions.
● Project name (See “Editing the project name” on page 35.)
● Session name (See “Editing the name of the first session”
on page 35 and “Creating new session” on page 37.)
Keyboard
F1 key
F2 key
F3 key
F4 key
F5 key
F6 key
F7 key
F8 key
F9 key
F10 key
F11 key
F12 key
CTRL + F1 key
CTRL + F2 key
CTRL + F3 key
CTRL + F4 key
CTRL + F5 key
CTRL + F6 key
CTRL + F7 key
CTRL + F8 key
CTRL + F9 key
CTRL + F10 key
CTRL + F11 key
CTRL + F12 key
Operation
Same as .key
Same as /key
Same as CALL key
Same as STOP key
Same as PLAY key
Same as PAUSE key
Turn auto cue ON/OFF
Same as REC key
Turn auto ready ON/OFF
Turn repeat mode ON/OFF
Change play mode
―――
FLASH 1
FLASH 2
FLASH 3
FLASH 4
FLASH 5
FLASH 6
FLASH 7
FLASH 8
● First half of the next take name
● Letter in the second half of the next take name
You can also use it to enter numbers for the following items.
● Editing the T/C USER BITS
● Editing the START TIME
● Editing marks
(See “Editing mark positions” on page 86 and “Editing mark
names” on page 86.)
● Inputting manual locate points
(See “Manual locate function” on page 87.)
● Editing time code offset
(See “SYNC page” on page 74.)
● Playlist name
(See “Creating a new playlist” on page 56 and “Saving a
playlist” on page 67.)
● Names of exported PPL files
(See “Creating a JPPA PPL file from the loaded playlist” on
page 68.)
● Names of exported AES31 files
(See “Exporting AES31 editing information” on page 46.)
● Playlist entry titles
FLASH 9
FLASH 10
FLASH 11
FLASH 12
(See “Editing entry titles” on page 63.)
● Bounce file names
(See “Bouncing” on page 48.)
Selecting the type of character to input:
In the same manner as with a computer, use the Shift and Caps
Lock keys to select the type of character to input.
Inputting characters:
You can use the number, letter and symbol keys to input them
directly.
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13 – Time code synchronization
In this chapter, we explain playback synchronization with
timecode.
Basic operation
This unit’s playback and recording can be synchronized with
SMPTE time code input through the TIMECODE IN connector on
the rear panel.
For recording and playback, this unit can be synchronized with
SMPTE timecode input through the TIMECODE IN connector on
its rear panel or with its built-in timecode generator (“master
timecode” hereafter).
1. In timeline or take mode, load the session that you
want to record in or play back. In playlist mode, load
the session that you want to play back. (Support for
modes in addition to timeline mode is planned for a
future firmware version upgrade.)
2. Either of the following operations will enable
synchronized playback.
Time code synchronization differs according to the operation
mode.
While pressing and holding the SHIFT key, press the
CALL [CHASE] key on the front panel.
On the SYNCpage of the SYNC T/Cscreen, set TC
Chaseto ON.
Playback synchronized with timecode
3. In timeline mode, when recording or playback starts
time code synchronization also starts and the CHASE
indicator on the Home Screen appears green.
4. Press the STOP key during recording or playback with
time code synchronization to stop the transport. The
CHASE indicator on the Home Screen blinks when
stopped.
Timeline mode
In timeline mode, playback can be synchronized with master
timecode.
When playing back with time code synchronization, when
playback starts, it synchronizes with master timecode.
5. To resume recording and playback with time code
Take mode
(Support is planned in a future firmware version upgrade.)
synchronization, repeat steps 3 and 4.
6. Either of the following operations will turn
synchronization off.
While pressing and holding the SHIFT key, press the
CALL [CHASE] key on the front panel.
On the SYNCpage of the SYNC T/Cscreen, set TC
Chaseto OFF.
Playlist mode
(Support is planned in a future firmware version upgrade.)
After doing this, playback and other unit operations
continue. The CHASE indicator on the Home Screen is
replaced with the TCindicator.
Recording synchronized with timecode
Timeline mode
In timeline mode, recording can be synchronized with master
timecode.
When recording with time code synchronization, master
timecode is captured the instant that recording starts, and
recording starts from that time (timecode time) on the timeline.
Time code offset
You can set an offset for master timecode synchronization.
By doing so, you can synchronize to master timecode for
playback with a set time difference (see “SYNC page” on page
74).
Take mode
Chase and rechase are not possible.
The timecode from the built-in timecode generator is captured
at the beginning of recording as the file starting time.
Rechase
This unit continues to monitor master timecode even after
synchronized playback starts. Should the playback time of this
unit and the master timecode become unsynchronized for any
reason, the unit can “rechase” the timecode. You can set
whether or not the unit uses rechase and the degree of the
discrepancy before rechasing (see “SYNC page” on page 74).
Playlist mode
In playlist mode, recording is not possible regardless of timecode
synchronization status.
CAUTION
During synchronized recording, this unit only synchronizes to master time
code once at the start of recording. There is no rechase function as there is
with synchronized playback.
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14 – Importing files recorded by other devices
This unit can import and play BWF format files recorded by other
devices.
In addition, files created by other TASCAM HS series units can be
played back without rebuilding if they meet the following
Preparing the imported file to be
used by this unit (session
rebuilding)
1. Insert the CF card that you copied the file to into this
unit’s card slot
conditions.
The number of tracks is 4 or less
The sampling frequency (Fs) is 96 kHz or less
The file is a Poly file (file recorded with the FILE MODEitem
set to POLYor a 2mix file)
2. Press the PROJECT key on the front panel to open the
PROJECTscreen, and touch the ebutton to the right of
the project that contains the imported file (Project_i) to
open the session selection screen.
CAUTION
Since the sampling frequency (or sampling rate—the value of the Fsitem in
this unit) that can be played back is fixed by the project, the file sampling
frequency must match the project Fs value.
3. Select the session that contains the imported file
(Session_i), so that it appears yellow.
4. Touch the MENUbutton to open a pull-up menu, and
Preparation before importing
touch the REBUILDbutton.
Check the sampling frequency (sampling rate) of the file that
you want to import in advance.
1. Select a project with an Fsvalue that matches the
sampling frequency of the file or create a new project
with the same sampling frequency as the file using the
Fsitem on CREATE PROJECTscreen 1/3.
During rebuilding, the status of progress is shown in a
pop-up window. When rebuilding completes, the pop-up
window disappears.
The imported file is now recognized as a take.
5. You can play the file in take mode or add it to a playlist
in playlist mode and play it back.
See “Playback” in “8 – Take mode” on page 52 for details
about take mode playback or in “9 – Playlist mode” for
details about playlist mode playback on page 56.
CREATE PROJECT screen 1/3
2. Create a session as necessary.
NOTE
TIP
For details about creating projects and sessions, see 34. “Project operations”
on page 34 and “Session operations” on page 37.
You can also rebuild an entire project by selecting it on the project selection
screen, touching the MENUbutton and touching REBUILDin the pull-up
menu. Moreover, you can touch REBUILDwhen no project has been selected
to rebuild the selected CF card entirely. Note, however, that rebuilding entire
projects and, especially, cards takes considerably more time.
3. Make a note of the names of the project and session that
you want to use for importing the file.
In this example, the name of the project is “Project_i” and
the name of the session is “Session_i”.
4. Confirm that the slot indicator where the card is inserted
is not blinking rapidly and eject the CF card.
5. Insert that CF card into the CF card slot of the computer,
for example.
If this CF card was formatted by this unit, it will be
recognized by the computer as a drive named “HS-4000”.
In this example, the drive name HS-4000 is used.
6. Copy the BWF-format file that you want to import into
the “Session_i” session folder inside the “Project_i” project
folder, which is in the HS-4000 drive.
CAUTION
Do not eject the CF card while data is being written to it. Doing so could
damage data on the CF card and even make data unreadable. For details,
please see the manuals for your computer, card reader or other device being
used for this purpose.
7. After writing data completes, remove the CF card from
the CF card slot of the computer or other device.
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15 – Troubleshooting
If the operation of this unit becomes irregular, please check the
following things before requesting repair.
If the following measures do not resolve the problem, contact
the store where you purchased the device or a TEAC Repair
Center.
● I hear noise.
↓
● Confirm that none of the cables have problems.
● The touch panel does not work properly.
↓
● Do not use commercially-available protective film for LCD
screens on the touch panel.
● Confirm that the panel lock function is not engaged and
locking the display.
● Power does not turn on.
↓
● Confirm that the power plug, for example, is connected
completely.
● Media is not recognized.
↓
● Confirm that the CF card is securely inserted into the CF slot.
● Pause recording or playback.
● I cannot create a new project.
↓
● Confirm that a project with the same name does not already
exist.
● If the amount of space remaining on the CF card is too small, a
new project cannot be created. Erase unnecessary data and
then try again.
● The unit controls do not function.
↓
● Is the panel lock function ON?
● Playback is not possible.
↓
● Confirm that the file is of a compatible sampling frequency
(44.1/47.952/48/48.048/88.2/96 kHz, 47.952/48.048: 48 kHz
0.1% pull-down/pull-up) and bit rate (16/24).
● There is no sound.
↓
● Reconfirm the connections of your monitoring system and
check the level of your amplifier.
On the MONITORMIXERpage of the MIXERSETUPscreen,
check that the monitor level settings (level knob settings) are
not all the way down.
● When using a TASCAM RC-HS32PD remote controller (sold
separately), confirm that the fader is not lowered.
● If you cannot hear the input signal, arm the recording and turn
input monitoring ON.
● If you cannot hear the playback sound, turn input monitoring
OFF.
● Check the online function and online playback mode settings.
On the SETUPpage of the MIXER SETUPscreen, check that
the Monitor Mute by Onlineitem is not ON. (If it is ON,
the monitoring signal is muted when online.)
● Recording is not possible.
↓
● Reconfirm connections.
● Adjust the recording levels.
● If the CF card does not have enough capacity, erase unneeded
data and increase the amount of open space or change the CF
card.
● If the maximum number of recordable takes or the maximum
take number has been reached, change the recording session.
● If the total number of items in the folder, including files and
subfolders/directories, is too large, change the recording
session.
● Setting changes are not remembered.
↓
● This unit backs up settings whenever the CF card selection is
changed, a project, session or take is loaded, and playback or
recording occurs. After startup, if none of these actions is
conducted, settings might not be backed up even if they are
changed.
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16 – Messages
The following is a list of messages that the HS-4000 shows in pop-up windows. Refer to this list to learn more about each message as
well as how to respond to them.
Message
Details and responses
Remarks
--- error ---
An error occurred while writing information.
INFO WRITING
--- FORMAT ---
Completed
Formatting has completed.
--- FULL FORMAT ---
FORMAT CFn?
This will erase all DATA on card
Full formatting will be performed.
n = 1 or 2
n = 1 or 2
--- FULL FORMAT ---
Formatting CFn…
Full formatting is occurring.
--- ONLINE Function ---
Changes Output Routing.
Touch OK to make ONLINE ********.
Enabling and disabling the ONLINE function changes ******** = AlwaysON/switchable
the sound output routing.
--- QUICK FORMAT ---
FORMAT CFn?
This will erase all DATA on card
Quick formatting will be performed.
n = 1 or 2
n = 1 or 2
--- QUICK FORMAT ---
Formatting CFn…
Quick formatting is occurring.
A retake will be performed.
The unit is shutting down.
AES31 editing file information
--- RETAKE ---
Ignore last RECORD pass?
--- Shutdown ---
working …
<AES31 ADL Info>
“ffffffff”
Size: **MB
ffffffff = editing information file name
ffffffff = file name
yyyy/mm/dd hh: mm
Bounce Selected Region
to file?.
The selected region will be bounced to “ffffffff”.
“ffffffff”
CHn–n D–In: Fs convert On
Cannot select as Master clock.
The sampling rate converter is ON for the digital input n–n = 1–2, 3–4, 5–6, 7–8
that you tried to set as the clock master.
Canceled
The operation was canceled.
Cannot Change Now
Confidence monitoring cannot be enabled with the
Confidence Monitor cannot set to current sampling rate or recording track number
ON
setting.
while current fs/rec channels.
Cannot Change Now
Currently **
This item cannot be changed during playback, online ** = Playing, ONLINE, Chasing TC or
operation, timecode chase or recording.
Recording
Cannot Change Now
Fixed in current mode.
In the current mode, settings are fixed and cannot be
changed.
Cannot Change Now
Inc.Play cannot set to ON
while Play Inhibit Time is Inf.
Since the “PlayInhibitTime” item is set to “Inf”,
the “Inc.Play” item cannot be turned ON.
Cannot Copy
Not enough space on CFn
There is not enough available space on the copy
destination card.
n = 1 or 2
Cannot Copy.
"tttttttt"
already exist in current session.
When assigning a take from another session to an
entry, that take is copied to the current session. In this
case, a file with the same name as the copied take
already exists in the current session.
"tttttttt"＝ name of take to copy
RENAMEbutton: change the name and copy the file
CANCELbutton: do not copy
Cannot Copy.
Session already exists on CFn.
Overwrite session?
A session with the same name already exists at the
copy destination. Do you want to overwrite that
session?
n = 1 or 2
Cannot create more than
100 projects
The maximum number of projects that can be created
has already been reached, so a new project cannot be
created.
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16 – Messages
Message
Details and responses
Remarks
Cannot create new mark point… You tried to create a mark at a time where a mark
Mark point already exists
at the same timestamp.
already exists. You cannot create a mark at the same
time as another mark.
Cannot create new project.
Media Full.
The CF card does not have enough space, so you
cannot create a new project.
Cannot execute bounce
Media Full.
The CF card does not have enough space, so you
cannot bounce.
Cannot execute bounce
Bounce file size is over 2GB.
The resulting file size after the bounce would
exceed 2 GB, so bouncing is not possible.
Cannot edit this mark point.
Mark point already exists
at the same timestamp.
Since a mark already exists at the same time, the
mark cannot be edited.
Editing is possible even when time data is the
same at the frame level if the value differs at
the subframe level, which is not visible on the
screen.
Cannot increment Take.
Interval is too short.
Or
The interval was less than 4 seconds or the CF card
does not have enough space, so starting recording
of the next take is not possible.
Media almost full
Cannot increment Take.
System limit reached,
Please make new session.
The total number of items in the folder, including
files and folders/directories, is too large, so starting
recording of the next take is not possible.
Cannot load to [AorB].
“llllllll”
is already loaded to [BorA].
The playlist that you tried to load is already loaded llllll = name of playlist to be loaded
to B or A, so it cannot be loaded to the other player.
Load a different playlist.
Cannot make more than
1000 sessions.
The maximum number of sessions has already been
reached, so a new session cannot be created.
Cannot make new Session.
Media Full.
The CF card does not have enough space, so you
cannot create a new session.
Cannot RECORD.
Something is preventing recording.
(Internal state error)
Cannot RECORD.
ABS time is over 24h
The timeline mode’s ABS time exceeds 24 hours so
recording cannot be started.
Cannot RECORD.
Media Full.
The CF card does not have enough space, so you
cannot start recording.
Cannot RECORD
Play Fs setting is not OFF
Please change Play Fs to OFF
Recording is not possible because PlayFs is set to
Pull-up or Pull-down. Set PlayFs to Off.
Cannot RECORD
System limit reached.
Please make new Session.
The total number of items in the folder, including
files and folders/directories, is too large, so starting
recording is not possible.
Cannot RECORD.
Take limit reached.
Since the maximum number of recordable takes or
maximum take number has been reached,
Please change to another Session recording is not possible. Change the session.
Cannot Retake.
No Recent REC history.
You cannot retake until at least one new recording
has been made in this session.
Cannot set Mark point.
Mark limit reached.
You cannot create more than 99 marks.
Cannot turn Fs convert On.
CHn–n D–In is already
Master Clock.
You tried to turn the sampling rate converter on for n–n = 1–2, 3–4, 5–6, 7–8
the digital input that is already selected as the
master clock.
CFn DEVICE ERROR
CFn Format failed
The CF card cannot be recognized.
n = 1 or 2
An error occurred during formatting, and formatting n = 1 or 2
could not be completed.
CFn has no projects.
The CF card does not have even one project.
n = 1 or 2
Please create a project.
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16 – Messages
Message
CFn is not available
Details and responses
There is no CF card.
Remarks
n = 1 or 2
n = 1 or 2
n = 1 or 2
CFn is not usable
You cannot copy.
CFn MEDIUM ERROR
The unit failed to read the card.
CFn not recommended format Since the media was not formatted in this unit, proper n = 1 or 2
for Recording/Playing.
Format this card?
recording and playback operations cannot be
guaranteed, so it should be formatted.
This appears when the card is formatted with
a cluster size that is smaller than the standard
of this unit.
CFn not recommended
for Recording/Playing.
(not UltraDMA)
This CF card does not meet the specifications required n = 1 or 2
by the system, so using it for recording/playback is not
recommended.
CFn Read Error
An error occurred when reading the card.
Copying all of CFn to CFn' was not possible.
n = 1 or 2
CFn to CFn' Copy failed.
n = 1 or 2
n'= 2 or 1
CFn unrecognized format
Please Format this card.
This CF card has been formatted in a format other than n = 1 or 2
FAT. Format it for use with this unit.
CFn unsupported type
This CF card does not meet the specifications required n = 1 or 2
by the system, so it cannot be used.
CFn Write Error
An error occurred when writing to the card.
This shows information about the CF card.
n = 1 or 2
CFn(vvvvvvvv)
NUM OF PROJECTS: p
USED SIZE: u
n = 1 or 2
vvvvvvvv = volume level
p: project number,
u: capacity used
FREE SIZE: f
TOTAL SIZE: t
f: unused capacity,
t: total capacity of CF card
Clear Bounce In/Out Point?
Completed
This will clear bounce IN and OUT points.
The operation has completed.
CONFIRM QUICK FORMAT CFn & Reconfirms that you want to conduct both
n = 1 or 2
pppppppp = name of project created
ssssssss = name of session created
Create Project?
quick-formatting and project creation at once
"pppppppp"
"ssssssss"
fs/bit/FrameType/NumOfTracks
Copy CFn to CFn'?
This will erase all data on CFn'.
Confirms that you want to copy all of CFn to CFn'
Copying all sessions in progress
n = 1 or 2
n'= 2 or 1
Copying session(s)...
Copy N selected session(s)
to CFn?
Confirm that you want to copy the selected folder(s). N = number of selected sessions
n = 1 or 2
Copying Session…
The session is being copied.
Create new Playlist?
“pppppppp”
Confirm that you want to create a new playlist.
pppppppp = playlist name
Create new project?
“pppppppp”
Confirm that you want to create a new project.
pppppppp = name of project to be created
ssssssss = name of first session to be created
“ssssssss”
Fs: ** kHz, Frame Type: **F
Create Project failed
Creating Project …
The creation of the project failed.
The project is being created.
Currently loaded playlist
will be exported to PPL
“llllllll”
The currently loaded playlist will be exported in a PPL llllllll = the playlist name created
format.
Currently loaded playlist(s)
will be exported to PPL.
Overwrite latest PPL file?
"pppppppp"
The currently loaded playlist will be exported in PPL "pppppppp" ＝ PPL file name
format. Do you want to overwrite the last exported
PPL file?
Currently loaded playlist [A or B] The currently loaded playlist will be exported in a PPL llllllll = the playlist name created
will be exported to PPL
“llllllll”
format.
Currently loaded session
will be exported to AES31.
“aaaaaaaa”
The currently loaded session will be exported in an
AES31 editing information file.
aaaaaaaa = the AES31 editing information file
name created
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16 – Messages
Message
Details and responses
Remarks
Currently loaded session
will be exported to AES31.
Overwrite latest AES31 file?
"aaaaaaaa"
The currently loaded session will be exported in
AES31 format. Do you want to overwrite the last
exported AES31 file?
"aaaaaaaa" ＝ AES31 file name
Delete all marks
of this type?
(Count: N)
Confirm the deletion of marks of the selected type.
N = number of marks of selected mark type
Delete N selected marks?
Delete N selected project?
Delete N selected playlist?
Delete N selected session?
Delete N selected take?
Deleting Project…
Confirm the deletion of the selected marks.
Confirm the deletion of the selected projects.
Confirm the deletion of the selected playlists.
Confirm the deletion of the selected sessions.
Confirm the deletion of the selected takes.
The project is being deleted.
N = number of marks
N = number selected
N = number selected
N = number selected
N = number selected
Deleting Playlist…
The playlist is being deleted.
Deleting Session…
The session is being deleted.
Deleting Take…
The take is being deleted.
Digital Input Error
An error occurred with the digital input selected for x＝ch name
CHx-x D-IN (Unlocked)
CHx-x D-IN (no signal)
CHx-x D-IN (not audio)
CHx-x D-IN (unmatched Cbit)
the input signal.
Unlocked: not synchronized with system
no signal: no signal being input
not audio: Cbit information of input signal is
not audio
unmatched Cbit: other Cbit information of
input signal is different from actual operation
mode
Edit Completed
The editing operation has completed.
External Clock Lost,
Switched to Internal
Synchronization with an external clock was disrupted,
so the internal clock was activated.
External Clock Regained
Switch to External?
Synchronization with an external clock became
possible again.
EXTERNAL Control Locked
External control connectors are locked to prevent
misoperation.
Initializing …
The unit is initializing. (starting up after power-on)
The selected project will be imported.
Import selected Playlist
“pppppppp”
pppppppp = imported playlist name
Import selected EDL?
“aaaaaaaa”
Confirm importing the selected AES31 editing
information file into the current session.
aaaaaaaa = AES31 editing information file to
be imported
Last loaded project has
no sessions.
The most recently selected project does not have any
sessions. Create a new session.
Please make new session.
Last loaded project
cannot be found.
The last selected project cannot be found. Select a
different project.
Please select a project.
Last loaded session
cannot be found.
The last selected session cannot be found. Select a
session.
Please select a session.
Loading File…
The file is loading.
Load selected project?
“pppppppp”
Confirm that you want to load the selected project.
pppppppp = name of project to load
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16 – Messages
Message
Details and responses
Remarks
Load selected playlist?
“pppppppp”
Confirm that you want to load the selected playlist.
In dual mode, the “Load to A” button will load the
Player A playlist and the “Load to B” button will load
the Player B playlist.
pppppppp = name of playlist to load
Load selected session?
“ssssssss”
Confirm that you want to load the selected session.
ssssssss = name of session to load
tttttttt = name of take to load
Load selected take?
“tttttttt”
Confirm that you want to load the selected take.
Loading Project …
Loading Playlist …
Loading Session …
Loading Take …
The selected project is loading.
The selected playlist is loading.
The selected session is loading.
The selected take is loading.
Make new Session?
“ssssssss”
Confirm that you want you want to make a new
session.
ssssssss= session name
N = number of tracks
TIMELINE Start Time: **h**m**s**f
TIMELINE Rec Tracks: N tr
Make Playlist failed
Make session failed
Making Playlist …
Making session …
Mark Point set
Creation of playlist failed.
Creation of the session failed.
A playlist is being created.
A session is being created.
A mark has been created.
New Session Name must not start The session name is not allowed. A session name must
with "@"
not start with the "@" mark.
nnn: eeeeeee
tttttttt
fs/bit/FileMode/NumOfTracks
Entry LENGTH: *h**m**s**f
START T/C: hh: mm: ss.ff
This shows entry information
nnn: entry number
eeeeeeee: entry name
tttttttt: take name
fs: sampling frequency
bit: bit rate
FileMode: MONO or POLY
NumOfTracks: number of tracks
Entry LENGTH: length of entry
START T/C: entry start time code time
No Call Point
The call point does not exist. (Nothing has been played
back since loading this session or take)
No Mark Point
The mark point does not exist.
You tried to skip marks before the Mark
point was recorded. This disappears
automatically after 2 seconds.
No Tracks Armed for Record
Operation failed.
No tracks have been armed for recording.
The operation could not be completed for some
reason.
Operation failed.
Internal File/Session
limit reached.
The maximum number of sessions that can be created
has been reached, so the operation could not be
completed.
Operation failed.
Cannot find this ***.
Please Rebuild.
The selected project/session/take could not be found, *** = Project or Session or Take
so the operation could not be completed. Rebuild the
selected item.
Operation failed.
Path Name is too long.
The path name has more characters than allowed, so This message appears when making a
the operation could not be completed.
session or recording results in a file path
name of more than 255 characters. This can
occur if you give projects and sessions long
names using a computer.
Operation Failed.
Unmatched Fs.
Sampling frequency does not match
Play Error.
An error occurred during playback.
Play Error
Data reading could not keep up during playback.
Buffer underrun
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16 – Messages
Message
Details and responses
Remarks
<PlayList [AorB] Info>
"ppppp"
This shows playlist information (A/B).
pppppppp = playlist name
Size: **MB"
yyyy/mm/dd hh: mm
<PlayList Info>
"ppppp"
This shows playlist information.
Size: **MB
yyyy/mm/dd hh: mm
PLEASE CONFIRM
Reconfirms that you want to full format the media
n = 1 or 2
--- FULL FORMAT ---
FORMAT CFn?
This will erase all data on card
PLEASE CONFIRM
Reconfirms that you want to quick format the media n = 1 or 2
--- QUICK FORMAT ---
FORMAT CFn?
This will erase all data on card
PLEASE CONFIRM
Copy CFn to CFn'?
This will erase all data on CFn'.
Reconfirms that you want to copy all of CFn to CFn'
This shows project information.
n = 1 or 2
n'= 2 or 1
pppppppp
SESSION: n
Fs: f
pppppppp = project name
n: number of sessions
f: sampling frequency
t: time code frame type
TIMECODE: t
Project Delete failed.
Project Load failed.
Project Rename failed
Project save failed.
Deletion of the project failed.
Loading of the project failed.
Changing the name of the project failed.
An error occurred while saving the project, and saving
failed.
Use the CLOSE button to close the pop-up window.
The FAT file system might be broken.
Format the CF card or use a different one.
Formatting will erase all data on the card.
Project Screen
is not available
while Recording
The project screen cannot be changed during
recording.
Project Screen
is not available
in Jog Mode
The project screen cannot be changed when in jog
mode.
QUICK FORMAT CFn &
Create Project?
“pppppppp”
Quick formatting will be executed and a project will be n = 1 or 2
created.
pppppppp = name of the created project
ssssssss = name of the first created session
fs: sampling frequency
“ssssssss”
fs/bit/FrameType/NumOfTracks
bit: bit rate
Frame Type: frame type
NumOfTracks: number of tracks
RECORD stopped.
ABS time is over 24h.
The timeline mode’s ABS time exceeded 24 hours so
recording stopped.
Reading Media …
The media is being read.
Reading DATA…
Data is being read.
Rebuild all Projects?
Rebuild current Project?
Rebuild current Session?
Confirm that you want to rebuild all projects.
Confirm that you want to rebuild the current project.
Confirm that you want to rebuild the current session.
Rebuild failed
Rebuilding failed.
Rebuild selected project?
Confirm that you want to rebuild the selected project.
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16 – Messages
Message
Rebuild selected Session?
Rebuilding All …
Details and responses
Confirm that you want to rebuild the selected session.
All projects are being rebuilt.
Remarks
Rebuilding project …
Rebuilding Session …
RECORD Error
The project is being rebuilt.
The session is being rebuilt.
An error occurred during recording.
RECORD Error
Buffer overflow
The recording buffer became full during recording,
and writing to the card could not keep up.
RECORD stopped.
Media Full.
The CF card ran out of space, so recording stopped.
Redo Completed
Redoing an edit has completed.
REMOTE/KEYBOARD Locked
The remote and keyboard connectors have been
locked to prevent misoperation. (Shown when a
command is received from the remote or keyboard)
Renaming Project
“pppppp”
The project is being renamed.
pppppp = old project name
nnnnnn = new project name
to “nnnnnn”
Save changes in Current Playlist* Confirm that you want to save changes to the current Playlist* = Playlist, Playlist A or Playlist B
“llllllll” playlist. llllllll = playlist name
Save changes in Current Session Confirm that you want to save changes to the current ssssssss = session name
“ssssssss”
session.
Save Failed.
Saving the file failed.
Saving File…
The file is being saved. Do not remove the CF card.
Do not remove CF
Screen Locked
Touch screen Locked Out
The touch screen has been locked to prevent
misoperation.
Screen Locked
LCD Section Locked
LCD section controls have been locked to prevent
misoperation. (Shown when the LCD screen or
adjacent buttons are pressed)
Session Copy failed
Session Delete failed.
Session Load failed.
Copying the session failed.
Erasing the session failed.
Loading the session failed.
This shows session information.
ssssssss
ssssssss = session name
n: number of takes
f: sampling frequency
u: space used
TAKES: n
Fs: f
TOTAL SIZE: u
TOTAL TIME: t
t: total time of all takes
Starting USB
USB mode is being enabled.
Deletion of the take failed.
Take Delete failed.
TAKE limit back to full.
Change to Sub Folder?
If Mono File Place is set to SubFolder, the limit to the
number of takes is restored to the maximum.
TAKE limit reduced…
Change to Session Root?
If Mono File Place is set to Session Root, the limit to the
number of possible takes is reduced.
Take Load failed.
There is no Entry.
Loading of the take failed.
The playlist does not have any entries, so playback is
not possible. Select a playlist with entries or add
entries to the current one.
There is no project.
Please create a project.
There is no project so the recording cannot be made.
Make a project.
There is no Sessions.
Please make a Session.
There is no session so the recording cannot be made.
Make a session.
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16 – Messages
Message
Details and responses
Remarks
There is no Take.
There is no take, so playback is not possible. Select a
session with takes.
This name already exists.
Another project, session or take already has that
name.
This name already exists.
Overwrite this file?
"nnnnnnnn"
A project, session, or take with the same name already nnnnnnnn = name of project, session or take
exists. Do you want to overwrite it?
Transport Locked
Transport Section Locked
The transport keys have been locked to prevent
misoperation.
tttttttt
date
Take information is shown.
tttttttt = take name
date: year/month/day hour: minutes
fs/bit/FileMode/NumOfTracks
SIZE: u
LENGTH: *h**m**s**f
fs:
bit:
sampling frequency
bit rate
FileMode: MONO or POLY
NumOfTracks: number of tracks
u: space used
LENGTH: length of the take
tttttttt
START T/C: **h**m**s**f
FRAME TYPE: **F
Take information is shown.
tttttttt = take name
START T/C: file start time code time
FRAME TYPE: frame type
Undo Completed
Unsupported File
Undoing an edit has completed.
The format of the file that you tried to play or add to a
playlist is not supported.
Unsupported Fs
The sampling frequency of the file that you tried to
add to a playlist is not supported.
Writing System File…
Recording information is being written when
recording has stopped.
102 TASCAM HS-4000
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17 – Specifications
ANALOG OUT (LINE) connectors (1–4)
Connectors: XLR–3–32 (1: GND, 2: HOT, 3: COLD)
Output impedance: 100 Ω or less
Nominal output level:
+4 dBu (1.23 Vrms) 1 dB/–20 dBu (0.0775 Vrms) dB
(+4 dBu/–20 dBu selectable)
General
Recording media
CompactFlash (CF) card
File system
FAT32 (4 GB or more)
FAT16 (2 GB or less)
(+6 dBu when Digital Ref. Level is set to -9 dB)
Maximum output level (selectable):
+15dBu (4.36Vrms) (D.Ref: -9dBFS, A.Output: +6dBu)
+18dBu (6.16Vrms) (D.Ref: -14dBFS, A.Output: +4dBu)
+20dBu (7.75Vrms) (D.Ref: -16dBFS, A.Output: +4dBu)
+22dBu (9.76Vrms) (D.Ref: -18dBFS, A.Output: +4dBu)
+24dBu (12.3Vrms) (D.Ref: -20dBFS, A.Output: +4dBu)
-6dBu (0.388Vrms) (D.Ref: -14dBFS, A.Output: -20dBu)
-4dBu (0.489Vrms) (D.Ref: -16dBFS, A.Output: -20dBu)
-2dBu (0.616Vrms) (D.Ref: -18dBFS, A.Output: -20dBu)
0dBu (0.775Vrms) (D.Ref: -20dBFS, A.Output: -20dBu)
D.Ref: Digital Ref. Level
File format
BWF (monophonic, polyphonic)
Number of channels
4 channels (excluding playlist dual mode)
2 stereo mix channels × 2 (dual playlist mode)
Quantization bit rate
16-bit, 24-bit
Sampling frequency
44.1/47.952/48/48.048/88.2/96 kHz
(47.952/48.048 kHz: 48k 0.1% pull-down/pull-up)
A.Output: Analog Out Ref. Level
ANALOG OUT (MONITOR) jacks (L/R)
Connectors: XLR–3–32(1: GND, 2: HOT, 3: COLD)
Output impedance: 100 Ω
Clock reference
INTERNAL, WORD IN, VIDEO IN, DIGITAL IN (1–2)
Nominal output level:
+6 dBu (1.55 Vrms)
(Digital Ref. Level= when set to –9 dB)
+4 dBu (1.23 Vrms)
Time code frame
23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF
(Digital Ref. Level= when not set to –9 dB)
Maximum output level (selectable):
+15dBu (4.36Vrms) (D.Ref: -9dBFS, A.Output: +6dBu)
+18dBu (6.16Vrms) (D.Ref: -14dBFS, A.Output: +4dBu)
+20dBu (7.75Vrms) (D.Ref: -16dBFS, A.Output: +4dBu)
+22dBu (9.76Vrms) (D.Ref: -18dBFS, A.Output: +4dBu)
+24dBu (12.3Vrms) (D.Ref: -20dBFS, A.Output: +4dBu)
D.Ref: Digital Ref. Level
Inputs and outputs
Analog audio inputs and outputs
The error for nominal and maximum levels is 1 dB for all input
and output jacks except the PHONES jack.
ANALOG IN (LINE) jacks (1–4)
Connectors: XLR–3–31 (1: GND, 2: HOT, 3: COLD)
Input impedance: 4.3k Ω
Nominal input level:
+4 dBu (1.23 Vrms) 1 dB/–20 dBu (0.0775 Vrms) 1 dB
(+4 dBu/–20 dBu selectable)
A.Output: Analog Output Ref. Lvl
PHONES jack
Connector: standard 6.3-mm (1/4”) stereo jack
Maximum output level: 45 mW + 45 mW or more
(THD+N 0.1% or less, into 32 Ω)
(+6 dBu when Digital Ref. Level is set to -9 dB)
Maximum input level (selectable):
+15dBu (4.36Vrms) (D.Ref: -9dBFS, A.Input: +6dBu)
+18dBu (6.16Vrms) (D.Ref: -14dBFS, A.Input: +4dBu)
+20dBu (7.75Vrms) (D.Ref: -16dBFS, A.Input: +4dBu)
+22dBu (9.76Vrms) (D.Ref: -18dBFS, A.Input: +4dBu)
+24dBu (12.3Vrms) (D.Ref: -20dBFS, A.Input: +4dBu)
-6dBu (0.388Vrms) (D.Ref: -14dBFS, A.Input: -20dBu)
-4dBu (0.489Vrms) (D.Ref: -16dBFS, A.Input: -20dBu)
-2dBu (0.616Vrms) (D.Ref: -18dBFS, A.Input: -20dBu)
0dBu (0.775Vrms) (D.Ref: -20dBFS, A.Input: -20dBu)
D.Ref: Digital Ref. Level
A.Input: Analog Input Ref. Lvl
TASCAM HS-4000
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103
17 – Specifications
Includes switch for enabling termination
Digital audio inputs and outputs
DIGITAL INPUT connector (1/2)
Input frequency (WORD): 44.1/47.952/48/48.048/88.2/96 kHz
Input signal (VIDEO): 24/25/29.97/30 Frame (NTSC/PAL Black
burst, HDTV Tri–Level)
Connector: XLR–3–31
Minimum/maximum input signal voltage range: 200mVp–p
to 10 Vp–p/110 Ω
Input impedance 110 Ω 20%
Format: AES3-2003/IEC60958–4 (AES/EBU)
IEC60958-3(S/PDIF)
Supported sampling frequencies:
WORD/VIDEO THRU/OUT
Connector: BNC
Signal voltage amplitude: 5V TTL equivalent
Output impedance: 75 Ω or less
Output frequency (WORD):
44.1/47.952/48/48.048/88.2/96 kHz
(47.952/48.048 kHz: 48k 0.1% pull-down/pull-up)
Frequency stability 10 ppm or less (Ta = 20º C)
OUT/THRU switch included (OUT is only for WORD OUT)
44.1/47.952/48/48.048/88.2/96 kHz(single/double)
Note: When SRC is ON, the receivable range is 32–192 kHz.
DIGITAL OUTPUT connector (1/2)
Connector: XLR–3–32
Output voltage: 2–5 Vp–p/110 Ω
Output impedance: 110 Ω 20%
Format: IEC60958–4 (AES3–2003, AES/EBU)
Supported sampling frequencies:
44.1/47.952/48/48.048/88.2/96 kHz (single/double)
ETHERNET
Connector: RJ45
KEYBOARD
Connector: Mini-DIN (PS/2)
USB
Control inputs and outputs
RS–422
Connector: D–sub 9-pin
Connector: USB A-type 4-pin
Protocol: USB2.0 HIGH SPEED (480 Mbps) compliant
REMOTE
Connector: ETHERCON (CAT6 compatible)
Power supply voltage: 13 V/41 V
Signal: LVDS serial
Transmission contents:
LCD display data, asynchronous serial transmission control
signals, port control signals
RS–232C
Connector: D–sub 9-pin
PARALLEL
Connector: D–sub 25-pin
TIME CODE IN
Connector: XLR–3–31
Signal voltage amplitude: 0.5–10 Vp–p
Input impedance 10 kΩ
FORMAT: SMPTE 12M–1999 compliant
Audio performance
Frequency response
ANALOG IN to ANALOG OUT:
20 Hz – 20 kHz: 0.5 dB (Fs = 44.1/48 kHz, JEITA) (recording and
playback)
20 Hz – 40 kHz: +0.5 dB/−2 dB (Fs = 88.2/96 kHz, JEITA)
(recording and playback)
TIME CODE OUT
Connectors: XLR–3–32
Signal voltage amplitude: 2 Vp–p
Output impedance: 100 Ω
Format: SMPTE 12M–1999 compliant
Distortion
ANALOG IN to ANALOG OUT: 0.005% or less
(JEITA) (recording and playback)
WORD/VIDEO IN
Connector: BNC
Input voltage: 5V TTL equivalent (WORD IN)
Signal voltage amplitude: 1 Vp–p (VIDEO IN)
Input impedance: 75 Ω 10%
Allowable frequency deviation of external synchronization:
100 ppm
S/N ratio
ANALOG IN to ANALOG OUT: 100 dB or less
(JEITA) (recording and playback)
104 TASCAM HS-4000
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HS-4000
TEAC CORPORATION
http://tascam.jp/
http://tascam.com/
Phone: +81-42-356-9143
1-47 Ochiai, Tama-shi, Tokyo 206-8530, Japan
TEAC AMERICA, INC.
Phone: +1-323-726-0303
7733 Telegraph Road, Montebello, California 90640 USA
TEAC CANADA LTD.
http://tascam.com/
Phone: +1905-890-8008 Facsimile: +1905-890-9888
5939 Wallace Street, Mississauga, Ontario L4Z 1Z8, Canada
TEAC MEXICO, S.A. de C.V.
http://www.teacmexico.net/
http://www.tascam.co.uk
http://www.tascam.de/
Phone: +52-55-5010-6000
Río Churubusco 364, Colonia Del Carmen, Delegación Coyoacán, CP 04100, México DF, México
TEAC UK LIMITED
Phone: +44-8451-302511
Suites 19 & 20, Building 6, Croxley Green Business Park, Hatters Lane, Watford, Hertfordshire, WD18 8TE, UK
TEAC EUROPE GmbH
Phone: +49-611-71580
Bahnstrasse 12, 65205 Wiesbaden-Erbenheim, Germany
Printed in China
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