DIGITAL CAMERA
User's Manual
En
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Thank you for your purchase of a Nikon single-lens reflex (SLR) digital camera. To get
the most from your camera, please be sure to read all instructions thoroughly and
keep them where they will be read by all who use the product.
Symbols and Conventions
To make it easier to find the information you need, the following symbols and
conventions are used:
This icon marks cautions; information that should be read before use to
prevent damage to the camera.
D
A
0
This icon marks notes; information that should be read before using the
camera.
This icon marks references to other pages in this manual.
Menu items, options, and messages displayed in the camera monitor are shown in bold.
Camera Settings
The explanations in this manual assume that default settings are used.
Help
for details.
Digitutor
“Digitutor”, a series of “watch and learn” manuals in movie form, is available from the following
website: http://www.nikondigitutor.com/index_eng.html
A For Your Safety
Before using the camera for the first time, read the safety instructions in “For Your Safety”
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Q&A Index
Find what you’re looking for using this “question and answer” index.
0
Taking Photographs
Shooting Modes and Framing Options
i
Is there a quick and easy way to take snapshots (i mode)?
How do I quickly adjust settings for different scenes?
Can I adjust shutter speed to freeze or blur motion (mode S)?
Can I adjust aperture to blur backgrounds or bring them into focus
(mode A)?
How do I make long (“time”) exposures (mode M)?
Can I frame photos in the monitor (C live view photography)?
Can I shoot movies (1 movie live view)?
Can I join photographs taken at regular intervals to create a time-
lapse movie?
Release Modes
i
Can I take photos one at a time or in quick succession?
How do I take pictures with the self-timer or a remote control?
Can I reduce shutter noise in quiet surroundings (quiet shutter-release)?
Focus
i
Can I choose how the camera focuses?
Can I choose the focus point?
Exposure
i
Can I make photos brighter or darker?
How do I preserve details in shadows and highlights?
Using the Flash
i
Can I set the flash to fire automatically when needed?
How do I keep the flash from firing?
How do I avoid “red-eye”?
Image Quality and Size
i
How do I take pictures for printing at large sizes?
How can I get more pictures on the memory card?
0
Viewing Photographs
Playback
i
How do I view photographs on the camera?
How do I view more information about a photo?
Can I view photos in an automatic slide show?
Can I view photos on a TV?
Can I protect photos from accidental deletion?
Deletion
i
How do I delete unwanted photos?
ii
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0
Retouching Photographs
How do I create retouched copies of photos?
How do I remove “red-eye”?
How do I make JPEG copies of RAW (NEF) photos?
Can I overlay two NEF (RAW) photos to make a single image?
Can I create a copy of a photo that looks like a painting?
Can I trim movie footage on the camera or save movie stills?
0
Menus and Settings
How do I use the menus?
How do I display menus in another language?
How do I use the command dials?
How do I keep the displays from turning off?
How do I focus the viewfinder?
Can I display a framing grid in the viewfinder or the monitor?
How do I tell if the camera is level?
How do I set the camera clock?
How do I format memory cards?
How do I restore default settings?
How do I get help for a menu or message?
0
Connections
How do I copy photos to a computer?
How do I print photos?
Can I print the date of recording on my photos?
0
Maintenance and Optional Accessories
What memory cards can I use?
What lenses can I use?
What optional flash units (Speedlights) can I use?
What other accessories are available for my camera?
What software is available for my camera?
What do I do with the supplied eyepiece cap?
How do I clean the camera?
Where should I take my camera for servicing and repairs?
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Menu Options
Delete
Selected
Select date
All
Reset shooting
Yes
menu
No
Storage folder
File naming
Select folder by number
Select folder from list
File naming
Playback folder ND600
(default)
All
Current
Select/set
Role played by
card in Slot 2
Overflow
Backup
(default)
Hide image
Select date
Deselect all?
Playback display Done
RAW Slot 1 - JPEG Slot 2
NEF (RAW) + JPEG fine
NEF (RAW) + JPEG normal
NEF (RAW) + JPEG basic
NEF (RAW)
Image quality
options
Basic photo info
Focus point
Additional photo info
None (image only)
Highlights
JPEG fine
JPEG normal
JPEG basic
Large
(default)
RGB histogram
Shooting data
Overview
Image size
(default)
Medium
Small
Image area
Copy image(s)
Select source
Select image(s)
Select destination folder
Copy image(s)?
On
Auto DX crop
Choose image area
Size priority
Optimal quality
Type
JPEG
compression
(default)
(default)
Image review
After delete
NEF (RAW)
recording
Off
(default)
NEF (RAW) bit depth
Auto
Incandescent
Fluorescent
Direct sunlight
Flash
Show next
Show previous
Continue as before
On
(default)
White balance
Rotate tall
Slide show
(default)
Off
Start
Cloudy
Shade
Image type
Frame interval
Choose color temp.
Preset manual
DPOF print order Select/set
Deselect all?
Items marked with a
icon can be saved to the memory card using the Save/load settings > Save
cameras by inserting the memory card into the camera and selecting Save/load settings > Load
settings.
iv
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Set Picture
Control
Standard
Neutral
(default)
Interval timer
shooting
Choose start time
Now
Vivid
Monochrome
Portrait
Start time
Interval
Select no. of times×no. of
shots
Landscape
Start
Manage Picture Save/edit
Rename 1
Delete 1
Control
Time-lapse
photography
Start
Interval
Shooting time
Frame size/frame rate
Movie quality
Microphone
Destination
Load/save
Auto distortion On
Movie settings
control
Off
sRGB
Adobe RGB
Auto
Extra high
High
(default)
(default)
Color space
Active
D-Lighting 2
1 Not available if no custom Picture Controls are
present.
2 Defaults to Off (modes P, S, A, M, 1, 2, and 3) or
Auto (other modes).
Normal
Low
Off
A CUSTOM SETTING MENU
Reset custom
HDR (high
dynamic range)
HDR mode
Exposure differential
Smoothing
Yes
No
settings
Vignette control High
Normal
a Autofocus
(default)
a1 AF-C priority Release
selection
a2 AF-S priority Release
(default)
(default)
(default)
Low
Focus
Off
Long exposure
NR
On
Off
selection
Focus
5 (Long)
4
3 (Normal)
2
(default)
(default)
a3 Focus
High ISO NR
High
Normal
Low
tracking with
lock-on
Off
1 (Short)
Off
ISO sensitivity
settings
ISO sensitivity
a4 AF point
illumination
Auto
On
(default)
Auto ISO sensitivity control
Off
a5 Focus point Wrap
Remote control Delayed remote
mode
(default)
wrap-around
No wrap
39 points
11 points
On
(default)
(default)
Quick-response remote
a6 Number of
focus points
Remote mirror-up
Multiple exposure mode
Number of shots
Auto gain
Multiple
exposure
a7 Built-in AF-
assist
(default)
Off
illuminator
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b Metering/exposure
d Shooting/display
b1 ISOsensitivity 1/3 step
(default)
(default)
d1 Beep
Volume
step value
1/2 step
Pitch
On
Off
b2 EV steps for 1/3 step
d2 Viewfinder
grid display
exposure
cntrl
1/2 step
(default)
d3 ISO display
and
Show ISO sensitivity
Show ISO/Easy ISO
Show frame count (default)
b3 Easy exposure On (Auto reset)
compensation
On
Off
adjustment
(default)
(default)
d4 Screen tips
On
Off
(default)
b4 Center-
φ
8 mm
weighted
area
φ 12 mm
φ 15 mm
φ 20 mm
Average
Yes
d5 CL mode
shooting
speed
5 fps
4 fps
3 fps
2 fps
1 fps
1–100
(default)
b5 Fine-tune
optimal
No
(default)
d6 Max.
continuous
release
exposure
c Timers/AE lock
d7 File number On
(default)
(default)
(default)
c1 Shutter-
release
On
Off
sequence
Off
(default)
(default)
button AE-L
Reset
d8 Information Auto
c2 Standby
timer
4 s
6 s
10 s
display
Manual
On
d9 LCD
30 s
illumination
Off
1 min
5 min
d10 Exposure
delay mode
3 s
2 s
10 min
30 min
No limit
Self-timer delay
Number of shots
Interval between shots
Playback
Menus
1 s
Off
(default)
(default)
d11 Flash warning On
Off
c3 Self-timer
d12 MB-D14
battery type
LR6 (AA alkaline)
HR6 (AA Ni-MH)
FR6 (AA lithium)
(default)
c4 Monitor off
delay
d13 Battery order Use MB-D14 batteries first
(default)
Use camera battery first
Information display
Image review
Live view
c5 Remote on
duration
1 min
5 min
(default)
10 min
15 min
vi
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e Bracketing/flash
f Controls
e1 Flash sync
speed
1/250 s (Auto FP)
1/200 s (Auto FP)
1/200 s
f2 Assign Fn
button
Preview
FV lock
AE/AF lock
AE lock only
(default)
(default)
1/160 s
1/125 s
1/100 s
1/80 s
AE lock (Hold)
AF lock only
AF-ON
1/60 s
Flash off
e2 Flash shutter 1/60 s
Bracketing burst
Active D-Lighting
+ NEF (RAW)
Matrix metering
Center-weighted metering
Spot metering
Framing grid
speed
1/30 s
1/15 s
1/8 s
1/4 s
1/2 s
1 s
2 s
Choose image area (default)
Viewfinder virtual horizon
MY MENU
4 s
8 s
15 s
30 s
Access top item in MY MENU
1 step spd/aperture
Choose non-CPU lens number
Playback
e3 Flash cntrl for TTL
(default)
built-in flash
Manual
Repeating flash
Commander mode
TTL
None
Preview
FV lock
f3 Assign
preview
button
(default)
e3 Optional
(default)
(default)
flash *
Manual
Entire frame
Background only
AE/AF lock
AE lock only
AE lock (Hold)
AF lock only
AF-ON
e4 Exposure
comp. for
flash
e5 Modeling
flash
On
(default)
(default)
Off
AE & flash
AE only
Flash off
e6 Auto
bracketing
set
Bracketing burst
Active D-Lighting
+ NEF (RAW)
Matrix metering
Center-weighted metering
Spot metering
Flash only
WB bracketing
ADL bracketing
e7 Bracketing
order
MTR > under > over (default)
Under > MTR > over
Framing grid
*
Displayed only when optional SB-400 flash unit is
attached.
Choose image area
Viewfinder virtual horizon
MY MENU
f Controls
Access top item in MY MENU
1 step spd/aperture
Choose non-CPU lens number
Playback
f1 OK button
(shooting
mode)
Select center focus point
(default)
Highlight active focus point
Not used
None
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f Controls
g Movie
f4 Assign AE-L/ AE/AF lock
(default)
g3 Assign AE-L/ Index marking
AF-L button
AF-L button
AE lock only
AE lock (Hold)
AF lock only
AF-ON
FV lock
None
View photo shooting info
AE/AF lock
AE lock only
AE lock (Hold)
AF lock only
AF-ON
(default)
f5 Customize
command
dials
Reverse rotation
Change main/sub
Aperture setting
Menus and playback
Yes
None
Take photos
Record movies
g4 Assign
(default)
shutter
button
f6 Release
button to use
dial
f7 Slot empty
release lock
Format memory Slot 1
No
(default)
(default)
Release locked
Enable release
card
Slot 2
Save user
settings
Save to U1
Save to U2
Reset U1
Reset U2
Auto
f8 Reverse
indicators
(default)
(default)
Reset user
settings
f9 Assign
MB-D14
AE/AF lock
AE lock only
AE lock (Hold)
AF lock only
AF-ON
Monitor
brightness
4 button
Manual
(default)
Clean image
sensor
Clean now
Clean at startup/shutdown
Start
FV lock
Same as Fn button
Lock mirror up
for cleaning 1
Image Dust Off Start
g Movie
g1 Assign Fn
button
ref photo
Clean sensor and then start
Output resolution
Index marking
View photo shooting info
AE/AF lock
AE lock only
AE lock (Hold)
AF lock only
HDMI
Device control
Flicker reduction Auto
(default)
50 Hz
60 Hz
Time zone and
date
Time zone
Date and time
Date format
AF-ON
None
(default)
(default)
g2 Assign
preview
button
Index marking
View photo shooting info
AE/AF lock
Daylight saving time
Language
,
,
,
,
,
,
AE lock only
AE lock (Hold)
AF lock only
AF-ON
,
,
,
,
,
,
,
,
,
,
,
,
,
,
None
,
,
,
,
,
,
,
viii
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Image comment Done
Input comment
Color balance
Image overlay 1
NEF (RAW)
processing
Resize
–
–
–
Attach comment
Auto image
rotation
On
Off
(default)
Select image
Choose destination
Battery info
–
Choose size
–
–
Copyright
information
Done
Artist
Copyright
Quick retouch
Straighten
Distortion
control
Auto
Manual
–
–
–
–
Attach copyright information
Save settings
Load settings
Standby timer
Position
Save/load
settings
Fisheye
Color outline
Color sketch
Perspective
control
Miniature effect
Selective color
Edit movie
GPS
Use GPS to set camera clock
–
Done
Virtual horizon
Non-CPU lens
data
–
–
Lens number
Focal length (mm)
Maximum aperture
AF fine-tune (On/Off)
Saved value
Choose start/end point
Save selected frame
–
Side-by-side
comparison 2
AF fine-tune
1 Available only when G button is pressed and
N tab selected in menus.
2 Only available when J or c (b) button is
pressed to display retouch menu during full-
frame playback.
Default
List saved values
Slot 1
Slot 2
Eye-Fi upload 2
Firmware version –
1 Not available at battery levels of J or below.
2 Available only with compatible Eye-Fi memory
cards.
Add items
Playback menu
Shooting menu
Custom setting menu
Setup menu
Retouch menu
–
D-Lighting
–
Red-eye
–
*
Remove items
Rank items
Choose tab
correction
–
Trim
–
My Menu
Monochrome
Black-and-white
Sepia
Recent settings
* Items can also be deleted by highlighting them
in MY MENU and pressing the O (Q) button
twice.
Cyanotype
Skylight
Filter effects
Warm filter
Red intensifier
Green intensifier
Blue intensifier
Cross screen
Soft
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Table of Contents
The Release-Mode Dial............................................................................................................6
The Control Panel......................................................................................................................7
Charge the Battery................................................................................................................. 21
Step 2: Select i or j Mode ............................................................................................... 36
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k Portrait...............................................................................................................................41
l Landscape........................................................................................................................41
p Child...................................................................................................................................41
m Sports.................................................................................................................................41
n Close Up............................................................................................................................42
o Night Portrait ..................................................................................................................42
r Night Landscape............................................................................................................42
s Party/Indoor....................................................................................................................42
t Beach/Snow ....................................................................................................................43
u Sunset................................................................................................................................43
v Dusk/Dawn......................................................................................................................43
w Pet Portrait.......................................................................................................................43
x Candlelight........................................................................................................................44
y Blossom.............................................................................................................................44
z Autumn Colors ...............................................................................................................44
0 Food....................................................................................................................................44
1 Silhouette.........................................................................................................................45
2 High Key............................................................................................................................45
3 Low Key.............................................................................................................................45
Basic Playback...........................................................................................................................46
Focusing in Live View............................................................................................................51
Indices.........................................................................................................................................60
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P: Programmed Auto............................................................................................................. 75
S: Shutter-Priority Auto......................................................................................................... 76
A: Aperture-Priority Auto...................................................................................................... 77
M: Manual................................................................................................................................... 78
Long Time-Exposures (M Mode Only)........................................................................ 79
Recalling User Settings......................................................................................................... 82
Image Size................................................................................................................................. 95
AF-Area Mode.......................................................................................................................... 99
Manual Focus......................................................................................................................... 103
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Fine-Tuning White Balance............................................................................................... 117
Creating Custom Picture Controls................................................................................. 134
Flash Mode............................................................................................................................. 144
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Calendar Playback................................................................................................................ 186
Connecting the Camera.....................................................................................................194
Connecting the Printer.......................................................................................................196
D The Playback Menu: ManagingImages ........................................................................... 207
Hide Image.........................................................................................................................208
Image Review....................................................................................................................212
After Delete........................................................................................................................212
Rotate Tall...........................................................................................................................212
Slide Show..........................................................................................................................213
C The Shooting Menu: ShootingOptions............................................................................ 214
Reset Shooting Menu.....................................................................................................214
File Naming........................................................................................................................216
Auto Distortion Control.................................................................................................217
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A Custom Settings: Fine-TuningCamera Settings................................................................... 219
a1: AF-C Priority Selection............................................................................................ 221
b2: EV Steps for Exposure Cntrl.................................................................................. 224
b5: Fine-tune Optimal Exposure................................................................................ 226
c: Timers/AE Lock................................................................................................................. 226
c5: Remote on Duration................................................................................................ 228
e1: Flash Sync Speed...................................................................................................... 234
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f5: Customize Command Dials....................................................................................245
f9: Assign MB-D14 4 Button........................................................................................247
g3: Assign AE-L/AF-L Button........................................................................................248
g4: Assign Shutter Button.............................................................................................248
B The Setup Menu: Camera Setup.......................................................................................... 249
Language............................................................................................................................253
N The Retouch Menu: CreatingRetouched Copies................................................................. 261
Creating Retouched Copies..............................................................................................262
Trim.......................................................................................................................................265
Straighten...........................................................................................................................274
Fisheye.................................................................................................................................274
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O My Menu/m Recent Settings...................................................................................... 280
Attaching a Power Connector and AC Adapter........................................................ 299
Available Settings................................................................................................................. 309
Exposure Program (Mode P)............................................................................................. 315
Shooting (All Modes).......................................................................................................... 317
Shooting (P, S, A, M)........................................................................................................... 319
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For Your Safety
To prevent damage to your Nikon product or injury to yourself or to others, read the following
safety precautions in their entirety before using this equipment. Keep these safety instructions
where all those who use the product will read them.
The consequences that could result from failure to observe the precautions listed in this
section are indicated by the following symbol:
This icon marks warnings. To prevent possible injury, read all warnings before using this
Nikon product.
A
❚❚WARNINGS
Keep the sun out of the frame
Keep out of reach of children
A
A
A
Keep the sun well out of the frame when
shooting backlit subjects. Sunlight
focused into the camera when the sun is
in or close to the frame could cause a fire.
Failure to observe this precaution could
result in injury. In addition, note that small
parts constitute a chocking hazard. Should
a child swallow any part of this equipment,
consult a physician immediately.
Do not look at the sun through the viewfinder
Viewing the sun or other strong light
source through the viewfinder could
cause permanent visual impairment.
A
A
Do not disassemble
Touching the product’s internal parts
could result in injury. In the event of
malfunction, the product should be
repaired only by a qualified technician.
Should the product break open as the
result of a fall or other accident, remove
the battery and/or AC adapter and then
take the product to a Nikon-authorized
service center for inspection.
Using the viewfinder diopter adjustment control
When operating the viewfinder diopter
adjustment control with your eye to the
viewfinder, care should be taken not to
put your finger in your eye accidentally.
Turn off immediately in the event of malfunction
Should you notice smoke or an unusual
smell coming from the equipment or AC
adapter (available separately), unplug
the AC adapter and remove the battery
immediately, taking care to avoid burns.
Continued operation could result in
injury. After removing the battery, take
the equipment to a Nikon-authorized
service center for inspection.
A
Do not remain in contact with the camera,
battery, or charger for extended periods while
the devices are on or in use
Parts of the device become hot. Leaving
the device in direct contact with the skin
for extended periods may result in low-
temperature burns.
A
Do not aim a flash at the operator of a motor
vehicle
Failure to observe this precaution could
result in accidents.
A
A
Do not use in the presence of flammable gas
Do not use electronic equipment in the
presence of flammable gas, as this could
result in explosion or fire.
A
A
Avoid contact with liquid crystal
Should the monitor break, care should be
taken to avoid injury due to broken glass
and to prevent the liquid crystal from the
monitor touching the skin or entering
the eyes or mouth.
Do not place the strap around the neck of an
infant or child
Placing the camera strap around the neck
of an infant or child could result in
strangulation.
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Observe caution when using the flash
Observe proper precautions when handling the
charger
• Keep dry. Failure to observe this
precaution could result in fire or electric
shock.
A
A
• Using the camera with the flash in close
contact with the skin or other objects
could cause burns.
• Using the flash close to the subject’s
eyes could cause temporary visual
impairment. Particular care should be
observed when photographing infants,
when the flash should be no less than
one meter (39 in.) from the subject.
• Dust on or near the metal parts of the
plug should be removed with a dry
cloth. Continued use could result in fire.
• Do not handle the power cable or go
nearthe chargerduringthunderstorms.
Failure to observe this precaution could
result in electric shock.
• Do not damage, modify, or forcibly tug
or bend the power cable. Do not place
it under heavy objects or expose it to
heat or flame. Should the insulation be
damaged and the wires become
exposed, take the power cable to a
Nikon-authorized service
representative for inspection. Failure to
observe this precaution could result in
fire or electric shock.
• Do not handle the plug or charger with
wet hands. Failure to observe this
precaution could result in electric
shock.
Observe proper precautions when handling
batteries
A
Batteries may leak or explode if
improperly handled. Observe the
following precautions when handling
batteries for use in this product:
• Use only batteries approved for use in
this equipment.
• Do not short or disassemble the battery.
• Be sure the product is off before
replacing the battery. If you are using
an AC adapter, be sure it is unplugged.
• Do not attempt to insert the battery
upside down or backwards.
• Do not expose the battery to flame or to
excessive heat.
• Do not immerse in or expose to water.
• Do not use with travel converters or
adapters designed to convert from one
voltage to another or with DC-to-AC
inverters. Failure to observe this
precaution could damage the product
or cause overheating or fire.
•
Replace the terminal cover when
transporting the battery. Do not
transport or store the battery with metal
objects such as necklaces or hairpins.
• Batteries are prone to leakage when
fully discharged. To avoid damage to
the product, be sure to remove the
battery when no charge remains.
• When the battery is not in use, attach
the terminal cover and store in a cool,
dry place.
• The battery may be hot immediately
after use or when the product has been
used on battery power for an extended
period. Before removing the battery
turn the camera off and allow the
battery to cool.
Use appropriate cables
A
A
When connecting cables to the input and
output jacks, use only the cables
provided or sold by Nikon for the
purpose to maintain compliance with
product regulations.
CD-ROMs
CD-ROMs containing software or
manuals should not be played back on
audio CD equipment. Playing CD-ROMs
on an audio CD player could cause
hearing loss or damage the equipment.
• Discontinue use immediately should
you notice any changes in the battery,
such as discoloration or deformation.
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Notices
• No part of the manuals included with this
product may be reproduced, transmitted,
transcribed, stored in a retrieval system, or
translated into any language in any form,
by any means, without Nikon’s prior
written permission.
• Nikon will not be held liable for any
damages resulting from the use of this
product.
• While every effort has been made to
ensure that the information in these
manuals is accurate and complete, we
would appreciate it were you to bring any
errors or omissions to the attention of the
Nikon representative in your area (address
provided separately).
• Nikon reserves the right to change the
specifications of the hardware and
software described in these manuals at
any time and without prior notice.
Notices for Customers in Canada
CAUTION
ATTENTION
This Class B digital apparatus complies with
Canadian ICES-003.
Cet appareil numérique de la classe B est
conforme à la norme NMB-003 du Canada.
Notices for Customers in Europe
CAUTION
RISK OF EXPLOSION IF BATTERY IS REPLACED BY AN INCORRECT TYPE. DISPOSE OF USED
BATTERIES ACCORDING TO THE INSTRUCTIONS.
This symbol indicates that this
product is to be collected
separately.
This symbol on the battery
indicates that the battery is to be
collected separately.
The following apply only to users in
European countries:
The following apply only to users in
European countries:
• This product is designated for separate
collection at an appropriate collection
point. Do not dispose of as household
waste.
• For more information, contact the retailer
or the local authorities in charge of waste
management.
• All batteries, whether marked with this
symbol or not, are designated for separate
collection at an appropriate collection
point. Do not dispose of as household
waste.
• For more information, contact the retailer
or the local authorities in charge of waste
management.
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Notices for Customers in the U.S.A.
Power Cable
At voltages over AC 125 V (U.S.A. only): The power cable must be rated for the voltage in use, be at
least AWG no. 18 gauge, and have SVG insulation or better with a NEMA 6P-15 plug rated for
AC 250 V 15 A.
Federal Communications Commission (FCC) Radio Frequency Interference Statement
This equipment has been tested and found
to comply with the limits for a Class B digital
device, pursuant to Part 15 of the FCC rules.
These limits are designed to provide
reasonable protection against harmful
interference in a residential installation. This
equipment generates, uses, and can radiate
radio frequency energy and, if not installed
and used in accordance with the instructions,
may cause harmful interference to radio
communications. However, there is no
guarantee that interference will not occur in
a particular installation. If this equipment
does cause harmful interference to radio or
television reception, which can be
determined by turning the equipment off
and on, the user is encouraged to try to
correct the interference by one or more of
the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the
equipment and receiver.
CAUTIONS
Modifications
The FCC requires the user be notified that any
changes or modifications made to this device
that are not expressly approved by Nikon
Corporation may void the user’s authority to
operate the equipment.
Interface Cables
Use the interface cables sold or provided by
Nikon for your equipment. Using other
interface cables may exceed the limits of
Class B Part 15 of the FCC rules.
Notice for Customers in the State of California
WARNING: Handling the cord on this product
may expose you to lead, a chemical known to
the State of California to cause birth defects
or other reproductive harm. Wash hands
after handling.
• Connect the equipment into an outlet on a
circuit different from that to which the
receiver is connected.
• Consult the dealer or an experienced
radio/television technician for help.
Nikon Inc., 1300 Walt Whitman Road,
Melville, New York 11747-3064, U.S.A.
Tel.: 631-547-4200
xxi
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Notice Concerning Prohibition of Copying or Reproduction
Note that simply being in possession of material that has been digitally copied or reproduced
by means of a scanner, digital camera, or other device may be punishable by law.
• Items prohibited by law from being copied or
reproduced
• Cautions on certain copies and reproductions
The government has issued cautions on
copies or reproductions of securities issued
by private companies (shares, bills, checks,
gift certificates, etc.), commuter passes, or
coupon tickets, except when a minimum of
necessary copies are to be provided for
business use by a company. Also, do not
copy or reproduce passports issued by the
government, licenses issued by public
agencies and private groups, ID cards, and
tickets, such as passes and meal coupons.
Do not copy or reproduce paper money,
coins, securities, government bonds, or
local government bonds, even if such
copies or reproductions are stamped
“Sample.”
The copying or reproduction of paper
money, coins, or securities which are
circulated in a foreign country is prohibited.
Unless the prior permission of the
government has been obtained, the
copying or reproduction of unused postage
stamps or post cards issued by the
government is prohibited.
• Comply with copyright notices
The copying or reproduction of
copyrighted creative works such as books,
music, paintings, woodcuts, prints, maps,
drawings, movies, and photographs is
governed by national and international
copyright laws. Do not use this product for
the purpose of making illegal copies or to
infringe copyright laws.
The copying or reproduction of stamps
issued by the government and of certified
documents stipulated by law is prohibited.
Disposing of Data Storage Devices
Please note that deleting images or formatting memory cards or other data storage devices
does not completely erase the original image data. Deleted files can sometimes be recovered
from discarded storage devices using commercially available software, potentially resulting in
the malicious use of personal image data. Ensuring the privacy of such data is the user’s
responsibility.
Before discarding a data storage device or transferring ownership to another person, erase all
data using commercial deletion software, or format the device and then completely refill it
with images containing no private information (for example, pictures of empty sky). Be sure to
injury when physically destroying data storage devices.
AVC Patent Portfolio License
THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO LICENSE FOR THE PERSONAL AND NON-
COMMERCIAL USE OF A CONSUMER TO (i) ENCODE VIDEO IN COMPLIANCE WITH THE AVC STANDARD (“AVC
VIDEO”) AND/OR (ii) DECODE AVC VIDEO THAT WAS ENCODED BY A CONSUMER ENGAGED IN A PERSONAL AND
NON-COMMERCIAL ACTIVITY AND/OR WAS OBTAINED FROM A VIDEO PROVIDER LICENSED TO PROVIDE AVC
VIDEO. NO LICENSE IS GRANTED OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION MAY BE
OBTAINED FROM MPEG LA, L.L.C. SEE http://www.mpegla.com
xxii
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Use Only Nikon Brand Electronic Accessories
Nikon cameras are designed to the highest standards and include complex electronic circuitry.
Only Nikon brand electronic accessories (including chargers, batteries, AC adapters, and flash
accessories) certified by Nikon specifically for use with this Nikon digital camera are
engineered and proven to operate within the operational and safety requirements of this
electronic circuitry.
The use of non-Nikon electronic accessories could damage the camera and may
void your Nikon warranty. The use of third-party rechargeable Li-ion batteries not
bearing the Nikon holographic seal shown at right could interfere with normal
operation of the camera or result in the batteries overheating, igniting, rupturing, or leaking.
For more information about Nikon brand accessories, contact a local authorized Nikon dealer.
D Use Only Nikon Brand Accessories
Only Nikon brand accessories certified by Nikon specifically for use with your Nikon digital
camera are engineered and proven to operate within its operational and safety
requirements. THE USE OF NON-NIKON ACCESSORIES COULD DAMAGE YOUR CAMERA AND MAY VOID YOUR
NIKON WARRANTY.
D Servicing the Camera and Accessories
The camera is a precision device and requires regular servicing. Nikon recommends that the
camera be inspected by the original retailer or a Nikon-authorized service representative
once every one to two years, and that it be serviced once every three to five years (note that
fees apply to these services). Frequent inspection and servicing are particularly
recommended if the camera is used professionally. Any accessories regularly used with the
camera, such as lenses or optional flash units, should be included when the camera is
inspected or serviced.
A Before Taking Important Pictures
Before taking pictures on important occasions (such as at weddings or before taking the
camera on a trip), take a test shot to ensure that the camera is functioning normally. Nikon
will not be held liable for damages or lost profits that may result from product malfunction.
A Life-Long Learning
As part of Nikon’s “Life-Long Learning” commitment to ongoing product support and
education, continually-updated information is available on-line at the following sites:
•
•
•
For users in the U.S.A.: http://www.nikonusa.com/
For users in Europe and Africa: http://www.europe-nikon.com/support/
For users in Asia, Oceania, and the Middle East: http://www.nikon-asia.com/
Visit these sites to keep up-to-date with the latest product information, tips, answers to
frequently-asked questions (FAQs), and general advice on digital imaging and photography.
Additional information may be available from the Nikon representative in your area. See the
following URL for contact information: http://imaging.nikon.com/
xxiii
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Package Contents
Be sure all items listed here were included with your camera. Memory cards are sold
separately.
• BS-1 accessory
• DK-21 rubber
shoe cover
eyecup
• BM-14 monitor
• BF-1B body
cover
cap
• D600 camera
• AN-DC8 strap
• UC-E15 USB cable
• ViewNX 2 CD
• EN-EL15 rechargeable Li-ion battery
(with terminal cover)
•
User’s Manual
(this guide)
• Warranty
• MH-25 battery charger (AC wall
adapter supplied only in countries or
regions where required. Shape of
power cable depends on country of
sale.)
Memory cards are sold
separately.
• DK-5 eyepiece cap
A The Camera Strap
Attach the strap securely to the two eyelets on the camera body as shown below.
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Introduction
X
Getting to Know the Camera
Take a few moments to familiarize yourself with camera controls and displays. You
may find it helpful to bookmark this section and refer to it as you read through the
rest of the manual.
X
The Camera Body
4 Eyelet for camera strap
10 E button
Exposure compensation................................ 112
Two-button reset............................................. 151
12 Z/Q button
Metering............................................................ 109
Formatting memory cards ...............................31
A The Power Switch
Rotate the power switch as shown to turn
the camera on.
Rotate the power switch as shown to turn
the camera off.
1
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The Camera Body (Continued)
X
5 M/Y button
6 D button
17 USB connector
A LCD Illuminators
Rotating the power switch toward
standby timer and control panel backlight (LCD
D
activates the
Power switch
illuminator), allowing the display to be read in the dark.
After the power switch is released and returns to the ON
position, the illuminators will remain lit for six seconds
while the standby timer is active or until the shutter is
released or the power switch is rotated toward
D
again.
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The Camera Body (Continued)
X
Self-timer lamp ...................................................... 86
Red-eye reduction lamp ....................................145
7 Contact cover for optional MB-D14 battery pack
.............................................................................. 297
9 CPU contacts
11 AF coupling
4
12 Tripod socket
D The Microphone and Speaker
Do not place the microphone or speaker in close proximity to magnetic devices. Failure to
observe this precaution could affect the data recorded on the magnetic devices.
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The Camera Body (Continued)
X
3 O/Q button
Formatting memory cards............................... 31
4 K button
10 W/S button
12 A button
18 Ambient brightness sensor for automatic
19 Live view selector
Live view photography .................................... 49
Movie live view .................................................. 57
5 Monitor
Viewing settings................................................... 9
Live view ....................................................... 49, 57
Viewing pictures ................................................ 46
Full-frame playback.........................................177
6 G button
7 c/b button
8 L/U button
Help....................................................................... 18
Protect ................................................................188
9 X/T button
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The Mode Dial
The camera offers the modes
listed below. To choose a
mode, press the mode dial lock
release and rotate the mode
dial.
Mode dial
X
Mode dial lock release
P, S, A, and M Modes
Select these modes for full control over camera settings.
•
•
•
•
Auto Modes
Select these modes for simple, point-and-shoot
photography.
The camera automatically optimizes settings to suit
the selected scene. Match your selection to the
scene being photographed.
Store and recall customized shooting settings.
A Non-CPU Lenses
a non-CPU lens is attached disables the shutter release.
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The Release-Mode Dial
To choose a release mode, press the
release mode dial lock release and turn
the release mode dial to the desired
Release mode dial lock release
X
Release mode dial
Mode
Description
One photograph is taken each time the shutter-
release button is pressed.
Single frame
S
The camera takes photographs at a slow rate
while the shutter-release button is pressed.
Continuous low speed
CL
The camera takes photographs at a fast rate while
the shutter-release button is pressed.
Continuous high speed
CH
As for single-frame, except that camera noise is
reduced.
Quiet shutter-release
J
Self-timer
Take pictures with the self-timer.
E
Take pictures with an optional ML-L3 remote
control.
Remote control
4
Mirror up
Raise the mirror before taking photographs.
MUP
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The Control Panel
Bracketing increment................................ 154, 156
Number of shots in ADL bracketing
Number of shots per interval ........................... 165
Maximum aperture (non-CPU lenses)............ 174
PC mode indicator............................................... 195
Auto ISO sensitivity indicator ........................... 108
Time-lapse indicator........................................... 170
X
Exposure compensation value .........................112
Flash compensation value.................................148
White balance fine-tuning ................................118
White balance preset number..........................121
Number of shots in exposure and flash
bracketing sequence .......................................153
Number of shots in WB bracketing
sequence ............................................................156
Number of intervals for interval timer
photography......................................................165
Focal length (non-CPU lenses) .........................172
ADL bracketing indicator................................... 158
27 “K” (appears when memory remains for over
1000 exposures) ..................................................36
Number of shots remaining before memory
AF-area mode indicator .....................................100
3D-tracking indicator............................................ 99
buffer fills ..............................................38, 84, 335
Preset white balance recording indicator ..... 122
Active D-Lighting amount ................................ 138
Time-lapse recording indicator........................ 170
Manual lens number .......................................... 174
Capture mode indicator..................................... 195
HDMI-CEC connection indicator...................... 205
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The Viewfinder
X
1 Framing grid (displayed when On is selected for
Custom Setting d2) ..........................................229
AF-area mode ......................................................... 99
Autofocus mode..................................................... 97
Active D-Lighting amount.................................138
AF-area mode ......................................................... 99
Number of shots remaining before memory
22 “K” (appears when memory remains for over
1000 exposures) ................................................. 36
D No Battery
When the battery is totally exhausted or no battery is inserted, the display in the viewfinder
will dim. This is normal and does not indicate a malfunction. The viewfinder display will
return to normal when a fully-charged battery is inserted.
D The Control Panel and Viewfinder Displays
The brightness of the control panel and viewfinder displays varies with temperature, and the
response times of the displays may drop at low temperatures. This is normal and does not
indicate a malfunction.
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The Information Display
Press the R button to display shutter speed, aperture, the
number of exposures remaining, AF-area mode, and other
shooting information in the monitor.
R button
Continuous shooting speed ............................. 229
Exposure compensation display...................... 112
Bracketing progress indicator
X
Exposure and flash bracketing..................... 153
WB bracketing.................................................. 156
HDR exposure differential ................................. 140
MB-D14 battery indicator.................................. 232
13 “K” (appears when memory remains for over
1000 exposures) ..................................................36
Time-lapse recording indicator........................ 170
Manual lens number .......................................... 174
White balance fine-tuning indicator .............. 118
Focus points indicator........................................ 101
3D-tracking indicator ......................................... 100
Exposure compensation value .........................112
Flash compensation value.................................148
Number of shots in exposure and flash
bracketing sequence .......................................153
Number of shots in WB bracketing
sequence ............................................................156
Focal length (non-CPU lenses) .........................172
Aperture (number of stops) ....................... 73, 288
Bracketing increment ................................154, 155
Number of shots in ADL bracketing
sequence ............................................................158
Maximum aperture (non-CPU lenses)............174
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X
WB bracketing indicator.....................................156
A Turning the Monitor Off
To clear shooting information from the monitor, press the R button twice more or press the
shutter-release button halfway. The monitor will turn off automatically if no operations are
performed for about 10 seconds.
A See Also
For information on choosing how long the monitor stays on, see Custom Setting c4
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❚❚Changing Settings in the Information Display
To change settings for the items listed below, press the R
button in the information display. Highlight items using the
multi selector and press J to view options for the highlighted
item.
R button
X
5
6
7
A Tool Tips
A tool tip giving the name of the selected item appears in the
information display. Tool tips can be turned off using Custom
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The Command Dials
The main- and sub-command dials are used alone or in combination with other
controls to adjust a variety of settings.
M/Y button
Flash mode
Flash compensation
D button
AF-mode button
Bracketing
X
Autofocus mode
AF-area mode
Sub-command dial
Mode dial
E button
Exposure compensation
Z/Q button
Metering
Main command dial
L/U button
White balance
X/T button
Image quality/size
W/S button
ISO sensitivity
Auto ISO sensitivity control
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❚❚Scene Mode
h mode Main command dial
Monitor
❚❚Image Quality and Size
X
+
X (T) button Main command dial
Control panel
Control panel
+
X (T) button Sub-command dial
❚❚Autofocus
Choose an autofocus mode
+
AF-mode button Main command dial
Control panel
Control panel
Choose an AF-area mode
+
AF-mode button Sub-command dial
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❚❚ISO Sensitivity
+
W (S) button Main command dial
Control panel
Control panel
Set auto ISO sensitivity control
X
+
W (S) button Sub-command dial
❚❚Exposure
Choose a combination of
aperture and shutter speed
Mode P
Main command dial
Control panel
Control panel
Control panel
Control panel
Choose a shutter speed (mode S
Mode S or M Main command dial
Choose an aperture (mode A or
Mode A or M Sub-command dial
Choose a metering option
+
Z (Q) button Main command dial
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Set exposure compensation
+
E button
Main command dial
Control panel
Control panel
Control panel
Activate or cancel bracketing/
select number of shots in
bracketing sequence (mode P, S,
+
X
D button Main command dial
Select bracketing increment
+
D button Sub-command dial
❚❚White Balance
Choose a white balance option
+
L (U) button Main command dial
Control panel
Control panel
Fine-tune white balance
P, S, A, or M.
+
L (U) button Sub-command dial
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The BM-14 Monitor Cover
A clear plastic cover is provided with the camera to keep the
monitor clean and protect it when the camera is not in use. To
attach the cover, insert the projection on the top of the cover
into the matching indentation above the camera monitor (q)
and press the bottom of the cover until it clicks into place (w).
X
To remove the cover, hold the camera firmly and pull the
bottom of the cover gently outwards as shown at right.
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Camera Menus
Most shooting, playback, and setup options can be accessed
from the camera menus. To view the menus, press the G
button.
G button
Tabs
X
Choose from the following menus:
• O/m: My Menu or Recent settings (defaults to
Slider shows position in current menu.
Current settings are shown by icons.
Menu options
Options in current menu.
d
If a d icon is displayed at the bottom left corner of the
monitor, help can be displayed by pressing the L (U)
button. A description of the currently selected option or
menu will be displayed while the button is pressed. Press
1 or 3 to scroll through the display.
L (U) button
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Using Camera Menus
The multi selector and J button are used to navigate the camera menus.
Move cursor up
J button: select highlighted item
Select highlighted item or
Cancel and return to
previous menu
display sub-menu
Move cursor down
X
Follow the steps below to navigate the menus.
1 Display the menus.
Press the G button to display the menus.
G button
2 Highlight the icon for the current menu.
Press 4 to highlight the icon for the current
menu.
3 Select a menu.
Press 1 or 3 to select the desired menu.
4 Position the cursor in the selected menu.
Press 2 to position the cursor in the selected
menu.
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5 Highlight a menu item.
Press 1 or 3 to highlight a menu item.
6 Display options.
Press 2 to display options for the selected menu
X
item.
7 Highlight an option.
Press 1 or 3 to highlight an option.
8 Select the highlighted item.
Press J to select the highlighted item. To exit
without making a selection, press the G
button.
Note the following:
• Menu items that are displayed in gray are not currently available.
• While pressing 2 generally has the same effect as pressing J, there are some
cases in which selection can only be made by pressing J.
• To exit the menus and return to shooting mode, press the shutter-release button
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First Steps
Charge the Battery
The camera is powered by an EN-EL15 rechargeable Li-ion battery (supplied). To
maximize shooting time, charge the battery in the supplied MH-25 battery charger
before use. About 2 hours and 35 minutes are required to fully recharge the battery
when no charge remains.
1 Connect the AC power cable.
X
Connect the power cable. The AC adapter plug should be
in the position shown at right; do not rotate.
2 Remove the terminal cover.
Remove the terminal cover from the battery.
3 Insert the battery.
Place the battery in the battery bay as shown in the
illustration on the charger.
Battery Charging
charging complete
4 Plug the charger in.
The CHARGE lamp will flash slowly while the battery
charges.
D Charging the Battery
Charge the battery indoors at ambient temperatures between
5–35°C (41–95°F). The battery will not charge if its
temperature is below 0°C (32°F) or above 60°C (140°F).
5 Remove the battery when charging is complete.
Charging is complete when the CHARGE lamp stops flashing. Unplug the charger
and remove the battery.
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A The AC Wall Adapter
Depending on the country or region of purchase, an AC wall
adapter may also be supplied with the charger. To use the adapter,
insert it into the charger AC inlet (q). Slide the AC wall adapter
latch in the direction shown (w) and rotate the adapter 90 ° to fix it
in the position shown (e). Reverse these steps to remove the
adapter.
AC wall adapter
latch
X
90 °
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Insert the Battery
Before inserting the battery, rotate the power switch to OFF.
D Inserting and Removing Batteries
Always turn the camera off before inserting or removing batteries.
1 Open the battery-chamber cover.
Unlatch (q) and open (w) the battery-chamber cover.
X
2 Insert the battery.
Insert the battery in the orientation shown (q), using the
battery to keep the orange battery latch pressed to one
side. The latch locks the battery in place when the battery
is fully inserted (w).
Battery latch
3 Close the battery-chamber cover.
A Removing the Battery
Turn the camera off and open the battery-chamber cover. Press the
battery latch in the direction shown by the arrow to release the
battery and then remove the battery by hand.
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D The Battery and Charger
not use the battery at ambient temperatures below 0°C/32°F or above 40°C/104°F; failure to
observe this precaution could damage the battery or impair its performance. Capacity may
be reduced and charging times may increase at battery temperatures from 0°C/32°F to
15°C/59°F and from 45°C/113°F to 60°C/140°F.
If the CHARGE lamp flashes quickly (about eight times a second) during charging, confirm that
the temperature is in the correct range and then unplug the charger and remove and
reinsert the battery. If the problem persists, cease use immediately and take battery and
charger to your retailer or a Nikon-authorized service representative.
X
Do not short the charger terminals; failure to observe this precaution could result in
overheating and damage to the charger. Do not move the charger or touch the battery
during charging. Failure to observe this precaution could in very rare instances result in the
charger showing that charging is complete when the battery is only partially charged.
Remove and reinsert the battery to begin charging again. Battery capacity may temporarily
drop if the battery is charged at low temperatures or used at a temperature below the
temperature at which it was charged. If the battery is charged at a temperature below 5 °C
decrease.
The battery may be hot immediately after use. Wait for the battery to cool before recharging.
The supplied power cable and AC wall adapter are for use with the MH-25 only. Use the
charger with compatible batteries only. Unplug when not in use.
A marked drop in the time a fully charged battery retains its charge when used at room
temperature indicates that it requires replacement. Purchase a new EN-EL15 battery.
A EN-EL15 Rechargeable Li-ion Batteries
The supplied EN-EL15 shares information with compatible devices, enabling the camera to
details battery charge, battery life, and the number of pictures taken since the battery was
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Attach a Lens
Care should be taken to prevent dust from entering the camera when the lens is
removed. The lens generally used in this manual for illustrative purposes is an AF-S
NIKKOR 24-120mm f/4G ED VR.
Focal length scale index
Mounting index
Focal length scale
Lens hood
X
Lens cap
Rear lens cap
Vibration reduction ON/OFF switch
Zoom ring
Vibration reduction mode switch
1 Turn the camera off.
2 Remove the rear lens cap and the
camera body cap.
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3 Attach the lens.
Keeping the mounting index on the lens aligned with the mounting index on
the camera body, position the lens in the camera’s bayonet mount (q). Being
careful not to press the lens-release button, rotate the lens counter-clockwise
until it clicks into place (w).
X
If the lens is equipped with an A-M or M/A-M mode
switch, select A (autofocus) or M/A (autofocus with
manual override).
A Detaching the Lens
Be sure the camera is off when removing or exchanging lenses. To
remove the lens, press and hold the lens release button (q) while
turning the lens clockwise (w). After removing the lens, replace the
lens caps and camera body cap.
D CPU Lenses with Aperture Rings
lock aperture at the minimum setting (highest f-number).
A Image Area
The DX format image area is automatically selected when a DX lens is
Image area
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Basic Setup
A language-selection dialog will be displayed the first time the camera is turned on.
Choose a language and set the time and date. Photographs can not be taken until
you have set the time and date.
1 Turn the camera on.
A language-selection dialog will be displayed.
X
2 Select a language.
Press 1 or 3 to highlight the desired language
and press J.
3 Choose a time zone.
A time-zone selection dialog will be displayed.
Press 4 or 2 to highlight the local time zone (the
UTC field shows the difference between the
selected time zone and Coordinated Universal
Time, or UTC, in hours) and press J.
4 Choose a date format.
Press 1 or 3 to choose the order in which the
year, month, and day will be displayed. Press J
to proceed to the next step.
5 Turn daylight saving time on or off.
Daylight saving time options will be displayed.
Daylight saving time is off by default; if daylight
saving time is in effect in the local time zone,
press 1 to highlight On and press J.
6 Set the date and time.
The dialog shown at right will be displayed. Press
4 or 2 to select an item, 1 or 3 to change. Press
J to set the clock and exit to shooting mode.
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A Setting the Clock
A The Clock Battery
The camera clock is powered by an independent, rechargeable power source, which is
charged as necessary when the main battery is installed or the camera is powered by an
power the clock for about three months. If the camera displays a warning at startup stating
that the clock is not set and a
is exhausted and the clock has been reset. Set the clock to the correct time and date.
icon flashes in the information display, the clock battery
B
X
A The Camera Clock
The camera clock is less accurate than most watches and household clocks. Check the clock
regularly against more accurate time pieces and reset as necessary.
28
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Insert a Memory Card
The camera stores pictures on Secure Digital (SD) memory cards (available separately;
1 Turn the camera off.
A Inserting and Removing Memory Cards
Always turn the camera off before inserting or removing memory cards.
X
2 Open the card slot cover.
Slide the card slot cover out (q) and open the card slot
(w).
3 Insert the memory card.
Holding the memory card as shown at right, slide it in until
it clicks into place. The memory card access lamp will light
GB
16
for a few seconds.
D Inserting Memory Cards
Inserting memory cards upside down or backwards could
damage the camera or the card. Check to be sure the card is in
the correct orientation. The card slot cover will not close if the
Front
Memory card access
lamp
card is not correctly inserted.
Close the memory card slot cover. If this is the first time
the memory card will be used in the camera or the card has
been formatted in another device, format the card as
described on page 31.
A Removing Memory Cards
After confirming that the memory card access lamp is off, turn the
camera off, open the memory card slot cover, and press the card in to
GB
eject it (q). The card can then be removed by hand (w).
16
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A No Memory Card
If the camera is turned off with a charged EN-EL15 battery and no
memory card inserted, S will be displayed in the control panel
and viewfinder.
A Using Two Memory Cards
Slot 1 is for the main card; the card in slot 2 plays a backup or
secondary role. If the default setting of Overflow is selected for Role
inserted, the card in slot 2 will only be used when the card in slot 1 is
full.
Slot 1
X
Slot 2
The control panel shows the slot or slots that currently hold a
memory card (the example at right shows the icons displayed when a
card is inserted in each slot). If the memory card is full or locked or an
Control panel
Information display
D Memory Cards
• Memory cards may be hot after use. Observe due caution when removing memory cards
from the camera.
• Turn the power off before inserting or removing memory cards. Do not remove memory
cards from the camera, turn the camera off, or remove or disconnect the power source
during formatting or while data are being recorded, deleted, or copied to a computer.
Failure to observe these precautions could result in loss of data or in damage to the
camera or card.
• Do not touch the card terminals with your fingers or metal objects.
• Do not bend, drop, or subject to strong physical shocks.
• Do not apply force to the card casing. Failure to observe this precaution could damage
the card.
• Do not expose to water, heat, high levels of humidity, or direct sunlight.
• Do not format memory cards in a computer.
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Format the Memory Card
Memory cards must be formatted before first use or after being used or formatted in
other devices.
D Formatting Memory Cards
Formatting memory cards permanently deletes any data they may contain. Be sure to copy any
1 Turn the camera on.
X
2 Press the O (Q) and Z (Q) buttons.
Hold the O (Q) and Z (Q) buttons down
simultaneously until a flashing C (format)
appears in the shutter-speed displays in the
control panel and viewfinder. If two memory
be selected; you can choose the card in Slot 2
by rotating the main command dial. To exit
without formatting the memory card, wait until
C stops flashing (about six seconds) or press
any button other than the O (Q) and Z (Q)
buttons.
O (Q) button Z (Q) button
3 Press the O (Q) and Z (Q) buttons again.
Press the O (Q) and Z (Q) buttons together a second time while C is
flashing to format the memory card. Do not remove the memory card or remove
or disconnect the power source during formatting.
When formatting is complete, the control panel and viewfinder will show the
number of photographs that can be recorded at current settings.
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A The Write Protect Switch
SD memory cards are equipped with a write protect
switch to prevent accidental loss of data. When this switch
is in the “lock” position, the memory card can not be
formatted and photos can not be deleted or recorded (a
warning will be displayed in the monitor if you attempt to
release the shutter). To unlock the memory card, slide the
switch to the “write” position.
G B 1 6
Write-protect switch
A See Also
option in the setup menu.
X
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Adjust Viewfinder Focus
The camera is equipped with diopter adjustment to accommodate individual
differences in vision. Check that the display in the viewfinder is in focus before
framing pictures in the viewfinder.
1 Turn the camera on.
Remove the lens cap and turn the camera on.
X
2 Focus the viewfinder.
Rotate the diopter adjustment control until
the AF area brackets are in sharp focus. When
operating the diopter adjustment control with
your eye to the viewfinder, be careful not to
put your fingers or fingernails in your eye.
AF area brackets
A Adjusting Viewfinder Focus
If you are unable to focus the viewfinder as described above, select single-servo autofocus
high-contrast subject in the center focus point and press the shutter-release button halfway
to focus the camera. With the camera in focus, use the diopter adjustment control to bring
the subject into clear focus in the viewfinder. If necessary, viewfinder focus can be further
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X
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Basic Photography and Playback
s
“Point-and-Shoot” Photography
(i and j Modes)
This section describes how to take photographs in i (auto) mode, an
automatic “point-and-shoot” mode in which the majority of settings
are controlled by the camera in response to shooting conditions, and
in which the flash will fire automatically if the subject is poorly lit. To
take photographs with the flash off while leaving the camera in
s
control of other settings, rotate the mode dial to j to select auto (flash off) mode.
Step 1: Turn the Camera On
1 Turn the camera on.
Remove the lens cap and turn the camera on. The control panel will turn on and
the display in the viewfinder will light.
2 Check the battery level.
Check the battery level in the control panel or viewfinder.
Control panel * Viewfinder *
Description
L
—
—
Battery fully charged.
K
J
—
Battery partially discharged.
I
—
d
H
Low battery. Charge battery or ready spare battery.
Shutter release disabled. Charge or exchange battery.
H
(flashes)
d
(flashes)
* No icon displayed when camera is powered by optional EP-5B power connector and
EH-5b AC adapter. V appears in information display.
A Image Sensor Cleaning
The camera vibrates the low-pass filter covering the image sensor to remove dust when the
35
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3 Check the number of exposures
remaining.
The control panel and viewfinder show the
number of photographs that can be taken at
current settings (values over 1,000 are rounded
down to the nearest hundred; e.g., values
between 2,000 and 2,099 are shown as 2.0 K). If two memory cards are inserted,
number of exposures remaining reaches A, the number will flash, n or j
will flash in the shutter-speed displays, and the icon for the affected card will
s
Step 2: Select i or j Mode
To shoot where use of a flash is prohibited,
photograph infants, or capture natural lighting under
low light conditions, rotate the mode dial to j.
Otherwise, rotate the mode dial to i.
Mode dial
j mode
i mode
A Camera Off Display
If the camera is turned off with a battery and memory card
inserted, the memory card icon and number of exposures
remaining will be displayed (some memory cards may in
rare cases only display this information when the camera is
on).
Control panel
36
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Step 3: Frame the Photograph
1 Ready the camera.
When framing photographs in the viewfinder,
hold the handgrip in your right hand and cradle
the camera body or lens with your left. Keep
your elbows propped lightly against your torso
for support and place one foot half a pace ahead
of the other to keep your upper body stable.
When framing photographs in portrait (tall)
orientation, hold the camera as shown in the
bottom of the three illustrations at right.
s
In j mode, shutter speeds slow when lighting is
poor; use of a tripod is recommended.
2 Frame the photograph.
Frame a photograph in the viewfinder with the
main subject in the AF area brackets.
AF area brackets
A Using a Zoom Lens
Use the zoom ring to zoom in on the subject so that it fills a
larger area of the frame, or zoom out to increase the area
visible in the final photograph (select longer focal lengths
on the lens focal length scale to zoom in, shorter focal
lengths to zoom out).
Zoom in
Zoom ring
Zoom out
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Step 4: Focus
1 Press the shutter-release button halfway.
Press the shutter-release button halfway to
focus. The active focus point will be displayed. If
the subject is poorly lit, the flash may pop up and
the AF-assist illuminator may light.
2 Check the indicators in the viewfinder.
When the focus operation is complete, the in-
focus indicator (I) will appear in the viewfinder.
Focus point
s
In-focus
indicator
I
Description
Subject in focus.
2 4 Focus point is between camera and subject.
2 4 Focus point is behind subject.
2 4 Camera unable to focus using autofocus.
In-focus
indicator
Buffer
capacity
While the shutter-release button is pressed halfway, the number of exposures
viewfinder.
Step 5: Shoot
Smoothly press the shutter-release button the rest of
the way down to release the shutter and record the
photograph. The memory card access lamp next to
the memory card slot cover will light while the
photograph is being recorded to the memory card. Do
not eject the memory card or remove or disconnect the
power source until the lamp has gone out and recording
is complete.
Memory card access
lamp
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A The Shutter-Release Button
The camera has a two-stage shutter-release button. The camera focuses when the shutter-
release button is pressed halfway. To take the photograph, press the shutter-release button
the rest of the way down.
Focus: press halfway
Shoot: press all the way down
A The Standby Timer
The viewfinder and the control panel shutter speed and aperture displays will turn off if no
operations are performed for about 6 seconds, reducing the drain on the battery. Press the
shutter-release button halfway to reactivate the display. The length of time before the
standby timer expires automatically can be selected using Custom Setting c2 (Standby
s
Exposure meters on
Exposure meters off
Exposure meters on
A The Built-in Flash
If additional lighting is required for correct exposure in i mode, the
built-in flash will pop up automatically when the shutter-release
button is pressed halfway. If the flash is raised, photographs can only
be taken when the flash-ready indicator (M) is displayed. If the flash-
ready indicator is not displayed, the flash is charging; remove your
finger briefly from the shutter-release button and try again.
To save power when the flash is not in use, press it gently downward
until the latch clicks into place.
39
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Creative Photography (Scene Modes)
The camera offers a choice of “scene” modes. Choosing a scene mode
automatically optimizes settings to suit the selected scene, making
creative photography as simple as selecting a mode, framing a picture,
and shooting as described on pages 35–39.
❚❚hMode
To view the currently selected scene, rotate the mode dial to h and press the R
button. To choose another scene, rotate the main command dial.
Mode dial
s
Main command dial
Monitor
Night
Night
Portrait
Landscape
Child
p
Sports
Close up
portrait
landscape
k
l
m
n
o
r
Blossom
y
Party/indoor Beach/snow
Sunset
Dusk/dawn Pet portrait Candlelight
s
t
u
v
w
x
Autumn
colors
Food
Silhouette
High key
Low key
z
0
1
2
3
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❚❚Scene Modes
kPortrait
pChild
s
Use for portraits with soft, natural-
looking skin tones. If the subject is far
Use for snapshots of children. Clothing
and background details are vividly
from the background or a telephoto lens rendered, while skin tones remain soft
is used, background details will be
softened to lend the composition a
sense of depth.
and natural.
lLandscape
mSports
Use for vivid landscape shots in daylight.
The built-in flash and AF-assist
illuminator turn off; use of a tripod is
recommended to prevent blur when
lighting is poor.
Fast shutter speeds freeze motion for
dynamic sports shots in which the main
subject stands out clearly. The built-in
flash and AF-assist illuminator turn off.
To take a sequence of shots, select
41
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nClose Up
rNight Landscape
Use for close-up shots of flowers, insects, Reduce noise and unnatural colors when
and other small objects (a macro lens can photographing night landscapes,
s
be used to focus at very close ranges).
Use of a tripod is recommended to
prevent blur.
including street lighting and neon signs.
The built-in flash and AF-assist
illuminator turn off; use of a tripod is
recommended to prevent blur.
oNight Portrait
sParty/Indoor
Use for a natural balance between the
main subject and the background in
Capture the effects of indoor
background lighting. Use for parties and
portraits taken under low light. Use of a other indoor scenes.
tripod is recommended to prevent blur
when lighting is poor.
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tBeach/Snow
vDusk/Dawn
Capture the brightness of sunlight
expanses of water, snow, or sand. The
built-in flash and AF-assist illuminator
turn off.
Preserves the colors seen in the weak
natural light before dawn or after sunset.
The built-in flash and AF-assist
illuminator turn off; use of a tripod is
recommended to prevent blur when
lighting is poor.
s
uSunset
wPet Portrait
Preserves the deep hues seen in sunsets Use for portraits of active pets. The AF-
and sunrises. The built-in flash and AF-
assist illuminator turn off; use of a tripod
is recommended to prevent blur when
lighting is poor.
assist illuminator turns off.
43
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xCandlelight
zAutumn Colors
For photographs taken by candlelight.
The built-in flash turns off; use of a tripod autumn leaves. The built-in flash turns
Captures the brilliant reds and yellows in
s
is recommended to prevent blur when
lighting is poor.
off; use of a tripod is recommended to
prevent blur when lighting is poor.
yBlossom
0Food
Use for fields of flowers, orchards in
bloom, and other landscapes featuring
Use for vivid photographs of food. Use of
a tripod is recommended to prevent
turns off; use of a tripod is
recommended to prevent blur when
lighting is poor.
44
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1Silhouette
3Low Key
Silhouette subjects against bright
backgrounds. The built-in flash turns off; dark, somber images that bring out
Use when shooting dark scenes to create
s
use of a tripod is recommended to
prevent blur when lighting is poor.
highlights. The built-in flash turns off;
use of a tripod is recommended to
prevent blur when lighting is poor.
2High Key
Use when shooting bright scenes to
create bright images that seem filled
with light. The built-in flash turns off.
45
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Basic Playback
1 Press the K button.
A photograph will be displayed in the
monitor. The memory card containing the
picture currently displayed is shown by an
icon.
K button
2 View additional pictures.
Additional pictures can be displayed by
pressing 4 or 2. To view additional
information on the current photograph,
s
NIKON D600
1
/
12
.
1
125 F5
0,
6
100
85mm
0
_
.
100ND600
D
S
C
:
0001 JP
G
M
AL
601N6Ox4R016
:
15
/
04
/
2012 10 02 28
To end playback and return to shooting
mode, press the shutter-release button
halfway.
A Image Review
automatically displayed in the monitor for a few seconds after shooting.
A See Also
46
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Deleting Unwanted Photographs
To delete the photograph currently displayed in the monitor, press the O (Q) button.
Note that photographs can not be recovered once deleted.
1 Display the photograph.
Display the photograph you wish to delete
as described on the preceding page. The
location of the current image is shown by an
icon at the bottom left corner of the display.
s
2 Delete the photograph.
Press the O (Q) button. A confirmation
dialog will be displayed; press the O (Q)
button again to delete the image and return
to playback. To exit without deleting the
picture, press K.
O (Q) button
A Delete
playback menu.
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s
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Live View Photography
x
Follow the steps below to take photographs in live view.
1 Rotate the live view selector to C (live view
photography).
D Cover the Viewfinder
To prevent light entering via the viewfinder from interfering
with exposure, remove the rubber eyecup and cover the
viewfinder with the supplied DK-5 eyepiece cap before
Live view selector
x
2 Press the a button.
The mirror will be raised and the view through the lens will
be displayed in the camera monitor. The subject will no
longer be visible in the viewfinder.
a button
3 Position the focus point.
Position the focus point over your subject as described on page 51.
4 Focus.
Press the shutter-release button halfway to focus.
The focus point will flash green while the camera focuses.
If the camera is able to focus, the focus point will be
displayed in green; if the camera is unable to focus, the
focus point will flash red (note that pictures can be taken
even when the focus point flashes red; check focus in the
monitor before shooting). Exposure can be locked by
A AE-L/AF-L button
the shutter-release button is pressed halfway. In mode M, exposure can be
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5 Take the picture.
Press the shutter-release button the rest of the way down
to shoot. The monitor will turn off.
6 Exit live view mode.
Press the a button to exit live view mode.
D Ending Live View
Live view ends automatically if the lens is removed. Live view may also end
automatically to prevent damage to the camera’s internal circuits; exit live view when
the camera is not in use. Note that the temperature of the camera’s internal circuits
may rise and noise (bright spots, randomly-spaced bright pixels, or fog) may be
displayed in the following instances (the camera may also become noticeably warm,
but this does not indicate a malfunction):
x
• The ambient temperature is high
• The camera has been used for extended periods in live view or to record movies
• The camera has been used in continuous release mode for extended periods
If live view does not start when you press the a button, wait for the internal circuits to
cool and then try again.
A Choosing a Picture Control (P, S, A, and M Modes Only)
Pressing c (b) during live view displays a list
of Picture Controls. Highlight the desired
Picture Control and press 2 to adjust Picture
c (b) button
A Movies
Movie recording is not available during live view photography and pressing the
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Focusing in Live View
To focus using autofocus, rotate the focus-mode
selector to AF and follow the steps below to choose
autofocus and AF-area modes. For information on
Focus-mode selector
❚❚Choosing a Focus Mode
The following autofocus modes are available in live view:
Mode
AF-S
Description
Single-servo AF: For stationary subjects. Focus locks when shutter-release button is
pressed halfway.
x
Full-time servo AF: For moving subjects. Camera focuses continuously until shutter-
release button is pressed. Focus locks when shutter-release button is pressed halfway.
AF-F
To choose an autofocus mode, press the AF-mode button and rotate the main
command dial until the desired mode is displayed in the monitor.
AF-mode button Main command
dial
Monitor
D Using Autofocus in Live View
Use an AF-S lens. The desired results may not be achieved with other lenses or
teleconverters. Note that in live view, autofocus is slower and the monitor may brighten or
darken while the camera focuses. The focus point may sometimes be displayed in green
when the camera is unable to focus. The camera may be unable to focus in the following
situations:
• The subject contains lines parallel to the long edge of the frame
• The subject lacks contrast
• The subject in the focus point contains areas of sharply contrasting brightness, or includes
spot lighting or a neon sign or other light source that changes in brightness
• Flicker or banding appears under fluorescent, mercury-vapor, sodium-vapor, or similar
lighting
• A cross (star) filter or other special filter is used
• The subject appears smaller than the focus point
• The subject is dominated by regular geometric patterns (e.g., blinds or a row of windows
in a skyscraper)
• The subject is moving
51
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❚❚Choosing an AF-Area Mode
The following AF-area modes can be selected in live view:
Mode
Description
Face-priority AF: Use for portraits. The camera automatically detects and focuses on
portrait subjects; the selected subject is indicated by a double yellow border (if
multiple faces, up to a maximum of 35, are detected, the camera will focus on the
closest subject; to choose a different subject, use the multi selector). If the camera can
no longer detect the subject (because, for example, the subject has turned to face
away from the camera), the border will no longer be displayed.
!
Wide-area AF: Use for hand-held shots of landscapes and other non-portrait subjects.
Use the multi selector to move the focus point anywhere in the frame, or press J to
position the focus point in the center of the frame.
Normal-area AF: Use for pin-point focus on a selected spot in the frame. Use the multi
selector to move the focus point anywhere in the frame, or press J to position the
focus point in the center of the frame. A tripod is recommended.
$
%
x
Subject-tracking AF: Position the focus point over your subject and press J. The focus
point will track the selected subject as it moves through the frame. To end tracking,
press J again. Note that the camera may be unable to track subjects if they move
quickly, leave the frame or are obscured by other objects, change visibly in size, color,
or brightness, or are too small, too large, too bright, too dark, or similar in color or
brightness to the background.
&
To choose an AF-area mode, press the AF-mode button and rotate the sub-command
dial until the desired mode is displayed in the monitor.
AF-mode button Sub-command
dial
Monitor
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The Live View Display: Live View Photography
e r
q
t
y
w
u
x
Item
Description
0
The amount of time remaining before live view ends
automatically. Displayed if shooting will end in 30 s or less.
A guide to the options available during live view photography.
The current autofocus mode.
q Time remaining
w Guide
e Autofocus mode
r AF-area mode
—
The current AF-area mode.
The current focus point. The display varies with the option
selected for AF-area mode.
t Focus point
—
Keeping the L (U) button pressed, press 1 or 3 to adjust
monitor brightness (note that monitor brightness has no
effect on photographs taken with the camera). If A (auto) is
selected, the camera will automatically adjust brightness in
response to ambient lighting conditions as measured by the
Indicates whether the photograph would be under- or
overexposed at current settings (mode M only).
Monitor brightness
indicator
y
u Exposure indicator
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D The Live View Display
Although they will not appear in the final picture, jagged edges, color fringing, moire, and
bright spots may appear in the monitor, while bright bands may appear in some areas with
flashing signs and other intermittent light sources or if the subject is briefly illuminated by a
strobe or other bright, momentary light source. In addition, distortion may occur if the
camera is panned horizontally or an object moves at high speed through the frame. Flicker
and banding visible in the monitor under fluorescent, mercury vapor, or sodium lamps can
photograph at some shutter speeds. When shooting in live view mode, avoid pointing the
camera at the sun or other strong light sources. Failure to observe this precaution could
result in damage to the camera’s internal circuitry.
A Exposure
Depending on the scene, exposure may differ from that which would be obtained when live
view is not used. Metering in live view is adjusted to suit the live view display, producing
photographs with exposure close to what is seen in the monitor. In P, S, A, and M modes,
under –3 EV can not be previewed in the monitor.
x
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The Information Display: Live View Photography
To hide or display indicators in the monitor during live view photography, press the
R button.
Information on
Information off
x
Virtual horizon
Framing guides
Manual Focus
ring until the subject is in focus.
To magnify the view in the monitor up to about 19 × for precise
focus, press the X (T) button. While the view through the
lens is zoomed in, a navigation window will appear in a gray
frame at the bottom right corner of the display. Use the multi
selector to scroll to areas of the frame not visible in the monitor
(available only if wide- or normal-area AF is selected for AF-
area mode), or press W (S) to zoom out.
X (T) button
Navigation window
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A Non-CPU Lenses
When using non-CPU lenses, be sure to enter the focal length and maximum aperture using
D The Count Down Display
turns red if live view is about to end to protect the internal circuits or, if an option other than
before the monitor is due to turn off automatically). Depending on shooting conditions, the
timer may appear immediately when live view is selected. Note that although the count
down does not appear during playback, live view will still end automatically when the timer
expires.
A HDMI
x
If the camera is attached to an HDMI video device during live
view photography, the camera monitor will remain on and
the video device will display the view through the lens as
shown at right. If the device supports HDMI-CEC, select Off
for the HDMI > Device control option in the setup menu
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Movie Live View
y
Movies can be recorded in live view.
1 Rotate the live view selector to 1 (movie live view).
Live view selector
y
2 Press the a button.
The mirror will be raised and the view through the lens will
be displayed in the camera monitor as it would appear in
the actual movie, modified for the effects of exposure. The
subject will no longer be visible in the viewfinder.
a button
A The 0 Icon
A Before Recording
L (U) button and rotating the main command dial.
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5 Focus.
Frame the opening shot and focus as described in Steps 3
subjects that can be detected in face-priority AF drops in movie live view.
A Exposure
The following settings can be adjusted in movie live view:
Aperture
—
Shutter speed
ISO sensitivity
Exposure compensation
P, S, A
—
—
✔
M
—
✔
✔
—
Other shooting
modes
—
—
—
—
In mode M, ISO sensitivity can be set to values between 100 and Hi 2 and shutter speed
to values between 1/25 s and 1/4,000 s (the slowest available shutter speed varies with
automatically. If the result is over- or under-exposed, exit and restart movie live view.
y
6 Start recording.
Press the movie-record button to start recording. A
recording indicator and the time available are displayed
in the monitor. Exposure is set using matrix metering and
or (in modes P, S, and A) altered by up to 3 EV in steps of
autofocus mode, focus can be locked by pressing the
shutter-release button halfway.
Movie-record button
Recording indicator
Time remaining
A Audio
The camera can record both video and sound; do not cover the microphone on the
front of the camera during movie recording. Note that the built-in microphone may
record sounds made by the lens during autofocus or vibration reduction.
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7 End recording.
Press the movie-record button again to end recording.
Recording will end automatically when the maximum
length is reached, or the memory card is full.
A Maximum Length
The maximum length for individual movie files is 4 GB (for maximum recording times,
A Taking Photographs
To take a photograph while recording is in progress, press the shutter-release button
all the way down (if desired, shooting information display can be assigned to the Fn,
depth-of-field preview,or AE-L/AF-L button and the button used to display camera still
footage recorded to that point will be saved) and the camera will return to live view.
The photograph will be recorded at the current image area setting using a crop with
an aspect ratio of 16 : 9. Photos will be taken with the flash off. Note that the exposure
for photographs can not be previewed during movie live view; mode P, S, or A is
recommended but accurate results can be achieved in mode M by using the Fn, depth-
information and checking the exposure indicator. Exposure compensation for the
photograph can be set to values between –5 and +5 EV, but only values between –3
y
D The Count-Down Display
Depending on shooting conditions, the timer may appear immediately when movie
recording begins. Note that regardless of the amount of recording time available, live
view will still end automatically when the timer expires. Wait for the internal circuits to
cool before resuming movie recording.
8 Exit live view mode.
Press the a button to exit live view mode.
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Indices
If Index marking is selected for Custom Setting g1 (Assign Fn
during recording to add indices that can be used to locate
be added to each movie.
Index
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A See Also
Frame size, microphone sensitivity, and card slot options are available in the Movie settings
the J, Fn, depth-of-field preview, and A AE-L/AF-L buttons can be chosen using Custom
three options also allow you to lock exposure without having to keep a button pressed).
button can be used to start movie live view or to start and end movie recording.
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The Live View Display: Movie Live View
t y
q
w
e
r
u
i
y
Item
Description
0
—
“No movie” icon
Headphone volume
Indicates that movies can not be recorded.
Volume of audio output to headphones.
q
w
e
Microphone sensitivity Microphone sensitivity for movie recording.
Sound level for audio recording. Displayed in red if level is too
high; adjust microphone sensitivity accordingly. Left (L) and
right (R) channel indicators appear when optional ME-1 or
other stereo microphone is used.
Sound level
r
Time remaining
(movie live view)
Movie frame size
Monitor brightness
indicator
The recording time available for movies.
The frame size for movie recording.
t
y
u
i
A monitor brightness indicator.
Guide
A guide to the options available during movie live view.
A Using an External Microphone
The optional ME-1 stereo microphone can be used to record sound in stereo or to avoid
A Headphones
Third-party headphones can be used. Note that high sound levels may result in high
volume; particular care should be taken when headphones are used.
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❚❚Adjusting Settings in the Live View Display
Microphone sensitivity, headphone volume, and monitor brightness can be adjusted
as described below. Note that microphone sensitivity and headphone volume can
not be adjusted during recording, and that brightness affects the monitor only
1 Highlight a setting.
Press and hold L (U) and press 4 or 2 to highlight
the indicator for the desired setting.
L (U) button
2 Adjust the highlighted setting.
Keeping the L (U) button pressed, press 1 or 3 to
adjust the highlighted setting.
y
The Information Display: Movie Live View
To hide or display indicators in the monitor during movie live view, press the R
button.
Information on
Information off
Virtual horizon
Framing guides
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Image Area
16 : 9. Images recorded with On selected for Image area > Auto DX crop and a DX
lens attached use a DX-based movie format, as do images recorded with DX (24×16)
1.5× selected for Image area > Choose image area. An FX-based movie format is
used when FX (36 × 24) 1.0× is selected. A a icon is displayed when the DX-based
movie format is selected.
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A Movie Live View Photographs
The following table shows the size of photographs taken in movie live view:
Image area
Option
Large
Medium
Small
Large
Medium
Small
Size (pixels)
Print size (cm/in.) *
6,016 × 3,376
4,512 × 2,528
3,008 × 1,688
3,936 × 2,224
2,944 × 1,664
1,968 × 1,112
50.9 × 28.6/20.1 × 11.3
38.2 × 21.4/15.0 × 8.4
25.5 × 14.3/10.0 × 5.6
33.3 × 18.8/13.1 × 7.4
24.9 × 14.1/ 9.8 × 5.5
16.7 × 9.4/ 6.6 × 3.7
FX-based format
(35.5 × 20.0 mm)
DX-based format
(23.5 × 13.2 mm)
* Approximate size when printed at 300 dpi. Print size in inches equals image size in pixels
divided by printer resolution in dots per inch (dpi; 1 inch = approximately 2.54 cm).
Image quality is determined by the option selected for Image quality in the shooting menu
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A HDMI
view through the lens will appear both in the camera monitor
and on the HDMI device. The indicators that appear in the
HDMI device during movie recording are shown at right. The
camera monitor does not show the sound level or virtual
horizon; indicators in the monitor and on the HDMI device
can not be hidden or displayed using the R button. To use
live view when the camera is connected to an HDMI-CEC device, select Off for HDMI >
A Remote Cords
movie live view and to start and end movie recording.
D Recording Movies
y
Flicker, banding, or distortion may be visible in the monitor and in the final movie under
fluorescent, mercury vapor, or sodium lamps or if the camera is panned horizontally or an
object moves at high speed through frame (for information on reducing flicker and banding,
also appear. Bright bands may appear in some areas of the frame with flashing signs and
other intermittent light sources or if the subject is briefly illuminated by a strobe or other
bright, momentary light source. When recording movies, avoid pointing the camera at the
sun or other strong light sources. Failure to observe this precaution could result in damage
to the camera’s internal circuitry. Note that noise (randomly-spaced bright pixels, fog, or
during movie live view.
Flash lighting can not be used during movie live view.
Recording ends automatically if the lens is removed, the mode dial is rotated, or a remote
control release mode is selected.
Live view may end automatically to prevent damage to the camera’s internal circuits; exit live
view when the camera is not in use. Note that the temperature of the camera’s internal
circuits may rise and noise (bright spots, randomly-spaced bright pixels, or fog) may be
displayed in the following instances (the camera may also become noticeably warm, but this
does not indicate a malfunction):
• The ambient temperature is high
• The camera has been used for extended periods in live view or to record movies
• The camera has been used in continuous release mode for extended periods
If live view does not start when you press the a button, wait for the internal circuits to cool
and then try again.
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Movie Settings
Use the Movie settings option in the shooting menu to adjust the following settings.
•
Frame size/frame rate, Movie quality: Choose from the following options:
Frame size/frame rate
Movie quality
Maximum bit rate (Mbps)
(★ high quality/Normal)
Maximum length
(★ high quality/Normal)
Frame size (pixels)
Frame rate *
o/1
p/2
q/3
r/4
s/5
t/6
u/7
1920 × 1080
1920 × 1080
1920 × 1080
1280 × 720
1280 × 720
1280 × 720
1280 × 720
30p
25p
24p
60p
50p
30p
25p
20 min./
29 min. 59 s
24/12
12/ 8
29 min. 59 s/
29 min. 59 s
* Listed value. Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976
fps respectively.
y
•
•
Microphone: Turn the built-in or optional ME-1 stereo microphones on or off or
adjust microphone sensitivity. Choose Auto sensitivity to adjust sensitivity
automatically, Microphone off to turn sound recording off; to select microphone
sensitivity manually, select Manual sensitivity and choose a sensitivity.
Destination: Choose the slot to which movies are recorded. The
menu shows the time available on each card; recording ends
automatically when no time remains.
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1 Select Movie settings.
Press the G button to display the menus.
Highlight Movie settings in the shooting
menu and press 2.
G button
2 Choose movie options.
Highlight the desired item and press 2, then
highlight an option and press J.
y
D Frame Size and Rate
Frame size and rate affects the distribution and amount of noise (randomly-spaced bright
pixels, fog, or bright spots).
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Viewing Movies
playback.
1 icon
Length
Current position/total length
Movie progress bar
The following operations can be performed:
Volume
Guide
To
Use
Description
y
Pause
Pause playback.
Resume playback when movie is paused or during rewind/
advance.
Play
J
Speed increases with each press, from
2× to 4× to 8× to 16×; keep pressed to
Rewind/
advance
skip to beginning or end of movie (first frame is indicated by h
in top right corner of monitor, last frame by i). If playback is
paused, movie rewinds or advances one frame at a time; keep
pressed for continuous rewind or advance.
Skip 10 s
Rotate the main command dial to skip ahead or back 10 s.
Skip ahead/
back
Use sub-command dial to skip to next or previous index, or to
skip to the last or first frame if the movie contains no indices.
(T)/
W (S)
c (b)
X
Adjust volume
Trim movie
Press (T) to increase volume, W (S) to decrease.
X
Exit to full-frame playback.
Exit
/K
Return to
shooting mode
Press the shutter-release button halfway to exit to shooting
mode.
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Editing Movies
Trim footage to create edited copies of movies or save selected frames as JPEG stills.
Option
Description
Create a copy from which the opening or closing footage has been
removed.
9
4
Choose start/end point
Save selected frame
Save a selected frame as a JPEG still.
Trimming Movies
To create trimmed copies of movies:
1 Display a movie full frame.
Press the K button to display pictures full
frame in the monitor and press 4 and 2 to
scroll through pictures until the movie you
wish to edit is displayed.
y
K button
2 Choose a starting or end point.
Play the movie back as described on page
and 3 to pause and pressing 4 or 2 or
rotating the main or sub-command dials to
approximate position in the movie can be
ascertained from the movie progress bar.
Movie progress bar
3 Display movie edit options.
Press the c (b) button to display movie
edit options.
c (b) button
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4 Select Choose start/end point.
Highlight Choose start/end point and press
J.
The dialog shown at right will be displayed;
choose whether the current frame will be
the starting or end point of the copy and
press J.
5 Delete frames.
If the desired frame is not currently
displayed, press 4 or 2 to advance or
rewind (to skip to 10 s ahead or back, rotate
the main command dial; to skip to an index,
or to the first or last frame if the movie
contains no indices, rotate the sub-
y
L (U) button
command dial). To switch the current selection from start point (w) to end point
(x) or vice versa, press L (U).
Once you have selected the start point and/
or end point, press 1. All frames before the
selected start point and after the selected
end point will be removed from the copy.
6 Save the copy.
Highlight one of the following and press J:
•
•
Save as new file: Save the copy to a new file.
Overwrite existing file: Replace the original
movie file with the edited copy.
Cancel: Return to Step 5.
•
•
Preview: Preview the copy.
Edited copies are indicated by a 9 icon in full-frame playback.
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A Trimming Movies
Movies must be at least two seconds long. If a copy can not be created at the current
playback position, the current position will be displayed in red in Step 5 and no copy will be
created. The copy will not be saved if there is insufficient space available on the memory
card.
Copies have the same time and date of creation as the original.
A The Retouch Menu
Movies can also be edited using the Edit movie option in the retouch
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Saving Selected Frames
To save a copy of a selected frame as a JPEG still:
1 View the movie and choose a frame.
Play the movie back as described on page
67; your approximate position in the movie
can be ascertained from the movie progress
bar. Press 4 or 2 to rewind or advance and
press 3 to pause the movie at the frame you
intend to copy.
2 Display movie edit options.
Press the c (b) button to display movie
edit options.
y
c (b) button
3 Choose Save selected frame.
Highlight Save selected frame and press J.
4 Create a still copy.
Press 1 to create a still copy of the current
frame.
5 Save the copy.
Highlight Yes and press J to create a fine-
frame. Movie stills are indicated by a 9 icon
in full-frame playback.
A Save Selected Frame
JPEG movie stills created with the Save selected frame option can not be retouched. JPEG
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P, S, A, and M Modes
#
P, S, A, and M modes offer different degrees of control over shutter
speed and aperture.
#
A Lens Types
minimum aperture (highest f-number). Type G lenses are not equipped with an aperture
ring.
Non-CPU lenses can only be used in modes A (aperture-priority auto) and M (manual), when
aperture can only be adjusted using the lens aperture ring. Selecting any other mode
disables the shutter release.
Use the lens aperture ring to adjust aperture. If the maximum
aperture of the lens has been specified using the Non-CPU lens
the current f-number will be displayed in the viewfinder and
control panel, rounded to the nearest full stop. Otherwise the
aperture displays will show only the number of stops (F, with
maximum aperture displayed as FA) and the f-number must be
read from the lens aperture ring.
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A Shutter Speed and Aperture
Two of the chief factors in determining exposure are shutter speed and aperture. By slowing
shutter speed while increasing aperture, or increasing shutter speed while reducing
aperture, you can achieve different effects while keeping exposure constant. Fast shutter
speeds and large apertures freeze moving objects and soften background details, while slow
shutter speeds and small apertures blur moving objects and bring out background details.
Shutter speed
Aperture
#
Fast shutter speed
Slow shutter speed
(1/6 s)
Large aperture (f/5.6) Small aperture (f/22)
(Remember, the higher the f-number, the
smaller the aperture.)
(1/1,600 s)
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P: Programmed Auto
In this mode, the camera automatically adjusts shutter speed and aperture according
to a built-in program to ensure optimal exposure in most situations. This mode is
recommended for snapshots and other situations in which you want to leave the
camera in charge of shutter speed and aperture.
#
A Flexible Program
In mode P, different combinations of shutter speed
and aperture can be selected by rotating the main
command dial while the exposure meters are on
(“flexible program”). Rotate the dial to the right for
large apertures (low f-numbers) that blur background
details or fast shutter speeds that “freeze” motion.
Rotate the dial to the left for small apertures (high
Main command dial
f-numbers) that increase depth of field or slow shutter speeds that blur motion. All
combinations produce the same exposure. While flexible program is in effect, a U indicator
appears in the control panel. To restore default shutter speed and aperture settings, rotate
the main command dial until the indicator is no longer displayed, choose another mode, or
turn the camera off.
A See Also
activating the exposure meters, see “The Standby Timer” on page 39.
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S: Shutter-Priority Auto
In shutter-priority auto, you choose the shutter speed while the camera
automatically selects the aperture that will produce the optimal exposure. Use slow
shutter speeds to suggest motion by blurring moving subjects, fast shutter speeds to
“freeze” motion.
Fast shutter speed (1/1,600 s)
Slow shutter speed (1/6 s)
To choose a shutter speed, rotate the main
command dial while the exposure meters are on.
Shutter speed can be set to “v” or to values
between 30 s and 1/4,000 s.
#
Main command dial
A See Also
the shutter-speed displays.
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A: Aperture-Priority Auto
In aperture-priority auto, you choose the aperture while the camera automatically
selects the shutter speed that will produce the optimal exposure. Large apertures
objects behind and in front of the main subject. Small apertures (high f-numbers)
increase depth of field, bringing out details in the background and foreground. Short
field depths are generally used in portraits to blur background details, long field
depths in landscape photographs to bring the foreground and background into focus.
Large aperture (f/5.6)
Small aperture (f/22)
To choose an aperture between the minimum and
maximum values for the lens, rotate the sub-
command dial while the exposure meters are on.
#
Sub-command dial
A Depth-of-Field Preview
To preview the effects of aperture, press and hold the
depth-of-field preview button. The lens will be
stopped down to the aperture value selected by the
camera (modes P and S) or the value chosen by the user
(modes A and M), allowing depth of field to be
previewed in the viewfinder.
Depth-of-field preview button
A Custom Setting e5—Modeling Flash
This setting controls whether the built-in flash and optional flash units such as the SB-910,
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M: Manual
In manual exposure mode, you control both shutter speed and aperture. While the
exposure meters are on, rotate the main command dial to choose a shutter speed,
and the sub-command dial to set aperture. Shutter speed can be set to “v” or to
values between 30 s and 1/4,000 s, or the shutter can be held open indefinitely for a
minimum and maximum values for the lens. Use the exposure indicators to check
exposure.
Shutter speed
Aperture
Main command dial
Sub-command dial
#
A AF Micro NIKKOR Lenses
Provided that an external exposure meter is used, the exposure ratio need only be taken into
account when the lens aperture ring is used to set aperture.
A The Exposure Indicator
If a shutter speed other than “bulb” or “time” is selected, the exposure indicator in the
viewfinder shows whether the photograph would be under- or over-exposed at current
settings. Depending on the option chosen for Custom Setting b2 (EV steps for exposure
1/2 EV (the illustrations below show the display in the viewfinder when 1/3 step is selected
for Custom Setting b2). If the limits of the exposure metering system are exceeded, the
displays will flash.
Underexposed by 1/3 EV
Optimal exposure
Overexposed by over 2 EV
A See Also
For information reversing the exposure indicators so that negative values are displayed on
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❚❚Long Time-Exposures (M Mode Only)
Select the following shutter speeds for long time-
exposures of moving lights, the stars, night
scenery, or fireworks.
•
Bulb (A): The shutter remains open while
the shutter-release button is held down. To
prevent blur, use a tripod or an optional
Length of exposure: 35 s
Aperture: f/25
•
Time (%): Requires an optional ML-L3 remote
the ML-L3 shutter-release button. The shutter
remains open for thirty minutes or until the
button is pressed a second time.
1 Ready the camera.
Mount the camera on a tripod or place it on a stable, level surface. To prevent
light entering via the viewfinder interfering with exposure, remove the rubber
To prevent loss of power before the exposure is complete, use a fully charged
EN-EL15 battery or an optional EH-5b AC adapter and EP-5B power connector.
Note that noise (bright spots, randomly-spaced bright pixels, or fog) may be
present in long exposures; before shooting, choose On for Long exposure NR
#
Mode dial
2 Rotate the mode dial to M.
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3 Choose a shutter speed.
While the exposure meters are on, rotate the
main command dial to choose a shutter
speed of A.
Main command dial
For a shutter speed of “time” (%), select
choosing the shutter speed.
4 Open the shutter.
Bulb: After focusing, press the shutter-release button on the camera or optional
remote cord all the way down. Keep the shutter-release button pressed until
the exposure is complete.
#
Time: Press the ML-L3 shutter-release button all the way down.
5 Close the shutter.
Bulb: Take your finger off the shutter-release button.
Time: Press the ML-L3 shutter-release button all the way down. Shooting ends
automatically after thirty minutes.
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User Settings: U1 and U2 Modes
$
Assign frequently-used settings to the U1 and U2 positions on the mode dial.
Saving User Settings
1 Select a mode.
Mode dial
Rotate the mode dial to the desired mode.
2 Adjust settings.
Make the desired adjustments to flexible program (mode P), shutter speed
(modes S and M), aperture (modes A and M), exposure and flash compensation,
flash mode, focus point, metering, autofocus and AF-area modes, bracketing,
that the camera will not store the options selected for Storage folder, File
naming, Image area, Manage Picture Control, Multiple exposure, or
Interval timer shooting).
$
3 Select Save user settings.
Press the G button to display the menus.
Highlight Save user settings in the setup
menu and press 2.
G button
4 Select Save to U1 or Save to U2.
Highlight Save to U1 or Save to U2 and
press 2.
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5 Save user settings.
Highlight Save settings and press J to
assign the settings selected in Steps 1 and 2
to the mode dial position selected in Step 4.
Recalling User Settings
Simply rotate the mode dial to U1 to recall the
settings assigned to Save to U1, or to U2 to recall
the settings assigned to Save to U2.
Mode dial
Resetting User Settings
To reset settings for U1 or U2 to default values:
$
1 Select Reset user settings.
Press the G button to display the menus.
Highlight Reset user settings in the setup
menu and press 2.
G button
2 Select Reset U1 or Reset U2.
Highlight Reset U1 or Reset U2 and press 2.
3 Reset user settings.
Highlight Reset and press J.
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Release Mode
k
Choosing a Release Mode
To choose a release mode, press the release mode dial lock
release and turn the release mode dial to the desired setting.
Mode
Description
Single frame: Camera takes one photograph each time shutter-release button is pressed.
S
Continuous low speed: While shutter-release button is held down, camera records 1–5
frames per second. 1 Frame rate can be chosen using Custom Setting d5 (CL mode
Continuous high speed: While shutter-release button is held down, camera records up to
5.5 frames per second. 2 Note that only one picture will be taken if the flash fires.
Quiet shutter-release: As for single frame, except that mirror does not click back into place
while shutter-release button is fully pressed, allowing user to control timing of click
made by mirror, which is also quieter than in single frame mode. In addition, beep
Self-timer: Use self-timer for self-portraits or to reduce blurring caused by camera shake
CL
CH
k
J
E
Remote control: Shutter is controlled using shutter-release button on optional ML-L3
4
Mirror up: Choose this mode to minimize camera shake in telephoto or close-up
photography or in other situations in which the slightest camera movement can result
in blurred photographs.
MUP
1 Average frame rate with an EN-EL15 battery, continuous-servo AF, manual or shutter-priority
auto exposure, a shutter speed of 1/200 s or faster, remaining settings other than Custom
Setting d5 at default values, and memory remaining in memory buffer.
2 Average frame rate with an EN-EL15 battery, continuous-servo AF, manual or shutter-priority
auto exposure, a shutter speed of 1/200 s or faster, other settings at default values, and
memory remaining in memory buffer.
Frame rate drops at slow shutter speeds or very small apertures (high f-numbers),
when vibration reduction (available with VR lenses) or auto ISO sensitivity control is
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A The Memory Buffer
The camera is equipped with a memory buffer for temporary
storage, allowing shooting to continue while photographs are
being saved to the memory card. Up to 100 photographs can
be taken in succession; note, however, that the frame rate will
drop when the buffer is full (t00). The approximate number
of images that can be stored in the buffer at current settings is
shown in the exposure-count displays in the viewfinder and
control panel while the shutter-release button is pressed. The illustration at right shows the
display when space remains in the buffer for about 28 pictures.
While photographs are being recorded to the memory card, the access lamp next to the
memory card slot will light. Depending on shooting conditions and memory card
performance, recording may take from a few seconds to a few minutes. Do not remove the
memory card or remove or disconnect the power source until the access lamp has gone out. If
the camera is switched off while data remain in the buffer, the power will not turn off until all
images in the buffer have been recorded. If the battery is exhausted while images remain in
the buffer, the shutter release will be disabled and the images transferred to the memory
card.
A Live View
shutter-release button is pressed.
k
A See Also
For information on choosing the maximum number of photographs that can be taken in a
the number of pictures that can be taken in a single burst, see page 335.
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Self-Timer and Remote Control Modes
camera shake or for self-portraits.
1 Mount the camera on a tripod.
Mount the camera on a tripod or place the camera on a stable, level surface.
2 Select a release mode.
Press the release mode dial lock release and
rotate the release-mode dial to E (self-timer)
or 4 (remote control) mode.
Release mode dial
In remote control mode, the timing of the
shutter release can be selected using the
Remote control mode option in the
shooting menu. After pressing the G
button to display the menus, highlight
Remote control mode in the shooting
menu and press 2 to display the following
k
G button
options. Press the selector up or down to highlight an option and press J.
Option
Description
Shutter is released 2 s after ML-L3 shutter-release button is
pressed.
% Delayed remote
Quick-response Shutter is released when ML-L3 shutter-release button is
$
remote
pressed.
Press ML-L3 shutter-release button once to raise mirror, again to
release shutter and take photograph. Prevents blur caused by
camera moving when mirror is raised.
Remote
mirror-up
&
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3 Frame the photograph.
A Cover the Viewfinder
When taking photos without your eye to
the viewfinder, remove the DK-21 rubber
eyecup (q) and insert the supplied DK-5
eyepiece cap as shown (w). This
prevents light entering via the
DK-21 rubber eyecup
DK-5 eyepiece cap
viewfinder interfering with exposure.
Hold the camera firmly when removing
the rubber eyecup.
4 Take the photograph.
Self-timer mode: Press the shutter-release
button halfway to focus, and then press the
button the rest of the way down to start the
self-timer (note that the timer will not start if the camera is unable to focus or in
other situations in which the shutter can not be released). The self-timer lamp
will start to flash. Two seconds before the photograph is taken, the self-timer
lamp will stop flashing. The shutter will be released ten seconds after the timer
starts.
k
Remote control mode: From a distance of 5 m
(16 ft) or less, aim the transmitter on the
ML-L3 at either of the infrared receivers on
shutter-release button. In delayed remote
mode, the self-timer lamp will light for about
two seconds before the shutter is released. In quick-response remote mode, the
self-timer lamp will flash after the shutter has been released. In remote mirror-
up mode, pressing the ML-L3 shutter-release button once raises the mirror; the
shutter will be released and the self-timer lamp will flash after 30 s or when the
button is pressed a second time. Note that the remote control can not be used
to record movies; even if Record movies is selected for Custom Setting g4
remote control will release the shutter and record a photograph.
To cancel shooting, select another release mode.
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D Before Using the Remote Control
Before using the remote control for the first time, remove the clear plastic battery-insulator
sheet.
D Using the Built-in Flash
Before taking a photograph with the flash in P, S, A, M, or 0 modes, press the M (Y) button to
Shooting will be interrupted if the flash is raised while remote control mode is in effect or
after the self-timer has started. If the flash is required, the camera will only respond to the
ML-L3 shutter-release button once the flash has charged. In auto or scene modes in which
the flash pops up automatically, the flash will begin charging when remote control mode is
selected; once the flash is charged, it will automatically pop up and fire when required. Note
that only one photograph will be taken when the flash fires, regardless of the number of
In flash modes that support red-eye reduction, the red-eye reduction lamp will light for
about one second before the shutter is released. In delayed remote mode, the self-timer
lamp will light for two seconds, followed by the red-eye reduction lamp which light for one
second before the shutter is released.
A Focusing in Remote Control Mode
The camera will not adjust focus in remote mirror-up mode or when continuous-servo
autofocus is selected; note however that if any autofocus mode is selected, you can focus by
pressing the camera shutter-release button halfway before shooting (pressing the button all
the way down will not release the shutter). If auto- or single-servo autofocus is selected or
the camera is in live view in delayed or quick-response remote mode, the camera will
automatically adjust focus before shooting; if the camera is unable to focus in viewfinder
photography, it will return to stand-by without releasing the shutter.
k
A Remote Mirror-up Mode
Metering is not performed in remote mirror-up mode. Photos can not be framed in the
viewfinder while the mirror is raised.
A A
Time (bulb) exposures can not be recorded using the self-timer. A fixed shutter speed will be
used if a speed of A is selected in mode M.
A See Also
For information on choosing the duration of the self-timer, the number of shots taken, and
choosing the length of time the camera will remain in stand-by mode waiting for a signal
information on controlling the beeps that sound when the self-timer and remote control are
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Mirror up Mode
Choose this mode to minimize blurring caused by camera movement when the
mirror is raised. Use of a tripod is recommended.
1 Select mirror up mode.
Press the release mode dial lock release and
rotate the release mode dial to MUP.
Release mode dial
2 Raise the mirror.
Frame the picture, focus, and then press the
shutter-release button the rest of the way down
to raise the mirror.
D Mirror Up
While the mirror is raised, photos can not be framed in the viewfinder and autofocus
and metering will not be performed.
k
3 Take a picture.
Press the shutter-release button all the way
down again to take a picture. To prevent
blurring caused by camera movement, press the
mirror lowers when shooting ends.
A Mirror up Mode
A picture will be taken automatically if no operations are performed for about 30 s after the
mirror is raised.
A See Also
For information on using the optional ML-L3 remote control for mirror-up photography, see
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Image Recording Options
d
Image Area
Choose the aspect ratio and angle of view (image area). Thanks to the camera’s FX
format (35.9 × 24 mm) image sensor, you can choose from angles of view as wide as
those supported by 35 mm (135) format film cameras, while automatically cropping
information on the number of pictures that can be stored at different image area
settings.
❚❚Auto DX Crop
Choose whether to automatically select a DX crop when a DX
lens is attached.
Option
On
Description
Camera automatically selects DX crop when DX lens is
attached. If another lens is attached, the crop selected for
Choose image area will be used.
Off
Crop selected for Choose image area is used.
d
A DX Lenses
DX lenses are designed for use with DX format cameras and have a smaller angle of view
than lenses for 35mm format cameras. If Auto DX crop is off and FX (36×24) 1.0× (FX
format) is selected for Choose image area when a DX lens is attached, the edges of the
image may be eclipsed. This may not be apparent in the viewfinder, but when the images
are played back you may notice a drop in resolution or that the edges of the picture are
blacked out.
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❚❚Choose Image Area
Choose the image area used when a non-DX lens is attached or
a DX-lens is attached with Off selected for Auto DX crop
Option
Description
Images are recorded in FX format using the full
area of the image sensor (35.9 × 24.0 mm),
producing an angle of view equivalent to a
NIKKOR lens on a 35 mm format camera.
An area at the center of the image sensor
23.5 × 15.7 mm is used to record pictures in DX
format. To calculate the approximate focal length
of the lens in 35mm format, multiply by 1.5.
FX (36×24)
1.0×
(FX format)
c
DX (24×16)
a 1.5×
(DX format)
FX format (36×24)
DX format (24×16)
image circle
image circle
FX format
DX format
d
A Image Area
The selected option is shown in the information display.
A The Viewfinder Display
The DX format crop is shown at right; the area outside the crop can be
viewed in gray when Off is selected for Custom Setting a4 (AF point
DX format
A See Also
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Image area can be set using the Image area option in the shooting menu or by
pressing a control and rotating a command dial.
❚❚The Image Area Menu
1 Select Image area in the shooting
menu.
Press G to display the menus. Highlight
and press 2.
G button
2 Choose an option.
Highlight Auto DX crop or Choose image
area and press 2.
3 Adjust settings.
Choose an option and press J. The
selected crop is displayed in the viewfinder
d
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❚❚Camera Controls
1 Assign image area selection to a camera control.
Select Choose image area for a camera control in the Custom Settings menu
2 Use the selected control to choose an image area.
The image area can be selected by pressing the
selected button and rotating the main or sub-
command dial until the desired crop is
Fn button Main command
dial
The option currently selected for image area can
be viewed by pressing the button to display the
image area in the control panel, viewfinder, or
information display. FX format is displayed as
“36 – 24” and DX format as “24 – 16”.
d
D Auto DX Crop
The selected control can not be used to select image area when a DX lens is attached and
Auto DX crop is on.
A Image Size
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Image Quality and Size
Together, image quality and size determine how much space each photograph
occupies on the memory card. Larger, higher quality images can be printed at larger
sizes but also require more memory, meaning that fewer such images can be stored
Image Quality
Choose a file format and compression ratio (image quality).
Option
File type
Description
Raw data from the image sensor are saved directly to the memory card.
NEF (RAW)
NEF Settings such as white balance and contrast can be adjusted after
shooting.
Record JPEG images at a compression ratio of roughly 1:4 (fine
quality). *
JPEG fine
Record JPEG images at a compression ratio of roughly 1:8 (normal
JPEG normal JPEG
JPEG basic
quality). *
Record JPEG images at a compression ratio of roughly 1:16 (basic
quality). *
NEF (RAW)+
JPEG fine
Two images are recorded, one NEF (RAW) image and one fine-quality
JPEG image.
NEF (RAW)+ NEF/ Two images are recorded, one NEF (RAW) image and one normal-
JPEG normal JPEG quality JPEG image.
d
NEF (RAW)+
JPEG basic
Two images are recorded, one NEF (RAW) image and one basic-quality
JPEG image.
* Size priority selected for JPEG compression.
Image quality can be set by pressing the X (T) button and rotating the main
command dial until the desired setting is displayed in the control panel.
X (T) button
Main command dial
Control panel
A The Shooting Menu
Image quality can also be adjusted using the Image quality option
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The following options can be accessed from the shooting menu. Press the G
button to display the menus, highlight the desired option and press 2.
❚❚JPEG Compression
Choose the type of compression for JPEG images.
Option
Description
Size priority
Images are compressed to produce relatively uniform file size.
O
P
Optimal quality Optimal image quality. File size varies with scene recorded.
❚❚NEF (RAW) Recording > Type
Choose the type of compression for NEF (RAW) images.
Option
Description
Lossless
compressed
NEF images are compressed using a reversible algorithm, reducing
file size by about 20–40% with no effect on image quality.
NEF images are compressed using a non-reversible algorithm,
reducing file size by about 35–55% with almost no effect on image
quality.
N
O Compressed
❚❚NEF (RAW) Recording > NEF (RAW) Bit Depth
Choose a bit depth for NEF (RAW) images.
Option
Description
q 12-bit
NEF (RAW) images are recorded at a bit-depth of 12 bits.
NEF (RAW) images are recorded at a bit depth of 14 bits, producing
files larger than those with a bit depth of 12 bits but increasing the
color data recorded.
d
r 14-bit
A NEF (RAW) Images
NEF (RAW) images can be viewed on the camera or using software such as Capture NX 2
that the option selected for image size does not affect the size of NEF (RAW) images; when
viewed on a computer, NEF (RAW) images have the dimensions given for large (#-size)
A NEF+JPEG
When photographs taken at settings of NEF (RAW) + JPEG are viewed on the camera with
only one memory card inserted, only the JPEG image will be displayed. If both copies are
recorded to the same memory card, both copies will be erased when the photo is deleted. If
the JPEG copy is recorded to a separate memory card using the Role played by card in
Slot 2 > RAW Slot 1—JPEG Slot 2 option, deleting the JPEG copy will not delete the NEF
(RAW) image.
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Image Size
Image size is measured in pixels. Choose from # Large, $ Medium, or % Small
Image area
Option
Large
Medium
Small
Large
Medium
Small
Size (pixels)
Print size (cm/in.) *
6,016 × 4,016
4,512 × 3,008
3,008 × 2,008
3,936 × 2,624
2,944 × 1,968
1,968 × 1,312
50.9 × 34.0/20.1 × 13.4
38.2 × 25.5/15.0 × 10.0
25.5 × 17.0/10.0 × 6.7
33.3 × 22.2/13.1 × 8.7
24.9 × 16.7/ 9.8 × 6.6
16.7 × 11.1/ 6.6 × 4.4
FX (36×24) 1.0×
(FX format)
DX (24×16) 1.5×
(DX format)
* Approximate size when printed at 300 dpi. Print size in inches equals image size in pixels
divided by printer resolution in dots per inch (dpi; 1 inch=approximately 2.54 cm).
Image size can be set by pressing the X (T) button and rotating the sub-
command dial until the desired setting is displayed in the control panel.
X (T) button
Sub command dial
Control panel
d
A The Shooting Menu
Image size can also be adjusted using the Image size option in the
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Using Two Memory Cards
When two memory cards are inserted in the camera, you can use the Role played by
card in Slot 2 item in the shooting menu to choose the role played by the card in Slot
2. Choose from Overflow (the card in Slot 2 is used only when the card in Slot 1 is
full), Backup (each picture is recorded twice, once to the card in Slot 1 and again to
the card in Slot 2), and RAW Slot 1—JPEG Slot 2 (as for Backup, except that the NEF/
RAW copies of photos recorded at settings of NEF/RAW + JPEG are recorded only to
the card in Slot 1 and the JPEG copies only to the card in Slot 2).
d
A “Backup” and “RAW Slot 1—JPEG Slot 2”
The camera shows the number of exposures remaining on the card with the least amount of
memory. Shutter release will be disabled when either card is full.
A Recording Movies
When two memory cards are inserted in the camera, the slot used to record movies can be
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Focus
N
This section describes the focus options available when photographs are framed in
the viewfinder. Focus can be adjusted automatically (see below) or manually
Autofocus
To use autofocus, rotate the focus-mode selector to AF.
Focus-mode selector
Autofocus Mode
Choose from the following autofocus modes:
Mode
AF-A
Description
Auto-servo AF: Camera automatically selects single-servo autofocus if subject is stationary,
continuous-servo autofocus if subject is moving.
N
Single-servo AF: For stationary subjects. Focus locks when shutter-release button is pressed
AF-S halfway. At default settings, shutter can only be released when in-focus indicator is
Continuous-servo AF: For moving subjects. Camera focuses continuously while shutter-
release button is pressed halfway; if subject moves, camera will engage predictive focus
default settings, shutter can be released whether or not subject is in focus (release
A Predictive Focus Tracking
In AF-C mode or when continuous-servo autofocus is selected in AF-A mode, the camera will
initiate predictive focus tracking if the subject moves toward or away from the camera while
the shutter-release button is pressed halfway. This allows the camera to track focus while
attempting to predict where the subject will be when the shutter is released.
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Autofocus mode can be selected by pressing the AF-
mode button and rotating the main command dial
until the desired setting is displayed in the viewfinder
or control panel.
AF-mode button Main command
dial
AF-A
AF-S
AF-C
A Getting Good Results with Autofocus
Autofocus does not perform well under the conditions listed below. The shutter release may
be disabled if the camera is unable to focus under these conditions, or the in-focus indicator
(I) may be displayed and the camera may sound a beep, allowing the shutter to be released
photograph.
N
There is little or no contrast
between the subject and the
background.
The focus point contains
areas of sharply contrasting
brightness.
Example: Subject is the same
Example: Subject is half in
color as the background.
the shade.
The focus point contains
objects at different distances
from the camera.
Background objects appear
larger than the subject.
Example: A building is in the
frame behind the subject.
Example: Subject is inside a
cage.
The subject contains many
The subject is dominated by
fine details.
regular geometric patterns.
Example: A field of flowers or
other subjects that are
small or lack variation in
brightness.
Example: Blinds or a row of
windows in a skyscraper.
A See Also
For information on using focus priority in continuous-servo AF, see Custom Setting a1 (AF-C
autofocus options available in live view or during movie recording.
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AF-Area Mode
Choose how the focus point for autofocus is selected.
•
focus on the subject in the selected focus point only. Use with stationary subjects.
focus modes, the camera will focus based on information from surrounding focus
points if the subject briefly leaves the selected point. The number of focus points
varies with the mode selected:
•
-
9-point dynamic-area AF: Choose when there is time to compose the photograph or
when photographing subjects that are moving predictably (e.g., runners or race
cars on a track).
-
-
21-point dynamic-area AF: Choose when photographing subjects that are moving
unpredictably (e.g., players at a football game).
39-point dynamic-area AF: Choose when photographing subjects that are moving
quickly and can not be easily framed in the viewfinder (e.g., birds).
•
modes, the camera will track subjects that leave the selected focus point and select
new focus points as required. Use to quickly compose pictures with subjects that
are moving erratically from side to side (e.g., tennis players). If the subject leaves
viewfinder, remove your finger from the shutter-release button and recompose
the photograph with the subject in the selected focus point.
N
•
Auto-area AF: The camera automatically detects the subject and
the camera can distinguish human subjects from the
background for improved subject detection. The active focus
points are highlighted briefly after the camera focuses; in AF-C
mode or when continuous-servo autofocus is selected in AF-A
mode, the main focus point remains highlighted after the
other focus points have turned off.
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AF-area mode can be selected by pressing
the AF-mode button and rotating the sub-
command dial until the desired setting is
displayed in the viewfinder or control panel.
AF-mode button Sub-command dial
Control panel
Viewfinder
A 3D-tracking
When the shutter-release button is pressed halfway, the colors in the area surrounding the
focus point are stored in the camera. Consequently 3D-tracking may not produce the
desired results with subjects that are the same color as the background or that occupy a very
small area of the frame.
N
A AF-Area Mode
AF-area mode is shown in the control panel and viewfinder.
AF-area mode
Control panel Viewfinder
AF-area mode
Control panel Viewfinder
39-point dynamic-area
AF *
Single-point AF
9-point dynamic-area
AF *
3D-tracking
21-point dynamic-area
AF *
Auto-area AF
* Only active focus point is displayed in the viewfinder. Remaining focus points provide information to
assist focus operation.
A Manual Focus
Single-point AF is automatically selected when manual focus is used.
A See Also
For information on adjusting how long the camera waits before refocusing when an object
recording.
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Focus Point Selection
The camera offers a choice of 39 focus points that can be used to compose
photographs with the main subject positioned almost anywhere in the frame.
1 Rotate the focus selector lock to ●.
This allows the multi selector to be used to select
the focus point.
Focus selector lock
2 Select the focus point.
Use the multi selector to select the focus point in
the viewfinder while the exposure meters are on.
Press J to select the center focus point.
The focus selector lock can be rotated to the
locked (L) position following selection to prevent
the selected focus point from changing when
the multi selector is pressed.
N
A Auto-area AF
The focus point for auto-area AF is selected automatically; manual focus-point selection is
not available.
A See Also
For information on choosing when the focus point is illuminated, see Custom Setting a4 (AF
choosing the number of focus points that can be selected using the multi selector, see
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Focus Lock
Focus lock can be used to change the composition after focusing, making it possible
to focus on a subject that will not be in a focus point in the final composition. If the
recompose the photograph after focusing on another object at the same distance as
your original subject. Focus lock is most effective when an option other than auto-
1 Focus.
Position the subject in the selected focus point
and press the shutter-release button halfway to
initiate focus. Check that the in-focus indicator
(I) appears in the viewfinder.
2 Lock focus.
AF-A and AF-C focus modes: With the shutter-release
button pressed halfway (q), press the A AE-L/AF-L
button (w) to lock both focus and exposure (an
AE-L icon will be displayed in the viewfinder).
Focus will remain locked while the A AE-L/AF-L
button is pressed, even if you later remove your
finger from the shutter-release button.
Shutter-release button
N
AF-S focus mode: Focus locks automatically when
the in-focus indicator appears, and remain
locked until you remove your finger from the
shutter-release button. Focus can also be locked
by pressing the A AE-L/AF-L button (see above).
A AE-L/AF-L button
3 Recompose the photograph and shoot.
Focus will remain locked between shots if you
keep the shutter-release button pressed halfway
(AF-S) or keep the A AE-L/AF-L button pressed,
allowing several photographs in succession to
be taken at the same focus setting.
Do not change the distance between the camera and the subject while focus lock is
in effect. If the subject moves, focus again at the new distance.
A See Also
shutter-release button to lock exposure, Custom Setting f4 (Assign AE-L/AF-L button,
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Manual Focus
Manual focus is available for lenses that do not support autofocus (non-AF NIKKOR
•
•
AF-S lenses: Set the lens focus mode switch to M.
AF lenses: Set the lens focus mode switch (if present)
and camera focus-mode selector to M.
Focus-mode selector
D AF Lenses
Do not use AF lenses with the lens focus mode switch
set to M and the camera focus-mode selector set to AF.
Failure to observe this precaution could damage the
camera or lens.
•
Manual focus lenses: Set the camera focus-mode selector to M.
To focus manually, adjust the lens focus ring until the
image displayed on the clear matte field in the
viewfinder is in focus. Photographs can be taken at
any time, even when the image is not in focus.
❚❚The Electronic Rangefinder
If the lens has a maximum aperture of f/5.6 or faster,
the viewfinder focus indicator can be used to confirm
whether the subject in the selected focus point is in
focus (the focus point can be selected from any of the
39 focus points). After positioning the subject in the
selected focus point, press the shutter-release button
halfway and rotate the lens focus ring until the in-focus indicator (I) is displayed.
be displayed when the subject is not in focus; confirm focus in the viewfinder before
shooting.
N
A Focal Plane Position
To determine the distance between your subject and the
camera, measure from the focal plane mark (E) on the
camera body. The distance between the lens mounting
flange and the focal plane is 46.5 mm (1.83 in.).
46.5mm
Focal plane mark
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N
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ISO Sensitivity
S
“ISO sensitivity” is the digital equivalent of film speed. Choose from settings that
range from ISO 100 to ISO 6400 in steps equivalent to 1/3 EV. Settings of from about
0.3 to 1 EV below ISO 100 and 0.3 to 2 EV above ISO 6400 are also available for special
situations. Auto and scene modes also offer an AUTO option, which allows the camera
to set ISO sensitivity automatically in response to lighting conditions. The higher the
ISO sensitivity, the less light needed to make an exposure, allowing higher shutter
speeds or smaller apertures.
ISO sensitivity can be adjusted by
pressing the W (S) button and
rotating the main command dial until
the desired setting is displayed in the
control panel or viewfinder.
W (S) button Main command dial
Control panel
Viewfinder
S
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A AUTO
If the mode dial is rotated to P, S, A, or M after AUTO is selected for ISO sensitivity in another
mode, the ISO sensitivity last selected in P, S, A, or M mode will be restored.
A Hi 0.3–Hi 2
The settings Hi 0.3 through Hi 2 correspond to ISO sensitivities 0.3–2 EV over ISO 6400 (ISO
8000–25600 equivalent). Pictures taken at these settings are more likely to be subject to
noise (randomly-spaced bright pixels, fog, or lines).
A Lo 0.3–Lo 1
The settings Lo 0.3 through Lo 1 correspond to ISO sensitivities 0.3–1 EV below ISO 100 (ISO
80–50 equivalent). Use for larger apertures when lighting is bright. Contrast is slightly
higher than normal; in most cases, ISO sensitivities of ISO 100 or above are recommended.
A The Shooting Menu
ISO sensitivity can also be adjusted using the ISO sensitivity
A See Also
For information on choosing the ISO sensitivity step size, see Custom Setting b1 (ISO
panel or adjusting ISO sensitivity without using the W (S) button, see Custom Setting d3
the shooting menu to reduce noise at high ISO sensitivities, see page 218.
S
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Auto ISO Sensitivity Control
(P, S, A, and M Modes Only)
If On is selected for ISO sensitivity settings > Auto ISO sensitivity control in the
shooting menu, ISO sensitivity will automatically be adjusted if optimal exposure can
not be achieved at the value selected by the user (ISO sensitivity is adjusted
appropriately when the flash is used).
1 Select Auto ISO sensitivity control for
ISO sensitivity settings in the shooting
menu.
To display the menus, press the G button.
Select ISO sensitivity settings in the
G button
shooting menu, highlight Auto ISO
sensitivity control and press 2.
2 Select On.
Highlight On and press J (if Off is selected,
ISO sensitivity will remain fixed at the value
selected by the user).
3 Adjust settings.
The maximum value for auto ISO sensitivity
can be selected using Maximum sensitivity
(the minimum value for auto ISO sensitivity
is automatically set to ISO 100; note that if
the value selected for Maximum sensitivity
S
is lower than the value currently selected for ISO sensitivity, the value selected
for Maximum sensitivity will be used). In modes P and A, sensitivity will only
be adjusted if underexposure would result at the shutter speed selected for
Minimum shutter speed (1/2000–1 s, or Auto; in modes S and M, ISO sensitivity
will be adjusted for optimal exposure at the shutter speed selected by the user).
If Auto (available only with CPU lenses; equivalent to 1/30 s when a non-CPU
lens is used) is selected, the camera will choose the minimum shutter speed
based on the focal length of the lens (auto shutter-speed selection can be fine-
tuned by highlighting Auto and pressing 2; for example, even faster values
than those usually selected automatically by the camera can be used with
telephoto lenses to reduce blur). Shutter speeds slower than the minimum
value may be used if optimum exposure can not be achieved at the ISO
sensitivity value selected for Maximum sensitivity. Press J to exit when
settings are complete.
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When On is selected, the viewfinder and
control panel show ISO-AUTO. When
sensitivity is altered from the value
selected by the user, these indicators
flash and the altered value is shown in
viewfinder.
Control panel
Viewfinder
S
A Auto ISO Sensitivity Control
Noise (randomly-spaced bright pixels, fog, or lines) is more likely at higher sensitivities. Use
is used, the value selected for Minimum shutter speed is ignored in favor of the option
raised automatically when auto ISO sensitivity control is used in combination with slow sync
flash modes (available with the built-in flash and the optional flash units listed on page 293),
possibly preventing the camera from selecting slow shutter speeds.
A Turning Auto ISO Sensitivity Control On or Off
You can turn auto ISO sensitivity control on or off by
pressing the W (S) button and rotating the sub-
command dial. ISO-AUTO is displayed when auto ISO
sensitivity control is on.
W (S) button Sub-command
dial
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Exposure
Z
Metering
(P, S, A, and M Modes Only)
Choose how the camera sets exposure in P, S, A, and M modes (in other modes, the
camera selects the metering method automatically).
Option
Description
Matrix: Produces natural results in most situations. Camera meters a wide area of the
frame and set exposure according to tone distribution, color, composition, and, with
other CPU lenses, camera uses color matrix metering II, which does not include 3D
distance information). With non-CPU lenses, camera uses color matrix metering if focal
length and maximum aperture are specified using Non-CPU lens data option in setup
a
Center-weighted: Camera meters entire frame but assigns greatest weight to center area
(if CPU lens is attached, size of area can be selected using Custom Setting b4, Center-
meter for portraits; recommended when using filters with an exposure factor (filter
factor) over 1×. *
Spot: Camera meters circle 4 mm (0.16 in.) in diameter (approximately 1.5% of frame).
Circle is centered on current focus point, making it possible to meter off-center subjects
(if non-CPU lens is used or if auto-area AF is in effect, camera will meter center focus
point). Ensures that subject will be correctly exposed, even when background is much
brighter or darker. *
Z
b
* For improved precision with non-CPU lenses, specify lens focal length and maximum
Z
To choose a metering option, press the
Z (Q) button and rotate the main
command dial until the desired setting is
displayed in the viewfinder and control
panel.
Z (Q) button Main command dial
A See Also
For information on making separate
adjustments to optimal exposure for each
metering method, see Custom Setting b5
Control panel
Viewfinder
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Autoexposure Lock
Use autoexposure lock to recompose photographs after using center-weighted
metering and spot metering to meter exposure. Note that matrix metering will not
produce the desired results.
Shutter-release button
1 Lock exposure.
Position the subject in the selected focus point
and press the shutter-release button halfway.
With the shutter-release button pressed halfway
and the subject positioned in the focus point,
press the A AE-L/AF-L button to lock focus and
exposure (if you are using autofocus, confirm
that the I in-focus indicator appears in the
viewfinder).
A AE-L/AF-L button
While exposure lock is in effect, an AE-L indicator
will appear in the viewfinder.
2 Recompose the photograph.
Keeping the A AE-L/AF-L button pressed,
recompose the photograph and shoot.
Z
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A Metered Area
In spot metering, exposure will be locked at the value metered in a 4-mm (0.16 in.) circle
centered on the selected focus point. In center-weighted metering, exposure will be locked
at the value metered in a 12-mm circle in the center of the viewfinder.
A Adjusting Shutter Speed and Aperture
While exposure lock is in effect, the following settings can be adjusted without altering the
metered value for exposure:
Mode
P
S
Setting
Shutter speed
A
Aperture
The new values can be confirmed in the viewfinder and control panel. Note that metering
can not be changed while exposure lock is in effect.
A See Also
lock when the shutter-release button is pressed halfway. For information on changing the
Z
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Exposure Compensation
(P, S, A, and M Modes Only)
Exposure compensation is used to alter exposure from the value suggested by the
camera, making pictures brighter or darker. It is most effective when used with
(underexposure) and +5 EV (overexposure) in increments of 1/3 EV. In general,
positive values make the subject brighter while negative values make it darker.
–1 EV
No exposure compensation
+1 EV
To choose a value for exposure compensation, press the E
button and rotate the main command dial until the desired
value is displayed in the control panel or viewfinder.
E button
Main command dial
0 EV
–0.3 EV
+2.0 EV
(E button pressed)
At values other than 0.0, the 0 at the center of the exposure
indicators will flash (modes P, S, and A only) and a E icon will be
displayed in the control panel and viewfinder after you release
the E button. The current value for exposure compensation
can be confirmed in the exposure indicator by pressing the E
button.
Z
Normal exposure can be restored by setting exposure compensation to 0. Exposure
compensation is not reset when the camera is turned off.
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A Mode M
In mode M, exposure compensation affects only the exposure indicator; shutter speed and
aperture do not change.
A Using a Flash
When a flash is used, exposure compensation affects both flash level and exposure, altering
the brightness of both the main subject and the background. Custom Setting e4 (Exposure
background only.
A See Also
For information on choosing the size of the increments available for exposure
information on making adjustments to exposure compensation without pressing the E
automatically varying exposure, flash level, white balance, or Active D-Lighting, see page
Z
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Z
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White Balance
(P, S, A, and M Modes Only)
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White balance ensures that colors are unaffected by the color of the light source. In
modes other than P, S, A, and M, white balance is set automatically by the camera.
Auto white balance is recommended for most light sources in P, S, A, and M modes, but
other values can be selected if necessary according to the type of source:
Option
Colortemp. *
Description
v Auto
Normal
White balance is adjusted automatically. For best
results, use type G or D lens. If built-in or optional
flash fires, results are adjusted for flash.
3,500–
8,000 K
Keep warm lighting colors
Incandescent
J
I
3,000 K Use under incandescent lighting.
Use with:
Fluorescent
Sodium-vapor lamps
Warm-white fluorescent
White fluorescent
Cool-white fluorescent
Day white fluorescent
Daylight fluorescent
2,700 K • Sodium-vapor lighting (found in sports venues).
3,000 K • Warm-white fluorescent lights.
3,700 K • White fluorescent lights.
4,200 K • Cool-white fluorescent lights.
5,000 K • Daylight white fluorescent lights.
6,500 K • Daylight fluorescent lights.
• High color temperature light sources (e.g.
mercury-vapor lamps).
High temp. mercury-vapor
7,200 K
H
N
Direct sunlight
Flash
Cloudy
5,200 K Use with subjects lit by direct sunlight.
5,400 K Use with built-in or optional flash.
6,000 K Use in daylight under overcast skies.
8,000 K Use in daylight with subjects in the shade.
2,500– Choose color temperature from list of values
G
M
Shade
K
Choose color temp.
Preset manual
Use subject, light source, or existing photograph as
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L
—
* All values are approximate and do not reflect fine-tuning (if applicable).
White balance is set by pressing
the L (U) button and rotating
the main command dial until the
desired setting is displayed in the
control panel.
L (U) button Main command
Control panel
dial
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A The Shooting Menu
White balance can also be adjusted using the White balance
menu offers a choice of Normal and Keep warm lighting colors,
which preserves the warm colors produced by incandescent
lighting, while the I Fluorescent option can be used to select the
light source from the bulb types.
A Studio Flash Lighting
Auto white balance may not produce the desired results with large studio flash units. Use
preset white balance or set white balance to Flash and use fine tuning to adjust white
balance.
A Color Temperature
The perceived color of a light source varies with the viewer and other conditions. Color
temperature is an objective measure of the color of a light source, defined with reference to
the temperature to which an object would have to be heated to radiate light in the same
wavelengths. While light sources with a color temperature in the neighborhood of 5,000–
5,500 K appear white, light sources with a lower color temperature, such as incandescent
light bulbs, appear slightly yellow or red. Light sources with a higher color temperature
appear tinged with blue. The camera white balance options are adapted to the following
color temperatures:
• I (sodium-vapor lamps): 2,700 K
• J (incandescent)/
• H (direct sunlight): 5,200 K
• N (flash): 5,400 K
I (warm-white fluorescent): 3,000 K
• I (white fluorescent): 3,700 K
• I (cool-white fluorescent): 4,200 K
• I (day white fluorescent): 5,000 K
• G (cloudy): 6,000 K
• I (daylight fluorescent): 6,500 K
• I (high temp. mercury-vapor): 7,200 K
• M (shade): 8,000 K
A See Also
camera will create several images each time the shutter is released. White balance will be
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Fine-Tuning White Balance
White balance can be “fine-tuned” to compensate for variations in the color of the
light source or to introduce a deliberate color cast into an image. White balance is
fine-tuned using the White balance option in the shooting menu or by pressing the
L (U) button and rotating the sub-command dial.
❚❚The White Balance Menu
1 Select a white balance option in the
shooting menu.
To display the menus, press the G button.
Select White balance in the shooting menu,
then highlight a white balance option and
press 2. If an option other than Auto,
G button
Fluorescent, Choose color temp., or Preset
manual is selected, proceed to Step 2. If Auto, Fluorescent, or Choose color
temp. is selected, highlight the desired setting and press 2. For information on
fine-tuning preset white balance, see page 125.
2 Fine tune white balance.
Use the multi selector to fine-tune white
balance. White balance can be fine-tuned
on the amber (A)–blue (B) axis and the green
(G)–magenta (M) axis. The horizontal
(amber-blue) axis corresponds to color
temperature, with each increment
Coordinates
Adjustment
equivalent to about 5 mired. The vertical
(green-magenta) axis has the similar effects to the corresponding color
compensation (CC) filters.
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Green (G)
Increase green
Blue (B)
Amber (A)
Increase magenta
Magenta (M)
Increase blue
Increase amber
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3 Press J.
Press J to save settings and return to the
shooting menu. If white balance has been
fine-tuned, an asterisk (“E”) will be displayed
in the control panel.
❚❚The L(U) Button
At settings other than K (Choose color temp.) and
L (Preset manual), the L (U) button can be
used to fine-tune white balance on the amber (A)–
K or L is selected, use the shooting menu as
directions are available; each increment is equivalent
and rotate the sub-command dial until the desired
value is displayed in the control panel. Rotating the
sub-command dial to the left increases the amount of
amber (A). Rotating the sub-command dial to the
right increases the amount of blue (B). At settings
other than 0, an asterisk (“E”) appears in the control
panel.
L (U) button Sub-command
dial
Control panel
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A White Balance Fine-Tuning
The colors on the fine-tuning axes are relative, not absolute. For example, moving the cursor
to B (blue) when a “warm” setting such as J (incandescent) is selected for white balance will
make photographs slightly “colder” but will not actually make them blue.
A Color Temperature Fine-Tuning
When Choose color temp. is selected, you can view the
color temperature while fine-tuning white balance.
A “Mired”
Any given change in color temperature produces a greater difference in color at low color
temperatures than it would at higher color temperatures. For example, a change of 1000 K
produces a much greater change in color at 3000 K than at 6000 K. Mired, calculated by
multiplying the inverse of the color temperature by 10 6, is a measure of color temperature
that takes such variation into account, and as such is the unit used in color-temperature
compensation filters. E.g.:
• 4000 K–3000 K (a difference of 1000 K)=83 mired
• 7000 K–6000 K (a difference of 1000 K)=24 mired
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Choosing a Color Temperature
When K (Choose color temp.) is selected for white
balance, color temperature can be selected by
pressing the L (U) button and rotating the sub-
command dial. The color temperature is displayed in
the control panel.
L (U) button Sub-command
dial
Control panel
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D Choose Color Temperature
Note that the desired results will not be obtained with flash or fluorescent lighting. Choose
N (Flash) or I (Fluorescent) for these sources. With other light sources, take a test shot to
determine if the selected value is appropriate.
A The White Balance Menu
Color temperature can also be selected in the white
balance menu. Note that the color temperature with the
L (U) button and the sub-command dial replaces the
value selected in the white balance menu.
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Preset Manual
Preset manual is used to record and recall custom white balance settings for shooting
under mixed lighting or to compensate for light sources with a strong color cast. The
camera can store up to four values for preset white balance in presets d-1 through
d-4. Two methods are available for setting preset white balance:
Method
Description
Neutral gray or white object is placed under lighting that will be used
Direct measurement
Copy from existing
photograph
❚❚Measuring a Value for White Balance
1 Light a reference object.
Place a neutral gray or white object under the lighting that will be used in the
final photograph. In studio settings, a standard gray panel can be used as a
reference object. Note that exposure is automatically increased by 1 EV when
measuring white balance; in mode M, adjust exposure so that the exposure
2 Set white balance to L (Preset manual).
Press the L (U) button and rotate the main command dial until L is
displayed in the control panel.
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L (U) button
Main command dial
Control panel
A Measuring Preset White Balance
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3 Select a preset.
Press the L (U) button and rotate the sub-command dial until the desired
white balance preset (d-1 to d-4) is displayed in the control panel.
L (U) button
Sub-command dial
Control panel
4 Select direct measurement mode.
Release the L (U) button briefly and then press the
button until the L icon in the control panel starts to
flash. A flashing D will also appear in the viewfinder.
The displays will flash for about six seconds.
Control panel
Viewfinder
5 Measure white balance.
Before the indicators stop flashing, frame the reference
object so that it fills the viewfinder and press the
shutter-release button all the way down. The camera
will measure a value for white balance and store it in the preset selected in Step
3. No photograph will be recorded; white balance can be measured accurately
even when the camera is not in focus.
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A Protected Presets
if you attempt to measure a new value.
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6 Check the results.
If the camera was able to measure a value for white
balance, C will flash in the control panel for about
six seconds, while the viewfinder will show a flashing
a.
Control panel
Viewfinder
If lighting is too dark or too bright, the camera may be
unable to measure white balance. A flashing b a
will appear in the control panel and viewfinder for
about six seconds. Press the shutter-release button
halfway to return to Step 5 and measure white balance
again.
Control panel
Viewfinder
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D Direct Measurement Mode
If no operations are performed while the displays are flashing, direct measurement mode
A Selecting a Preset
Selecting Preset manual for the White balance option in the
shooting menu displays the dialog shown at right; highlight a preset
and press J. If no value currently exists for the selected preset,
white balance will be set to 5,200 K, the same as Direct sunlight.
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❚❚Copying White Balance from a Photograph
Follow the steps below to copy a value for white balance from an existing
photograph to a selected preset.
1 Select L (Preset manual) for White
balance in the shooting menu.
Press the G button and select White
balance in the shooting menu. Highlight
Preset manual and press 2.
G button
2 Select a destination.
Highlight the destination preset (d-1 to d-4)
and press W (S).
W (S) button
3 Choose Select image.
Highlight Select image and press 2.
4 Highlight a source image.
Highlight the source image.
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5 Press J.
Press J to copy the white balance value for
the highlighted photograph to the selected
preset. If the highlighted photograph has a
copied to the comment for the selected
preset.
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A Choosing a Source Image
To view the image highlighted in Step 4 full frame,
press and hold the X (T) button.
X (T) button
To view images in other locations, hold the D
button and press 1. The dialog shown at right will be
D button
A Choosing a White Balance Preset
Press 1 to highlight the current white balance preset
(d-1–d-4) and press 2 to select another preset.
A Fine-Tuning Preset White Balance
The selected preset can be fine-tuned by selecting
Fine-tune and adjusting white balance as
described on page 117.
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❚❚Entering a Comment
Follow the steps below to enter a descriptive comment of up to thirty-six characters
for a selected white balance preset.
1 Select L (Preset manual).
Highlight Preset manual in the white
balance menu and press 2.
2 Select a preset.
Highlight the desired preset and press
W (S).
W (S) button
3 Select Edit comment.
Highlight Edit comment and press 2.
4 Edit the comment.
Edit the comment as described on page 135.
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❚❚Protecting a White Balance Preset
Follow the steps below to protect the selected white balance preset. Protected
presets can not be modified and the Fine-tune and Edit comment options can not
be used.
1 Select L (Preset manual).
Highlight Preset manual in the white
balance menu and press 2.
2 Select a preset.
Highlight the desired preset and press
W (S).
W (S) button
3 Select Protect.
Highlight Protect and press 2.
4 Select On.
Highlight On and press J to protect the
selected white balance preset. To remove
protection, select Off.
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Image Enhancement
J
Picture Controls
(P, S, A, and M Modes Only)
Nikon’s unique Picture Control system makes it possible to share image processing
settings, including sharpening, contrast, brightness, saturation, and hue, among
compatible devices and software.
Selecting a Picture Control
The camera offers a choice of preset Picture Controls. In P, S, A, and M modes, you can
choose a Picture Control according to the subject or type of scene (in other modes,
the camera selects a Picture Control automatically).
Option
Description
Standard processing for balanced results. Recommended for most
situations.
Q Standard
Minimal processing for natural results. Choose for photographs that will later
be extensively processed or retouched.
R Neutral
Pictures are enhanced for a vivid, photoprint effect. Choose for photographs
that emphasize primary colors.
S Vivid
T Monochrome Take monochrome photographs.
e Portrait
Process portraits for skin with natural texture and a rounded feel.
f Landscape Produces vibrant landscapes and cityscapes.
1 Press c (b).
A list of Picture Controls will be displayed.
J
c (b) button
2 Choose a Picture Control.
Highlight the desired Picture Control and
press J.
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A Custom Picture Controls
Custom Picture Controls are created through modifications to existing Picture Controls using
can be saved to a memory card for sharing among other cameras of the same model and
A The Picture Control Indicator
The current Picture Control is shown in the information display when
the R button is pressed.
Picture Control
indicator
A The Shooting Menu
Picture Controls can also be selected using the Set Picture Control
J
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Modifying Picture Controls
or the user’s creative intent. Choose a balanced combination of settings using Quick
adjust, or make manual adjustments to individual settings.
1 Select a Picture Control.
Highlight the desired Picture Control in the
2 Adjust settings.
Press 1 or 3 to highlight the desired setting
Repeat this step until all settings have been
adjusted, or select Quick adjust to choose a
preset combination of settings. Default settings
can be restored by pressing the O (Q) button.
3 Press J.
J
A Modifications to Original Picture Controls
Picture Controls that have been modified from default
settings are indicated by an asterisk (“E”).
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❚❚Picture Control Settings
Option
Description
Choose from options between –2 and +2 to reduce or exaggerate the effect
of the selected Picture Control (note that this resets all manual adjustments).
For example, choosing positive values for Vivid makes pictures more vivid.
Not available with Neutral or Monochrome Picture Controls.
Quick adjust
Control the sharpness of outlines. Select A to adjust sharpening
Sharpening automatically according to the type of scene, or choose from values between
0 (no sharpening) and 9 (the higher the value, the greater the sharpening).
Select A to adjust contrast automatically according to the type of scene, or
choose from values between –3 and +3 (choose lower values to prevent
Contrast
highlights in portrait subjects from being “washed out” in direct sunlight,
higher values to preserve detail in misty landscapes and other low-contrast
subjects).
Choose –1 for reduced brightness, +1 for enhanced brightness. Does not
affect exposure.
Brightness
Control the vividness of colors. Select A to adjust saturation automatically
Saturation according to the type of scene, or choose from values between –3 and +3
(lower values reduce saturation and higher values increase it).
Choose negative values (to a minimum of –3) to make reds more purple,
Hue
blues more green, and greens more yellow, positive values (up to +3) to
make reds more orange, greens more blue, and blues more purple.
Filter
Simulate the effect of color filters on monochrome photographs. Choose
effects
Choose the tint used in monochrome photographs from B&W (black-and-
white), Sepia, Cyanotype (blue-tinted monochrome), Red, Yellow, Green,
Toning
J
D “A” (Auto)
Results for auto sharpening, contrast, and saturation vary with exposure and the position of
the subject in the frame. Use a type G or D lens for best results.
A Custom Picture Controls
The options available with custom Picture Controls are the same as those on which the
custom Picture Control was based.
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A The Picture Control Grid
Control grid showing the contrast and saturation for the selected
Picture Control in relation to the other Picture Controls (only contrast
is displayed when Monochrome is selected). Release the W (S)
button to return to the Picture Control menu.
The icons for Picture Controls that use auto contrast and saturation
are displayed in green in the Picture Control grid, and lines appear
parallel to the axes of the grid.
A Previous Settings
The line under the value display in the Picture Control setting menu
indicates the previous value for the setting. Use this as a reference
when adjusting settings.
A Filter Effects (Monochrome Only)
The options in this menu simulate the effect of color filters on monochrome photographs.
The following filter effects are available:
Option
Yellow
Description
Y
O
R
G
Enhances contrast. Can be used to tone down the brightness of the sky in
Orange landscape photographs. Orange produces more contrast than yellow, red
more contrast than orange.
Green Softens skin tones. Can be used for portraits.
Red
Note that the effects achieved with Filter effects are more pronounced than those
produced by physical glass filters.
A Toning (Monochrome Only)
Pressing 3 when Toning is selected displays saturation options.
Press 4 or 2 to adjust saturation. Saturation control is not available
when B&W (black-and-white) is selected.
J
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Creating Custom Picture Controls
The Picture Controls supplied with the camera can be modified and saved as custom
Picture Controls.
1 Select Manage Picture Control in the
shooting menu.
To display the menus, press the G button.
Highlight Manage Picture Control in the
shooting menu and press 2.
G button
2 Select Save/edit.
Highlight Save/edit and press 2.
3 Select a Picture Control.
Highlight an existing Picture Control and
press 2, or press J to proceed to Step 5 to
save a copy of the highlighted Picture
Control without further modification.
4 Edit the selected Picture Control.
abandon any changes and start over from
default settings, press the O (Q) button.
Press J when settings are complete.
J
5 Select a destination.
Choose a destination for the custom Picture
Control (C-1 through C-9) and press 2.
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6 Name the Picture Control.
The text-entry dialog shown at right will be
displayed. By default, new Picture Controls
are named by adding a two-digit number
(assigned automatically) to the name of the
existing Picture Control; to use the default
Keyboard
area
Name area
name, proceed to Step 7. To move the cursor in the name area, hold the
W (S) button and press 4 or 2. To enter a new letter at the current cursor
position, use the multi selector to highlight the desired character in the
keyboard area and press J. To delete the character at the current cursor
position, press the O (Q) button.
Custom Picture Control names can be up to nineteen characters long. Any
characters after the nineteenth will be deleted.
7 Press X (T).
Press the X (T) button to save changes
and exit. The new Picture Control will
appear in the Picture Control list.
X (T) button
A Manage Picture Control > Rename
Custom Picture Controls can be renamed at any time
using the Rename option in the Manage Picture
Control menu.
J
A Manage Picture Control > Delete
The Delete option in the Manage Picture Control
menu can be used to delete selected custom Picture
Controls when they are no longer needed.
A The Original Picture Control Icon
The original preset Picture Control on which the
custom Picture Control is based is indicated by an icon
in the top right corner of the edit display.
Original Picture Control icon
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Sharing Custom Picture Controls
Custom Picture Controls created using the Picture Control Utility available with
ViewNX 2 or optional software such as Capture NX 2 can be copied to a memory card
and loaded into the camera, or custom Picture Controls created with the camera can
be copied to the memory card to be used in other D600 cameras and software and
then deleted when no longer needed.
To copy custom Picture Controls to or from the
memory card, or to delete custom Picture Controls
from the memory card, highlight Load/save in the
Manage Picture Control menu and press 2. The
following options will be displayed:
•
Copy to camera: Copy custom Picture Controls from the
memory card to custom Picture Controls C-1
through C-9 on the camera and name them as
desired.
•
Delete from card: Delete selected custom Picture
Controls from the memory card. The confirmation
dialog shown at right will be displayed before a
Picture Control is deleted; to delete the selected
Picture Control, highlight Yes and press J.
Copy to card: Copy a custom Picture Control (C-1
through C-9) from the camera to a selected
destination (1 through 99) on the memory card.
•
J
A Saving Custom Picture Controls
Up to 99 custom Picture Controls can be stored on the memory card at any one time. The
memory card can only be used to store user-created custom Picture Controls. The preset
renamed, or deleted.
The options in the Manage Picture Control menu apply only to the memory card in Slot 1.
Custom Picture Controls can not be deleted from or copied to or from the card in Slot 2.
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Preserving Detail in Highlights and
Shadows
(P, S, A, and M Modes Only)
Active D-Lighting
Active D-Lighting preserves details in highlights and shadows, creating photographs
with natural contrast. Use for high contrast scenes, for example when
photographing brightly lit outdoor scenery through a door or window or taking
pictures of shaded subjects on a sunny day. It is most effective when used with
Active D-Lighting off
Active D-Lighting: YAuto
J
D “Active D-Lighting” Versus “D-Lighting”
The Active D-Lighting option in the shooting menu adjusts exposure before shooting to
optimize the dynamic range, while the D-Lighting option in the retouch menu optimizes
dynamic range in images after shooting.
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To use Active D-Lighting:
1 Select Active D-Lighting in the
shooting menu.
To display the menus, press the G button.
Highlight Active D-Lighting in the shooting
menu and press 2.
G button
2 Choose an option.
Highlight the desired option and press J.
If YAuto is selected, the camera will
automatically adjust Active D-Lighting
according to shooting conditions (in mode
M, however, YAuto is equivalent to
Q Normal).
J
D Active D-Lighting
Active D-Lighting can not be used with movies. Noise (randomly-spaced bright pixels, fog,
or lines) may appear in photographs taken with Active D-Lighting. Uneven shading may be
visible with some subjects. Active D-Lighting can not be used at ISO sensitivities of Hi 0.3 or
above.
A See Also
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High Dynamic Range (HDR)
Used with high-contrast subjects, High Dynamic Range (HDR) preserves details in
highlights and shadows by combining two shots taken at different exposures. HDR is
methods and a non-CPU lens, an exposure differential of Auto is equivalent to about
A is not available.
+
First exposure (darker)
Second exposure (brighter)
Combined HDR image
1 Select HDR (high dynamic range).
Press the G button to display the menus.
Highlight HDR (high dynamic range) in
the shooting menu and press 2.
G button
J
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2 Select a mode.
Highlight HDR mode and press 2.
Highlight one of the following and press J.
•
To take a series of HDR photographs, select
6 On (series). HDR shooting will
continue until you select Off for HDR
mode.
•
•
To take one HDR photograph, select On
(single photo). Normal shooting will resume automatically after you have
created a single HDR photograph.
To exit without creating additional HDR photographs, select Off.
If On (series) or On (single photo) is selected, a k icon
will be displayed in the control panel.
3 Choose the exposure differential.
To choose the difference in exposure
between the two shots, highlight Exposure
differential and press 2.
The options shown at right will be
displayed. Highlight an option and press J.
Choose higher values for high-contrast
subjects, but note that choosing a value
higher than required may not produce the
desired results; if Auto is selected, the
J
camera will automatically adjust exposure to suit the scene.
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4 Choose the amount of smoothing.
To choose how much the boundaries
between the two images are smoothed,
highlight Smoothing and press 2.
The options shown at right will be
displayed. Highlight an option and press J.
Higher values produce a smoother
composite image. Uneven shading may be
visible with some subjects.
5 Frame a photograph, focus, and shoot.
The camera takes two exposures when the shutter-release
button is pressed all the way down. l k will be
displayed in the control panel and l u in the
viewfinder while the images are combined; no
photographs can be taken until recording is complete.
Regardless of the option currently selected for release
mode, only one photograph will be taken each time the
shutter-release button is pressed.
Control panel
Viewfinder
If On (series) is selected, HDR will only turn off when Off is
selected for HDR mode; if On (single photo) is selected, HDR turns off
automatically after the photograph is taken. The k icon clears from the display
when HDR shooting ends.
J
D Framing HDR Photographs
The edges of the image will be cropped out. The desired results may not be achieved if the
camera or subject moves during shooting. Use of a tripod is recommended. Depending on
the scene, shadows may appear around bright objects or halos may appear around dark
objects; this effect can be reduced by adjusting the amount of smoothing.
A Interval Timer Photography
If On (series) is selected for HDR mode before interval timer shooting begins, the camera
will continue to shoot HDR photographs at the selected interval (if On (single photo) is
selected, interval timer shooting will end after a single shot).
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J
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Flash Photography
l
Using the Built-in Flash
The built-in flash has a Guide Number (GN) 12/39 (m/ft, ISO 100, 20 °C/68 °F) and
provides coverage for the angle of view of 24 mm lens, or a 16 mm lens in DX format.
It can be used not only when natural lighting is inadequate but to fill in shadows and
backlit subjects or to add a catch light to the subject’s eyes.
❚❚Using the Built-in Flash: i, k, p, n, o, s, and wModes
2 Take pictures.
The flash will pop up as required when the
shutter-release button is pressed halfway, and fire
when a photograph is taken. If the flash does not
pop up automatically, DO NOT attempt to raise it by
hand. Failure to observe this precaution could
damage the flash.
❚❚Using the Built-in Flash: P, S, A, M, and 0Modes
1 Raise the flash.
Press the M (Y) button to raise the flash.
2 Choose a flash mode (P, S, A, and M modes
l
M (Y) button
3 Take pictures.
The flash will fire whenever a picture is taken.
A Metering
Select matrix or center-weighted metering to activate i-TTL balanced fill-flash for digital SLR.
Standard i-TTL flash for digital SLR is activated automatically when spot metering is selected.
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Flash Mode
The flash modes available vary with shooting mode:
i, k, p, n, s, w
o
0
Auto+slow sync+
red-eye reduction
Auto
Fill flash
Auto+red-eye reduction
Auto+slow sync
Off
j
Off
j
P, A
S, M
Fill flash
Fill flash
Red-eye reduction
Red-eye reduction
Rear-curtain sync
Slow sync+red-eye reduction
Slow sync
Rear curtain+slow sync *
* S is displayed when setting is complete.
To choose a flash mode, press the M (Y) button and rotate the main command dial
until the desired setting is displayed in the control panel.
M (Y) button
Main command dial
Control panel
l
A Lowering the Built-in Flash
To save power when the flash is not in use, press it gently downward
until the latch clicks into place.
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A Default Flash Modes
Default flash modes are shown below.
Mode
i, k, p, n, w
s
Default
Auto
Auto+red-eye reduction
Mode
o
Default
Auto+slow sync
Fill flash
0, P, S, A, M
A Flash Modes
The flash modes listed on the previous page may combine one or more of the following
settings, as shown by the flash mode icon:
•
AUTO (auto flash): When lighting is poor or subject is back lit, flash pops up automatically
when shutter-release button is pressed halfway and fires as required.
• Y (red-eye reduction): Use for portraits. Red-eye reduction lamp lights before flash fires,
reducing “red-eye.”
• j (off): Flash does not fire even when lighting is poor or subject is back-lit.
•
SLOW (slow sync): Shutter speed slows automatically to capture background lighting at night
or under low light. Use to include background lighting in portraits.
REAR (rear-curtain sync): Flash fires just before shutter closes, creating a stream of light behind
moving light sources (below at right). If this icon is not displayed, flash will fire as the
shutter opens (front-curtain sync; the effect this produces with moving light sources is
shown below at left).
•
Front-curtain sync
D The Built-in Flash
Rear-curtain sync
Use with lenses with focal lengths in FX format of 24–300 mm (16–300 mm in DX format;
(2 ft) and can not be used in the macro range of zoom lenses with a macro function. i-TTL
flash control can be used at ISO sensitivities between 100 and 6400. At values over 6400, the
desired results may not be achieved at some ranges or aperture settings.
the shutter-release button is pressed.
l
The shutter release may be briefly disabled to protect the flash after it has been used for
several consecutive shots. The flash can be used again after a short pause.
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A Shutter Speeds Available with the Built-in Flash
The following shutter speeds are available with the built-in flash.
Mode
Shutter speed
1/200–1/60 s
1/200–1/125 s
1/200–1 s
Mode
S *
M *
Shutter speed
1/200–30 s
1/200–30 s, A
i, P *, A *, k, p, s, w
n, 0
o
* Speeds as fast as 1/4,000 s are available with optional SB-910, SB-900, SB-800, SB-700, and SB-600 flash
units when 1/250 s (Auto FP) or 1/200 s (Auto FP) is selected for Custom Setting e1 (Flash sync
speed, 0 234). When 1/250 s (Auto FP) is selected, shutter speeds as fast as 1/250 s are available with
the built-in flash.
A Flash Control Mode
The camera supports the following i-TTL flash control modes:
•
i-TTL balanced fill-flash for digital SLR: Flash emits series of nearly invisible preflashes (monitor
preflashes) immediately before main flash. Preflashes reflected from objects in all areas of
frame are picked up by 2,016-pixel RGB sensor and are analyzed in combination with
range information from matrix metering system to adjust flash output for natural balance
between main subject and ambient background lighting. If type G or D lens is used,
distance information is included when calculating flash output. Precision of calculation
can be increased for non-CPU lenses by providing lens data (focal length and maximum
•
Standard i-TTL flash for digital SLR: Flash output adjusted to bring lighting in frame to standard
level; brightness of background is not taken into account. Recommended for shots in
which main subject is emphasized at expense of background details, or when exposure
compensation is used. Standard i-TTL flash for digital SLR is activated automatically when
spot metering is selected.
The flash control mode for the built-in flash can be selected using Custom Setting e3 (Flash
the built-in flash as follows:
Flash sync
—
i-TTL
—
—
Manual
l
Repeating flash
Commander mode
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A Aperture, Sensitivity, and Flash Range
Flash range varies with sensitivity (ISO equivalency) and aperture.
Aperture at ISO equivalent of
Range
100
1.4
2
2.8
4
5.6
8
11
16
200
2
2.8
4
5.6
8
11
16
22
400
2.8
4
5.6
8
11
16
22
32
800 1600 3200 6400
m
ft
4
5.6
8
8
11
16
22
32
—
—
—
—
0.7–8.5
0.6–6.0
0.6–4.2
0.6–3.0
0.6–2.1
0.6–1.5
0.6–1.1
0.6–0.8
2ft 4in.–27ft 11in.
2ft–19ft 8in.
2ft–13ft 9in.
2ft–9ft 10in.
2ft–6ft 11in.
2ft–4ft 11in.
2ft–3ft 7in.
5.6
8
11
16
22
32
—
—
—
11
16
22
32
—
—
11
16
22
32
—
2ft–2ft 7in.
The built-in flash has a minimum range of 0.6 m (2 ft).
In mode P, the maximum aperture (minimum f-number) is limited according to ISO
sensitivity, as shown below:
Maximum aperture at ISO equivalent of:
100
200
400
800
1600
3200
6400
2.8
3.5
4
5
5.6
7.1
8
If the maximum aperture of the lens is smaller than given above, the maximum value for
aperture will be the maximum aperture of the lens.
A See Also
recomposing a photograph.
For information on auto FP high-speed sync and choosing a flash sync speed, see Custom
For information on flash control and using the built-in flash in commander mode, see
l
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Flash Compensation
(P, S, A, and M Modes Only)
Flash compensation is used to alter flash output by from –3EV to +1EV in increments
of 1/3EV, changing the brightness of the main subject relative to the background.
Flash output can be increased to make the main subject appear brighter, or reduced
to prevent unwanted highlights or reflections.
Press the M (Y) button and rotate the sub-command
dial until the desired value is displayed in the control
panel. In general, choose positive values to make the
main subject brighter, negative values to make it
darker.
M (Y) button
Sub-command
dial
At values other than 0.0, a Y icon will be displayed
in the control panel and viewfinder after you release
the M (Y) button. The current value for flash
compensation can be confirmed by pressing the
M (Y) button.
0 EV
Normal flash output can be restored by setting flash
compensation to 0.0. Flash compensation is not
reset when the camera is turned off.
(M (Y) button pressed)
–0.3 EV
+1.0 EV
l
A Optional Flash Units
Flash compensation is also available with optional SB-910, SB-900, SB-800, SB-700, SB-600,
SB-400, and SB-R200 flash units. The SB-910, SB-900, SB-800, SB-700, and SB-600 also allow
flash compensation to be set using the controls on the flash unit; the value selected with the
flash unit is added to the value selected with the camera.
A See Also
For information on choosing the size of the increments available for flash compensation, see
flash and exposure compensation combine, see Custom Setting e4 (Exposure comp. for
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FV Lock
This feature is used to lock flash output, allowing photographs to be recomposed
without changing the flash level and ensuring that flash output is appropriate to the
subject even when the subject is not positioned in the center of the frame. Flash
output is adjusted automatically for any changes in ISO sensitivity and aperture.
To use FV lock:
1 Assign FV lock to the Fn button.
Select FV lock for Custom Setting f2 (Assign Fn
2 Raise the flash.
In P, S, A, M, and 0 modes, the flash can be raised
by pressing the M (Y) button. In i, k, p, n, o,
s, and w modes, the flash will pop up
automatically when required.
M (Y) button
3 Focus.
Position the subject in the center of the frame
and press the shutter-release button halfway to
focus.
4 Lock flash level.
After confirming that the flash ready indicator (M)
is displayed in the viewfinder, press the Fn
button. The flash will emit a monitor preflash to
determine the appropriate flash level. Flash
l
output will be locked at this level and FV lock
Fn button
icons (e) will appear in the viewfinder.
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5 Recompose the photograph.
6 Take the photograph.
Press the shutter-release button the rest of the way down to shoot. If desired,
additional pictures can be taken without releasing FV lock.
7 Release FV lock.
Press the Fn button to release FV lock. Confirm that the FV lock icon (e) is no
longer displayed in the viewfinder.
D Using FV Lock with the Built-in Flash
FV lock is only available with the built-in flash when TTL is selected for Custom Setting e3
A Using FV Lock with Optional Flash Units
FV lock is also available with optional flash units in TTL and (where supported) monitor pre-
flash AA and monitor pre-flash A flash control modes. Note that when commander mode is
the flash control mode for the master or at least one remote group to TTL or AA.
A Metering
The metering areas for FV lock when using optional flash unit are as follows:
l
Flash unit
Flash mode
i-TTL
AA
i-TTL
Metered area
5-mm circle in center of frame
Area metered by flash exposure meter
Entire frame
Stand-alone flash unit
Used with other flash units
(Advanced Wireless Lighting)
AA
Area metered by flash exposure meter
A (master flash)
A See Also
For information on using the depth-of-field preview or A AE-L/AF-L button for FV lock, see
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Other Shooting Options
t
Two-Button Reset: Restoring Default
Settings
The camera settings listed below can be restored to
default values by holding the W (S) and E buttons
down together for more than two seconds (these
buttons are marked by a green dot). The control
panel turns off briefly while settings are reset.
E button
W (S) button
Option
Image quality
Default
JPEG normal
Large
0
Image size
White balance
Auto > Normal
A-B: 0, G-M: 0
Off 1
Fine tuning
HDR (high dynamic range)
ISO sensitivity settings
ISO sensitivity
Auto and scene modes
P, S, A, M
AUTO
100
Auto ISO sensitivity control
Interval timer shooting
Autofocus (viewfinder)
Autofocus mode
AF-area mode
Off
Off 2
AF-A
n, x, 0, 1, 2, 3
Single-point AF
t
m, w
39-point dynamic-area AF
Auto-area AF
i, j, k, l, p, o, r, s, t, u, v, y, z, P, S, A, M
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Option
Autofocus (live view/movie)
Autofocus mode
AF-area mode
Default
0
AF-S
m, r, w, 1, 2, 3, P, S, A, M
n, 0
Wide-area AF
Normal-area AF
i, j, k, l, p, o, s, t, u, v, x, y, z
Focus point 3
Face-priority AF
Center
Matrix
Off
Metering
AE lock hold
Bracketing
Off
Picture Control settings 4
Flash compensation
Exposure compensation
Exposure delay mode
Flash mode
Unmodified
Off
Off
Off
i, k, p, n, w
Auto
s
Auto+red-eye reduction
o
Auto+slow sync
0, P, S, A, M
Fill flash
FV lock
Off
Multiple exposure
Flexible program
+ NEF (RAW)
Off 5
Off
Off
1 Exposure differential and smoothing are not reset.
2 If interval timer shooting is currently in progress, shooting will end. Starting time, shooting interval, and
number of intervals and shots are not reset.
3 Focus point not displayed if auto-area AF is selected for AF-area mode.
4 Current Picture Control only.
5 If multiple exposure is currently in progress, shooting will end and multiple exposure will be created
from exposures recorded to that point. Gain and number of shots are not reset.
t
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Bracketing
(P, S, A, and M Modes Only)
Bracketing automatically varies exposure, flash level, Active D-Lighting (ADL), or
white balance slightly with each shot, “bracketing” the current value. Choose in
situations in which it is difficult to set exposure, flash level (i-TTL and, where
white balance, or Active D-Lighting and there is not time to check results and adjust
settings with each shot, or to experiment with different settings for the same subject.
❚❚Exposure and Flash Bracketing
To vary exposure and/or flash level over a series of photographs:
1 Select flash or exposure bracketing for
Custom Setting e6 (Auto bracketing
set) in the Custom Settings menu.
To display the menus, press the G button.
Select Custom Setting e6 (Auto bracketing
G button
set) in the Custom Settings menu, highlight
an option, and press J. Choose AE & flash
to vary both exposure and flash level, AE
only to vary only exposure, or Flash only to
vary only flash level.
2 Choose the number of shots.
Pressing the D button, rotate the main command dial to choose the number
of shots in the bracketing sequence and the order in which they will be taken.
Number of shots
Bracketing progress
indicator
D button
Main command dial
Control panel
Bracketing order
t
No. of shots Bracketing progress indicator
Normal exposure, underexposure, overexposure
Normal exposure, overexposure
Normal exposure, underexposure
D will be displayed in the viewfinder (see
right); the control panel will show M.
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3 Select a bracketing increment.
Pressing the D button and rotate the sub-command dial to choose a
bracketing increment.
Bracketing
increment
D button
Sub-command dial
Control panel
A See Also
For information on choosing the size of the increment, see Custom Setting b2 (EV
4 Frame a photograph, focus, and shoot.
The camera will vary exposure and/or flash level shot-by-
shot according to the bracketing program selected.
Modifications to exposure are added to those made with
compensation values of more than 5 EV.
While bracketing is in effect, a bracketing progress indicator will be displayed in
the control panel. A segment will disappear from the indicator after each shot:
the y segment when the unmodified shot is taken, the z segment when the
shot with the negative increment is taken, and the x segment when the shot
with the positive increment is taken.
t
Exposure modified by:
Exposure modified by:
Exposure modified by:
0 EV (y)
–1 EV (z)
+1 EV (x)
To cancel bracketing, press the D button and rotate the main command dial until
the bracketing progress indicator and M icon are no longer displayed.
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A Exposure and Flash Bracketing
In continuous low speed and continuous high speed release modes, shooting will pause
after the number of shots specified in the bracketing program have been taken. Shooting
will resume the next time the shutter-release button is pressed. In self-timer mode, the
release button is pressed, regardless of the option selected for Custom Setting c3 (Self-
Custom Setting c3 (Self-timer) > Interval between shots. In other modes, one shot will be
taken each time the shutter-release button is pressed.
If the memory card fills before all shots in the sequence have been taken, shooting can be
resumed from the next shot in the sequence after the memory card has been replaced or
shots have been deleted to make room on the memory card. If the camera is turned off
before all shots in the sequence have been taken, bracketing will resume from the next shot
in the sequence when the camera is turned on.
A Exposure Bracketing
The camera modifies exposure by varying shutter speed and aperture (mode P), aperture
(mode S), or shutter speed (modes A and M). If On is selected for ISO sensitivity settings >
ISO sensitivity for optimum exposure when the limits of the camera exposure system are
exceeded; in mode M, the camera will first use auto ISO sensitivity control to bring exposure
as close as possible to the optimum and then bracket this exposure by varying shutter
speed.
t
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❚❚White Balance Bracketing
The camera creates multiple copies of each photograph, each with a different white
1 Select white balance bracketing.
Choose WB bracketing for Custom Setting e6 Auto
bracketing set.
2 Choose the number of shots.
Pressing the D button, rotate the main command dial to choose the number
of shots in the bracketing sequence and the order in which they will be taken.
Number of shots
Bracketing progress
indicator
D button
Main command dial
Control panel
D will be displayed in the viewfinder (see right); the
control panel will show W.
3 Select a white balance increment.
Pressing the D button, rotate the sub-command dial to choose from
White balance
increment
D button
Sub-command dial
Control panel
t
The bracketing programs with an increment of 1 are listed below.
Control panel Bracketing progress indicator No. of shots
Increment
1B
Bracketing order
0 / 1 B
2
2
3
1A
0 / 1 A
1A, 1B
0 / 1 A / 1 B
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4 Frame a photograph, focus, and shoot.
Each shot will be processed to create the number of
copies specified in the bracketing program, and
each copy will have a different white balance.
Modifications to white balance are added to the
white balance adjustment made with white
balance fine-tuning.
If the number of shots in the bracketing program is
greater than the number of exposures remaining,
n and the icon for the affected card will flash in
the control panel, a flashing j icon will appear in
the viewfinder as shown at right, and the shutter
release will be disabled. Shooting can begin when
a new memory card is inserted.
To cancel bracketing, press the D button and rotate the main command dial until
the bracketing progress indicator and W icon are no longer displayed.
A White Balance Bracketing
White balance bracketing is not available at an image quality of NEF (RAW). Selecting NEF
(RAW), NEF (RAW)+JPEG fine, NEF (RAW)+JPEG normal, or NEF (RAW)+JPEG basic
cancels white balance bracketing.
t
White balance bracketing affects only color temperature (the amber-blue axis in the white
be created each time the shutter is released, regardless of the option selected for Custom
If the camera is turned off while the memory card access lamp is lit, the camera will power off
only after all photographs in the sequence have been recorded.
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❚❚ADL Bracketing
The camera varies Active D-Lighting over a series of exposures. For more information
on Active D-Lighting, see page 137.
1 Select ADL bracketing.
Choose ADL bracketing for Custom Setting e6 Auto
bracketing set.
2 Choose the number of shots.
Pressing the D button, rotate the main command dial to choose the number
of shots in the bracketing sequence. Choose two shots to take one photograph
with Active D-Lighting off and another at the value currently selected for Active
D-Lighting in the shooting menu (if Active D-Lighting is off, the second shot
will be taken with Active D-Lighting set to Auto). Choose three shots to take a
series of photographs with Active D-Lighting set to Off, Normal, and High.
Number of shots
Bracketing progress
indicator
D button
Main command dial
Control panel
D will be displayed in the viewfinder (see right); the
control panel will show d.
t
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3 Frame a photograph, focus, and shoot.
The camera will vary Active D-Lighting shot-by-shot
according to the bracketing program selected. While
bracketing is in effect, a bracketing progress indicator will
be displayed in the control panel. A segment will
disappear from the indicator after each shot: the y
segment when the first shot is taken, the 0 segment when
the second shot is taken, and the 1 segment when the
third shot (if applicable) is taken.
To cancel bracketing, press the D button and rotate the main command dial until
the bracketing progress indicator and d icon are no longer displayed.
A ADL Bracketing
In continuous low speed and continuous high speed release modes, shooting will pause
after the number of shots specified in the bracketing program have been taken. Shooting
will resume the next time the shutter-release button is pressed. In self-timer mode, the
release button is pressed, regardless of the option selected for Custom Setting c3 (Self-
Custom Setting c3 (Self-timer) > Interval between shots. In other modes, one shot will be
taken each time the shutter-release button is pressed.
t
If the memory card fills before all shots in the sequence have been taken, shooting can be
resumed from the next shot in the sequence after the memory card has been replaced or
shots have been deleted to make room on the memory card. If the camera is turned off
before all shots in the sequence have been taken, bracketing will resume from the next shot
in the sequence when the camera is turned on.
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Multiple Exposure
(P, S, A, and M Modes Only)
Follow the steps below to record a series of two or three exposures in a single
photograph. Multiple exposures can make use of RAW data from the camera image
sensor to produce colors noticeably superior to those in software-generated
photographic overlays.
❚❚Creating a Multiple Exposure
Multiple exposures can not be recorded in live view. Exit live view before proceeding.
Note that at default settings, shooting will end and a multiple exposure will be
recorded automatically if no operations are performed for 30 s.
A Extended Recording Times
For an interval between exposures of more than 30 s, extend the meter-off delay using
30 s longer than the option selected for Custom Setting c2. If the monitor has turned off
during playback or menu operations, shooting will end 30 s after the exposure meters turn
off and a multiple exposure will be created from the exposures that have been recorded to
that point.
1 Select Multiple exposure in the
shooting menu.
Press the G button to display the menus.
Highlight Multiple exposure in the
shooting menu and press 2.
G button
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2 Select a mode.
Highlight Multiple exposure mode and
press 2.
Highlight one of the following and press J.
•
To take a series of multiple exposures, select
6 On (series). Multiple exposure
shooting will continue until you select Off
for Multiple exposure mode.
•
•
To take one multiple exposure, select On
(single photo). Normal shooting will resume automatically after you have
created a single multiple exposure.
To exit without creating additional multiple exposures, select Off.
If On (series) or On (single photo) is
selected, a n icon will be displayed in the
control panel.
3 Choose the number of shots.
Highlight Number of shots and press 2.
Press 1 or 3 to choose the number of
exposures that will be combined to form a
single photograph and press J.
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4 Choose the amount of gain.
Highlight Auto gain and press 2.
The following options will be displayed.
Highlight an option and press J.
•
On: Gain is adjusted according to number
of exposures actually recorded (gain for
each exposure is set to 1/2 for 2 exposures,
1/3 for 3 exposures, etc.).
•
Off: Gain is not adjusted when recording multiple exposure. Recommended
if background is dark.
5 Frame a photograph, focus, and shoot.
In continuous high-speed and continuous
records all exposures in a single burst. If On
(series) is selected, the camera will continue to record multiple exposures while
the shutter-release button is pressed; if On (single photo) is selected, multiple
exposure shooting will end after the first photograph. In self-timer mode, the
camera will automatically record the number of exposures selected in Step 3 on
by Custom Setting c3 (Self-timer) > Interval between shots. In other release
modes, one photograph will be taken each time the shutter-release button is
pressed; continue shooting until all exposures have been recorded (for
information on interrupting a multiple exposure before all photographs are
The n icon will flash until shooting ends. If
On (series) is selected, multiple exposure
shooting will only end when Off is selected
for multiple exposure mode; if On (single
t
photo) is selected, multiple exposure
shooting ends automatically when the multiple exposure is complete. The n
icon clears from the display when multiple exposure shooting ends.
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❚❚Interrupting Multiple Exposures
To interrupt a multiple exposure before the specified number of
exposures have been taken, select Off for multiple exposure
mode. If shooting ends before the specified number of
exposures have been taken, a multiple exposure will be created
from the exposures that have been recorded to that point. If
Auto gain is on, gain will be adjusted to reflect the number of
exposures actually recorded. Note that shooting will end automatically if:
• The camera is turned off
• The battery is exhausted
• Pictures are deleted
D Multiple Exposures
Do not remove or replace the memory card while recording a multiple exposure.
Multiple exposures can not be recorded in live view. Taking photographs in live view resets
Multiple exposure mode to Off.
Noise (randomly-spaced bright pixels, fog, or lines) may appear in photographs taken with
The information listed in the playback photo information display (including metering,
exposure, shooting mode, focal length, date of recording and camera orientation) is for the
first shot in the multiple exposure.
A Interval Timer Photography
If interval timer photography is activated before the first exposure is taken, the camera will
record exposures at the selected interval until the number of exposures specified in the
multiple exposure menu have been taken (the number of shots listed in the interval timer
shooting menu is ignored). These exposures will then be recorded as a single photograph
and interval timer shooting will end (if On (single photo) is selected for multiple exposure
mode, multiple exposure shooting will also end automatically).
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A Other Settings
While a multiple exposure is being shot, memory cards can not be formatted and some
menu items are grayed out and can not be changed.
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Interval Timer Photography
The camera is equipped to take photographs automatically at preset intervals.
D Before Shooting
Do not select self-timer (E), remote (4), or MUP release mode when using the interval timer.
Before beginning interval timer photography, take a test shot at current settings and view
the results in the monitor.
Before choosing a starting time, select Time zone and date in the setup menu and make
Use of a tripod is recommended. Mount the camera on a tripod before shooting begins. To
ensure that shooting is not interrupted, be sure the camera EN-EL15 battery is fully charged.
If in doubt, charge the battery before use or use an EH-5b AC adapter and EP-5B power
connector (available separately).
1 Select Interval timer shooting in the
shooting menu.
Press the G button to display the menus.
Highlight Interval timer shooting in the
shooting menu and press 2.
G button
2 Choose a starting time.
Chose from the following starting triggers.
•
To start shooting immediately, highlight Now
and press 2. Shooting begins about 3 s
after settings are completed; proceed to
Step 3.
•
To choose a starting time, highlight Start time
and press 2 to display the start time
options shown at right. Press 4 or 2 to
highlight hours or minutes and press 1 or
3 to change. Press 2 to continue.
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3 Choose the interval.
Press 4 or 2 to highlight hours, minutes, or
seconds; press 1 or 3 to change. Choose an
interval longer than the time needed to take
the number of shots selected in Step 4. If the
interval is too short, the number of photos
taken may be less than the total listed in Step 4 (the number of intervals
multiplied by the number of shots per interval). Press 2 to continue.
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4 Choose the number of intervals and
number of shots per interval.
Press 4 or 2 to highlight number of
intervals or number of shots; press 1 or 3 to
change. Press 2 to continue.
Number of Number Total
intervals of shots/ number of
interval shots
5 Start shooting.
Highlight On and press J (to return to the
shooting menu without starting the interval
timer, highlight Off and press J). The first
series of shots will be taken at the specified
starting time, or after about 3 s if Now was
selected for Choose start time in Step 2. Shooting will continue at the selected
interval until all shots have been taken. Note that because the shutter speed,
frame rate, and time needed to record images may vary from one interval to the
next, the time between the end of one interval and the beginning of the next
may vary. If shooting can not proceed at current settings (for example, if a
shutter speed of A is currently selected in manual exposure mode or the
start time is in less than a minute), a warning will be displayed in the monitor.
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D Out of Memory
If the memory card is full, the interval timer will remain active but no pictures will be taken.
inserting another memory card.
A Cover the Viewfinder
To prevent light entering via the viewfinder interfering with exposure, remove the rubber
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A Interval Timer Photography
Interval timer photography can not be combined with long time-exposures (bulb
A Release Mode
Regardless of the release mode selected, the camera will take the specified number of shots
at each interval. In CH (continuous high speed) mode, photographs will be taken at a rate of
up to 5.5 shots per second. In S (single frame) and CL (continuous low-speed) modes,
photographs will be taken at the rate chosen for Custom Setting d5 (CL mode shooting
A Bracketing
Adjust bracketing settings before starting interval timer photography. If exposure, flash, or
ADL bracketing is active while interval timer photography is in effect, the camera will take
the number of shots in the bracketing program at each interval, regardless of the number of
shots specified in the interval timer menu. If white balance bracketing is active while interval
timer photography is in effect, the camera will take one shot at each interval and process it
to create the number of copies specified in the bracketing program.
A During Shooting
During interval timer photography, the Q icon in the control panel
will flash. Immediately before the next shooting interval begins, the
shutter speed display will show the number of intervals remaining,
and the aperture display will show the number of shots remaining in
the current interval. At other times, the number of intervals
remaining and the number of shots in each interval can be viewed by pressing the shutter-
release button halfway (once the button is released, the shutter speed and aperture will be
displayed until the standby timer expires).
To view current interval timer settings, select Interval timer
shooting between shots. While interval timer photography is in
progress, the interval timer menu will show the starting time, the
shooting interval, and the number of intervals and shots remaining.
None of these items can be changed while interval timer
photography is in progress.
Pictures can be played back and shooting and menu settings can be adjusted freely while
interval timer photography is in progress. The monitor will turn off automatically about four
seconds before each interval.
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❚❚Pausing Interval Timer Photography
Interval timer photography can be paused by:
• Pressing the J button between intervals
• Highlighting Start > Pause in the interval timer menu and pressing J
• Turning the camera off and then on again (if desired, the memory card can be
replaced while the camera is off)
• Selecting self-timer (E), remote (4), or MUP release mode
To resume shooting:
1 Choose a new starting time.
Choose a new starting time as described on
page 164.
2 Resume shooting.
Highlight Restart and press J. Note that if
interval timer photography was paused
during shooting, any shots remaining in the
current interval will be canceled.
❚❚Interrupting Interval Timer Photography
Interval timer shooting will end automatically if the battery is exhausted. Interval
timer photography can also be ended by:
• Selecting Start > Off in the interval timer menu
Normal shooting will resume when interval timer photography ends.
❚❚No Photograph
The camera will skip the current interval if any of the following situations persist for
eight seconds or more after the interval was due to start: the photograph or
photographs for the previous interval have yet to be taken, the memory buffer is full,
or the camera is unable to focus in AF-S or when single-servo AF is selected in AF-A
(note that the camera focuses again before each shot). Shooting will resume with the
next interval.
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Time-Lapse Photography
The camera automatically takes photos at selected intervals to create a silent time-
lapse movie using the options currently selected for Movie settings in the shooting
A Before Shooting
Before beginning time-lapse photography, take a test shot at current settings (framing the
photo in the viewfinder for an accurate exposure preview) and view the results in the
you briefly switch to movie live view and check the current image area crop in the monitor
Use of a tripod is recommended. Mount the camera on a tripod before shooting begins. To
ensure that shooting is not interrupted, use an optional EH-5b AC adapter and EP-5B power
connector or a fully-charged EN-EL15 battery.
1 Select Time-lapse photography in the
shooting menu.
Press the G button to display the menus.
Highlight Time-lapse photography in the
shooting menu and press 2.
G button
2 Press 2.
Press 2 to proceed to Step 3 and choose an
interval and shooting time. To record a time-
lapse movie using the default interval of 5
seconds and shooting time of 25 minutes,
proceed to step 5.
3 Choose the interval.
Press 4 or 2 to highlight minutes or
seconds; press 1 or 3 to change. Choose an
interval longer than the slowest anticipated
shutter speed. Press 2 to continue.
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4 Select the shooting time.
Press 4 or 2 to highlight hours or minutes;
press 1 or 3 to change. The maximum
shooting time is 7 hours and 59 minutes.
Press 2 to continue.
5 Start shooting.
Highlight On and press J (to return to the
shooting menu without starting time-lapse
photography, highlight Off and press J).
Time-lapse photography starts after 3 s. The
camera takes photographs at the interval selected in Step 3 for the time
selected in Step 4. The memory card access lamp lights while each shot is
recorded; note that because shutter speed and the time needed to record the
image to the memory card may vary from shot to shot, the interval between a
shot being recorded and the start of the next shot may vary. Shooting will not
begin if a time-lapse movie can not be recorded at current settings (for
example, if the memory card is full, the interval or shooting time is zero, the
interval is longer than the shooting time, or remote (4) release mode is
selected).
When complete, time-lapse movies are recorded to the memory card selected
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D Time-Lapse Photography
A Release Mode
Regardless of the release mode selected, the camera will take one shot at each interval. The
self-timer can not be used. Time-lapse photography is not available in remote (4) release
mode.
A Calculating the Length of the Final Movie
The total number of frames in the final movie can be approximated
by dividing the shooting time by the interval and rounding up. The
length of the final movie can then be calculated by diving the
number of shots by the frame rate selected for Movie settings >
Frame size/frame rate. A 48 frame movie recorded at 1920 × 1080;
24p, for example, will be about two seconds long. The maximum
length for movies recorded using time-lapse photography is 20
minutes.
Length recorded/
maximum length
Memory card
indicator
A Cover the Viewfinder
To prevent light entering via the viewfinder interfering with
exposure, remove the rubber eyecup and cover the viewfinder with
Frame size/
frame rate
A During Shooting
During time-lapse photography, a Q icon will flash and the time-
lapse recording indicator will be displayed in the control panel. The
time remaining (in hours and minutes) appears in the shutter-speed
display immediately before each frame is recorded. At other times,
the time remaining can be viewed by pressing the shutter-release
button halfway. Regardless of the option selected for Custom Setting c2 (Standby timer,
To view current time-lapse photography settings, press the G
button between shots. While time-lapse photography is in progress,
the time-lapse photography menu will show the interval and the
time remaining. These settings can not be changed while time-lapse
photography is in progress, nor can pictures be played back or other
menu settings adjusted.
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❚❚Interrupting Time-Lapse Photography
Time-lapse photography will end automatically if the battery is exhausted. The
following will also end time-lapse photography:
• Selecting Start > Off in the Time-lapse photography menu
• Pressing the J button between frames or immediately after a frame is recorded
• Turning the camera off
• Removing the lens
• Connecting a USB or HDMI cable
• Inserting a memory card into an empty slot
• Pressing the shutter-release button all the way down to take a photograph
• Selecting remote (4) release mode
• Selecting mode U1 or U2, or selecting another mode after starting time-lapse
photography in mode U1 or U2
A movie will be created from the frames shot to the point where time-lapse
photography ended. Note that time-lapse photography will end and no movie will
be recorded if the power source is removed or disconnected or the destination
memory card is ejected.
❚❚No Photograph
The camera will skip the current frame if it is unable to focus using single-servo
autofocus (AF-S or single-servo autofocus selected for AF-A; note that the camera
focuses again before each shot). Shooting will resume with the next frame.
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A Image Review
The K button can not be used to view pictures while time-lapse photography is in progress,
but the current frame will be displayed for a few seconds after each shot if On is selected for
performed while the frame is displayed.
A See Also
For information on setting a beep to sound when time-lapse photography is complete, see
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Non-CPU Lenses
By specifying lens data (lens focal length and maximum aperture), the user can gain
access to a variety of CPU lens functions when using a non-CPU lens.
If the focal length of the lens is known:
• Lens focal length is listed (with an asterisk) in the playback photo info display
If the maximum aperture of the lens is known:
• The aperture value is displayed in the control panel and viewfinder
• Flash level is adjusted for changes in aperture if the flash unit supports AA (auto
aperture) mode
• Aperture is listed (with an asterisk) in the playback photo info display
Specifying both the focal length and maximum aperture of the lens:
• Enables color matrix metering (note that it may be necessary to use center-
weighted or spot metering to achieve accurate results with some lenses, including
Reflex-NIKKOR lenses)
• Improves the precision of center-weighted and spot metering and i-TTL balanced
fill-flash for digital SLR
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The camera can store data for up to nine non-CPU lenses. To enter or edit data for a
non-CPU lens:
1 Select Non-CPU lens data.
Press the G button to display the menus.
Highlight Non-CPU lens data in the setup
menu and press 2.
G button
2 Choose a lens number.
Highlight Lens number and press 4 or 2 to
choose a lens number between 1 and 9.
3 Enter the focal length and aperture.
Highlight Focal length (mm) or Maximum
aperture and press 4 or 2 to edit the
highlighted item. Focal length can be
selected from values between 6 and
4,000 mm, maximum aperture from values
between f/1.2 and f/22.
A Focal Length Not Listed
If the correct focal length is not listed, choose the closest value greater than the actual
focal length of the lens.
A Teleconverters and Zoom Lenses
The maximum aperture for teleconverters is the combined maximum aperture of the
teleconverter and the lens. Note that lens data are not adjusted when non-CPU lenses
are zoomed in or out. The data for different focal lengths can be entered as separate
lens numbers, or the data for the lens can be edited to reflect the new values for lens
focal length and maximum aperture each time zoom is adjusted.
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4 Select Done.
Highlight Done and press J. The specified
focal length and aperture will be stored
under the chosen lens number.
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To recall lens data when using a non-CPU lens:
1 Assign non-CPU lens number selection to a camera control.
Select Choose non-CPU lens number for Custom Setting f2 (Assign Fn
2 Use the selected control to choose the lens number.
Press the selected button and rotate the main command dial until the desired
lens number is displayed in the control panel.
Focal length Maximum aperture
Lens number
Control panel
Fn button
Main command dial
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The GP-1 GPS Unit
The GP-1 GPS unit (available separately) can be connected to the camera’s accessory
camera’s current position to be recorded when photographs are taken. Turn the
camera off before connecting the GP-1; for more information, see the GP-1 manual.
❚❚Setup Menu Options
The GPS item in the setup menu contains the options listed below.
•
Standby timer: Choose whether the exposure meters turn off automatically when the
GP-1 is attached.
Option
Description
Exposure meters turn off automatically if no operations are performed for the
Enable time to acquire GPS data, the delay is extended by up to one minute after the
exposure meters are activated or the camera is turned on). This reduces the drain
on the battery.
Disable Exposure meters do not turn off while the GP-1 is connected.
•
•
Position: This item is only available if the GP-1 is connected, when it displays the
current latitude, longitude, altitude, and Coordinated Universal Time (UTC) as
reported by the GP-1.
Use GPS to set camera clock: Select Yes to synchronize the camera clock with the time
reported by the GPS device.
A Coordinated Universal Time (UTC)
UTC data is provided by the GPS device and is independent of the camera clock.
A The n Icon
Connection status is shown by the n icon:
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• n (static): Camera has established communication with GP-1.
Photo information for pictures taken while this icon is displayed
• n(flashing): The GP-1 is searching for a signal. Pictures taken while
the icon is flashing do not include GPS data.
•
No icon: No new GPS data have been received from the GP-1 for at
least two seconds. Pictures taken when the n icon is not displayed do not include GPS
data.
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More on Playback
I
Full-Frame Playback
To play photographs back, press the K button.
The most recent photograph will be displayed in
the monitor.
K button
Multi selector Sub-command dial
O (Q) button
K button
G button
c (b) button
L (U) button
X (T) button
W (S) button
J button
Main command dial
A Rotate Tall
To display “tall” (portrait-orientation) photographs in
tall orientation, select On for the Rotate tall option in
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A Image Review
automatically displayed in the monitor for about 4 s after shooting (because the camera is
already in the correct orientation, images are not rotated automatically during image
review). In continuous release mode, display begins when shooting ends, with the first
photograph in the current series displayed.
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To
Use
Description
View additional
photographs
Press 2 to view photographs in order recorded, 4 to view
photographs in reverse order.
View photo
information
Press 1 or 3 to view information about current photograph
View thumbnails
Zoom in on
photograph
Confirmation dialog will be displayed. Press O (Q) again to
delete photo.
Delete images
O (Q)
Change protect
status
To protect image, or to remove protection from protected
L (U)
Return to
shooting mode
Monitor will turn off. Photographs can be taken
immediately.
/
K
c (b)/J current picture is marked with 1 icon to show that it is a
Retouch photo or
play movie
A Choosing a Memory Card Slot
If two memory cards are inserted, you can select a card for
playback by holding the D button and pressing 1 during full-
frame or thumbnail playback. The dialog shown at right will be
displayed; highlight the desired slot and press 2 to list the folders
on the selected card, then highlight a folder and press J to view
the pictures in the highlighted folder. The same procedure can be
used when selecting pictures for operations in the playback
D button
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A See Also
For information on choosing how long the monitor will remain on when no operations are
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Photo Information
Photo information is superimposed on images displayed in full-frame playback.
Press 1 or 3 to cycle through photo information as shown below. Note that “image
only”, shooting data, RGB histograms, highlights, and overview data are only
GPS data are only displayed if a GPS device was used when the photo was taken.
NIKON D600
1/
12
1
/
12
:
:
:
:
:
:
:
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:
:
01 15 00
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.
15
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2012 10 02 28
6016x4016
15
/
04
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2012 10 02 28
601N6Ox4R016
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I
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D600
100ND600
04
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:
0001 JP
G
100ND600
D
S
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:
0001 JP
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:
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-
100 1
File information
None (image only)
Overview
GPS data
-
100
1
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:
:
:
:
:
:
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:
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-
Highlights
100
1
Highlights
RGB
Select R, G, B
RGB
Select R, G, B
-
100 1
N
I
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D600
Highlights
RGB histogram
Shooting data
❚❚File Information
Protect status ................................................... 188
Retouch indicator ........................................... 261
Frame number/total number of frames
1
2
3
4
5
1/12
Image quality ......................................................93
Image size.............................................................95
Folder name...................................................... 215
File name............................................................ 216
6
7
8
9
10
11
12
13
_
.
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6016x4016
15
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2012 10 02 28
2 If photograph was taken using AF-S or with single-servo autofocus selected during AF-A, display shows
point where focus first locked. If photograph was taken using AF-C or with continuous-servo autofocus
selected during AF-A, focus point is only displayed if option other than auto-area AF was selected for AF-
area mode and camera was able to focus.
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❚❚Highlights
Image highlights 1
Current channel 1
1
2
3
-
100 1
Highlights
RGB
Select R, G, B
1 Flashing areas indicate highlights (areas that may be overexposed) for the
current channel. Hold W (S) button and press 4 or 2 to cycle through
channels as follows:
RGB
R
G
B
(all channels)
(red)
(green)
(blue)
W (S) button
❚❚RGB Histogram
White balance .................................................. 115
Color temperature....................................... 120
White balance fine-tuning ....................... 117
Preset manual ............................................... 121
Current channel 1
3
4
5
-
Highlights
100 1
Histogram (RGB channel). In all histograms,
horizontal axis gives pixel brightness,
vertical axis number of pixels.
RGB
Select R, G, B
Histogram (red channel)
6
7
8
Image highlights 1
1
2
Histogram (green channel)
Histogram (blue channel)
1 Flashing areas indicate highlights (areas that may be overexposed) for the
current channel. Hold W (S) button and press 4 or 2 to cycle through
channels as follows:
RGB
R
G
B
(all channels)
(red)
(green)
(blue)
Highlight display off
I
W (S) button
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A Playback Zoom
To zoom in on the photograph when the histogram is
displayed, press X (T). Use the X (T) and W (S)
buttons to zoom in and out and scroll the image with the
multi selector. The histogram will be updated to show only
the data for the portion of the image visible in the monitor.
A Histograms
Camera histograms are intended as a guide only and may differ from those displayed in
imaging applications. Some sample histograms are shown below:
If the image contains objects with a wide range of
brightnesses, the distribution of tones will be relatively
even.
If the image is dark, tone distribution will be shifted to the
left.
If the image is bright, tone distribution will be shifted to
the right.
Increasing exposure compensation shifts the distribution of tones to the right, while
decreasing exposure compensation shifts the distribution to the left. Histograms can
provide a rough idea of overall exposure when bright ambient lighting makes it difficult to
see photographs in the monitor.
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❚❚Shooting Data
Exposure compensation............................... 112
3
.
:
:
.
4000 , F2
M
TR, SP
D
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A
P
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8
.
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Lens data............................................................ 172
:
-
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F
VR
/
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n
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-
FL
SY
,
A
N
S
C
HMTYPE
Bu i l t W i n,
C
3
M
.
D
0
Lens VR (vibration reduction) 3
Flash mode........................................................ 144
:
O
:
D
E
SL
O
:
+
.
:
:
+
M
B
TTL,
3
E
0
A
C
TTL,
---
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---
7
-
N
N
N
N
I
I
I
I
KO
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D600
100 1
8
9
Flash compensation....................................... 148
Camera name
:
:
:
:
:
:
:
:
:
H
I TE
B
A
L
A
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0
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0
BR I
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0
S
A
U
T
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A
0
H
0
White balance .................................................. 115
Color temperature....................................... 120
White balance fine-tuning ....................... 117
Preset manual ............................................... 121
Color space........................................................ 217
-
KO
N
D600
100 1
14
15
16
.
:
:
:
NO I SE RE
D
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,
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-
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HD
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A
,
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A
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GH
:
V I GNETTE
RETOUCH
C
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A
Sharpening........................................................ 132
:
-
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LMMI G
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A
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TR I
:
.
ME
C
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T
SPRMI NG HA
S
C
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17
18
19
20
Brightness.......................................................... 132
-
KO
N
D600
100 1
Long exposure noise reduction................. 218
Active D-Lighting............................................ 137
:
:
A
C
RT I ST
PYR I
N
N
I KON
I KON
T
A
R
O
21
22
O
GHT
23
24
HDR exposure differential............................ 139
Vignette control............................................... 218
-
KO
N
D600
100 1
25
26
27
28
29
Shutter speed ......................................................74
Aperture ................................................................74
1
2
Retouch history ............................................... 261
Image comment.............................................. 253
I
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1
2
Displayed in red if photo was taken with auto ISO sensitivity control on.
than zero for any metering method.
3
4
5
6
7
8
9
Displayed only if VR lens is attached.
Standard, Vivid, Portrait, and Landscape Picture Controls only.
Neutral, Monochrome, and custom Picture Controls.
Not displayed with monochrome Picture Controls.
Monochrome Picture Controls only.
The fourth page of the shooting data is only displayed if copyright information was recorded with the
❚❚GPS Data *
Latitude
1
2
3
4
Longitude
:
:
:
:
:
:
:
L
L
A
T I T
U
D
U
E
N
E
.
35
º
º
35 971
‘
‘
Altitude
ONG I T
D
E
)
.
139
35
43 696
Coordinated Universal Time (UTC)
ALMT I TUD
E
C
T I E (
U
T
15
/
m04
/
2012
:
:
01 15 00
-
N
I
KON
D600
100 1
*
Data for movies are for start of recording.
I
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❚❚Overview Data
NIKON D600
1
/12
.
.
1 4000 F2 8
H
i 0 3
85mm
+
.
–
1. 3
1 0
SLOW
.
.
1 4000 F2 8
H
i 0 3
85mm
0,
0
+
.
–
1. 3
1 0
SLOW
0,
100ND600
0
_
.
D
S
C
:
0001 JP
G
M
AL
601N6Ox4R016
:
15
/
04
/
2012 10 02 28
Frame number/total number of images
Camera name
Image comment indicator........................... 253
Active D-Lighting............................................ 137
Color space........................................................ 217
Flash mode........................................................ 144
1
2
3
4
5
17
18
19
20
21
22
23
24
25
26
Histogram showing the distribution of
Image quality.......................................................93
6
7
8
Image size .............................................................95
Shutter speed ......................................................74
9
White balance .................................................. 115
Color temperature....................................... 120
White balance fine-tuning ....................... 117
Preset manual ............................................... 121
Flash compensation....................................... 148
Exposure compensation............................... 112
10
11
12
13
14
15
16
27
28
1
2
Displayed in red if photo was taken with auto ISO sensitivity control on.
I
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Thumbnail Playback
To display images in “contact sheets” of four, nine, or 72 images, press the W (S)
button.
W (S)
W (S)
X (T)
X (T)
Full-frame
playback
Thumbnail playback
Calendar
playback
To
Use
Description
Press W (S) to increase the number of images
displayed.
Display more images
W (S)
Press X (T) to reduce the number of images
Display fewer images
X (T) displayed. When four images are displayed, press to
view highlighted image full frame.
Use multi selector to highlight images for full-frame
Highlight images
View highlighted image
Delete highlighted
image
J
Press J to display the highlighted image full frame.
O (Q)
Change protect status of
highlighted image
Monitor will turn off. Photographs can be taken
Return to shooting
mode
/
K
immediately.
Retouch photo
c (b)
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Calendar Playback
To view images taken on a selected date, press the W (S) button when 72 images
are displayed.
Date list
W (S)
W (S)
X (T)
X (T)
Thumbnail list
Full-frame
playback
Thumbnail playback
Calendar playback
The operations can be performed depend on whether the cursor is in the date list or
the thumbnail list:
To
Use
Description
Toggle between date
list and thumbnail list
Exit to thumbnail
playback/Zoom in on X (T)
highlighted photo
Press W (S) button in date list to place cursor in
thumbnail list. Press again to return to date list.
W (S)
•
•
Date list: Exit to 72-frame playback.
Thumbnail list: Press and hold X (T) button to zoom
in on highlighted picture.
Highlight dates/
Highlight images
•
•
Date list: Highlight date.
Thumbnail list: Highlight picture.
Toggle full frame
J
•
•
•
•
Date list: View pictures taken on selected date.
Thumbnail list: View highlighted picture.
Date list: Delete all pictures taken on selected date.
playback
Delete highlighted
O (Q)
photo(s)
Change protect
photo
Return to shooting
mode
Monitor will turn off. Photographs can be taken
immediately.
/
K
Create retouched copy of photo highlighted in
Retouch photo
c (b)
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Taking a Closer Look: Playback Zoom
Press the X (T) button to zoom in on the image displayed in full-frame playback
or on the image currently highlighted in thumbnail playback. The following
operations can be performed while zoom is in effect:
To
Use
Description
Press X (T) to zoom in to maximum
of approximately 38 × (large images in
36 × 24/3 : 2 format), 28 × (medium
X (T)/
W (S)
Zoom in or out
images) or 19 × (small images). Press
W (S) to zoom out. While photo is
zoomed in, use multi selector to view
areas of image not visible in monitor.
Keep multi selector pressed to scroll rapidly to other areas of
frame. Navigation window is displayed when zoom ratio is
altered; area currently visible in monitor is indicated by yellow
border.
View other
areas of image
Faces (up to 35) detected during zoom
are indicated by white borders in
navigation window. Rotate sub-
command dial to view other faces.
Select faces
Rotate main command dial to view same location in other
photos at current zoom ratio. Playback zoom is cancelled
when a movie is displayed.
View other
images
Changeprotect
status
Return to
shooting mode
/
Monitor will turn off. Photographs can be taken immediately.
K
Retouch photo
c (b)
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Protecting Photographs from Deletion
In full-frame, zoom, thumbnail, and calendar playback, the L (U) button can be
used to protect photographs from accidental deletion. Protected files can not be
deleted using the O (Q) button or the Delete option in the playback menu. Note
250).
To protect a photograph:
1 Select an image.
Display the image in full-frame playback or playback zoom or highlight it in the
thumbnail list in thumbnail or calendar playback.
Full-frame playback
Thumbnail playback
Calendar playback
2 Press the L (U) button.
The photograph will be marked with a P
icon. To remove protection from the
photograph so that it can be deleted, display
the photograph or highlight it in the
thumbnail list and then press the L (U)
button.
L (U) button
I
A Removing Protection from All Images
To remove protection from all images in the folder or folders currently selected in the
Playback folder menu, press the L (U) and O (Q) buttons together for about two
seconds during playback.
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Deleting Photographs
To delete the photograph displayed in full-frame playback or highlighted in the
thumbnail list, press the O (Q) button. To delete multiple selected photographs, all
photographs taken on a selected date, or all photographs in the current playback
folder, use the Delete option in the playback menu. Once deleted, photographs can
not be recovered. Note that pictures that are protected or hidden can not be deleted.
Full-Frame, Thumbnail, and Calendar Playback
Press the O (Q) button to delete the current photograph.
1 Select an image.
Display the image or highlight it in the thumbnail list in thumbnail or calendar
playback.
2 Press the O (Q) button.
A confirmation dialog will be displayed.
O (Q) button
Full-frame playback Thumbnail playback
Calendar playback
(thumbnail list)
3 Press the O (Q) button again.
To delete the photograph, press the O (Q) button. To exit
without deleting the photograph, press the K button.
O (Q) button
I
A Calendar Playback
During calendar playback, you can delete all photographs taken on a selected date by
A See Also
The After delete option in the playback menu determines whether the next image or the
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The Playback Menu
The Delete option in the playback menu contains the following options. Note that
depending on the number of images, some time may be required for deletion.
Option
Description
Q Selected
Delete selected pictures.
Delete all pictures in the folder currently selected for
R All
select the card from which pictures will be deleted.
❚❚Selected: Deleting Selected Photographs
1 Choose Selected for the Delete option
in the playback menu.
Press the G button and select Delete in
the playback menu. Highlight Selected and
press 2.
G button
2 Highlight a picture.
Use the multi selector to highlight a picture
(to view the highlighted picture full screen,
press and hold the X (T) button; to view
images in other locations, hold the D
button, press 1, and select the desired card
and folder as described on page 178).
3 Select the highlighted picture.
Press the W (S) button to select the
highlighted picture. Selected pictures are
marked by a O icon. Repeat steps 2 and 3 to
select additional pictures; to deselect a
picture, highlight it and press W (S).
I
W (S) button
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4 Press J to complete the operation.
A confirmation dialog will be displayed;
highlight Yes and press J.
❚❚Select Date: Deleting Photographs Taken on a Selected Date
1 Choose Select date.
In the delete menu, highlight Select date
and press 2.
2 Highlight a date.
Press 1 or 3 to highlight a date.
To view the pictures taken on the
highlighted date, press W (S). Use the
multi selector to scroll through the pictures,
or press and hold X (T) to view the
current picture full screen. Press W (S) to
return to the date list.
W (S) button
3 Select the highlighted date.
Press 2 to select all pictures taken on the
highlighted date. Selected dates are marked
with a M icon. Repeat steps 2 and 3 to select
additional dates; to deselect a date,
highlight it and press 2.
4 Press J to complete the operation.
A confirmation dialog will be displayed;
highlight Yes and press J.
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Connections
Q
Connecting to a Computer
This section describes how to use the supplied UC-E15 USB cable to connect the
camera to a computer.
Before Connecting the Camera
Before connecting the camera, install the software on the supplied ViewNX 2 CD. To
ensure that data transfer is not interrupted, be sure the camera EN-EL15 battery is
fully charged. If in doubt, charge the battery before use or use an EH-5b AC adapter
and EP-5B power connector (available separately).
❚❚Supplied Software
ViewNX 2 includes a “Nikon Transfer 2” function for copying pictures from the camera
to the computer, where ViewNX 2 can be used to view and print selected images or
to edit photographs and movies. For more information, see ViewNX 2 online help.
❚❚Supported Operating Systems
The supplied software can be used with computers running the following operating
systems:
•
Windows: Pre-installed versions of Windows 7 Home Basic/Home Premium/
Professional/Enterprise/Ultimate (Service Pack 1), Windows Vista Home Basic/
Home Premium/Business/Enterprise/ Ultimate (Service Pack 2), or 32-bit editions
of Windows XP Home Edition/Professional (Service Pack 3). All installed programs
may run as 32-bit applications in 64-bit editions of Windows 7 and Windows Vista.
This application is not compatible with computers running 64-bit Windows XP.
Macintosh: Mac OS X (version 10.5.8, 10.6.8, or 10.7.2)
•
operating systems.
A Connecting Cables
Be sure the camera is off when connecting or disconnecting interface cables. Do not use
force or attempt to insert the connectors at an angle. Close the camera connector cover
when the connector is not in use.
Q
D During Transfer
Do not turn the camera off or disconnect the USB cable while transfer is in progress.
A Windows
To visit the Nikon website after installing ViewNX 2, select All Programs > Link to Nikon
from the Windows start menu (Internet connection required).
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Connecting the Camera
Connect the camera using the supplied UC-E15 USB cable.
1 Turn the camera off.
2 Turn the computer on.
Turn the computer on and wait for it to start up.
3 Connect the USB cable.
Connect the USB cable as shown.
D USB Hubs
Connect the camera directly to the computer; do not connect the cable via a USB hub
or keyboard.
4 Turn the camera on.
5 Start Nikon Transfer 2.
If a message is displayed prompting you to choose a program, select
Nikon Transfer 2.
A Windows 7
If the following dialog is displayed, select Nikon Transfer 2 as described below.
1 Under Import pictures and videos, click Change
program. A program selection dialog will be
displayed; select Import file using
Nikon Transfer 2 and click OK.
2 Double-click Import file.
Q
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6 Click Start Transfer.
At default settings, all the pictures on the memory card
will be copied to the computer (for more information on
using Nikon Transfer 2, start ViewNX 2 or Nikon Transfer 2
and select ViewNX 2 Help from the Help menu).
Start Transfer
7 Turn the camera off and disconnect the USB cable when transfer ends.
Nikon Transfer 2 will close automatically when transfer is complete.
Q
A Camera Control Pro 2
camera from a computer. When Camera Control Pro 2 is used to capture photographs and
movies directly to the computer, the PC connection indicator (c) will appear in the control
panel.
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Printing Photographs
directly to the camera.
Connecting the Printer
Connect the camera using the supplied UC-E15 USB cable.
1 Turn the camera off.
2 Connect the USB cable.
Turn the printer on and connect the USB cable as shown. Do not use force or
attempt to insert the connectors at an angle.
D USB Hubs
Connect the camera directly to the printer; do not connect the cable via a USB hub.
3 Turn the camera on.
A welcome screen will be displayed in the monitor, followed by a PictBridge
playback display.
Q
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A Printing Via Direct USB Connection
Be sure the EN-EL15 battery is fully charged or use an optional EH-5b AC adapter and EP-5B
power connector. When taking photographs to be printed via direct USB connection, set
D Selecting Photographs for Printing
images can be created using the NEF (RAW) processing option in the retouch menu
A See Also
Printing Pictures One at a Time
1 Select a picture.
Press 4 or 2 to view additional pictures. Press
the X (T) button to zoom in on the current
pictures at a time, press the W (S) button. Use
the multi selector to highlight pictures, or press X
(T) to display the highlighted picture full frame; to view images in other
locations when thumbnails are displayed, hold the D button, press 1, and
select the desired card and folder as described on page 178.
2 Display printing options.
Press J to display PictBridge printing options.
Q
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3 Adjust printing options.
Press 1 or 3 to highlight an option and press 2 to select.
Option
Description
Highlight a page size (only sizes supported by the current printer are listed)
Page size and press J to select and exit to the previous menu (to print at the default
page size for the current printer, select Printer default).
No. of Press 1 or 3 to choose number of copies (maximum 99), then press J to
copies select and return to the previous menu.
This option is available only if supported by the printer. Highlight Printer
default (use current printer settings), Print with border (print photo with
white border), or No border and press J to select and exit to the previous
Border
menu.
Highlight Printer default (use current printer settings), Print time stamp
(print times and dates of recording on photos), or No time stamp and press J
to select and exit to the previous menu.
Time
stamp
This option is available only if supported by the printer. To exit without
cropping, highlight No cropping and press J. To crop the current picture,
highlight Crop and press 2.
Selecting Crop displays the dialog shown at right. Press
Cropping
X (T) to increase the size of the crop, W (S) to
decrease. Position the crop using the multi selector and
press J. Note that print quality may drop if small crops
are printed at large sizes.
4 Start printing.
Select Start printing and press J to start
printing. To cancel before all copies have been
printed, press J.
Q
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Printing Multiple Pictures
1 Display the PictBridge menu.
Press the G button in the PictBridge
G button
2 Choose an option.
Highlight one of the following options and
press 2.
•
•
Print select: Select pictures for printing.
Select date: Print one copy of all the pictures
taken on a selected date.
•
•
Print (DPOF): Print an existing print order created with the DPOF print order
displayed in Step 3.
card, proceed to Step 4. Note that if the memory card contains more than
256 pictures, only the first 256 images will be printed.
Q
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3 Select pictures or choose a date.
If you chose Print select or Print (DPOF) in
Step 2, use the multi selector to scroll through
the pictures on the memory card; to view
images in other locations, hold the D
button, press 1, and select the desired card
display the current picture full screen, press
and hold the X (T) button. To select the
current picture for printing, hold the
W (S) button and press 1. The picture
will be marked with a Z icon and the
W (S) + 13: Choose number of copies
number of prints will be set to 1. Keeping
the W (S) button pressed, press 1 or 3 to
specify the number of prints (up to 99; to
deselect the picture, press 3 when the
number of prints is 1). Continue until all the
desired pictures have been selected.
X (T) button: View photo full screen
If you chose Select date in Step 2, press 1 or 3
to highlight a date and press 2 to toggle the
highlighted date on or off. To view the
pictures taken on the selected date, press
W (S). Use the multi selector to scroll
through the pictures, or press and hold
X (T) to view the current picture full
screen. Press W (S) again to return to the
date selection dialog.
X (T)
button: View
highlighted photo
full screen
W (S)
button: View
photos for selected
date
Q
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4 Display printing options.
Press J to display PictBridge printing
options.
5 Adjust printing options.
Choose page size, border, and time stamp options as described on page 198 (a
warning will be displayed if the selected page size is too small for an index
print).
6 Start printing.
Select Start printing and press J to start
printing. To cancel before all copies have
been printed, press J.
Q
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Creating a DPOF Print Order: Print Set
The DPOF print order option in the playback menu is used to create digital “print
orders” for PictBridge-compatible printers and devices that support DPOF.
1 Choose Select/set for the DPOF print
order item in the playback menu.
Press the G button and select DPOF print
order in the playback menu. Highlight
Select/set and press 2 (to remove all
photographs from the print order, select
G button
Deselect all?).
2 Select pictures.
Use the multi selector to scroll through the
pictures on the memory card (to view
images in other locations, hold the D
button and press 1). To display the current
picture in full screen, press and hold the
X (T) button. To select the current
picture for printing, hold the W (S) button
and press 1. The picture will be marked
with a Z icon and the number of prints will
be set to 1. Keeping the W (S) button
pressed, press 1 or 3 to specify the number
of prints (up to 99; to deselect the picture,
press 3 when the number of prints is 1).
Continue until all the desired pictures have
been selected.
W (S) + 13: Choose number of copies
X (T) button: View photo full screen
3 Display imprint options.
Press J to display data imprint options.
Q
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4 Select imprint options.
Highlight the following options and press 2
to toggle the highlighted option on or off (to
complete the print order without including
this information, proceed to Step 5).
•
Print shooting data: Print shutter speed and
aperture on all pictures in print order.
•
Print date: Print date of recording on all pictures in print order.
5 Complete the print order.
Highlight Done and press J to complete
the print order.
D DPOF Print Order
To print the current print order when the camera is connected to a PictBridge printer, select
Print (DPOF) in the PictBridge menu and follow the steps in “Printing Multiple Pictures” to
not supported when printing via direct USB connection; to print the date of recording on
photographs in the current print order, use the PictBridge Time stamp option.
The DPOF print order option can not be used if there is not enough space on the memory
card to store the print order.
Q
(RAW) images can be created using the NEF (RAW) processing option in the retouch menu
Print orders may not print correctly if images are deleted using a computer or other device
after the print order is created.
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Viewing Photographs on TV
A type C mini-pin High-Definition Multimedia Interface (HDMI) cable (available
separately from commercial sources) can be used to connect the camera to high-
definition video devices.
1 Turn the camera off.
Always turn the camera off before connecting or disconnecting an HDMI cable.
2 Connect the HDMI cable as shown.
Connect to high-definition device
(choose cable with connector for
HDMI device)
Connect to camera
3 Tune the device to the HDMI channel.
4 Turn the camera on and press the K button.
During playback, images will be displayed on the television screen.
D Close the Connector Cover
Close the camera connector cover when the connectors are not in use. Foreign matter in the
connectors can interfere with data transfer.
A Television Playback
Use of an EH-5b AC adapter and EP-5B power connector (available separately) is
recommended for extended playback. The TV will display images full screen if photo
visible when photographs are viewed on a television screen.
Q
A Audio
movies are viewed on HDMI devices using a camera connected via an HDMI cable (note that
audio will not be played back over headphones connected to the camera). Volume can be
adjusted using television controls; the camera controls can not be used.
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❚❚HDMI Options
used to enable the camera for remote control from devices that support HDMI-CEC
(High-Definition Multimedia Interface–Consumer Electronics Control, a standard
that allows HDMI devices to be used to control peripherals to which they are
connected).
Output Resolution
Choose the format for images output to the HDMI device.
If Auto is selected, the camera will automatically select
the appropriate format. Regardless of the option
selected, Auto will be used for movie live view, movie
recording, and playback.
Device Control
If On is selected for HDMI >Device control in the setup
menu when the camera is connected to a television that
supports HDMI-CEC and both the camera and television
are on, the display shown at right will appear on the
television and the television remote can be used in place
of the camera multi selector and J button during full-
frame playback and slide shows. If Off is selected, the television remote can not be
used to control the camera.
A HDMI and Live View
HDMI displays connected via an HDMI cable can be used for live view photography and
adjusted according to the option selected for Movie settings > Frame size/frame rate in
setting; in this case, select 1080i (interlaced) for HDMI > Output resolution. Movies may
A HDMI-CEC Devices
When the camera is connected to an HDMI-CEC device, ) will appear in the control panel
in place of the number of exposures remaining.
Q
A Device Control
See the television manual for details.
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Q
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Menu Guide
M
D The Playback Menu: Managing Images
To display the playback menu, press G and select the D (playback menu) tab.
G button
The playback menu contains the following options:
Option
0
Option
0
Delete
Playback folder
Hide image
Playback display options
Copy image(s)
Image review
After delete
Rotate tall
Slide show
DPOF print order
A See Also
Menu defaults are listed on page 312.
G button ➜ D playback menu
Playback Folder
Option
Description
ND600
All
Pictures in all folders created with the D600 will be visible during playback.
Pictures in all folders will be visible during playback.
Current
Only pictures in the current folder will be visible during playback.
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G button ➜ D playback menu
Hide Image
Hide or reveal pictures. Hidden pictures are visible only in the Hide image menu and
can only be deleted by formatting the memory card.
Option
Description
Select/set
Hide or reveal selected pictures.
Selecting this option displays a list of dates. To hide all
pictures taken on a date, highlight the date and press 2.
Selected dates are marked by a L; to reveal all pictures
taken on a selected date, highlight it and press 2. Press J
to complete the operation.
Select date
Deselect all? Reveal all pictures.
D Protected and Hidden Images
Revealing a protected image will also remove protection from the image.
Follow the steps below to hide or reveal selected pictures.
1 Choose Select/set.
Highlight Select/set and press 2.
2 Select pictures.
Use the multi selector to scroll through the
pictures on the memory card (to view the
highlighted picture full screen, press and
hold the X (T) button; to view images in
W (S) button
hold D and press 1) and press W (S) to
select the current picture. Selected pictures are marked by a R icon; to deselect
a picture, highlight it and press W (S) again. Continue until all the desired
pictures have been selected.
3 Press J.
Press J to complete the operation.
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G button ➜ D playback menu
Playback Display Options
Choose the information available in the playback
to highlight an option, then press 2 to select the
option for the photo information display. A L
appears next to selected items; to deselect,
highlight and press 2. To return to the playback
menu, highlight Done and press J.
G button ➜ D playback menu
Copy Image(s)
Copy pictures from one memory card to another. This option is only available when
two memory cards are inserted in the camera.
Option
Description
Select source
Select image(s)
Choose card from which pictures will be copied.
Select pictures to be copied.
Select destination folder
Copy image(s)?
Select destination folder on remaining card.
Copy selected pictures to specified destination.
1 Choose Select source.
Highlight Select source and press 2.
2 Select the source card.
Highlight the slot for the card containing the
images to be copied and press J.
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3 Choose Select image(s).
Highlight Select image(s) and press 2.
4 Select the source folder.
Highlight the folder containing the images
to be copied and press 2.
5 Make the initial selection.
Before going on to select or deselect
individual images, you can mark all or all
protected images in the folder for copying
by choosing Select all images or Select
protected images. To mark only
individually selected images for copying,
choose Deselect all before proceeding.
6 Select additional images.
Highlight pictures and press W (S) to
select or deselect (to view the highlighted
picture full screen, press and hold the
X (T) button). Selected images are
marked with a L. Press J to proceed to Step
7 when your selection is complete.
W (S) button
7 Choose Select destination folder.
Highlight Select destination folder and
press 2.
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8 Select a destination folder.
To enter a folder number, choose Select
folder by number, enter the number
selected number does not already exist, a
new folder will be created.
To choose from a list of existing folders,
choose Select folder from list, highlight a
folder, and press J.
9 Copy the images.
Highlight Copy image(s)? and press J.
A confirmation dialog will be displayed;
highlight Yes and press J. Press J again to
exit when copying is complete.
D Copying Images
Images will not be copied if there is insufficient space on the destination card. Be sure the
battery is fully charged before copying movies.
If the destination folder contains an image with the
same name as one of the images to be copied, a
confirmation dialog will be displayed. Select Replace
existing image to replace the image with the image to
be copied, or select Replace all to replace all existing
images with the same names without further
prompting. To continue without replacing the image,
select Skip, or select Cancel to exit without copying
any further images.
can not be copied.
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G button ➜ D playback menu
Image Review
Choose whether pictures are automatically displayed in the
monitor immediately after shooting. If Off is selected, pictures
can only be displayed by pressing the K button.
G button ➜ D playback menu
After Delete
Choose the picture displayed after an image is deleted.
Option
Description
Display following picture. If deleted picture was last frame, previous
picture will be displayed.
S Show next
Display previous picture. If deleted picture was first frame, following
picture will be displayed.
T Show previous
If user was scrolling through pictures in order recorded, following
picture will be displayed as described for Show next. If user was
scrolling through pictures in reverse order, previous picture will be
displayed as described for Show previous.
U Continue as before
G button ➜ D playback menu
Rotate Tall
Choose whether to rotate “tall” (portrait-orientation) pictures
for display during playback. Note that because the camera itself
is already in the appropriate orientation during shooting,
images are not rotated automatically during image review.
Option
On
Description
“Tall” (portrait-orientation) pictures are automatically rotated for display in the
will be displayed in “wide” (landscape) orientation.
Off
“Tall” (portrait-orientation) pictures are displayed in “wide” (landscape) orientation.
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G button ➜ D playback menu
Slide Show
Option
Start
Description
Start slide show.
Choose type of image displayed from Still images and movies, Still
images only, and Movies only.
Image type
Frame interval Choose how long each picture will be displayed.
To start the slide show, highlight Start and press J. The following operations can be
performed while the slide show is in progress:
To
Press
Description
Press 4 to return to previous frame, 2 to skip to next
frame.
Skip back/skip ahead
View additional photo
info
Change or hide photo info displayed (still images only;
Pause/resume
J
Pause or resume slide show.
(T)/ Press (T) during movie playback to increase
W (S) volume, W (S) to decrease.
X
X
Raise/lower volume
Exit to playback menu
Exit to playback mode
G
End slide show and return to playback menu.
End show and return to playback mode.
K
Press shutter-release button halfway to return to
shooting mode.
Exit to shooting mode
The dialog shown at right is displayed when the show ends.
Select Restart to restart or Exit to return to the playback menu.
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C The Shooting Menu: Shooting Options
To display the shooting menu, press G and select the C (shooting menu) tab.
G button
The shooting menu contains the following options:
Option
Reset shooting menu
Storage folder
File naming
Role played by card in Slot 2
Image quality
0
Option
0
Color space
Active D-Lighting
HDR (high dynamic range)
Vignette control
Long exposure NR
Image size
Image area
High ISO NR
ISO sensitivity settings
Remote control mode
Multiple exposure
Interval timer shooting
Time-lapse photography
Movie settings
JPEG compression
NEF (RAW) recording
White balance
Set Picture Control
Manage Picture Control
Auto distortion control
Note: Depending on camera settings, some items may be grayed out and unavailable. For
information on the options available in each shooting mode, see page 309.
G button ➜ C shooting menu
Reset Shooting Menu
Select Yes to restore shooting menu options to their default
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G button ➜ C shooting menu
Storage Folder
Select the folder in which subsequent images will be stored.
❚❚Selecting Folders by Folder Number
1 Choose Select folder by number.
Highlight Select folder by number and press 2.
The dialog shown at right will be displayed.
2 Choose a folder number.
Press 4 or 2 to highlight a digit, press 1 or 3 to change. If a folder with the
selected number already exists, a W, X, or Y icon will be displayed to the left
of the folder number:
• W : Folder is empty.
• X : Folder is partially full.
• Y : Folder contains 999 pictures or a picture numbered 9999. No further
pictures can be stored in this folder.
The card on which the folder is stored is shown by the card slot icon in the top
right corner of the Select folder by number dialog. The card used for new
folders depends on the option currently selected for Role played by card in
3 Save changes and exit.
Press J to complete the operation and return to the shooting menu (to exit
without choosing the storage folder, press the G button). If a folder with the
specified number does not already exist, a new folder will be created.
Subsequent photographs will be stored in the selected folder unless it is
already full.
D Folder and File Numbers
If the current folder is numbered 999 and contains 999 pictures or a picture numbered 9999,
the shutter-release will be disabled and no further photographs can be taken. To continue
shooting, create a folder with a number less than 999, or select an existing folder with a
number less than 999 and less than 999 images.
A Startup Time
Additional time may be required for camera startup if the memory card contains a very large
number of files or folders.
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❚❚Selecting Folders from a List
1 Choose Select folder from list.
Highlight Select folder from list and press 2.
2 Highlight a folder.
Press 1 or 3 to highlight a folder.
3 Select the highlighted folder.
Press J to select the highlighted folder and return to the shooting menu.
Subsequent photographs will be stored in the selected folder.
G button ➜ C shooting menu
File Naming
Photographs are saved using file names consisting of “DSC_” or, in the case of images
that use the Adobe RGB color space, “_DSC”, followed by a four-digit number and a
three-letter extension (e.g., “DSC_0001.JPG”). The File naming option is used to
select three letters to replace the “DSC” portion of the file name. For information on
A Extensions
The following extensions are used: “.NEF” for NEF (RAW) images, “.JPG” for JPEG images,
“.MOV” for movies, and “.NDF” for dust off reference data. In each pair of photographs
recorded at image-quality settings of NEF (RAW)+JPEG, the NEF and JPEG images have the
same file names but different extensions.
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G button ➜ C shooting menu
Auto Distortion Control
Select On to reduce barrel distortion when shooting with wide-
angle lenses and to reduce pin-cushion distortion when
shooting with long lenses (note that the edges of the area
visible in the viewfinder may be cropped out of the final
photograph, and that the time needed to process photographs
before recording begins may increase). This option does not
apply to movies and is available only with type G and D lenses (PC, fisheye, and
certain other lenses excluded); results are not guaranteed with other lenses. Before
using auto distortion control with DX lenses, select On for Auto DX crop or choose an
cropped photographs or in photographs with severe peripheral distortion.
A Retouch: Distortion Control
For information on creating copies of existing photographs with reduced barrel and pin-
cushion distortion, see page 274.
G button ➜ C shooting menu
Color Space
The color space determines the gamut of colors available for color reproduction.
Choose sRGB for photographs that will be printed or used “as is,” with no further
modification. Adobe RGB has a wider color gamut and is recommended for images
that will be extensively processed or retouched after leaving the camera.
A Color Space
Color spaces define the correspondence between colors and the numeric values that
represent them in a digital image file. The sRGB color space is widely used, while the Adobe
RGB color space is typically used in publishing and commercial printing. sRGB is
recommended when taking photographs that will be printed without modification or
viewed in applications that do not support color management, or when taking photographs
that will be printed with ExifPrint, the direct printing option on some household printers, or
kiosk printing or other commercial print services. Adobe RGB photographs can also be
printed using these options, but colors will not be as vivid.
JPEG photographs taken in the Adobe RGB color space are DCF compliant; applications and
printers that support DCF will select the correct color space automatically. If the application
or device does not support DCF, select the appropriate color space manually. For more
information, see the documentation provided with the application or device.
A Nikon Software
ViewNX 2 (supplied) and Capture NX 2 (available separately) automatically select the correct
color space when opening photographs created with this camera.
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G button ➜ C shooting menu
Vignette Control
“Vignetting” is a drop in brightness at the edges of a photograph. Vignette control
reduces vignetting for type G and D lenses (DX and PC lenses excluded). Its effects
vary from lens to lens and are most noticeable at maximum aperture. Choose from
High, Normal, Low, and Off.
A Vignette Control
Depending on the scene, shooting conditions, and type of lens, JPEG images may exhibit
noise (fog) or variations in peripheral brightness, while custom Picture Controls and preset
Picture Controls that have been modified from default settings may not produce the desired
effect. Take test shots and view the results in the monitor. Vignette control does not apply
Long Exposure NR
G button ➜ C shooting menu
(Long Exposure Noise Reduction)
If On is selected, photographs taken at shutter speeds slower
than 1 s will be processed to reduce noise (bright spots,
randomly-spaced bright pixels, or fog). The time required for
processing roughly doubles; during processing, “l m”
will flash in the shutter speed/aperture displays and pictures
can not be taken (if the camera is turned off before
processing is complete, the picture will be saved but noise
reduction will not be performed). In continuous release
mode, frame rates will slow and while photographs are being processed, the capacity
of the memory buffer will drop. Long exposure noise reduction is not available
during movie recording.
G button ➜ C shooting menu
High ISO NR
Photographs taken at high ISO sensitivities can be processed to reduce “noise.”
Option
High
Description
Reduce noise (randomly-spaced bright pixels, lines, or fog), particularly in
Normal photographs taken at high ISO sensitivities. Choose the amount of noise reduction
performed from High, Normal, and Low.
Low
Noise reduction is only performed at ISO sensitivities of ISO 2500 and higher. The
amount of noise reduction is less than the amount performed when Low is selected
for High ISO NR.
Off
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A Custom Settings:
Fine-Tuning Camera Settings
To display the Custom Settings menu, press G and select the A (Custom Settings
menu) tab.
G button
Custom Setting groups
Custom Settings are used to customize camera settings
to suit individual preferences.
Main menu
Reset custom
settings
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The following Custom Settings are available:
Custom Setting
Reset custom settings
Autofocus
Custom Setting
Shooting/display
d9 LCD illumination
0
0
d
a
a1 AF-C priority selection
a2 AF-S priority selection
a3 Focus tracking with lock-on
a4 AF point illumination
a5 Focus point wrap-around
a6 Number of focus points
a7 Built-in AF-assist illuminator
e
Bracketing/flash
e1 Flash sync speed
e2 Flash shutter speed
e3 Flash cntrl for built-in flash
e4 Exposure comp. for flash
e5 Modeling flash
e6 Auto bracketing set
e7 Bracketing order
b
Metering/exposure
b1 ISO sensitivity step value
b2 EV steps for exposure cntrl
b3 Easy exposure compensation
b4 Center-weighted area
b5 Fine-tune optimal exposure
f
Controls
c
Timers/AE lock
f1 OK button (shooting mode)
f2 Assign Fn button
c1 Shutter-release button AE-L
c2 Standby timer
c3 Self-timer
c4 Monitor off delay
c5 Remote on duration
d
f3 Assign preview button
f4 Assign AE-L/AF-L button
f5 Customize command dials
f6 Release button to use dial
f7 Slot empty release lock
f8 Reverse indicators
Shooting/display
d1 Beep
d2 Viewfinder grid display
d3 ISO display and adjustment
d4 Screen tips
d5 CL mode shooting speed
d6 Max. continuous release
d7 File number sequence
d8 Information display
f9 Assign MB-D14 4 button
g
Movie
g1 Assign Fn button
g2 Assign preview button
g3 Assign AE-L/AF-L button
g4 Assign shutter button
Note: Depending on camera settings, some items may be grayed out and unavailable. For
adjacent to the altered settings in the second level of the Custom Settings menu.
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G button ➜ A Custom Settings menu
Reset Custom Settings
Select Yes to restore Custom Settings to their default values
a: Autofocus
G button ➜ A Custom Settings menu
a1: AF-C Priority Selection
whether photographs can be taken whenever the shutter-release button is pressed
(release priority) or only when the camera is in focus (focus priority).
Option
Release
Focus
Description
G
Photos can be taken whenever the shutter-release button is pressed.
Photos can only be taken when the in-focus indicator (I) is displayed.
F
Regardless of the option selected, focus will not lock when AF-C is selected for
autofocus mode. The camera will continue to adjust focus until the shutter is
released.
G button ➜ A Custom Settings menu
a2: AF-S Priority Selection
whether photographs can be taken only when the camera is in focus (focus priority)
or whenever the shutter-release button is pressed (release priority).
Option
Release
Focus
Description
G
Photos can be taken whenever the shutter-release button is pressed.
Photos can only be taken when the in-focus indicator (I) is displayed.
F
Regardless of the option selected, if the in-focus indicator (I) is displayed when AF-S
is selected for autofocus mode, focus will lock while the shutter-release button is
pressed halfway. Focus lock continues until the shutter is released.
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G button ➜ A Custom Settings menu
a3: Focus Tracking with Lock-On
This option controls how autofocus adjusts to sudden large changes in the distance
to the subject when AF-C is selected or continuous-servo autofocus is selected when
Option
Description
C
(
D
)
E
5 (Long)
When the distance to the subject changes abruptly, the camera waits for the
specified period before adjusting the distance to the subject. This prevents
the camera from refocusing when the subject is briefly obscured by objects
passing through the frame.
4
3 (Normal)
2
1 (Short)
The camera immediately adjusts focus when the distance to the subject
changes. Use when photographing a series of subjects at varying distances in
quick succession.
Off
G button ➜ A Custom Settings menu
a4: AF Point Illumination
Choose whether the active focus point is highlighted in red in the viewfinder.
Option
Auto
Description
The selected focus point is automatically highlighted as needed to establish
contrast with the background.
The selected focus point is always highlighted, regardless of the brightness of
the background. Depending on the brightness of the background, the
selected focus point may be difficult to see.
On
The selected focus point is not highlighted. The area outside the current crop
Off
G button ➜ A Custom Settings menu
a5: Focus Point Wrap-Around
Choose whether focus-point selection “wraps around” from one edge of the
viewfinder to another.
Option
Description
Focus-point selection “wraps around” from top to
bottom, bottom to top, right to left, and left to right,
so that, for example, pressing 2 when a focus point
at the right edge of the display is highlighted (q)
selects the corresponding focus point at the left
edge of the display (w).
w
q
Wrap
U
The focus-point display is bounded by the outermost focus points so that, for
example, pressing 2 when a focus point at the right edge of the display is
selected has no effect.
No wrap
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G button ➜ A Custom Settings menu
a6: Number of Focus Points
Choose the number of focus points available for manual focus-point selection.
Option Description
#
39 points Choose from the 39 focus points shown at right.
Choose from the 11 focus points shown at right. Use for
quick focus-point selection.
A
11 points
G button ➜ A Custom Settings menu
a7: Built-in AF-assist Illuminator
Choose whether the built-in AF-assist illuminator lights to assist
the focus operation when lighting is poor.
Option
On
Description
The AF-assist illuminator lights when lighting is poor (viewfinder photography
only). AF-assist illumination is only available when both of the following
conditions are met:
when the camera is in AF-A mode.
area AF is chosen and the center focus point is selected.
The AF-assist illuminator does not light to assist the focus operation. The camera
may not be able to focus using autofocus when lighting is poor.
Off
A The AF-Assist Illuminator
The AF-assist illuminator has a range of about 0.5–3.0 m (1 ft 8 in.–9 ft 10 in.); when using the
illuminator, use a lens with a focal length of 24–200 mm and remove the lens hood.
A See Also
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b: Metering/Exposure
G button ➜ A Custom Settings menu
b1: ISO Sensitivity Step Value
Select the increments used when making adjustments to ISO
sensitivity. If possible, the current ISO sensitivity setting is
maintained when the step value is changed. If the current
setting is not available at the new step value, ISO sensitivity will
be rounded to the nearest available setting.
G button ➜ A Custom Settings menu
b2: EV Steps for Exposure Cntrl
Select the increments used when making adjustments to
shutter speed, aperture, exposure and flash compensation, and
bracketing.
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G button ➜ A Custom Settings menu
b3: Easy Exposure Compensation
This option controls whether the E button is needed to set exposure compensation
display will flash even when exposure compensation is set to 0.
Option
Description
Exposure compensation is set by rotating one of the command dials (see note
below). The setting selected using the command dial is reset when the camera
turns off or the standby timer expires (exposure compensation settings
selected using the E button are not reset).
On (Auto reset)
As above, except that the exposure compensation value selected using the
command dial is not reset when the camera turns off or the standby timer
expires.
On
Exposure compensation is set by pressing the E button and rotating the main
command dial.
Off
A Change Main/Sub
The dial used to set exposure compensation when On (Auto reset) or On is selected for
Custom Setting b3 (Easy exposure compensation) depends on the option selected for
Customize command dials > Change main/sub
Off
On
P
S
A
Sub-command dial
Sub-command dial
Main command dial
Sub-command dial
Main command dial
Sub-command dial
M
N/A
A Show ISO/Easy ISO
Custom Setting b3 (Easy exposure compensation) can not be used with Custom Setting d3
(Show ISO/Easy ISO). Adjustments to either of these items reset the remaining item; a
message is displayed when the item is reset.
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G button ➜ A Custom Settings menu
b4: Center-Weighted Area
When calculating exposure, center-weighted metering assigns
the greatest weight to a circle in the center of the frame. The
diameter (φ) of this circle can be set to 8, 12, 15, or 20 mm or to
the average of the entire frame.
Note that unless Average is selected, the diameter is fixed at 12 mm when a non-CPU
lens is used, regardless of the setting selected for Non-CPU lens data in the setup
used for both CPU and non-CPU lenses.
G button ➜ A Custom Settings menu
b5: Fine-tune Optimal Exposure
Use this option to fine-tune the exposure value selected by the
camera. Exposure can be fine-tuned separately for each
metering method by from +1 to –1 EV in steps of 1/6 EV.
D Fine-Tuning Exposure
Exposure fine-tuning is not affected by two-button resets. Note that as the exposure
compensation (E) icon is not displayed, the only way to determine how much exposure has
been altered is to view the amount in the fine-tuning menu. Exposure compensation
c: Timers/AE Lock
G button ➜ A Custom Settings menu
c1: Shutter-Release Button AE-L
If On is selected, exposure will lock when the shutter-release
button is pressed halfway.
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G button ➜ A Custom Settings menu
c2: Standby timer
Choose how long the camera continues to meter exposure
when no operations are performed. The shutter-speed and
aperture displays in the control panel and viewfinder turn off
automatically when the timer expires.
Choose a shorter standby timer delay for longer battery life.
G button ➜ A Custom Settings menu
c3: Self-Timer
Choose the length of the shutter release delay, the number of
shots taken, and the interval between shots in self-timer mode.
•
•
•
Self-timer delay: Choose the length of the shutter-release delay
Number of shots: Press 1 and 3 to choose the number of shots
taken each time the shutter-release button is pressed.
Interval between shots: Choose the interval between shots when
the Number of shots is more than 1.
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G button ➜ A Custom Settings menu
c4: Monitor off Delay
Choose how long the monitor remains on when no operations
are performed during playback (Playback; defaults to 10 s) and
image review (Image review; defaults to 4 s), when menus
(Menus; defaults to 1 minute) or information (Information
display; defaults to 10 s) are displayed, or during live view and
movie recording (Live view; defaults to 10 minutes). Choose a
shorter monitor-off delay for longer battery life.
G button ➜ A Custom Settings menu
c5: Remote on Duration
Choose how long the camera will remain on stand-by in remote
selected period, remote shooting will end and the exposure
meters will turn off. Choose shorter times for longer battery life.
To reactivate remote control mode after the timer has expired,
press the camera shutter-release button halfway.
d: Shooting/Display
G button ➜ A Custom Settings menu
d1: Beep
Choose the pitch and volume of the beep that sounds when the camera focuses
focus locks during live view photography, while the release timer is counting down in
selected.
•
Volume: Choose 3 (high), 2 (medium), 1 (low) or Off (mute).
When an option other than Off is selected, c appears in the
information display.
•
Pitch: Choose High or Low.
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G button ➜ A Custom Settings menu
d2: Viewfinder Grid Display
Choose On to display on-demand grid lines in the viewfinder for
G button ➜ A Custom Settings menu
d3: ISO Display and Adjustment
If Show ISO sensitivity or Show ISO/Easy ISO is selected, the control panel will
show ISO sensitivity in place of the number of exposures remaining. If Show ISO/
Easy ISO is selected, ISO sensitivity can be set in modes P and S by rotating the sub-
command dial or in mode A by rotating the main command dial. Select Show frame
count to display the number of exposures remaining in the control panel.
G button ➜ A Custom Settings menu
d4: Screen Tips
Choose On to display tool tips for items selected in the
G button ➜ A Custom Settings menu
d5: CL Mode Shooting Speed
Choose the maximum frame advance rate in CL (continuous low
setting also determines the frame advance rate for single-
frame).
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G button ➜ A Custom Settings menu
d6: Max. Continuous Release
The maximum number of shots that can be taken in a single burst in continuous
mode can be set to any value between 1 and 100.
A The Memory Buffer
Regardless of the option selected for Custom Setting d6, shooting will slow when the
buffer.
G button ➜ A Custom Settings menu
d7: File Number Sequence
When a photograph is taken, the camera names the file by
adding one to the last file number used. This option controls
whether file numbering continues from the last number used
when a new folder is created, the memory card is formatted, or
a new memory card is inserted in the camera.
Option
Description
When a new folder is created, the memory card formatted, or a new memory card
inserted in the camera, file numbering continues from the last number used or from
On the largest file number in the current folder, whichever is higher. If a photograph is
taken when the current folder contains a photograph numbered 9999, a new folder
will be created automatically and file numbering will begin again from 0001.
File numbering is reset to 0001 when a new folder is created, the memory card is
formatted, or a new memory card is inserted in the camera. Note that a new folder is
created automatically if a photograph is taken when the current folder contains 999
Off
photographs.
As for On, except that the next photograph taken is assigned a file number by adding
Reset one to the largest file number in the current folder. If the folder is empty, file
numbering is reset to 0001.
D File Number Sequence
If the current folder is numbered 999 and contains either 999 photographs or a photograph
numbered 9999, the shutter-release button will be disabled and no further photographs can
be taken. Choose Reset for Custom Setting d7 (File number sequence) and then either
format the current memory card or insert a new memory card.
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G button ➜ A Custom Settings menu
d8: Information Display
automatically change from black to white or white to black to maintain contrast with
the background. To always use the same color lettering, select Manual and choose
Dark on light (w; black lettering) or Light on dark (x; white lettering). Monitor
brightness will automatically be adjusted for maximum contrast with the selected
text color.
Dark on light
Light on dark
G button ➜ A Custom Settings menu
d9: LCD Illumination
If Off is selected, the control panel backlight (LCD illuminator)
will only light while the power switch is rotated toward D. If On
is selected, the control panel will be illuminated whenever the
life.
G button ➜ A Custom Settings menu
d10: Exposure Delay Mode
In situations where the slightest camera movement can blur
pictures, select 1 s, 2 s, or 3 s to delay shutter release until one,
two, or three seconds after the mirror is raised.
G button ➜ A Custom Settings menu
d11: Flash Warning
If On is selected, the flash-ready indicator (c) will flash in the viewfinder if the flash is
required to ensure optimal exposure.
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G button ➜ A Custom Settings menu
d12: MB-D14 Battery Type
To ensure that the camera functions as expected when the optional MB-D14 battery
pack is used with AA batteries, match the option selected in this menu to the type of
batteries inserted in the battery pack. There is no need to adjust this option when
using EN-EL15 batteries.
Option
Description
1
2
3
LR6 (AA alkaline)
HR6 (AA Ni-MH)
FR6 (AA lithium)
Select when using LR6 alkaline AA batteries.
Select when using HR6 Ni-MH AA batteries.
Select when using FR6 lithium AA batteries.
A Using AA Batteries
The capacity of AA batteries drops sharply at temperatures below 20 °C (68 °F) and varies
with make and storage conditions; in some cases, batteries may cease to function before
their expiry date. Some AA batteries can not be used; due to their performance
characteristics and limited capacity, alkaline batteries have less capacity than some other
types and should only be used if no alternative is available and then only at warmer
temperatures. The camera shows the level of AA batteries as follows:
Control panel
L
Viewfinder
—
d
Description
Batteries fully charged.
H
Low battery. Ready fresh batteries.
H
(flashes)
d
(flashes)
Shutter release disabled. Change batteries.
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G button ➜ A Custom Settings menu
d13: Battery Order
Choose whether the battery in the camera or the batteries in the
battery pack are used first when an optional MB-D14 battery
pack is attached. Note that if the MB-D14 is powered by an
optional EH-5b AC adapter and EP-5B power connector, the AC
adapter will be used regardless of the option selected.
A s icon is displayed in the camera control panel when the
batteries in the MB-D14 are in use.
A The MB-D14 Battery Pack
The MB-D14 takes one EN-EL15 rechargeable Li-ion battery or six AA alkaline, Ni-MH, or
lithium batteries (an EN-EL15 is supplied with the camera; AA batteries are available
separately).
The information display shows the type of battery inserted in the
MB-D14 as follows:
MB-D14 battery type display
$
Battery type
EN-EL15 rechargeable Li-ion battery
AA batteries
w
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e: Bracketing/Flash
G button ➜ A Custom Settings menu
e1: Flash Sync Speed
This option controls flash sync speed.
Option
Description
Auto FP high-speed sync is used when a compatible flash unit is attached
to 1/250 s. When the camera shows a shutter speed of 1/250 s in mode P or A,
auto FP high-speed sync will be activated if the actual shutter speed is faster
than 1/250 s.
1/250 s
(Auto FP)
Auto FP high-speed sync is used when a compatible flash unit is attached
to 1/200 s. When the camera shows a shutter speed of 1/200 s in mode P or A,
auto FP high-speed sync will be activated if the actual shutter speed is faster
than 1/200 s.
1/200 s
(Auto FP)
1/200 s–1/60 s Flash sync speed set to selected value.
A Fixing Shutter Speed at the Flash Sync Speed Limit
To fix shutter speed at the sync speed limit in mode S or M, select the next shutter speed after
the slowest possible shutter speed (30 s or bulb). An X (flash sync indicator) will be displayed
in the viewfinder and control panel.
A Auto FP High-Speed Sync
Allows the flash to be used at the highest shutter speed supported by the camera, making it
possible to choose the maximum aperture for reduced depth of field even when the subject
is backlit in bright sunlight. The information display flash mode indicator shows “FP” when
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❚❚Auto FP High-Speed Sync
When 1/250 s (Auto FP) or 1/200 s (Auto FP) is selected for Custom Setting e1 (Flash
speed (Auto FP High-Speed Sync).
Flash sync speed
1/250 s (Auto FP)
1/200 s (Auto FP)
1/200 s
Optional
flash unit
Optional
flash unit
Optional
flash unit
Built-in flash
Built-in flash
Built-in flash
Shutter speed
From 1/4,000 to but
not including 1/250 s
From 1/250 to but
not including 1/200 s
1/200–30 s
—
Auto FP
—
—
Auto FP
—
—
—
Flash sync *
Auto FP
—
Flash sync
* Flash range drops as shutter speed increases. Flash range will nevertheless be greater than
that obtained at the same speeds with Auto FP.
G button ➜ A Custom Settings menu
e2: Flash Shutter Speed
This option determines the slowest shutter speed available
when using front- or rear-curtain sync or red-eye reduction in
mode P or A (regardless of the setting chosen, shutter speeds
can be as slow as 30 s in S and M modes or at flash settings of
slow sync, slow rear-curtain sync, or red-eye reduction with slow
sync). Options range from 1/60 s (1/60 s) to 30 s (30 s).
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G button ➜ A Custom Settings menu
e3: Flash Cntrl for Built-in Flash
Choose the flash mode for the built-in flash.
Option
Description
Flash output is adjusted automatically in response to shooting
conditions.
1 TTL
flashes.
2
Manual
The flash fires repeatedly while the shutter is open, producing a strobe-
Use the built-in flash as a master flash controlling remote optional flash
3 Repeating flash
4 Commander mode
❚❚Manual
Choose a flash level between Full and 1/128 (1/128 of full power). At full power, the
built-in flash has a Guide Number of 12/39 (m/ft, ISO 100, 20°C/68°F).
❚❚Repeating Flash
The flash fires repeatedly while the shutter is open, producing
a strobe-light effect. Press 4 or 2 to highlight the following
options, 1 or 3 to change.
Option
Description
Output Choose flash output (expressed as a fraction of full power).
Choose the number of times the flash fires at the selected
output. Note that depending on shutter speed and the
option selected for Frequency, the actual number of flashes
Times
may be less than selected.
Frequency Choose how often the flash fires per second.
A Flash Control Mode
The flash control mode for the built-in flash is shown in the
A “Manual” and “Repeating Flash”
Y icons flash in the control panel and viewfinder when these options are selected.
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A The SB-400
When an optional SB-400 flash unit is attached and turned on, Custom Setting e3 changes to
Optional flash, allowing the flash control mode for the SB-400 to be selected from TTL and
Manual (Repeating flash and Commander mode options are not available).
A “Times“
The options available for Repeating Flash > Times are determined by flash output.
Output
1/4
Options available for “Times”
Output
1/32
Options available for “Times”
2–10, 15
2
1/8
1/16
2–5
2–10
1/64
1/128
2–10, 15, 20, 25
2–10, 15, 20, 25, 30, 35
❚❚Commander Mode
Use the built-in flash as a master flash controlling one or more remote optional flash
Selecting this option displays the menu shown at right. Press 4
or 2 to highlight the following options, 1 or 3 to change.
Option
Built-in
flash
Description
Choose a flash mode for the built-in flash (commander flash).
i-TTL mode. Choose flash compensation from values between +3.0 and –3.0 EV in
increments of 1/3 EV.
Choose the flash level from values between 1/1 and 1/128 (1/128 of full power).
The built-in flash does not fire, although remote flash units do. The built-in flash
must be raised so that it can emit monitor pre-flashes.
TTL
M
– –
Group A Choose a flash mode for all flash units in group A.
i-TTL mode. Choose flash compensation from values between +3.0 and –3.0 EV in
increments of 1/3 EV.
TTL
AA
compensation from values between +3.0 and –3.0 EV in increments of 1/3 EV.
M
Choose the flash level from values between 1/1 and 1/128 (1/128 of full power).
– – The flash units in this group do not fire.
Choose a flash mode for all flash units in group B. The options available are the
same as those listed for Group A, above.
Group B
Choose from channels 1–4. All flash units in both groups must be set to the same
channel.
Channel
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Follow the steps below to take photographs in commander mode.
1 Adjust settings for the built-in flash.
Choose the flash control mode and output level for the
built-in flash. Note that output level can not be adjusted
in – – mode.
2 Adjust settings for group A.
Choose the flash control mode and output level for the
flash units in group A.
3 Adjust settings for group B.
Choose the flash control mode and output level for the
flash units in group B.
4 Select the channel.
5 Press J.
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6 Compose the shot.
Compose the shot and arrange the flash units as shown below. Note that the
maximum distance at which the remote flash units can be placed may vary with
shooting conditions.
Wireless remote sensors
on flash units should face
camera.
60 ° or less
10 m/33 ft or less 30 ° or less
5 m/15 ft or
less
Camera
(built-in flash)
30 ° or less
5 m/15 ft or less
60 ° or less
7 Configure the remote flash units.
Turn all the remote flash units on, adjust group settings as desired, and set them
to the channel selected in Step 4. See the flash unit instruction manuals for
details.
8 Raise the built-in flash.
Press the M (Y) button to raise the built-in flash. Note that even if – – is
selected for Built-in flash>Mode, the built-in flash must be raised so that
monitor preflashes will be emitted.
9 Frame the photograph, focus, and shoot.
After confirming that the camera flash-ready light and the flash-ready lights for
all other flash units are lit, frame the photograph, focus, and shoot. FV lock
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A The Flash Sync Mode Display
M does not appear in the control panel flash sync mode display when – – is selected for Built-
in flash > Mode.
A Flash Compensation
The flash compensation value selected with the M (Y) button and sub-command dial is
added to the flash compensation values selected for the built-in flash, group A, and group B
in the Commander mode menu. A Y icon is displayed in the control panel and viewfinder
when a flash compensation value other than 0 is selected for Built-in flash > TTL. The Y
icon flashes when the built-in flash is in mode M.
D Commander Mode
Position the sensor windows on the remote flash units to pick up the light from the built-in
flash (particular care is required if the camera is not mounted on a tripod). Be sure that direct
light or strong reflections from the remote flash units do not enter the camera lens (in TTL
mode) or the photocells on the remote flash units (AA mode), as this may interfere with
exposure. To prevent timing flashes emitted by the built-in flash from appearing in
photographs taken at short range, choose low ISO sensitivities or small apertures (high
f-numbers) or use an optional SG-3IR infrared panel for the built-in flash. An SG-3IR is
required for best results with rear-curtain sync, which produces brighter timing flashes.
After positioning the remote flash units, take a test shot and view the results in the camera
monitor.
Although there is no limit on the number of remote flash units that may be used, the
practical maximum is three. With more than this number, the light emitted by the remote
flash units will interfere with performance.
G button ➜ A Custom Settings menu
e4: Exposure Comp. for Flash
Choose how the camera adjusts flash level when exposure compensation is used.
Option
Description
Both flash level and exposure compensation are adjusted to modify
exposure over the entire frame.
YE Entire frame
E
Background only Exposure compensation applies to background only.
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G button ➜ A Custom Settings menu
e5: Modeling Flash
If On is selected when the camera is being used with the built-in
modeling flash will be emitted when the camera depth-of-field
if Off is selected.
G button ➜ A Custom Settings menu
e6: Auto Bracketing Set
Choose AE & flash (j) to perform both exposure and flash-level bracketing, AE only
(k) to bracket only exposure, Flash only (l) to perform only flash-level bracketing,
white balance bracketing is not available at image quality settings of NEF (RAW) or
NEF (RAW) + JPEG.
G button ➜ A Custom Settings menu
e7: Bracketing Order
At the default setting of MTR > under > over (H), exposure, flash, and white balance
Under > MTR > over (I) is selected, shooting will proceed in order from the
lowest to the highest value. This setting has no effect on ADL bracketing.
f: Controls
G button ➜ A Custom Settings menu
f1: OK Button (Shooting Mode)
Choose the role played by the J button during shooting: selecting the center focus
point (J Select center focus point), highlighting the active focus point
(K Highlight active focus point), or none (Not used).
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G button ➜ A Custom Settings menu
f2: Assign Fn Button
Choose the role played by the Fn button.
Option
Description
Preview
q
Press the Fn button to lock flash value (built-in flash and compatible
FV lock
r
AE/AF lock
Focus and exposure lock while the Fn button is pressed.
B
C
AE lock only Exposure locks while the Fn button is pressed.
AE lock
(Hold)
Exposure locks when the Fn button is pressed, and remains locked until
the button is pressed a second time or the standby timer expires.
E
F
AF lock only Focus locks while the Fn button is pressed.
Pressing the Fn button initiates autofocus. The shutter-release button can
not be used to focus.
AF-ON
A
s
Flash off
The flash will not fire in photos taken while the Fn button is pressed.
If the Fn button is pressed while exposure, flash, or ADL bracketing is active
in single frame or quiet shutter-release mode, all shots in the current
Bracketing bracketing program will be taken each time the shutter-release button is
t
burst
pressed. If white balance bracketing is active or continuous release mode
(mode CH or CL) is selected, the camera will repeat the bracketing burst
while the shutter-release button is held down.
Active
Press the Fn button and rotate the main command dial to adjust Active
y
If image quality is set to JPEG fine, JPEG normal, or JPEG basic, “RAW”
will be displayed in the control panel and an NEF (RAW) copy will be
recorded with the next picture taken after the Fn button is pressed (to
record NEF/RAW copies with a series of photographs, keep the shutter-
release button pressed halfway between shots). To exit without recording
an NEF (RAW) copy, press the Fn button again.
+NEF (RAW)
e
Matrix
Matrix metering is activated while the Fn button is pressed.
Center-weighted metering is activated while the Fn button is pressed.
Spot metering is activated while the Fn button is pressed.
L
M
N
metering
Center-
weighted
metering
Spot
metering
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Option
Description
Press the Fn button and rotate the main command dial to turn the framing
Press the Fn button and rotate a command dial to choose an image area
Framing grid
Choose
9
5
Viewfinder
virtual
horizon
Press the Fn button to view a virtual horizon display in the viewfinder.
m
n
MY MENU
Access top
item in MY
MENU
Press the Fn button to jump to the top item in “MY MENU.” Select this
option for quick access to a frequently-used menu item.
6
If the Fn button is pressed when the command dials are rotated, changes
1 step spd/ to shutter speed (modes S and M) and aperture (modes A and M) are made
v
aperture
in increments of 1 EV, regardless of the option selected for Custom Setting
Choose non-
CPU lens
number
Press the Fn button and rotate a command dial to choose a lens number
w
Fn button performs same function as K button. Select when using a
telephoto lens or in other circumstances in which it is difficult to operate
the K button with your left hand.
Playback
None
K
Pressing the button has no effect.
A Viewfinder Virtual Horizon
When Viewfinder virtual horizon is selected for Custom Setting f2 (Assign Fn button),
pressing the Fn button converts the exposure display in the viewfinder to a roll indicator.
Press the button again to restore the indicator to its normal function.
Camera tilted right
Camera level
Camera tilted left
Viewfinder
Note that the display may not be accurate when the camera is tilted at a sharp angle forward
or back. For a display that shows both pitch and roll, use the Virtual horizon option in the
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G button ➜ A Custom Settings menu
f3: Assign Preview Button
Choose the role played by the depth-of-field preview button.
The options available are the same as for Assign Fn button
G button ➜ A Custom Settings menu
f4: Assign AE-L/AF-L Button
Choose the role played by the A AE-L/AF-L button.
Option
Description
AE/AF Focus and exposure lock while the A AE-L/AF-L button is
B
C
lock
pressed.
AE lock
only
Exposure locks while the A AE-L/AF-L button is pressed.
Exposure locks when the A AE-L/AF-L button is pressed,
and remains locked until the button is pressed a second
time or the standby timer expires.
AE lock
(Hold)
E
AF lock
only
Focus locks while the A AE-L/AF-L button is pressed.
F
The A AE-L/AF-L button initiates autofocus. The shutter-
release button can not be used to focus.
A
AF-ON
Press the A AE-L/AF-L button to lock flash value (built-in
r
294). Press again to cancel FV lock.
None
Pressing the button has no effect.
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G button ➜ A Custom Settings menu
This option controls the operation of the main and sub-command dials.
f5: Customize Command Dials
•
Reverse rotation: Reverse the direction of rotation of the
command dials when they are used to make adjustments to
Exposure compensation and/or Shutter speed/aperture.
Highlight options and press the multi selector right to select
or deselect, then highlight Done and press J. This setting
also applies to the command dials for the MB-D14.
•
Change main/sub: If Off is selected, the main command dial
controls shutter speed and the sub-command dial controls
aperture. Select On (Mode A) to use the main command dial
to select aperture in shooting mode A, On to use the main
command dial to select aperture in modes A and M and the
sub-command dial to select shutter speed in modes S and M.
This setting also applies to the command dials for the MB-D14.
•
•
Aperture setting: If Sub-command dial is selected, aperture can only be adjusted
with the sub-command dial (or with the main command dial if On is selected for
Change main/sub). If Aperture ring is selected, aperture can only be adjusted
with the lens aperture ring and the camera aperture display will show aperture in
increments of 1 EV (aperture for type G lenses is still set using the sub-command
dial). Note that regardless of the setting chosen, the aperture ring must be used to
adjust aperture when a non-CPU lens is attached.
Menus and playback: If Off is selected, the multi selector is used to choose the picture
displayed during full-frame playback, highlight thumbnails, and navigate menus.
If On or On (image review excluded) is selected, the main command dial can be
used to choose the picture displayed during full-frame playback, move the cursor
left or right during thumbnail playback, and move the menu highlight bar up or
down. The sub-command dial is used to display additional photo information in
full-frame playback and to move the cursor up or down during thumbnail
playback. Select On (image review excluded) to prevent the command dials from
being used for playback during image review. While menus are displayed, rotating
the sub-command dial right displays the sub-menu for the selected option, while
rotating it left displays the previous menu. To make a selection, press 2 or J.
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G button ➜ A Custom Settings menu
f6: Release Button to Use Dial
Selecting Yes allows adjustments that are normally made by holding the E, M (Y),
W (S), X (T), L (U), AF-mode, Z (Q), or D button and rotating a
command dial to be made by rotating the command dial after the button is released
(this also applies to the Fn and depth-of-field preview buttons if they have been
assigned Active D-Lighting using Custom Setting f2, Assign Fn button, or Custom
Setting f3, Assign preview button). Setting ends when any of the affected buttons
is pressed again or the shutter-release button is pressed halfway. Except when No
limit is selected for Custom Setting c2 Standby timer, setting will also end when the
standby timer expires.
G button ➜ A Custom Settings menu
f7: Slot Empty Release Lock
Selecting Enable release allows the shutter to be released when no memory card is
inserted, although no pictures will be recorded (they will however be displayed in the
monitor in demo mode). If Release locked is selected, the shutter-release button is
only enabled when a memory card is inserted in the camera.
G button ➜ A Custom Settings menu
f8: Reverse Indicators
If
(W) is selected, the exposure indicators in the control panel,
viewfinder, and information display are displayed with negative values on the left
and positive values on the right. Select
(V) to display positive
values on the left and negative values on the right.
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G button ➜ A Custom Settings menu
f9: Assign MB-D14 4 Button
Choose the function assigned to the A AE-L/AF-L
button on the optional MB-D14 battery pack.
Option
Description
B
C
AE/AF lock
AE lock only
Focus and exposure lock while the MB-D14 A AE-L/AF-L button is pressed.
Exposure locks while the MB-D14 A AE-L/AF-L button is pressed.
Exposure locks when the MB-D14 A AE-L/AF-L button is pressed, and
E AE lock (Hold) remains locked until the button is pressed a second time or the standby
timer expires.
F
AF lock only
AF-ON
Focus locks while the MB-D14 A AE-L/AF-L button is pressed.
Pressing the MB-D14 A AE-L/AF-L button initiates autofocus. The shutter-
release button can not be used to focus.
A
Press the MB-D14 A AE-L/AF-L button to lock flash value (built-in flash and
FV lock.
FV lock
r
Same as Fn
button
The MB-D14 A AE-L/AF-L button performs the function selected for
G
g: Movie
G button ➜ A Custom Settings menu
g1: Assign Fn Button
Choose the role played by the Fn button during movie live view (the default option is
None).
Option
Description
Press the button during movie recording to add an index at the current
Press the button to display information on shutter speed, aperture, and
other photo settings in place of movie recording information. Press again
r
Index marking
View photo
shooting info
s
B
C
AE/AF lock
AE lock only
Focus and exposure lock while the button is pressed.
Exposure locks while the button is pressed.
Exposure locks when the button is pressed, and remains locked until the
button is pressed a second time or the standby timer expires.
Focus locks while the button is pressed.
Pressing the button initiates autofocus. The shutter-release button can
not be used to focus.
E AE lock (Hold)
F
AF lock only
AF-ON
U
A
None
Pressing the button has no effect.
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G button ➜ A Custom Settings menu
g2: Assign Preview Button
Choose the role played by the depth-of-field preview button during movie live view.
default setting is Index marking.
G button ➜ A Custom Settings menu
g3: Assign AE-L/AF-L Button
Choose the role played by the A AE-L/AF-L button during movie live view. The options
setting is AE/AF lock.
G button ➜ A Custom Settings menu
g4: Assign Shutter Button
Choose the role played by pressing the shutter-release button when 1 is selected
with the live view selector.
Option
Description
Press the shutter-release button all the way down to end movie recording
and take a photograph with an aspect ratio of 16 : 9 (for information on
image size, see page 63).
C
Take photos
Press the shutter-release button halfway to start movie live view. You can
then press the shutter-release button halfway to focus (autofocus mode
only) and press it all the way down to start or end recording. To end
movie live view, press the a button. The shutter-release button on an
1
Record movies start and end movie recording; the optional ML-L3 remote control,
however, can not be used to record movies. In remote control (4) mode,
pressing the shutter-release button halfway does not start movie live
view, while pressing the shutter-release button on the remote control
releases the shutter to record a photograph and does not start or end
movie recording.
A Record Movies
button can not be used during movie live view to record photographs, measure preset white
balance, or record image dust off reference data. Select Take photos to use these options.
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B The Setup Menu: Camera Setup
To display the setup menu, press G and select the B (setup menu) tab.
G button
The setup menu contains the following options:
Option
Format memory card
0
Option
0
Image comment
Save user settings
Reset user settings
Monitor brightness
Clean image sensor
Lock mirror up for cleaning 1
Image Dust Off ref photo
HDMI
Flicker reduction
Time zone and date
Language
Auto image rotation
Battery info
Copyright information
Save/load settings
GPS
Virtual horizon
Non-CPU lens data
AF fine-tune
Eye-Fi upload 2
Firmware version
1 Not available when battery is low.
A See Also
Menu defaults are listed on page 314.
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G button ➜ B setup menu
Format Memory Card
To begin formatting, choose a memory card slot and select Yes.
Note that formatting permanently deletes all pictures and other
data on the card in the selected slot. Before formatting, be sure to
make backup copies as required.
D During Formatting
Do not turn the camera off or remove memory cards during formatting.
A Two-Button Format
Memory cards can also be formatted by pressing the O (Q) and Z (Q) buttons for more
G button ➜ B setup menu
Monitor Brightness
Adjust the brightness of the monitor for playback, menus, and the information
display.
Option
Description
When the monitor is on, monitor brightness is automatically adjusted according to
Auto ambient lighting conditions. Care should be taken not to cover the ambient
Press 1 or 3 to choose monitor brightness. Choose higher values for increased
brightness, lower values for reduced brightness.
Manual
A See Also
For information on adjusting monitor brightness in live view, see page 53.
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G button ➜ B setup menu
Image Dust Off Ref Photo
Acquire reference data for the Image Dust Off option in Capture NX 2 (available
separately; for more information, see the Capture NX 2 manual).
Image Dust Off ref photo is available only when a CPU lens is mounted on the
camera. A non-DX lens with a focal length of at least 50 mm is recommended. When
using a zoom lens, zoom all the way in.
1 Choose a start option.
Highlight one of the following options and press
J. To exit without acquiring image dust off data,
press G.
•
•
Start: The message shown at right will be
displayed and “rEF” will appear in the
viewfinder and control panel displays.
Clean sensor and then start: Select this option to
clean the image sensor before starting. The
message shown at right will be displayed and
“rEF” will appear in the viewfinder and control
panel displays when cleaning is complete.
2 Frame a featureless white object in the viewfinder.
With the lens about ten centimeters (four inches) from a well-lit, featureless
white object, frame the object so that it fills the viewfinder and then press the
shutter-release button halfway.
In autofocus mode, focus will automatically be set to infinity; in manual focus
mode, set focus to infinity manually.
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3 Acquire dust off reference data.
Press the shutter-release button the rest of the way down to acquire Image Dust
Off reference data. The monitor turns off when the shutter-release button is
pressed. Note that noise reduction will be performed if the subject is poorly lit,
increasing recording times.
If the reference object is too bright or too dark, the camera
may be unable to acquire Image Dust Off reference data
and the message shown at right will be displayed. Choose
another reference object and repeat the process from
step 1.
D Image Sensor Cleaning
Dust off reference data recorded before image sensor cleaning is performed can not be used
with photographs taken after image sensor cleaning is performed. Select Clean sensor and
then start only if the dust off reference data will not be used with existing photographs.
D Image Dust Off Reference Data
The same reference data can be used for photographs taken with
different lenses or at different apertures. Reference images can not
be viewed using computer imaging software. A grid pattern is
displayed when reference images are viewed on the camera.
G button ➜ B setup menu
Flicker Reduction
Reduce flicker and banding when shooting under fluorescent or mercury-vapor
lighting during live view or movie recording. Choose Auto to allow the camera to
automatically choose the correct frequency, or manually match the frequency to that
of the local AC power supply.
A Flicker Reduction
If Auto fails to produce the desired results and you are unsure as to the frequency of the local
power supply, test both the 50 and 60 Hz options and choose the one that produces the best
results. Flicker reduction may not produce the desired results if the subject is very bright, in
which case you should try choosing a smaller aperture (higher f-number).
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G button ➜ B setup menu
Time Zone and Date
Change time zones, set the camera clock, choose the date display order, and turn
Option
Description
Choose a time zone. The camera clock is automatically set to the time in
the new time zone.
Time zone
Set the camera clock. If the clock is not set, a flashing B icon will appear
in the information display.
Choose the order in which the day, month, and year are displayed.
Turn daylight saving time on or off. The camera clock will automatically be
advanced or set back one hour. The default setting is Off.
Date and time
Date format
Daylight saving time
G button ➜ B setup menu
Language
Choose a language for camera menus and messages.
G button ➜ B setup menu
Image Comment
Add a comment to new photographs as they are taken. Comments can be viewed as
comment is also visible on the shooting data page in the photo information display
• Done: Save changes and return to the setup menu.
up to 36 characters long.
• Attach comment: Select this option to attach the comment
to all subsequent photographs. Attach comment can be
turned on and off by highlighting it and pressing 2.
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G button ➜ B setup menu
Auto Image Rotation
Photographs taken while On is selected contain information on camera orientation,
following orientations are recorded:
Landscape (wide)
orientation
Camera rotated 90°
clockwise
Camera rotated 90°
counter-clockwise
Camera orientation is not recorded when Off is selected. Choose this option when
panning or taking photographs with the lens pointing up or down.
A Rotate Tall
To automatically rotate “tall” (portrait-orientation) photographs for display during playback,
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G button ➜ B setup menu
Battery Info
View information on the battery currently inserted in the
camera.
Item
Description
Charge
The current battery level expressed as a percentage.
The number of times the shutter has been released with the current battery
since the battery was last charged. Note that the camera may sometimes
release the shutter without recording a photograph, for example when
measuring preset white balance.
A five-level display showing battery age. 0 (k) indicates that battery
performance is unimpaired, 4 (l) that the battery has reached the end of its
charging life and should be replaced. Note that batteries charged at
temperatures under about 5 °C (41 °F) may show a temporary drop in
charging life; the battery age display will however return to normal once the
battery has been recharged at a temperature of about 20 °C (68 °F) or higher.
No. of shots
Battery age
A The MB-D14 Battery Pack
The display for the MB-D14 battery pack is shown at right. If AA
batteries are used, the battery level will be shown by a battery level
icon; other items will not be displayed.
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G button ➜ B setup menu
Copyright Information
Add copyright information to new photographs as they are taken. Copyright
information is included in the shooting data shown in the photo information display
• Done: Save changes and return to the setup menu.
names can be up to 36 characters long.
Copyright holder names can be up to 54 characters long.
• Attach copyright information: Select this option to attach
copyright information to all subsequent photographs.
Attach copyright information can be turned on and off by
highlighting it and pressing 2.
D Copyright Information
To prevent unauthorized use of the artist or copyright holder names, make sure that Attach
copyright information is not selected and that the Artist and Copyright fields are blank
before lending or transferring the camera to another person. Nikon does not accept liability
for any damages or disputes arising from the use of the Copyright information option.
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G button ➜ B setup menu
Save/Load Settings
Select Save settings to save the following settings to the memory card in Slot 1
among D600 cameras.
Menu
Option
Playback display options
Image review
Menu
Option
Custom All Custom Settings except Reset
settings custom settings
Clean image sensor
Playback
After delete
HDMI
Rotate tall
Flicker reduction
File naming
Time zone and date (excepting
date and time)
Role played by card in Slot 2
Image quality
Language
Image comment
Image size
Image area
Setup
Auto image rotation
Copyright information
GPS
Non-CPU lens data
Eye-Fi upload
JPEG compression
NEF (RAW) recording
White balance (with fine-tuning
and presets d-1–d-4)
Set Picture Control
Auto distortion control
Color space
Active D-Lighting
Vignette control
Long exposure NR
High ISO NR
Shooting
All My Menu items
My Menu/
Recent All recent settings
Settings
Choose tab
ISO sensitivity settings
Remote control mode
Movie settings
Settings saved using this model of camera can be restored by selecting Load
settings. Note that Save/load settings is only available when a memory card is
inserted in the camera, and that the Load settings option is only available if the card
contains saved settings.
A Saved Settings
Settings are saved in a file named NCSETUPA. The camera will not be able to load settings if
the file name is changed.
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G button ➜ B setup menu
Virtual Horizon
Display roll and pitch information based on information from the camera tilt sensor.
If the camera is tilted neither left nor right, the roll reference line will turn green, while
if the camera is tilted neither forward nor back, the pitch reference line will turn green
and a dot will appear in the center of the display. Each division is equivalent to 5°.
Camera level
Camera tilted left or
right
Camera tilted forward
or back
D Tilting the Camera
The virtual horizon display is not accurate when the camera is tilted at a sharp angle forward
or back. If the camera is unable to measure tilt, the amount of tilt will not be displayed.
A See Also
For information on viewing a roll indicator in the viewfinder, see Custom Setting f2 (Assign
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G button ➜ B setup menu
AF Fine-tune
Fine-tune focus for up to 12 lens types. AF tuning is not recommended in most
situations and may interfere with normal focus; use only when required.
Option
AF fine-tune
(On/Off)
Description
•
•
On: Turn AF tuning on.
Off: Turn AF tuning off.
Move focal
point away
from camera.
Tune AF for the current lens (CPU lenses only).
Press 1 or 3 to choose a value between +20 and
–20. Values for up to 12 lens types can be stored.
Only one value can be stored for each type of lens.
Current
value
Saved value
Default
Choose the AF tuning value used when no
previously saved value exists for the current lens
(CPU lenses only).
Move focal
point toward value
camera.
Previous
List previously saved AF tuning values. To delete a lens from the list, highlight
the desired lens and press O (Q). To change a lens identifier (for example, to
choose an identifier that is the same as the last two digits of the lens serial
number to distinguish it from other lenses of the same type in light of the fact
that Saved value can be used with only one lens of each type), highlight the
desired lens and press 2.
List saved
values
The menu shown at right will be displayed; press 1 or 3
to choose an identifier and press J to save changes and
exit.
D AF Tuning
The camera may be unable to focus at minimum range or at infinity when AF tuning is
applied.
D Live View
A Saved Value
Only one value can be stored for each type of lens. If a teleconverter is used, separate values
can be stored for each combination of lens and teleconverter.
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G button ➜ B setup menu
Eye-Fi Upload
This option is displayed only when an Eye-Fi memory card (available separately from
third-party suppliers) is inserted in the camera. Choose Enable to upload
photographs to a preselected destination. Note that pictures will not be uploaded if
signal strength is insufficient.
Observe all local laws concerning wireless devices and choose Disable where
wireless devices are prohibited.
When an Eye-Fi card is inserted, its status is indicated by an icon
in the information display:
• d: Eye-Fi upload disabled.
• e: Eye-Fi upload enabled but no pictures available for upload.
• f (static): Eye-Fi upload enabled; waiting to begin upload.
• f (animated): Eye-Fi upload enabled; uploading data.
• g: Error — camera can not control Eye-Fi card. If a flashing W appears in the
pictures can be taken normally but you may be unable to change Eye-Fi settings.
D Eye-Fi Cards
Eye-Fi cards may emit wireless signals when Disable is selected. If a warning is displayed in
See the manual provided with the Eye-Fi card, and direct any inquiries to the manufacturer.
The camera can be used to turn Eye-Fi cards on and off, but may not support other Eye-Fi
functions.
A Supported Eye-Fi Cards
As of December 2011, the camera supports 8 GB SDHC Pro X2 Eye-Fi cards. Some cards may
not be available in some countries or regions; consult the manufacturer for more
information. Eye-Fi cards are for use only in the country of purchase. Be sure the Eye-Fi card
firmware has been updated to the latest version.
A Using Eye-Fi Cards in Ad Hoc Mode
Additional time may be required when connecting using Eye-Fi cards that support ad hoc
G button ➜ B setup menu
Firmware Version
View the current camera firmware version.
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N The Retouch Menu:
Creating Retouched Copies
To display the retouch menu, press G and select the N (retouch menu) tab.
G button
The options in the retouch menu are used to create trimmed or retouched copies of
existing pictures. The retouch menu is only displayed when a memory card
containing photographs is inserted in the camera (note that if the memory card is
being used to store both RAW/NEF and JPEG copies of the same photographs as
processing apply only to the JPEG copies).
Option
0
Option
Straighten
Distortion control
Fisheye
Color outline
Color sketch
0
i
j
k
D-Lighting
e
(
)
Red-eye correction
Trim
Monochrome
Filter effects
l
m
f
g
h
n Color balance
Perspective control
Miniature effect
Selective color
Edit movie
o
7
8
Image overlay 1
NEF (RAW) processing
Resize
i
u
9
&
Quick retouch
p
Side-by-side comparison 2
1 Can only be selected by pressing G and selecting N tab.
2 Only available if J or c (b) is pressed in full-frame playback when a retouched image or
original is displayed.
D Retouching Copies
Most options can be applied to copies created using other retouch options, although with
the exceptions of Image overlay and Edit movie > Choose start/end point each option
can be applied only once (note that multiple edits may result in loss of detail). Options that
can not be applied to the current image are grayed out and unavailable.
A Image Quality
Except in the case of copies created with Trim, Image overlay, NEF (RAW) processing, and
Resize, copies created from JPEG images are the same size and quality as the original, while
copies created from NEF (RAW) photos are saved as large fine-quality JPEG images. Size-
priority compression is used when copies are saved in JPEG format.
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Creating Retouched Copies
To create a retouched copy:
1 Select an item in the retouch menu.
Press 1 or 3 to highlight an item, 2 to select.
2 Select a picture.
Highlight a picture and press J (to view the
highlighted picture full screen, press and hold the
X (T) button; to view images in other
press 1).
A Retouch
The camera may not be able to display or retouch images created with other devices.
3 Select retouch options.
For more information, see the section for the
selected item. To exit without creating a
retouched copy, press G.
A Monitor off Delay
The monitor will turn off and the operation will be cancelled if no actions are
performed for a brief period. Any unsaved changes will be lost. To increase the time
the monitor remains on, choose a longer menu display time for Custom Setting c4
4 Create a retouched copy.
Press J to create a retouched copy. Retouched
copies are indicated by a o icon.
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A Creating Retouched Copies During Playback
Retouched copies can also be created during playback.
2
2
Display picture full frame and
Highlight an option and
Create retouched copy.
press J or c (b).
press J.
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G button ➜ N retouch menu
D-Lighting
D-lighting brightens shadows, making it ideal for dark or backlit photographs.
Before
After
Press 1 or 3 to choose the amount of correction performed.
The effect can be previewed in the edit display. Press J to copy
the photograph.
G button ➜ N retouch menu
Red-Eye Correction
This option is used to correct “red-eye” caused by the flash, and is available only with
photographs taken using the flash. The photograph selected for red-eye correction
can be previewed in the edit display. Confirm the effects of red-eye correction and
create a copy as described in the following table. Note that red-eye correction may
not always produce the expected results and may in very rare circumstances be
applied to portions of the image that are not affected by red-eye; check the preview
thoroughly before proceeding.
To
Use
Description
Press X (T) to zoom in, W (S) to zoom
out. While photo is zoomed in, use multi
Zoom in
X (T)
Zoom out
W (S)
selector to view areas of image not visible in
monitor. Keep multi selector pressed to scroll
rapidly to other areas of frame. Navigation
window is displayed when zoom buttons or
multi selector is pressed; area currently
View other
areas of image
visible in monitor is indicated by yellow border. Press J to cancel
zoom.
If the camera detects red-eye in the selected photograph, a copy will
be created that has been processed to reduce its effects. No copy
will be created if the camera is unable to detect red-eye.
Cancel zoom
Create copy
J
J
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G button ➜ N retouch menu
Trim
Create a cropped copy of the selected photograph. The
selected photograph is displayed with the selected crop shown
in yellow; create a cropped copy as described in the following
table.
To
Use
Description
Reduce size of crop
Increase size of crop
W (S) Press W (S) to reduce the size of the crop.
X (T) Press X (T) to increase the size of the crop.
Rotate the main command dial to switch between aspect
ratios of 3 : 2, 4 : 3, 5 : 4, 1 : 1, and 16 : 9.
Change crop aspect ratio
Use multi selector to position the crop. Press and hold to
move the crop rapidly to the desired position.
Position crop
Create copy
J
Save the current crop as a separate file.
A Trim: Image Quality and Size
Copies created from NEF (RAW) or NEF (RAW) + JPEG photos have an
photos have the same image quality as the original. The size of the
copy varies with crop size and aspect ratio and appears at upper left
in the crop display.
A Viewing Cropped Copies
Playback zoom may not be available when cropped copies are displayed.
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G button ➜ N retouch menu
Monochrome
Copy photographs in Black-and-white, Sepia, or
Cyanotype (blue and white monochrome).
Selecting Sepia or Cyanotype displays a preview of
the selected image; press 1 to increase color
saturation, 3 to decrease. Press J to create a
monochrome copy.
Increase
saturation
Decrease
saturation
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G button ➜ N retouch menu
Filter Effects
Choose from the following filter effects. After adjusting filter effects as described
below, press J to copy the photograph.
Option
Description
Creates the effect of a skylight filter, making the
picture less blue. The effect can be previewed in the
monitor as shown at right.
Skylight
Creates a copy with warm tone filter effects, giving the
Warm filter copy a “warm” red cast. The effect can be previewed in
the monitor.
Red intensifier
Intensify reds (Red intensifier), greens (Green
Green intensifier intensifier), or blues (Blue intensifier). Press 1 to
increase the effect, 3 to decrease.
Blue intensifier
Add starburst effects to light sources.
•
•
Number of points: Choose from four, six, or eight.
Filter amount: Choose the brightness of the light
sources affected.
Cross screen
•
•
•
Filter angle: Choose the angle of the points.
Length of points: Choose the length of points.
Confirm: Preview the effects of the filter as shown at
right. Press X (T) to preview the copy full frame.
Save: Create a retouched copy.
•
Add a soft filter effect. Press 1 or 3 to choose the filter
strength.
Soft
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G button ➜ N retouch menu
Color Balance
Use the multi selector to create a copy with modified color
balance as shown below. The effect is displayed in the monitor
the distribution of tones in the copy.
Increase amount of green
Create retouched copy
Increase amount of blue
Increase amount of amber
Increase amount of magenta
A Zoom
To zoom in on the image displayed in the monitor, press X (T). The
histogram will be updated to show data only for the portion of the
image displayed in the monitor. While the image is zoomed in, press
L (U) to toggle back and forth between color balance and zoom.
When zoom is selected, you can zoom in and out with the X (T)
and W (S) and scroll the image with the multi selector.
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G button ➜ N retouch menu
Image Overlay
Image overlay combines two existing NEF (RAW) photographs to create a single
picture that is saved separately from the originals; the results, which make use of RAW
data from the camera image sensor, are noticeably better than overlays created in an
imaging application. The new picture is saved at current image quality and size
are available). To create a NEF (RAW) copy, choose an image quality of NEF (RAW).
+
1 Select Image overlay.
Highlight Image overlay in the retouch menu
and press 2.
The dialog shown at right will be displayed, with
Image 1 highlighted; press J to display a list of
the NEF pictures created with this camera.
2 Select the first image.
Use the multi selector to highlight the first
photograph in the overlay. To view the
highlighted photograph full frame, press and
hold the X (T) button (to view images in
D and press 1). Press J to select the highlighted photograph and return to
the preview display.
3 Select the second image.
The selected image will appear as Image 1. Highlight Image 2 and press J,
then select the second photo as described in Step 2.
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4 Adjust gain.
Highlight Image 1 or Image 2 and optimize
exposure for the overlay by pressing 1 or 3 to
select gain from values between 0.1 and 2.0.
Repeat for the second image. The default value is
1.0; select 0.5 to halve gain or 2.0 to double it. The
effects are visible in the Preview column.
5 Preview the overlay.
Press 4 or 2 to place the cursor in the Preview
column and press 1 or 3 to highlight Overlay.
Press J to preview the overlay as shown at right
(to save the overlay without displaying a preview,
select Save). To return to Step 4 and select new
photos or adjust gain, press W (S).
6 Save the overlay.
Press J while the preview is displayed to save the
overlay. After an overlay is created, the resulting
image will be displayed full-frame in the monitor.
D Image Overlay
Only NEF (RAW) photographs with the same image area and bit depth can be combined.
The overlay has the same photo info (including date of recording, metering, shutter speed,
aperture, shooting mode, exposure compensation, focal length, and image orientation), and
values for white balance and Picture Control as the photograph selected for Image 1. The
current image comment is appended to the overlay when it is saved; copyright information,
however, is not copied. Overlays saved in NEF (RAW) format use the compression selected
for Type in the NEF (RAW) recording menu and have the same bit depth as the original
images; JPEG overlays are saved using size-priority compression.
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G button ➜ N retouch menu
NEF (RAW) Processing
Create JPEG copies of NEF (RAW) photographs.
1 Select NEF (RAW) processing.
Highlight NEF (RAW) processing in the retouch
menu and press 2 to display a picture selection
dialog listing only NEF (RAW) images created with
this camera.
2 Select a photograph.
Highlight a photograph (to view the highlighted
photograph full frame, press and hold the X
(T) button; to view images in other locations
Press J to select the highlighted photograph
and proceed to the next step.
3 Choose settings for the JPEG copy.
Adjust the settings listed below. Note that white balance and vignette control
are not available with multiple exposures or pictures created with image
overlay and that exposure compensation can only be set to values between –2
and +2 EV. The Picture Control grid is not displayed when Picture Controls are
adjusted.
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4 Copy the photograph.
Highlight EXE and press J to create a JPEG copy
of the selected photograph (to exit without
copying the photograph, press the G button).
G button ➜ N retouch menu
Resize
Create small copies of selected photographs.
1 Select Resize.
To resize selected images, press G to display
the menus and select Resize in the retouch
menu.
2 Choose a destination.
If two memory cards are inserted, you can choose
a destination for the resized copies by
highlighting Choose destination and pressing 2
(if only one card is inserted, proceed to Step 3).
The menu shown at right will be displayed;
highlight a card slot and press J.
3 Choose a size.
Highlight Choose size and press 2.
The options shown at right will be displayed;
highlight an option and press J.
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4 Choose pictures.
Highlight Select image and press 2.
The dialog shown at right will be displayed;
highlight pictures using the multi selector and
press the W (S) button to select or deselect (to
view the highlighted picture full screen, press and
hold the X (T) button; to view images in
D and press 1). Selected pictures are marked
by a 8 icon. Press J when the selection is
complete.
5 Save the resized copies.
A confirmation dialog will be displayed. Highlight Yes and
press J to save the resized copies.
A Viewing Resized Copies
Playback zoom may not be available when resized copies are displayed.
A Image Quality
JPEG fine; copies created from JPEG photos have the same image quality as the original.
G button ➜ N retouch menu
Quick Retouch
Create copies with enhanced saturation and contrast.
D-Lighting is applied as required to brighten dark or backlit
subjects.
Press 1 or 3 to choose the amount of enhancement. The effect
can be previewed in the edit display. Press J to copy the
photograph.
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G button ➜ N retouch menu
Straighten
Create a straightened copy of the selected image. Press 2 to
rotate the image clockwise by up to five degrees in increments
of approximately 0.25 degrees, 4 to rotate it counterclockwise
(the effect can be previewed in the edit display; note that edges
of the image will be trimmed to create a square copy). Press J
to copy the photograph, or press K to exit to playback without
creating a copy.
G button ➜ N retouch menu
Distortion Control
Create copies with reduced peripheral distortion. Select Auto
to let the camera correct distortion automatically and then
make fine adjustments using the multi selector, or select
Manual to reduce distortion manually (note that Auto is not
available with photos taken using auto distortion control; see
cushion distortion (the effect can be previewed in the edit display; note that greater
amounts of distortion control result in more of the edges being cropped out). Press
J to copy the photograph, or press K to exit to playback without creating a copy.
Note that distortion control may heavily crop or distort the edges of copies created
from photographs taken with DX lenses at an image area setting of FX (36×24) 1.0×.
A Auto
Auto is for use only with pictures taken with type G and D lenses (PC, fisheye, and certain
other lenses excluded). Results are not guaranteed with other lenses.
G button ➜ N retouch menu
Fisheye
Create copies that appear to have been taken with a fisheye
lens. Press 2 to increase the effect (this also increases the
amount of that will be cropped out at the edges of the image),
4 to reduce it. The effect can be previewed in the edit display.
Press J to copy the photograph, or press K to exit to playback
without creating a copy.
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G button ➜ N retouch menu
Color Outline
Create an outline copy of a photograph to use as a base for
painting. The effect can be previewed in the edit display. Press
J to copy the photograph.
Before
After
G button ➜ N retouch menu
Color Sketch
Create a copy of a photograph that resembles a sketch made
with colored pencils. Press 1or 3to highlight Vividness or
Outlines and press 4or 2to change. Vividness can be
increased to make colors more saturated, or decreased for a
washed-out, monochromatic effect, while outlines can be made
thicker or thinner. Thicker outlines makes colors more
saturated. The results can be previewed in the edit display. Press J to copy the
photograph, or press K to exit to playback without creating a copy.
G button ➜ N retouch menu
Perspective Control
Create copies that reduce the effects of perspective taken from
the base of a tall object. Use the multi selector to adjust
perspective (note that greater amounts of perspective control
result in more of the edges being cropped out). The results can
be previewed in the edit display. Press J to copy the
photograph, or press K to exit to playback without creating a
copy.
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After
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G button ➜ N retouch menu
Miniature Effect
Create a copy that appears to be a photo of a diorama. Works best with photos taken
from a high vantage point. The area that will be in focus in the copy is indicated by a
yellow frame.
To
Press
Description
Choose
orientation
W (S) Press W (S) to choose orientation of area that is in focus.
If area of effect is in wide orientation, press 1
or 3to position frame showing area of copy
that will be in focus.
Choose
position
Area in focus
If area of effect is in tall orientation, press 4or
2to position frame showing area of copy
that will be in focus.
If area of effect is in wide orientation, press 4or 2to choose
height.
Choose size
If area of effect is in tall orientation, press 1or 3to choose width.
Preview copy X (T) Preview copy.
Cancel
Create copy
K
Exit to full-frame playback without creating copy.
Create copy.
J
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G button ➜ N retouch menu
Selective Color
Create a copy in which only selected hues appear in color.
1 Select Selective color.
Highlight Selective color in the retouch
menu and press 2to display a picture
selection dialog.
2 Select a photograph.
Highlight a photograph (to view the
highlighted photograph full frame, press
and hold the X (T) button; to view
images in other locations as described on
select the highlighted photograph and proceed to the next step.
3 Select a color.
Selected color
Use the multi selector to position the cursor
over an object and press the A AE-L/AF-L
button to select the color of the object as
one that will remain in the final copy (the
camera may have difficulty detecting
unsaturated colors; choose a saturated
color). To zoom in on the picture for precise
A AE-L/AF-L button
color selection, press X (T). Press W (S) to zoom out.
4 Highlight the color range.
Color range
Rotate the main command dial to highlight
the color range for the selected color.
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5 Choose the color range.
Press 1or 3to increase or decrease the
range of similar hues that will be included in
the final photograph or movie. Choose from
values between 1 and 7; note that higher
values may include hues from other colors.
The effect can be previewed in the edit display.
6 Select additional colors.
To select additional colors, rotate the main
command dial to highlight another of the
three color boxes at the top of the display
and repeat Steps 3–5 to select another color.
Repeat for a third color if desired. To
deselect the highlighted color, press O (Q), or press and hold O (Q) to remove
all colors.
7 Save the edited copy.
Press J to copy the photograph.
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Side-by-side Comparison
Compare retouched copies to the original photographs. This option is only available
if J or c (b) button is pressed to display the retouch menu when a copy or original
is played back full frame.
1 Select a picture.
In full-frame playback, select a retouched copy
(shown by a o icon) or a photograph that has
been retouched and press J or c (b).
2 Select Side-by-side comparison.
Highlight Side-by-side comparison and press
J.
3 Compare the copy with the original.
Options used to create
copy
The source image is displayed on the left, the
retouched copy on the right, with the options
used to create the copy listed at the top of the
display. Press 4or 2to switch between the
source image and the retouched copy. To view
the highlighted picture full frame, press and hold
the X (T) button. If the copy was created
from two source images using Image overlay, or
if the source has been copied multiple times,
Source Retouched
image
copy
press 1or 3to view the other source images or copies. To exit to playback
mode, press the K button, or press J to exit to playback with the highlighted
image selected.
D Side-by-side Comparisons
The source image will not be displayed if the copy was created from a photograph that was
is on a card in a different slot from that used when the image was created.
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O My Menu/m Recent Settings
To display My Menu, press G and select the O (My Menu) tab.
G button
The My Menu option can be used to create and edit a customized list of options from
the playback, shooting, Custom Settings, setup, and retouch menus for quick access
(up to 20 items). If desired, recent settings can be displayed in place of My Menu
Options can be added, deleted, and reordered as described below.
❚❚Adding Options to My Menu
1 Select Add items.
In My Menu (O), highlight Add items and
press 2.
2 Select a menu.
Highlight the name of the menu containing
the option you wish to add and press 2.
3 Select an item.
Highlight the desired menu item and press
J.
4 Position the new item.
Press 1or 3to move the new item up or
down in My Menu. Press J to add the new
item.
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5 Add more items.
The items currently displayed in My Menu
are indicated by a check mark. Items
indicated by a V icon can not be selected.
Repeat steps 1–4 to select additional items.
❚❚Deleting Options from My Menu
1 Select Remove items.
In My Menu (O), highlight Remove items and press 2.
2 Select items.
Highlight items and press 2to select or
deselect. Selected items are indicated by a
check mark.
3 Select Done.
Highlight Done and press J. A
confirmation dialog will be displayed.
4 Delete the selected items.
Press J to delete the selected items.
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A Deleting Items in My Menu
To delete the item currently highlighted in My Menu, press the O (Q) button. A
confirmation dialog will be displayed; press O (Q) again to remove the selected item from
My Menu.
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❚❚Reordering Options in My Menu
1 Select Rank items.
In My Menu (O), highlight Rank items and press 2.
2 Select an item.
Highlight the item you wish to move and
press J.
3 Position the item.
Press 1or 3to move the item up or down
in My Menu and press J. Repeat Steps 2–3
to reposition additional items.
4 Exit to My Menu.
Press the G button to return to My Menu.
G button
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Recent Settings
To display the twenty most recently used settings, select m Recent settings for
O My Menu > Choose tab.
1 Select Choose tab.
In My Menu (O), highlight Choose tab and
press 2.
2 Select m Recent settings.
Highlight m Recent settings and press J.
The name of the menu will change from “MY
MENU” to “RECENT SETTINGS.”
Menu items will be added to the top of the recent settings menu as they are used. To
view My Menu again, select O My Menu for m Recent settings > Choose tab.
U
A Removing Items from the Recent Settings Menu
To remove an item from the recent settings menu, highlight it and press the O (Q) button.
A confirmation dialog will be displayed; press O (Q) again to delete the selected item.
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Technical Notes
n
Read this chapter for information on compatible accessories, cleaning and storing
the camera, and what to do if an error message is displayed or you encounter
problems using the camera.
Compatible Lenses
Camera setting
Shooting
mode
Focus mode
Metering system
L
M
M(with electronic
rangefinder)
P
S
A
M
AF
M
N
Lens/accessory
Type G or D AF NIKKOR 2
3D Color
3
✔
✔
✔
✔
✔
✔
—
✔
AF-S, AF-I NIKKOR
PC-E NIKKOR series
PC Micro 85mm f/2.8D4
AF-S / AF-I Teleconverter7
Other AF NIKKOR (except lenses for F3AF)
AI-P NIKKOR
5
5
5
5
3,5
—
—
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
✔
✔
✔
✔
✔
✔
—
—
—
—
—
✔
✔
✔
5
6
3,5
3
✔
✔
✔
✔
✔
✔
✔
✔
8
8
3
3
✔
✔
9
—
✔
✔
AI-, AI-modified, NIKKOR or Nikon Series E
lenses11
Medical-NIKKOR 120mm f/4
Reflex-NIKKOR
9
12
13
14
—
✔
✔
—
✔
—
✔
✔
15
12
16
12
20
—
—
—
—
—
✔
✔
✔
✔
✔
✔
—
—
—
—
—
✔
✔
✔
✔
✔
—
—
—
—
—
—
—
—
—
14
—
5
✔
PC-NIKKOR
✔
✔
14
AI-type Teleconverter17
PB-6 Bellows Focusing Attachment19
Auto extension rings (PK-series 11A, 12, or 13;
PN-11)
✔
✔
✔
18
13
18
✔
—
✔
18
12
—
✔
✔
—
✔
—
—
✔
1 IX-NIKKOR lenses can not be used.
2 Vibration Reduction (VR) supported with VR lenses.
4 The camera’s exposure metering and flash control systems do not work properly when shifting and/or
tilting the lens, or when an aperture other than the maximum aperture is used.
5 Can not be used with shifting or tilting.
6 Manual shooting mode only.
7 Can be used with AF-S and AF-I lenses only (0287). For information on the focus points available for
autofocus and electronic rangefinding, see page 287.
8 When focusing at minimum focus distance with AF 80–200mm f/2.8, AF 35–70mm f/2.8, AF 28–85mm
f/3.5–4.5 <New>, or AF 28–85mm f/3.5–4.5 lens at maximum zoom, in-focus indicator may be
displayed when image on matte screen in viewfinder is not in focus. Adjust focus manually until image
in viewfinder is in focus.
9 With maximum aperture of f/5.6 or faster.
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11 Range of rotation for AI 80–200mm f/2.8 ED tripod mount is limited by camera body. Filters can not be
exchanged while AI 200–400mm f/4 ED is mounted on camera.
12 If maximum aperture is specified using Non-CPU lens data (0172), aperture value will be displayed
in viewfinder and control panel.
13 Can be used only if lens focal length and maximum aperture are specified using Non-CPU lens data
14 For improved precision, specify lens focal length and maximum aperture using Non-CPU lens data
15 Can be used in manual mode M at shutter speeds slower than flash sync speed by one step or more.
16 Exposure determined by presetting lens aperture. In mode A, preset aperture using lens aperture ring
before performing AE lock and shifting lens. In mode M, preset aperture using lens aperture ring and
determine exposure before shifting lens.
17 Exposure compensation required when used with AI 28–85mm f/3.5–4.5, AI 35–105mm f/3.5–4.5, AI
35–135mm f/3.5–4.5, or AF-S 80–200mm f/2.8D. See teleconverter manual for details.
18 With maximum effective aperture of f/5.6 or faster.
19 Requires PK-12 or PK-13 auto extension ring. PB-6D may be required depending on camera
orientation.
20 Use preset aperture. In mode A, set aperture using focusing attachment before determining exposure
and taking photograph.
• PF-4 Reprocopy Outfit requires PA-4 Camera Holder.
• Noise in the form of horizontal lines may appear in movies taken with the following lenses at ISO
sensitivities of 6400 or higher; use manual focus or focus lock.
- AF-S Zoom Nikkor 24–85mm f/3.5–4.5G (IF)
- AF-S DX Zoom-Nikkor 18–70mm f/3.5–4.5G IF-ED
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A Recognizing CPU and Type G and D Lenses
CPU lenses (particularly types G and D) are recommended, but note that IX-NIKKOR lenses
can not be used. CPU lenses can be identified by the presence of CPU contacts, type G and D
lenses by a letter on the lens barrel. Type G lenses are not equipped with a lens aperture ring.
CPU contacts
Aperture ring
CPU lens
Type G lens
Type D lens
A The AF-S/AF-I Teleconverter
The AF-S/AF-I teleconverter can be used with the following AF-S and AF-I lenses:
• AF-S NIKKOR 70–200mm f/2.8G ED VR II
• AF-S VR 70–200mm f/2.8G ED
• AF-S 80–200mm f/2.8D ED
• AF-S 300mm f/4D ED
• AF-S NIKKOR 400mm f/2.8G ED VR
• AF-S 400mm f/2.8D ED II
• AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED * • AF-S 400mm f/2.8D ED
• AF-S NIKKOR 200mm f/2G ED VR II
• AF-S VR 200mm f/2G ED
• AF-I 400mm f/2.8D ED
• AF-S NIKKOR 500mm f/4G ED VR
• AF-S 500mm f/4D ED II
• AF-S 500mm f/4D ED
• AF-S NIKKOR 200–400mm f/4G ED VR II
• AF-S VR 200–400mm f/4G ED
• AF-S NIKKOR 300mm f/2.8G ED VR II
• AF-S VR 300mm f/2.8G ED
• AF-S 300mm f/2.8D ED II
• AF-I 500mm f/4D ED
• AF-S NIKKOR 600mm f/4G ED VR
• AF-S 600mm f/4D ED II
• AF-S 600mm f/4D ED
• AF-S 300mm f/2.8D ED
• AF-I 300mm f/2.8D ED
• AF-I 600mm f/4D ED
* Autofocus not supported.
A f/8 Autofocus Support
If the lens can be used with the AF-S/AF-I
TC-20E/
teleconverter and has a maximum aperture of f/4,
the apparent aperture will drop by two stops to f/8
when the lens is used with a TC-20E/TC-20E II/
TC-17E II
TC-20E II/
TC-20E III
TC-20E III teleconverter, or by one-and-a-half stops to f/6.8 when the lens is used with a
TC-17E II. The focus points shown in the illustrations can be used for autofocus and
electronic rangefinding when an AF-S teleconverter is attached. When used with TC-20E/
TC-20E II/TC-20E III, focus data for focus points other than the center focus point are obtained
from line sensors. Single point AF is used when 3D-tracking or auto-area AF is selected for
may not be able to focus on dark or low-contrast subjects.
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A Lens f-number
The f-number given in lens names is the maximum aperture of the lens.
A Compatible Non-CPU Lenses
When using non-CPU lenses and accessories, rotate the camera mode dial to A or M and set
aperture using the lens aperture ring. In other modes, the shutter-release is disabled. Non-
lenses, including color matrix metering; if no data are provided, center-weighted metering
will be used in place of color matrix metering, while if the maximum aperture is not
provided, the camera aperture display will show the number of stops from maximum
aperture and the actual aperture value must be read off the lens aperture ring.
D Incompatible Accessories and Non-CPU Lenses
The following can NOT be used with the D600:
• TC-16AS AF teleconverter
• AF lenses for the F3AF (AF 80mm f/2.8, AF
• Non-AI lenses
200mm f/3.5 ED, AF Teleconverter TC-16)
• Lenses that require the AU-1 focusing unit • PC 28mm f/4 (serial number 180900 or
(400mm f/4.5, 600mm f/5.6, 800mm f/8,
1200mm f/11)
• Fisheye (6mm f/5.6, 7.5mm f/5.6, 8mm f/8,
OP 10mm f/5.6)
• 2.1cm f/4
• Extension Ring K2
• 180–600mm f/8 ED (serial numbers
174041–174180)
• 360–1200mm f/11 ED (serial numbers
174031–174127)
earlier)
• PC 35mm f/2.8 (serial numbers 851001–
906200)
• PC 35mm f/3.5 (old type)
• Reflex 1000mm f/6.3 (old type)
• Reflex 1000mm f/11 (serial numbers
142361–143000)
• Reflex 2000mm f/11 (serial numbers
200111–200310)
• 200–600mm f/9.5 (serial numbers 280001–
300490)
A The Built-in Flash
The built-in flash can be used with CPU lenses with focal lengths of 24 mm (16 mm in DX
format) to 300 mm, although in some cases the flash may be unable to entirely light the
subject at some ranges or focal lengths due to shadows cast by the lens, while lenses that
block the subject’s view of the red-eye reduction lamp may interfere with red-eye reduction.
Remove lens hoods to prevent shadows. The flash has a minimum range of 0.6 m (2 ft) and
can not be used in the macro range of macro zoom lenses. The flash may be unable to light
the entire subject with the following lenses at ranges less than those given below:
Lens
Zoom position Minimum distance without vignetting
AF-S DX NIKKOR 10–24mm f/3.5–4.5G ED
18–24 mm
18 mm
20–24 mm
No vignetting
1.0 m/3 ft 3 in.
No vignetting
AF-S DX Zoom-Nikkor 12–24mm f/4G IF-ED
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Lens
Zoom position Minimum distance without vignetting
20 mm
24–55 mm
2.0 m/6 ft 7 in.
1.0 m/3 ft 3 in.
AF-S DX Zoom-Nikkor 17–55mm f/2.8G IF-ED
AF-S DX NIKKOR 18–200mm f/3.5–5.6G ED VR II
AF-S DX VR Zoom-Nikkor 18–200mm f/3.5–5.6G
IF-ED
18 mm
1.0 m/3 ft 3 in.
No vignetting
24–200 mm
28 mm
50–300 mm
35 mm
28 mm
35 mm
24 mm
28–35 mm
24 mm
28 mm
35 mm
24 mm
35 mm
50–70 mm
24 mm
35–120 mm
24 mm
28 mm
50–120 mm
28 mm
50–70 mm
28 mm
35 mm
1.0 m/3 ft 3 in.
No vignetting
1.5 m/4 ft 11 in.
1.5 m/4 ft 11 in.
No vignetting
1.0 m/3 ft 3 in.
No vignetting
1.5 m/4 ft 11 in.
1.0 m/3 ft 3 in.
No vignetting
1.0 m/3 ft 3 in.
1.5 m/4 ft 11 in.
No vignetting
1.0 m/3 ft 3 in.
No vignetting
2.0 m/6 ft 7 in.
1.0 m/3 ft 3 in.
No vignetting
1.0 m/3 ft 3 in.
No vignetting
1.5 m/4 ft 11 in.
1.0 m/3 ft 3 in.
No vignetting
1.5 m/4 ft 11 in.
AF-S DX NIKKOR 18–300mm f/3.5–5.6G ED VR
AF-S NIKKOR 16–35mm f/4G ED VR
AF-S Zoom-Nikkor 17–35mm f/2.8D IF-ED
AF Zoom-Nikkor 18–35mm f/3.5–4.5D IF-ED
AF Zoom-Nikkor 20–35mm f/2.8D IF
AF-S NIKKOR 24mm f/1.4G ED
AF-S NIKKOR 24–70mm f/2.8G ED
AF-S VR Zoom-Nikkor 24–120mm f/3.5–5.6G
IF-ED
AF-S NIKKOR 24–120mm f/4G ED VR
AF-S Zoom-Nikkor 28–70mm f/2.8D IF-ED
AF-S NIKKOR 28–300mm f/3.5–5.6G ED VR
50–300 mm
24 mm
PC-E NIKKOR 24mm f/3.5D ED *
* When not shifted or tilted.
When used with the AF-S NIKKOR 14–24mm f/2.8G ED, the flash will be unable to light the
entire subject at all ranges.
The built-in flash can also be used with AI-S, AI-, AI-modified NIKKOR, Nikon Series E and non-
CPU lenses with a focal length of 24–300mm. AI 50–300mm f/4.5, modified AI 50–300mm
f/4.5, AI-S 50–300mm f/4.5 ED, and AI 50–300mm f/4.5 ED lenses must be used at a zoom
position of 70 mm or above. With AI-S and AI 25–50mm f/4 ED lenses, the ranges above
which vignetting will not occur are: 2.0 m (6 ft 7 in.) at a zoom position of 25 mm and 1.0 m
(3 ft 3 in.) at a zoom position of 28 mm; vignetting will not occur at zoom positions of 35 mm
or above.
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D AF-Assist Illumination
AF-assist illumination is available with lenses with focal lengths of 24–200 mm. It can not
however be used to assist the focus operation with the following lenses:
• AF-S NIKKOR 200mm f/2G ED VR II
• AF-S VR Zoom-Nikkor 200–400mm f/4G
IF-ED
• AF-S NIKKOR 200–400mm f/4G ED VR II
• AF-S NIKKOR 300mm f/2.8G ED VR II
At ranges under 0.7 m (2 ft 4 in.), the following lenses may block the AF-assist illuminator and
interfere with autofocus when lighting is poor:
• AF-S NIKKOR 16–35mm f/4G ED VR
• AF-S Zoom-Nikkor 17–35mm f/2.8D IF-ED • AF-S NIKKOR 24–120mm f/4G ED VR
AF-S DX Zoom-Nikkor 17–55mm f/2.8G IF-ED • AF-S NIKKOR 28–300mm f/3.5–5.6G ED VR
• AF Zoom Nikkor 24–120mm f/3.5–5.6D (IF)
•
• AF-S DX VR Zoom-Nikkor 18–200mm
f/3.5–5.6G IF-ED
• AF Zoom-Nikkor 20–35mm f/2.8D IF
• AF Zoom-Nikkor 24–85mm f/2.8–4D IF
• AF-S NIKKOR 24–85mm f/3.5–4.5G ED VR
• AF-S NIKKOR 35mm f/1.4G
• AF Zoom Micro Nikkor ED 70–180mm
f/4.5–5.6D
• AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
At ranges under 1.0 m (3 ft 3 in.), the following lenses may block the AF-assist illuminator and
interfere with autofocus when lighting is poor:
• AF-S DX NIKKOR 18–200mm f/3.5–5.6G ED • AF-S Zoom-Nikkor 28–70mm f/2.8D IF-ED
VR II
• AF Micro-Nikkor 200mm f/4D IF-ED
• AF-S NIKKOR 24–70mm f/2.8G ED
•
AF-S VR Zoom-Nikkor 24–120mm f/3.5–5.6G
IF-ED
At ranges under 1.5 m (4 ft 11 in.), the following lenses may block the AF-assist illuminator
and interfere with autofocus when lighting is poor:
• AF-S NIKKOR 14–24mm f/2.8G ED
• AF-S NIKKOR 70–200mm f/2.8G ED VR II
AF-S DX NIKKOR 18–300mm f/3.5–5.6G ED VR • AF Zoom-Nikkor 80–200mm f/2.8D ED
AF-S DX NIKKOR 55–300mm f/4.5–5.6G ED VR AF-S Zoom-Nikkor 80 200mm f/2.8D IF-ED
•
•
•
–
• AF-S VR Zoom-Nikkor 70–200mm f/2.8G
IF-ED
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A Calculating Angle of View
The D600 can be used with Nikon lenses for 35mm (135) format cameras. If Auto DX crop is
of 35mm film (35.9 × 24.0 mm); if a DX lens is attached, the angle of view will automatically
be adjusted to 23.5 × 15.7 mm (DX format).
If a 35 mm format lens is attached, the angle of view can be reduced by 1.5 × by turning Auto
DX crop off and selecting DX (24×16).
FX (36×24) picture size (35.9 × 24.0 mm,
equivalent to 35mm format camera)
Picture diagonal
Lens
DX (24×16) picture size (23.5 × 15.7 mm,
equivalent to DX format camera)
Angle of view (FX (36×24); 35mm format)
Angle of view (DX (24×16); DX format)
The DX (24×16) angle of view is about 1.5 times smaller than the 35mm format angle of
view. To calculate the focal length of lenses in 35mm format when DX (24×16) is selected,
multiply the focal length of the lens by about 1.5 (for example, the effective focal length of a
50mm lens in 35mm format would be 75 mm when DX (24×16) is selected).
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Optional Flash Units (Speedlights)
The camera supports the Nikon Creative Lighting System (CLS) and can be used with
CLS-compatible flash units. Optional flash units can be attached directly to the
camera accessory shoe as described below. The accessory shoe is equipped with a
safety lock for flash units with a locking pin.
1 Remove the accessory shoe cover.
2 Mount the flash unit on the accessory shoe.
See the manual provided with the flash unit for details.
The built-in flash will not fire when an optional flash unit is
attached.
A The AS-15 Sync Terminal Adapter
When the AS-15 sync terminal adapter (available separately) is mounted on the camera
accessory shoe, flash accessories can be connected via a sync terminal.
D Use Only Nikon Flash Accessories
Use only Nikon flash units. Negative voltages or voltages over 250 V applied to the accessory
shoe could not only prevent normal operation, but damage the sync circuitry of the camera
or flash. Before using a Nikon flash unit not listed in this section, contact a Nikon-authorized
service representative for more information.
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The Nikon Creative Lighting System (CLS)
Nikon’s advanced Creative Lighting System (CLS) offers improved communication
between the camera and compatible flash units for improved flash photography.
❚❚CLS-Compatible Flash Units
The camera can be used with the following CLS-compatible flash units:
•
The SB-910, SB-900, SB-800, SB-700, SB-600, SB-400, and SB-R200:
Flash unit
Feature
SB-910 1
34/111
48/157
SB-900 1
34/111
48/157
SB-800
38/125
53/174
SB-700 1
28/92
39/128
SB-600
30/98
42/138
SB-400 2
21/69
30/98
SB-R200 3
10/33
14/46
ISO 100
ISO 200
Guide No. 4
1 If a color filter is attached to the SB-910, SB-900, or SB-700 when v or N (flash) is selected for white
balance, the camera will automatically detect the filter and adjust white balance appropriately.
2 Wireless flash control is not available with the SB-400.
3 Controlled remotely with built-in flash in commander mode or using optional SB-910, SB-900,
SB-800, or SB-700 flash unit or SU-800 wireless Speedlight commander.
4 m/ft, 20 °C (68 °F), SB-910, SB-900, SB-800, SB-700, and SB-600 at 35 mm zoom head position; SB-910,
SB-900, and SB-700 with standard illumination.
•
SU-800 Wireless Speedlight Commander: When mounted on a CLS-compatible camera,
the SU-800 can be used as a commander for remote SB-910, SB-900, SB-800,
SB-700, SB-600, or SB-R200 flash units in up to three groups. The SU-800 itself is
not equipped with a flash.
A Guide Number
To calculate the range of the flash at full power, divide the Guide Number by the aperture.
For example, at ISO 100 the SB-800 has a Guide Number of 38 m or 125 ft (35 mm zoom head
position); its range at an aperture of f/5.6 is 38÷5.6 or about 6.8 meters (or in feet,
125÷5.6=approximately 23 ft 7 in.). For each twofold increase in ISO sensitivity, multiply the
Guide Number by the square root of two (approximately 1.4).
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The following features are available with CLS-compatible flash units:
Flash unit
Advanced Wireless Lighting
Master/commander Remote
SB-910
SB-900
SB-910
SB-900
SB-910
SB-900 SB-700
Flash mode/feature
SB-800 SB-700 SB-600 SB-400 SB-800 SB-700 SU-800 1 SB-800 SB-600 SB-R200
2
4
4
3
2
3
i-TTL i-TTL balanced fill-flash for digital SLR
AA Auto aperture
✔
✔
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—
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—
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5
5
5
—
—
✔
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—
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—
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—
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—
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—
—
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5
5
A
Non-TTL auto
GN Distance-priority manual
Manual
✔
✔
✔
✔
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✔
✔
✔
✔
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—
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—
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—
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6
M
✔
—
—
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—
✔
✔
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—
RPT Repeating flash
Auto FP High-Speed Sync 7
FV lock
✔
—
✔
✔
✔
✔
AF-assist for multi-area AF 8
Flash Color Information Communication
REAR Rear-curtain sync
—
—
✔
—
—
✔
Y
Red-eye reduction
—
—
—
—
Power zoom
1 Only available when SU-800 is used to control other flash units. The SU-800 itself is not equipped with a
flash.
2 Standard i-TTL flash for digital SLR is used with spot metering or when selected with flash unit.
3 Standard i-TTL flash for digital SLR is used with spot metering.
4 Selected with flash unit.
5 Auto aperture (AA) is used regardless of mode selected with flash unit.
6 Can be selected with camera.
8 CPU lens required.
A Auto Aperture/Non-TTL Auto
Unless the focal length and maximum aperture are specified using the Non-CPU lens data
option in the setup menu, choosing auto aperture (AA) when a non-CPU lens is attached
automatically selects non-TTL auto (A).
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❚❚Other Flash Units
The following flash units can be used in non-TTL auto and manual modes.
SB-30, SB-27 2, SB-22S, SB-23, SB-29 3,
SB-22, SB-20, SB-16B, SB-15 SB-21B 3, SB-29S 3
Flash unit
SB-80DX, SB-28DX, SB-28,
SB-26, SB-25, SB-24
Flash mode
SB-50DX 1
A
M
Non-TTL auto
Manual
Repeating flash
✔
✔
✔
✔
—
✔
—
✔
✔
✔
—
✔
—
✔
—
✔
G
REAR Rear-curtain sync 4
1 Select mode P, S, A, or M, lower built-in flash, and use optional flash unit only.
2 Flash mode is automatically set to TTL and shutter-release is disabled. Set flash unit to A (non-TTL auto
flash).
3 Autofocus is available with AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED and AF-S Micro NIKKOR 60mm
f/2.8G ED lenses only.
4 Available when camera is used to select flash mode.
A Flash Control Mode
The information display shows the flash control mode for optional flash units attached to the
camera accessory shoe as follows:
Flash sync
i-TTL
Auto aperture (AA)
Non-TTL auto flash (A)
Distance-priority manual (GN)
Manual
Repeating flash
—
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D Notes on Optional Flash Units
Refer to the Speedlight manual for detailed instructions. If the flash unit supports CLS, refer
to the section on CLS-compatible digital SLR cameras. The D600 is not included in the
“digital SLR” category in the SB-80DX, SB-28DX, and SB-50DX manuals.
If an optional flash unit is attached in shooting modes other than j, the flash will fire with
every shot, even in modes in which the built-in flash can not be used. Note that optional
i-TTL flash control can be used at ISO sensitivities between 100 and 6400. At values over
6400, the desired results may not be achieved at some ranges or aperture settings. If the
flash-ready indicator flashes for about three seconds after a photograph is taken, the flash
has fired at full power and the photograph may be underexposed.
When an SC-series 17, 28, or 29 sync cable is used for off-camera flash photography, correct
exposure may not be achieved in i-TTL mode. We recommend that you select standard i-TTL
flash control. Take a test shot and view the results in the monitor.
In i-TTL, use the flash panel or bounce adapter provided with the flash unit. Do not use other
panels such as diffusion panels, as this may produce incorrect exposure.
The SB-910, SB-900, SB-800, SB-700, SB-600, and SB-400 provide red-eye reduction, while the
SB-910, SB-900, SB-800, SB-700, SB-600, and SU-800 provide AF-assist illumination with the
following restrictions:
•
•
•
SB-910 and SB-900: AF-assist illumination is available
with 17–135 mm AF lenses, however, autofocus is
available only with the focus points shown at
right.
SB-800, SB-600, and SU-800: AF-assist illumination is
available with 24–105 mm AF lenses, however,
autofocus is available only with the focus points
shown at right.
SB-700: AF-assist illumination is available with 24–
135 mm AF lenses, however, autofocus is
available only with the focus points shown at
right.
17–19 mm
24–34 mm
20–105 mm 106–135 mm
35–49 mm
50–105 mm
24–135 mm
In mode P, the maximum aperture (minimum f-number) is limited according to ISO
sensitivity, as shown below:
Maximum aperture at ISO equivalent of:
100
200
400
800
1600
3200
6400
4
5
5.6
7.1
8
10
11
If the maximum aperture of the lens is smaller than given above, the maximum value for
aperture will be the maximum aperture of the lens.
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Other Accessories
At the time of writing, the following accessories were available for the D600.
•
available from local retailers and Nikon-authorized service representatives.
Multi-Power Battery Pack MB-D14: The MB-D14 is equipped with a shutter-release
button, A AE/AF lock button, multi selector, and main- and sub-command
dials for improved operation when taking photographs in portrait (tall)
orientation. When attaching the MB-D14, remove the camera MB-D14 contact
cover.
•
•
Power
sources
•
Power Connector EP-5B, AC Adapter EH-5b: These accessories can be used to power
the camera for extended periods (EH-5a and EH-5 AC adapters can also be
for details. Note that when the camera is used with an MB-D14, the EP-5B must
be inserted into the MB-D14, not the camera. Do not attempt to use the
camera with power connectors inserted into both the camera and MB-D14.
• Filters intended for special-effects photography may interfere with autofocus
or the electronic rangefinder.
• The D600 can not be used with linear polarizing filters. Use C-PL or C-PL II
circular polarizing filters instead.
• Use NC filters to protect the lens.
Filters
• To prevent ghosting, use of a filter is not recommended when the subject is
framed against a bright light, or when a bright light source is in the frame.
• Center-weighted metering is recommended with filters with exposure factors
(filter factors) over 1 × (Y44, Y48, Y52, O56, R60, X0, X1, C-PL, ND2S, ND4, ND4S,
ND8, ND8S, ND400, A2, A12, B2, B8, B12). See the filter manual for details.
•
DK-20C Eyepiece Correction Lenses: Lenses are available with diopters of –5, –4, –3,
–2, 0, +0.5, +1, +2, and +3 m–1 when the camera diopter adjustment control is
in the neutral position (–1 m–1). Use eyepiece correction lenses only if the
desired focus can not be achieved with the built in diopter adjustment control
(–3 to +1 m–1). Test eyepiece correction lenses before purchase to ensure that
the desired focus can be achieved. The rubber eyecup can not be used with
eyepiece correction lenses.
•
•
Magnifying Eyepiece DK-21M: The DK-21M magnifies the view through the
viewfinder by approximately 1.17 × (50 mm f/1.4 lens at infinity; –1.0 m–1) for
greater precision when framing.
Magnifier DG-2: The DG-2 magnifies the scene displayed in the center of the
viewfinder for greater precision during focusing. Eyepiece adapter required
(available separately).
Viewfinder
eyepiece
accessories
•
•
Eyepiece Adapter DK-22: The DK-22 is used when attaching the DG-2 magnifier.
Right-Angle Viewing Attachment DR-6: The DR-6 attaches at a right angle to the
viewfinder eyepiece, allowing the image in the viewfinder to be viewed at
right angles to the lens (for example, from directly above when the camera is
horizontal).
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•
•
Capture NX 2: A complete photo editing package with such advanced editing
features as selection control points and an auto retouch brush.
Camera Control Pro 2: Control the camera remotely from a computer to record
movies and photographs and save photographs directly to the computer hard
disk.
Software
Body cap
Note: Use the latest versions of Nikon software; see the websites listed on page
settings, Nikon Message Center 2 will periodically check for updates to Nikon
software and firmware while you are logged in to an account on the computer
and the computer is connected to the Internet. A message is automatically
displayed when an update is found.
Body Cap BF-1B/Body Cap BF-1A: The body cap keeps the mirror, viewfinder screen,
and low-pass filter free of dust when a lens is not in place.
Wireless Remote Control ML-L3: The ML-L3 uses a 3 V CR2025 battery.
Remote
controls
Pressing the battery-chamber latch to the right (q), insert a fingernail into the
gap and open the battery chamber (w). Ensure that the battery is inserted in the
correct orientation (r).
The D600 is equipped with an accessory terminal for
which connect with the 4mark on the connector
aligned with the 2next to the accessory terminal (close
the camera connector cover when the terminal is not in
use).
Accessory
terminal
accessories
Microphones
Wireless
mobile
adapters
Wireless Mobile Adapter WU-1b: Supports two-way communication between the
camera and smart devices running the Wireless Mobile Adapter Utility.
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Attaching a Power Connector and AC Adapter
Turn the camera off before attaching an optional power connector and AC adapter.
1 Ready the camera.
Open the battery-chamber (q) and power
connector (w) covers.
2 Insert the EP-5B power connector.
Be sure to insert the connector in the orientation
shown, using the connector to keep the orange
battery latch pressed to one side. The latch locks
the connector in place when the connector is
fully inserted.
3 Close the battery-chamber cover.
Position the power connector cable so that it
passes through the power connector slot and
close the battery-chamber cover.
4 Connect the AC adapter.
Connect the AC adapter power cable to the AC socket on AC adapter (e) and
the EP-5B power cable to the DC socket (r). A V icon is displayed in the
monitor when the camera is powered by the AC adapter and power connector.
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Caring for the Camera
Storage
When the camera will not be used for an extended period, replace the monitor cover,
remove the battery, and store the battery in a cool, dry area with the terminal cover
in place. To prevent mold or mildew, store the camera in a dry, well-ventilated area.
Do not store your camera with naphtha or camphor moth balls or in locations that:
• are poorly ventilated or subject to humidities of over 60%
• are next to equipment that produces strong electromagnetic fields, such as
televisions or radios
• are exposed to temperatures above 50 °C (122 °F) or below –10 °C (14 °F)
Cleaning
Use a blower to remove dust and lint, then wipe gently with a soft, dry cloth. After
Camera
body
using the camera at the beach or seaside, wipe off sand or salt with a cloth lightly
dampened in distilled water and dry thoroughly. Important: Dust or other foreign
matter inside the camera may cause damage not covered under warranty.
These glass elements are easily damaged. Remove dust and lint with a blower. If
using an aerosol blower, keep the can vertical to prevent the discharge of liquid. To
remove fingerprints and other stains, apply a small amount of lens cleaner to a soft
cloth and clean with care.
Lens,
mirror, and
viewfinder
Remove dust and lint with a blower. When removing fingerprints and other stains,
wipe the surface lightly with a soft cloth or chamois leather. Do not apply pressure,
as this could result in damage or malfunction.
Monitor
Do not use alcohol, thinner, or other volatile chemicals.
D Servicing the Camera and Accessories
The camera is a precision device and requires regular servicing. Nikon recommends that the
camera be inspected by the original retailer or Nikon-authorized service representative once
every one to two years, and that it be serviced once every three to five years (note that fees
apply to these services). Frequent inspection and servicing are particularly recommended if
the camera is used professionally. Any accessories regularly used with the camera, such as
lenses or optional Speedlights, should be included when the camera is inspected or
serviced.
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The Low-Pass Filter
The image sensor that acts as the camera’s picture element is fitted with a low-pass
filter to prevent moiré. If you suspect that dirt or dust on the filter is appearing in
photographs, you can clean the filter using the Clean image sensor option in the
setup menu. The filter can be cleaned at any time using the Clean now option, or
cleaning can be performed automatically when the camera is turned on or off.
❚❚“Clean Now”
1 Select Clean image sensor in the setup
menu.
Press the G button to display the menus.
Highlight Clean image sensor in the setup
menu and press 2.
G button
2 Select Clean now.
The camera will check the image sensor and
then begin cleaning. This process takes
about 10 seconds; during this time, P
flashes in the control panel and other
operations can not be performed. Do not
remove or disconnect the power source until
cleaning is complete and P is no longer
displayed.
A Place the Camera Base Down
Image sensor cleaning is most effective when the camera is placed
base down as shown at right.
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❚❚“Clean at Startup/Shutdown”
Choose from the following options:
Option
Description
The image sensor is automatically cleaned each time the camera is
turned on.
The image sensor is automatically cleaned during shutdown each time
the camera is turned off.
5
6
7
Clean at startup
Clean at
shutdown
Clean at startup &
shutdown
Cleaning off
The image sensor is cleaned automatically at startup and at shutdown.
Automatic image sensor cleaning off.
1 Select Clean at startup/shutdown.
Display the Clean image sensor menu as
described in Step 2 on the previous page.
Highlight Clean at startup/shutdown and
press 2.
2 Select an option.
Highlight an option and press J.
D Image Sensor Cleaning
Using camera controls during startup interrupts image sensor cleaning. Image sensor
cleaning may not be performed at startup if the flash is charging.
Cleaning is performed by vibrating the low-pass filter. If dust can not be fully removed using
consult a Nikon-authorized service representative.
If image sensor cleaning is performed several times in succession, image sensor cleaning
may be temporarily disabled to protect the camera’s internal circuitry. Cleaning can be
performed again after a short wait.
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❚❚Manual Cleaning
If foreign matter can not be removed from the low-pass filter using the Clean image
described below. Note, however, that the filter is extremely delicate and easily
damaged. Nikon recommends that the filter be cleaned only by Nikon-authorized
service personnel.
1 Charge the battery or connect an AC adapter.
A reliable power source is required when inspecting or cleaning the low-pass
filter. Turn the camera off and insert a fully-charged EN-EL15 battery or connect
an optional EP-5B power connector and EH-5b AC adapter. The Lock mirror up
for cleaning option is only available in the setup menu at battery levels over
J.
2 Remove the lens.
Turn the camera off and remove the lens.
3 Select Lock mirror up for cleaning.
Turn the camera on and press the G
button to display the menus. Highlight Lock
mirror up for cleaning in the setup menu
and press 2.
G button
4 Press J.
The message shown at right will be
displayed in the monitor and a row of dashes
will appear in the control panel and
viewfinder. To restore normal operation
without inspecting the low-pass filter, turn
the camera off.
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5 Raise the mirror.
Press the shutter-release button all the way
down. The mirror will be raised and the
shutter curtain will open, revealing the low-
pass filter. The display in the viewfinder will
turn off and the row of dashes in the control panel will flash.
6 Examine the low-pass filter.
Holding the camera so that light falls on the low-pass filter,
examine the filter for dust or lint. If no foreign objects are
present, proceed to Step 8.
7 Clean the filter.
Remove any dust and lint from the filter with a blower. Do
not use a blower-brush, as the bristles could damage the
filter. Dirt that can not be removed with a blower can only
be removed by Nikon-authorized service personnel.
Under no circumstances should you touch or wipe the
filter.
8 Turn the camera off.
The mirror will return to the down position and the shutter curtain will close.
Replace the lens or body cap.
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A Use a Reliable Power Source
The shutter curtain is delicate and easily damaged. If the camera powers off while the mirror
is raised, the curtain will close automatically. To prevent damage to the curtain, observe the
following precautions:
• Do not turn the camera off or remove or disconnect the power source while the mirror is
raised.
• If the battery runs low while the mirror is raised, a beep will sound and the self-timer lamp
will flash to warn that the shutter curtain will close and the mirror will be lowered after
about two minutes. End cleaning or inspection immediately.
D Foreign Matter on the Low-Pass Filter
Nikon takes every possible precaution to prevent foreign matter from coming into contact
with the low-pass filter during production and shipping. The D600, however, is designed to
be used with interchangeable lenses, and foreign matter may enter the camera when lenses
are removed or exchanged. Once inside the camera, this foreign matter may adhere to the
low-pass filter, where it may appear in photographs taken under certain conditions. To
protect the camera when no lens is in place, be sure to replace the body cap provided with
the camera, being careful to first remove all dust and other foreign matter that may be
adhering to the body cap. Avoid exchanging lenses in dusty environments.
Should foreign matter find its way onto the low-pass filter, clean the filter as described
above, or have the filter cleaned by authorized Nikon service personnel. Photographs
affected by the presence of foreign matter on the filter can be retouched using Capture NX 2
imaging applications.
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Caring for the Camera and Battery:
Cautions
Do not drop: The product may malfunction if subjected to strong shocks or vibration.
Keep dry: This product is not waterproof, and may malfunction if immersed in water or exposed
to high levels of humidity. Rusting of the internal mechanism can cause irreparable damage.
Avoid sudden changes in temperature: Sudden changes in temperature, such as those that occur
when entering or leaving a heated building on a cold day, can cause condensation inside the
device. To prevent condensation, place the device in a carrying case or plastic bag before
exposing it to sudden changes in temperature.
Keep away from strong magnetic fields: Do not use or store this device in the vicinity of equipment
that generates strong electromagnetic radiation or magnetic fields. Strong static charges or
the magnetic fields produced by equipment such as radio transmitters could interfere with the
monitor, damage data stored on the memory card, or affect the product’s internal circuitry.
Do not leave the lens pointed at the sun: Do not leave the lens pointed at the sun or other strong light
source for an extended period. Intense light may cause the image sensor to deteriorate or
produce a white blur effect in photographs.
Turn the product off before removing or disconnecting the power source: Do not unplug the product or
remove the battery while the product is on or while images are being recorded or deleted.
Forcibly cutting power in these circumstances could result in loss of data or in damage to
product memory or internal circuitry. To prevent an accidental interruption of power, avoid
carrying the product from one location to another while the AC adapter is connected.
Cleaning: When cleaning the camera body, use a blower to gently remove dust and lint, then
wipe gently with a soft, dry cloth. After using the camera at the beach or seaside, wipe off any
sand or salt using a cloth lightly dampened in pure water and then dry the camera thoroughly.
In rare instances, static electricity may cause LCDs to light up or go dark. This does not indicate
a malfunction, and the display will soon return to normal.
The lens and mirror are easily damaged. Dust and lint should be gently removed with a blower.
When using an aerosol blower, keep the can vertical to prevent discharge of liquid. To remove
fingerprints and other stains from the lens, apply a small amount of lens cleaner to a soft cloth
and wipe the lens carefully.
Lens contacts: Keep the lens contacts clean.
Do not touch the shutter curtain: The shutter curtain is extremely thin and easily damaged. Under
no circumstances should you exert pressure on the curtain, poke it with cleaning tools, or
subject it to powerful air currents from a blower. These actions could scratch, deform, or tear
the curtain.
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Storage: To prevent mold or mildew, store the camera in a dry, well-ventilated area. If you are
using an AC adapter, unplug the adapter to prevent fire. If the product will not be used for an
extended period, remove the battery to prevent leakage and store the camera in a plastic bag
containing a desiccant. Do not, however, store the camera case in a plastic bag, as this may
cause the material to deteriorate. Note that desiccant gradually loses its capacity to absorb
moisture and should be replaced at regular intervals.
To prevent mold or mildew, take the camera out of storage at least once a month. Turn the
camera on and release the shutter a few times before putting it away.
Store the battery in a cool, dry place. Replace the terminal cover before putting the battery
away.
Notes on the monitor: The monitor is constructed with extremely high precision; at least 99.99% of
pixels are effective, with no more than 0.01% being missing or defective. Hence while these
displays may contain pixels that are always lit (white, red, blue, or green) or always off (black),
this is not a malfunction and has no effect on images recorded with the device.
Images in the monitor may be difficult to see in a bright light.
Do not apply pressure to the monitor, as this could cause damage or malfunction. Dust or lint
on the monitor can be removed with a blower. Stains can be removed by wiping lightly with a
soft cloth or chamois leather. Should the monitor break, care should be taken to avoid injury
from broken glass and to prevent liquid crystal from the monitor touching the skin or entering
the eyes and mouth.
Replace the monitor cover when transporting the camera or leaving it unattended.
Batteries: Batteries may leak or explode if improperly handled. Observe the following
precautions when handling batteries:
• Use only batteries approved for use in this equipment.
• Do not expose the battery to flame or excessive heat.
• Keep the battery terminals clean.
• Turn the product off before replacing the battery.
• Remove the battery from the camera or charger when not in use and replace the terminal
cover. These devices draw minute amounts of charge even when off and could draw the
battery down to the point that it will no longer function. If the battery will not be used for
some time, insert it in the camera and run it flat before removing it and storing it in a location
with an ambient temperature of 15 to 25 °C (59 to 77 °F; avoid hot or extremely cold
locations). Repeat this process at least once every six months.
• Turning the camera on or off repeatedly when the battery is fully discharged will shorten
battery life. Batteries that have been fully discharged must be charged before use.
• The internal temperature of the battery may rise while the battery is in use. Attempting to
charge the battery while the internal temperature is elevated will impair battery
performance, and the battery may not charge or charge only partially. Wait for the battery
to cool before charging.
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• Continuing to charge the battery after it is fully charged can impair battery performance.
• A marked drop in the time a fully charged battery retains its charge when used at room
temperature indicates that it requires replacement. Purchase a new EN-EL15 battery.
• Charge the battery before use. When taking photographs on important occasions, ready a
spare EN-EL15 battery and keep it fully charged. Depending on your location, it may be
difficult to purchase replacement batteries on short notice. Note that on cold days, the
capacity of batteries tends to decrease. Be sure the battery is fully charged before taking
photographs outside in cold weather. Keep a spare battery in a warm place and exchange
the two as necessary. Once warmed, a cold battery may recover some of its charge.
• Used batteries are a valuable resource; recycle in accord with local regulations.
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Available Settings
The following table lists the settings that can be adjusted in each mode.
k, p, l, m,
n, o, r, t,
x, y, 1, 2,
i
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
j
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
P
S, A, M s, 0 u, v
w
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
z
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
3
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
Image quality 1, 2
Image size 1, 2
White balance 1, 2
3
3
2
2
3
3
3
3
—
—
✔
—
—
—
—
—
✔
✔
✔
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
✔
✔
✔
✔
—
✔
✔
✔
✔
✔
—
✔
✔
✔
—
✔
✔
✔
✔
✔
—
✔
✔
✔
—
✔
✔
✔
—
✔
✔
✔
4
4
4
4
4
4
4
Multiple exposure 1, 2
✔
✔
✔
✔
✔
✔
—
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
✔
—
✔
✔
✔
—
✔
✔
✔
—
✔
✔
✔
5
5
5
5
5
5
5
Autofocus mode (viewfinder)
AF-area mode (viewfinder)
AF mode (Live view/movie)
AF-area mode (Live view/movie)
AE lock hold
Flexible program
Metering
Exposure compensation
Bracketing
Flash mode
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
✔
✔
✔
✔
✔
✔
✔
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
5
5
5
✔
—
✔
✔
—
✔
✔
—
✔
Flash compensation
FV lock
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k, p, l, m,
n, o, r, t,
x, y, 1, 2,
i
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
j
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
P
S, A, M s, 0 u, v
w
✔
✔
✔
✔
✔
✔
—
✔
✔
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
z
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
3
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
✔
✔
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k, p, l, m,
n, o, r, t,
x, y, 1, 2,
i
✔
—
j
✔
—
P
✔
✔
S, A, M s, 0 u, v
w
✔
—
z
✔
—
3
✔
—
✔
✔
✔
Optional flash
✔
—
—
—
—
✔
✔
—
—
—
—
—
—
—
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
—
—
—
—
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
3 Fixed at Auto.
4 Auto ISO sensitivity control is not available.
5 Reset when mode dial is rotated to new setting.
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Defaults
The default settings for the options in the camera menus are listed below. For
information on two-button resets, see page 151.
❚❚Playback Menu Defaults
Option
Default
ND600
Off
Show next
On
0
Option
Default
0
Still images and
movies
Image type
Frame interval
2 s
❚❚Shooting Menu Defaults 1
Option
Default
DSC
Overflow
0
Option
Default
Normal
Off
0
Normal
Large
ISO sensitivity
Auto DX crop
On
P, S, A, M
Other modes
100
Auto
Off
Choose image area
FX (36×24)
Size priority
Auto ISO sensitivity control
Multiple exposure mode
Number of shots
Auto gain
Lossless
compressed
14-bit
5000 K
d-1
Standard
Off
Type
Off
2
On
Reset 3
Reset 4
NEF (RAW) bit depth
Fine-tuning
Choose color temp.
Preset manual
P, S, A, M, 1, 2, 3
Other modes
Frame size/frame rate
Movie quality
Microphone
1920×1080; 30p
High quality
Auto sensitivity
Slot 1
sRGB
Destination
Off
Auto
HDR mode
Exposure differential
Smoothing
Off
Auto
Normal
2 Reset shooting menu can not be selected while shooting is in progress.
3 Start time reset to Now, interval reset to 1 minute, number of intervals and number of shots reset to 1,
and Start set to Off. Shooting ends when reset is performed.
4 Interval reset to 5 s, recording time to 25 minutes.
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❚❚Custom Settings Menu Defaults *
Option
Matrix metering
Default
Release
Focus
3 (Normal)
Auto
No wrap
39 points
On
1/3 step
1/3 step
Off
0
Option
Default
Auto
Off
Off
On
0
Use MB-D14
batteries first
1/200 s
1/60 s
d13 Battery order
Optional flash
TTL
ø 12 mm
Entire frame
On
AE & flash
MTR > under >
over
Select center focus
point
0
0
0
Off
6 s
Center-weighted metering
Spot metering
c3 Self-timer
Self-timer delay
Number of shots
Interval between shots
Playback
10 s
1
0.5 s
Preview
AE/AF lock
Exposure
compensation: U
Shutter speed/
aperture: U
Off
Sub-command dial
Off
10 s
1 min
10 s
4 s
10 min
1 min
Menus
Information display
Image review
Reverse rotation
Change main/sub
Aperture setting
Menus and playback
Live view
d1 Beep
No
Volume
Pitch
Off
High
Off
AE/AF lock
None
AE/AF lock
d4 Screen tips
On
3 fps
100
On
Take photos
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❚❚Setup Menu Defaults
Option
Save to U1
Save to U2
Manual
Default
0
Option
Daylight saving time
Default
Auto
0
Shooting mode
defaults to P
Off
On
Manual
0
Standby timer
Use GPS to set camera clock
Eye-Fi upload
Enable
Yes
Enable
Clean at startup &
shutdown
Clean at startup/shutdown
Output resolution
Device control
Auto
On
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Exposure Program (Mode P)
The exposure program for mode P is shown in the following graph:
ISO 100; lens with maximum aperture of f/1.4 and minimum
aperture of f/16 (e.g., AF-S NIKKOR 50mm f/1.4G)
f/1
f/1.4
f/2
f/2.8
f/4
f/5.6
f/8
f/11
f/16
f/22
f/32
30" 15" 8" 4" 2" 1"
2
4
8
15 30 60 125 250 500 1000 2000 4000 8000
Shutter speed (seconds)
The maximum and minimum values for EV vary with ISO sensitivity; the above graph
assumes an ISO sensitivity of ISO 100 equivalent. When matrix metering is used,
values over 161/3 EV are reduced to 161/3 EV.
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Troubleshooting
If the camera fails to function as expected, check the list of common problems below
before consulting your retailer or Nikon-authorized service representative.
Display
Viewfinder is out of focus: Adjust viewfinder focus or use optional eyepiece correction lenses
Displays turn off without warning: Choose longer delays for Custom Setting c2 (Standby timer) or
Control panel and viewfinder displays are unresponsive and dim: The response times and brightness of
these displays vary with temperature.
Fine lines are visible around active focus point or display turns red when focus point is highlighted: These
phenomena are normal for this type of viewfinder and do not indicate a malfunction.
A If the Camera Stops Responding
In extremely rare instances, the displays may not respond as expected and the camera may
stop functioning. In most cases, this phenomenon is caused by a strong external static
charge. Turn the camera off, remove and replace the battery, taking care to avoid burns, and
turn the camera on again, or, if you are using an AC adapter (available separately), disconnect
and reconnect the adapter and turn the camera on again. If the problem persists, contact
your retailer or Nikon-authorized service representative.
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Shooting (All Modes)
Camera takes time to turn on: Delete files or folders.
Shutter-release disabled:
• CPU lens with aperture ring attached but aperture not locked at highest f-number. If B is
displayed in control panel, select Aperture ring for Custom Setting f5 (Customize
Camera is slow to respond to shutter-release button: Select Off for Custom Setting d10 (Exposure
No photo taken when remote control shutter-release button is pressed:
camera shutter-release button halfway.
• Bright light is interfering with remote.
Photos are out of focus:
Focus does not lock when shutter-release button is pressed halfway: Use A AE-L/AF-L button to lock focus
when AF-C is selected for focus mode or when photographing moving subjects in AF-A mode.
Can not select focus point:
• Auto-area AF or face-priority AF selected for AF-area mode: choose another mode.
Only one shot taken each time shutter-release button is pressed in continuous release mode: Continuous
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Noise (bright spots, randomly-spaced bright pixels, fog, or lines) appear in photos:
AF-assist illuminator does not light:
servo autofocus is selected when the camera is in AF-A mode. Choose AF-S. If an option other
• The camera is currently in live view or a movie is being recorded.
•
• Illuminator has turned off automatically. Illuminator may become hot with continued use;
wait for lamp to cool down.
Smudges appear in photographs: Clean front and rear lens elements. If problem persists, perform
Sound is not recorded with movies: Microphone off is selected for Movie settings > Microphone.
The brightness of the image in the monitor differs from the exposure of photographs taken in live view:
• The camera is in mode M.
• The subject is too bright or too dark.
Flicker or banding appears during live view or movie recording: Choose an option for Flicker reduction
Bright bands appear during live view or movie recording: A flashing sign, flash, or other light source with
brief duration was used during live view or movie recording.
Menu item can not be selected: Some options are not available in all modes.
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Shooting (P, S, A, M)
Shutter-release disabled:
• Mode dial rotated to S after shutter speed of A selected in mode M: choose new shutter
Full range of shutter speeds not available: Flash in use. Flash sync speed can be selected using
Custom Setting e1 (Flash sync speed); when using compatible flash units, choose 1/250 s
Colors are unnatural:
Image can not be selected as source for preset white balance: Image was not created with D600 (0124).
White balance bracketing unavailable:
Effects of Picture Control differ from image to image: A (auto) is selected for sharpening, contrast, or
Noise (reddish areas or other artifacts) appears in long time-exposures: Enable long exposure noise
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Playback
Can not view pictures recorded with other cameras: Pictures recorded with other makes of camera may
not be displayed correctly.
Message is displayed stating that no images are available for playback: Select All for Playback folder
“Tall” (portrait) orientation photos are displayed in “wide” (landscape) orientation:
Can not delete picture:
Can not change print order:
Can not select photo for printing: Photo is in NEF (RAW) format. Create JPEG copy using NEF (RAW)
processing or transfer to computer and print using ViewNX 2 (supplied) or Capture NX 2
(available separately).
Picture is not displayed on TV:
Camera does not respond to remote control for HDMI-CEC television:
• Adjust HDMI-CEC settings for the television as described in documentation provided with
the device.
Can not transfer photos to computer: OS not compatible with camera or transfer software. Use card
Image Dust Off option in Capture NX 2 does not have desired effect: Image sensor cleaning changes the
position of dust on the low-pass filter. Dust off reference data recorded before image sensor
cleaning is performed can not be used with photographs taken after image sensor cleaning is
performed. Dust off reference data recorded after image sensor cleaning is performed can not
Computer displays NEF (RAW) images differently from camera: Third-party software does not display
effects of Picture Controls, Active D-Lighting, or vignette control. Use ViewNX 2 (supplied) or
optional Nikon software such as Capture NX 2 (available separately).
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Error Messages
This section lists the indicators and error messages that appear in the viewfinder,
control panel, and monitor.
Indicator
Control
panel
View-
finder
Problem
Solution
0
B
Lens aperture ring is not set to Set ring to minimum aperture
(flashes)
minimum aperture.
Low battery.
(highest f-number).
Ready a fully-charged spare
battery.
H
d
• Battery exhausted.
• Battery can not be used.
• Recharge or replace battery.
• Contact Nikon-authorized
service representative.
• Replace the battery, or
recharge the battery if the
rechargeable Li-ion battery
• An extremely exhausted
rechargeable Li-ion battery
or a third-party battery is
H
d
(flashes) (flashes)
inserted either in the camera is exhausted.
or in the optional MB-D14
battery pack.
No lens attached, or non-CPU
lens attached without
Aperture value will be
F
specifying maximum aperture. displayed if maximum aperture
Aperture shown in stops from is specified.
maximum aperture.
2 4 Camera unable to focus using Change composition or focus
—
(flashes) autofocus.
manually.
• No lens attached.
• Attach non-IX Nikkor lens.
If a CPU lens is attached,
remove and reattach the
lens.
i
(flashes)
• Non-CPU lens attached.
• Select mode A or M.
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Indicator
Control
panel
View-
finder
Problem
Solution
0
• Use a lower ISO sensitivity
• In shooting mode:
Subject too bright; photo will
be overexposed.
P
S
A
Use optional ND filter
Increase shutter speed
Choose a smaller aperture
(higher f-number)
(Exposure
indicators and
shutter speed or
aperture display
flash)
• Use a higher ISO sensitivity
• In shooting mode:
P
S
Subject too dark; photo will be
underexposed.
Use flash
Lower shutter speed
Choose a larger aperture
(lower f-number)
A
A
(flashes)
%
Change shutter speed or select
mode M.
Change shutter speed or select
mode M.
Wait until processing is
complete.
A selected in mode S.
% selected in mode S.
—
(flashes)
P
k
Images are being processed.
(flashes) (flashes)
If indicator flashes for 3s after Check photo in monitor; if
c
—
flash fires, photo may be
underexposed.
underexposed, adjust settings
and try again.
(flashes)
Memory insufficient to record • Reduce quality or size.
n
j
further photos at current
• Delete photographs.
(flashes) (flashes) settings, or camera has run out
of file or folder numbers.
• Insert new memory card.
Release shutter. If error persists
or appears frequently, consult
Nikon-authorized service
representative.
O
Camera malfunction.
(flashes)
—
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Indicator
Control
panel
Monitor
Problem
Solution
0
Camera cannot detect Turn camera off and confirm
No memory card.
S
memory card.
• Error accessing
memory card.
that card is correctly inserted.
• Use Nikon-approved card.
• Check that contacts are
clean. If card is damaged,
contact retailer or Nikon-
authorized service
—
This memory card
cannot be used.
Card may be
damaged.
Insert another card.
W,
O
representative.
• Unable to create new • Delete files or insert new
(flashes)
folder.
memory card after copying
important images to
computer or other device.
• Check that Eye-Fi card
firmware is up to date.
W,
O
Camera can not control
Eye-Fi card.
g
a computer or other device
and format card, or insert
new card.
(flashes)
Memory card is
locked. Slide lock to
“write” position.
W,
X
Memory card is locked
(write protected).
(flashes)
W,
O
Slide card write-protect
switch to “write” position.
Not available if
Eye-Fi card is locked.
Eye-Fi card is locked
(write protected).
(flashes)
This card is not
formatted.
Memory card has not
been formatted for use in
camera.
[C]
(flashes)
Format memory card or insert
new memory card.
Format the card.
Clock has been reset
Failed to update
flash unit firmware.
Flash cannot be
used.
Contact a Nikon-
authorized service
representative.
—
Camera clock is not set. Set camera clock.
Firmware for flash unit
mounted on camera was
not updated correctly.
Contact a Nikon-authorized
service representative.
—
—
Wait for the internal circuits
to cool before resuming live
view or movie recording.
Unable to start live
view. Please wait.
The internal temperature
of the camera is high.
—
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Indicator
Control
panel
Monitor
Problem
Solution
0
Select folder containing
images from Playback folder
menu or insert memory card
containing images.
No images on memory
card or in folder(s)
selected for playback.
Folder contains no
images.
—
No images can be played
back until another folder has
been selected or Hide image
used to allow at least one
image to be displayed.
All images are
hidden.
All photos in current
folder are hidden.
—
File has been created or
modified using a
computer or different
make of camera, or file is
corrupt.
Cannot display this
file.
File can not be played back
on camera.
—
—
Images created with other
devices can not be
retouched.
• Movies created with other
devices can not be edited.
• Movies must be at least
two seconds long.
Cannot select this
file.
Selected image can not
be retouched.
—
—
—
This movie cannot be
edited.
The selected movie can
not be edited.
Check printer. To resume,
select Continue (if available).
Paper in printer is not of Insert paper of correct size
Check printer.
Check paper.
Paper jam.
—
—
—
—
—
—
Printer error.
196 *
196 *
196 *
196 *
196 *
196 *
selected size.
Paper is jammed in
printer.
and select Continue.
Clear jam and select
Continue.
Insert paper of selected size
and select Continue.
Check ink. To resume, select
Continue.
Out of paper.
Check ink supply.
Out of ink.
Printer is out of paper.
Ink error.
Replace ink and select
Continue.
Printer is out of ink.
* See printer manual for more information.
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Specifications
❚❚Nikon D600 Digital Camera
Type
Type
Single-lens reflex digital camera
Lens mount
Nikon F mount (with AF coupling and AF contacts)
Effective pixels
Effective pixels
24.3 million
Image sensor
Image sensor
Total pixels
35.9 × 24.0 mm CMOS sensor (Nikon FX format)
24.7 million
Dust-reduction System Image sensor cleaning, Image Dust Off reference data (optional
Capture NX 2 software required)
Storage
Image size (pixels)
•
•
•
•
FX (36×24) image area
6,016 × 4,016 (#)
DX (24×16) image area
3,936 × 2,624 (#)
FX-format photographs taken in movie live view
6,016 × 3,376 (#) 4,512 × 2,528 ($)
DX-format photographs in movie live view
3,936 × 2,224 (#) 2,944 × 1,664 ($)
4,512 × 3,008 ($)
3,008 × 2,008 (%)
1,968 × 1,312 (%)
3,008 × 1,688 (%)
1,968 × 1,112 (%)
2,944 × 1,968 ($)
File format
•
•
NEF (RAW): 12 or 14 bit, lossless compressed or compressed
JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx.
1 : 8), or basic (approx. 1 : 16) compression (Size priority); Optimal
quality compression available
•
NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and
JPEG formats
Picture Control System Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected
Picture Control can be modified; storage for custom Picture Controls
Media
Double slot
SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards
Slot 2 can be used for overflow or backup storage or for separate storage
of copies created using NEF+JPEG; pictures can be copied between
cards.
File system
DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order
Format), Exif (Exchangeable Image File Format for Digital Still Cameras)
2.3, PictBridge
Viewfinder
Viewfinder
Eye-level pentaprism single-lens reflex viewfinder
Frame coverage
•
•
FX (36×24): Approx. 100% horizontal and 100% vertical
DX (24×16): Approx. 97% horizontal and 97% vertical
Magnification
Eyepoint
Approx. 0.7 × (50 mm f/1.4 lens at infinity, –1.0 m–1
)
21 mm (–1.0 m–1; from center surface of viewfinder eyepiece lens)
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Viewfinder
Diopter adjustment
Focusing screen
–3–+1 m–1
Type B BriteView Clear Matte Mark VIII screen with AF area brackets
(framing grid can be displayed)
Reflex mirror
Quick return
Depth-of-field preview Pressing depth-of-field preview button stops lens aperture down to
value selected by user (A and M modes) or by camera (other modes)
Lens aperture
Instant return, electronically controlled
Lens
Compatible lenses
Compatible with AF NIKKOR lenses, including type G and D lenses (some
restrictions apply to PC lenses) and DX lenses (using DX 24 × 16 1.5×
image area), AI-P NIKKOR lenses, and non-CPU AI lenses (A and M modes
only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be
used.
The electronic rangefinder can be used with lenses that have a
maximum aperture of f/5.6 or faster (the electronic rangefinder supports
the center 7 focus points with lenses that have a maximum aperture of
f/8 or faster and the center 33 focus points with lenses that have a
maximum aperture of f/6.8 or faster)
Shutter
Type
Speed
Electronically-controlled vertical-travel focal-plane shutter
1/4000 – 30 s in steps of 1/3 or 1/2 EV, bulb, time (requires optional ML-L3
remote control), X200
X=1/200 s; synchronizes with shutter at 1/250 s or slower (flash range drops
at speeds between 1/200 and 1/250 s)
Flash sync speed
Release
Release mode
S (single frame), CL (continuous low speed), CH (continuous high speed),
J (quiet shutter-release), E (self-timer), 4 (remote control), MUP (mirror
up)
Frame advance rate
Self-timer
1–5 fps (CL) or 5.5 fps (CH)
2 s, 5 s, 10 s, 20 s; 1–9 exposures at intervals of 0.5, 1, 2, or 3 s
Remote release modes Delayed remote, quick-response remote, remote mirror-up
Exposure
Metering
TTL exposure metering using 2,016-pixel RGB sensor
Metering method
•
Matrix: 3D color matrix metering II (type G and D lenses); color matrix
metering II (other CPU lenses); color matrix metering available with
non-CPU lenses if user provides lens data
•
Center-weighted: Weight of 75% given to 12 mm circle in center of frame.
Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can
be based on average of entire frame (non-CPU lenses use 12-mm circle
or average of entire frame)
•
Spot: Meters 4 mm circle (about 1.5% of frame) centered on selected
focus point (on center focus point when non-CPU lens is used)
Matrix or center-weighted metering: 0–20 EV
Range (ISO 100, f/1.4
lens, 20 °C/68 °F)
•
•
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Exposure
Exposure meter
coupling
Combined CPU and AI
Mode
Auto (i auto; j auto (flash off)); scene (kportrait; l landscape; pchild; m sports;
n close up; o night portrait; r night landscape; s party/indoor; t beach/snow; u sunset;
vdusk/dawn; w pet portrait; xcandlelight; y blossom; z autumn colors; 0 food;
1 silhouette; 2 high key; 3 low key); programmed auto with flexible program
(P); shutter-priority auto (S); aperture-priority auto (A); manual (M); U1 (user
settings 1); U2 (user settings 2)
Exposure compensation –5 – +5 EV in increments of 1/3 or 1/2 EV
Exposure bracketing 2–3 frames in steps of 1/3, 1/2, 2/3, 1, 2, or 3 EV
Flash bracketing
White balance
bracketing
2–3 frames in steps of 1/3, 1/2, 2/3, 1, 2, or 3 EV
2–3 frames in steps of 1, 2, or 3
ADL bracketing
2 frames using selected value for one frame or 3 frames using preset
values for all frames
Exposure lock
ISO sensitivity
(Recommended
Exposure Index)
Luminosity locked at detected value with A AE-L/AF-L button
ISO 100 – 6400 in steps of 1/3 or 1/2 EV. Can also be set to approx. 0.3, 0.5,
0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1,
or 2 EV (ISO 25600 equivalent) above ISO 6400; auto ISO sensitivity
control available
Active D-Lighting
Auto, Extra high, High, Normal, Low, Off
Focus
Autofocus
Nikon Multi-CAM 4800 autofocus sensor module with TTL phase
detection, fine-tuning, 39 focus points (including 9 cross-type sensors;
the center 33 points are available at apertures slower than f/5.6 and
faster than f/8, while the center 7 focus points are available at f/8), and
AF-assist illuminator (range approx. 0.5–3 m/1 ft 8 in.–9 ft 10 in.)
–1 – +19 EV (ISO 100, 20 °C/68 °F)
Detection range
Lens servo
•
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); auto
AF-S/AF-C selection (AF-A); predictive focus tracking activated
automatically according to subject status
•
Manual focus (M): Electronic rangefinder can be used
Focus point
Can be selected from 39 or 11 focus points
AF-area mode
Single-point AF; 9-, 21-, or 39-point dynamic-area AF, 3D-tracking,
auto-area AF
Focus lock
Focus can be locked by pressing shutter-release button halfway (single-
servo AF) or by pressing A AE-L/AF-L button
Flash
Built-in flash
i, k, p, n, o, s, w: Auto flash with auto pop-up
P, S, A, M, 0: Manual pop-up with button release
Guide Number
Flash control
Approx. 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 °C/68 °F)
TTL: i-TTL flash control using 2,016-pixel RGB sensor is available with
built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, or SB-400; i-TTL
balanced fill-flash for digital SLR is used with matrix and center-weighted
metering, standard i-TTL flash for digital SLR with spot metering
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Flash
Flash mode
Auto, auto with red-eye reduction, auto slow sync, auto slow sync with
red-eye reduction, fill-flash, red-eye reduction, slow sync, slow sync with
red-eye reduction, rear-curtain with slow sync, rear-curtain sync, off;
Auto FP High-Speed Sync supported
Flash compensation
–3 – +1 EV in increments of 1/3 or 1/2 EV
Flash-ready indicator Lights when built-in flash or optional flash unit is fully charged; flashes
after flash is fired at full output
Accessory shoe
ISO 518 hot-shoe with sync and data contacts and safety lock
Nikon Creative Lighting Advanced Wireless Lighting supported with built-in flash, SB-910,
System (CLS)
SB-900, SB-800, or SB-700 as a master flash and SB-600 or SB-R200 as
remotes, or SU-800 as commander; built-in flash can serve as master
flash in commander mode; Auto FP High-Speed Sync and modeling
illumination supported with all CLS-compatible flash units except
SB-400; Flash Color Information Communication and FV lock supported
with all CLS-compatible flash units
Sync terminal
AS-15 sync terminal adapter (available separately)
White balance
White balance
Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash,
cloudy, shade, preset manual (up to 4 values can be stored), choose color
temperature (2500 K–10000 K), all with fine-tuning
Live view
Modes
Live view photography (still images), movie live view (movies)
Lens servo
•
•
Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F)
Manual focus (M)
AF-area mode
Autofocus
Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF
Contrast-detect AF anywhere in frame (camera selects focus point
automatically when face-priority AF or subject-tracking AF is selected)
Movie
Metering
Metering method
TTL exposure metering using main image sensor
Matrix
Frame size (pixels) and • 1,920 × 1,080; 30 p (progressive), 25 p, 24 p
frame rate
• 1,280 × 720; 60 p, 50 p, 30 p, 25 p
Actual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p are 59.94, 50, 29.97,
25, and 23.976 fps respectively; options support both ★high and normal
image quality
File format
MOV
Video compression
H.264/MPEG-4 Advanced Video Coding
Audio recording format Linear PCM
Audio recording device Built-in monaural or external stereo microphone; sensitivity adjustable
Other options
Index marking, time-lapse photography
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Monitor
Monitor
8-cm/3.2-in., approx. 921k-dot (VGA), low-temperature polysilicon TFT
LCD with approx. 170 ° viewing angle, approx. 100% frame coverage, and
automatic monitor brightness control using ambient brightness sensor
Playback
Playback
Full-frame and thumbnail (4, 9, or 72 images or calendar) playback with
playback zoom, movie playback, photo and/or movie slide shows,
histogram display, highlights, photo information, GPS data display, and
auto image rotation
Interface
USB
Hi-Speed USB
HDMI output
Accessory terminal
Type C mini-pin HDMI connector
Remote cord: MC-DC2 (available separately)
GPS unit: GP-1 (available separately)
Stereo mini-pin jack (3.5mm diameter; plug-in power supported)
Stereo mini-pin jack (3.5 mm diameter)
Audio input
Audio output
Supported languages
Supported languages Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch,
English, Finnish, French, German, Greek, Hindi, Hungarian, Indonesian,
Italian, Japanese, Korean, Norwegian, Polish, Portuguese (Portugal and
Brazil), Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian
Power source
Battery
One rechargeable Li-ion EN-EL15 battery
Battery pack
Optional MB-D14 multi-power battery pack with one rechargeable
Nikon EN-EL15 Li-ion battery or six AA alkaline, Ni-MH, or lithium
batteries
AC adapter
EH-5b AC adapter; requires EP-5B power connector (available separately)
Tripod socket
Tripod socket
1/4 in. (ISO 1222)
Dimensions/weight
Dimensions (W × H × D) Approx. 141 × 113 × 82 mm (5.6 × 4.4 × 3.2 in.)
Weight
Approx. 850 g (1 lb 14.0 oz) with battery and memory card but without
body cap; approx. 760 g (1 lb 10.8 oz; camera body only)
Operating environment
Temperature
0–40 °C (+32–104 °F)
Humidity
85% or less (no condensation)
• Unless otherwise stated, all figures are for a camera with a fully-charged battery operating at an ambient
temperature of 20 °C (68 °F).
• Nikon reserves the right to change the specifications of the hardware and software described in this
manual at any time and without prior notice. Nikon will not be held liable for damages that may result
from any mistakes that this manual may contain.
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MH-25 battery charger
Rated input
(in North America)
Rated input
(in other regions)
Rated output
AC 120 V, 60 Hz, 0.2 A
AC 100–240 V, 50/60 Hz, 0.23–0.12 A
DC 8.4 V/1.2 A
Supported batteries
Charging time
Nikon EN-EL15 rechargeable Li-ion batteries
Approx. 2 hours and 35 minutes at an ambient temperature of
25 °C (77 °F) when no charge remains
Operating temperature 0–40 °C (+32–104 °F)
Dimensions (W × H × D) Approx. 91.5 × 33.5 × 71 mm (3.6 × 1.3 × 2.8 in.), excluding projections
Length of power cable Approx. 1.8 m/6 ft (U.S.A. and Canada) or 1.5 m/4.9 ft (other countries)
Weight
Approx. 110 g (3.9 oz), excluding power cable and AC wall adapter
EN-EL15 rechargeable Li-ion battery
Type
Rated capacity
Rechargeable lithium-ion battery
7.0 V/1,900 mAh
Operating temperature 0–40 °C (+32–104 °F)
Dimensions (W × H × D) Approx. 40 × 56 × 20.5 mm (1.6 × 2.2 × 0.8 in.)
Weight
Approx. 88 g (3.1 oz), excluding terminal cover
Nikon reserves the right to change the specifications of the hardware and software described in this
manual at any time and without prior notice. Nikon will not be held liable for damages that may result from
any mistakes that this manual may contain.
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ViewNX 2
CPU
Windows
Mac OS
•
Photographs/JPEG movies: Intel
•
Photographs/JPEGmovies:PowerPC
Celeron, Pentium 4, or Core series,
1.6 GHz or better
G4 (1 GHz or better), G5, Intel
Core series, or Xeon series
H.264 movies (playback): PowerPC
G5 Dual or Core Duo, 2 GHz or
better; Intel Core i5 or better
recommended when viewing
movies with a frame size of
1,280 × 720 or more at a frame
rate of 30 fps or above or
movies with a frame size of
1,920 × 1,080 or more
•
H.264 movies (playback): 3.0 GHz or
better Pentium D; Intel Core i5 or
better recommended when
viewing movies with a frame size
of 1,280 × 720 or more at a frame
rate of 30 fps or above or movies
with a frame size of 1,920 × 1,080
or more
•
•
H.264 movies (editing): 2.6 GHz or
better Core 2 Duo
•
H.264 movies (editing): 2.6 GHz or
better Core 2 Duo
• GPU that supports QuickTime
H.264 hardware acceleration
recommended
OS
Pre-installed versions of Windows 7
Home Basic/Home Premium/
Professional/Enterprise/Ultimate
(Service Pack 1), Windows Vista
Home Basic/Home Premium/
Business/Enterprise/Ultimate
(Service Pack 2), or 32-bit editions of
Windows XP Home Edition/
Mac OS X version 10.5.8, 10.6.8, or
10.7.2
Professional (Service Pack 3). All
installed programs may run as 32-bit
applications in 64-bit editions of
Windows 7 and Windows Vista. This
application is not compatible with
computers running 64-bit
Windows XP.
RAM
•
Windows 7/Windows Vista: 1 GB or
more (2 GB or more
512 MB or more (2 GB or more
recommended)
recommended)
Windows XP: 512 MB or more (2 GB
or more recommended)
•
Hard-disk space
Monitor
A minimum of 500 MB available on the startup disk (1 GB or more
recommended)
Resolution: 1024×768 pixels (XGA) or
more (1280 × 1024 pixels (SXGA) or
more (1280 × 1024 pixels (SXGA) or
more recommended)
Resolution: 1024×768 pixels (XGA) or
more recommended)
Color: 24-bit color (True Color) or more
Color: 24-bit color (millions of colors)
or more
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❚❚Supported Standards
•
DCF Version 2.0: The Design Rule for Camera File Systems (DCF) is a standard widely
used in the digital camera industry to ensure compatibility among different makes
of camera.
•
•
DPOF: Digital Print Order Format (DPOF) is an industry-wide standard that allows
pictures to be printed from print orders stored on the memory card.
Exif version 2.3: The camera supports Exif (Exchangeable Image File Format for
Digital Still Cameras) version 2.3, a standard in which information stored with
photographs is used for optimal color reproduction when the images are output
on Exif-compliant printers.
•
•
PictBridge: A standard developed through cooperation with the digital camera and
printer industries, allowing photographs to be output directly to a printer without
first transferring them to a computer.
HDMI: High-Definition Multimedia Interface is a standard for multimedia interfaces
used in consumer electronics and AV devices capable of transmitting audiovisual
data and control signals to HDMI-compliant devices via a single cable connection.
Trademark Information
Macintosh, Mac OS, and QuickTime are registered trademarks of Apple Inc. in the United States
and/or other countries. Microsoft, Windows, and Windows Vista are either registered
trademarks, or trademarks of Microsoft Corporation in the United States and/or other
countries. PictBridge is a trademark. The SD, SDHC, and SDXC logos are trademarks of the
SD-3C, LLC. HDMI, the
logo and High-Definition Multimedia Interface are
trademarks or registered trademarks of HDMI Licensing LLC. All other trade names mentioned
in this manual or the other documentation provided with your Nikon product are trademarks
or registered trademarks of their respective holders.
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Approved Memory Cards
The following SD memory cards have been tested and approved for use in the
camera. Cards with class 6 or faster write speeds are recommended for movie
recording. Recording may end unexpectedly when cards with slower write speeds
are used.
SD cards
SDHC cards 2
SDXC cards 3
SanDisk
Toshiba
4 GB, 8 GB, 16 GB, 32 GB
64 GB
Panasonic
Lexar Media
Platinum II
Professional
Full-HD Video
4 GB, 6 GB, 8 GB, 12 GB, 16 GB, 24 GB, 32 GB
4 GB, 8 GB, 16 GB
48 GB, 64 GB
—
2 GB 1
4 GB, 8 GB, 16 GB, 32 GB
—
4 GB, 8 GB, 16 GB
1 Check that any card readers or other devices with which the card will be used support 2 GB cards.
2 Check that any card readers or other devices with which the card will be used are SDHC-compliant. The
camera supports UHS-1.
3 Check that any card readers or other devices with which the card will be used are
SDXC-compliant. The camera supports UHS-1.
Other cards have not been tested. For more details on the above cards, please
contact the manufacturer.
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Memory Card Capacity
The following table shows the approximate number of pictures that can be stored on
❚❚FX (36×24) Image Area *
File size 1
No. of images 1
Buffer capacity 2
Image quality
Image size
NEF (RAW), Lossless
compressed, 12-bit
—
23.4 MB
190
22
NEF (RAW), Lossless
compressed, 14-bit
—
29.2 MB
147
16
NEF (RAW), Compressed, 12-bit
NEF (RAW), Compressed, 14-bit
—
—
20.7 MB
25.4 MB
12.4 MB
7.4 MB
3.8 MB
6.2 MB
3.7 MB
1.9 MB
3.2 MB
1.9 MB
1.0 MB
258
215
506
27
16
57
Large
Medium
Small
Large
Medium
Small
Large
Medium
Small
JPEG fine 3
JPEG normal 3
JPEG basic 3
853
100
100
100
100
100
100
100
100
1600
1000
1600
3200
1900
3200
6300
* Includes images taken with non-DX lenses when On is selected for Auto DX crop.
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❚❚DX (24×16) Image Area *
File size 1
No. of images 1
Buffer capacity 2
Image quality
Image size
NEF (RAW), Lossless
compressed, 12-bit
—
10.9 MB
426
62
NEF (RAW), Lossless
compressed, 14-bit
—
13.4 MB
332
38
NEF (RAW), Compressed, 12-bit
NEF (RAW), Compressed, 14-bit
—
—
9.7 MB
11.7 MB
5.9 MB
3.7 MB
2.2 MB
3.0 MB
1.9 MB
1.1 MB
1.5 MB
1.0 MB
0.6 MB
571
480
86
61
Large
Medium
Small
Large
Medium
Small
Large
Medium
Small
1000
1700
2900
2100
3300
5700
4100
6300
10000
100
100
100
100
100
100
100
100
100
JPEG fine 3
JPEG normal 3
JPEG basic 3
* Includes images taken with DX lenses when On is selected for Auto DX crop.
1 All figures are approximate. File size varies with scene recorded.
2 Maximum number of exposures that can be stored in memory buffer at ISO 100. Drops if Optimal
exposure noise reduction or auto distortion control is on.
3 Figures assume JPEG compression is set to Size priority. Selecting Optimal quality increases the file
size of JPEG images; number of images and buffer capacity drop accordingly.
The maximum number of photographs that can be taken in a single burst can be set to any
amount between 1 and 100.
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Battery Life
The number of shots that can be taken with fully-charged batteries varies with the
condition of the battery, temperature, and how the camera is used. In the case of AA
batteries, capacity also varies with make and storage conditions; some batteries can
not be used. Sample figures for the camera and optional MB-D14 multi-power
battery pack are given below.
•
CIPA standard 1
One EN-EL15 battery (camera): Approximately 900 shots
One EN-EL15 battery (MB-D14): Approximately 900 shots
Six AA alkaline batteries (MB-D14): Approximately 450 shots
•
Nikon standard 2
One EN-EL15 battery (camera): Approximately 3900 shots
One EN-EL15 battery (MB-D14): Approximately 3900 shots
Six AA alkaline batteries (MB-D14): Approximately 1300 shots
1 Measured at 23 °C/73.4 °F ( 2 °C/3.6 °F) with an AF-S NIKKOR 24–85mm f/3.5–4.5G ED VR
lens under the following test conditions: lens cycled from infinity to minimum range and
one photograph taken at default settings once every 30 s; flash fired once every other
shot. Live view not used.
2 Measured at 20 °C/68 °F with an AF-S NIKKOR 24–85mm f/3.5–4.5G ED VR lens under the
following test conditions: image quality set to JPEG basic, image size set to M (medium),
shutter speed 1/250 s, shutter-release button pressed halfway for three seconds and focus
cycled from infinity to minimum range three times; six shots are then taken in succession
and monitor turned on for five seconds and then turned off; cycle repeated once standby
timer expires.
The following can reduce battery life:
• Using the monitor
• Keeping the shutter-release button pressed halfway
• Repeated autofocus operations
• Taking NEF (RAW) photographs
• Slow shutter speeds
• Using a GP-1 GPS unit
• Using an Eye-Fi card
• Using a WU-1b wireless mobile adapter
• Using VR (vibration reduction) mode with VR lenses
To ensure that you get the most from rechargeable Nikon EN-EL15 batteries:
• Keep the battery contacts clean. Soiled contacts can reduce battery performance.
• Use batteries immediately after charging. Batteries will lose their charge if left
unused.
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Connector for external
microphone.......................................2
E
G
Green intensifier (Filter effects)......
267
F
D
H
Delayed remote (Remote control
mode)................................................85
I
Direct sunlight (White balance).....
115
n
339
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J
L
Landscape (Set Picture Control) ....
129
Q
N
Quick-response remote (Remote
control mode)................................ 85
R
RAW Slot 1 - JPEG Slot 2 (Role
played by card in Slot 2)............. 96
Remote mirror-up (Remote
control mode)................................ 85
Removing the lens from the
O
M
Optimal quality (JPEG
Manual (Flash cntrl for built-in
compression) ................................. 94
Overflow (Role played by card in
Slot 2)................................................ 96
flash)................................................236
P
camera.............................................. 26
n
340
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T
S
U
V
Vibration reduction mode switch .
25
Size priority (JPEG compression)...
94
Standard i-TTL flash for digital SLR
146
W
n
a
341
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