Casio CELVIANO AP 31V User Manual

USER’S GUIDE

GUÍA DEL USUARIO

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IMPORTANT SAFETY INSTRUCTIONS

“INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK,

OR INJURY TO PERSONS”

WARNING – When using electric products,

basic precautions should always be followed,

including the following:

11. Do not defeat the safety purpose of the

polarized plug. A polarized plug has two

blades with one wider than the other. The

wide blade is provided for your safety. If

the provided plug does not fit into your

outlet, consult an electrician for replace-

ment of the obsolete outlet.

1. Read all the instructions before using the

product.

2. Heed all warnings.

12. Unplug this product during lightning storms

or when unused for long periods of time.

3. Follow all instructions.

4. To reduce the risk of injury, close supervi-

sion is necessary when a product is used

near children.

13. Care should be taken so that objects do

not fall and liquids are not spilled into the

enclosure through openings.

5. Do not use this product near water – for

example, near a bathtub, washbowl,

kitchen sink, in a wet basement, or near a

swimming pool, or the like.

14. The product should be serviced by quali-

fied service personnel when:

A. The power-supply cord or the plug has

been damaged; or

6. This product should be used only with a

stand that is specified by the manufac-

turer.

B Objects have fallen, or liquid has been

spilled into the product; or

C.The product has been exposed to rain or

moisture; or

7. This product, either alone or in combina-

tion with an amplifier and headphones or

speakers, may be capable of producing

sound levels that could cause permanent

hearing loss. Do not operate for a long

period of time at a high volume level or at

a level that is uncomfortable. If you expe-

rience any hearing loss or ringing in the

ears, you should consult an audiologist.

D.The product does not appear to operate

normally or exhibits a marked change in

performance; or

E. The product has been dropped, or the

enclosure damaged.

15. Do not attempt to service the product be-

yond that described in the user - mainte-

nance instructions. All other servicing

should be referred to qualified service per-

sonnel.

8. The product should be located so that its

location or position does not interfere with

its proper ventilation.

9. The product should be located away from

heat sources such as radiators, heat reg-

isters, or other products that produce heat.

16. Clean only with dry cloth.

17. Protect the power cord from being walked

on or pinched particularly at plugs, con-

venience receptacles, and the point where

they exit from the product.

10. The product should be connected to a

power supply only of the type described in

the operating instructions or as marked on

the product.

18. Only use attachments/accessories speci-

fied by the manufacturer.

* 10: applies to the AP-31V/AP-33V

* 11 : applies to the AP-31/AP-33

KEEP THESE INSTRUCTIONS

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NOTICE

This equipment has been tested and found to comply with the limits for a Class B digital

device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide

reasonable protection against harmful interference in a residential installation. This

equipment generates, uses and can radiate radio frequency energy and, if not installed

and used in accordance with the instructions, may cause harmful interference to radio

communications. However, there is no guarantee that interference will not occur in a particular

installation. If this equipment does cause harmful interference to radio or television reception,

which can be determined by turning the equipment off and on, the user is encouraged to

try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the re-

ceiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNING

Changes or modifications not expressly approved by the party responsible for compliance

could void the user’s authority to operate the equipment.

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALIFIED

SERVICE PERSONNEL.

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Introduction

Congratulations on your selection of the CASIO Digital Piano. This piano is a sophisticated musical

instrument that blends the very best of traditional piano feel and sound quality with the latest that

modern electronics technology has to offer.

Before using the instrument, be sure to carefully read through the instructions contained in this manual.

Please keep all information for future reference.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION:

TO REDUCE THE RISK OF ELECTRIC

SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER

-SERVICEABLE PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral

triangle, is intended to alert the user to the presence of

uninsulated “dangerous voltage” within the product’s enclosure

that may be of sufficient magnitude to constitute a risk of electric

shock to persons.

The exclamation point within an equilateral triangle is intended to

alert the user to the presence of important operating and mainte-

nance (servicing) instructions in the literature accompanying the

product.

CASIO ELECTRONICS CO., LTD.

Unit 6, 1000

North Circular Road

London NW2 7JD, U.K.

This mark applies to the AP-31V/AP-33V only.

Please keep all information for future reference.

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Safety Precautions

Symbols

Symbol Examples

Various symbols are used in this user’s guide

and on the product itself to ensure that the

product is used safely and correctly, and to

prevent injury to the user and other persons

as well as damage to property. Those sym-

bols along with their meanings are shown

below.

This triangle symbol ( ) means

that the user should be careful.

(The example at left indicates

electrical shock caution.)

This circle with a line through it

(

) means that the indicated ac-

tion must not be performed. In-

dications within or nearby this

symbol are specifically prohib-

ited. (The example at left indi-

cates that disassembly is prohib-

ited.)

WARNING

This indication stipulates matters that have

the risk of causing death or serious injury

if the product is operated incorrectly while

ignoring this indication.

The black dot ( ) means that the

indicated action must be per-

formed. Indications within this

symbol are actions that are spe-

cifically instructed to be per-

formed. (The example at left indi-

cates that the power plug must be

unplugged from the electrical

socket.)

CAUTION

This indication stipulates matters that have

the risk of causing injury as well as mat-

ters for which there is the likelihood of

occurrence of physical damage only if the

product is operated incorrectly while ig-

noring this indication.

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* Avoid areas where there are mul-

tiple layers of carpeting, and

where cables are running under

the piano.

WARNING

Power Cord

Improper use of the power cord can

create the risk of fire and electric

shock. Always be sure to observe

the following precautions.

• Use only the power cord speci-

fied for this piano.

• Make sure that the power source

you are using matches the rating

marked on the instrument itself.

• Do not use an extension cord to

plug multiple devices into the

same power outlet.

Always make sure you se-

cure the piano to the stand

with the screws that are pro-

vided. An unsecured piano

can fall from the stand, cre-

ating the risk of personal in-

jury.

Never climb onto the piano or stand.

Never climb onto the piano

or hang from its edges. Doing

so can cause the piano to fall

over, creating the risk of per-

sonal injury. Special care con-

cerning this point is required

in households where there are

small children.

Power Cord

Improper use of the power cord can

create the risk of personal injury,

material damage, fire and electric

shock. Always be sure to observe

the following precautions.

• Do not place heavy objects on the

power cord or subject it to heat.

• Never try to modify the power

cord or subject it to excessive

bending.

• Never twist or pull on the power

cord.

• Should the power cord or plug

become damaged, contact your

original retailer or an authorized

CASIO service provider.

Never dispose of the piano by burning it.

Never dispose of the piano by burn-

ing it. Doing so creates the risk of

fire and personal injury due to ex-

plosion.

Do not place containers containing water

or other liquids on the instrument.

Do not place the following objects

on the instrument. Placing such ob-

jects on the instrument may cause

fire or electrical shock if they spill

and get inside the instrument.

• Containers filled with water or

other liquids (including vases,

potted plants, cups, cosmetics and

medicines)

• Small metal objects (including

hairpins, sewing needles and

coins)

• Flammable objects

• Naked flame sources, such as

lighted candles

Power Cord

Do not touch the plug with wet

hands when it is plugged in. This

may cause electrical shock.

Do not locate the piano on an unstable sur-

face.

Never locate the piano on a surface

that is wobbly, tilted, or otherwise

unstable*. An unstable surface can

cause the piano to fall over, creat-

ing the risk of personal injury.

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Avoid dropping the piano and other strong

impact.

In the event a foreign object should

happen to get inside the instrument,

please take the following actions:

1. Turn off power.

2. Unplug the power cord from the

wall outlet.

3. Consult with the dealer where

you purchased the instrument or

with an authorized CASIO ser-

vice provider.

Continued use of the piano after it

has been damaged by dropping or

by other external impact creates the

risk of fire and electric shock. Im-

mediately perform the following

steps whenever the piano is dam-

aged by impact.

1. Turn off piano power.

2. Unplug the piano from its power

outlet.

Do not expose this piano to rain or mois-

ture.

To reduce the risk of fire or electric

shock, do not expose this piano to

rain or moisture.

3. Contact your original retailer or

an authorized CASIO service pro-

vider.

Do not put plastic bags over your head or

in your mouth.

Never try to take the piano apart or modify

it.

Never allow the plastic bags that

the piano and its accessories come

in to be placed over the head or

swallowed. Doing so creates the risk

of suffocation. Special care concern-

ing this point is required in house-

holds where there are small chil-

dren.

Never try to take the piano apart or

modify it in any way. Doing so cre-

ates the risk of electric shock, burn

injury, or other personal injury.

Leave all internal inspection, adjust-

ment, and repair up to your origi-

nal retailer or an authorized CASIO

service provider.

Opening and closing the keyboard cover

Make sure that the keyboard cover

is completely opened as far as it will

go. When closing the keyboard

cover, hold the front of the cover

and close it slowly. Pinching your

fingers between the piano and key-

board cover creates the risk of per-

sonal injury.

Precautions concerning smoke, abnormal

odor, and other abnormalities

Continued use of the piano while it

is emitting smoke or abnormal odor,

or while it is displaying other ab-

normalities creates the risk of fire

and electric shock. Immediately per-

form the following steps whenever

you notice any abnormality.

1. Turn off piano power.

2. Unplug the piano from its power

outlet.

3. Contact your original retailer or

an authorized CASIO service pro-

vider.

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Cleaning

CAUTION

Before cleaning the piano, unplug it

from the power outlet. Failure to do

so can damage the power cord, cre-

ating the risk of fire and electric

shock. It can also cause the piano to

fall over, creating the risk of per-

sonal injury.

Power Cord

Improper use of the power cord can

create the risk of fire and electric

shock. Always be sure to observe

the following precautions.

• Never locate the power cord near

a stove or other source of heat.

• When unplugging from an out-

let, never pull on the cord.

(Always grasp the plug when

pulling.)

• After use turn off the power

switch of the instrument and un-

plug the power cord from the

electrical outlet.

Never climb onto the piano or stand.

Doing so can cause the piano to fall

over, creating the risk of personal

injury. Special care concerning this

item is required in households

where there are small children.

Connector

Connect only the specified devices

to the piano's connectors. Connect-

ing non-specified items creates the

risk of fire and electric shock.

Power Plug

Improper use of the power plug can

create the risk of fire and electric

shock. Always be sure to observe

the following precautions.

Location

Avoid locating the piano in the fol-

lowing types of areas. Subjecting the

piano to the conditions described

below creates the risk of fire and

electric shock.

• Push the plug fully into the power

outlet as far as it will go.

• Unplug from the power outlet

during lightening storms, and

when you do not plan to use the

piano for a long time (such as be-

fore a long trip).

• Unplug from the power outlet at

least once a year and clean any

dust build up between the prongs

of the plug.

• Areas expose to high humidity or

large amounts of dust

• Near food preparation areas and

other areas where it is exposed to

oil smoke

• Near a heater, on a heated carpet,

in direct sunlight, inside a closed

automobile parked in the sun, and

any other area subjected to very

high temperature

Moving the piano

Be sure to perform the following

steps before moving the piano. Fail-

ure to do so can damage the power

cord, creating the risk of fire and

electric shock.

1. Unplug the piano from its power

outlet.

2. Unplug the pedal connecting

cord, and all cords and other

items connected to the back of the

piano.

Never place the piano directly onto

furniture or other item that has a

finished surface. The rubber feet on

the bottom of the piano can react

with the paint or other coatings, re-

sulting in soiling of or damage to

the finished surface. Be sure to lay

felt or some other material on the

finished surface before placing the

piano on it.

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Do not place heave objects on the piano.

Never place heavy objects on top of

the piano. Doing so can cause the

stand to tip over and the object to

fall, creating the risk of personal in-

jury.

• Periodically check the screws that

secure the piano to the stand for

looseness. If a screw is loose, re-

tighten it. Loose screws can cause

the stand to tip over and the pi-

ano to fall, creating the risk of

personal injury.

Volume setting

Do not play at very loud volumes

for a long time. This precaution is

especially important when using the

headphones. Long-term exposure to

very loud sound can damage your

hearing.

Assemble the stand properly.

Failure to do so can cause the stand

to fall over and the piano to fall

from the stand, creating the risk of

personal injury.

Make sure your assemble the stand

in accordance with the instructions

that come with it, and ensure that

all connections are secure. Also

make sure that you choose an ap-

propriate location for the stand.

• When placing the piano onto the

stand, take care that you do not

pinch your fingers between the

piano and the stand.

• At least two people should

lift the piano when plac-

ing it onto the stand or

moving it. Trying to move

the piano alone can cause

the stand to fall over, cre-

ating the risk of personal

injury.

• Do not drag the stand or

tilt it forward or back

when placing the piano

onto the stand or moving

it. Doing so can cause the

piano to fall over, creating

the risk of personal injury.

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Operational Precautions

Locating the Unit

Avoid the following locations.

• Areas exposed to direct sunlight and high humidity.

• Areas subjected to very low temperatures.

• Near a radio, TV, video deck, or tuner (unit can cause interference with audio or video signals)

Care of the Unit

• Never use benzene, alcohol, thinner or other such chemicals to clean the exterior of the unit.

• To clean the keyboard, use a soft cloth dampened with a weak solution of a mild neutral detergent and water. Wring

out all excess moisture from the cloth before wiping.

• Severe impact can cause problems.

When transporting the piano, use soft cloth to pack around the keyboard and buttons to protect them against damage.

• Never try to repair or modify any part of the piano.

Any attempt to repair or modify the piano can cause problems with operation.

• Avoid using this piano near televisions, radios, etc.

Because this piano uses digital circuitry, it may cause interference with other electronic devices such as televisions,

radios, etc.

• In case of a problem, check that buttons and connections are correct, as indicated in this manual. If the piano still

does not work properly, contact your retailer or a nearby dealer. Never try to repair the piano yourself.

Lithium Battery

This unit is equipped with a lithium battery to provide power needed to retain memory contents while unit power is

turned off. Should the lithium battery go dead, all memory contents will be lost whenever you turn unit power off. The

normal life of the lithium battery is five years from the time that the battery was installed. Be sure to periodically

contact your retailer or authorized service provider to have the lithium battery replaced. Note that you will be charged

separately for lithium battery replacement.

• Note that CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third

parties arising from corruption or loss of data caused by malfunction or repair of the unit, or from battery replace-

ment.

You may notice lines in the finish of the case of this piano. These lines are the result of the molding process used to

shape the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.

❚ NOTE ❚

• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising from use of this

product or this manual.

• The contents of this manual are subject to change without notice.

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Main Features

I 8 versatile tones

• Eight instrument tones including piano and pipe organ provide plenty of performance versatility.

• Other features include digital effects that control the acoustical characteristic of tones, as well as three pedal effects for all the

nuances of an acoustic piano.

I Metronome

• A simple operation lets you set the tempo and the beat of the metronome to suit the tune you want to play. It’s the perfect

practice tool for players of all levels.

I 8 demo tunes

• Eight demo tunes demonstrate how to use each of the built-in tones.

I Memory

• Built-in memory lets you store a performance for later playback.

You can play along with playback on the keyboard, and even create an ensemble effect by using a keyboard tone that is different

from the recorded tone.

I Powerful keyboard setting functions

• A selection of powerful keyboard setting functions help you get create exactly the musical mood you want.

Transpose adjusts the key of the keyboard in semitone steps.

Tuning provides a means to tune with another musical instrument.

Touch Select adjusts the intensity of the output sound in accordance with the amount of pressure you apply to the keyboard.

I MIDI terminal

• Connecting to another MIDI musical instrument lets you play two instruments from the keyboard of your CELVIANO. You can

also connect to a commercially available MIDI sequencer to increase the number of parts you can play.

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Contents

IMPORTANT SAFETY

INSTRUCTIONS

Keyboard Settings................... E-19

Using Touch Select ..................................E-19

Using Transpose ......................................E-19

Adjusting the Tuning of the Piano ............E-20

Introduction ............................... E-1

Safety Precautions .................... E-2

Operational Precautions........... E-7

Main Features ............................ E-8

Contents..................................... E-9

MIDI........................................... E-21

What is MIDI? ..........................................E-21

What you can do with MIDI......................E-21

MIDI Connections ....................................E-21

MIDI Channels .........................................E-21

Simultaneous Receive Over

Multiple Channels (Multi-Timbre).............E-21

Setting the Keyboard Channel .................E-22

Sending Memory Playback Data .............E-22

Program Change Number Settings .........E-23

Turning Local Control On and Off ............E-24

MIDI Data Notes ......................................E-25

General Guide.......................... E-10

Connecting Headphones .........................E-10

Attachment of the Score Stand................E-11

Basic Operation....................... E-12

Using Tones .............................................E-12

Using the Pedals ......................................E-14

Using the Metronome ..............................E-15

Troubleshooting ...................... E-26

Assembly Instructions............ E-27

Attachment of the Score Stand................E-29

Using the Memory ................... E-16

About the Memory ...................................E-16

Recording.................................................E-16

Playback...................................................E-17

Deleting Memory Contents ......................E-17

Specifications .......................... E-30

Appendix/Apéndice...................A-1

Initial Power On Settings............................A-1

MIDI Data Format.......................A-2

Channel Messages ....................................A-2

System Messages .....................................A-7

Using Demo Tunes .................. E-18

MIDI Implementation Chart

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General Guide

• Key, button, and other names are indicated in the text of this manual using bold type.

• See page E-27 for details on the stand.

Headphones

IMPORTANT!

Whenever connecting headphone, first set

the VOLUME knob of the CELVIANO and

the volume controller of the external

equipment to relatively low volume

settings. You can later adjust volume to

the level you want after connections are

complete.

Headphone Jack

Connecting Headphones

Connect commercially available headphones to the CELVIANO’s headphones jack. This cuts off the built-

in speakers, which means you can practice even late at night without disturbing others. To protect your

hearing, make sure that you do not set the volume level too high when using headphones.

GRAND PIANO

PIANO

ELEC PIANO

ELEC PIANO VIBRAPHONE

HARPSICHORD

REVERB

STAGE

PIANO

OFF

ROOM

HALL

POEWR

OFF

DEMO

CONTROL

RECORD

START/STOP

METRONOME

GRAND PIANO

VOLUME

MIN

MAX

POWER

ON / OFF

POWER button

Front

DEMO

CONTROL

CONTROL button

RECORD

RECORD button

START/STOP

START/STOP button

METRONOME

METRONOME button

GRAND PIANO

GRAND PIANO button

VOLUME knob

Power Indicator

VOLUME

MIN

MAX

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Make sure that the cover of the piano is fully open whenever you are playing on the keyboard.

A partially open cover can suddenly close unexpectedly and pinch your fingers.

CAUTION

* With the AP-31 and AP-33, the power cord is hard-wired to the bottom of the instrument.

Bottom

Back Panel

Bottom

Pedal Connector

AC Power Jack *

MIDI Terminals

MIDI

OUT

GRAND PIANO

PIANO

ELEC PIANO

ELEC PIANO VIBRAPHONE

HARPSICHORD

REVERB

STAGE

CHORUS

OFF ON

METRONOME BEA

METRONOME VOL

TEMPO

PIANO

OFF

ROOM

HALL

120

POEWR

OFF

DEMO

CONTROL

RECORD

START/STOP

METRONOME

GRAND PIANO

VOLUME

MIN

MAX

A value next to a note name indicates the relative position of the note

on the keyboard as shown below.

Note Names

(H)

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Basic Operation

4. Play something on the keyboard.

Using Tones

The following procedures describe everything you need to

know about selecting and using tones.

• Adjust volume to the level you want as you play.

5. After you are finished playing, press the POWER

button to turn off power.

Selecting a Tone

Your CELVIANO has a selection of 8 built-in tones.

Using Digital Effects

• The names of the tones are marked above the keyboard

keys to which they are assigned.

Your CELVIANO provides you with a selection of digital ef-

fects that you can apply to tones. The following provides

general descriptions of each effect, but the best way to find

out how they affect tones is to experiment for yourself.

Tone Keys

GRAND PIANO

Digital Effect Types

• REVERB

ꢁ

ꢀ

B 0

C 1

E 1

The REVERB effect gives you a choice of the four varia-

tions listed below. Each one simulates the acoustics of dif-

ferent environments.

GRAND PIANO button

A0 B0 C1 D1

ROOM...... Small, intimate live house

STAGE ..... Small stage

HALL 1 .... Stage area of a large hall

HALL 2 .... Audience area of a large hall

MELLOW PIANO

GRAND PIANO 2

ELEC PIANO 1

STRINGS

PIPE ORGAN

HARPSICHORD

• CHORUS

ELEC PIANO 2

The CHORUS effect is most effective for the E.PIANO tone.

• The GRAND PIANO tone was recorded with stereo sam-

pling.

• The names of the settings are marked above the keyboard

keys to which they are assigned.

Digital Effect Keys

To select a tone

1. Press the POWER button to turn on CELVIANO

power.

ꢁ

ꢀ

2. Select the tone you want.

• To select GRAND PIANO

Press the GRAND PIANO button. Note that GRAND

PIANO is the initial default tone setting whenever

you turn on power.

REVERB OFF

CHORUS ON

CHORUS OFF

HALL 2

ROOM

STAGE

• To select one of the other tones

While holding down the CONTROL button, press the

keyboard key that corresponds to the tone you want

to select.

HALL 1

* A note does not sound when you press a keyboard

key while holding down CONTROL.

3. Use the VOLUME knob to adjust the volume.

• It is a good idea to set the volume to a relatively low

level at first.

• Moving the knob towards MIN decreases volume,

while moving it towards MAX increases volume.

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To select a digital effect

More about tones

While holding down the CONTROL button, press the

keyboard key that corresponds to the digital effect

you want to select.

Polyphony

This piano can play up to 64 notes at the same time.

Also note that some of the tones offer only 32-note polypho-

ny (GRAND PIANO, MELLOW PIANO, ELEC PIANO 1,

HARPSICHORD, STRINGS).

• A note does not sound when you press a keyboard key

while holding down CONTROL.

Power on effect settings

The table below shows the effect settings that are assigned to

each tone whenever you turn on CELVIANO power.

Touch Response

The touch response feature of this piano causes the volume

of the tones and the sound of the tones themselves to change

slightly in accordance with how much pressure you apply to

the keyboard, just like with an acoustic piano. Touch response

affects the HARPSICHORD tone only slightly, because the

original musical instrument normally produces the same

sound, no matter how much pressure is applied.

Digital Effect Setting

Tone Name

REVERB

HALL 1

CHORUS

OFF

GRAND PIANO

MELLOW PIANO

GRAND PIANO 2

ELEC PIANO 1

ELEC PIANO 2

HARPSICHORD

PIPE ORGAN

OFF

Digitally Sampled Tones

The tones of this piano are produced using digitally record-

ed samples of actual musical instruments. Not all of the in-

struments, however, can produce tones across the entire range

played by this piano (A0 through C8). In such a case, digital

recordings are used for the range that actually can be pro-

duced by the original instrument, and synthesized tones are

used for notes that cannot be produced naturally. Because of

this, you may notice very slight differences between natural

notes and synthesized notes in sound quality and in results

produced when using effects. These differences are normal

and do not indicate malfunction.

OFF

STRINGS

• The above digital effect settings can be changed after you

turn on power.

❚ NOTE ❚

• Selecting a tone automatically selects the digital effects cur-

rently assigned to it.

• Changes you make to digital effect settings are assigned to

the currently selected tone only.

• Digital effect settings remain in effect until you turn off CELVI-

ANO power.

• Demo tunes have their own digital effect settings, which are

automatically selected whenever you select a demo tune.

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To assign the sostenuto to the left pedal

(AP-31 only)

Using the Pedals

While holding down the left pedal, turn on CELVIANO pow-

er. To return left pedal to soft pedal, turn power off and then

back on again.

The AP-31 is equipped with the two pedals shown in

the illustration below. The left pedal normally func-

tions as a soft pedal.

❚ NOTE ❚

• The following shows how pedal effects are applied during dif-

ferent types of operations.

Memory playback, demo tune play

................... Pedal effects applied to notes played on the key-

board only.

Damper pedal

Soft/Sostenuto pedal

The AP-33 comes equipped with the three pedals

shown in the illustration below.

Soft pedal

Damper pedal

Sostenuto pedal

Pedal functions

• Damper pedal

Pressing this pedal causes notes to reverberate and to sus-

tain longer.

• Soft pedal

Pressing this pedal dampens notes and slightly reduces

their volume. Only notes played after the pedal is depressed

are affected, and any notes played before the pedal is

pressed sound at their normal volume.

• Sostenuto pedal

Like the damper pedal, this pedal causes notes to reverber-

ate and to sustain longer. The difference between the two

pedals is the timing when they are pressed. With the soste-

nuto pedal, you press the pedal after depressing the notes

you want to sustain. Only the notes whose keyboard keys

are depressed when the sostenuto pedal is pressed are af-

fected.

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• You can also change the tempo setting(beats per

Using the Metronome

The metronome provides a reference beat that you can use

during your performances or practice sessions. You can

change the beat and the tempo of the metronome.

minute) by holding down the CONTROL button and

ꢀ

using keyboard keys B2 through A 3 to input values

from 0 to 9. You can input a two-digit or three-digit

tempo value. Note that the tempo value you input is

applied when you release the CONTROL button. The

tempo setting does not change if you input a one-digit

value or a value that is outside of the allowable set-

ting range.

• The names of the settings are marked above the keyboard

keys to which they are assigned.

Metronome Volume Keys

• The tempo can be set within the range of 30 to 255

(beats per minute).

Beat Keys

Tempo Keys

4. When you want to stop the metronome, press

METRONOME again.

• Pressing METRONOME again restarts the metronome

sound using the current beat and tempo setting.

• If you want to change both the tempo and the beat

before restarting the metronome, perform the above

procedure here.

ꢁ

ꢀ

❚ NOTE ❚

• You can change metronome beat and tempo settings at any

time, even while the metronome is sounding.

• You can also use the metronome in combination with memory

play. See the section of this User’s Guide covering the function

for details.

Number Input Keys

Using the Metronome

❚ PREPARATION ❚

• Check to make sure that the indicator above the RECORD but-

ton is off. If the indicator is on, press the RECORD button to

turn it off.

• See the section of this User’s Guide covering the memory for

details on using the metronome in combination with the func-

tion.

Adjusting the Metronome Volume

Use the following procedure to increase and decrease the vol-

ume of the metronome beat.

To adjust the metronome volume

To use the metronome

While holding down the CONTROL button, press the

keyboard key that corresponds to the metronome

volume setting you want to select.

1. Press METRONOME to start the metronome.

• This starts the metronome sound.

• A note does not sound when you press a keyboard key

while holding down CONTROL.

• You can set a value from 1 to 3.

2. Set the beat of the metronome.

While holding down the CONTROL button, press the

keyboard key that corresponds to the beat setting you

want to select.

❚ NOTE ❚

The metronome volume is automatically set to 2 whenever you

turn on piano power.

• A note does not sound when you press a keyboard

key while holding down CONTROL.

• The first value of the beat can be set to a value of 2

through 6, or 0 (unaccented beat).

3. Change the tempo setting as described below.

• A note does not sound when you press a keyboard

key while holding down CONTROL.

• While holding down the CONTROL button, press

ꢀ

keyboard key A 2 (–) to decrease tempo or B 2 (+) to

increase it. Holding down either keyboard key chang-

es the setting at high speed. Pressing keyboard key

A2 (120) changes the tempo setting to 120.

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Using the Memory

This section describes how to record keyboard play to mem-

ory and playback data from memory.

Recording

To record notes from the keyboard

❚ PREPARATION ❚

About the Memory

• Select the tone and effects you want to start with.

• If you want to use the metronome during recording, start the

metronome. Use the procedure under “Using the Metronome”

on page E-15 to set the beat and the tempo.

Memory Capacity

Memory can hold up to 2,500 notes (one song).

• Recording stops automatically and the indicator above the

RECORD button goes out whenever memory becomes full.

1. Press the RECORD button to put the piano into

record standby.

• The indicator above the RECORD button flashes.

• You can also change the metronome’s beat setting at

this time.

• If you want the metronome to sound while you are

recording, press the METRONOME button here to

start the metronome.

Recorded Data

The following is a list of the data that can be recorded in mem-

ory once recording starts.

• Anything you played on the keyboard (Received MIDI data

is not recorded.)

• Tone settings and any tone setting changes

• Beat setting used during recording

• Pedal operations

2. Play something on the keyboard to start record-

ing.

• When you start recording, the indicator above the

RECORD button stops flashing and remains lit.

• What you play sounds from the speakers and is re-

corded into memory.

• You can also start recording by pressing the START/

STOP button. In this case, blank space is inserted in

memory from the point that you press the START/

STOP button up to the point you start to play on the

keyboard.

Recorded Data Storage

This piano has a lithium battery to supply power to retain

memory contents even while power is off.* The life of the

lithium battery is five years after the date of manufacture of

the piano. Be sure to contact your CASIO dealer about hav-

ing the lithium battery replaced every five years.

* Never turn off CELVIANO power while a record opera-

tion is in progress.

3. After you are finished recording, press the START/

STOP button to stop the record operation.

IMPORTANT!

• At this time the indicator above the RECORD button

goes out.

• To stop the metronome, press the METRONOME but-

ton.

• Here you can press the START/STOP button and play-

back the data you just recorded.

• Recording new data to a song memory area automatically

deletes any data previously stored in that song memory

area.

• Turning off power while a record operation is in progress

deletes anything recorded up to that point.

• CASIO shall not be held responsible for any losses by you

or any third party due to loss of data caused by malfunction

or repair of this piano, or by battery replacement.

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Playback

Use the following procedure to play back from memory.

To playback from memory

1. If you want the metronome to sound during play-

back of your recording, hold down the CON-

TROL button and press keyboard key B3 to turn

on the metronome.

Setting Range

B3: Metronome ON

ꢀ

B 3 (black key): Metronome OFF

• Using the metronome comes in handy, for example,

when you want to record the left-hand part and then

practice the right hand-part while playing back.

2. Press the START/STOP button to start playback.

• If you turned on the metronome in step 1, the metro-

nome sounds during playback.

• You can toggle the playback metronome sound on and

off by pressing the METRONOME button.

• Playback stop automatically when the end of the tune

is reached.

• To stop part way through, press the START/STOP

button.

• To stop the metronome, press the METRONOME but-

ton.

❚ NOTE ❚

• You can change the playback tempo while playing back from

memory.

• You cannot change the tone when playing back from memory.

Deleting Memory Contents

IMPORTANT!

The delete operation cannot be undone. Make sure you play

back memory contents and confirm that you no longer need

it before performing the following procedure.

To delete memory contents

1. Press the RECORD button to put the piano into

record standby.

2. Press the START/STOP button twice to delete the

contents of the selected song area.

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Using Demo Tunes

Your CELVIANO comes with eight built-in demo tunes, each

of which features one of the eight built-in tones.

To stop demo tune play

Press the START/STOP button to stop demo tune play.

To play the demo tunes in sequence

❚ NOTE ❚

• You cannot change the tempo or tone, or turn on the metro-

nome while a demo tune is playing.

• Playing on the keyboard during demo tune play plays notes

using the demo tune’s tone.

While holding down the CONTROL button, press the

START/STOP button.

• All the demo tunes play in sequence, starting from the Tune

• You can adjust volume while demo playback is in progress.

• Tone, digital effect, transpose, and tuning settings are changed

automatically when a demo tune is played. These changes are

temporary, and remain in effect only while the demo tune is play-

ing.

• Pedal operations performed during demo tune play are applied

to notes played on the keyboard only. They are not applied to

demo tune playback.

To play a specific demo tune

• To play the first of the demo tunes, start sequential demo

tune play and then press the GRAND PIANO button.

• To play another of the demo tunes, start sequential demo

tune play and then hold down the CONTROL button and

press the keyboard key that corresponds to the tune you

want to play.

• Demo tune notes cannot be sent as MIDI data.

• The tune you select continues to repeat until you stop it.

Tone Keys

ꢁ

ꢀ

B 0

C 1

E 1

A0 B0 C1 D1

MELLOW PIANO

GRAND PIANO 2

STRINGS

PIPE ORGAN

ELEC PIANO 1

HARPSICHORD

ELEC PIANO 2

Demo Tune List

Tone (Keyboard Key)

GRAND PIANO

MELLOW PIANO

GRAND PIANO 2

ELEC PIANO 1

ELEC PIANO 2

HARPSICHORD

PIPE ORGAN

Title

Composer

F.F.Chopin

R.Schumann

J.S.Bach

—

Time

1’44”

2’04”

1’05”

1’59”

1’01”

1’51”

1’18”

1’35”

Etude Op.10-5 “Black Keys”

Träumerei

Variatio 30 [Goldberg-Variationen]

Original

—

Praeludium [Partita 1]

Jesus Bleibet Meine Freude

Original

J.S.Bach

—

STRINGS

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Keyboard Settings

Using Touch Select

Using Transpose

This setting lets you adjust the touch of the keyboard to suit

your own playing style. This means you can select a stronger

touch for those with powerful hands, and a lighter touch for

beginners and anyone else with less strength.

Use the keys shown below to change the Touch Select set-

ting.

Transpose lets you adjust the pitch of your CELVIANO in

semitone steps. This means you can change the key of the

piano to suit the voice of a vocalist or the key of another

musical instrument, without having to learn to play a piece

in another key.

Use the keys shown below to change the transpose setting.

Setting Range

ꢀ

E 4 (black key)

C5 F5

F 4 (black key)

ꢁ

(black key) C 4

To change the transpose setting

Touch Select Settings

C4 .................. <OFF>

While holding down the CONTROL button, select a

key by pressing one of the keyboard illustrated below.

ꢁ

C 4 ................. <LIGHT>

This setting produces strong output, even when

light pressure is applied to the keyboard.

C5: Standard key

Lower

Higher

D4 .................. <MIDDLE>

This is the standard setting.

ꢀ

E 4 .................. <HEAVY>

This setting requires relatively strong keyboard

pressure to produce normal output.

ꢁ

(black key) F 4

To change the Touch Select setting

• A note does not sound when you press a keyboard key

while holding down CONTROL.

While still holding down the CONTROL button, se-

lect the key touch by pressing one of the keyboard

keys illustrated below.

❚ NOTE ❚

The transpose value is automatically set to 0 (C) whenever you

turn on CELVIANO power.

ꢁ

C 4 (black key): LIGHT

ꢀ

C4 : OFF

E 4 (black key): HEAVY

D4 : MIDDLE

• A note does not sound when you press a keyboard key

while holding down CONTROL.

❚ NOTE ❚

Touch select is automatically set to MIDDLE whenever you turn

on CELVIANO power.

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Adjusting the Tuning of the Piano

You can adjust the overall tuning of the piano for play along

with another instrument. You can adjust tuning within a range

of 50 cents from A4 = 440.0Hz.

Use the keyboard keys noted below to adjust the tuning of

the piano.

Setting Range

F4: + (raises the pitch)

E4: – (lowers the pitch)

To adjust the tuning of the piano

Adjust the tuning as described below.

While holding down the CONTROL button, press

keyboard key E4 (–) to lower the tuning or F4 (+) to

raise it. Each press of a key changes the tuning by

about 0.8 cents (1/128 semitone).

• A note does not sound when you press a keyboard key

while holding down CONTROL.

❚ NOTE ❚

Holding down the CONTROL button and pressing keyboard keys

E4 (–) and F4 (+) at the same time returns tuning to the standard

A4 = 440.0Hz.

* 100 cents is equivalent to one semitone.

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MIDI

*1 Keyboard play and memory playback data can be sent as

MIDI data. Demo tunes cannot be sent as MIDI data.

*2 A device that contains memory storage for MIDI data.

Some MIDI sequencers feature external storage capabili-

ties, which let you record a virtually unlimited number of

tunes.

What is MIDI?

The letters MIDI stand for Musical Instrument Digital Inter-

face, which is the name of a worldwide standard for digital

signals and connectors that makes it possible to exchange

musical data between musical instruments and computers

(machines) produced by different manufacturers. MIDI com-

patible equipment can exchange keyboard key press, key re-

lease, tone change, and other data as messages.

MIDI Connections

Two MIDI cables, one for sending and one for receiving, are

required for two-way recording and playback capabilities

with a connected MIDI sequencer or other device.

Though you do not need any special knowledge about MIDI

to use your CELVIANO as a stand-alone unit, MIDI opera-

tions require a bit of specialized knowledge. This section pro-

vides you with an overview of MIDI that will help to get you

going.

MIDI Channels

What you can do with MIDI

MIDI allows you to send the data for multiple parts at the

same time, with each part being sent over a separate MIDI

channel. There are 16 MIDI channels, numbered 1 through

16, and MIDI channel data is always included whenever you

exchange data (key press, pedal operation, etc.).

Send

MIDI cable: MK-5

MIDI

OUT

Both the sending machine and the receiving machine must

be set to the same channel for the receiving unit to correctly

receive and play data. If the receiving machine is set to Chan-

nel 2, for example, it receives only MIDI Channel 2 data, and

all other channels are ignored.

Your CELVIANO is equipped with multi-timbre capabilities,

which means it can receive messages over all 16 MIDI chan-

nels and play up to 16 parts at the same time.

Sender

IN Receiver

OUT

MIDI musical instrument

MIDI sound module

MIDI sequencer

PIANO

ELEC PIANO

ELEC PIANO VIBRAPHONE

HARPSICHORD

REVERB

ST GE

CHORUS

OFF ON

METRONOME BEA

METRONOME

TEMPO

PIANO

OFF

ROOM

HALL

120

POEWR

OFF

DEMO

CONTROL

RECORD

START/STOP

METRONOME

GRAND PIANO

VOLUME

MIN

MAX

Other MIDI device

Keyboard and pedal operations performed on your CELVI-

ANO are sent out by selecting a MIDI channel (1 to 16) and

then sending the appropriate message.

• What you play on the CELVIANO can be sent to the con-

nected device as MIDI messages*1. The connected device

sounds notes in accordance with the messages it receives.

• MIDI messages*1 can be sent from the CELVIANO to a

commercially available MIDI sequencer*2 for recording.

Simultaneous Receive Over Multiple

Channels (Multi-Timbre)

The Multi-Timbre mode makes it possible to assign the

CELVIANO’s built-in tones to MIDI channels 1 through 16.

Then you can simultaneously sound multiple channels to play

from a commercially available multi-track sequencer.

Receive

MIDI

MIDI cable: MK-5

OUT

Receiver

OUT

Sender

❚ NOTE ❚

• See “Assigning Tones to Individual Channels” on page E-22 for

details on assigning tones to each channel.

• Up to 16 channels can be received simultaneously (Channel 1

through channel 16).

MIDI musical instrument

MIDI sequencer

Other MIDI device

PIANO

ELEC PIANO

ELEC PIANO VIBRAPHONE

HARPSICHORD

REVERB

ST GE

CHORUS

OFF ON

METRONOME BEA

METRONOME

TEMPO

PIANO

OFF

ROOM

HALL

120

POEWR

OFF

DEMO

CONTROL

RECORD

START/STOP

METRONOME

GRAND PIANO

VOLUME

MIN

MAX

• The number of channels to be received simultaneously must

be predetermined. If it becomes necessary to cancel a chan-

nel, the cancel operation must be performed on the sending

side.

• The CELVIANO can be used to sound notes sent as MIDI

messages from a connected device.

• Commercially available MIDI piano data can be sent from

a MIDI sequencer*2 or MIDI-capable personal computer

for playback on the CELVIANO. Up to 16 parts can be

played simultaneously by the CELVIANO.

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Setting the Keyboard Channel

This parameter sets the channel for MIDI messages to an ex-

ternal device. You can set any MIDI channel in the range of 1

to 16 as the keyboard channel.

Sending Memory Playback Data

You can send memory playback as MIDI data. The send chan-

nel used depends on the Keyboard Channel setting, as shown

in the table below.

Keyboard Play

Memory

Keyboard Channel

To set the Keyboard Channel

Keyboard Channel + 1*

While still holding down the CONTROL button, se-

lect the Keyboard channel by pressing one of the key-

board keys illustrated below.

* When you have Channel 16 set as the keyboard channel,

memory playback is send over Channel 1.

• Pedal effect data recorded to the memory is applied to play-

back from the memory, and does not affect your perfor-

mance on the keyboard. Likewise, pedal operations on the

CELVIANO are applied to the keyboard only, and not to

playback from the memory.

Example: Channel 8

ꢁ

C 7 (black key)

B 5 (black key)

ꢀ

• A note does not sound when you press a keyboard key

while holding down CONTROL.

❚ NOTE ❚

The Keyboard Channel is automatically set to 1 whenever you

turn on CELVIANO power.

Assigning Tones to Individual Channels

You can assign tones to channels using a Program Change mes-

sage sent from a connected MIDI device. You cannot change the

tone assigned to each channel from the CELVIANO.

❚ NOTE ❚

The tone GRAND PIANO is automatically assigned to all chan-

nels whenever you turn on CELVIANO power.

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Program Change Number Settings

The tones of your CELVIANO have two different sets of program numbers: Type 1 sequential numbers and Type 2 numbers that

correspond to the General MIDI System (see “General MIDI” on page E-24). The tables below show the program numbers that are

assigned, depending on whether you select Type 1 or Type 2 using the procedure under “To change the program change number

type” on page E-24.

Type 1

Send

Bank Select

Receive

Bank Select

Tone Name

Program

numbers

Program

numbers

MSB

LSB

MSB

LSB

GRAND PIANO

MELLOW PIANO

GRAND PIANO 2

ELEC PIANO 1

ELEC PIANO 2

HARPSICHORD

PIPE ORGAN

STRINGS

Type 2

Send

Receive

Corresponding

General MIDI Sound

Tone Name

Bank Select

Program

numbers

Program

numbers

MSB

LSB

MSB

LSB

GRAND PIANO

MELLOW PIANO

GRAND PIANO 2

ELEC PIANO 1

ELEC PIANO 2

HARPSICHORD

PIPE ORGAN

—

Acoustic Grand Piano

—

Electric Piano 1

Harpsichord

—

STRINGS

Strings Ensemble 1

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To change the program change number type

Turning Local Control On and Off

This setting effectively determines whether or not the key-

board and pedals of the CELVIANO are connected to the

CELVIANO’s sound source, as illustrated below.

While still holding down the CONTROL button, se-

lect the Program Change Mode by pressing one of

the keyboard keys illustrated below.

MIDI

OUT

ꢀ

A 5 (black key): TYPE 1

Keyboard

Pedals

A5: TYPE 2

Sound source

• A note does not sound when you press a keyboard key

while holding down CONTROL.

• See the table on page E-23 for detailed information about

Type 1 and Type 2.

OFF

Local Control

General MIDI

When Local Control is on (the normal setting), anything

played on the keyboard is sounded by the internal sound

source and simultaneously output from the MIDI OUT ter-

minal. When off, anything played on the keyboard is output

from the MIDI OUT terminal only, without being sounded

by the sound source.

Local Control can be turned off when you are using the

CELVIANO as the sound source of a connected sequencer or

other device, and you want to guard against sound being

produced should the CELVIANO keyboard be pressed acci-

dentally.

The General MIDI System is a set of specifications for sound

generating devices agreed upon by world MIDI manufactur-

ers. These specifications were developed to allow the creation

of music data that is not limited to specific equipment mak-

ers and models. Among other things, General MIDI defines

the tone number sequence and the number of MIDI channels

that can be used. Any device equipped with a sound source

that supports General MIDI is able to produce sounds of sim-

ilar nuances, regardless of the manufacturer or model.

The Type 2 program change numbers of your CELVIANO as-

sign program numbers to tones so they comply with the Gen-

eral MIDI System.

Type 2 program change numbers make it possible to receive

General MIDI System data from a connected sequencer or

other device, and play it using the CELVIANO’s tones. Tone

switching is performed only when a program number that

corresponds to any of the CELVIANO’s non-bass tones is re-

ceived. No tone switching is performed when any other pro-

gram number is received.

To turn Local Control on and off

While still holding down the CONTROL button,

switch Local Control on and off by pressing one of

the keyboard keys illustrated below.

ꢁ

F 5 (black key): OFF

The table on page E-23 shows the program number assign-

ments for Type 1 and Type 2.

G5: ON

• A note does not sound when you press a keyboard key

while holding down CONTROL.

❚ NOTE ❚

• Note that no sound will be produced from the CELVIANO’s

speakers if you press the keyboard while Local Control is turned

off.

• Local Control is turned on automatically whenever you turn on

CELVIANO power or play a demo tune.

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MIDI Data Notes

This section provides details about the MIDI data your CELVI-

ANO sends and receives. You can also find further technical

information in the “MIDI Data Format” and “MIDI Imple-

mentation Chart”* at the end of this User’s Guide.

* The MIDI Implementation Chart is a standard format sum-

mary of how data is transferred between your CELVIANO

and a connected MIDI device.

Keyboard Data (Note On, Note Off, Note

Number, Velocity)

The following four types of keyboard data can be sent and

received.

Data

Note On

Meaning

Keyboard key is pressed.

Keyboard key is released.

Which key is pressed.

Pressure applied

Note Off

Note Number

Velocity

Tone Change Data (Program Change)

Whenever you change the tone on the CELVIANO, tone

change data (Program Change) is also sent out as MIDI data.

Conversely, receipt of a Program Change from a connected

MIDI device causes the CELVIANO to change to the applica-

ble tone. See “Program Change Number Settings” on page

E-23 for details.

Pedal and Effect Operation Data (Control

Change and Universal System Exclusive

Message)

Control Change is used to send and receive data about damp-

er, soft, and sostenuto pedal* depress and release, as well as

data about digital effects.

* AP-31 Users

The AP-31 is equipped with only two pedals. The left-hand

pedal can be switched between soft and sostenuto. The

pedal effect applied by MIDI data depends on whether data

is being sent or received.

Send:

Pressing the left pedal sends data that corresponds

to the current pedal effect setting (soft or sostenu-

to).

Receive: Pedal effect is applied in accordance with the data

received.

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Troubleshooting

Possible Cause

Action

Reference

Symptom

1. VOLUME knob set to MIN.

1. Move VOLUME knob more to- Page E-12

wards the MAX side.

No sound produced when keyboard

keys are pressed.

2. Headphones connected to the pi- 2. Disconnect the headphones from Page E-10

ano.

the piano.

3. Local Control turned off.

3. Turn on Local control.

Page E-24

1. Transpose is set to a value other 1. Change the transpose setting to 0, Page E-19

Keyboard out of tune.

than 0.

or turn CELVIANO power off and

then back on again.

2. Incorrect tuning setting

2. Correct the tuning setting, or turn Page E-20

CELVIANO power off and then

back on again.

Problem with the connection be- Turn off CELVIANO power and then Page E-29

Pedal effect continues to be applied

even though pedals are not pressed.

tween the pedals and piano.

check to make sure that the pedal plug

is securely connected to the piano’s

pedal connector.

1. VOLUME knob set to MIN.

1. Move VOLUME knob more to- Page E-12

wards the MAX side.

No sound produced by demo tune

play.

2. Headphones connected to the pi- 2. Disconnect the headphones from Page E-10

ano.

the piano.

Lithium battery is dead.

Contact your CASIO Service Provid-

er for replacement of the lithium bat-

tery.

Page E-7

Memory contents deleted.

1. CELVIANO Keyboard Channel 1. Change the Keyboard Channel set- Page E-22

No sound produced by connected ex-

ternal MIDI sound source when

CELVIANO keys are pressed.

does not match the Keyboard

Channel of the MIDI sound source.

tings so they are identical.

2. Volume or expression setting of 2. Change the volume or expression See the doc-

the external sound source is set to

setting of the external sound source umentation

to an appropriate value.

that comes

with the ex-

ternal sound

source.

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Assembly Instructions

• Illustrations in this User’s Guide shows the AP-31.

1 Assembling the stand

Caution

Refer to Figures 3, 4 and 5 as you assemble the stand accord-

ing to the following procedure.

• Take particular care to avoid injury when installing

legs and pedals, and when mounting the keyboard

onto the stand.

• When assembling, make sure that the sliding keyboard

cover of the piano body is completely closed. If the

cover is left open during assembly, it may close sud-

denly causing the fingers to be pinched between the

piano body and cover.

Figure 3

IMPORTANT!

• Be sure to assemble the stand on a flat surface.

• This stand does not include any of the tools required to

assemble it. You should have a large Phillips head (+)

screwdriver on hand for assembly.

Figure 1

Side upright

Bottom

Crosspiece

x14

1.Attach E brackets to side uprights A and B using the I

screws (Figure 3).

• When attaching the E bracket to the side upright B, slip

a J clip onto the I screw before screwing the I screw

into the upright at point 3.

• Check the items that come with the unit to make sure that

everything shown in Figure 1 (A through L) is included.

All screws are in a plastic bag inside of the packing card-

board.

2.Attach angle brackets F to side uprights A and B using

the four I screws (Figure 3).

3.Install height adjustment screw H into hole 4 located in

the center of the back of crosspiece D (Figure 3).

4.Attach side uprights A and B to crosspiece D using the

four G screws (Figure 3).

Figure 2

• Make sure that crosspiece D is correctly positioned as

indicated by 5 in the inset of Figure 3. It should be per-

pendicular (at a 90-degree angle) to the two side uprights.

Also make sure that uprights A and B are parallel with

each other. If the pieces are not positioned correctly, the

nuts built into crosspiece D will not seat properly with

the G screws. This can result in stripping of the threads

and free turning of nuts.

• Before starting actual assembly of the stand, undo the clip

at location 1 (Figure 2) where the pedal cable comes out

the back of crosspiece D. Pull out the coiled cable and re-

fasten two clips at points 1 and 2 as shown in the illus-

tration.

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2 Installing the Keyboard

Figure 4

onto the Stand

Caution

(Back)

Take care that you do not pinch your fingers between

the keyboard and stand!

Figure 6

5.Attach back panel C to the E brackets and crosspiece D.

Note that the back panel C should be installed so it is in

front of the E brackets (Figure 4). Use the two L screws,

six I screws to secure the back panel in place (Figures 3

and 4). Note that you must also install the second J clip at

this time as shown in the illustration.

• First, install the topmost L screws on the left and right

sides of the back panel C. Note that you should slip the

other J clip onto the I screw at point 6 before you

screw the I screw in.

• The back panel C should rest on the feet of side uprights

A and B as indicated by 7 in the illustration. Press the

back panel C against crosspiece D while installing the

L screws.

Be sure that you securely anchor the keyboard to the stand

using the K butterfly bolts (Figure 6).

• Slide the screws on the bottom of the keyboard into the

slots in the two angle brackets F. Next, secure the keyboard

to the stand with two butterfly bolts K (Figure 7).

Figure 5

Figure 7

Back

Front

• The butterfly bolts keep the keyboard from falling from the

stand. Be sure that you always secure the keyboard with

the butterfly bolts.

6.Rotate height adjustment screw H until it supports cross-

piece D, preventing the crosspiece from bending when you

press the pedals (Figure 5).

IMPORTANT!

Be sure to install adjustment screw H and perform the ad-

justment procedure described above before depressing the

pedals. Failure to do so can result in damage to crosspiece

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3 Connecting the Pedal

Caution

The screws that you use to assemble the stand may be-

come loose after a long period due to changes in tem-

perature and humidity, or vibration caused by normal

use, etc. Periodically check the screws used to fasten the

stand and the butterfly bolts used to fasten the stand

and the piano, and tighten them whenever necessary.

Figure 8

Attachment of the Score Stand

Pedal plug

Install the music stand by inserting its pegs into the holes in

the top of the piano.

Clip J

Position the pedal plug as shown in Figure 8 and insert it

into the pedal connector on the bottom of the piano. Secure

the pedal cable to the upright of the stand using the J clips

that you installed when assembling the stand (Figure 8).

4 Connecting to a Power Supply

Figure 9

Household

Power cord

wall outlet

1.Check to make sure that the piano’s POWER button is in

the OFF position. If it is ON, press the button to switch it

OFF.

2.Attach the power cord that comes with the piano to the

bottom of the piano.*

3.Plug the piano’s power cord into a wall outlet (Figure 9).

* 2: applies to the AP-31V and AP-33V

IMPORTANT!

• The shapes of the piano’s power cord and wall outlet

should be different according to countries or regions. The

illustrations are examples.

• With the AP-31 and AP-33, the power cord is hard-wired to

the bottom of the instrument.

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Specifications

All of the items in these specifications apply to the AP-31, AP-31V, AP-33, and AP-33V, unless specifically noted otherwise.

Models:

AP-31/AP-31V/AP-33/AP-33V

88 piano keys (with touch response)

64 notes, maximum

Keyboard:

Polyphony:

Tones:

Digital Effects:

Demo Tunes:

Reverb (4 types), Chorus

• Number of Tunes: 8

• Playback: Repeat (all tunes, one tune)

Memory:

• Operations: Real-time recording, playback

• Capacity: Approximately 2,500 notes (one song)

• Memory Backup: Built-in lithium battery (Battery Life: 5 years)

Pedals:

AP-31/AP-31V: Damper, Soft/Sostenuto (Selectable)

AP-33/AP-33V: Damper, Soft, Sostenuto

Other Functions:

• Metronome: Beat (6 types), Tempo ( = 30 to 255)

• Touch Select: 3 types, off

ꢁ

• Transpose: 1 octave (F to C to F)

• Tuning: A4 = 440Hz 50 cents (adjustable)

MIDI:

16 multi-timbre receive

Input/Output:

• Headphones: Stereo standard jacks × 2

Output Impedance: 470Ω

Output Voltage: 18V (RMS) MAX

• MIDI (OUT) (IN)

Speakers:

‡ 12cm × 2 (Output: 20 W + 20 W)

Power Supply:

AP-31/AP-33: 120V

AP-31V/AP-33V: 220-240V

Power Consumption:

Dimensions:

Weight:

AP-31/AP-33: 60W

AP-31V/AP-33V: 60W

• CELVIANO (without stand): 137.0 × 42.5 × 19.0 cm (53 ¹⁵₁₆× 16 ³/₄× 7 ¹/₂inch)

• CELVIANO: 139.0 × 47.0 × 81.0 cm (54 ³/₄× 18 ¹/₂× 31 ⁷/₈inch)

• CELVIANO (without stand): approximately 34 kg (74.8 lbs)

• CELVIANO: approximately 44 kg (96.8 lbs) (AP-31/AP-31V)

approximately 44 kg (96.8 lbs) (AP-33/AP-33V)

• Design and specifications are subject to change without notice.

• AP-31 and AP-33 have hardwired power cords.

• AP-31V and AP-33V have detachable power cords.

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Appendix/Apéndice

Initial Power On Settings

The table below shows the initial settings of the CELVIANO whenever power is turned on.

Item

Setting

GRAND PIANO

HALL 1 (GRAND PIANO)

Off (GRAND PIANO)

MIDDLE

Item

Setting

A4 = 440.0Hz

Tone

Tuning

Reverb

Chorus

Keyboard Channel

Local Control

Channel 1

Touch Select

Transpose

Program Change Mode

Type 1

Ajustes iniciales al activarse la alimentación

La tabla siguiente muestra los ajustes iniciales del CELVIANO siempre que se activa la alimentación.

Item

Ajuste

GRAND PIANO

HALL 1 (GRAND PIANO)

Desactivado (GRAND PIANO)

MIDDLE

Item

Afinación

Ajuste

A4 = 440,0Hz

Sonido

Reverberación

Coro

Canal de teclado

Control local

Canal 1

Activado

Tipo 1

Selección de toque

Transposición

Modo de cambio de programa

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MIDI Data Format

Items marked “#” are receive only.

Control Change

Bank Select

Format

Channel Messages

Note Messages

Note Off

Byte 1

BnH

Byte 2

Byte 3

00H

20H

mmH (Bank Select MSB)

llH (Bank Select LSB)

BnH

Recognition

Format

n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

mm .. Bank Number MSB = 00H, 02H, 03H, 10H, 18H

ll....... Bank Number LSB = 00H

Byte 1

8nH

Byte 2

kkH

Byte 3

vvH

Send

9nH

kkH

00H

A Bank Select message is sent at the same time when you

select a tone on the instrument.

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Note Number = 00H to 7FH

vv .... Note Off Velocity = 00H to 7FH

Modulation Wheel

Format

Remarks

Note Off Velocity value is ignored.

Byte 1

Byte 2

Byte 3

BnH

01H

vvH

Send

Format

n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Modulation Depth = 00H to 7FH

Byte 1

Byte 2

Byte 3

8nH

kkH

vvH

Portamento Time

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Note Number = 15H to 6CH

vv .... Note Off Velocity = 40H

Byte 1

Byte 2

Byte 3

BnH

05H

vvH

Note On

n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Portamento Time = 00H to 7FH

Recognition

Format

Data Entry

Format

Byte 1

Byte 2

Byte 3

9nH

kkH

vvH

Byte 1

BnH

Byte 2

06H

Byte 3

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Note Number = 00H to 7FH

vv .... Note Off Velocity = 00H to 7FH

mmH (Data Entry MSB)

llH (Data Entry LSB)

BnH

26H

n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

mm .. Data entry MSB value for the parameter that is se-

lected by RPN and NRPN

ll....... Data entry LSB value for the parameter that is se-

lected by RPN and NRPN

Send

Format

Byte 1

Byte 2

Byte 3

9nH

kkH

vvH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Note Number = 15H to 6CH

vv .... Note Off Velocity = 01 to 7FH

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Channel Volume

Sostenuto

Format

Byte 1

Byte 2

Byte 3

Byte 1

BnH

Byte 2

Byte 3

BnH

07H

vvH

42H

vvH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Volume = 00H to 7FH

Recognition

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Sostenuto = 00H to 7FH (00H to 3FH:OFF, 40H to

7FH:ON)

Pan

Format

Send

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Sostenuto = 00H, 7FH (00H:OFF, 7FH:ON)

Byte 1

Byte 2

Byte 3

BnH

0AH

vvH

Soft

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Pan = 00H (left) to 40H (center) to 7FH (right)

Byte 1

Byte 2

Byte 3

Expression Controller

Format

BnH

43H

vvH

Recognition

Byte 1

Byte 2

Byte 3

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Soft = 00H to 7FH (00H to 3FH:OFF, 40H to

7FH:ON)

BnH

0BH

vvH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Expression = 00H to 7FH

Send

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Soft = 00H, 7FH(00H:OFF, 7FH:ON)

Hold 1 (Damper Pedal)

Format

Resonance

Format

Byte 1

Byte 2

Byte 3

BnH

40H

vvH

Byte 1

Byte 2

Byte 3

Recognition

BnH

47H

vvH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Hold 1 = 00H to 7FH (00H to 3FH:OFF, 40H to

7FH:ON)

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Filter Resonance = 00H to 7FH

Send

Release Time

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Hold 1 = 00H,7FH(00H:OFF, 7FH:ON)

Byte 1

Byte 2

Byte 3

Portamento

BnH

48H

vvH

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... AMP Release Time = 00H to 7FH

Byte 1

Byte 2

Byte 3

BnH

41H

vvH

Attack Time

Format

Recognition

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Portamento = 00H to 7FH (00H to 3FH:OFF, 40H

to 7FH:ON)

Byte 1

Byte 2

Byte 3

BnH

49H

vvH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... AMP Attack Time = 00H to 7FH

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Format

Brightness

Format

Byte 1

BnH

Byte 2

63H

Byte 3

pmH (MSB)

plH (LSB)

Byte 1

Byte 2

Byte 3

BnH

62H

BnH

4AH

vvH

n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

pm ... MSB of NRPN

pl ..... LSB of NRPN

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Filter Cutoff Frequency = 00H to 7FH

Portamento Control

Recognition

• NRPN messages not defined by the instrument can also

be received, but subsequent data entry values after

undefined NRPN messages are ignored.

Format

Byte 1

Byte 2

Byte 3

• After the NRPN MSB and LSB are received and the

applicable control parameters settings are made, the

value is set by receipt of the MSB of the subsequent

data entry. The data entry LSB is ignored.

BnH

54H

kkH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Source Note Number = 00H to 7FH

Vibrato Rate

Effect 1 Depth (Reverb Send Level)

NRPN MSB = 01H

NRPN LSB = 08H

Format

Data Entry MSB = mmH

Byte 1

Byte 2

Byte 3

BnH

5BH

vvH

mm .. Vibrato Rate = 00H to 40H to 7FH (-64 to 0 to +63)

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Reverb Send Level = 00H to 7FH

Recognition

When the instrument receives this message, the preset

Vibrato Rate value for the tone is changed to the Vibrato

Rate value that corresponds to the data entry MSB of the

received message. There is no change when the value of

the data entry MSB is 40H(0).

Effect 3 Depth (Chorus Send Level)

Format

Byte 1

Byte 2

Byte 3

Vibrato Depth

BnH

5DH

vvH

NRPN MSB = 01H

NRPN LSB = 09H

Data Entry MSB = mmH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Chorus Send Level = 00H to 7FH

mm .. Vibrato Depth = 00H to 40H to 7FH (-64 to 0 to

+63)

NRPN (Non-Registered Parameter Numbers)

With the instrument, NRPN are defined as tone editing pa-

rameters and drawbar parameters. The MSB and LSB of an

NRPN specify the parameter being controlled, while the spec-

ified parameter’s value is set in accordance with the subse-

quent data entry.

Recognition

When the instrument receives this message, the preset

Vibrato Depth value for the tone is changed to the value

that corresponds to the data entry MSB of the received

message. There is no change when the value of the data

entry MSB is 40H(0).

The following table shows the relationship between parame-

ters and NRPN as defined by the instrument.

Vibrato Delay

NRPN MSB NRPN LSB

Parameter

Vibrato Rate

NRPN MSB = 01H

NRPN LSB = 0AH

Data Entry MSB = mmH

01H

08H

09H

0AH

20H

21H

63H

64H

66H

Vibrato Depth

Vibrato Delay

mm .. Vibrato Delay = 00H to 40H to 7FH (-64 to 0 to +63)

TVF Cut Off Frequency

TVF Resonance

Recognition

TVF/TVA Envelope Attack Time

TVF/TVA Envelope Decay Time

TVF/TVA Envelope Release Time

When the instrument receives this message, the preset

Vibrato Delay value for the tone is changed to the value

that corresponds to the data entry MSB of the received

message. There is no change when the value of the data

entry MSB is 40H(0).

See “Vibrato Rate” through “TVF/TVA Envelope Release

Time” for the data entry MSB value range and other details.

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Filter Cut Off Frequency

Filter/AMP Envelope Release Time

NRPN MSB = 01H

NRPN LSB = 20H

NRPN MSB = 01H

NRPN LSB = 66H

Data Entry MSB = mmH

mm .. Cut Off Frequency = 00H to 40H to 7FH (-64 to 0 to

+63)

mm .. Filter/AMP Envelope Release Time = 00H to 40H

to 7FH (-64 to 0 to +63)

Recognition

When the instrument receives this message, the preset

Filter Cut off Frequency value for the tone is changed to

the value that corresponds to the data entry MSB of the

received message. There is no change when the value of

the data entry MSB is 40H(0).

When the instrument receives this message, the preset

Filter/AMP Envelope Release Time value for the tone is

changed to the value that corresponds to the data entry

MSB of the received message. There is no change when

the value of the data entry MSB is 40H(0).

RPN (Registered Parameter Numbers)

Filter Resonance

NRPN MSB = 01H

NRPN LSB = 21H

On the instrument, RPNs are defined as settings for the fol-

lowing parameters.

Data Entry MSB = mmH

NRPN MSB

00H

NRPN LSB

00H

Parameter

Pitch Bend Sensitivity

Master Fine Tuning

Master Coarse Tuning

RPN Null

mm .. Filter Resonance= 00H to 40H to 7FH (-64 to 0 to

+63)

00H

01H

Recognition

00H

02H

When the instrument receives this message, the preset

Filter Resonance value for the tone is changed to the val-

ue that corresponds to the data entry MSB of the received

message. There is no change when the value of the data

entry MSB is 40H(0).

7FH

The MSB and LSB of an RPN specify the parameter be-

ing controlled, while the specified parameter’s value is

set in accordance with the MSB of the subsequent data

entry.

See “Pitch Bend Sensitivity” through “RPN Null” for the

data entry MSB value range and other details.

Filter/AMP Envelope Attack Time

NRPN MSB = 01H

NRPN LSB = 63H

Data Entry MSB = mmH

Format

mm .. Filter/AMP Envelope Attack Time = 00H to 40H

to 7FH (-64 to 0 to +63)

Byte 1

BnH

Byte 2

65H

Byte 3

qmH (MSB)

qlH (LSB)

BnH

64H

Recognition

When the instrument receives this message, the preset

Filter/AMP Envelope Attack Time value for the tone is

changed to the value that corresponds to the data entry

MSB of the received message. There is no change when

the value of the data entry MSB is 40H(0).

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

qm ... MSB of RPN

ql ..... LSB of RPN

Recognition

• RPN messages not defined by the instrument can also

be received, but subsequent data entry values after un-

defined RPN messages are ignored.

• After the MSB and LSB of an RPN are received and the

applicable control parameters settings are made, the

value is set by receipt of the MSB of the subsequent

data entry. The data entry LSB is ignored.

Filter/AMP Envelope Decay Time

NRPN MSB = 01H

NRPN LSB = 64H

Data Entry MSB = mmH

mm .. Filter/AMP Envelope Decay Time = 00H to 40H

to 7FH (-64 to 0 to +63)

Send

Recognition

An RPN is sent whenever an operation that changes the

parameter assigned to the RPN is performed.

When the instrument receives this message, the preset

Filter/AMP Envelope Decay Time value for the tone is

changed to the value that corresponds to the data entry

MSB of the received message. There is no change when

the value of the data entry MSB is 40H(0).

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Pitch Bend Sensitivity

Pitch Bend Change

Format

RPN MSB = 00H

RPN LSB = 00H

Data Entry MSB = mmH

Byte 1

Byte 2

Byte 3

EnH

llH

mmH

mm .. Pitch Bend Sensitivity = 00H to 18H (0 to 24 semi-

tones)

n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

ll....... Pitch Bend Change LSB = 00H to 7FH

mm .. Pitch Bend Change MSB = 00H to 7FH

Recognition

The data entry LSB is always ignored.

Recognition

Master Fine Tuning

• The value llH mmH is 00H 00H at the lowest pitch,

00H 40H at mid-pitch, and 7FH 7FH at the highest pitch.

• You have to set both the LSB and MSB together to form

a 14-bit value and make a Pitch Bend Change message

recognized by the instrument.

RPN MSB = 00H

RPN LSB = 01H

Data Entry MSB = mmH

Data Entry LSB = llH

mm ll .... Master Fine Tuning = 00 00H to 40H 00H to 7FH

7FH (-100 to 0 to +99.99 cents)

Channel Mode Message

All Sound Off

Master Coarse Tuning

RPN MSB = 00H

RPN LSB = 02H

Format

Data Entry MSB = mmH

Byte 1

Byte 2

Byte 3

BnH

78H

00H

mm .. Master Coarse Tuning = 28H to 40H to 58H (-24 to

0 to +24 semitones)

n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

The data entry LSB is always ignored.

Receipt of this message immediately mutes all tones play-

ing over the MIDI channels.

RPN Null

RPN MSB = 7FH

RPN LSB = 7FH

Reset All Controller

Format

Recognition

Once an RPN Null is sent, all received data entry MSBs

and LSBs are ignored until another RPN message other

than RPN Null or an NRPN message is received.

Byte 1

Byte 2

Byte 3

BnH

79H

00H

n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

Program Change

Format

Receipt of the Reset All Controller message causes the

following controllers to be reset.

Byte 1

Byte 2

Controller Name

Modulation Wheel

Expression Controller

Hold 1

Reset Value

vvH = 00H

CnH

ppH

vvH = 7FH

pp .... Program Number = 00H to 7FH

Send

vvH = 00H

Portamento

Sostenuto

vvH = 00H

Program Change messages are sent when you select a

tone on the instrument.

vvH = 00H

Soft

vvH = 00H

NRPN

msb = 7FH, lsb = 7FH

llH mmH = 00H 40H

RPN

Pitch Bend Change

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All Note Off

Poly Mode On

Format

Byte 1

Byte 2

Byte 3

Byte 1

Byte 2

Byte 3

BnH

7FH

00H

BnH

7BH

00H

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

Receive

Receipt of a Poly Mode On message by the instrument

sets Channel n to Mode 3 and is processed as if an All

Sound Off message and All Note Off message were re-

ceived.

Receipt of the All Note Off message mutes all tones be-

ing played by data received over the MIDI channels (note

off).

If Hold 1 or Sostenuto is turned on when the All Note

Off message is received, notes are sustained in accordance

with the corresponding pedal operation.

System Messages

Send

This message is sent when the CONTROL button is

pressed and when memory playback is stopped.

Universal System Exclusive Message

GM System On

Format

Omni Mode Off

Format

F0H 7EH 7FH 09H 01H F7H

Byte 1

Byte 2

Byte 3

Send

BnH

7CH

00H

This message cannot be sent.

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

Reverb Type

Format

Receipt of an Omni Mode On message does not turn on

the instrument Omni Mode. Receipt of an Omni Mode

On message is treated as an All Note Off message.

F0 7F 7F 04 05 01 01 01 01 01 00 vv F7

Parameter (vv) Setting

GM Level 2 Equivalent

Small Room

00H

02H

03H

04H

ROOM

STAGE

HALL 1

HALL 2

Omni Mode On

Large Room

Format

Medium Hall

Large Hall

Byte 1

Byte 2

Byte 3

BnH

7DH

00H

Chorus Type

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

F0 7F 7F 04 05 01 01 01 01 02 00 vv F7

Receipt of an Omni Mode On message does not turn on

the instrument Omni Mode. Receipt of an Omni Mode

On message is treated as an All Note Off message.

Parameter (vv) Setting

02H

GM Level 2 Equivalent

CHORUS Chorus 3

Mono Mode On

Format

Byte 1

Byte 2

Byte 3

BnH

7EH

vvH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Number of Mono Mode Channels = 00H to 10H

Recognition

Receipt of a Mono Mode On message does not turn on

the instrument Mono Mode. Receipt of a Mono Mode On

message is treated as an All Sound Off message.

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Formato de datos MIDI

Solamente se reciben los ítemes marcados con “#” .

Cambio de control

Selección de banco

Mensajes de canales

Formato

Mensajes de nota

1er. byte

BnH

2do. byte

3r. byte

00H

20H

mmH (MSB de selección de banco)

llH (LSB de selección de banco)

Desactivación de nota

BnH

Reconocimiento

Formato

n....... Número de canal de voz = 0H a FH (canal 1 al 16).

mm .. MSB de número de banco = 00H, 02H, 03H, 10H,

18H.

ll....... LSB de número de banco = 00H.

1er. byte

8nH

2do. byte

kkH

3r. byte

vvH

Envío

Un mensaje de selección de banco es enviado al mismo

tiempo cuando selecciona un sonido en el instrumento.

9nH

kkH

00H

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

kk .... Número de nota = 00H a 7FH.

vv .... Velocidad de presión = 00H a 7FH.

Perilla de modulación

Formato

Observaciones

1er. byte

2do. byte

3r. byte

El valor de la velocidad de desactivación de nota es

ignorado.

BnH

01H

vvH

n....... Número de canal de voz = 0H a FH (canal 1 al 16).

vv .... Profundidad de modulación = 00H a 7FH.

Envío

Formato

1er. byte

8nH

2do. byte

3r. byte

Tiempo de portamento

kkH

vvH

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

kk .... Número de nota = 15H a 6CH.

vv .... Velocidad de desactivación de nota = 40H.

1er. byte

2do. byte

3r. byte

BnH

05H

vvH

n....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Tiempo de portamento = 00H a 7FH.

Nota activada

Reconocimiento

Formato

Ingreso de datos

Formato

1er. byte

2do. byte

kkH

3r. byte

vvH

9nH

1er. byte

BnH

2do. byte

06H

3r. byte

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

kk .... Número de nota = 00H a 7FH.

vv .... Velocidad de desactivación de nota = 00H a 7FH.

mmH (MSB de ingreso de datos)

llH (LSB de ingreso de datos)

BnH

26H

n....... Número de canal de voz = 0H a FH (canal 1 al 16).

mm .. Valor MSB de ingreso de datos para el parámetro

que se selecciona mediante RPN y NRPN.

Envío

Formato

ll....... Valor LSB de ingreso de datos para el parámetro

que se selecciona mediante RPN y NRPN.

1er. byte

9nH

2do. byte

kkH

3r. byte

vvH

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

kk .... Número de nota = 15H a 6CH.

vv .... Velocidad de desactivación de nota = 01 a 7FH.

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Volumen de canal

Sostenuto

Formato

1er. byte

2do. byte

3r. byte

1er. byte

2do. byte

3r. byte

BnH

42H

vvH

BnH

07H

vvH

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

Reconocimiento

nal 16).

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

vv .... Volumen = 00H a 7FH

nal 16).

vv .... Sostenuto = 00H a 7FH (00H a 3FH:OFF, 40H a

7FH:ON).

Efecto panorámico

Formato

Envío

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Sostenuto = 00H,7FH (00H:OFF, 7FH:ON).

1er. byte

2do. byte

3r. byte

BnH

0AH

vvH

Suave

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Efecto panorámico = 00H (izquierdo) a 40H (cen-

tro) a 7FH (derecho).

1er. byte

2do. byte

3r. byte

BnH

43H

vvH

Controlador de expresión

Formato

Reconocimiento

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

1er. byte

2do. byte

3r. byte

vv .... Suave = 00H a 7FH (00H a 3FH:OFF, 40H a

7FH:ON).

BnH

0BH

vvH

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Expresión = 00H a 7FH.

Envío

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Suave = 00H,7FH (00H:OFF, 7FH:ON).

Retención 1 (Pedal amortiguador)

Formato

Resonancia

Formato

1er. byte

2do. byte

3r. byte

1er. byte

BnH

2do. byte

3r. byte

BnH

40H

vvH

47H

vvH

Reconocimiento

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Filtro de resonancia TVF = 00H a 7FH.

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Retención 1 = 00H a 7FH (00H a 3FH:OFF, 40H a

7FH:ON).

Tiempo de liberación

Envío

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

1er. byte

2do. byte

3r. byte

vv .... Retención 1 = 00H,7FH (00H:OFF, 7FH:ON).

BnH

48H

vvH

Portamento

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Tiempo de liberación AMP = 00H a 7FH.

1er. byte

2do. byte

3r. byte

Tiempo de ataque

BnH

41H

vvH

Formato

Reconocimiento

1er. byte

2do. byte

3r. byte

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

BnH

49H

vvH

nal 16).

vv .... Portamento = 00H a 7FH (00H a 3FH:OFF, 40H a

7FH:ON).

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Tiempo de ataque de AMP = 00H a 7FH.

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Para la gama de valores de ingreso de datos y otros detalles

vea “Regimen de vibrato” a “Tiempo de liberacion de en-

volvente de TVF/TVA”.

Brillo

Formato

1er. byte

BnH

2do. byte

3r. byte

Formato

4AH

vvH

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Frecuencia de corte de filtro = 00H a 7FH.

1er. byte

BnH

2do. byte

63H

3r. byte

pmH (MSB)

plH (LSB)

BnH

62H

Control de portamento

Formato

n....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

pm ... MSB de NRPN.

pl ..... LSB de NRPN.

1er. byte

2do. byte

3r. byte

BnH

54H

kkH

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

Reconocimiento

• Los mensajes NRPN no definidos por el instrumento

también pueden ser recibidos, pero los valores de in-

greso de datos subsiguientes después de los mensajes

NRPN sin definir son ignorados.

kk .... Número de nota de fuente = 00H a 7FH.

Profundidad de efecto 1 (Nivel de envío de re-

verberación)

Formato

• Después que se reciben los NRPN MSB y LSB y se

realizan los ajustes de parámetros de control aplica-

ble, el valor se ajusta por la recepción del MSB del

ingreso de datos subsiguientes. El ingreso de datos

LSB es ignorado.

1er. byte

2do. byte

3r. byte

BnH

5BH

vvH

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Nivel de envío de reverberación = 00H a 7FH.

Régimen de vibrato

NRPN MSB = 01H

NRPN LSB = 08H

MSB de ingreso de datos = mmH

Profundidad de efecto 3 (Nivel de envío de coro)

Formato

mm .. Régimen de vibrato = 00H a 40H a 7FH (-64 a 0 a

1er. byte

2do. byte

3r. byte

+63).

BnH

5DH

vvH

Reconocimiento

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Nivel de envío de coro = 00H a 7FH.

Cuando el instrumento recibe este mensaje, el valor de

régimen de vibrato para el sonido es cambiado al valor

de régimen de vibrato que corresponde al MSB de in-

greso de datos del mensaje recibido. No hay cambio cuan-

do el valor de MSB de ingreso de datos es 40H(0).

NRPN (Números de parámetros sin registrar)

Con el instrumento, los NRPN son definidos como parámetros

de edición de sonido y parámetros de barra de arrastre. Los

MSB y LSB de un NRPN especifican el parámetro que está sien-

do controlado, mientras el valor del parámetro especificado se

ajusta de acuerdo con el ingreso de dato subsiguiente.

La tabla siguiente muestra la relación entre los parámetros y

NRPN como lo define el instrumento.

Profundidad de vibrato

NRPN MSB = 01H

NRPN LSB = 09H

MSB de ingreso de datos = mmH

mm .. Profundidad de vibrato = 00H a 40H a 7FH (-64 a 0

a +63).

NRPN MSB NRPN LSB

Parámetro

Régimen de vibrato

01H

08H

09H

0AH

20H

21H

63H

Reconocimiento

Profundidad de vibrato

Retardo de vibrato

Cuando el instrumento recibe este mensaje, el valor de

profundidad de vibrato para el sonido es cambiado al

valor que corresponde al MSB de ingreso de datos del

mensaje recibido. No hay cambio cuando el valor de MSB

de ingreso de datos es 40H(0).

Frecuencia de corte de TVF

Resonancia de TVF

Tiempo de ataque de envolvente

TVF/TVA.

Extinción de vibrato

01H

64H

66H

Tiempo de extinción de envol-

vente TVF/TVA.

NRPN MSB = 01H

NRPN LSB = 0AH

MSB de ingreso de datos = mmH

Tiempo de liberación de envol-

vente TVF/TVA.

mm .. Extinción de vibrato = 00H a 40H a 7FH (-64 a 0 a

+63).

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Reconocimiento

Cuando el instrumento recibe este mensaje, el valor de

extinción de vibrato preajustado para el sonido es cam-

biado al valor que corresponde al MSB de ingreso de datos

del mensaje recibido. No hay cambio cuando el valor de

MSB de ingreso de datos es 40H(0).

Cuando el instrumento recibe este mensaje, el valor del

tiempo de extinción de envolvente de AMP/Filtro para

el sonido es cambiado al valor que corresponde al MSB

de ingreso de datos del mensaje recibido. No hay cam-

bio cuando el valor de MSB de ingreso de datos es 40H(0).

Frecuencia de corte de filtro

Tiempo de liberación de envolvente de AMP/Filtro

NRPN MSB = 01H

NRPN LSB = 20H

NRPN LSB = 66H

MSB de ingreso de datos = mmH

mm .. Frecuencia de corte = 00H a 40H a 7FH (-64 a 0 a

+63).

mm .. Tiempo de liberación de envolvente de AMP/Filtro

= 00H a 40H a 7FH (-64 a 0 a +63).

Reconocimiento

Cuando el instrumento recibe este mensaje, el valor de

frecuencia de corte de filtro para el sonido es cambiado

al valor que corresponde al MSB de ingreso de datos del

mensaje recibido. No hay cambio cuando el valor de MSB

de ingreso de datos es 40H(0).

Cuando el instrumento recibe este mensaje, el valor del

tiempo de liberación de envolvente de AMP/Filtro para

el sonido es cambiado al valor que corresponde al MSB

de ingreso de datos del mensaje recibido. No hay cam-

bio cuando el valor de MSB de ingreso de datos es 40H(0).

Filtro de resonancia

RPN (Números de parámetros registrados)

En el instrumento, los RPN son definidos como ajustes para

los parámetros siguientes.

NRPN MSB = 01H

NRPN LSB = 21H

MSB de ingreso de datos = mmH

NRPN MSB

NRPN LSB

Parámetros

mm .. Filtro de resonancia = 00H a 40H a 7FH (-64 a 0 a

+63).

Sensibilidad de in-

flexión de altura tonal

Afinación fina maestra

Afinación gruesa maestra

RPN nulo

00H

Reconocimiento

00H

7FH

01H

02H

7FH

Cuando el instrumento recibe este mensaje, el valor de

resonancia de filtro preajustado para el sonido es cam-

biado al valor que corresponde al MSB de ingreso de datos

del mensaje recibido. No hay cambio cuando el valor de

MSB de ingreso de datos es 40H(0).

Los MSB y LSB de un RPN especifican el parámetro que

está siendo controlado, mientras el valor de parámetro

especificado se ajusta de acuerdo con el MSB del ingreso

de datos subsiguientes.

Para la gama de valores MSB y otros detalles vea “Sensi-

bilidad de inflexión de altura tonal” al “RPN nulo”.

Tiempo de ataque de envolvente de AMP/Filtro

NRPN MSB = 01H

NRPN LSB = 63H

MSB de ingreso de datos = mmH

Formato

1er. byte

mm .. Tiempo de ataque de envolvente de AMP/Filtro =

00H a 40H a 7FH (-64 a 0 a +63).

2do. byte

65H

3r. byte

qmH (MSB)

qlH (LSB)

BnH

Reconocimiento

64H

Cuando el instrumento recibe este mensaje, el valor del

tiempo de ataque de envolvente AMP/Filtro para el

sonido es cambiado al valor que corresponde al MSB de

ingreso de datos del mensaje recibido. No hay cambio

cuando el valor de MSB de ingreso de datos es 40H(0).

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

pm ... MSB de RPN.

pl ..... LSB de RPN.

Tiempo de extinción de envolvente de AMP/Filtro

Reconocimiento

NRPN MSB = 01H

• Los mensajes RPN no definidos por el instrumento tam-

bién pueden ser recibidos, pero los valores de ingreso

de datos subsiguientes después de los mensajes RPN

sin definir son ignorados.

• Después que se reciben los MSB y LSB de un RPN y se

realizan los ajustes de parámetros de control aplicable,

el valor se ajusta mediante la recepción del MSB del

ingreso de datos subsiguientes. El ingreso de datos LSB

es ignorado.

NRPN LSB = 64H

MSB de ingreso de datos = mmH

mm .. Tiempo de extinción de envolvente de AMP/Filtro

= 00H a 40H a 7FH (-64 a 0 a +63).

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Envío

Un RPN es enviado siempre que una operación cambia

n....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

el parámetro asignado al RPN.

ll....... LSB de cambio de inflexión de altura tonal = 00H a

7FH.

mm .. MSB de cambio de inflexión de altura tonal = 00H

Sensibilidad de inflexión de altura tonal

a 7FH.

NRPN MSB = 00H

NRPN LSB = 00H

MSB de ingreso de datos = mmH

Reconocimiento

• El valor 11H mmH es 00H 00H en la altura tonal más

baja, 00H 40H en la altura tonal media y 7FH 7FH en la

altura tonal más alta.

mm .. Sensibilidad de inflexión de altura tonal = 00H a

18H (0 a 24 semitonos).

• Para formar un valor de 14 bit para hacer que el men-

saje de cambio de altura tonal sea reconocido por el

instrumento, tiene que ajustar LSB y MSB juntos.

Reconocimiento

El LSB de ingreso de datos es siempre ignorado.

Afinación fina maestra

RPN MSB = 00H

RPN LSB = 01H

MSB de ingreso de datos = mmH

LSB de ingreso de datos = 11H

Mensaje de modo de canal

Todos los sonidos desactivados

Formato

mm ll ... Afinación fina maestra = 00 00H a 40H 00H a

7FH 7FH (-100 a 0 a +99,99 centésimas).

1er. byte

2do. byte

3r. byte

BnH

78H

00H

Afinación gruesa maestra

n....... Número de canal de voz = 0H a FH (canal 1 al ca-

RPN MSB = 00H

nal 16).

RPN LSB = 02H

MSB de ingreso de datos = mmH

Reconocimiento

La recepción de este mensaje silencia inmediatamente

todos los sonidos que se ejecutan sobre los canales MIDI.

mm ... Afinación fina maestra = 28H a 40H a 58H (-24 a 0

a +24 semitonos).

Reconocimiento

Controlador de reposición completa

Formato

El LSB de ingreso de datos siempre es ignorado.

RPN nulo

1er. byte

2do. byte

3r. byte

RPN MSB = 7FH

RPN LSB = 7FH

BnH

79H

00H

n....... Número de canal de voz = 0H a FH (canal 1 al ca-

Reconocimiento

nal 16).

Una vez que se envía un RPN nulo, todos los MSB y LSB

de ingreso de datos recibidos son ignorados, hasta que

se reciba otro mensaje RPN diferente a RPN nulo o un

mensaje NRPN.

Reconocimiento

La recepción del mensaje del controlador de reposición

completa ocasiona que los controladores siguientes se

reposicionen.

Cambio de programa

Formato

Nombre de controlador

Perilla de modulación

Controlador de expresión

Retención 1

Valor de reposición

vvH = 00H

vvH = 7FH

1er. byte

2do. byte

vvH = 00H

CnH

ppH

Portamento

vvH = 00H

Sostenuto

vvH = 00H

pp .... Número de programa = 00H a 7FH

Envío

Suave

vvH = 00H

NRPN

msb = 7FH, lsb = 7FH

Los mensaje de cambio de programa son enviados cuan-

do selecciona un sonido en el instrumento.

RPN

Cambio de inflexión de altura tonal llH mmH = 00H 40H

Cambio de inflexión de altura tonal

Formato

1er. byte

2do. byte

3r. byte

EnH

llH

mmH

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n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

Desactivación de nota completa

Formato

nal 16).

vv .... Número de canales del modo monofónico = 00H a

10H.

1er. byte

2do. byte

3r. byte

BnH

7BH

00H

Reconocimiento

La recepción de un mensaje de activación de modo mo-

nofónico no activa el modo monofónico del instrumen-

to. La recepción de un mensaje de activación del modo

monofónico es tratado como un mensaje de desactiva-

ción de sonido completo.

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

Reconocimiento

La recepción del mensaje de desactivación de nota com-

pleta silencia todos los sonidos que están siendo repro-

ducidos por los datos recibidos sobre los canales MIDI

(desactivación de nota).

Si retención 1 o sostenuto es activado cuando se recibe

el mensaje de desactivación de nota completa, las notas

son sostenidas de acuerdo con la operación de pedal

correspondiente.

Activación de modo polifónico

Formato

1er. byte

2do. byte

3r. byte

BnH

7FH

00H

Envío

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

Este mensaje es enviado cuando se presiona el botón

CONTROL y caundo se para la reproducción de la me-

moria.

nal 16).

Recepción

La recepción de un mensaje de activación de modo polif-

ónico por el instrumento ajusta el canal n al modo 3, y es

procesado como si se estuviera recibiendo un mensaje

de desactivación de sonido completo y mensaje de des-

activación de nota completa.

Desactivación de modo Omni

Formato

1er. byte

2do. byte

3r. byte

BnH

7CH

00H

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

Mensajes de sistema

nal 16).

Mensaje exclusivo de sistema universal

Reconocimiento

La recepción del mensaje de activación de modo Omni

no activa el modo Omni del instrumento. La recepción

de un mensaje de activación del modo Omni es tratado

como un mensaje de desactivación de nota completa.

Activación del sistema GM

Formato

F0H 7EH 7FH 09H 01H F7H

Envío

Activación del modo Omni

Este mensaje no puede ser enviado.

Formato

Tipo de reverberación

1er. byte

2do. byte

3r. byte

BnH

7DH

00H

Formato

F0 7F 7F 04 05 01 01 01 01 01 00 vv F7

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

Parámetro (vv) Ajuste

Equivalente al nivel GM 2

Small Room

00H

02H

03H

04H

ROOM

STAGE

HALL 1

HALL 2

Reconocimiento

La recepción del mensaje de activación de modo Omni

no activa el modo Omni del instrumento. La recepción

de un mensaje de activación del modo Omni es tratado

como un mensaje de desactivación de nota completa.

Large Room

Medium Hall

Large Hall

Tipo de coro

Formato

Activación de modo monofónico

Formato

F0 7F 7F 04 05 01 01 01 01 02 00 vv F7

1er. byte

2do. byte

3r. byte

BnH

7EH

vvH

Parámetro (vv) Ajuste

02H

Equivalente al nivel GM 2

CHORUS Chorus 3

427B-E-077A

A-13

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This recycle mark indicates that the packaging conforms to

the environmental protection legislation in Germany.

Esta marca de reciclaje indica que el empaquetado conforma

a la legislación de protección ambiental en Alemania.

CASIO COMPUTER CO.,LTD.

6-2, Hon-machi 1-chome

Shibuya-ku, Tokyo 151-8543, Japan

MA0302-B Printed in China

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