User’s Manual
Version 1.3 November 2004
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
FOREWORD
TABLE OF CONTENTS
Dear Customer,
1. INTRODUCTION ......................................................... 4
Welcome to the team of
EUROPOWER users and
thank you very much for
expressing your confi-
dence in BEHRINGER
products by purchasing
this power mixer.
1.1 Before you get started ................................................... 4
1.1.1 Shipment ............................................................... 4
1.1.2 Initial operation...................................................... 4
1.1.3 Warranty .............................................................. 4
1.2 The manual ..................................................................... 4
2. CONTROL ELEMENTS ............................................... 4
It is one of my most
pleasant tasks to write
this letter to you, because
it is the culmination of
many months of hard
work delivered by our
engineering team to reach
a very ambitious goal:
to present you two
2.1 Mono and stereo channels ............................................ 4
2.1.1 Input section ......................................................... 5
2.2 Effects section ............................................................... 5
2.3 Main and monitor section................................................ 5
2.3.1 Connectors ........................................................... 6
2.4 Rear panel ...................................................................... 6
3. DIGITALEFFECTS PROCESSOR ................................ 7
outstanding
power
mixers that give you
maximum flexibility and
performance with a unique sound character and broad range of
striking functions.
4. INSTALLATION ........................................................... 8
4.1 Mains connection ........................................................... 8
4.2 Audio connections ......................................................... 8
4.3 Loudspeaker connection................................................ 9
The task to design the new PMH series certainly meant a great
deal of responsibility, which we assumed by focusing on you,
the discerning user and musician. It also meant a lot of work and
night shifts to accomplish this goal. But it was fun, too. Developing
a product usually brings a lot of people together, and what a
great feeling it is when everybody who participated in such a
project can be proud of what we’ve achieved.
5. WIRING EXAMPLES .................................................10
6. SPECIFICATIONS .....................................................12
7. WARRANTY ..............................................................13
It is our philosophy to share our joy with you, because you are
the most important member of the BEHRINGER team. With your
highly competent suggestions for new products you’ve greatly
contributed to shaping our company and making it successful. In
return, we guarantee you uncompromising quality as well as
excellent technical and audio properties at an extremely
favorable price. All of this will enable you to fully unfold your
creativity without being hampered by budget constraints.
We are often asked how we can make it to produce such
high-grade devices at such unbelievably low prices. The answer
is quite simple: it’s you, our customers! Many satisfied customers
means large sales volumes enabling us to get better conditions
of purchase for components, etc. Isn’t it only fair to pass this
benefit back to you? Because we know that your success is
our success, too!
I would like to thank all people whose help on “Project PMH”
has made it all possible. Everybody has made very personal
contributions, starting from the designers of the unit to the many
staff members in our company and finally to you, the user of
BEHRINGER products.
My friends, it’s been worth the trouble!
Thank you very much,
CAUTION!
Uli Behringer
ꢀ
We would like to point out that high volume levels
may damage your hearing and/or your headphones.
Please turn the MAIN MASTER and MONITOR MASTER
controls fully counter-clockwise before switching
on the device. Always make sure that the
appropriate volume is set.
3
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
ꢀ
Blown fuses must be replaced by fuses of the same
type and rating! Please refer to the
“SPECIFICATIONS” for details.
1. INTRODUCTION
Congratulations! With the PMH660M/PMH880S you have
acquired a state-of-the-art power mixer that sets new standards.
Right from the very start it has been our goal to design a
revolutionary unit that can be used for a wide variety of
applications. And indeed, this overwhelming power mixer gives
you plenty of functionality and a broad range of connection and
expansion options.
The mains connection is made using the enclosed power cord
and a standard IEC receptacle. It meets all of the international
safety certification requirements.
ꢀ
Please make sure that all units have proper ground
connection. For your own safety, never remove or
disable the ground conductor from the unit or on
the AC power cord.
1.1.3 Warranty
The EUROPOWER’s serial number is located on the rear panel.
Please take the time to fill in and return the warranty card within
14 days after the date of purchase, so as to benefit from our
Your power mixer features our revolutionary COOLAUDIO
amplifier technology that reduces weight and size of your device
and provides extreme high output power.
Further advantages are the integrated Voice Canceller that
removes vocal tracks from a playback, the FBQ function for
feedback detection and the Speaker Processing function for
adjusting the frequency response of any loudspeaker—and
everything with 24-bit/46 kHz resolution.
1.2 The manual
This manual is designed to give you both an overview of all
control elements and to provide detail about how to use them. To
provide you with a clear structure, we have grouped the control
elements according to their function. They can easily be found
on the enclosed numbered illustrations. If you need more detailed
information on specific topics, please visit our web site
the ULTRANET-based glossary explain the relevant audio
engineering terminology in full detail.
The mixing consoles of the PMH series feature a state of the
art, integrated switch-mode power supply (SMPS). One of the
great advantages is that (compared to conventional circuits) a
switch-mode power supply adapts to mains voltages between
100 and 240 volts automatically. Furthermore, due to its much
greater efficiency, it consumes much less energy than a
conventional power supply unit.
BEHRINGER is a company with its roots in professional
recording studio technology. For many years we have been
successful in developing products for studio and live use. These
include microphones and 19" units of all types (compressors,
enhancers, noise gates, tube processors, headphone amplifiers,
digital effects, DI boxes, etc.), monitor and P.A. speakers as
well as professional live and recording mixers. Our entire
technical know-how has gone into your PMH power mixer.
2. CONTROL ELEMENTS
A detailed description of all functions of your power mixer can
be found in the following chapters. Please also refer to the
enclosed sheet with the numbered illustrations to get an overview
of the control layout.
2.1 Mono and stereo channels
1.1 Before you get started
1.1.1 Shipment
The HI control in the EQ section governs the high-frequency
range of the respective channel.
Use the MID control to boost or cut the mid-range
frequencies.
Your PMH was carefully packed at the factory and the
packaging is designed to protect the unit from rough handling.
Nevertheless, we recommend that you carefully examine the
packaging and its contents for any signs of physical damage
which may have occurred during transit.
The LOW control allows you too boost/cut the low-frequency
range.
With the MON control you can adjust the volume of each
channel in the monitor mix.
ꢀ
If the unit is damaged, please do NOT return it to
BEHRINGER, but notify your dealer and the shipping
company immediately. Otherwise, claims for damage
or replacement may not be granted.
The FX control determines the signal level sent from each
channel to the built-in effects processor; this signal is also
present at the FX OUT jack (see
). The PMH880S has
two FX controls (FX 1 and FX 2), so that you can use two
effects simulteneously. Accordingly, it also provides two
ꢀ
We recommend that you use a flight case, so as to give
your power mixer optimum protection during use or
transport.
effect Aux paths (see
).
ꢀ
Please note that the effects processor signal will
be inaudible when the FX RETURN control (
set fully counter-clockwise.
) is
ꢀ
ꢀ
ꢀ
Always use the original packing carton to prevent
damage during storage or transport.
For the mono input channels, the PMH880S has a
PAN(ORAMA) control which determines the position of the
channel signal in the stereo main mix. The PMH660M has
no PAN on the input channels, because it is a dual-mono
power mixer.
Make sure that children cannot play unsupervised with
the device or its packaging.
Please ensure proper disposal of all packing materials.
The BAL(ANCE) control for the stereo channels of the
PMH880S corresonds to the PAN control for the mono
channels. It determines the relative volume of the left and
right input signals before they are routed to the stereo main
output. The PMH660M has no stereo channels and hence
no BAL control, because it is a dual-mono power mixer.
1.1.2 Initial operation
Be sure that there is enough air space around the unit for cooling
and, to avoid overheating, please do not place the EUROPOWER
near radiators, etc.
4
2. CONTROL ELEMENTS
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
The LEVEL control adjusts the channel signal level in the
main mix.
Turn the FX RET control to add the effect signal to the main
mix (lower) or monitor mix (upper). The PMH880S allows
you to use two effects at the same time, it also has two FX
controls each for the main and monitor mixes: when the
FX RET 1 and FX RET 2 controls are fully counter-
clockwise, no effect signal is added.
2.1.1 Input section
The CLIP LED is very useful to control the input gain. It
should never be constantly illuminated (only with signal
peaks).
The 2TR IN control adjusts the volume of the
2 Track In signal (see
).
The PAD switch reduces the input sensitivity of the channel
by approx. 30 dB, to connect for example line-level signals.
The MONITOR MASTER control adjusts the monitor output
volume.
The balanced HI-Z input (1/4" TRS) can be used for line-
level signal sources, e.g. keyboards, electric guitars and
basses.
Use this 5-digit LED meter to control the output level of the
monitor signal. The upper LIM LED illuminates when the
internal amp protection circuit responds to output levels
that are too high.
Each channel has a balanced LOW-Z microphone input
with XLR connectors, which also supply the +48 V phantom
power for condenser microphones (see
).
The MAIN MASTER control is used to adjust the main output
volume.
Unbalanced stereo line inputs with 1/4" connectors for
stereo channels 7 to 10 of the PMH880S. They can be
used for connecting keyboards with stereo outputs or
stereo drum machines.
Use this 5-digit LED meter to control the output level of the
main signal. The PMH880S has two rows of LED meters
(L/R), because the signal is stereo. The upper LIM LED
illuminates when the internal amp protection circuit
responds to output levels that are too high.
ꢀ
ꢀ
Please remember to use either the microphone or
the line input of a channel at a time, but never both
at the same time!
+48V phantom power is provided for condenser
microphones. The phantom power supply is activated for
all channels with the PHANTOM switch and the PHANTOM
LED above the switch illuminates.
When you connect mono line-level signals to
channels 7 to 10 of the PMH880S, always use the left
input. The mono signal will then be reproduced by
both stereo sides.
Use the POWER AMP switch to determine the operating
mode of your power mixer.
The PMH880S has three different operating modes: In MAIN
L/MAIN R mode it functions as a stereo amplifier, i.e. the left
and right main stereo signals are sent to OUTPUT A (L)
and OUTPUT B (R). In MON/MONO mode it functions as a
dual mono amplifier. I. e. OUTPUT A sends the monitor signal,
and OUTPUT B the main signal (mono). In BRIDGE AMP
MODE the output power of outputs A and B are added
and provided at OUTPUT B.
2.2 Effects section
List of all multi-effects presets.
LED level meter of the effects processor. Since the
PMH880S allows you to select two effects simultaneously,
it also has two level meters (DUAL FX). Be sure that the
clip LED illuminates for signal peaks only. If it is illuminated
all the time, it is a sign that the effects processor is
overloading and hence producing unpleasant distortion.
The PMH660M also has three operating modes, since it can
be operated in two modes with the switch in its upper position
(MAIN/MAIN (BRIDGE) mode), depending on the pin
connections of the speaker cables. In MAIN/MAIN (BRIDGE)
mode power of both outputs is added and provided at
OUTPUT B (SPEAKON® cable, pins 1+/2+). With the normal
pin connections (SPEAKON® cable, pins 1+/1-) a main signal
is provided in this mode at OUTPUT A and B (not bridged). In
MON/MAIN mode, the mixer can also be used as a dual
mono amplifier, i.e. OUTPUT A provides the monitor signal,
while the main signal is present at OUTPUT B.
The EFFECT display (PMH880S: two displays) shows the
currently selected preset.
Turn the PROGRAM control (PMH880S: one control each
for FX 1 and FX 2) to select an effects preset (preset
number starts flashing). Push the control briefly to confirm
your selection.
Please refer to
and
as well as chapter 4.4
Press the FX IN button (PMH880S: FX 1 IN and FX 2 IN) to
“Loudspeaker connectors”.
activate the effects processor.
ꢀ
ꢀ
In BRIDGE mode, always connect only one loudspeaker
with an impedance of at least 8 Ω to OUTPUT B (pins
1+/2+)! Please note that OUTPUT A must NEVER be
used in BRIDGE mode (with pin connections 1+/2+)!
2.3 Main and monitor section
Your power mixer is equipped with two graphic 7-band
equalizers. The upper one processes the monitor signal,
the lower one the main signal. Use the EQs to adjust the
sound to the room acoustics.
In all other operating modes, the minimum
impedance of the speaker connected must not fall
below 4 Ω.
Press the FBQ IN switch to activate the FBQ Feedback
Detection System. The frequencies causing
feedback are shown by the brightly lit fader
LEDs. Simply lower the level of the respective
frequency range until feedback disappears and
the LED goes out. Your power mixer offers
this function both for the main and the monitor mix.
Use the SPEAKER PROCESSING switch to activate a filter
that adapts the mixer to the specifications of your
loudspeakers. If the speakers have a limited frequency
response in the bass range, it allows you to adapt it optimally
to the frequency response of the speakers.
2. CONTROL ELEMENTS
5
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
If STANDBY is pressed, all input channels are muted.
During breaks you can thus prevent the microphones from
picking up noise or interference, which would then be
reproduced by the P.A. system. The advantage is that all
faders can be left untouched while you play a CD via the
ꢀ
Please note: The POWER switch does not fully
disconnect the unit from the mains. Unplug the
power cord completely when the unit is not used
for prolonged periods of time.
CD/TAPE inputs (see
down the faders of muted channels and lose your mix.
). There is also no need to move
2.4 Rear panel
The mains connection is on a standard IEC receptacle. An
appropriate power cord is supplied with the unit.
2.3.1 Connectors
The FOOTSWITCH connector is for
a
standard
FUSE HOLDER. Before connecting the unit to the mains,
ensure that the voltage setting matches your local voltage.
Blown fuses should only be replaced by fuses of the same
type and rating. Please also read the information given in
chapter 6 “SPECIFICATIONS”.
footswitch. You can activate an “effect bypass” that mutes
the effects processor. Please use a dual footswitch for
the PMH880S, so that you can enable/disable FX1 and FX2
independently of each other. In this case, the tip of the 1/4"
plug controls FX1, and the ring FX2.
These are the two cooling fans of the unit.
The FX OUT connector is used to route the FX SEND signal
from the input channels, for example, to the input of an
external effects processor. The PMH880S has two
Loudspeaker OUTPUT A.
PMH880S: Depending on the operating mode selected (see
) either the left main signal or the monitor signal is
provided at OUTPUT A. NEVER use this output in bridged
mono mode.
FX controls per input signal (see
) and also two
FX OUT connectors (FX OUT 1 and FX OUT 2).
ꢀ
Please note: When you connect a mono plug to one
of the FX OUT jacks, the signal path from the
respective FX send to the built-in effects processor
is interrupted. For each FX send you can either use
the built-in effect or the corresponding FX OUT jack
(for an external effect), but never both at the same
time. When you use a stereo plug (tip and ring
interconnected) you can use the built-in effects
processor and the FX OUT jacks in parallel.
PMH660M: In MON/MAIN mode, the monitor signal is provided
at OUTPUT A (see
). NEVER use this output in bridged
mono mode, except when you use a cable with the normal
pin connections (SPEAKON® cable: pins 1+/1-). In this case
you can take the mono main signal from this output in
MAIN/MAIN (BRIDGE) mode (not bridged). Please also refer
to chapter 4.4 “Loudspeaker connection”.
ꢀ
ꢀ
The impedance of the loudspeaker connected must
not fall below 4 Ω.
Use the AUX IN 1/4" inputs to route an external stereo
signal to the main mix. This can be the signal generated by
an external effects processor. Use the left input for mono
signals, which are then reproduced on both stereo sides.
The PMH660S has only one mono AUX IN connector.
Please note that the power delivered to the speaker
in bridged mono mode is considerably higher than
in other operating modes. Please read the
information given on the rear panel of the power
mixer.
The AUX IN control adjusts the volume of the external
signal in the main mix.
Loudspeaker OUTPUT B.
The 2TR IN RCA input allows you to feed in external stereo
signals, e.g. from a CD player, tape deck or other line-level
source.
PMH880S: Depending on the operating mode selected
(see
) either the right main signal, the mono main signal
or the bridged mono signal is provided at OUTPUT B.
The VOICE CANCELLER filters vocal-specific
frequencies from the 2TR IN signal. This function
can be used for karaoke, i.e. you can remove the
vocals from a song and then sing along with the
music yourself.
PMH660M: Either the main or the bridged main mono signal
is provided at OUTPUT B (see
). When you use a cable
with the normal pin connections (SPEAKON® cable: pins
1+/1-), it is possible in MAIN/MAIN (BRIDGE) mode to take
the mono main signal from this output (not bridged). Please
also refer to chapter 4.4 “Loudspeaker connection”.
The REC OUT (RCA) provides line-level signals from the
power mixer to a DAT recorder, for example. On the
PMH880S the REC OUT signal is stereo and on the
PMH660M two identical mono signals are provided.
ꢀ
In BRIDGE mode, always connect only one loudspeaker
with an impedance of at least 8 Ω to OUTPUT B (pins
1+/2+)! Please note that OUTPUT A must NEVER be
used in BRIDGE mode (with pin connections 1+/2+)!
ꢀ
If the REC OUT signal is connected to a recorder
whose output signal is returned to the 2TR IN,
feedback can occur when you activate the record
function. So, disconnect the 2TR IN from the
recorder, before you start recording!
ꢀ
ꢀ
In all other operating modes, the minimum
impedance of the speaker connected must not fall
below 4 Ω.
The MAIN 1/4" connectors allow you to send the main
signal to an external amplifier, when you only wish to use
the mixer and effects section. The signal is taken pre-
power stage of the mixer. It is also possible to use only the
left jack of the output. The PMH660M has only one mono
output connector.
Information on how to properly connect your
speaker with regard to polarity can be found on the
rear of the mixer (PINOUTs).
SERIAL NUMBER. Please take the time to fill in and return
the warranty card within 14 days after the date of purchase,
so as to benefit from our extended warranty. Or register
Connect your monitor power amps or active monitor
speakers to the mono MONITOR output to monitor the
signal mix created with the MON controls or to route it to
the musicians on stage.
Use the POWER switch to put the unit into operation. The
POWER switch should always be in the “Off” position when
you are about to connect the unit to the mains.
6
2. CONTROL ELEMENTS
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
PHASER: With the phaser, a second, phase-shifted signal is
3. DIGITAL EFFECTS PROCESSOR
added to the original audio signal. The resulting sound is thicker
and above all livelier. This effect is often used for guitar sounds
and keyboards. In the 70s, it was also extensively used for
other instruments like electric pianos. The PMH offers you four
different phaser variations.
A special feature of your PMH880S and PMH660M is the built-
in multi-effects processor that features the same audio
quality as our renowned studio-grade VIRTUALIZER
PRO DSP2024P. The PMH880S even has two effects
processors, each of them with 99 different standard
effects such as reverb, chorus, flanger, delay, vocal
distortion as well as various effects combinations.
ROTARY SPEAKER: The simulation of a classic effect that is
normally generated with a (slow or fast) rotating speaker.
DELAY: A delay of the input signal with various repetitions.
Different tempo settings (ten variations in total) allow interesting
delay effects.
CATHEDRAL: Simulates the dense, long reverberation of a
large cathedral, which is appropriate for solo instruments or vocals
in slow pieces. Choose between two variations.
ECHO: Similar to the stereo delay, with the difference being
that the repetitions have less presence. This simulates the
character of the original tape echo that was used before the
digital era and can be thought of as a “Vintage Sound”.
PLATE: Simulates the sound of plate reverberations and hence
is a classic for drums (snare) and vocals. The second one
features more high-end sparkle than the first.
CONCERT: Select between a small theater and a large hall.
Although this program is similar to studio (see below) it features
more presence, which adds to its “lively” character.
MULTI TAP: A delay effect with changing stereo positioning
(left, center, right). Four variations are available.
STAGE: Is well suited for dissipating the sound of a keyboard
or an acoustic guitar.
ROOM: You can clearly hear the walls of the room. A useful
program for reverb that isn’t directly noticeable (rap, hip hop
vocals) or to make dry recordings of instruments sound natural
again.
CHORUS & REVERB: This algorithm combines the popular
chorus with a reverb effect. Taking all variations into account, they
differ in the length of reverb time.
STUDIO: This simulation of a middle to large-sized room is
also available in two variations. Both variations sound very
natural and can be used as all-purpose effects.
FLANGER & REVERB: The combination of flanger and reverb
effects.
PHASER & REVERB: The combination of a classic stereo
phaser and a reverb effect. Here, too, the phaser is combined
with different reverb types.
SMALL HALL: Simulates a small, lively (strongly reflecting)
hall and is perfect for processing drums.
AMBIENCE: Reproduces a middle-sized room without late
reflections.
ROTARY SPEAKER & REVERB: The combination of a rotary
speaker effect and reverb program.
EARLY REFLECTIONS: The initial reflections of this room are
clearly audible. This effect is a classic for dynamic signals (drums,
percussion, slap bass, etc.).
DELAY & REVERB: Delay and reverb is the most common
combination for vocals, solo guitars, etc.
PITCH & REVERB: The pitch shifter slightly detunes the audio
signal, while the reverb adds ambience to the signal.
SPRING REVERB: Simulates classic spring reverberation.
GATED REVERB: This effect synthetically cuts off reverberation
after a period of time. It is famous in the song “In the Air Tonight”
by Phil Collins. The variations differ in the reverb length.
DELAY & CHORUS: Chorus can contribute to a wideness of
the signal and interesting repetition effects can be adjusted with
the delay. Vocals can be given a distinctive effect without making
the voice sounding blurred.
REVERSE REVERB: This is a reverberation in which the
envelope is reversed, i.e. it slowly gets louder.
DELAY & FLANGER: This effect is just right for creating a
modern, slightly “spacy” vocal sound.
DELAY & PITCH: A repetition of the audio signal, with an
oscillatory effect added by the pitch shifter.
CHORUS: This effect slightly detunes the original signal. A very
pleasant detune effect is created in connection with the pitch
variation. The chorus effect is used often and quite extensively
used for dispersing signals. The variations available range from
slow to fast chorus effects.
3 VOICE PITCH: The pitch effect can be used to produce a
cartoon-character type voice effect.
SYMPHONIC: This effect creates the sound of an eight-voice
LFO BANDPASS: Filters, in general, influence the frequency
response of a signal. A low-pass filter allows low frequencies
to pass and suppresses high frequencies, while a high pass
filter allows high frequencies to pass and suppresses low
frequencies. This LFO bandpass effect is complemented by
modulation from an LFO (Low Frequency Oscillator).
(!) vocal chorus.
FLANGER: The word “flange” means “tape spool”, and this
explains the characteristics of the effect. Originally, the flanger
effect was generated with two tape recorders which ran
synchronously. The same audio signal was recorded on both
machines. If you put a finger on the left spool of one of the
machines, the spool and the playback speed are slowed down.
The generated delay results in phase shifting of the signals.
Please choose either “medium flanger” or one of the “bright
flanger” programs, which feature an increase in presence.
VOCAL DISTORTION: This effect is very hip when used on
vocals and drum loops.
VINYLIZER: This effect adds clicks and noise to your audio
signal, simulating old vinyl records.
3. DIGITAL EFFECTS PROCESSOR
7
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
SPACE RADIO: Here, the typical sound of scanning an FM
tuner is simulated. This can be a very interesting effect when
sound-tracking radio plays.
TEST TONE: Use this 1-kHz test tone to facilitate P.A. level
setting.
4. INSTALLATION
4.1 Mains connection
Blown fuses must be replaced by fuses of the same type and
rating.
The mains connection is made using the enclosed power cord
and a standard IEC receptacle. It meets all of the international
safety certification requirements.
Fig. 4.3: XLR connectors
ꢀ
Please make sure that all units have a proper
ground connection. For your own safety, never
remove or disable the ground conductor from the
unit or of the AC power cord.
4.2 Audio connections
The inputs and outputs of the BEHRINGER EUROPOWER are
unbalanced 1/4" TS connectors—except for the balanced mono
line inputs. Of course, all inputs and outputs work with both
balanced and unbalanced connectors. The Tape Ins and Outs
are on stereo RCA connectors.
ꢀ
Please ensure that only qualified personnel install
and operate the power mixer. During installation
and operation, the user must have sufficient
electrical contact to earth. Electrostatic charges
might affect the operation of the unit.
Fig. 4.4: 1/4" TS connector for footswitch
ꢀ
Please use a dual footswitch for the PMH880S, so
that you can enable/disable FX1 and FX2
independently of each other. In this case, the tip of
the 1/4" plug controls FX1, and the ring FX2.
Fig. 4.5: RCA cable
4.3 Loudspeaker connection
Your EUROPOWER is equipped with high-quality NEUTRIK®
SPEAKON®-compatible loudspeaker connectors, which ensure
safe and trouble-free operation. The SPEAKON® connector was
especially developed for high-power loudspeakers. Once it is
plugged in, it safely locks into position and cannot be accidentally
disengaged. It prevents the occurrence of electrical shock and
ensures the correct polarity. Each of the connectors carries
only the assigned single signal (see tab. 4.1/fig. 4.7 and the
information on the rear panel of the power mixer).
Fig. 4.1: 1/4" TS connector
Fig. 4.2: 1/4" TRS connector
8
4. INSTALLATION
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
OUTPUT B
+1
OUTPUT A
+1
-1
-1
8 Ω
4 Ω
8 Ω
4 Ω
BRIDGE
Fig. 4.6: Loudspeaker connector
+1
Please be sure to only use commercial SPEAKON® cables (type
NL4FC) for connecting your loudspeakers to the mixer. Please
check the pin connections of your loudspeakers and cables
depending on the EUROPOWER speaker output you choose.
16 Ω
8 Ω
+2
EUROPOWER PMH880S
OUTPUT A
MAIN L
1+
POS
POS
-
1-
NEG
NEG
-
2+
2-
Fig. 4.7: SPEAKON® connector assignment
-
-
MON
-
POS
2+
-
-
OUTPUT B
OUTPUT B
MAIN R
NEG
1+
1-
2-
-
POS
POS
POS
NEG
NEG
-
MONO
-
-
BRIDGE
NEG
-
EUROPOWER PMH660M
OUTPUT A
MAIN MONO
MON
1+
POS
POS
-
1-
NEG
NEG
-
2+
2-
-
-
-
-
BRIDGE
-
-
OUTPUT B
MAIN MONO
MAIN
1+
1-
2+
2-
-
POS
POS
POS
NEG
NEG
-
-
-
-
BRIDGE
NEG
-
Tab. 4.1: Pin connections of loudspeaker connectors
4. INSTALLATION
9
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
Both the PMH880S and the PMH660M can be set-up for dual
mono operations. The POWER AMP switch must be set to its
5. WIRING EXAMPLES
lower (PMH660M) or center position (PMH880S). The two
loudspeaker outputs provide the main and the monitor signals
independently of each other and to two loudspeakers each,
which are wired in parallel.
For stereo operation the POWER AMP switch
of the
PMH880Smust be set to its upperposition (MAIN L/MAIN R). Outputs
A and B deliver the stereo main signal to the P.A. speakers. Two
active speakers, wired in parallel, are connected to the PREAMP
MONITOR output. They are used as on-stage monitor speakers.
The effects processors can be switched on and off with a dual
footswitch. This set-up is not possible with the PMH660M (no
stereo operation possible).
Fig. 5.2: EUROPOWER mixer as a dual mono amplifier
(example)
Fig. 5.1: EUROPOWER mixer as a stereo amplifier
(example)
10
5. WIRING EXAMPLES
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
This illustration shows just one example of how the channels
One example of how to use your power mixer with a
subwoofer in bridged mono mode. The illustration shows the
PMH880S with a subwoofer connected to OUTPUT B that will
receive the full (bridged) output power. A separate stereo power
amp (BEHRINGER EUROPOWER EP1500) for the stereo main P.A.
signal is connected to the PRE AMP MAIN outputs. The PRE AMP
MONITOR output is wired to active speakers on the stage. This
application can also be realized with the PMH660M, except for
the main P.A. signal, which would be mono.
of your power mixer can be used, including the connection of
mono and stereo sources, and the tape ins and outs recording
the mix signal or playing back external signals.
Fig. 5.3: Standard set-up (example)
Fig. 5.4: EUROPOWER in bridged mono mode
5. WIRING EXAMPLES
11
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
6. SPECIFICATIONS
PMH660M
PMH880S
MICROPHONE INPUTS
XLR, electronically balanced input circuit
Type
Mic E.I.N. (20 Hz - 20 kHz)
Ω
-112 dB / 114 dB A-weighted
-112 dB / 114 dB A-weighted
-112 dB / 114 dB A-weighted
< 10 Hz - 200 kHz (-1 dB)
< 10 Hz - > 200 kHz (-3 dB)
+30 dB, +10 dB with pad
+12 dBu @ +10 dB gain
@ 0 source resistance
Ω
@ 50 source resistance
Ω
@ 150 source resistance
Frequency response
Gain
Max. input level
Impedance
Signal-to-noise ratio
Noise (THD + N)
Ω
Ω
approx. 2.2 k balanced / 1.1 k unbalanced
110 dB / 114 dB A-weighted (0 dBu In @ +10 dB gain)
0.001% / 0.0007% A-weighted
MONO LINE INPUTS
1/4" TS connectors, balanced
Type
Impedance
Max. input level
STEREO LINE INPUTS
Type
Impedance
Max. input level
EQUALIZER
Low
Ω,
approx. 20 k balanced
+21 dBu
-
-
-
1/4" TRS connectors, unbalanced
approx. 100 k unbalanced
Ω,
+21 dBu
80 Hz / +/-15 dB
2.5 kHz / +/-15 dB
12 kHz / +/-15 dB
Mid
High
2 TRACK INPUT
RCA
Type
Ω
approx. 10 k
Impedance
PREAMP OUTPUTS
MAIN
1/4" TS connectors, unbalanced
Ω,
Type
approx. 150
unbalanced
Impedance
Max. output level
MONITOR
Type
+21 dBu
1/4" TS connectors, unbalanced
Ω,
+21 dBu
approx. 150
unbalanced
Impedance
Max. output level
STEREO OUTPUTS
Type
Impedance
-
-
1/4" TRS connectors, unbalanced
Ω,
approx. 150
unbalanced
Max. input level
Type
-
+21 dBu
RCA
RCA, mono output
Ω
Ω
Impedance
approx. 1 k
+21 dBu
approx. 1 k
+21 dBu
Max. input level
MAIN MIX SYSTEM DATA
Noise
MAIN MIX @ -oo
Channel fader -oo
MAIN MIX @ 0 dB
Channel fader -oo
MAIN MIX @ 0 dB
Channel fader @ 0 dB
LOUDSPEAKER OUTPUTS
-102 dB/-106 dB A-weighted
-88 dB/-91 dB A-weighted
-84 dB/-86 dB A-weighted
Type
NEUTRIK® SPEAKON®-compatible
Load impedance
MAIN L/R
Ω
-
4 - 8
Ω
Ω
MONITOR/MAIN MONO
MAIN MONO/MAIN MONO
BRIDGE
4 - 8
4 - 8
Ω
8 - 16
DSP
24-bit Delta-Sigma, 64/128-times oversampling
Converter
Dynamics D/A
90 dB
46.875 kHz
Sampling rate
max. 5 secs
Delay Time
approx. 1.5 msecs
Signal run time (Line In > Line Out)
DISPLAY
Type
2-digit, 7-segment LED
2 x 2-digit, 7-segment LED
AMPLIFIER
Output power
Ω
Ω (
2 x 200 W
1 x 400 W
2 x 400 W
1 x 600 W
Output power @ 4
Output power @ 8
POWER SUPPLY
Mains voltage
BRIDGE)
100 - 240 V~, 50 / 60 Hz
IEC standard receptacle
Power consumption
Fuse
500 W
T 5 A H 250 V
700 W
T 6.3 A H 250 V
Mains connector
DIMENSIONS/WEIGHT
approx. 12 2/5" x 18 1/10" x 8 3/5"
approx. 315 mm x 460 mm x 220 mm
Dimensions (H x W x D)
Weight
8.5 kg
18.74 lb.
9.4 kg
20.73 lb.
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior
notice. Specifications and appearance may differ from those listed or illustrated.
12
6. SPECIFICATIONS
Download from Www.Somanuals.com. All Manuals Search And Download.
EUROPOWER PMH660M/ PMH880S
7. WARRANTY
§ 1 WARRANTY CARD/ONLINE REGISTRATION
3. Free inspections and maintenance/repair work are expressly
excluded from this warranty, in particular, if caused by improper
handling of the product by the user. This also applies to defects
caused by normal wear and tear, in particular, of faders,
crossfaders, potentiometers, keys/buttons, tubes, guitar strings,
illuminants and similar parts.
To be protected by the extended warranty, the buyer must
complete and return the enclosed warranty card within 14 days
of the date of purchase to BEHRINGER Spezielle Studiotechnik
GmbH, in accordance with the conditions stipulated in § 3. Failure
to return the card in due time (date as per postmark) will void any
extended warranty claims. Based on the conditions herein, the
buyer may also choose to use the online registration option via
4. Damages/defects caused by the following conditions are
not covered by this warranty:
§ 2 WARRANTY
V improper handling, neglect or failure to operate the unit in
compliance with the instructions given in BEHRINGER user
or service manuals.
1. BEHRINGER (BEHRINGER Spezielle Studiotechnik GmbH
including all BEHRINGER subsidiaries listed on the enclosed page,
except BEHRINGER Japan) warrants the mechanical and
electronic components of this product to be free of defects in
material and workmanship for a period of one (1) year* from the
original date of purchase, in accordance with the warranty
regulations described below. If the product shows any defects
within the specified warranty period that are not excluded from
this warranty as described under § 4, BEHRINGER shall, at its
discretion, either replace or repair the product using suitable
new or reconditioned parts. In the case that other parts are used
which constitute an improvement, BEHRINGER may, at its
discretion, charge the customer for the additional cost of these
parts.
V connection or operation of the unit in any way that does not
comply with the technical or safety regulations applicable in
the country where the product is used.
V damages/defects caused by force majeure or any other
condition that is beyond the control of BEHRINGER.
5. Any repair or opening of the unit carried out by unauthorized
personnel (user included) will void the warranty.
6. If an inspection of the product by BEHRINGER shows that
the defect in question is not covered by the warranty, the
inspection costs are payable by the customer.
2. If the warranty claim proves to be justified, the product will
be returned to the user freight prepaid.
7. Products which do not meet the terms of this warranty will
be repaired exclusively at the buyer’s expense. BEHRINGER will
inform the buyer of any such circumstance. If the buyer fails to
submit a written repair order within 6 weeks after notification,
BEHRINGER will return the unit C.O.D. with a separate invoice
for freight and packing. Such costs will also be invoiced
separately when the buyer has sent in a written repair order.
3. Warranty claims other than those indicated above are
expressly excluded.
§ 3 RETURN AUTHORIZATION NUMBER
1. To obtain warranty service, the buyer (or his authorized
dealer) must call BEHRINGER (see enclosed list) during normal
business hours BEFORE returning the product. All inquiries must
be accompanied by a description of the problem. BEHRINGER
will then issue a return authorization number.
§ 5 WARRANTY TRANSFERABILITY
This warranty is extended exclusively to the original buyer
(customer of retail dealer) and is not transferable to anyone
who may subsequently purchase this product. No other person
(retail dealer, etc.) shall be entitled to give any warranty promise
on behalf of BEHRINGER.
2. Subsequently, the product must be returned in its original
shipping carton, together with the return authorization number to
the address indicated by BEHRINGER.
§ 6 CLAIM FOR DAMAGES
3. Shipments without freight prepaid will not be accepted.
Failure of BEHRINGER to provide proper warranty service shall
not entitle the buyer to claim (consequential) damages. In no
event shall the liability of BEHRINGER exceed the invoiced value
of the product.
§ 4 WARRANTY REGULATIONS
1. Warranty services will be furnished only if the product is
accompanied by a copy of the original retail dealer’s invoice.
Any product deemed eligible for repair or replacement under the
terms of this warranty will be repaired or replaced.
§ 7 OTHER WARRANTY RIGHTS AND NATIONAL LAW
1. This warranty does not exclude or limit the buyer’s statutory
rights provided by national law, in particular, any such rights
against the seller that arise from a legally effective purchase
contract.
2. If the product needs to be modified or adapted in order to
comply with applicable technical or safety standards on a national
or local level, in any country which is not the country for which
the product was originally developed and manufactured, this
modification/adaptation shall not be considered a defect in
materials or workmanship. The warranty does not cover any
such modification/adaptation, irrespective of whether it was
carried out properly or not. Under the terms of this warranty,
BEHRINGER shall not be held responsible for any cost resulting
from such a modification/adaptation.
2. The warranty regulations mentioned herein are applicable
unless they constitute an infringement of national warranty law.
* Customers in the European Union please contact BEHRINGER
Germany Support for further details.
Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. The names
of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their use
neither constitutes a claim of the trademarks by BEHRINGER® nor affiliation of the trademark owners with BEHRINGER®. BEHRINGER® accepts no
liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained
herein. Colours and specification may vary slightly from product. Products are sold through our authorised dealers only. Distributors and dealers are not
agents of BEHRINGER® and have absolutely no authority to bind BEHRINGER® by any express or implied undertaking or representation. No part of this
manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for
any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER® is a registered trademark.
ALL RIGHTS RESERVED. © 2004 BEHRINGER Spezielle Studiotechnik GmbH,
Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany.
Tel. +49 2154 9206 0, Fax +49 2154 9206 4903
7. WARRANTY
13
Download from Www.Somanuals.com. All Manuals Search And Download.
|