High Definition Video System
TM
Sony Digital Camcorder
HDW-750
HDW-750P
HDW-730
Since introducing its first models, Sony has continually enhanced the BETACAM™
Series of products, each offering the highest possible performance and always
preserving a consistent half-inch platform. The excellence of the analog
BETACAM™/BETACAM SP™ formats introduced an entirely new set of opportunities
to ENG and EFP, while the use of digital processing in the Digital BETACAM™,
BETACAM SX™, and MPEG IMX™ formats brought standardized 4:2:2 digital
recording into both news gathering and field production. Today, each format is in
service in a multiplicity of programming applications, offering the pinnacle of
reliability and performance that only BETACAM technology provides.
In 1997, Sony revolutionized HDTV program origination with the introduction of
the HDW-700 camcorder based upon the 1/2-inch recording platform. This was
soon followed by the HDW-700A camcorder, which operates according to the
updated 1080/60i production standard. This camcorder, in association with its
editing VTR the HDW-500, extended the BETACAM format tradition into the realm
of mobile HD program creation. In 1999 the HDCAM™ format was dramatically
broadened to include the new multi-frame rate camcorder the HDW-F900 and its
companion VTR the HDW-F500 – both responding to the breakthrough new ITU
709 global standard for international HD program origination. The pivotal
inclusion of the new 24-frame progressive format in this standard constituted a
central design imperative for the HDW-F900/F500 system and introduced to the
world the first 24-frame digital motion picture capture system.
With the HDW-F900/HDW-F500 Series squarely addressing the needs of
movie-making and high-end prime time television program and commercial
production, Sony returned to the central agenda of a mainstream High Definition
production system in support of the emerging broader DTV broadcasting agendas
around the world. This is based upon the SMPTE 274 HD production standard.
The new generation HDCAM camcorders have been developed for
feature-enhanced operations specifically to streamline the worldwide migration to
DTV at affordable price levels. The spearhead to this new HD acquisition family
was the introduction of the HDW-750 camcorder operating exclusively in the
1080/60i format and intended to service the active DTV agendas in the 60 Hz
regions of the world. Today Sony’s HD acquisition product line has been broadened
with the two frame rate switchable camcorders, the HDW-730 (1080/60i and
1080/50i) and the HDW-750P (1080/50i and 1080/25P) to support many
1080-based DTV services and international co-productions for 50 Hz regions.
A central design strategy was to more firmly incorporate this new HDCAM system
into the totality of Sony’s 1/2-inch editing platform. Accordingly, this HD system’s
studio VTRs -- the HDW-2000 Series -- offers not only full HDCAM recording and
editing functionality, but also includes both the all-important legacy playback of
all standard definition Betacam formats (analog and digital) and internal
up-conversion of that playback to the 1920 x 1080 digital sampling format for play
out in this HDTV format.
The HDW-750*/730 camcorders have been designed to provide optimum system
and economical balance with the HDW-2000 series of studio VTRs. They offer
the choice of 1080/60i, 1080/50i, or 1080/25P HDCAM recording capability.
Their extremely compact, lightweight and robust designs are direct results of
Sony’s charter of maintaining compatibility with the Betacam format legacy.
Meta-data handling capability and unique accessories have been added to the
product line to meet the ever-changing requirements in the field. These additions
contribute to further enhancing the high performance but economically
well-balanced solutions that HDCAM equipment will provide for next generation
ENG and EFP programming.
Hereafter, the HDW-750 refers to both the HDW-750 and the HDW-750P.
*
3
Technical Innovations –
Enhance Shooting
in the Field
The compact and stylish body of the HDW-750/730
contains many technological innovations. They are
brought together to enable the creation of some of
the most versatile and outstanding
in-the-field visual experiences of the new century,
while ensuring durability and ease of use for the
challenging conditions of field shooting.
HAD Sensor Technology
The well-established innovations of CCD technology already
incorporated in Sony’s HDC-900 Series cameras and
HDW-F900 camcorders are also used in the HDW-750
camcorder. Inheriting Sony HAD sensor technology and
on-chip lens structure of the latest Power HAD™ sensors,
this imaging device is based on the 1920 x 1080 CIF
(Common Image Format). With its light collecting capability
dramatically improved, this 2/3-inch type, 2.2-million-pixel
FIT CCD, boosts the sensitivity to an industry-leading f10 at
2,000 Lux, thus enabling image capture in extremely low
light conditions. The signal-to-noise ratio is 54 dB and vertical
smear is less than –135
dB*. The cost effective
2/3-inch type 2.2
million-pixel IT CCD
used in the HDW-730
provides equivalent
performance as the FIT
version CCD excluding
the vertical smear level
which is provided at
–125 dB*.
Typical numbers.
*
4
10-bit A/D and Advanced Digital Signal
Processor
The HDW-750/730 uses the 10-bit A/D converter and
Advanced Digital Signal Processing (ADSP) proven in their
predecessor, HDW-700A. They ensure low-power operation
and superb picture quality. A 600 % wide dynamic range and
excellent tonal reproduction, combine with creative
manipulation of picture parameters for “in-camera effects”,
which were pioneered by Sony and are now widely accepted
among Digital Cinematographers. The well known
Memory Stick™ setup system allows various setup
parameters to be stored and recalled as required. These
include all factors relating to colorimetry and tonal
reproduction adjustment, so that at any time (such as a scene
re-shoot) these settings can always be readily accessible.
To help maximize the camera image-making capabilities,
special attention has been paid to the careful design of the
camera menus so that access to certain image parameters is
user-friendly and intuitive.
New Ergonomics
Sony has been continually improving camcorder body design
over many years, always trying to make them more user
friendly and practical as well as stylish and appealing.
Another important factor, especially for the challenging
conditions of ENG shooting, is the attention to physical
robustness as well as maintaining a compact and lightweight
camcorder. To meet these conditions, the body design of the
HDW-750/730 is totally new, but all switches, meters and
indicators are in the most logical places and are positioned
for optimum functionality and ease of use. This has been
achieved through meticulous consideration of the human
physiology and the application of fundamental ergonomic
principles. The operation of every single switch and button
reflects our thorough understanding of the operator’s needs
and working practices. Sony has been making professional
cameras for over 20 years, and during that time we have
listened very carefully to suggestions that users have
contributed to ongoing refinements to camera body design.
The superb weight distribution and balance combined with a
low optical axis make the HDW-750/730 particularly suitable
for hand-held shots. It also sits comfortably on the shoulder
and can be easily carried with minimum fatigue. Even with
the viewfinder, battery, cassette, microphone, the total weight
is only 5.4 kilograms (less than 12 pounds). This astonishingly
compact and lightweight camera opens new possibilities for
handheld creative camera work while delivering
uncompromising picture quality. This new, compact and
stylish body of the HDW-750/730 houses some very highly
innovative technologies.
5
Technical Innovations – Enhance Shooting in the Field
Slot-in Wireless Microphone Receiver
(Built-in UHF Synthesizer Receiver Unit)
The optional WRR-855A/855B Wireless Microphone
Receiver can be fitted directly to the HDW-750/730
camcorder using a slot-in mechanism that gives a cable
less interface between the camcorder and
the receiver. This system increases
mobility by maintaining
compact overall dimensions
even when the receiver is
attached to the camcorder.
Turbo Gain
The inherent sensitivity of the HDW-750/730 is high
enough to capture images under various low light
conditions, but in some situations it is necessary to
image in unusually low light conditions. The Turbo
Gain function immediately boosts up the gain level to
an incredible +42 dB at the touch of the button.
Thanks to this function, it is possible to capture critical
scenes down to around 0.3 lux of incident scene
illumination – somewhat exceeding the color sight
capability of the human eye.
*WRR-855A/855B is an option.
Dual Optical Filter Wheels
For the optical picture treatment, two independent filter
wheels, one is for Neutral Density (ND) and the other
is Color Correction (CC), are installed. An optional
servo filter drive unit, the BKDW-701, can also be
fitted allowing filter settings to be changed with the
RM-B750/150 Remote Control Unit.
Two Assignable Buttons
You can assign two required functions to these switches,
functions which are frequently used in the field, for
instance to be operated with a single action of touching
a button, such as Viewfinder Return, Record etc.
LCD Status Panel and
Diagnostic System
All the main operational controls
and switches are located on the
left-hand side of the camcorder.
The LCD panel is on the same side,
and shows a wide range of status
and diagnostic displays such as
Tape Remaining, Battery Level,
Audio Levels, etc.
Dual Earphone Output
The HDW-750/730 is equipped with two earphone
outputs, one is output from the front side of the
camcorder body, and the other is from rear side. These
two outputs can be used simultaneously.
Stereo Audio Output
A stereo audio line output is available from the 5-pin
XLR connector on the rear of the camcorder. This
provides two analog audio output channels, which can
be selected to be either Channel-1/2 or Channel-3/4.
Tally Lamp
Newly added is the Bottom Tally light located in the
connector panel section of the rear of the camcorder body.
6
7
Technical Innovations – Enhance Shooting in the Field
HD SDI Output for Field Monitoring
The HDW-750/730 directly provides an HD-SDI output
with four channels of embedded digital audio. You can
monitor all image capture in the field as high quality
HD images without any adapter.
Electronic Shutter
Extended Clear Scan
The electronic shutter helps in capturing clear images
of fast-moving objects by selectively minimizing
motion blur.
The Extended Clear Scan function is particularly useful
when shooting scenes that contain computer or TV
screens as it minimizes the horizontal bars that can
appear. The ECS shutter speed is continuously variable.
Safe Area Markers
To allow for individual production requirements, the
HDW-750/730 provides safe-area markers for any
aspect ratio.
Cassette Loading
The cassette loading is fast, simple and reliable. It takes
less than 5 seconds* for a cassette change. This ease of
change and long recording runs (40 minutes: HDW-
750, 48 minutes: HDW-750CE, 40 minutes at 60i
format or 48 minutes at 50i format: HDW-730) offer
new levels of efficiency on location. The loading
mechanism is robust and designed to be dust and drip
proof. The vertical cassette loading helps to minimize
the risk of anything unwanted getting into the tape
mechanism. It also reduces the unwanted sound of a
fast rotating VTR drum to be captured via an on-board
microphone of the camcorder.
Intelligent Light Shoe
The HDW-750/730 HDCAM camcorder incorporates
an intelligent light shoe on the upper part of the
carrying handle. An standard two-pin socket provides
up to 50 watts of power from the
attached battery. The power can be
switched on and off manually or,
when in Auto mode, it can be
set to be synchronized with the
operation of the REC button. A
switch on the side of the
Sony measurement.
*
camcorder selects Manual or
Auto mode.
Lens Mount
The B-4 mount ring of the HDW-750/730 is strong
enough to support the heaviest of lenses. Same as other
Sony HD cameras/camcorders, conventional lenses for
SDTV systems can also be attached to these
camcorders.
8
9
Processing Innovations –
Enhance Creative Image
Capture
Menu-driven set up that enables creative image making in
the studio or field has been widely accepted. To help this
creative process, we have made it very easy to customize the
settings of many image parameters, and then digitally save
these settings. A simple and intuitive menu driven set up has
freed camera adjustments from being a purely engineering
exercise into a uniquely creative process. Various setup
parameters can be stored and then transferred between
camcorders via the Memory Stick storage medium. This
capability represents a major advance in operational and
creative versatility. The design of the menu “page layout” for
the HDW-750/730 is inherited from the HDW-F900 multi-
format HD camcorder*,
–
an easy and intuitive camcorder
set up system. “Page customization” is also inherited to
speed up the operation by allowing relevant parameters to be
grouped together to allow operators fast access to the adjust-
ment required for a given production. Some of the most
important operational
adjustments are
described below.
Set up data is not compatible between
*
HDW-F900 and HDW-750/730.
10
Colorimetry
The HDW-750/730 produces pictures with astonishing color
reproduction capability and offers controls that offer further
creative color manipulation.
Multi Matrix
Multi Matrix offers unique possibilities for creative control by
allowing selective color enhancement or alteration. It allows
a particular color to be selected and its hue changed over a
range of approximately 22.5 degrees. The level of saturation
can also be modified. This control allows very interesting “in
camera” effects – similar to the secondary color correction
normally reserved for post production special effects work –
and is performed at the full bit depth.
Multi Matrix ON
Color Balance
Consistent scene-by-scene color balance is widely accepted
as one of the key settings during production. There are a
number of ways of setting this when working with an
HDW-750/730 camcorder. By using Auto White (and Black)
balance, the HDW-750/730 gives an accurate overall color
balance. A Menu “Paint” functions allow color levels to be
adjusted on-set according to creative needs. For this
operation, the RM-B750/150 paint controller can be
connected and paint parameters can be remotely adjusted.
3,200K
5,500K
8,024K
Auto Tracing White Balance
This function allows automatic tracing of white balance in
situations where overall color temperature of the lighting
fluctuates. This is particularly useful for continuous shooting
that requires a subject to be followed from outside to inside
(i.e. from daylight to tungsten lighting) with no opportunity
to re-set the color balance of the camera.
Color Temperature Control
Digital Color Temperature Control makes it possible to dial in
the required color temperature of the camera. In addition,
this function can be used creatively. The overall color
balance of the picture can be changed to make it ‘warmer’
or ‘colder’. On the other hand, for Optical Color
Temperature treatment, four types of color filters are
equipped as standard. The BKDW-701 optional Servo Filter
Drive Unit can also be attached to the camera, allowing CC
filters to be remotely controlled.
11
Contrast Range
The HDW-750/730 can handle a very wide contrast range.
A number of useful features are readily available to aid the
operator to more precisely reproduce any given scene.
Creative possibilities are offered by modifying “gamma
settings”, offering a great advantage to achieving a desired
‘look’.
Selectable Gamma Curves
A vital factor in achieving an appropriate contrast range is
the gamma curve. Gamma determines the transfer
characteristic of a normal exposed scene. For Sony’s digital
camcorders, gamma curves are readily adjustable on
location. The overall (Master) gamma curve of the HDW-
750/730 offers a very natural overall tonal reproduction
because of the 10-bit A/D converter and ADSP (Advanced
Digital Signal Processing) providing multiple gamma points.
While the master gamma can be changed between two
calculating patterns, several fixed master gamma curves are
available per each pattern. These are all accessible and
interchangeable via the set-up menus.
Normal
Gamma Calculating Pattern A
No.1: SMPTE 240M (Initial Gain 4.0)
No.2: ITU-R.BT709 (Initial Gain 4.5)
No.3: BBC Gamma setting (Initial gain 5.0)
Gamma Calculating Pattern B
No.1: Sensitivity is equivalent to 50 ISO
No.2: Sensitivity is equivalent to 100 ISO
No.3: Sensitivity is equivalent to 200 ISO
Red Channel Enhancement
RGB Gamma Balance
By changing the RGB gamma balance it is possible to
change the color balance of the mid-tones without affecting
black or white balance.
Variable Black Gamma Range
Variable Black Gamma Range function allows fine
adjustment of tonal reproduction in the shadow area. This
feature can help to bring out details from the dark parts of
the picture without affecting mid-tones while maintaining
absolute black level. The variable range is LOW, MID and
HIGH.
Normal
Black Stretch
When Variable Black Gamma Range function is performed, it
can be limited to picture luminance without affecting any
other factors of the video signal. It is particularly helpful for
dark scenes when the black has to stay black, but there is a
requirement to pull out more detail.
Variable Black Gamma Range Function ON
12
Processing Innovations – Enhance Creative Image Capture
Highlight Handling
Sony Advanced TruEye™ processing allows much improved
highlight handling, with faithful color reproduction.
Adaptive Highlight Control (Auto Knee mode)
The Sony ADSP system intelligently monitors the brightness
of all areas of the picture and automatically adapts the knee
point/slope for optimum reproduction within given areas of
the scene area. A typical example is the ability to shoot an
interior scene which includes a sunlit exterior seen through a
window.
Normal
Knee Saturation Function ON
(Adaptive Highlight Control)
Knee Saturation Function
The Sony TruEye processor is one of the most innovative
features of Sony’s ADSP development, makes it possible to
reproduce very natural colors in a high contrast scene
content. Without TruEye, when only knee correction is
applied to the RGB channels, a color distortion in highlight
areas will occur. A typical example is human skin tones
which tend to take on a yellow tone in highlights. Knee
Saturation processing automatically retains accurate color in
highlight areas and maintains color saturation in picture
areas compensated by the TruEye processor.
Conventional Video Equipment
TruEye
13
Processing Innovations – Enhance Creative Image Capture
Definition – Picture Sharpness
The new HDW camcorder produces rich pictures having
natural sharpness with fine details. Each RGB 2.2-million
pixel CCD in combination with wideband digital recording
on the 1080-line HD format ensures faithful image capture.
The HDW-750/730 facilitates very precise control of picture
texture and image enhancement.
Triple Skin Tone Detail control
the HDW-750/730, correction is not restricted to areas of
skin tones and can be set to apply to any three color areas.
Image enhancement within those three areas can be
increased or decreased relative to the overall image
enhancement of a given scenes.
Skin Tone Detail allows control of image enhancement
within user specified color tones. The HDW-750/730
camcorder allows enhancement to be set independently for
up to three distinct color/or hue ranges.
The conventional use of Skin Tone Detail correction is to
reduce the image enhancement in areas of skin tone. With
Normal
Ch 1 ON (Green)
Ch 2 ON (Blue)
Ch 3 ON (Red)
Level Dependent Detail
This function provides natural detail enhancement in extreme
highlights by automatically limiting the amplitude of edge
signals in high contrast area. Detail aliasing in these areas is
virtually eliminated.
Level Dependent Detail Control ON
Normal
14
Meta-data Handling
Since the early days of film and television, meta-
data such as shot number, slate information and
other production notes has been used increasingly
during the production process. While much of
this data has been generated and stored on paper,
the use of computers for storage and management
of meta-data has grown significantly. However
the lack of a unique identifier for each segment of
material recorded on the filed tape has made it
difficult to link this meta-data to the actual materi-
al. The HDW-750/730 camcorder now solves this
problem by providing the capability to generate
and record a globally unique identifier relating
directly with the video material. This process is
made possible by recording UMID (Unique
Material Identifier) information.
UMID* recording
The UMID is a unique identifier for picture, audio and data
material that is created and globally unique. The HDW-
750/730 automatically generates and records UMID on tape
at every scene change. By adding UMID information during
the acquisition process, future benefit such as easy search of
material during editing, and archive will be realized. Sony
supports UMID as well as Extended UMID** for further oper-
ational convenience.
UMID is standardized as SMPTE 330M
**Extended UMID adds Signature Meta-data, time, positioning, and user information to the Basic UMID.
*
15
Meta-data Handling
GPS Unit ---- HKDW-704 (Optional)
Utilizing the Meta-data capability of the HDW-750/730
camcorder, the HKDW-704 GPS unit has been introduced to
enhance the ability to store Global Position information in
association with the field recorded material. The HKDW-704
offers real-time recording of global positioning information on
tape as well as the Memory Stick storage medium. When the
camcorder playbacks a tape that has recorded GPS
information, the positioning information of the shooting site
can be indicated on a PC running map illustration software*.
The position data is also recorded as Extended UMID on the
tape keeping the link between video/audio and positioning
data.
Tele-File™ System
The Sony Tele-File system stores and recalls various types of
production data, such as shot data and shot marks, onto and
from an optional cassette label with a built-in memory IC.
The camcorder is equipped as standard with a Tele-File
reader/writer module, allowing this information to be
managed electronically. Use of the Tele-File system can
significantly raise efficiency in the subsequent editing process
and management of archives.
Output format from the REMOTE connector is NMEA.
*
HDW-750/730 Menu
HDW-2000 Series time code list
HDW-2000 Series VTR
Shot Mark and Shot Data Handling
The HDW-750/730 is capable of recording shot marks (time
codes for ‘good’ shots) and shot data (data, shot ID, cassette
number etc.) to the tape. When a tape containing shot marks
is played back on an HDW-2000 series VTR, the shot mark
positions are automatically detected and list of all marks is
generated for display on a video monitor. This allows
operators to easily select and cue-up to the scene of interest.
The shot marks and shot data can be utilized for a wide
range of applications to provide more efficiency in the
production chain.
16
For More Conveniences
Remote Control Unit – RM-B750
(Optional)
The RM-B750 Remote Control Unit has been designed to
establish a highly mobile and fully controllable camera sys-
tem in the field by integrating control capability equivalent to
a Master Set-up Unit into a compact unit powered from the
device to be controlled.
Picture Cache Board (Optional)
The optional HKDW-703 Picture Cache Board provides up to
seven seconds (HDW-750)/eight seconds (HDW-750CE) of
loop recording using solid state memory. Thus, when the
REC start button is pressed, everything that happened up to
seven seconds before that moment can be recorded to tape.
Just imagine – if something unexpected happens in front of
your camera, the operator will still have up to seven seconds
of that event stored in RAM before being able to hit the
record button. There is a choice of recording for 0, 1, 2, 3,
4, 5, 6, or 7 seconds
The RM-B750 can be connected directly to the HDW-
750/730. Combination of an LCD touch-panel screen and
direct push buttons enables full parameter adjustment of the
camera to be controlled. When necessary, basic tape trans-
port functions of the camcorder can be controlled. For further
operational convenience, the RM-B750 has a Memory Stick
media card slot so that various setup parameters can be
stored and transferred between camcorders.
for 60i format (HDW-
750/HDW-730)/0, 1, 2,
3, 4, 5, 6, or 8 seconds
for 50i format (HDW-
750CE/HDW-730).
VTR REC START/STOP can be assigned to assignable switch.
*
Down Converter Board (Optional)
The optional Down Converter Board HKDW-702 enables
Standard Definition output with four channel audio
embedded. SD-SDI or analog composite can be selected via
camcorder’s set up menu.
17
For More Conveniences
HD-SDI Camera Adapter (Optional)
The HDCA-901 Camera Adapter provides an additional two
HD-SDI outputs and also enables access to all four audio
tracks provided by the HDCAM format. Tracks 1 and 2 are
accessed via the AUDIO IN Ch-1/Ch-2 connectors on the
camcorder, and tracks 3 and 4 are accessed via the AUDIO
IN Ch-3/Ch-4 connectors on the HDCA-901. A 5-pin stereo
XLR connector and a headphones output connector (stereo
phone jack) are also incorporated. The HDCA-901 can be
used to select the monitoring signal to be either from
Ch-1/Ch-2 connectors on the HDW-750/730 or the Ch-3/Ch-
4 connectors on the HDCA-901.
Color Viewfinder (Optional)
A 6-inch type LCD color viewfinder, the HDVF-750W, is
available.
The liquid crystal display fitted to this unit is manufactured with high precision technology, giving a
*
functioning pixel ratio of at least 99.99%. Thus a very small proportion of pixels (at most 0.01%) may be
“stuck”, constantly on or constantly off. In addition, over a long period of use, because of the physical
characteristics of the liquid crystal display, such “stuck” pixels may appear spontaneously. These problems
have been kept to absolute minimum, but are an unavoidable characteristic of liquid crystal technology.
18
System Configuration
Internal light system
(option)
HKDW-704
(option)
WRR-855A/855B
(option)
HKDW-702
(option)
Monitor
BKW-401
(option)
HKDW-703
(option)
MSA-8A/16A/32A/64A
(option)
BKDW-701
(option)
AC-550/550CE
HDVF-C750W
HD-SDI
Monitor, etc
HDCA-901
Viewfinder
HDVF-20A
2-inch type HD B/W Viewfinder
BP-L60A/L90A
BP-M50/M100
VCT-14
Battery Chargers
AC-DN2B
8-pin
BC-M50
(BP-L60A/L90A/M50/M100)
RM-B150
Monitor
RM-B750
Video Cassettes
BNC
BC-L120
(BP-L60A/L90A)
BCT-40HD/22HD
BCT-HD12CL
19
HDW-750/750P/730 Specifications
General
HDW-750
HDW-750P
HDW-730
Mass
Approx. 3.7 kg (8 lb 3 oz): Main Body Approx. 5.4 kg (11 lb 14 oz) (with MIC, VF, BCT-40HD, BP-L60A)
127 x 206 x 308 mm (5 x 8 1/8 x 12 1/4 inch)
Dimensions (WxHxD)
Power requirement
Power consumption
DC 12V + 5.0 V/-1.0 V
34 W (with 12 V power supply, REC mode, without VF)
33 W (with 12 V power supply,
REC mode, without VF)
Operating temperature
Storage temperature
Operating humidity
Continuous operating time
Inputs/outputs connectors
Genlock video input
Time code input
Audio CH1/CH2 input
Mic input (Stereo)
Test output
0 °C to +40 °C (+32 °F to +104 °F)
-20 °C to +60 °C (-4 °F to +140 °F)
25% to 80% (Relative humidity)
Approx. 110 min with BP-L60A, Approx. 130 min with BP-L90A
BNC type x 1, 1.0 Vp-p, 75 Ω
BNC type x 1, 0.5 V to 18 Vp-p, 10 kΩ
XLR-3-pin type x 2 (Female), -60 dBu/+4 dBu selectable, high impedance, balanced (0 dBu = 0.775 Vrms)
XLR-5-pin type x 1 (Female), -60 dBu
BNC type x 1, 1.0 Vp-p, 75 Ω, unbalanced
BNC type x 1, 75 Ω/VBS out: 1.0 Vp-p/SDI out: 0.8 Vp-p
BNC type x 1, 0.8 Vp-p, 75 Ω, unbalanced
XLR-5-pin type x 1 (Male), 0 dBm
VBS/SDI output(option: HKDW-702)
HD-SDI output
Audio output
Time code output
Earphone
Lens
BNC type x 1, 1.0 Vp-p, 75 Ω
Mini-jack (x 2), 8 Ω, -∞ to –18 dBs variable
12-pin
Remote
Light
8-pin
2-pin, DC 12 V, max. 50 W
DC input
DC output
XLR-4-pin type (Male), DC 11 V to 17 V
4-pin (for wireless microphone receiver), DC 11 V to 17 V, maximum current 0.1 A
VTR section
Recording format
Tape speed
HDCAM
Approx. 96.7 mm/s
(for 59.94i format)
Approx.80.6 mm/s
(at 50i/25P format)
Approx. 96.7 mm/s
(at 59.94i format)
Approx. 80.6 mm/s
(at 50i format)
Playback/Recording time
Max. 40 min with BCT-40HD
Max. 40 min. with BCT-40HD
(at 59.94i format)
Max. 48 min. with BCT-40HD
(at 50i format)
Max. 48 min. with BCT-40HD
Fast forward/rewind time
Recommended tape
Digital video performance
Sampling frequency
Quantization
Approx. 5 min. with BCT-40HD
Sony HDCAM cassette BCT-22HD, BCT-40HD
Y: 74.25 MHz, PB/PR: 37.125 MHz
10 bits/sample (8 bits/sample for compression processing)
S-NRZI PR-IV
Channel coding
Compression
Error correction
Coefficient recording system
Reed-Solomon code
Error concealment
Adaptive three dimensional
Audio performance (Playback with standard HDW-500/F500/M2000/M2100)
Frequency response
Dynamic range
Distortion(at 1kHz, emphasis ON, reference level)
Cross talk(at 1kHz, reference level)
Wow & flutter
20 Hz to 20 kHz, + 0.5 dB/-1.0 dB
More than 85 dB (emphasis ON)
Less than 0.08%
Less than -70 dB
Below measurable limit
Camera section (Performance)
Pickup device
3-chip 2/3-inch type FIT CCD
1920 (H) x 1080 (V)
F1.4 prism (Equipped with Quarz Filter)
Special bayonet mount
3-chip 2/3-inch type IT CCD
Effective Picture elements
Optical system
Lens mount
Built-in filters
ND 1: Clear, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND CC A: CROSS, B: 3200K, C: 4300K, D: 6300K
F10.0 (typical) Equivalent to ISO 600 or more
Sensitivity (2000 lx, 89.9% reflectance)
Minimum illumination
Smear level
Approx. 0.3 lx (F1.4 lens, +42 dB turbo gain)
-135 dB
-125 dB
S/N ratio
54 dB (typical)
45% +/-5%
1000 TV lines
1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 (s)
Modulation depth at 5MHz
Horizontal resolution
Shutter speed
1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 (s)
(at 50i format)
1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 (s)
(at 59.94i format)
1/33, 1/50, 1/60, 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 (s) 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 (s)
(at 25P format)
(at 50i format)
60 Hz to 4300 Hz (at 59.94i format)
50Hz to 4700 Hz (at 50i format)
Clear Scan
30.0 Hz to 4300 Hz
25 Hz to 4700 Hz
Programable Gain
View finder
CRT
-3, 0, 3, 6, 9, 12, 18, 24, 30, 36, 42 dB (select in camera setup menu for L/M/H/TURBO)
2.0-inch monochrome
Controls
BRIGHT, CONTRAST, PEAKING controls
TALLY, ZEBRA, DISPLAY/ASPECT switches
500 TV lines (16:9, at center)
Ultra-directional stereo microphone (Detachable)
HDVF-20A, HD Electric viewfinder (1)/
Horizontal resolution
Microphone
Supplied accessories
Stereo microphone, Super cardioid directional, external power supply type (1)/
Operation manual (1)/Lens cap (1)/Shoulder strap (1)/XLR cap (4)
Optional accessories
HKDW-702, HD-SD Down Converter Board
HKDW-703, Picture Cache Board
HKDW-704, GPS Unit
AC-DN2B, AC Adapter
MSA-8A/16A/32A/64A, Memory Stick
WRR-855A/855B, UHF Synthesized Tuner Unit
WRR-810A/860A/862A/862B, UHF Synthesized Tuner Unit
(A-8278-057-A, WRR mounting bracket required)
ECM-MS5, Stereo Microphone
C-74, Microphone
CAC-12, Microphone Holder
CRS-3P, Cradle Suspension
CCXA-53, Audio Cable
VCT-14, Tripod Adapter
HDCA-901, Camcorder Adapter
BKW-401, Viewfinder Rotation Unit
BKDW-701, Servo Filter Unit
RM-B150, Remote Control Unit
RM-B750, Remote Control Panel
HDVF-C750W, HD LCD Color Viewfinder
BP-L60A/L90A, Lithium-ion Battery
BP-M50/M100, Ni-MH Battery
BC-L120, Battery Charger
MLB-1M-100, Memory Label
BCT-22HD/40HD, HDCAM tape cassette
BCT-HD12CL, Cleaning Cassette
LC-DS300SFT, Soft Carrying Case
BC-M50, Battery Charger
AC-550/550CE, AC Adapter
20
Optional Accessories
Sony VCT-14,
Tripod Adapter
Sony Memory Stick,
MSA-8A/16A/32A/64A
Sony BVM-D9H5U,
Color Video Monitor
Sony VF-508,
Monitor ENG kit for Sony 9-type
monitors
Sony AC-DN2B,
AC Adapter
Sony BP-L60A/L90A,
Lithium-ion Battery
Sony BP-M50/M100,
Ni-MH Battery
Sony BC-L120,
Battery Charger
Sony BKDW-701,
Servo Filter Unit
Sony BKW-401,
Viewfinder Rotation Bracket
Sony BC-M50,
Battery Charger
Sony RM-B150,
Remote Control Unit for HDW-750
Sony WRR-855A/855B,
Wireless Microphone Receiver
Sony WRR-862A/862B,
Dual Diversity Microphone Receiver
(Adapter required)
BCT-40HD/22HD,
HDCAM Video Cassettes
CCXA-53,
Audio Cable
1-547-341-12, Fog-proof filter
A-8262-537-A, Viewfinder Eye-piece (High magnification)
A-8262-538-A, Viewfinder Eye-piece (Low magnification)
A-8267-737-A, Viewfinder Eye-piece (Standard magnification with special compensation for aberrations)
A-8314-798-A, Viewfinder Eye-piece (High performance, x3)
X-3608-271-1, Standard viewfinder lens
A-8278-057-A, Mounting bracket for WRR-862A/862B
21
©2002 Sony Corporation. All rights reserved.
Reproduction in whole or in part without the written permission of Sony is prohibited.
Features and specifications subject to change without notice.
All non-metric weights and measures are approximate.
Sony, HDVS, CineAlta, HDCAM, Digital BETACAM, BETACAM, BETACAM SP, BETACAM SX, MPEG IMX,
Memory stick, TruEye, Power HAD and Tele-File are trademarks of Sony.
All other trademarks are property of their respective owners.
24P is used as a generic name in this literature, describing the Sony 24PsF method.
Distributed by
V-2079-C
Printed in Japan
MK7543V4SMC02JUL
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