U C A T
HTR-5170
Natural Sound AV Receiver
Ampli-tuner audio vidéo
OWNER’S MANUAL
MODE D’EMPLOI
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Congratulations!
You are the proud owner of a Yamaha Digital Sound Field Processing (DSP)
System—an extremely sophisticated audio component. The DSP system takes full
advantage of Yamaha’s undisputed leadership in the field of digital audio processing
to bring you a whole new world of listening experiences. Follow the instructions in this
manual carefully when setting up your system, and the DSP system will sonically
transform your room into a wide range of listening environments—anything from a
famous concert hall to a cozy jazz club. In addition, you get incredible realism from
most of surround-sound encoded video sources available in the market using the built-
in Dolby Pro Logic Decoder, Dolby Digital Decoder and DTS Decoder.
Five built-in channels of amplification on this model mean that no additional
amplifiers are required to enjoy advanced digital sound field processing.
Rather than tell you about the wonders of digital sound field processing, however,
let’s get right down to the business of setting up the system and trying out its many
capabilities. Please read this operation manual carefully and store it in a safe place for
later reference.
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CONTENTS
CAUTION .................................................................. 2
BASIC OPERATION ............................................... 33
Playing a source .................................................... 33
INTRODUCTION ....................................................... 3
Recording a source to tape (or MD) or dubbing
from tape (or MD) to tape (or MD)......................... 37
Features .................................................................... 3
What’s DSP?............................................................. 4
Sound control......................................................... 38
Tuning ..................................................................... 39
Basic operation ................................................... 39
Preset tuning........................................................ 40
Using digital sound field processor (DSP) ......... 43
GETTING STARTED ................................................ 7
Getting started.......................................................... 7
Unpacking .............................................................. 7
Installing batteries in the remote controller ........... 8
Notes about the remote controller.......................... 8
Controls and their functions................................... 9
Front panel............................................................. 9
Display panel........................................................ 11
Playing a source with an effect of the digital
sound field processor (DSP) ................................ 43
Adjusting output level of the center, right rear,
left rear speakers and subwoofer......................... 46
Brief overview of digital sound field programs...... 48
ADVANCED FEATURES ....................................... 51
PREPARATION ...................................................... 12
“SET MENU” mode ............................................... 51
Creating your own sound fields .......................... 55
Setting the SLEEP timer ....................................... 60
Speaker setup......................................................... 12
Connections ........................................................... 14
Audio/video source equipment ............................ 14
Speakers ............................................................. 20
Antennas ............................................................. 23
Plugging in this unit ............................................. 25
On screen display .................................................. 26
REMOTE CONTROLLER ....................................... 61
Basic operation ..................................................... 61
Key name and function ......................................... 62
Entering manufacturer codes .............................. 67
Restoring the default codes ................................. 68
Selecting the output modes
(“SET MENU” mode) ............................................. 27
Speaker balance adjustment ................................ 30
TROUBLESHOOTING ............................................ 69
SPECIFICATIONS .................................................. 72
LIST OF MANUFACTURE’S CODE
.............................................. The end of this manual
1
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CAUTION : Read this before operating your unit.
1. To assure the finest performance, please read this manual
IMPORTANT
carefully. Keep it in a safe place for future reference.
Please record the serial number of your unit in the space
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
below.
Model:
Serial No.:
3. Never remove the unit cover. Contact your dealer if an
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.
object falls inside the unit.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull on the
wires themselves.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
5. The openings on the unit cover assure proper ventilation of
the unit. If these openings are obstructed, the temperature
inside the unit will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in a
well-ventilated area to prevent fire and damage.
This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit
itself is turned off. This state is called the standby mode.
In this mode, this unit is designed to consume a small
amount of power.
<Singapore model only>
Be sure to allow a space of at least 20 cm behind, 20 cm
on the both sides and 30 cm above the top panel of the
unit to prevent fire and damage.
6. The voltage used must be the same as that specified on
this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for any
damage resulting from use of this unit with a voltage other
than specified.
FREQUENCY STEP switch (China and General Models
only)
Because the interstation frequency spacing differs in
different areas, set the FREQUENCY STEP switch (located
at the rear) according to the frequency spacing in your
area.
7. Digital signals generated by this unit may interfere with
other equipment such as tuners, receivers or TVs. Move
this unit farther away from such equipment if interference
is observed.
Before setting this switch, disconnect the AC power plug of
this unit from the AC outlet.
8. Always set the VOLUME control to “– ” before starting
∞
the audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
WARNING
Do not change the IMPEDANCE SELECTOR switch
setting while the power to this unit is on, otherwise this
unit may be damaged.
9. Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
If this unit fails to turn on when the STANDBY/ON switch is
pressed;
The IMPEDANCE SELECTOR switch may not be set to
either end. If so, set the switch to either end when this unit
is in the standby mode.
11. When not planning to use this unit for long periods of time,
disconnect the AC power plug from the wall outlet.
12. To prevent lightning damage, disconnect the AC power
IMPEDANCE SELECTOR
plug and antenna cable when there is an electrical storm.
13. Grounding or polarization – Precautions should be taken
so that the grounding or polarization of an appliance is not
defeated.
AR
SUND)
IMPEDANCE SELECTOR
SET BEFORE POWER ON
REAR
:
:
6
Ω
Ω
MIN. /SPEAKER
MIN. /SPEAKER
CENTER
MAIN
6
14. Do not connect an audio unit to the AC outlet on the rear
panel if the equipment requires more power than the outlet
is rated to provide.
A
A
OR B: 8ΩMIN. /SPEAKER
B: 4ΩMIN. /SPEAKER
A
REAR
:
:
8
Ω
Ω
MIN. /SPEAKER
MIN. /SPEAKER
CENTER
MAIN
8
OR BB::I6ΩMIN. /SPEAKER
A
8ΩMIN. /SPEAKER
AC OUTLETS
SWITCHED
15. Voltage Selector (China and General Models only)
The voltage selector on the rear panel of this unit must
be set for your local main voltage BEFORE plugging
into the AC main supply.
I20V
60Hz
I00W MAX.TOTAL
ION SEE INSTRUCTION
L FOR CORRECT SETTING.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
(U.S.A. model)
2
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INTRODUCTION
Features
5 Channel Power Amplification
Sophisticated FM/AM Tuner
Main:
85W + 85W (8Ω) RMS Output
Power, 0.04% THD, 20–20,000 Hz
85W (8Ω) RMS Output Power,
0.04% THD, 20–20,000 Hz
85W + 85W (8Ω) RMS Output
Power, 0.04% THD, 20–20,000 Hz
● 40-Station Random Access Preset Tuning
● Automatic Preset Tuning
Center:
Rear:
● Preset Station Shifting Capability (Preset
Editing)
● IF Count Direct PLL Synthesizer Tuning
System
Multi-Mode Digital Sound Field
Processing
Others
●
●
●
●
●
Digital Sound Field Processor (DSP)
Dolby Digital Decoder
●
“SET MENU” Mode which ProvidesYou
with 13 Titles of Setting Changes and
Adjustments for Optimizing This Unit for
Your Audio/Video System
Dolby Pro Logic Decoder
DTS Decoder
● BASS EXTENSION Button for Reinforcing
CINEMA DSP:Theater-like Sound
Experience by the Combination of
YAMAHA DSP Technology and Dolby
Digital, Dolby Pro Logic or DTS
Bass Response
● On Screen Display Function Helpful in
Controlling This Unit
●
●
●
Automatic Input Balance Control for
Dolby Pro Logic Decoding
● SLEEP Timer
●
OPTICAL and COAXIAL Digital Audio
Signal Terminals
Test Tone Generator for Easier Speaker
Balance Adjustment
● 6 Channel External Decoder Input for
Speaker Output Mode Selection
Capability for the Most Suitable
Use ofYour Speaker System
Other Future Formats
● Video Signal Input/Output Capability
(Including S Video Connections)
● Universal Remote Controller with Preset
Manufacturer Codes
3
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INTRODUCTION
What’s DSP?
Introduction
Welcome to the exciting world of digital home entertainment.
This unit is one of the most complete and advanced AV
receiver available. Some of the more advanced features may
not be familiar to you, but they are easy to use. State-of-the-art
technologies such as Dolby Digital and Digital Theater
Systems (DTS) may be new to your home, but you have
probably experienced the amazing realism they bring to feature
films in theaters around the world.
To make the listening experience even more enjoyable, this
unit includes a number of exclusive, digitally created listening
environments known as digital sound fields. Choosing a sound
field program is like transporting yourself to such venues as an
outdoor arena, a European church, or a cozy jazz club. Take
some time now to read more about these features and enjoy
the new experiences this unit brings to your home theater.
Digital Sound Field Processing
Technological advances in sound reproduction over the last 30
years have enhanced the listening experience with improved
clarity, precision and power. However, something has still been
missing: The atmosphere and acoustic ambiance of the public
venue. Our Yamaha engineers have extensively researched
the nature of sound acoustics and the way sound reflects
inside a room. We sent these engineers to famous theaters
and concert halls around the world to measure the acoustics of
those venues with sophisticated microphones. The data they
collected is used to recreate these environments in digital
sound fields. Some of these digital sound fields are created
using data measured directly at the original venue; others are
created from combinations of data to form unique
Of course, that only solves half of the problem. These
engineers have no way of knowing the acoustics of your
listening room, so we’ve made it possible for you to adjust the
various parameters of this data to tailor each virtual venue to
your taste. You can use these sound fields to enhance any
source and in combination with any of the following surround
sound technologies. Some are designed especially for music,
and some especially for movies.
environments for specific purposes.
Dolby Pro Logic
Dolby Surround has been used in movie theaters since the
mid-seventies. It has also been available in home
Most video tapes and laser discs include Dolby Surround
encoding as do many TV and cable broadcasts. The Dolby Pro
Logic decoder built into this unit employs a digital signal
processing system that stabilizes each channel for even more
accurate sound positioning than is available with standard
analog processors.
entertainment systems since the late eighties and continues to
be a popular format for home theater systems. It uses four
discrete channels and five speakers to reproduce realistic and
dynamic sound effects: two main channels (left and right), a
center channel for dialog, and a rear channel for special sound
effects. The rear channel reproduces sound within a narrow
frequency range.
4
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INTRODUCTION
Dolby Digital
Dolby Digital is the next level of Dolby Surround sound system
developed for 35 mm film-movies by employing low bit-rate
audio coding.
Dolby Digital forms 5.1 channels as mentioned left, and
moreover, it can also form fewer channels, for example 2
channel stereo and monaural. You may be able to find some 2
channel stereo and/or monaural sources encoded with Dolby
Digital in the market.
Dolby Digital is a digital surround sound system that provides
completely independent multi-channel audio to you. Dolby
Digital provides five full range channels in what is sometimes
referred to as a “3/2” configuration: three front channels (left,
center and right), and two surround channels. A sixth bass-only
effect channel is also provided for output of LFE (low frequency
effect), or low bass effects that are independent of other
channels. (This is called the “LFE channel”.) This channel is
counted as 0.1, thus giving rise to the term 5.1 channels in
total.
Laserdisc and DVD are home audio formats that could benefit
from Dolby Digital. In the near future, Dolby Digital will also be
applied to DBS, CATV and HDTV. The ongoing release of
Dolby Digital theatrical films now underway will provide an
immediate source of Dolby Digital encoded video software.
Manufactured under license from Dolby Laboratories. “Dolby”,
“Pro Logic” and the double-D symbol are trademarks of Dolby
Laboratories.
Compared to Dolby Surround that is referred to a “3/1” system
(left front, center, right front and just one surround channel),
Dolby Digital features two surround channels, called stereo or
split surrounds, each offering the same full range fidelity as the
three front channels.
By using the built-in Dolby Digital decoder, you can experience
the dramatic realism and impact of Dolby Digital theater sound
in your home.
Wide dynamic range of sound reproduced by the five full range
channels and precise sound orientation by the digital sound
processing presents listeners much excitement and realism
that has never been experienced before.
DTS Digital Surround
DTS (Digital Theater Systems) system was developed to
replace analog soundtracks of movies with six discrete
channels of digital soundtracks, and now, it is installed in many
theaters around the world. The DTS digital playback system
changed the way we experienced movies in theaters with six
discrete channels of superb digital audio.
By using the DTS decoder built into this unit, you can
experience the dramatic realism and impact of the DTS
installed theater’s high quality sound in your home.
Laserdisc, compact disc and DVD are home audio format
within which DTS can represent its high quality multi-channel
audio. (In addition to movies on laserdiscs, many exciting new
multi-channel music recordings will also become available in
the form of DTS-encoded compact discs.)
The DTS technology, through intense research and
development, made it possible to deliver a similar
encode/decode discrete technology to home audio surround-
sound entertainment.
The DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio; technically
5.1 channels, which means 5 full-range (left, center, right and
two surround) channels, plus a subwoofer (LFE) channel (as
“0.1”). It is compatible with the 5.1 speaker configurations that
are currently available for home theater systems
Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued
and pending. “DTS”, “DTS Digital Surround”, are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
The DTS Digital Surround algorithm is designed to encode the
six channels of 20-bit audio onto some laserdiscs, compact
discs and DVDs with considerably less data-compression.
5
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INTRODUCTION
CINEMA DSP: Dolby Surround + DSP / DTS + DSP
The Dolby Surround sound and DTS systems show their full
ability in a large movie theater, because movie sounds are
originally designed to be reproduced in a large movie theater
that uses a multitude of speakers. Trying to create a sound
environment similar to that of a movie theater in your home is
difficult because of the room size, material inside the walls, the
number of speakers, and so on. In other words, your listening
room is very different from a movie theater.
However, Yamaha DSP technology allows you to create nearly
the same sound experience as that of a large movie theater in
your home by compensating for the lack of presence and
dynamics in the listening room with original digital sound fields
combined with Dolby Surround or DTS Digital Surround
sounds.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates those programs
that are created by the combination of YAMAHA DSP
technology and Dolby Surround or DTS.
Dolby Pro Logic + 2 Digital Sound Fields
Dolby Digital or DTS + 3 Digital Sound Fields
Digital sound fields are created on the presence side and
the rear surround side of the Dolby Pro Logic decoded
sound field respectively. They create a wide acoustic
environment and emphasize surround-effect in the room,
letting you feel much presence as if you were watching a
movie in a popular Dolby Surround theater.
Digital sound fields are created on the presence side and
the independent left and right surround sides of the Dolby
Digital-decoded or the DTS-decoded sound field
respectively. They create a wide acoustic environment and
much surround effect in the room without losing high
channel separation. With wide dynamic range of Dolby
Digital or DTS sound, this sound field combination lets you
feel as if you were watching a movie in the newest Dolby
Digital theater or DTS installed theater. This is the most
ideal home theater sound at the present time.
For details, refer to pages 48 to 49.
For details, refer to pages 48 to 49.
6
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GETTING STARTED
Getting started
Unpacking
Carefully remove this unit and accessories from the box. You should find the unit itself and the following accessories.
Remote controller
Indoor FM Antenna
POWER
STANDBY
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
A/B/C/D/E
DSP
EFCT
DISC SKIP
PRESET
ON/OFF
AM Loop Antenna
CH
CH
TV
CODE SET
MUTE
VOLUME
INDEX
DISP
SLEEP
POWER
TV
ON SCREEN
VCR REC
/
TV INPUT
A/B
DIR
A
DIR
B
SELECT
SET UP
RETURN
SUBTITLE
ON/OFF
ANGLE
AUDIO
TITLE
MENU
LEVEL
SET MENU
Antenna adapter (U.S.A. and Canada models only)
Batteries (size AA, R6, UM-3)
7
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GETTING STARTED
Installing batteries in the remote
controller
Notes about the remote controller
Battery replacement
Since the remote controller will be used for many of this unit’s
control operations, you should begin by installing the supplied
batteries.
If you find that the remote controller must be used closer to the
main unit, the batteries are weak. Replace both batteries with
new ones.
Notes
1. Turn the remote controller over and slide the battery
●
Use AA, R6, UM-3 batteries.
compartment cover in the direction of the arrow.
●
Be sure the polarities are correct. (See the illustration inside
the battery compartment.)
Remove the batteries if the remote controller is not used for
an extended period of time.
2. Insert the batteries (AA, R6, UM-3 type) according to the
●
polarity markings on the inside of the battery compartment.
●
If batteries leak, dispose of them immediately. Avoid
3. Close the battery compartment cover.
touching the leaked material and contact with clothing, etc.
Clean the battery compartment thoroughly before installing
new batteries.
Be sure to insert the new batteries within 2 minutes after
you remove the old batteries from the remote controller. If
the remote controller is left for more than 2 minutes without
batteries, all of the codes you entered will be cleared and
the remote controller will return to the factory preset
condition.
2
1
3
Remote controller operation range
Remote control
sensor
Within approximately
6 m (19.7 feet)
Notes
●
The area between the remote controller and the main unit
must be clear of large obstacles.
Do not expose the remote control sensor to strong lighting,
●
in particular, an inverter type fluorescent lamp. Otherwise,
the remote controller may not work properly. If necessary,
position the main unit away from direct lighting.
8
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GETTING STARTED
Controls and their functions
Front panel
1
2
3
4
5
6
CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795aRDS
VOLUME
l6
INPUT SELECTOR
20
l2
28
60
8
4
40
STANDBY/ON
TAPE/MDEDCOMDEORN
/EXT.
2
0
–dB
TUNING
MODE
A/
B/
C/
D/
E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
MAN’L/AUTO FM
AUTO/MAN’L MONO
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
7
9
8
0 A B C D
E
G I J K
H
N
O
P
M
F
L
For the remote controller, refer to pages 61 to 68.
1 STANDBY/ON switch
5 INPUT SELECTOR
Turn this knob to select the input source.
The selected source will be shown on the display.
Press this switch to turn on the power. Press this switch again
to set this unit in the standby mode.
* A click from the switch and the initial rotation of the built-in
fan will be heard when the power is turned on.
6 Master VOLUME control
Simultaneously controls volume for all output sounds; main,
rear, center and subwoofer. (The REC OUT level is not
affected.)
* The indicator on the master VOLUME control will flash when
the volume is decreased by pressing the MUTE key on the
remote controller.
Standby mode
This unit is still using a small amount of power in this mode
in order to be ready to receive infrared-signals from the
remote controller.
2 Remote control sensor
7 PHONES jack
Receives signals from the remote controller.
Headphones can be plugged into this jack for private listening.
You can listen to the sound to be output from the main
speakers through headphones. When listening with
headphones privately, set both SPEAKERS A and B switches
to the OFF position and turn off the digital sound field
processor by pressing the EFFECT button so that no DSP
program name is illuminated on the display panel.
3 Display panel
Displays a variety of information. (Refer to page 11 for details.)
4 TAPE/MD MON/EXT. DECODER button
Press this button repeatedly until the “TAPE/MD MONITOR
”
indicator is illuminated on the display. Sound source played or
recorded on the unit connected to the TAPE/MD IN
(PLAY)/OUT (REC) AUDIO SIGNAL terminals on the rear of
this unit is selected as the input source taking priority of the
INPUT SELECTOR’s setting.
PHONES
Press this button repeatedly until the “EXT. DECODER”
appears on the display. Sound signals input to the EXTERNAL
DECODER INPUT terminals on the rear of this unit is selected
as the input source taking priority of the INPUT SELECTOR’s
setting.
Press this button repeatedly until the original display mode is
restored to cancel the above input sources.
9
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GETTING STARTED
8 A/B/C/D/E button
H FM/AM button
Press this button to select a group (A–E) of preset stations.
Press this button to switch the reception band between FM and
AM.
9 SPEAKERS switches
Press the switch A or B (or both) for the main speakers you will
use inward (ON). Press and release the switch for the main
speakers you do not use outward (OFF).
I LEVEL button
This button is used to adjust the output level of the center and
rear speakers, and subwoofer. First, press this button (several
times) to select the speaker(s). The name appears on the
0 Preset station number selector buttons
display. Then press the + or – button ( ) to change the output
level.
J
Select a preset station number (1 to 8).
A BASS EXTENSION button
J –/+ button
Press this button inward (ON) to boost the bass frequency
response at the main left and right channels while maintaining
overall tonal balance. This function is effective for reinforcing
the bass frequencies when a subwoofer is not used.
Adjusts the level of the speaker(s) selected by pressing the
LEVEL button. Moreover, performs setting changes and
adjustments for functions selected by pressing the SET MENU
button (K).
B TONE BYPASS button
K SET MENU button
Press this button inward (ON) to bypass the tone (BASS and
TREBLE) control circuitry. This function is used for outputting
pure sound and checking the tone control settings. The tone
control circuitry can be used when this button is released
outward (OFF).
Press this button once or more to select the desired function in
the SET MENU mode.
L TUNING DOWN/UP button
Used for tuning. Press the “UP” side to tune in to a higher
frequency, and press the “DOWN” side to tune in to a lower
frequency.
C BASS and TREBLE controls
Rotate these knobs to adjust the low and high frequency
response for the left and right main channels only.
M PROGRAM selector button
Press this button in the
or
direction to select a digital
D BALANCE control
sound field processing program.
This knob controls the sound from the main speakers only.
The balance of the output volume to the left and right main
speakers can be adjusted to compensate for sound imbalances
caused by the speaker location or listening room conditions.
N EFFECT button
Press this button to turn on and off the output from the center
and rear speakers. The sound becomes normal 2-channel
when this function is turned off.
E MEMORY (MAN’L/AUTO FM) button
However, this does not apply to Dolby Digital or DTS. The
signals at all channels will be distributed to the main channels
and output from the main speakers, even if the output from the
center and rear speakers are turned off, when Dolby Digital or
DTS is decoded.
Use this button to enter a station to memory. Refer to the
section “Manual preset tuning” on page 40 for details.
Hold down this button for more than 3 seconds to start
automatic preset tuning. Refer to page 41 for details.
F EDIT button
O VIDEO AUX terminals
This button is used to exchange the places of two preset
stations with each other.
Connect an auxiliary video or audio input source unit such as a
camcorder to these terminals. A video unit with a S video
output terminal can be connected to the S VIDEO terminal to
obtain a high resolution picture. The source can be selected
with the INPUT SELECTOR.
G TUNING MODE (AUTO/MAN’L MONO) button
Press this button to switch the tuning mode between automatic
and manual. To select the automatic tuning mode, press this
button so that the “AUTO” indicator is illuminated on the
display. To select the manual tuning mode, press this button so
that the “AUTO” indicator is not illuminated.
P INPUT MODE button
Press this button to select how input signals are received from
sources that output two or more types of signals. The “AUTO”,
“DTS” and “ANALOG” modes are available. Refer to page 36
for details.
10
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GETTING STARTED
Display panel
1
2
3
DVD/LD
TV/DBS
V-AUX
CD
TUNER
PHONO
DIGITAL
PRO LOGIC
DSP
ENHANCED MOVIE THEATER 12 TV SPORTS
STEREO
VCR
TAPE/MD
MONITOR
MONO MOVIE
DISCO JAZZ CLUB
ROCK CONCERT CHURCH CONCERT HALL
AUTO
MEMORY
0
20
100
SLEEP
4 5
7
8 9
0
A
B
6
6 MEMORY indicator
1
indicators
A flashing MEMORY indicator means a station can be saved,
as explained in the following:
Either “dts” indicators will be illuminated when the built-in DTS
decoder is turned on.
Press the MEMORY button. The MEMORY indicator will flash
about 5 seconds. While the indicator is flashing, program the
displayed station to memory by using the A/B/C/D/E and the
preset station number selector buttons.
A red “dts” indicator will be illuminated when playing a compact
disc or laserdisc encoded with DTS.
An orange “dts” indicator will be illuminated when playing a
DVD encoded with DTS.
An orange “dts” indicator may be illuminated when playing a
laserdisc encoded with DTS after a video-CD or DVD on a
DVD/LD combi-player.
7 DSP program indicators
The name of the selected DSP program will be illuminated in
the following cases.
•
•
•
When the tuner is selected as the input source
When a DSP program parameter is selected or adjusted.
When the DSP program No. 2, 3 or the subprogram
“Enhanced” of No. 1 is selected.
There is no illumination here when no DSP program is
selected
2 Multi-information display
This display shows the current DSP program and the status of
adjustments and setting changes. Several statuses can be
viewed at one time. The current station frequency and band
(AM or FM) will also appear when the tuner source input mode
is selected.
8 AUTO indicator
3 Input source indicators
This indicator will be illuminated during the automatic tuning
mode.
One of the arrows for these indicators will be illuminated
depending on which source is selected.
9 STEREO indicator
4
The
DIGITAL and
DIGITAL indicator will be illuminated when the built-in
PRO LOGIC indicators
This indicator will be illuminated when an FM stereo broadcast
with sufficient signal strength is received.
Dolby Digital decoder is on and the signals of the source
encoded with Dolby Digital are not 2-channels.
The
0 Signal-level indicator
PRO LOGIC indicator will be illuminated when the
This indicator shows the signal level of the received station. If
multipath interference is detected, the indication decreases.
built-in Dolby Pro Logic decoder is on.
5 DSP indicator
A TAPE/MD MONITOR indicator
This indicator will be illuminated when the built-in digital sound
field processor is on.
This indicator will be illuminated when the tape deck (or MD
recorder etc.) connected to the TAPE/MD IN and OUT
terminals on the rear of this unit is selected as the input source
by pressing the TAPE/MD MON/EXT. DECODER button.
B SLEEP indicator
This indicator will be illuminated when the built-in SLEEP timer
is on.
11
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PREPARATION
Speaker setup
Ⅵ Setting up your speaker system
This unit has been designed to provide the best sound field
quality with a full five-speaker system setup, using a pair of
main speakers to output main source sounds, a pair of effect
speakers to generate the sound field plus one center speaker
for dialog. We therefore recommend that you use a five-
speaker setup. A four-speaker system using only one pair of
effect speakers for the sound field will still provide impressive
ambience and effects, however, and may be a good way to
begin with this unit. You can always upgrade to the five-
speaker system later.
If, for some reason, it is not practical to use a center speaker, it
is possible to enjoy the movie without it. Best results, however,
are obtained with the full system.
Use of a subwoofer expands your sound
field
It is also possible to further expand your system with the
addition of a subwoofer and amplifier. The use of a subwoofer
is effective not only for reinforcing bass frequencies from any
or all channels, but also for reproducing signals at the
subwoofer channel with high fidelity during playing back a
source with Dolby Digital or DTS decoded. You may wish to
choose the convenience of a Yamaha Active Servo Processing
Subwoofer System, which has its own built-in power amplifier.
Use of the center dialog speaker is
recommended
When playing back a source with Dolby Pro Logic decoded, or
playing back a source which contains center-channel signals
with Dolby Digital or DTS decoded, dialog, vocals etc. are
output from the center channel. Therefore, if you want to
maximize the performance of your Audio/Video home theater
system, it is recommended that you use a center channel
speaker.
Ⅵ Speakers and speaker placement
Your full five-speaker system will require two speaker pairs:
the MAIN SPEAKERS (your normal stereo speakers) and the
REAR SPEAKERS, plus the CENTER SPEAKER. You may
also be using a SUBWOOFER.
The MAIN SPEAKERS should be high performance models
and have enough power handling capacity to accept the
maximum output of your audio system.
Other speakers do not have to be equal to the MAIN
SPEAKERS. For precise sound localization, however, it is
ideal to use high performance models that can reproduce
sounds in full range for the CENTER SPEAKER and REAR
SPEAKERS.
Place the MAIN SPEAKERS in the ordinary position.
Place the REAR SPEAKERS behind your listening position.
They should be nearly 1.8m above the floor.
Place the CENTER SPEAKER precisely between the two
MAIN SPEAKERS. (To avoid interference, keep the speaker
above or below the television monitor, or use a magnetically
shielded speaker.)
If using a SUBWOOFER, such as a Yamaha Active Servo
Processing Subwoofer System, the position of the speaker is
not so critical because low bass tones are not highly
directional.
Main speaker
Subwoofer
Center speaker
Rear speaker
12
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PREPARATION
Ⅵ Speaker system configurations
4 Speaker System
5 Speaker System
Basic system.
The recommended system for enjoying Audio/Video
sources.
You can enjoy widely diffused sound by only adding a pair of
rear speakers to a basic stereo speaker system.
However, center channel sounds must be output from the left
and right main speakers.
By the use of a center speaker, center channel sounds (dialog,
vocals etc.) are precisely localized.
1. CENTER SPEAKER—Set to “NONE”. (See page 27.)
1. CENTER SPEAKER—Set to “LRG” or “SML”.
(See page 27.)
13
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PREPARATION
Connections
Caution: Plug in this unit and other components after all connections are completed.
All connections must be correct, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also refer to the owner’s manual for
each of your components.
Audio/video source equipment
●
Use RCA type pin plug cables for audio/video units with the exception described later.
●
The output (or input) terminals of YAMAHA audio/video units numbered as 1, 3, 4, etc. on the rear panel must be connected to
the same-numbered terminals of this unit.
Ⅵ Basic connections
TV monitor
Turntable
LD player, DVD player, etc.
(*1)
(U.S.A. model)
EXTERNAL DECODER INPUT
GND
MAIN
CENTER
SURROUND
75Ω
UNBAL.
CD
DVD/LD
DVD/LD
TV/DBS
OPTICAL
CDOAIGXIIATLAL SIGNALOPTICAL
FM
ANT
IN
OUT
SUB
S
VIDEO VIDEO
REMOTE
WOOFER
ON SCREEN SELECTOR
CONTROL
GND
AM
ANT
IN
OUT
IN
OUT
MONITOR
OUT
MONITOR
DVD/LD
VCR
OUT
DVD/LD
TV/DBS
VCR
S
VIDEO SIGNAL
VIDEO SIGNAL
IN (PLAY) OUT (REC)
IN
OUT
TAPE
/
MD
DVD/LD
TV/DBS
VCR
PHONO
CD
1
3
4
AUDIO SIGNAL
MD recorder,
Tape deck, etc.
Video cassette
recorder
CD player
(*1): GND terminal (For turntable use)
TV/Satellite tuner
: Indicates the direction of signals.
Connecting the ground wire of the turntable to the GND
terminal will normally minimize hum, but in some cases
better results may be obtained with the ground wire
disconnected.
14
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PREPARATION
VIDEO AUX terminals (on the front panel)
PAL/NTSC switch (China and General
models only)
These terminals are used to connect a video input source such
as a camcorder.
EXTERNAL DEC
GND
MAIN
CENTER
VIDEO AUX
UNBAL.
CD
DVD/LD
DVD/LD
TV/DBS
OPTICAL
CDOAIGXIAITLAL SIGNALOPTICAL
S VIDEO
VIDEO
L
AUDIO
R
SUB
PAL NTSC
S
VIDEO VIDEO
WOOFER
ON SCREEN SELECTOR
This unit is designed for use with the NTSC and PAL television
formats. Set this switch to the position for the format your TV
monitor employs.
AUDIO OUT R
AUDIO OUT L
R
L
PAL: Set to this position if your TV monitor employs the PAL
format.
VIDEO OUT
VIDEO
Outputs signals in the PAL format no matter which
format (PAL or NTSC) of video signal is sent from an
external video unit to this unit.
S VIDEO OUT
S
VIDEO
NTSC: Set to this position if your TV monitor employs the
NTSC format.
Outputs signals in the NTSC format no matter which
format (PAL or NTSC) of video signal is sent from an
external video unit to this unit.
Camcorder
: S-video cable
(Refer to page 18 for details about the S
VIDEO terminal.)
Note
Be sure to input a video signal which employs the same format
that your TV monitor employs, otherwise a picture will not be
played back normally.
For Custom Installer (For U.S.A., Canada and Australia models only)
REMOTE CONTROL (IN, OUT) terminals
(U.S.A. model)
These terminals are used for custom installation system.
When this unit is connected to the components for custom
installation system, you can operate this unit with the system
remote control.
Connect the REMOTE CONTROL IN terminal of this unit to
the output terminal of the central controller for custom
installation system.
By connecting the REMOTE CONTROL OUT terminal of this
unit to the REMOTE CONTROL IN terminal of the other
component, you can also operate it with the system remote
control. In this way, up to 6 components can be connected in
series.
EXTERNAL DECODER INPUT
GND
MAIN
CENTER
SURROUND
CD
DVD/LD
COAXIAL
DVD/LD
TV/DBS
OPTICAL
DIGITAL SIGNALOPTICAL
IN
OUT
SUB
S
VIDEO VIDEO
REMOTE
WOOFER
ON SCREEN SELECTOR
CONTROL
15
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PREPARATION
Ⅵ Connecting to digital (OPTICAL and COAXIAL) terminals
If your CD player, LD player, DVD player, TV/satellite tuner,
etc. are equipped with coaxial or optical digital audio signal
output terminals, they can be connected to this unit’s COAXIAL
or OPTICAL, or both terminals.
To make an optical digital connection between this unit and an
external unit, remove the cover from each optical terminal, and
then connect them by using a commercially available optical
fiber cable that conforms to EIAJ standards. Other cables
might not function correctly.
Digital audio signals are transmitted with less loss than analog
audio signals. In addition, digital audio signal connections are
necessary, especially for an LD player, a DVD player or a CD
player to send signals encoded with Dolby Digital or DTS to
this unit.
Even if you connect an audio/video unit to the OPTICAL (or
COAXIAL) terminal of this unit, you must keep the unit
connected with the same named analog audio signal terminals
of this unit, because digital signal cannot be recorded by a tape
deck or VCR connected to this unit. You can switch the
selection of input signals between “digital” and “analog” easily.
(See page 36 for details.)
LD player, DVD player, etc.
TV/Satellite tuner
COAXIAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
OPTICAL
DIGITAL
OUT
EXTERNAL DECODER INPUT
GND
MAIN
CENTER
SURROUND
75Ω
UNBAL.
CD
DVD/LD
COAXIAL
DVD/LD
TV/DBS
OPTICAL
DIGITAL SIGNALOPTICAL
FM
ANT
OPTICAL
DIGITAL
OUT
IN
OUT
SUB
S
VIDEO VIDEO
REMOTE
WOOFER
ON SCREEN SELECTOR
CONTROL
GND
AM
ANT
IN
OUT
IN
OUT
MONITOR
OUT
MONITOR
DVD/LD
VCR
OUT
DVD/LD
TV/DBS
VCR
S
VIDEO SIGNAL
VIDEO SIGNAL
CD player
IN (PLAY) OUT (REC)
IN
OUT
TAPE
/
MD
DVD/LD
TV/DBS
VCR
PHONO
CD
1
3
4
AUDIO SIGNAL
: Optical fiber cable
: Coaxial cable
(U.S.A. model)
Notes
●
In order to make this unit perform successful DTS-decoding,
the DTS bitstream must not be altered, manipulated or
corrupted in the process of sending the DTS bitstream from
the DIGITAL OUT terminal of an external unit to a digital
signal input terminal of this unit.
●
When you connect an audio/video unit to both of the digital
and analog terminals of this unit, make sure to connect to
both terminals of the same name.
●
●
Be sure to attach the covers when the OPTICAL terminals
are not being used, in order to protect the terminals from
dust.
The DOLBY DIGITAL RF signal output terminal of your
DVD/LD/CD combi-player, etc. cannot be connected directly
to this unit’s DVD/LD COAXIAL terminal.
●
All digital audio signal input terminals are applicable to the
sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.
See page 17 for proper connections to reproduce an LD
source encoded with Dolby Digital.
16
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PREPARATION
Ⅵ Connecting to DOLBY DIGITAL RF output of the DVD/LD/CD combi-player
If your DVD/LD/CD combi-player has a DOLBY DIGITAL RF
signal output terminal, it can be connected to this unit by using
an RF demodulator (separate purchase).
You must also connect the optical digital signal output terminal
of the DVD/LD/CD combi-player to the OPTICAL DVD/LD
digital signal input terminal of this unit.
First, connect the DOLBY DIGITAL RF signal output terminal of
the DVD/LD/CD combi-player to the DOLBY DIGITAL RF
signal input terminal of the RF demodulator. Next, connect the
coaxial digital signal output terminal of the RF demodulator to
the COAXIAL digital signal input terminal of this unit.
This connection is necessary for sending audio signals of an
LD source encoded with Dolby Digital to this unit.
This connection is necessary for playing back a DVD source
with Dolby Digital or DTS decoded, and playing back an LD
source with DTS decoded.
When these connections are completed, set the input mode of
the DVD/LD source to “AUTO”, and you will hear sounds
decoded with Dolby Digital even if signals are input to both
COAXIAL and OPTICAL digital signal input terminals of this
unit. This is because signals input to the COAXIAL terminal
take priority over signals input to the OPTICAL terminal.
Refer to page 36 for details about switching the input mode.
It is also necessary to connect the DVD/LD/CD combi-player to
this unit’s analog audio signal input terminals regardless of the
DOLBY DIGITAL RF signal connection.
Notes
●
If, for example, you play a CD on the DVD/LD/CD combi-
player, there is no input to the COAXIAL terminal, so the
signals input to the OPTICAL terminal take priority. In this
case, switch off the RF demodulator to listen to CD sound
without interference. However, if your RF demodulator is the
Yamaha model APD-1, you do not have to switch it off.
●
When you want to play an LD source encoded with Dolby
Digital without decoding Dolby Digital, you must switch off
the power of the RF demodulator.
COAXIAL
DIGITAL OUT
RF demodulator
(U.S.A. model)
DOLBY DIGITAL
RF IN
EXTERNAL DECODE
GND
MAIN
CENTER
SURR
75Ω
UNBAL.
CD
DVD/LD
DVD/LD
TV/DBS
OPTICAL
CDOAIXGIAITLAL SIGNALOPTICAL
DVD/LD/CD combi-
player, etc.
FM
ANT
DOLBY DIGITAL
RF OUT
IN
OUT
SUB
S
VIDEO VIDEO
REMOTE
WOOFER
ON SCREEN SELECTOR
CONTROL
GND
AM
ANT
IN
OUT
IN
O
MONITOR
OPTICAL
DIGITAL OUT
ANALOG
OUT
DVD/LD
VCR
DVD/LD
TV/DBS
VCR
OUT
S
VIDEO SIGNAL
VIDEO SIGNAL
IN (PLAY) OUT (RE
IN
O
TAPE
/
MD
DVD/LD
TV/DBS
VCR
PHONO
CD
1
3
4
AUDIO SIGNAL
17
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PREPARATION
Ⅵ Connecting to S VIDEO terminals
Note
If your monitor has an “S” video input terminal and your video
cassette recorder, LD player, DVD player, etc. also have “S”
video terminals, connect them to this unit’s S VIDEO SIGNAL
terminals as illustrated below. In addition, a video unit which
has an “S” video output can be connected to the VIDEO AUX
S VIDEO terminal on the front of this unit.
If video signals are sent to both S VIDEO input and VIDEO
input terminals, the signals will be sent to their respective
output terminals.
S VIDEO terminals
This unit provides you with S VIDEO terminals in addition
to standard type VIDEO terminals.
S VIDEO terminals transmit video signals separated into
luminance (Y) signals and color (C) signals. In comparison
with S VIDEO terminals, standard type VIDEO terminals
transmit “composite” video signals.
With these connections, you can play back or record high
quality pictures. Otherwise, connect the “composite” video
terminals of your monitor, video cassette recorder, LD player,
DVD player, etc. to the “composite” VIDEO SIGNAL terminals
of this unit.
TV monitor
(U.S.A. model)
(*1)
EXTERNAL DECODER INPUT
GND
MAIN
CENTER
SURROUND
75Ω
UNBAL.
CD
DVD/LD
COAXIAL
DVD/LD
TV/DBS
OPTICAL
DIGITAL SIGNALOPTICAL
FM
ANT
IN
OUT
SUB
S
VIDEO VIDEO
REMOTE
WOOFER
ON SCREEN SELECTOR
CONTROL
GND
AM
ANT
IN
OUT
IN
OUT
MONITOR
OUT
MONITOR
DVD/LD
VCR
OUT
DVD/LD
TV/DBS
VCR
S
VIDEO SIGNAL
VIDEO SIGNAL
IN (PLAY) OUT (REC)
IN
OUT
TAPE
/
MD
DVD/LD
TV/DBS
VCR
PHONO
CD
1
3
4
AUDIO SIGNAL
Video cassette recorder
: S-video cable
LD player, DVD player, etc.
(*1): ON SCREEN SELECTOR S VIDEO/VIDEO switch
Set this switch to either position to select the TV monitor on
which you want to display the on-screen information.
S VIDEO: The on-screen information is displayed on the TV
monitor connected to the S VIDEO SIGNAL
MONITOR OUT terminal.
VIDEO:
The on-screen information is displayed on the TV
monitor connected to the composite VIDEO
SIGNAL MONITOR OUT terminal.
18
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PREPARATION
Ⅵ
Connecting an external decoder of a future format to this unit
This unit is equipped with additional 6-channel audio signal
input terminals (for left main, right main, center, left rear
surround, right rear surround and subwoofer channels) for
inputting signals from an external decoder of a future format to
this unit.
To listen to a sound by reproducing signals input to these
terminals, press the TAPE/MD MON/EXT. DECODER button
on the front panel repeatedly until “EXT. DECODER” appears
on the display. By doing so, the signals input to these terminals
are sent to the corresponding SPEAKERS terminals and
OUTPUT terminals of this unit.
Notes
●
When signals input to these terminals are selected, the
digital sound field processor cannot be used.
●
The settings of “1. CENTER SPEAKER,” “2. REAR
SPEAKER”, “3. MAIN SPEAKER” and “4. LFE/BASS OUT”
in the SET MENU mode have no effect on the signals input
to these terminals. The setting of “5. MAIN LEVEL” is
effective. (Refer to pages 27 to 28 for details.)
●
The adjustments of the output level of the center speakers,
rear speakers and subwoofer are effective when the signals
input to these terminals are selected as the input source.
(Refer to pages 46 to 47 for details.)
(U.S.A. model)
EXTERNAL DECODER INPUT
GND
MAIN
CENTER
SURROUND
75Ω
UNBAL.
CD
DVD/LD
DVD/LD
TV/DBS
OPTICAL
CDOAIGXIIATLAL SIGNALOPTICAL
FM
ANT
IN
OUT
SUB
S
VIDEO VIDEO
REMOTE
WOOFER
ON SCREEN SELECTOR
CONTROL
GND
AM
ANT
IN
OUT
IN
OUT
MONITOR
OUT
MONITOR
DVD/LD
VCR
OUT
DVD/LD
TV/DBS
VCR
S
VIDEO SIGNAL
VIDEO SIGNAL
IN (PLAY) OUT (REC)
IN
OUT
TAPE
/
MD
DVD/LD
TV/DBS
VCR
PHONO
CD
1
3
4
AUDIO SIGNAL
External decoder
19
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PREPARATION
Speakers
Use speakers with the specified impedance shown on the rear of this unit.
Rear speakers
Center speaker
Right
Left
Subwoofer system
CENTER
OUTPUT
REAR
(SURROUND)
MAIN
CENTER
REAR
(SURROUND)
SUB
WOOFER
MAIN
Main speakers B
A
B
A
B
CAUTION SEE INSTRUCTION
MANUAL FOR CORRECT SETTING.
Right
Left
SPEAKERS
Right
Left
Main speakers A
How to Connect:
Connect the SPEAKERS terminals to your speakers with the wire of the proper gauge (keep as short as possible). If the
connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct. That is
the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit or the
speakers, or both.
Red: positive (+)
Black: negative (–)
<U.S.A., Canada, China, Australia and General models
only>
Banana Plug connections are also possible. Simply insert the
Banana Plug connector into the corresponding terminal.
Loosen the knob.
➀
➁
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
Tighten the knob and
secure the wire.
2
1
➂
3
20
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PREPARATION
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If you
use only one speaker system, connect it to either the
SPEAKERS A or B terminals.
Note on a subwoofer connection:
You may wish to add a subwoofer to reinforce low frequencies or
to output low bass sound from the subwoofer channel when
reproducing discrete signals.
When using a subwoofer, connect the SUBWOOFER terminal of
this unit to the INPUT terminal of the subwoofer amplifier, and
connect the speaker terminals of the subwoofer amplifier to the
subwoofer.
With some subwoofers, including the Yamaha Active Servo
Processing Subwoofer System, the amplifier and subwoofer are
in the same unit. Such a subwoofer needs only the connection
between the SUBWOOFER terminal of this unit and the INPUT
terminal of the subwoofer.
(Refer to page 22 for details about the SUBWOOFER terminal.)
Ⅵ IMPEDANCE SELECTOR switch
Select the position whose requirements your speaker system
meets.
WARNING
Do not change the IMPEDANCE SELECTOR switch
setting while the power to this unit is on, otherwise this
unit may be damaged.
(Upper position)
If this unit fails to turn on when the STANDBY/ON switch is
pressed:
Rear: The impedance of each speaker must be 6Ω or
higher.
The IMPEDANCE SELECTOR switch may not be set to
either end. If so, set the switch to either end when this unit
is in the standby mode.
Center: The impedance of the speaker must be 6Ω or higher.
Main: If you use one pair of main speakers, the impedance
of each speaker must be 4Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8Ω or higher.
IMPEDANCE SELECTOR
AR
UND)
IMPEDANCE SELECTOR
SET BEFORE POWER ON
REAR
:
:
6
Ω
Ω
MIN. /SPEAKER
MIN. /SPEAKER
(Lower position)
CENTER
MAIN
6
A
A
OR B: 8ΩMIN. /SPEAKER
B: 4ΩMIN. /SPEAKER
A
REAR
:
:
8
Ω
Ω
MIN. /SPEAKER
MIN. /SPEAKER
CENTER
MAIN
8
Rear: The impedance of each speaker must be 8Ω or
OR BB::I6ΩMIN. /SPEAKER
A
8ΩMIN. /SPEAKER
higher.
AC OUTLETS
SWITCHED
I20V
60Hz
I00W MAX.TOTAL
Center: The impedance of the speaker must be 8Ω or higher.
ION SEE INSTRUCTION
L FOR CORRECT SETTING.
Main: <Except Canada model>
If you use one pair of main speakers, the impedance
of each speaker must be 8Ω or higher.
If you use two pairs of main speakers, the
impedance of each speaker must be 16Ω or higher.
<For Canada model only>
(U.S.A. model)
The impedance of each speaker must be 8Ω or
higher.
21
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PREPARATION
Ⅵ To drive main, center and/or rear speakers with external amplifiers
The speaker connections described on page 20 are fine for
most applications. If for some reason, however, you wish to
3 CENTER terminal
This terminal is for center channel line output.
drive main, center and/or rear speakers with your existing
If you drive a center speaker with an external power
amplifier, etc., the following terminals are available for
amplifier, connect the input terminal of the external
connecting external amplifier(s) to this unit.
amplifier to this terminal.
There is no connection to this terminal when you use the
built-in amplifier.
OUTPUT
MAIN
CENTER
REAR
(SURROUND)
4 REAR (SURROUND) terminals
These terminals are for rear channel line output.
If you drive rear speakers with an external stereo power
amplifier, connect the input terminals of the external
amplifier (MAIN IN or AUX terminals of an amplifier or a
receiver) to these terminals.
SUB
WOOFER
There is no connection to these terminals when you use
the built-in amplifier.
1 2 3 4
Notes
•
1 MAIN terminals
Output level of signals from all of these terminals are
adjusted by the use of VOLUME control on the front panel
or VOLUME keys on the remote controller.
If an external power amplifier is connected to the MAIN,
CENTER, or REAR output terminals, do not use the
corresponding SPEAKERS terminals (MAIN, CENTER, or
REAR).
These terminals are for main channel line output.
If you drive main speakers with an external stereo power
amplifier, connect the input terminals of the external
amplifier (MAIN IN or AUX terminals of an amplifier or a
receiver) to these terminals.
•
There is no connection to these terminals when you use
the built-in amplifier.
* Output signals from the MAIN terminals are affected by
the use of BASS, TREBLE, BALANCE controls, BASS
EXTENSION button and the TONE BYPASS button.
2 SUBWOOFER terminal
When using a subwoofer, connect its amplifier input to
this terminal. Low frequencies distributed from the main,
center and/or rear channels are output from this terminal.
(The cut-off frequency of this terminal is 90 Hz.) Signals
of LFE (low frequency effect) generated when Dolby
Digital or DTS is decoded are also output if they are
assigned to this terminal.
22
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PREPARATION
Antennas
●
●
Each antenna should be connected to the designated terminals correctly, as shown in the following figure.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor
reception quality only with the indoor antennas, the use of an outdoor antenna may result in improvement.
Outdoor AM antenna
Indoor FM
Outdoor FM antenna
antenna
(included)
AM loop
antenna
(included)
(U.S.A. model)
GND
75Ω
UNBAL.
CD
DVD/LD
COAXIAL
OPTICAL
DIGITAL
FM
ANT
S
VIDEO VIDEO
ON SCREEN SELECTOR
GND
75-ohm/300-ohm
antenna adapter
AM
ANT
IN
OUT
DVD/LD
VCR
S
VIDEO SIGNAL
75-ohm coaxial cable
IN (PLAY
TAP
PHONO
CD
1
3
75-ohm/300-ohm
antenna adapter
300-ohm flat
ribbon cable
Ground
Ⅵ Connecting the AM loop antenna
1.Press the tab and unlock the terminal hole.
4.Attach the loop antenna to the antenna stand.
Loop antenna
2.Connect the AM loop antenna lead wires to the AM ANT and
GND terminals.
3.Return the tab back to the original position to lock the lead
wires. Lightly pull on the lead wires to confirm a good
connection.
Antenna stand
1
3
5.Orient the AM loop antenna so that the best reception is
obtained.
2
Notes
●
The AM loop antenna should be placed apart from the main
unit. The antenna may be hung on a wall.
The AM loop antenna should be kept connected, even if an
●
outdoor AM antenna is connected to this unit.
23
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PREPARATION
Ⅵ Connecting the indoor FM antenna
GND terminal
Connect the included indoor antenna to the 75Ω UNBAL. FM
ANT terminal.
For maximum safety and minimum interference, connect
the GND terminal to a good ground. A good ground is a
metal stake driven into moist earth.
Note
Do not use an outdoor FM antenna and the indoor FM
antenna at the same time.
Ⅵ Optional outdoor AM antenna
If this unit is placed in steel buildings or an area far from
broadcasting stations, it may be necessary to install an outside
long wire antenna.
Ⅵ Optional outdoor FM antenna
* Use a 75-ohm/300-ohm antenna adapter (not included) or a
75-ohm antenna adapter (not included) for connections.
Consult your dealer or authorized service center about the best
method of selecting and erecting an outdoor FM antenna.
The choice of the flat ribbon cable is also important. Flat ribbon
cable performs well electrically, and is cheaper and somewhat
easier to handle when routing it through windows and around
rooms. Coaxial cable is more expensive, does a much better
job of minimizing interference, is less prone to the effects of
weather and close-by metal objects, and is nearly as good a
signal conductor as flat ribbon cable. Coaxial cable is
300-ohm flat ribbon cable
75-ohm coaxial cable
75-ohm/300-ohm antenna adapter
somewhat more difficult to install at the point where the cable
enters the building. If coaxial cable is selected, make sure the
antenna is designed to be used with this type of cable.
75-ohm antenna
adapter
75-ohm coaxial
cable
300-ohm flat
ribbon cable
Notes for FM antenna installation
75-ohm coaxial
cable
●
To minimize the influence of automobile ignition noise,
locate the antenna as far from heavy traffic as possible.
Keep the flat ribbon cable or coaxial cable as short as
possible. Do not bundle or roll up an excess of the cable.
The antenna should be at least two meters (6.6 feet) from
reinforced concrete walls or metal structures.
●
●
24
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PREPARATION
Plugging in this unit
After completing all connections, plug the AC power cord
into an AC outlet.
Unplug the AC power cord from the AC outlet if this unit is
not to be used for a long period of time.
•
•
(General model)
AR
OUND)
IMPEDANCE SELECTOR
VOLTAGE SELECTOR
SET BEFORE POWER ON
REAR
:
:
6
Ω
Ω
MIN. /SPEAKER
CENTER
MAIN
6
MIN. /SPEAKER
A
A
OR B: 8ΩMIN. /SPEAKER
B: 4ΩMIN. /SPEAKER
A
REAR
:
:
8
Ω
Ω
MIN. /SPEAKER
MIN. /SPEAKER
CENTER
MAIN
8
OR BB::I6ΩMIN. /SPEAKER
A
8ΩMIN. /SPEAKER
(*2)
AC OUTLETS
SWITCHED
I00W MAX.TOTAL
ION SEE INSTRUCTION
L FOR CORRECT SETTING.
(*1)
To AC outlet
(*1):
(*2):
AC OUTLET(S)
Voltage Selector (China and General Models
only)
(U.S.A., Canada, China, Singapore and General models)
.......................................................... 2 SWITCHED OUTLETS
(Australia model).................................. 1 SWITCHED OUTLET
The voltage selector on the rear panel of this unit must be
set for your local main voltage BEFORE plugging into the
AC main supply.
Use these to connect the power cords of your components to
this unit.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
The power to the SWITCHED outlets is controlled by this unit’s
STANDBY/ON switch or the remote controller’s POWER and
STANDBY keys. These outlets will supply power to any
connected unit whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the SWITCHED AC OUTLET(S) is
100W.
25
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PREPARATION
On screen display
If you connect your VCR, LD player, video monitor, etc. to this
unit, you can take advantage of this unit’s capability to display
program titles, parameter data and information for various
setting changes and adjustments on your video monitor
screen. This information will be superimposed over the video
image.
Selecting a type of display
You can change the type of display showing various
information on the monitor screen by pressing the ON
SCREEN display key on the remote controller.
Press this key to change the screen to a full or simple display,
or no display at all.
If there is no video source connected or it is turned off, the
information will be displayed over a blue colored background.
INDEX
DISP
ON SCREEN
(Example)
Full display
Note: The program titles, parameter data and other
information are also displayed on the display panel of this unit.
Simple display
Goes off after being displayed for
several seconds.
Notes
●
When making a setting change or adjustment in the SET
MENU mode, or adjusting the speaker balance by using the
test tone, information is fully displayed on the monitor
screen even if another type of display is currently selected.
●
Information displayed on the monitor screen in this way
cannot be recorded by a VCR.
26
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PREPARATION
Selecting the output modes (“SET MENU” mode)
The following functions control the output signals to the speakers in your audio system. When speaker connections are all
completed, select a proper position on each function to maximize the performance of your speaker system.
* For details about the SET MENU mode, refer to pages 51 to 54.
1. CENTER SPEAKER
2. REAR SPEAKER
3. MAIN SPEAKER
4. LFE/BASS OUT
5. MAIN LEVEL
Ⅵ Function description
1. CENTER SPEAKER
2. REAR SPEAKER
Choices: LARGE (LRG)/SMALL (SML)/NONE
Preset position: LRG
Choices: LARGE/SMALL
Preset position: LARGE
LRG:
When your center speaker is approximately the same
size as the main speakers.
LARGE: If your rear speakers have a high ability for bass
reproduction, or a subwoofer is connected to the rear
speaker in parallel.
SML:
When you use a center speaker that is smaller than
the main speakers.
In this position, full range signals are output from the
rear speakers.
In this position, low bass signals (below 90 Hz) at the
center channel are output from the SUBWOOFER
terminals (or the main speakers if the MAIN position
is selected on “4. LFE/BASS OUT”).
SMALL: If your rear speakers do not have a high ability for
bass reproduction.
In this position, low bass signals (below 90 Hz) at the
rear channels are output from the SUBWOOFER
terminals (or the main speakers if the MAIN position
is selected on “4. LFE/BASS OUT”).
NONE: When you do not have a center speaker.
The center channel sound will be output from the left
and right main speakers.
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PREPARATION
3. MAIN SPEAKER
5. MAIN LEVEL
Choices: LARGE/SMALL
Preset position: LARGE
Choices: Normal (Nrml)/–10dB
Preset position: Nrml
LARGE: If your main speakers have a high ability for bass
reproduction.
Normal: Normally, select this position.
In this position, full range signals present at the main
channels are output from the main speakers.
–10dB: If the volume levels to the center and/or rear
speakers are lower than the level to the main
speakers even though they are adjusted to
maximum.
SMALL: If your main speakers do not have a high ability for
bass reproduction. However, if your system does not
include a subwoofer, do not select this position.
In this position, low bass signals (below 90 Hz) at the
main channels are output from the SUBWOOFER
terminals (if the SW or BOTH position is selected on
“4. LFE/BASS OUT”).
The volume level to the main speakers are
decreased by 10 dB, so you can adjust the speaker
output level balance properly.
4. LFE/BASS OUT
Choices: SW/MAIN/BOTH
Preset position: SW
MAIN:
If your system does not include a subwoofer.
In this position, full range signals present at the main
channels, signals from the LFE channel and other
low bass signals that are selected on “1. CENTER
SPEAKER” to “3. MAIN SPEAKER” to be distributed
from other channels are output from the main
speakers.
SW/BOTH:
Select either the SW or BOTH position if your system
includes a subwoofer.
In either position, signals at LFE channel and other
low bass signals that are selected on “1. CENTER
SPEAKER” to “3. MAIN SPEAKER” to be distributed
from other channels are output from the
SUBWOOFER terminals.
When the LARGE position is selected on “3. MAIN
SPEAKER”, in the SW position, no signal is
distributed from the main channels to the
SUBWOOFER terminals, however in the BOTH
position, low bass signals from the main channels
are output to both of the main speakers and the
SUBWOOFER terminals.
Note
The settings of “1. CENTER SPEAKER”, “2. REAR
SPEAKER”, “3. MAIN SPEAKER” and “4. LFE/BASS OUT”
have no effect on the signals input to the EXTERNAL
DECODER INPUT terminals on the rear of this unit.
28
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PREPARATION
Ⅵ Changing selections
Refer to the display panel or the monitor screen when changing the selections.
EFCT
DISC SKIP
PRESET
ON/OFF
CH
1
2
CH
TV
POWER
STANDBY
1
CODE SET
MUTE
VOLUME
CINEMA DSP
NATURAL SOUND AV RECEIVER
VOLUME
l6
INDEX
DISP
INPUT SELECTOR
20
l2
SLEEP
28
60
8
POWER
TV
E
ON SCREEN
40
4
STANDBY/ON
I
VCR REC
/
TV INPUT
A/B
TAPE/MDEDCOMDEORN
l
/EXT.
2
0
/DTS
MOVIE
THEATER
TAPE/MD
–dB
TUNING
MODE
A/
B
/C
/D
/
E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
SURROUND
2
MOVIE
CD
THEATER
1
MAN’L/AUTO FM
AUTO/MAN’L MONO
TUNER
2
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
1
BASS
TONE
3
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
2
2
2
2
2
2
2
3
3
3
3
3
3
MONO
DVDM/OLVDIE
DISCO
VCR
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
TV
TVS/PDORBTSS
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
DIR
A
DIR
B
4
6
SELECT
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
SET UP
RETURN
7
9
8
3
2
TEST
HALL
EXT. DEC
SUBTITLE
ON/OFF
ANGLE
AUDIO
.
+100
3
+10
CLEAR
0
ENTER
MENU
TITLE
LEVEL
SET MENU
A/B/C/D/E
When using the remote controller, the selector dial must be
set at “AMP/TUN”.
3
Use one of the buttons figured below to select the
desired position.
Remote control
POWER
STANDBY
Front panel
Remote control
/
SET
AMP/TUN
LEVEL
MENU
DIR
A
DIR
B
or
SELECT
1
2
Turn on the power of this unit. (If necessary, turn on the
power of the monitor to display information.)
Front panel
Remote control
DVD/LD
CD
TV/DBS
V-AUX
VCR
TUNER
PHONO
POWER
STANDBY/ON
or
Changes.
4
Follow the same procedure for “2. REAR SPEAKER”,
“3. MAIN SPEAKER”, “4. LFE/BASS OUT” and/or
“5. MAIN LEVEL”.
First select the function by following step 2, and then
select the proper position by following step 3.
Select the function “1. CENTER SPEAKER” by using
one of the following methods.
Front panel
Remote control
AUDIO
SET
LEVEL
MENU
MENU
SET MENU
AUDIO
MENU
Press once.
SET MENU
or
Press once
or more.
Press once or
more.
DIR
A
D
B
SELECT
Press once or
more.
DVD/LD
TV/DBS
V-AUX
CD
TUNER
PHONO
VCR
29
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PREPARATION
Speaker balance adjustment
This procedure lets you adjust the sound output level balance between the main, center and rear speakers using the built-in test
tone generator. After the adjustments, the sound output level heard at the listening position will be the same from each speaker.
This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby Pro Logic
decoder and the DTS decoder.
The adjustment of each speaker output level should be done at your listening position with the remote controller.
2
4
POWER
STANDBY
4
CINEMA DSP
NATURAL SOUND AV RECEIVER
VOLUME
INPUT SELECTOR
l6
20
l2
1
7
28
60
8
40
4
STANDBY/ON
I
TAPE/MDEDCOMDEORN
/EXT.
l
2
/DTS
MOVIE
THEATER
TAPE/MD
0
–dB
TUNING
MODE
SURROUND
2
MOVIE
A
/
B
/
C
/
D
/
E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
CD
THEATER
1
MAN’L/AUTO FM
AUTO/MAN’L MONO
TUNER
1
3
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
A
EXTENSION BYPASS
l
l
l
l
l
l
2
B
2
2
2
2
2
2
MONO
DVDM/OLVDIE
DISCO
VCR
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
TV
TVS/PDORBTSS
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
3 6 5
A/B/C/D/E
1
2
Set the selector dial of the remote controller to
“AMP/TUN”.
4
5
6
Turn on the power.
Front panel
Remote control
POWER
STANDBY
POWER
STANDBY/ON
or
/
AMP/TUN
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
2
MONO MOVIE
DISCO
Front panel
BASS
0
TREBLE
0
BALANCE
0
l
l
l
l
l
l
2
2
2
2
2
2
3
3
3
3
3
3
Front panel
4
4
4
4
4
4
VOLUME
5
5
5
5
L
5
5
R
l6
20
l2
Set to the “0” position.
28
60
8
Front panel
4
40
BASS
TONE
EXTENSION BYPASS
2
0
–dB
ON
OFF
Set to the “ ” position.
∞
Set to the “OFF ( )”.
3
Select main speakers A or B.
Front panel
7
Press the TEST key on the remote controller to enter
the test mode.
SPEAKERS
A
B
Remote control
ON
OFF
TEST
+100
CLEAR
*
Both speakers A and B can be selected.
CONTINUED
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PREPARATION
CH
CH
TV
CODE SET
MUTE
CINEMA DSP
NATURAL SOUND AV RECEIVER
VOLUME
l6
INPUT SELECTOR
8
20
l2
VOLUME
28
60
8
E
40
4
STANDBY/ON
INDEX
DISP
I
I
TAPE/MDEDCOMDEORN
/EXT.
2
SLEEP
POWER
TV
0
–dB
ON SCREEN
TUNING
MODE
A
/
B
/
C
/
D
/
E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
VCR REC
/
TV INPUT
A/B
MAN’L/AUTO FM
AUTO/MAN’L MONO
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
A
EXTENSION BYPASS
l
l
l
l
l
l
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
DIR
A
DIR
B
10
SELECT
SET UP
RETURN
9
8
Turn up the volume.
9
Adjust the BALANCE control so that the effect sound
output level of the left main speaker and the right main
speaker are the same.
Remote control
TV
Front panel
CODE SET
MUTE
BALANCE
0
l
l
VOLUME
2
2
3
3
4
4
L
5
5
R
You will hear a test tone (like pink noise) from the left main
speaker, then the center speaker, then the right main
speaker, then the right rear speaker, and then the left rear
speaker, for about 2.5 seconds each. The display changes
as shown below.
10
Adjust the sound output levels of the center speaker
and the rear speakers so that they become almost
the same as the main speakers.
How to adjust:
Pressing the
or
key adjusts the level to the
Main (L)
Center
speaker (except the main speakers) currently
outputting the test tone.
* Pressing the
the level.
key raises and the
key lowers
* While adjusting, the test tone is fixed on the selected
speaker.
Main (R)
Rear (R)
Rear (L)
Remote control
DIR
A
DIR
B
SELECT
*
The state of the test tone output is also shown on the
monitor screen by an image of the audio listening room.
This is convenient for adjusting each speaker level.
If desired, you can select a speaker to output the test
tone by pressing the or key once or more so
that “CENTER”, “R SUR.” or “L SUR.” appears on the
display.
TEST DOLBY SUR.
* While holding the
or
key pressed, the test
tone is fixed on the selected speaker.
* “CENTER” shows the center speaker is selected,
“R SUR.” shows the right rear speaker, and “L SUR.”
shows the left rear speaker.
* The output level of the selected speaker can be
adjusted by the
or
key.
EFFECT LEVEL
+
CENTER
2dB
Remote control
*
If the function “1. CENTER SPEAKER” in the SET MENU
mode is set in the “NONE” position, you will hear the
center channel test tone from the left and right main
speakers.
DIR
A
D
B
SELECT
CONTINUED
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PREPARATION
ROCK
CHURCH
PHONO
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
11
A/B/C/D/E
DSP
EFCT
DISC SKIP
PRESET
ON/OFF
CH
CH
TV
CODE SET
MUTE
VOLUME
INDEX
DISP
SLEEP
POWER
TV
ON SCREEN
VCR REC
/
TV INPUT
A/B
Notes
●
Once you have completed these adjustments, you can
adjust the sound level on your audio system by using the
VOLUME control (or the VOLUME keys on the remote
controller) only.
11
When the adjustment is finished, press the TEST
key once again to cancel the test tone.
Remote control
●
●
If you use external power amplifiers, you may also use
their volume controls to obtain proper balance.
If the function “1. CENTER SPEAKER” in the SET MENU
mode is set in the “NONE” position, in step 10, the sound
output level of the center speaker cannot be adjusted.
This is because in this mode, the center sound is
automatically output from the left and right main speakers.
If there is insufficient sound output from the center and
rear speakers, you may decrease the main speaker
output level by setting the function “5. MAIN LEVEL” in
the SET MENU mode in the “–10dB” position.
TEST
+100
CLEAR
Disappears
●
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BASIC OPERATION
Playing a source
4
1
3
POWER
STANDBY
3
CINEMA DSP
NATURAL SOUND AV RECEIVER
VOLUME
INPUT SELECTOR
l6
20
l2
28
60
8
40
4
STANDBY/ON
I
I
EE
TAPE/MDEDCOMDEORN
/EXT.
2
0
–dB
TUNING
MODE
A/
B
/C
/D
/
E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
/DTS
MOVIE
THEATER
TAPE/MD
MAN’L/AUTO FM
AUTO/MAN’L MONO
SURROUND
2
MOVIE
SET
VIDEO AUX
CD
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
THEATER
1
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
TUNER
2
2
2
2
2
2
1
3
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
2
5
5
5
5
L
5
5
R
MONO
DVDM/OLVDIE
DISCO
VCR
S
VIDEO
VIDEO
L
AUDIO
R
TV
TVS/PDORBTSS
4
6
5
4
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
2
+10
CLEAR
0
ENTER
A/B/C/D/E
When using the remote controller, the selector dial must be
set at “AMP/TUN”.
3
4
Turn on the power.
Front panel
Remote control
Remote control
POWER
STANDBY
POWER
STANDBY/ON
/
AMP/TUN
or
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
Select an input source.
4
6
(For video sources, turn on the TV/monitor.)
The selected source is shown on the display panel and
the monitor screen.
Front panel
Front panel
1
2
*
Remote control
/DTS
MOVIE
VOLUME
l6
SURROUND
THEATER
2
MOVIE
CD
TAPE/MD
THEATER
1
TUNER
1
3
20
l2
2
MONO
DVDM/OLVDIE
DISCO
VCR
or
TV
TVS/PDORBTSS
4
6
28
60
8
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
4
40
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
A/B/C/D/E
2
0
–dB
DVD/LD
CD
TV/DBS
V-AUX
VCR
TUNER
PHONO
Set to the “ ” position.
∞
Select main speakers A or B.
Name of the selected input source
To select the tape deck connected to this unit’s
TAPE/MD terminals or the source connected to this
unit’s EXTERNAL DECODER INPUT terminals, use one
of the buttons figured below. (Refer to page 35 for
details.)
Front panel
SPEAKERS
A
B
Front panel
Remote control
ON
OFF
MOVIE
THEATER 2
HALL
TAPE/MD
EXT. DEC
.
0
or
3
TAPE/MDEDCOMDEORN
/EXT.
Both speakers A and B can be selected.
CONTINUED
33
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BASIC OPERATION
/DTS
MOVIE
SURROUND
THEATER
2
MOVIE
CD
TAPE/MD
THEATER
1
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
5 7
TV
TVS/PDORBTSS
4
6
5
8
7
5
ROCK
PHONO
8
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
CINEMA DSP
+100
NATURAL SOUND AV RECEIVER
EXT. DEC
.
VOLUME
+10
INPUT SELECTOR
CLEAR
0
l6
20
l2
ENTER
28
8
A/B/C/D/E
40
4
STANDBY/ON
I
DSP
EFCT
TAPE/MDEDCOMDEORN
/EXT.
60
2
DISC SKIP
PRESET
ON/OFF
0
–dB
TUNING
MODE
A
/B
/
C
/D
/
E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
CH
CH
TV
MAN’L/AUTO FM
AUTO/MAN’L MONO
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
CODE SET
MUTE
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
VOLUME
INDEX
DISP
SLEEP
POWER
TV
8
8
ON SCREEN
VCR REC
/
TV INPUT
A/B
5
The current input mode is also shown for a source that
inputs two or more types of signals to this unit.
6
7
Play the source. (Refer to page 39 for details on
tuning.)
To change the input mode, press the INPUT MODE button
on the front panel or the input selector key for the currently
selected source on the remote controller. (Refer to page 36
for details on switching the input mode.)
Front panel
Remote control
VOLUME
l6
Front panel
Remote control
20
l2
TV
INPUT MODE
MONO
DVDM/OLVDIE
28
60
8
CODE SET
MUTE
or
4
or
4
40
VOLUME
2
0
–dB
Adjust the output level.
DVD/LD
TV/DBS
V-AUX
CD
TUNER
PHONO
VCR
8
Adjust the BASS, TREBLE, BALANCE controls, etc.
(refer to page 38) and use the digital sound field
processor. (Refer to pages 43 to 45.)
Input mode
When you finish using this unit
Press the STANDBY/ON switch on the front panel or the
STANDBY key on the remote controller to enter the standby
mode.
Front panel
Remote control
STANDBY
STANDBY/ON
or
34
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BASIC OPERATION
Notes on input source selection
To select the tape deck connected to this
unit’s TAPE/MD terminals or the source
connected to this unit’s EXTERNAL
DECODER INPUT terminals as the input
source.
●
Note that selecting an input source means that the source
which is connected to the corresponding input terminals on
the rear panel is selected.
* To select the source connected to the VIDEO AUX
terminals on the front panel, select “V-AUX”.
If you select a video input source without canceling the
source already selected in the way described on the left,
you will see the picture of the video input source and hear
the sound of the source already selected.
●
Use one of the buttons figured below to make the
corresponding indicator illuminated on the display.
Front panel
●
If a different audio source is selected with the input selector
keys on the remote controller while enjoying a video source,
the sound from the newly selected audio source is heard,
but the picture from the video source can still be seen.
When you select an input source, the DSP program (or the
state of no DSP program is used) which was used when the
same input source was last selected will be automatically
recalled.
TAPE/MDEDCOMDEORN
/EXT.
●
●
Press once or more.
TAPE/MD
MONITOR
If a nonstandardized source is played back, or the unit
playing back a source is not operating correctly, “INPUT
DATA ERR” appears on the display.
or
Remote control
MOVIE
HALL
EXT. DEC
THEATER 2
.
TAPE/MD
or
0
3
TAPE/MD
MONITOR
“TAPE MONITOR”:
“EXT. DECODER”:
Lights up for a few seconds just
after you select the tape deck
connected to the TAPE/MD
terminals.
Lights up when the source
connected to the EXTERNAL
DECODER INPUT terminals is
selected.
Note
The input source selected in this way has priority over any
other input source already selected. To select another input
source, cancel both of the sources connected to the TAPE/MD
and EXTERNAL DECODER INPUT terminals.
To cancel both of the sources connected to the TAPE/MD
and EXTERNAL DECODER INPUT terminals.
Use one of the buttons figured above to make neither “EXT.
DECODER” nor “TAPE/MD MONITOR” are illuminated on the
display.
35
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BASIC OPERATION
Ⅵ Switching the input mode for the CD, DVD/LD and TV/DBS sources
This unit allows you to switch the input mode for sources that
send two or more types of signals to this unit.
Notes on input mode selection
●
The input mode for a TV/DBS source is selected with
The following three input modes are provided.
function “12. TV/DBS INPUT” in the SET MENU mode.
This unit will be automatically set to the selected input mode
when the power is turned on.
AUTO
●
This mode is automatically selected when you turn on the
Set the input mode to the AUTO mode to play a DVD/LD
power of this unit.
In this mode, input signal is automatically selected by the
following order of priority.
source encoded with Dolby Digital.
Select the ANALOG mode to play a normal 2-channel
source with Dolby Surround decoded.
●
●
The sound output may be interrupted in some LD and DVD
1. Digital signal encoded with Dolby Digital or DTS, or normal
digital input signals (PCM)
2. Analog input signal (ANALOG)
players in the following situation:
The input mode is set to AUTO. A search is made while
playing the disc encoded with Dolby Digital or DTS, then
disc playing is restored. The sound output is interrupted for
a moment because the digital input signal was selected
again.
*
For a DVD/LD source, if digital signals are input from both
of the OPTICAL and COAXIAL terminals, the digital signal
from the COAXIAL terminal is selected.
●
The input mode cannot be changed for PHONO, TUNER,
TAPE/MD, VCR and VIDEO AUX sources because only
analog signals are used.
The present input mode appears on the front display and
DTS
●
In this mode, only digital input signals encoded with DTS is
selected even though other signals are input at the same time.
monitor screen when the input source is changed to
DVD/LD, CD or TV/DBS, or the input mode is changed.
The present input signal is also shown on the monitor
screen when the input mode is changed to AUTO, as shown
below.
ANALOG
In this mode, only analog input signals are selected even
though digital signals are input at the same time.
Select this mode when you want to use analog input signals
instead of digital input signals.
*
However, the present input signal will not be shown when
the input mode is switched during the speaker test mode.
Only AUTO will be displayed.
Notes on playing a source encoded with DTS
●
Select the DTS mode when playing an LD or CD source
encoded with DTS. (Red “dts” indicator is illuminated on
the display panel.) If the “AUTO” mode is selected, a
noise may be heard just after playback begins.
Do not play these sources in the ANALOG mode
because only background noise will be output from the
speakers.
●
This unit is automatically locked in the DTS decoding
mode when playing a CD or LD source encoded with
DTS in the AUTO mode to prevent background noise in
future operation. The red “dts” indicator will be flashing.
In this mode, no sound will be heard if a disc with normal
digital signals (PCM) is played from a CD or LD source.
To play back the disc normally, press the INPUT MODE
button on the front panel, or, the input selector key for the
current source on the remote controller.
36
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BASIC OPERATION
Recording a source to tape (or MD) or dubbing from tape (or MD)
to tape (or MD)
Ⅵ Recording the playing source to tape (or MD)
/DTS
MOVIE
SURROUND
THEATER
2
MOVIE
CD
TAPE/MD
THEATER
1
TUNER
1
3
4 1 2
2
1
4
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
CINEMA DSP
0
NATURAL SOUND AV RECEIVER
ENTER
VOLUME
INPUT SELECTOR
l6
20
l2
A/B/C/D/E
28
60
8
DSP
EFCT
40
4
DISC SKIP
PRESET
STANDBY/ON
I
ON/OFF
TAPE/MDEDCOMDEORN
/EXT.
l
2
0
CH
CH
–dB
TV
TUNING
MODE
A/
B
/C
/
D
/E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
MAN’L/AUTO FM
AUTO/MAN’L MONO
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
CODE SET
MUTE
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
2
VOLUME
INDEX
Notes on recording
1
2
Select the source you want to record.
●
The VOLUME, BASS, TREBLE, BALANCE controls, the
BASS EXTENSION button and the settings of DSP have
no effect on the material being recorded.
Front panel
Remote control
●
●
Turn off the “TAPE/MD MONITOR” indicator when the
recording is finished by pressing the TAPE/MD MON/EXT.
DECODER button once or more. Also, do not make “EXT.
DECODER” appear on the display.
Composite video and S video signals pass independently
through this unit’s video circuits. Therefore, when recording or
dubbing video signals, if your video source unit is connected
to provide only a S video (or only a composite video) signal,
you can record only a S video (or only a composite video)
signal on your VCR.
/DTS
SURROUND
CD
or
1
Play the source and then turn the VOLUME control up
to confirm the input source. (Refer to page 39 for
details on tuning.)
Front panel
Remote control
●
A source that is connected to this unit between optical or
coaxial digital terminals only cannot be recorded by a tape
deck or VCR connected to this unit.
VOLUME
l6
20
l2
TV
●
●
A source of signals input to the EXTERNAL DECODER
INPUT terminals of this unit cannot be recorded.
Please check the copyright laws in your country to record
from records, compact discs, radio, etc. Recording of
copyright material may infringe on copyright laws.
28
8
CODE SET
MUTE
4
40
or
VOLUME
2
60
0
–dB
If you play back a video source that uses scramble or
encoded signals to prevent it from being dubbed, there may
be a case that display information superimposed on the
picture and/or the picture itself is disturbed due to those
signals.
3
4
Begin recording to the tape deck (or MD recorder etc.)
or VCR connected to this unit.
If the tape deck (or MD recorder etc.) is used for
recording, you can monitor the sound of recording.
To monitor the sound of recording, light up the
“TAPE/MD MONITOR” indicator on the display by
pressing the TAPE/MD MON/EXT. DECODER button
or TAPE/MD key.
Front panel
Remote control
MOVIE
THEATER 2
TAPE/MD
or
3
TAPE/MDEDCOMDEORN
/EXT.
TAPE/MD
MONITOR
37
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BASIC OPERATION
Sound control
Ⅵ Adjusting the BALANCE control
Ⅵ Adjusting the BASS and TREBLE
controls
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
BASS
0
TREBLE
0
l
l
l
l
2
2
2
2
3
3
3
3
BALANCE
0
4
4
4
4
l
l
5
5
5
5
2
2
3
3
BASS
: Turn this knob clockwise to increase (or counter-
clockwise to decrease) the low frequency
response.
4
4
L
5
5
R
Note
This control is effective only for the sound from the main
speakers.
TREBLE : Turn this knob clockwise to increase (or counter
clockwise to decrease) the high frequency response.
Note
These controls are effective only for the sound from the main
speakers.
Ⅵ Using the BASS EXTENSION
button
Press this button inward (ON) to boost the bass frequency
response at the main left and right channels while maintaining
overall tonal balance. This function is effective for reinforcing
the bass frequencies when a subwoofer is not used.
Ⅵ Using the TONE BYPASS button
Press this button inward (ON) to bypass the tone (BASS and
TREBLE) control circuitry. This function is used for outputting
pure sound and checking the tone control settings. The tone
control circuitry can be used when this button is released
outward (OFF).
BASS
TONE
EXTENSION BYPASS
ON
OFF
BASS
TONE
EXTENSION BYPASS
ON
OFF
38
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BASIC OPERATION
Tuning
Basic operation
Quick automatic-search tuning (automatic tuning) is effective when the station signals are strong with no interference. However,
manual tuning can be used during less-than-ideal conditions.
2 1
CINEMA DSP
NATURAL SOUND AV RECEIVER
VOLUME
INPUT SELECTOR
l6
20
l2
28
60
8
40
4
STANDBY/ON
I
TAPE/MDEDCOMDEORN
/EXT.
2
0
–dB
TUNING
MODE
A/
B
/C
/D
/
E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
MAN’L/AUTO FM
AUTO/MAN’L MONO
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
3 4
Ⅵ Manual tuning
Ⅵ Automatic tuning
1
Select “TUNER” as the input source.
1
Select “TUNER” as the input source.
2
Select the reception band. “FM” or “AM” will be
illuminated.
2
Select the reception band. “FM” or “AM” will be
illuminated.
FM/AM
FM/AM
or
or
TUNING
MODE
TUNING
MODE
3
4
3
4
Turn the “AUTO”
indicator off.
AUTO
/MNO
AUTO
/MONO
AUTO
Press the “UP” side once to tune in to a higher
frequency.
Press the “DOWN” side once to tune in to a lower
frequency.
Tune to the desired station manually.
DOWN TUNING
UP
DOWN TUNING
UP
* Hold down the button to continue the tuning search.
* Press the button again if the tuning search does not stop at
the correct station.
* Use manual tuning if the tuning search does not stop at the
correct station because the signals are weak.
Note
Manually selecting an FM station will automatically change the
reception to monaural to increase the signal quality.
39
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BASIC OPERATION
Preset tuning
Ⅵ Manual preset tuning
This unit can store station frequencies selected by the tuning operation. With this function, you can recall any desired station only by
selecting the preset station number. Up to 40 stations (8 stations x 5 groups) can be stored.
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TVS/PDORBTSS
TV
4
6
Select “AMP/TUN”
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
CINEMA DSP
NATURAL SOUND AV RECEIVER
8
VOLUME
l6
TEST
HALL
EXT. DEC
INPUT SELECTOR
20
l2
+100
.
+10
28
60
8
CLEAR
0
ENTER
40
4
STANDBY/ON
I
POWER
STANDBY
E
2, 1
2
TAPE/MDEDCOMDEORN
/EXT.
A/B/C/D/E
2
0
DSP
EFCT
–dB
TUNING
MODE
A
/
B
/
C
/
D
/
E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
DISC SKIP
PRESET
ON/OFF
MAN’L/AUTO FM
AUTO/MAN’L MONO
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
A
EXTENSION BYPASS
l
l
l
l
l
l
CH
CH
B
TV
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
CODE SET
MUTE
VOLUME
/DTS
MOVIE
THEATER
TAPE/MD
INDEX
DISP
SURROUND
2
MOVIE
4, 2
2, 1
3
CD
SLEEP
THEATER
1
POWER
TUNER
1
ON SCREEN
3
To store stations
To recall a preset station
1
2
Tune to a station.
(Refer to the previous page for the tuning procedure.)
1
Select the group of preset stations.
Remote control
Front panel
Select a group (A – E) of preset stations.
A
/B/C/D/E
+10
ENTER
or
A/B/C/D
A/B/C/D/E
2
Select the preset station number.
Front panel
Remote control
3
4
MEMORY
DISC SKIP
PRESET
1
2
3
4
MEMORY
CH
CH
MAN’L/
O FM
or
Flashes on and off
for about 5 seconds.
Notes
Select a preset station number (1 to 8) where you want
to program the station before the “MEMORY” indicator
goes off from the display.
• A new setting can be programmed in place of the former
one.
• For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
1
2
3
4
5
6
7
8
Memory back-up
The memory back-up circuit prevents the programmed data
from being lost even if this unit is set to the standby mode or
the power plug is disconnected from the AC outlet or the
power is cut due to a temporary power failure. If, however, the
power is cut for more than one week, the memory may be
deleted. If so, it can be re-programmed by simply following
the Preset tuning steps.
DVD/LD
TV/DBS
V-AUX
CD
TUNER
PHONO
STEREO
VCR
AUTO
0
20
100
Shows the displayed station has been programmed to A1.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to the preset station
numbers on other groups in the same way by selecting
other groups in step 2.
40
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BASIC OPERATION
Ⅵ Automatic preset tuning
You can make use of an automatic preset tuning function for FM stations. With this function, this unit performs automatic tuning and
stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual
preset tuning method on page 40.
CINEMA DSP
NATURAL SOUND AV RECEIVER
VOLUME
INPUT SELECTOR
l6
20
l2
28
8
40
4
STANDBY/ON
I
TAPE/MDEDCOMDEORN
/EXT.
l
60
2
0
–dB
TUNING
MODE
A/
B
/C
/
D
/E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
MAN’L/AUTO FM
AUTO/MAN’L MONO
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
2 1 3
To store stations
If you want to store the first received station to the
desired preset station number.
1
FM/AM
If, for example, you want to store the first received station to
C5, select “C5” by using the A/B/C/D/E button and the preset
station number selector buttons after pressing the MEMORY
button in step 2. Then press the TUNING button. The first
received station is stored to C5, and next stations to C6, C7 ...
sequentially.
If stations are stored up to E8, the automatic preset tuning is
finished automatically.
2
3
Press and hold for more than 3 seconds
MEMORY
When the automatic preset tuning is finished
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure of the section “To recall a preset
station” on page 40.
MAN’L/
O FM
To recall a preset station
Simply follow the procedure of the section “To recall a preset
station” on page 40.
DVD/LD
TV/DBS
V-AUX
CD
TUNER
PHONO
A recalled station is shown by the frequency on the display.
STEREO
VCR
MEMORY
AUTO
0
20
100
Notes
Flashes
●
You can replace a preset station by another FM or AM
station manually by simply following the procedure of the
section “To store stations” on page 40.
If the number of received stations is not enough to be stored
●
up to E8, the search will be finished automatically after
searching all frequencies.
With this function, only FM stations with sufficient signal
DOWN TUNING
UP
●
strength are stored automatically. If the station you want to
program is weak in signal strength, tune to it in monaural
manually and program it by following the procedure of the
section “To store stations” on page 40.
To tune to higher frequencies, press the “UP” side once.
To tune to lower frequencies, press the “DOWN” side once.
* If the TUNING button is not pressed, in a while, the
automatic preset tuning begins automatically toward higher
frequencies.
The automatic preset tuning begins from the frequency
currently displayed. Received stations are programmed to
A1, A2 ... A8 sequentially.
* If more than 8 stations are received, they are also
programmed to the preset station numbers on other groups
(B, C, D and E) in that order.
41
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BASIC OPERATION
Ⅵ Exchanging preset stations
You can exchange the places of two preset stations with each other as shown below.
CINEMA DSP
NATURAL SOUND AV RECEIVER
VOLUME
l6
INPUT SELECTOR
20
l2
28
60
8
40
4
STANDBY/ON
I
TAPE/MDEDCOMDEORN
/EXT.
l
2
0
–dB
TUNING
MODE
A
/B
/C
/
D
/E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
MAN’L/AUTO FM
AUTO/MAN’L MONO
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
2, 4
Example)
If you want to exchange the preset stations on E1 and A5 with
each other.
1
2
Recall the preset station on E1 (by following the
method of “To recall a preset station” on page 40).
4
EDIT
EDIT
MEMORY
Flashes.
3
Recall the preset station on A5 by following the same
method with step 1.
DVD/LD
TV/DBS
V-AUX
CD
TUNER
PHONO
VCR
MEMORY
0
20
100
MEMORY
Shows the exchange of stations is completed.
Flashes.
42
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BASIC OPERATION
Using digital sound field processor (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your
listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend
on what you will be listening to), and adding desired adjustments.
In addition, this unit incorporates a Dolby Digital decoder and a Dolby Pro Logic decoder for multi-channel sound reproduction of
sources encoded with Dolby Surround, and a DTS decoder for multi-channel sound reproduction of sources encoded with DTS. The
operation of these decoders can be controlled by selecting a corresponding DSP program including a combined operation of
YAMAHA DSP and the Dolby Digital, Dolby Pro Logic or DTS decoder.
This unit has 10 programs for digital sound field processing; 5 programs for Audio sources and 5 programs for Audio/Video sources.
In addition, some programs have two subprograms. All programs contain parameters that can be adjusted to the listener’s taste.
For details about digital sound field programs, refer to pages 48 to 50.
Playing a source with an effect of the digital sound field processor (DSP)
MOVIE
CD
TAPE/MD
THEATER
1
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
CINEMA DSP
NATURAL SOUND AV RECEIVER
7
9
VOLUME
l6
INPUT SELECTOR
8
20
l2
TEST
HALL
+100
28
8
EXT. DEC
.
+10
CLEAR
0
40
4
STANDBY/ON
I
EE
ENTER
TAPE/MDEDCOMDEORN
/EXT.
60
2
A/B/C/D/E
0
–dB
TUNING
MODE
A
/B
/C
/
D
/E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
DSP
EFCT
DISC SKIP
PRESET
MAN’L/AUTO FM
AUTO/MAN’L MONO
2
ON/OFF
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
2
2
2
2
2
2
CH
CH
3
3
3
3
3
3
PROGRAM
TV
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
CODE SET
MUTE
VOLUME
INDEX
DISP
SLEEP
2
POWER
ON SCREEN
1
2
Follow steps 1 to 7 shown in “Playing a source” on pages 33 to 34.
When operating on the front panel:
When operating on the remote controller:
If no program name is illuminated on
the display panel, press the EFFECT
button to turn on the digital sound field
processor so that a name of a DSP
program appears on the display panel
and the monitor screen.
When the selector dial is set at a position other
than DSP:
When the selector dial is set
at DSP:
Go on to the next step.
The indicator lights up for
about 3 seconds.
DSP
POWER
STANDBY
POWER
STANDBY
DSP
/
S
EFFECT
/DTS
MOVIE
THEATER
TAPE/MD
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
SURROUND
2
MOVIE
CD
THEATER
1
CD
THEATER
1
* Do the next operation while the indicator is
illuminated. If the indicator goes off before you
do the next operation, press the DSP key
again.
DVD/LD
TV/DBS
V-AUX
VCR
CONTINUED
43
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BASIC OPERATION
/DTS
MOVIE
SURROUND
THEATER
2
MOVIE
CD
TAPE/MD
THEATER
1
TUNER
1
3
2
CINEMA DSP
MONO
DVDM/OLVDIE
DISCO
VCR
NATURAL SOUND AV RECEIVER
TV
TVS/PDORBTSS
VOLUME
l6
INPUT SELECTOR
20
l2
4
6
28
60
8
5
ROCK
PHONO
3
CHURCH
40
4
STANDBY/ON
JAZZ
V-ACULUXB
I
E
TAPE/MDEDCOMDEORN
/EXT.
2
9
7
0
8
–dB
TEST
TUNING
MODE
HALL
A/
B
/C
/
D
/E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
EXT. DEC
.
+100
MAN’L/AUTO FM
AUTO/MAN’L MONO
+10
CLEAR
0
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
ENTER
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
A/B/C/D/E
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
DSP
EFCT
DISC SKIP
PRESET
ON/OFF
CH
CH
TV
CODE SET
MUTE
3
VOLUME
3
Select a program that is suitable for the source.
When operating on the front panel:
When operating on the remote controller:
a)
/DTS
MOVIE
SURROUND
THEATER
2
MOVIE
CD
TAPE/MD
THEATER
1
TUNER
1
3
PROGRAM
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
A/B/C/D/E
Press once or more.
* Press “0” to select the program No. 10.
b) For the programs No. 1, 2 and 3 only, you can select
the desired subprogram by pressing the
corresponding DSP program selector key once or
more.
The name of the selected program appears on the display panel and the monitor screen.
DVD/LD
TV/DBS
V-AUX
CD
DVD/LD
TV/DBS
V-AUX
CD
TUNER
PHONO
TUNER
PHONO
MOVIE THEATER
1
VCR
VCR
DSP
DSP
Program name
Subprogram name
Program name
●
●
4
A
djust the output level of each speaker. (For details, refer to the corresponding descriptions on pages 46 and 47.)
You can create your own sound field taste. (For details, refer to pages 55 to 59.)
Notes
●
Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected
at this time. So, when you select the same input source the next time, the same program will be automatically recalled.
If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround
sound effect.
When a monaural sound source is played with the program PRO LOGIC (Normal/Enhanced), a proper effect will not be
obtained. Moreover, sound may become unnatural depending on the settings of the speaker output modes (1. CENTER
SPEAKER to 4. LFE/BASS OUT) in the SET MENU mode.
●
●
●
●
When this unit’s Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder is used, if the main-source sound is
considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels
may produce an unnatural effect.
When a source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, the DSP cannot be used
and the EFFECT button also will not function.
44
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BASIC OPERATION
Ⅵ To enjoy a video source encoded
with Dolby Surround, Dolby Digital
or DTS
Note
If you change the LD (or CD) being played back with DTS
decoded to another disc not encoded with DTS when the red
“dts” indicator is illuminated, playing back the newly selected
disc will output no sound. In this state, the red “dts” indicator
flashes to show that this unit is locked in the DTS-decoding
mode.
To play back the disc normally, change the current DTS-
decoding mode to another mode by pressing an input selector
key on the remote controller or the INPUT MODE button on
the front panel so that the red “dts” indicator turns off.
When you select the program No. 1, 2 or 3, and the input
signal of the source is 2-channel stereo, Dolby Surround is
decoded. When some program is selected and the input signal of
the source is encoded with Dolby Digital, Dolby Digital is
automatically decoded.
When some program is selected and the input signal of the
source is encoded with DTS, DTS is automatically decoded.
The following indicators on the display panel show you what
sound processing is being made.
Ⅵ To cancel the effect sound
1
2
The EFFECT button on the front panel or the EFCT ON/OFF key
on the remote controller make it simple to compare the normal
stereo sound with the fully processed effect sound.
3
4
5
DIGITAL
To cancel the effect sound and monitor only the main sound,
press the EFCT ON/OFF key or the EFFECT button. Press the
EFCT ON/OFF key or the EFFECT button a second time to
restore the effect sound.
PRO LOGIC
DSP
DIGITAL SOURCE
AC
3
DTS PCM
Front panel
Remote control
1Lights up when a DVD source encoded with DTS is played
back and DTS is decoded.
EFFECT
EFCT
2Lights up when an LD source or a CD source encoded with
DTS is played back and DTS is decoded.
3Lights up when Dolby Digital is being decoded and the
signals of selected source encoded with Dolby Digital is
not in 2-channels.
ON/OFF
or
Notes
4Lights up when Dolby Surround is being decoded.
5Lights up when Digital Sound Field Processor is turned
on.
●
If the effect sound is canceled when signals encoded with
Dolby Digital or DTS are input to this unit, signals of all
channels are mixed and are output from the main speakers.
●
If the EFFECT button or the EFCT ON/OFF key is pressed to
turn effect sounds off when Dolby Digital or DTS is decoded, it
may happen that sound is output faintly or not output normally
depending on a source. In that case, press the EFFECT
button or the EFCT ON/OFF key to turn effect sounds ON, or
use input signals not encoded with Dolby Digital or DTS.
The display panel or the monitor screen will show the selected
subprogram according to the type of the decoding.
Notes
●
Dolby Digital will not be decoded if the source that is not
encoded with Dolby Digital.
DTS will not be decoded if the source that is not encoded
with DTS.
●
If the input signals of source encoded with Dolby Digital
are in 2-channels only, the sound processing for them is
similar to that for analog or PCM audio signals.
45
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BASIC OPERATION
Adjusting output level of the center, right rear, left rear speakers and
subwoofer
You can adjust the sound output level of the each speaker
even if the output level is already set in “Speaker balance
adjustment” on pages 30 to 32.
(Center speaker output level)
C E N T E R
(Right rear speaker output level)
R S U R .
(Left rear speaker output level)
L S U R .
(Subwoofer output level)
S W F R
Speakers
Control range (dB)
Preset value
CENTER
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to 0
0
0
0
0
RIGHT SURROUND (R SUR.)
LEFT SURROUND (L SUR.)
SUBWOOFER (SWFR)
46
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BASIC OPERATION
Ⅵ Method of adjustment
Select “AMP/TUN.”
POWER
ON SCREEN
TV
CINEMA DSP
NATURAL SOUND AV RECEIVER
VCR REC
/
TV INPUT
A/B
VOLUME
l6
INPUT SELECTOR
POWER
STANDBY
20
l2
28
60
8
2
1
40
4
STANDBY/ON
/
EE
TAPE/MDEDCOMDEORN
/EXT.
l
2
0
–dB
TUNING
MODE
A
/
B
/
C
/
D
/
E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
DIR
A
DIR
B
MAN’L/AUTO FM
AUTO/MAN’L MONO
SELECT
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
A
EXTENSION BYPASS
l
l
l
l
l
l
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
SET UP
RETURN
ON
OFF
ON
OFF
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
/DTS
MOVIE
THEATER
TAPE/MD
SUBTITLE
ON/OFF
ANGLE
AUDIO
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
MENU
TITLE
2
MONO
DVDM/OLVDIE
DISCO
VCR
1
LEVEL
SET MENU
TV SPORTS
1 2
1
Select the speaker(s) whose level you want to adjust by using one of the following methods.
When operating on the front panel: When operating on the Remote controller:
ON/OFF
TITLE
SET
ON/OFF
TITLE
LEVEL
MENU
Press once.
LEVEL
LEVEL
Press once
or more.
Press once
or more.
Press once
or more.
DIR
A
D
B
SELECT
Press a button repeatedly until the name of the desired speaker(s) appears on the display.
2
Adjust the level on the selected speaker(s).
SET
LEVEL
MENU
DIR
A
DIR
B
SELECT
3
Repeat steps 1 and 2 to make adjustments on the other speaker(s).
Notes
●
●
If the function “1. CENTER SPEAKER” in the SET MENU
mode is set in the “NONE” position, the sound output level
of the center speaker cannot be adjusted. This is because
in this mode, the center sound is automatically output from
the left and right main speakers.
The value of each speaker output level you set the last time
will remain memorized even when this unit is in the standby
mode.
However, if the power cord is disconnected for more than
one week, these values will be automatically changed to the
factory default settings.
●
Once the output level is adjusted, the level value will be the
same in all the digital sound field programs.
47
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BASIC OPERATION
Brief overview of digital sound field programs
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of
these are precise digital recreations of actual acoustic environments. The data for these sound fields were recorded at actual
locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are
listening in. This is due to the fact that most of these sound field recreations are actual acoustic environments.
Ⅵ Program No. 1 to 5: CINEMA-DSP programs (for Audio/Video sources)
●
These programs use the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder.
●
Speaker output: main, center, rear
Note: If the “NONE” position is selected on “1. CENTER SPEAKER” in the SET MENU mode, no sound is output from
the center speaker(s).
●
Program No. 1 is for reproducing video discs, video tapes and similar sources which are encoded with Dolby Surround (bearing
the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with DTS (bearing the “dts” logo).
No.
1
PROGRAM
SUBPROGRAM (TYPE)
FEATURE
PRO LOGIC
/DTS
SURROUND
PRO LOGIC/Normal (
)
The built-in Dolby Pro Logic decoder, the Dolby Digital
decoder or the DTS decoder precisely reproduces sounds
and sound effects of a source encoded with Dolby
Surround or DTS. The realization of a highly efficient
decoding process improves crosstalk and channel
separation and makes sound positioning smoother and
more precise.
Functions when the input signal is analog
or PCM audio or encoded with Dolby
Digital in 2 channels.
DIGITAL
DOLBY DIGITAL/Normal (
)
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.
DTS DIGITAL SUR/Normal (
)
Functions when the input signal is encoded
with DTS.
PRO LOGIC/Enhanced
Ideally simulates the multi-surround speaker systems of
the newest film theater. The digital sound field processing
and the Dolby Surround decoding or the DTS decoding
are precisely performed without altering the originally
designed sound orientation. The surround effects
PRO LOGIC
DSP
(
)
Functions when the input signal is analog
or PCM audio or encoded with Dolby
Digital in 2 channels.
produced by this sound field fold the viewer naturally from
the rear to the left and right and toward the screen.
DOLBY DIGITAL/Enhanced
DIGITAL
DSP
(
)
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.
DTS DIGITAL SUR/Enhanced
DSP
(
)
Functions when the input signal is encoded
with DTS.
48
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BASIC OPERATION
●
Program No. 2 to 3 are suitable for reproducing video discs, video tapes and similar sources which are encoded with Dolby
Surround (bearing the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with DTS (bearing the “dts” logo).
No.
2
PROGRAM
MOVIE
SUBPROGRAM (TYPE)
70 mm Spectacle
FEATURE
Creates the extremely wide sound field of a movie
theater. It precisely reproduces the source sound in
detail, giving both the video and the sound field
incredible reality. Any kind of video sources encoded
with Dolby Surround or DTS (especially large-scale
movie productions) are ideal for use with this program.
PRO LOGIC
DSP
THEATER 1
(
)
Functions when the input signal is analog
or PCM audio or encoded with Dolby
Digital in 2 channels.
DGTL Spectacle
(
DIGITAL
DSP
)
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.
DTS Spectacle
(
DSP
)
Functions when the input signal is encoded
with DTS.
70 mm Sci-Fi
Clearly reproduces dialog and sound effects in the latest
sound design of science fiction films, thus creating a
broad and expansive cinematic space amid the silence.
You can enjoy science fiction films in a virtual-space
sound field that includes Dolby Surround, Dolby Digital
and DTS-encoded software employing the most
advanced techniques.
PRO LOGIC
DSP
(
)
Functions when the input signal is analog
or PCM audio or encoded with Dolby
Digital in 2 channels.
DGTL Sci-Fi
DIGITAL
DSP
(
)
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.
DTS Sci-Fi
(
DSP
)
Functions when the input signal is encoded
with DTS.
Ideal for precisely reproducing the sound design of the
newest multi-track films. The sound field is made to be
similar to that of the newest movie theaters, so the
reverberations of the sound field itself are restrained as
much as possible. The data of the sound field of an
opera house are used for the front presence side, so the
three dimensional feeling of the sound field is
emphasized, and dialog is precisely oriented on the
screen. By using the data of the sound field of a concert
hall on the rear surround side, powerful reverberations
are generated. You can enjoy watching action, adventure
movies, etc. with much presence.
3
MOVIE
THEATER 2
70 mm Adventure
PRO LOGIC
DSP
(
)
Functions when the input signal is analog
or PCM audio or encoded with Dolby
Digital in 2 channels.
DGTL Adventure
DIGITAL
DSP
(
)
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.
DTS Adventure
DSP
(
)
Functions when the input signal is encoded
with DTS.
This program is for reproducing sounds on a multi-track
film, and characterized by a soft and extensive sound
field. The front presence side of the sound field is
relatively narrow. It spatially spreads all around and
toward the screen, restraining echo effect of
conversations without losing clarity. For the surround
side, the harmony of music or chorus sounds beautifully
in a wide space at the rear of the sound field.
70 mm General
PRO LOGIC
DSP
(
)
Functions when the input signal is analog
or PCM audio or encoded with Dolby
Digital in 2 channels.
DGTL General
DIGITAL
DSP
(
)
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.
DTS General
(
DSP
)
Functions when the input signal is encoded
with DTS.
49
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BASIC OPERATION
●
For program No. 4 and 5 only, indicators light up as follows.
DSP
When the input signal is analog or PCM audio: (
)
DIGITAL
DSP
When the input signal is encoded with the Dolby Digital (not in 2 channels): (
)
DSP
When the input signal is encoded with the DTS: (
)
No.
PROGRAM
FEATURE
4
5
MONO MOVIE
TV SPORTS
This program is designed specifically to enhance mono
source programs. Compared to a strictly mono setting, the
sound image created in this mode is wider and slightly
forward of the speaker pair, lending an immediacy to the
overall sound. It is particularly effective when used with old
mono movies, news broadcasts and dialog.
This program is furnished with a tight sound field in which the
sound will not spread excessively on the front side, but the rear
surround side produces a dynamic sound expansion. This
program is the most suitable for sports programs.
Ⅵ Program No. 6 to 10: Hi-Fi DSP programs (for audio sources)
DSP
Speaker output: main, rear (
)
No.
PROGRAM
FEATURE
6
DISCO
This program recreates the acoustic environment of a lively
disco in the heart of a very lively city. The sound is dense and
highly concentrated. It is also characterized by a high-energy,
“immediate” sound.
7
8
9
ROCK CONCERT
JAZZ CLUB
CHURCH
This program is ideally suited for rock music. You will
experience a very dynamic or lively sound field.
This is a small, cozy jazz club with a low ceiling. The sound is
very close and intimate.
This program recreates the acoustic environment of a big
church with a high pointed dome and columns along the sides.
This interior produces very long reverberations.
10 CONCERT HALL
In this program, the center will appear to be deep behind the
main speakers, creating an expansive large hall ambience.
Orchestra and opera music are suited for this sound field.
50
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ADVANCED FEATURES
“SET MENU” mode
The following 13 functions maximize the performance of your system and increase the enjoyment of audio listening and video watching.
1. CENTER SPEAKER
2. REAR SPEAKER
3. MAIN SPEAKER
4. LFE/BASS OUT
5. MAIN LEVEL
6. DOLBY DGTL SET
LFE LEVEL
19. CENTER DELAY
10. PARAMETER INI
11. MEMORY GUARD
12.TV/DBS INPUT
13. DIMMER
7. DOLBY DGTL SET
DYNAMIC RANGE
8. DTS SET
LFE LEVEL
Ⅵ Changes and adjustments
Select “AMP/TUN” or “DSP”.
POWER
TV
ON SCREEN
CINEMA DSP
NATURAL SOUND AV RECEIVER
VCR REC
/
TV INPUT
A/B
VOLUME
INPUT SELECTOR
l6
20
l2
POWER
STANDBY
28
60
8
40
4
STANDBY/ON
I
EE
TAPE/MDEDCOMDEORN
/EXT.
l
/
2
0
–dB
TUNING
MODE
A/
B
/C
/
D
/E
1
2
3
4
5
6
7
8
MEMORY
EDIT
FM/AM
DOWN TUNING
UP
INPUT MODE
DIR
A
DIR
B
MAN’L/AUTO FM
AUTO/MAN’L MONO
SELECT
SET
VIDEO AUX
BASS
0
TREBLE
0
BALANCE
0
BASS
TONE
LEVEL
MENU
EFFECT
PHONES
SPEAKERS
EXTENSION BYPASS
l
l
l
l
l
l
A
B
2
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM
ON
OFF
ON
OFF
4
4
4
4
4
4
SET UP
RETURN
1
1
5
5
5
5
L
5
5
R
S
VIDEO
VIDEO
L
AUDIO
R
/DTS
MOVIE
THEATER
TAPE/MD
SUBTITLE
ON/OFF
ANGLE
AUDIO
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
MENU
TITLE
2
MONO
DVDM/OLVDIE
DISCO
VCR
LEVEL
SET MENU
TV SPORTS
2 1
● Refer to the information in the display panel or monitor screen during operation. The monitor power must be turned on to display
information on the monitor.
● When using the remote controller, the selector dial must be set at “AMP/TUN” or “DSP”.
1
To make changes, select the applicable function by using one of the following methods.
When operating on the front panel:
When operating on the Remote controller:
AUDIO
MENU
AUDIO
SET
Press once.
SET MENU
LEVEL
MENU
MENU
SET MENU
Press once
or more.
Press once or more.
Press once
or more.
DIR
A
D
B
SELECT
2
3
Select the desired position or edit parameter for the function by using the following keys.
SET
LEVEL
MENU
DIR
A
DIR
B
SELECT
Repeat steps 1 and 2 to change a setting or adjust for another function.
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ADVANCED FEATURES
Ⅵ Function description
1. CENTER SPEAKER
2. REAR SPEAKER
3. MAIN SPEAKER
4. LFE/BASS OUT
5. MAIN LEVEL
(Selecting the output modes suitable for your speaker system)
Refer to pages 27 to 29 for details. (Once you have selected proper modes, you do not have to make a setting change, unless your
speaker system is modified.)
6. DOLBY DGTL SET
LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]
●
Control range: –20 dB to 0 dB
Preset value: 0 dB
Adjusts the output level at the LFE (low frequency effect)
channel. If the LFE signals are mixed with signals of other
channels and they are output from the same speakers, the ratio
of LFE signals to other signals can be adjusted. (Refer to page 5
for details about the LFE channel.)
●
This adjustment is effective only when Dolby Digital is
decoded and the signals of the selected source encoded
with Dolby Digital contain LFE signals.
7. DOLBY DGTL SET
DYNAMIC RANGE (Adjusting dynamic range)
●
●
Choices: MAX/STD/MIN
Preset position: MAX
MAX:
In this position, a source encoded with Dolby Digital
is reproduced in the original sound track’s wide
dynamic range providing you with powerful sounds
like a movie theater.
Selecting this position will be more ideal if you can
listen to a source in a high output level in a room
specially soundproofed for audio/video enjoyment.
This adjustment is effective only when Dolby Digital is
decoded.
“Dynamic range” is the difference between the maximum level
and the minimum level of sounds. Sounds on a movie
originally designed for movie theaters feature very wide
dynamic range.
Dolby Digital technology can bring the original sound track into
a home audio format with this wide dynamic range unchanged.
Powerful sounds of extremely wide dynamic range are not
always suitable for home use. Depending upon the condition of
your listening environment, it may not be possible to increase
the sound output level as high as a movie theater. However, in
a level suitable for listening in your room, the low level parts of
source sound cannot be heard well because they will be lost
among noises in your environment.
STD (Standard):
In this position, a source encoded with Dolby Digital
is reproduced in the “compressed” dynamic range of
the source suitable for low level listening.
MIN:
In this position, dynamic range is more reduced than
in the STD position. Selecting this position will be
effective when you must listen to a source in an
extremely low level.
* In this position, it may happen that sound is output
faintly or not output normally depending on a
source. In that case, select the MAX or STD
position.
Dolby Digital technology also made it possible to reduce an
original sound track’s dynamic range for a home audio format
by “compressing” the data of sound.
52
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ADVANCED FEATURES
8. DTS SET
LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]
●
●
Control range: –10 dB to 10 dB
Preset value: 0 dB
Adjusts the output level at the LFE (low frequency effect)
channel. If the LFE signals are mixed with signals of other
channels and they are output from the same speakers, the ratio
of LFE signals to other signals can be adjusted. (Refer to page 5
for details about the LFE channel.)
This adjustment is effective only when DTS is decoded and
the signals of the selected source encoded with DTS
contain LFE signals.
9. CENTER DELAY [Adjusting the delay of center sounds (dialog etc.)]
●
●
Control range: 0 ms to 5 ms (in 1 ms step)
Preset value: 0 ms
Adjusts the delay between the main sounds (at the main
channels) and dialog etc. (at the center channel).
The larger the value, the later the dialog etc. is generated.
In your audio system, the distance from the center speaker to
your listening position may be shorter than the distance from
the left or right main speaker to your listening position. In that
case, sounds from the left main, center and right main
speakers can reach your listening position at the same time by
delaying the sound from the center speaker.
This adjustment is effective only when Dolby Digital or
DTS is decoded and the signals of the selected source
encoded with Dolby Digital or DTS contain center
channel signals.
10. PARAMETER INI (Initializing parameters on a DSP program)
You can initialize all parameter settings on a DSP program.
Note that some DSP programs have two subprograms; all
parameters on both subprograms are initialized by this
operation.
Initializing method
Use the remote controller for the operation.
A program number whose parameters has been changed is
marked with “ ”. First press the DSP key, and then press a
*
DSP program selector key which corresponds to the program
number whose parameters you want to initialize. When
initialized, the “ ” mark will disappear.
*
Note
When the selector dial of the remote controller is set at “DSP”,
simply press the corresponding DSP program selector key.
53
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ADVANCED FEATURES
11. MEMORY GUARD (Locking DSP parameters and other adjustments)
If you wish to prevent accidental alteration to DSP parameters
and other adjustments on this unit, select “ON”. In this position,
they are locked and cannot be changed. The following
functions on this unit can be locked by this operation.
•
•
•
•
•
DSP parameters
Other functions in the “SET MENU” mode
ON SCREEN display key
LEVEL key
TEST key
12. TV/DBS INPUT (Selecting the initial input mode of the source connected to the
TV/DBS input terminals)
For the source connected to the TV/DBS input terminals of this
unit, you can designate the input mode that is automatically
selected when the power of this unit is switched on.
AUTO: In this position, the AUTO input mode is always
selected when the power of this unit is switched on.
LAST: In this position, the input mode you have selected the
last time is memorized and will not be changed even if
the power of this unit is switched off.
*
Refer to page 36 for details about switching the input mode.
13. DIMMER (Changing brightness of the display panel)
You can adjust the brightness of the display panel in five
degree increments.
54
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ADVANCED FEATURES
Creating your own sound fields
DSP programs consist of some parameters to determine
What is a sound field?
apparent room size, reverberation time, distance from you to
the performer, etc. In each program, these parameters are
preset with values precisely calculated by Yamaha to create
the sound field unique for the program. It is recommended to
use DSP programs without changing values of parameters,
however, this unit also allows you to create your own sound
fields. Starting with one of the built-in programs, you can adjust
those parameters. Even if the power cord of this unit is
disconnected from the AC outlet, your custom sound fields will
remain in the DSP’s memory for about one week. The
following page details how to make your own sound fields.
In order to explain the impressive functions of the DSP, we
need to first understand what a sound field really is.
What really creates the rich, full tones of a live instrument are
the multiple reflections from the walls of the room. In addition
to making the sound “live”, these reflections enable us to tell
where the player is situated, and the size and shape of the
room in which we are sitting. We can even tell whether it is
highly reflective with steel and glass surfaces, or more
absorbent with wood panels, carpeting and curtains.
Each DSP program has a set of parameters that allow you to
change the characteristics of the acoustic environment to
precisely create the effect you want. For the programs which
have subprograms, each subprogram has a set of parameters.
These parameters correspond to the many natural acoustic
factors that create the sound field you experience in an actual
concert hall or other listening environment. The size of the
room, for example, affects the length of time between the
“early reflections”—that is, the first few widely spaced
reflections you hear after the direct sound. The “ROOM SIZE”
parameter provided in many of the DSP programs alters the
timing between these reflections, thus changing the shape of
the “room” you hear. In addition to room size, the shape of the
room and the characteristics of its surfaces have a significant
effect on the final sound. Surfaces that absorb sound, for
example, cause the reflections and reverberations to die out
quicker, while highly reflective surfaces allow the reflections to
carry on for a longer period of time. The DSP parameters allow
you to control these and many other factors that contribute to
your personal sound field, allowing you to essentially
“redesign” the concert halls, theaters, etc. provided to create
custom-tailored listening environments that ideally match your
mood and music.
The elements of a sound field
In any environment, in addition to the direct sound coming
straight to our ears from the player’s instrument, there are two
distinct types of sound reflections that combine to make up the
sound field:
(1) Early Reflections.
Reflected sounds reach our ears extremely rapidly
(50 ms — 100 ms after the direct sound), after reflecting
from one surface only—for example, from the ceiling or a
wall. These reflections fall into specific patterns as shown
in the diagram on page 57 for any particular environment,
and provide vital information to our ears. Early reflections
actually add clarity to the direct sound.
(2) Reverberations.
These are caused by reflections from more than one
surface—walls, ceiling, the back of the room—so
numerous that they merge together to form a continuous
sonic “afterglow”. They are non-directional, and lessen the
clarity of the direct sound.
Refer to “Descriptions of the digital sound field parameters” on
pages 57 to 59 for a description of what each parameter does,
how it effects the sound, and its control range.
Direct sound, early reflections and subsequent reverberation
taken together help us to determine the subjective size and
shape of the room, and it is this information that the DSP
reproduces in order to create sound fields.
If you could create the appropriate early reflections and
subsequent reverberations in your listening room, you would
be able to create your own listening environment. The
acoustics in your room could be changed to those of a concert
hall, a dance floor, or virtually any size room at all. This ability
to create sound fields at will is exactly what Yamaha has done
with the DSP.
55
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ADVANCED FEATURES
Ⅵ Selecting and editing program parameters
This adjustment can be made only by using the remote controller
and watching the monitor screen or the display panel.
INDEX
DISP
SLEEP
/DTS
MOVIE
POWER
TV
2
SURROUND
CD
THEATER
2
ON SCREEN
MOVIE
TAPE/MD
THEATER
1
VCR REC
/
TV INPUT
A/B
TUNER
1
3
2
3
MONO
DVDM/OLVDIE
DISCO
VCR
Note
TV
TVS/PDORBTSS
4
6
Information on the monitor screen would be
easier to see than the display panel.
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
DIR
A
DIR
B
4, 5
7
9
8
SELECT
TEST
HALL
EXT. DEC
.
+100
+10
SET UP
RETURN
CLEAR
0
ENTER
A/B/C/D/E
SUBTITLE
ON/OFF
ANGLE
AUDIO
DSP
EFCT
3
DISC SKIP
PRESET
ON/OFF
MENU
TITLE
LEVEL
SET MENU
1
Set the selector dial of the remote controller to “DSP” or
“AMP/TUN”.
4
Select the parameter which you want to edit.
POWER
STANDBY
/
DSP or AMP/TUN
DIR
A
D
B
SELECT
2
3
Turn on your monitor. If the currently selected type of
display is not the full display, press the ON SCREEN
display key and select the full display.
5
Change the value on the selected parameter to create
the effect you want.
INDEX
DISP
ON SCREEN
DIR
A
DIR
B
SELECT
Select the desired program (or subprogram) by following
the steps 2 and 3 of “Playing a source with an effect
of the digital sound field processor (DSP)” on pages
43 and 44.
“
“
” increases the value of the selected parameter, and
” decreases the value of the selected parameter. In both
cases you can hold the key down to quickly move to the
desired value.
S
/
The display will pause for a moment at the initial set value of
the parameter as a reminder. (On the monitor screen, the
mark at the head of the parameter name will disappear upon
DSP
/DTS
MOVIE
SURROUND
THEATER
2
*
MOVIE
CD
TAPE/MD
THEATER
1
TUNER
1
3
2
reaching the initial set value of the parameter.)
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
Notes
HALL
EXT. DEC
.
+100
+10
/DTS
MOVIE
CLEAR
0
SURROUND
THEATER
2
●
MOVIE
For details about parameters, refer to pages 57 to 59.
Parameter edits made in this way will remain in effect even
ENTER
CD
TAPE/MD
THEATER
1
TUNER
A/B/C/D/E
1
3
●
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
4
6
if power is lost due to a power failure or the power plug is
disconnected from the AC outlet for up to about one week,
after which all parameters, as well as other adjustments or
setting changes on this unit, will return to their initial values
or conditions.
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
A/B/C/D/E
The selected program name and its parameters will be
displayed on the monitor screen. The arrow-shaped
cursor points to the first parameter or subprogram name.
56
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ADVANCED FEATURES
Ⅵ Descriptions of the digital sound field parameters
Not all of the following parameters are found in every program.
●
ROOM SIZE
P. ROOM SIZE (Presence Room Size)
How it Affects the Sound:
Changes the apparent size of the music venue. The larger
the value, the larger the simulated room will sound.
Adjusts the apparent space size of the front presence sound
field. The larger the value, the longer the interval between
reflections becomes, which increases the depth of the sound
source.
What it Does:
Adjusts the timing between the early reflections. Early
reflections are the first group of reflections you hear before
the subsequent, dense reverberation begins.
S. ROOM SIZE (Surround Room Size)
Adjusts the apparent space size of the rear surround sound field.
The larger the value, the larger the surround sound field
becomes.
Control Range:
0.1 – 2.0
Standard setting is 1.0.
Changing this parameter from 1 to 2 increases the apparent
volume of the room eight times (length, width, and height all
doubled).
Level
Level
Level
Direct sound
Direct sound
Early reflections
Direct sound
Early reflections
Early reflections
Small
Large
Time
Time
Time
Small space
Large space
●
INIT. DELAY (Initial Delay)
P. INIT. DLY (Presence Initial Delay)
How it Affects the Sound:
Changes the apparent distance from the source sound.
Adjusts the delay between the direct sound and the first reflection
on the presence side of the sound field. The larger the value, the
later the first reflection begins.
Since the distance between a sound source and a reflective
surface determines the delay between the direct sound and
the first reflection, this parameter changes the location of the
sound source within the acoustic environment.
Control Range:
1 – 99 milliseconds
What it Does:
Adjusts the delay between the direct sound and the first
reflection heard by the listener.
S. INIT. DLY (Surround Initial Delay)
Adjusts the delay between the direct sound and the first reflection
on the rear surround side of the sound field. The larger the value,
the later the first reflection begins.
Control Range:
1 – 99 milliseconds
Control Range:
For a small living room this parameter would be set for a small
value. Large values for a big room. Larger values produce an
echo effect.
1 – 49 milliseconds
Level
Level
Level
Direct sound
Early reflections
Small
Large
Time
Time
Time
INIT. DLY
INIT. DLY
INIT. DLY
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ADVANCED FEATURES
●
LIVENESS
LIVENESS (Presence Liveness)
How it Affects the Sound:
This parameter changes the apparent reflectivity of the walls
in the hall.
Adjusts the apparent reflectivity of the walls on the front presence
sound field. The larger the value, the more reflective the front
presence sound field becomes.
The early reflections from a sound source will lose intensity
(decay) much faster in a room with acoustically absorbent
wall surfaces than in one which has mostly reflective
surfaces. A room with highly reflective surfaces in which the
early reflections decay slowly is termed “live”, while a room
with absorbent characteristics in which the reflections decay
rapidly is termed “dead”. The LIVENESS parameter lets you
adjust the early reflection decay rate, and thus the “liveness”
of the room.
S. LIVENESS (Surround Liveness)
Adjusts the apparent reflectivity of the walls on the rear surround
sound field. The larger the value, the more reflective the rear
surround sound field becomes.
What it Does:
Changes the rate at which the early reflections decay.
Control Range:
0 – 10.
Level
Level
Level
Direct sound
Small
Large
Time
Time
Time
Dead
Live
●
REV.TIME (Reverberation Time)
How it Affects the Sound:
Control Range:
1.0 – 5.0 seconds.
The natural reverberation time of a room depends primarily
on its size and the characteristics of its inner surfaces. This
parameter, therefore, changes the apparent size of the
acoustic environment over an extremely wide range.
The reverb time in a small-to-medium size hall would be
between 1 and 2, and in a large hall it is normally between 2
and 3.
What it Does:
Adjusts the amount of time it takes for the level of the dense,
subsequent reverberation sound to decay by 60 dB (1 kHz).
Direct sound
Early reflections
Level
Level
Level
60 dB
60 dB
60 dB
Small
Large
Time
Time
Time
REV. TIME
REV. TIME
REV. TIME
Reverberations
Reverberations
Reverberations
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ADVANCED FEATURES
●
REV. LEVEL (Reverberation Level)
This parameter adjusts the volume of the reverberation sound.
The larger the value, the stronger the reverberation becomes.
Control Range:
0 – 100%
Level
Direct sound
REV. LEVEL
Time
●
S. DELAY (Surround Delay)
Adjusts the delay between the direct sound and the first reflection
on the rear surround side sound field. The larger the value, the
later the surround sound field is generated.
Control Range:
When Dolby Surround is decoded:
15 – 30 milliseconds
When Dolby Digital or DTS is decoded:
0 – 15 milliseconds
When a program without Dolby Surround or DTS
encoded is used:
15 – 49 milliseconds
59
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ADVANCED FEATURES
Setting the SLEEP timer
Use the built-in SLEEP timer to automatically turn this unit into the standby mode after the time you set elapses. The SLEEP timer is
useful when you plan to fall asleep while this unit is playing back or recording a source. The SLEEP timer also automatically turns off
external units connected to the SWITCHED AC OUTLET(S) on the rear of this unit. The SLEEP timer can only be set using the
remote controller.
To set the SLEEP time
To cancel the SLEEP timer
Press the SLEEP key repeatedly until “SLEEP OFF” appears
on the display. (After a while, the display returns to the original
indication.)
1
2
Select the source using the INPUT SELECTOR and
start playback (or select a broadcast station) on the
source unit.
Press the SLEEP key repeatedly until the desired
SLEEP time appears on the display.
* “SLEEP time” is the time that elapses before this unit
is automatically turned into the standby mode.
SLEEP
Note
SLEEP
The SLEEP timer setting can also be canceled by setting this
unit into the standby mode with the STANDBY/ON switch on
the front panel (or the STANDBY key on the remote controller)
or disconnecting the power plug of this unit from the AC outlet.
Indicates the SLEEP time.
DVD/LD
TV/DBS
V-AUX
CD
TUNER
PHONO
VCR
SLEEP
Flashes.
Each time you press the SLEEP key, the SLEEP time
changes as follows.
(Minutes)
120
90
60
30
SLEEP OFF
(The SLEEP timer is off.)
After a while, the display returns to the original indication.
60
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REMOTE CONTROLLER
The remote controller is designed to control the most commonly used functions. If you have other Yamaha audio and video
components with remote control capability, this remote controller will also control various functions of them.
In addition, this remote controller can control other manufacturers’ audio and video components by programming the remote
controller with the codes for other manufacturers.
Basic operation
1
Select the position for the component that you want to
control by turning the selector dial.
Note: Turn the selector dial unitl it stops with a click.
2
Press an operation key.
Note: Press a key with the remote controller aimed at the
front panel.
POWER
STANDBY
Selected position
is shown.
/
The indicator will flash
when a key is pressed.
Components which can be controlled
The selector dial can be turned to select nine positions. The components which can be controlled with the remote controller differs
depending on the selected position. Refer to the diagram below to know what components can be controlled for each position.
AMP/TUN
/
This unit can be controlled. Normally set to this position
POWER
STANDBY
/
TAPE/MD
Tape decks and MD recorders can be controlled.
*
Keys are originally preset to control Yamaha tape decks. To control a Yamaha MD
recorder, enter the code for Yamaha MD recorders.
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
CD
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
CD players can be controlled.
TVS/PDORBTSS
4
6
5
*
Keys are originally preset to control Yamaha CD players.
DSP
S
This unit can be controlled and DSP programs can be selected directly.
DVD/LD
D
DVD players and LD players can be controlled.
*
To control the Yamaha model DVD-1000 or DVD-S700, enter the code number “4490”.
DVD MENU
M
DVD players can be controlled.
* A code for a DVD player cannot be entered in this position.
VCR
C
/
VCRs can be controlled.
CBL/DBS
Cable TVs or DBS tuners can be controlled.
TV
TVs can be controlled.
Notes
You can program the remote controller with the codes for
other manufactures for all positions (except AMP/TUN and
DSP) respectively.
For the DVD/LD and DVD MENU positions:
●
●
●
If you enter a code for a DVD player in the DVD/LD position,
the keys in the DVD MENU position become also available
for controlling the DVD player. You cannot enter a code for
a DVD player when the DVD MENU is selected.
For example, if your CD player is not a Yamaha model,
enter the code for the manufacture of the CD player when
the CD position is selected. You can control your CD player
with the remote controller when the CD position is selected.
You can enter one code for one position.
You can enter the code for your second (or third) VCR in the
CBL/DBS position if you do not use a cable TV, DBS tuner, etc.
You can also enter the code for your second (or third) VCR in
the DVD MENU position if you do not use a DVD player. In this
case, however, you must enter a code for an LD player in the
DVD/LD position even if you do not use an LD player.
Refer to page 67 for details.
Refer to page 67 for details about entering codes.
Some Yamaha CD players and tape decks cannot be
controlled with the default codes. To control such a model,
enter the code for the model in the corresponding position.
●
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REMOTE CONTROLLER
Key name and function
The key functions differ depending on the position selected by the selector dial as shown below.
/
Ⅵ AMP/TUN
*
The keys drawn in a light tone do not function.
1 POWER
Press this key to turn on the power of this unit.
POWER
STANDBY
2 Input selector keys
B
C
1
Press a key to select the input source.
P
/
3 EXT. DEC.
Press this key to select the input signals from the EXTERNAL
DECODER INPUT terminals as the input source. This function
takes priority over the input selector key setting. “EXT.
DECODER” will be illuminated on the display panel.
The source selected with the input selector keys becomes the
current input source when “EXT. DECODER” is not illuminated
on the display panel.
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
2
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
4
6
5
ROCK
PHONO
CHURCH
*
If the DSP key (5) is pressed, you can select the HALL
program by pressing this key while the indicator (C) is
illuminated.
JAZZ
V-ACULUXB
9
7
D
E
F
8
TEST
HALL
EXT. DEC
.
+100
3
5
+10
CLEAR
0
ENTER
4
6
A/B/C/D/E
4 A/B/C/D/E
DSP
EFCT
DISC SKIP
PRESET
ON/OFF
Press this key to select a group of preset stations.
CH
CH
TV
(TV VOLUME)
5 DSP
CODE SET
MUTE
Press this key. While the indicator (C) is illuminated for about
three seconds, select a DSP program using the keys
(2, 3, D). No DSP program can be selected after the
indicator goes off.
7
9
8
VOLUME
INDEX
DISP
SLEEP
G
POWER
TV
ON SCREEN
VCR REC
/
TV INPUT
A/B
6 PRESET +/–
+: Press this key to select the next preset station number.
–: Press this key to select the previous preset station
number.
(TV POWER)
0
DIR
A
DIR
B
SELECT
7 VOLUME
(up)/
(down)
SET UP
RETURN
Press these keys to increase or decrease the volume.
SUBTITLE
ON/OFF
ANGLE
AUDIO
8 MUTE
MENU
TITLE
H
A
LEVEL
SET MENU
Press this key to mute the volume. The volume can be
returned to the original level by pressing any remote controller
key which controls this unit.
The indicator on the VOLUME control flashes during the mute
mode.
9 SLEEP
Press this key to turn the built-in SLEEP timer on and off, and
set the SLEEP time. (Refer to page 60.)
0
/
/
/
The
or select speaker(s) or functions according to the mode
selected by the LEVEL or SET MENU key. The and
(up) and
(down) keys select the DSP parameters,
keys adjust or make changes in the selected parameter,
speaker(s) or function.
Note
TV POWER and TV VOLUME function if you have entered the
code for your TV.
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REMOTE CONTROLLER
A LEVEL
F EFCT ON/OFF
This key is used to adjust the output level of the center
speaker, rear speakers and subwoofer. First, press this key.
Then select the speaker(s) by pressing this key repeatedly or
by using the or key (0). The name will be illuminated on
Press this key to turn on/off the digital sound field processor,
which includes the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.
the display. Then press the
output level.
or
key (0) to change the
G ON SCREEN
Press this key to change the type of display on the monitor
screen. Three types of displays are available.
Each time the key is pressed, the information can be changed
to a full, simple and no display.
B STANDBY
Press this key to set this unit in the standby mode.
C Indicator
H SET MENU
This indicator flashes when a key is pressed on the remote
controller. (Transmitting infrared signals.)
Press this key to turn the unit into the SET MENU mode.
Select a function by pressing this key repeatedly or by using
the or key (0). The function name will be illuminated on
D CHURCH
the display. Then press the
make settings in the function.
or
key (0) to adjust or
If the DSP key (5) is pressed, you can select the CHURCH
program by pressing this key while the indicator (C) is
illuminated.
E TEST
This key is used when adjusting the speaker balance. (Refer to
pages 30 to 32.)
S
Ⅵ DSP
The functions of all keys are the same with the AMP/TUN
position except the DSP program selector keys figured on
the left.
POWER
STANDBY
S
DSP program selector keys
Press a key corresponding to the DSP program you want to
select. The program is directly selected.
Note: Press “0” to select the program No. 10.
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
DSP program
selector keys
TV
TVS/PDORBTSS
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
9
7
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
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REMOTE CONTROLLER
The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details,
refer to the instruction manual for each of your components.
Ⅵ TAPE/MD
For tape decks
1 POWER
POWER
STANDBY
This key turns on this unit when the default code is used.
If another code is entered and your tape deck’s remote
controller has a power key, this key will turn on the tape deck.
1
2
REC/PAUSE
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
Press this key to set the tape deck in the recording pause
mode.
THEATER
1
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
INPUT
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
3 DIR A
8
TEST
HALL
EXT. DEC
.
+100
Press this key to select the playing direction of DECK A.
+10
CLEAR
0
ENTER
A/B/C/D/E
DSP
EFCT
DISC SKIP
PRESET
ON/OFF
4
PLAY
CH
CH
TV
Press this key to play a tape.
(TV VOLUME)
CODE SET
MUTE
5
REWIND
Press this key to rewind a tape.
VOLUME
INDEX
DISP
(TV POWER)
SLEEP
POWER
TV
6
7
8
9
ON SCREEN
VCR REC
/
TV INPUT
A/B
2
7 DECK A/B
Press this key to select A or B on a double cassette tape deck.
3
4
5
DIR
A
DIR
B
SELECT
9 DIR B
SET UP
RETURN
0
Press this key to select the playing direction of DECK B.
SUBTITLE
ON/OFF
ANGLE
AUDIO
TITLE
MENU
A
LEVEL
SET MENU
0
STOP
Press this key to stop a tape.
A
FAST FORWARD
Press this key to fast forward a tape.
Note
For MD recorders
TV POWER and TV VOLUME function if you have entered the
code for your TV.
Enter the proper code for your MD recorder.
1 POWER
This key turns on this unit if a code for a Yamaha MD recorder
is entered. If another manufactuer’s code is entered and your
MD recorder’s remote controller has a power key, this key will
turn on the MD recorder.
2
3
4
5
REC/PAUSE
SKIP
PLAY
BACKWARD
6 DISPLAY
8
9
0
A
PAUSE
SKIP
STOP
FAST FORWARD
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REMOTE CONTROLLER
The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details,
refer to the instruction manual for each of your components.
Ⅵ CD
Note
TV POWER, TV VOLUME and TV INPUT function if you have entered the
code for your TV.
POWER
STANDBY
1
1 POWER
6
PAUSE
This key turns on this unit when the
default code is used. If another code
is entered and your CD player’s
remote controller has a power key,
this key will turn on the CD player.
Press this key to pause playback.
This key functions as PAUSE/STOP
for operating Yamaha CD players
under default settings.
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
INPUT
4
6
5
7
STOP
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
2 DISC SKIP
Press this key to stop playback.
This key functions as PAUSE/STOP
for operating Yamaha CD players
under default settings.
8
TEST
HALL
EXT. DEC
.
+100
+10
Press these keys to skip to the next
or previous CD.
CLEAR
0
ENTER
A/B/C/D/E
DSP
EFCT
DISC SKIP
PRESET
ON/OFF
CH
CH
2
TV
3
Press
,
SKIP
(TV VOLUME)
(TV INPUT)
6
8
FAST FORWARD
CODE SET
MUTE
to skip to the beginning of
Press this key to advance playback
rapidly.
the next track.
VOLUME
INDEX
DISP
Press
to skip to the beginning of
SLEEP
POWER
TV
(TV POWER)
ON SCREEN
the current or previous track.
VCR REC
/
TV INPUT
A/B
3
4
5
4
PLAY
DIR
A
DIR
B
Press this key to play a CD.
SELECT
7
8
SET UP
RETURN
5
BACKWARD
Press this key to reverse playback
rapidly.
SUBTITLE
ON/OFF
ANGLE
AUDIO
TITLE
MENU
LEVEL
SET MENU
M
Ⅵ DVD/LD
Ⅵ DVD MENU
(*1): For a DVD player:
(*1)
This key turns on this unit when
the default code is used.
POWER
STANDBY
POWER
STANDBY
POWER
POWER
M
For an CD player:
This key turns on this unit if a
code for a Yamaha LD player is
entered.
/DTS
MOVIE
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
THEATER
2
SURROUND
2
MOVIE
MOVIE
CD
TAPE/MD
CD
THEATER
1
THEATER
1
TUNER
TUNER
1
3
1
3
2
2
MONO
DVDM/OLVDIE
DISCO
VCR
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TV
TVS/PDORBTSS
TVS/PDORBTSS
INPUT
Numeric
keys
4
6
4
6
5
5
ROCK
PHONO
ROCK
PHONO
CHURCH
CHURCH
JAZZ
V-ACULUXB
JAZZ
V-ACULUXB
7
9
7
9
8
8
TEST
TEST
HALL
HALL
EXT. DEC
.
+100
EXT. DEC
.
+100
+10
+10
CLEAR
CLEAR
0
0
CLEAR
ENTER
ENTER
A/B/C/D/E
A/B/C/D/E
DSP
EFCT
DSP
EFCT
+10
DISC SKIP
PRESET
DISC SKIP
PRESET
ON/OFF
ON/OFF
CH
CH
CH
CH
TV
TV
DISC SKIP
DISC SKIP
(TV VOLUME)
(TV VOLUME)
CODE SET
MUTE
CODE SET
MUTE
VOLUME
VOLUME
TITLE/INDEX
(TV INPUT)
DISPLAY
(TV INPUT)
PAUSE
INDEX
DISP
INDEX
DISP
SLEEP
SLEEP
POWER
TV
POWER
TV
ON SCREEN
ON SCREEN
(TV POWER)
(TV POWER)
VCR REC
/
TV INPUT
A/B
VCR REC
/
TV INPUT
A/B
MENU UP
MENU RIGHT
MENU DOWN
SKIP/SEARCH
MENU LEFT
MENU SELECT
SET UP
DIR
A
DIR
B
DIR
A
DIR
B
SELECT
SELECT
PLAY
SUBTITLE (DVD)/
BACKWARD (LD)
STOP
SET UP
RETURN
SET UP
RETURN
SUBTITLE
ON/OFF
ANGLE
AUDIO
SUBTITLE
ON/OFF
ANGLE
AUDIO
ANGLE (DVD)
AUDIO (DVD)
RETURN
MENU
TITLE
MENU
TITLE
MENU
TITLE
LEVEL
SET MENU
LEVEL
SET MENU
SUBTITLE
ON/OFF (DVD)
Note
Note
TV POWER, TV VOLUME and TV INPUT function if
TV POWER, TV VOLUME and TV INPUT function if
you have entered the code for your TV.
you have entered the code for your TV.
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REMOTE CONTROLLER
The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details,
refer to the instruction manual for each of your components.
C
Ⅵ VCR
Ⅵ TV
Note
Note
TV POWER, TV VOLUME and TV INPUT function if you have
You can control your VCR if you have entered the code for it.
entered the code for your TV.
POWER
STANDBY
POWER
STANDBY
POWER
C
/DTS
MOVIE
THEATER
TAPE/MD
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
SURROUND
2
MOVIE
MOVIE
CD
CD
THEATER
1
THEATER
1
TUNER
TUNER
1
3
1
3
2
2
MONO
DVDM/OLVDIE
DISCO
VCR
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TV
TVS/PDORBTSS
TVS/PDORBTSS
CHANNEL
CHANNEL
4
6
4
6
5
5
ROCK
PHONO
ROCK
PHONO
CHURCH
CHURCH
JAZZ
V-ACULUXB
JAZZ
V-ACULUXB
7
9
7
9
8
8
TEST
TEST
HALL
HALL
EXT. DEC
.
+100
EXT. DEC
.
+100
+10
+10
CLEAR
CLEAR
0
0
TV EFFECT
ON/OFF
CHANNEL
ENTER
CHANNEL
ENTER
ENTER
ENTER
A/B/C/D/E
A/B/C/D/E
DSP
EFCT
DSP
EFCT
DISC SKIP
PRESET
DISC SKIP
PRESET
ON/OFF
ON/OFF
CH
CH
CH
CH
TV
TV
CHANNEL
+(UP)/–(DOWN)
CHANNEL
+(UP)/–(DOWN)
TV VOLUME
(TV VOLUME)
CODE SET
MUTE
CODE SET
MUTE
TV MUTE
VOLUME
VOLUME
INDEX
DISP
INDEX
DISP
TV SLEEP
(TV POWER)
VCR REC (*1)
SLEEP
SLEEP
DISPLAY
DISPLAY
TV INPUT
POWER
TV
POWER
TV
ON SCREEN
ON SCREEN
TV POWER
VCR REC
/
TV INPUT
A/B
VCR REC
/
TV INPUT
A/B
(TV INPUT)
PAUSE
STOP
PLAY
DIR
A
DIR
B
DIR
A
DIR
B
SELECT
SELECT
SET UP
RETURN
SET UP
RETURN
REWIND
SUBTITLE
ON/OFF
ANGLE
AUDIO
SUBTITLE
ON/OFF
ANGLE
AUDIO
FAST
FORWARD
(VCR)
TITLE
MENU
TITLE
MENU
LEVEL
SET MENU
LEVEL
SET MENU
(*1) Press this key twice to start recording.
/
Ⅵ CBL/DBS
POWER
STANDBY
POWER
/
Note
TV POWER, TV VOLUME and TV INPUT function if you
have entered the code for your TV.
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
CHANNEL
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
CHANNEL
ENTER
+100
ENTER
A/B/C/D/E
DSP
EFCT
DISC SKIP
PRESET
ON/OFF
CH
CH
TV
CHANNEL
(TV VOLUME)
DISPLAY
+(UP)/–(DOWN)
CODE SET
MUTE
VOLUME
INDEX
DISP
SLEEP
POWER
TV
ON SCREEN
(TV POWER)
MENU SELECT
VCR REC
/
TV INPUT
A/B
(TV INPUT)
MENU UP
MENU RIGHT
MENU LEFT
DIR
A
DIR
B
SELECT
SET UP
RETURN
MENU DOWN
RECALL
SUBTITLE
ON/OFF
ANGLE
AUDIO
TITLE
MENU
LEVEL
SET MENU
MENU
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REMOTE CONTROLLER
Entering manufacturer codes
If you have a component which is not a Yamaha model, you can enter the code for the manufacturer of the component in the
corresponding position of the selector dial. By doing so, you can control the component with the remote controller.
Refer to the code list at the end of this manual for the code numbers you need.
Notes
● Some Yamaha CD players and tape decks cannot be controlled with the default codes. To control such a model, enter the code
for the model in the corresponding position.
● If there is no code applicable for your component in the code list, you must use the remote controller provided for the component.
Entering a code
Entering a code for a second (or third) VCR
You can use the CBL/DBS or DVD MENU position, or both of
them to control a second (and/or third) VCR if you do not use a
cable TV, DBS tuner, DVD player etc.
1
Set the selector dial to the position for controlling the
component. (For example, set to “VCR” for a VCR.)
*
If you will use the DVD MENU position for a second (or third)
VCR, you must enter the code for an LD player in the DVD/LD
position.
POWER
STANDBY
C
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
1
Set the selector dial to the CBL/DBS or DVD MENU
position.
2
Press both of the VOLUME
same time and hold them until the indicator flashes
and
keys at the
POWER
STANDBY
M
twice.
TV
POWER
STANDBY
CODE SET
MUTE
/DTS
MOVIE
THEATER
TAPE/MD
C
SURROUND
2
MOVIE
CD
Flashes
twice.
VOLUME
2
Press both of the VOLUME
same time and hold them until the indicator flashes
and
keys at the
twice.
TV
3
Use the numeric keys to enter the four-digit
manufacturer code for the component to be used.
Make sure that the indicator flashes twice.
POWER
STANDBY
CODE SET
MUTE
M
Flashes
twice.
VOLUME
/DTS
MOVIE
SURROUND
THEATER
2
MOVIE
CD
TAPE/MD
THEATER
1
POWER
STANDBY
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
C
4
6
5
Flashes
twice.
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
TV
8
TEST
HALL
EXT. DEC
.
+100
3
4
Press the MUTE key.
+10
CLEAR
0
ENTER
CODE SET
MUTE
A/B/C/D/E
VOLUME
*
If the indicator does not flash, repeat step 3 and enter
the code again.
Use the numeric keys to enter the four-digit
manufacturer code for the second (or third) VCR. Make
sure that the indicator flashes twice.
4
Try operating the component with the remote controller
to check the code entering is successful.
/DTS
MOVIE
SURROUND
THEATER
2
MOVIE
CD
TAPE/MD
THEATER
1
POWER
STANDBY
TUNER
1
3
2
Note
MONO
DISCO
VCR
DVDM/OLVDIE
TV
TVS/PDORBTSS
M
4
6
If the component cannot be controlled, enter another code for
the same manufacturer.
5
Flashes
twice.
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
A/B/C/D/E
*
If the indicator does not flash, repeat step 4 and enter
the code again.
5
Try operating the component with the remote controller
to check the code entering is successful.
Note
If the component cannot be controlled, enter another code for
the same manufacturer.
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REMOTE CONTROLLER
Restoring the default codes
To restore the default codes for the all
positions.
To restore the default code for each
position
1
Press both of the VOLUME
same time and hold them until the indicator flashes
and
keys at the
1
Set the selector dial to the position for which you want to
restore the default code.
twice.
POWER
STANDBY
TV
Flashes
twice.
M
CODE SET
MUTE
POWER
STANDBY
M
VOLUME
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
2
Press both of the VOLUME
same time and hold them until the indicator flashes
twice.
and
keys at the
2
Enter the code number “9987”.
*
Make sure that the indicator flashes twice.
TV
/DTS
MOVIE
SURROUND
THEATER
2
MOVIE
CD
TAPE/MD
THEATER
1
CODE SET
POWER
STANDBY
POWER
STANDBY
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
MUTE
TV
TVS/PDORBTSS
M
M
4
6
5
VOLUME
Flashes
twice.
ROCK
PHONO
Flashes
twice.
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
A/B/C/D/E
3
Enter the code number “9999”.
*
Make sure that the indicator flashes twice.
/DTS
SURROUND
CD
MOVIE
THEATER
2
MOVIE
TAPE/MD
THEATER
1
POWER
STANDBY
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
M
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
Flashes
twice.
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
A/B/C/D/E
Default codes
The following codes are preset as the default code.
<U.S.A., Canada, China, Singapore and General models>
Position Component Code
TV
<Australia model>
Position
TV
Component
TV
Code
TV
0047
2566
3060
0037
2455
3072
CBL/DBS
VCR
DBS tuner
VCR
CBL/DBS
VCR
DBS tuner
VCR
DVD/LD
CD
DVD player
CD player
Tape deck
4545 YAMAHA
6187 YAMAHA
8524 YAMAHA
DVD/LD
CD
DVD player
CD player
Tape deck
4545 YAMAHA
6187 YAMAHA
8524 YAMAHA
TAPE/MD
TAPE/MD
We recommend that you write all code numbers you have entered on the “Quick Reference Card”.
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TROUBLESHOOTING
Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the
instruction below does not help, disconnect the power cord and contact your authorized YAMAHA dealer or service center.
General
What to Do
Problem
Cause
Firmly plug in the power cord.
The unit fails to turn on when the
STANDBY/ON switch is pressed, or turns
into the standby mode suddenly soon after
the power is turned on.
Power cord is not plugged in or is not
completely inserted.
Set the switch to either end when this unit is
in the standby mode.
The IMPEDANCE SELECTOR switch on the
rear panel is not set to either end.
Turn this unit into the standby mode and
disconnect the AC power cord from the AC
outlet. After about 30 seconds have passed,
connect the power and operate this unit
again.
This unit does not work normally.
There is an influence of strong external
noise (lightning, excessive static electricity,
etc.) or a misoperation on this unit while
using this unit.
Connect the cords properly. If the problem
persists, the cords may be defective.
No sound or no picture.
Incorrect output cord connections.
Select the appropriate input source with the
INPUT SELECTOR or the TAPE/MD
MON/EXT. DECODER button.
Appropriate input source is not selected.
Secure the connections.
Speaker connections are not secure.
Play a source whose signals this unit can
reproduce.
Digital signals other than PCM audio and
Dolby Digital (or DTS) encoded signals
which this unit cannot reproduce are input to
this unit by playing a CD-ROM etc.
Connect this unit’s S VIDEO MONITOR OUT
terminal to the TV’s S video input terminal.
No picture
There is no S video terminal connection
between this unit and the TV, though S
video signals are input to this unit.
Turn this unit into the standby mode, and
then turn on to reset the protection circuit.
The sound suddenly goes off.
The protection circuit has been activated
because of short circuit etc.
Cancel the SLEEP timer function.
Adjust it to the appropriate position.
The SLEEP timer came on.
Only one side speaker outputs the sound.
No sound from the effect speakers.
Incorrect setting of the BALANCE control.
Incorrect cord connections.
Connect the cords properly. If the problem
persists, the cords may be defective.
Press the EFFECT button to turn it on.
Use a different sound field program.
The EFFECT button is set off.
A Dolby Surround (or DTS) decoding
program is being used with material not
encoded with Dolby Surround (or DTS).
Select the appropriate position.
Select another program.
No sound from the center speaker.
The function “1. CENTER SPEAKER” in the
SET MENU mode is set to the “NONE” position.
One of the DSP programs No. 6 to No. 10 is
selected when the input signal of source is
2-channel stereo (analog/PCM).
Refer to the instructions for the source
currently played.
The input signals of source encoded with
Dolby Digital or DTS do not have center
channel signals.
Select the MAIN position.
Poor bass reproduction.
Sound “hums”.
The function “4. LFE/BASS OUT” in the SET
MENU mode is set in the SW or BOTH
position, though your system does not
include a subwoofer.
Make output mode selections suitable for
your speaker system.
Output mode selection for each channel
(MAIN, CENTER or REAR) is improper.
Firmly connect the audio plugs. If the
Incorrect cord connections.
problem persists, the cords may be defective.
Make the GND connection between the
turntable and this unit.
No connection from the turntable to the
GND terminal.
The player should be connected to the unit
through the MC head amplifier.
The volume level is low while playing a
record.
The record is being played on a turntable
with an MC cartridge.
Turn on the power to the component.
The volume level cannot be increased, or
sound is distorted.
The component connected to the TAPE/MD
OUT terminals of this unit is turned off.
69
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TROUBLESHOOTING
What to Do
Set to the “OFF” position.
Problem
Cause
DSP parameters and some other settings
on this unit cannot be changed.
The function “11. MEMORY GUARD” in the
SET MENU mode is set to the “ON” position.
Check the source, or turn off the unit playing
back the source and then turn on again.
“INPUT DATA ERR” appears on the display
and no sound is heard.
A nonstandardized source is played back, or
the unit playing back a source is
misoperating.
The sound field cannot be recorded.
This unit does not operate properly.
It is not possible to record the sound field on
a tape deck connected to this unit’s
TAPE/MD OUT terminals.
Unplug the AC power cord from the wall AC
outlet, and then plug in again after about one
minute.
The internal microcomputer has been frozen
by an external electric shock (lightning,
excessive static electricity, etc.) or power
supply with low voltage.
Make additional connection between analog
terminals.
A source cannot be recorded by a tape
deck or VCR connected to this unit.
The source unit is connected to this unit
between digital terminals only.
Move the unit further away from the affected
equipment.
Noise from nearby TV or tuner.
This unit is too close to the affected
equipment.
Turn the power to this unit on.
The sound is degraded when listening with
the headphones connected to the compact
disc player or tape deck that is connected
with this unit.
This unit is in the standby mode.
Remote controller
What to Do
Problem
Cause
Replace the batteries with new ones.
The remote controller does not work.
The batteries of this remote controller are
weak.
The remote controller will function from a
maximum range of 6 meters, no more than 30
degrees off-axis from the front panel.
The remote controller does not function
properly.
Wrong distance or angle.
Change position of the main unit.
Direct sunlight or lighting (of an inverter type
of fluorescent lamp etc.) is striking the remote
control sensor of the main unit.
Set the selector dial to the proper position.
This unit or another component cannot be
controlled with the remote controller.
The selector dial of the remote controller is
not set at the proper position.
Enter the code for controlling the component
in the corresponding position of the remote
controller.
The code for controlling the component is not
preset to the remote controller.
70
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TROUBLESHOOTING
Tuner
Problem
Cause
What to Do
FM stereo reception is noisy.
Because of the characteristics of FM stereo
broadcasts, this is limited to cases where
the transmitter is too far away or the
antenna input is poor.
Check the antenna connections.
Try using a high quality directional FM
antenna.
Set the TUNING MODE button to the manual
tuning mode.
There is distortion and clear reception
cannot be obtained even with a good
FM antenna.
There is multipath interference.
The station is too weak.
Adjust antenna placement to eliminate
multipath interference.
A desired station cannot be tuned in
with the automatic tuning method.
Use the manual tuning method.
Use a high quality directional FM antenna.
Previously preset stations can no
longer be tuned in.
This unit has been unplugged for a long
period.
Repeat the presetting procedure.
A desired station cannot be tuned in
with the automatic tuning method.
Weak signal or loose antenna connections.
Tighten the AM loop antenna connections
and rotate it for best reception.
Use the manual tuning method.
There are continuous crackling and
hissing noises.
Noises result from lightning, fluorescent
lamps, motors, thermostats and other
electrical equipment.
Use an outdoor antenna and a ground wire.
This will help somewhat but it is difficult to
eliminate all the noises.
There are buzzing and whining noises
(especially in the evening).
A television set is being used nearby.
Relocate this unit away from the TV.
<For China and General models only>
Repeat storing stations by following the
preset tuning procedure.
Although you make the operation for
recalling a preset station, the station
cannot be tuned in, or a station other than
the preset one is tuned in.
Some memory of the preset stations was
modified because the setting of the
FREQUENCY STEP switch was changed
after storing stations.
When playing back a source encoded with DTS:
What to Do
Problem
Cause
The player must be connected to a digital
audio signal input terminal of this unit besides
analog audio signal terminal connections.
A loud hissing noise is heard when you
play back a source encoded with DTS.
The player which plays back the source is
not connected to a digital audio signal input
terminal of this unit.
Select a proper input mode on this unit to turn
on the DTS decoder built into this unit.
The “ANALOG” input mode is selected on
this unit.
Set the input mode of the currently selected
input source to “DTS”.
A percussive noise is heard when you
begin playing back a source encoded with
DTS.
If the “AUTO” input mode is selected,
depending on some sources, there may be a
case that a noise is heard while this unit is
identifying the format of input signal.
Set the player’s digital volume control at the
maximum, neutral or ineffective position.
No sound is heard when you play back a
source encoded with DTS, even though the
“AUTO” or “DTS” input mode is selected
on this unit.
The DTS decoder built into this unit does not
function because the player has a digital
volume control and it is set at a position
other than “maximum”, “neutral” or
“ineffective”.
No sound is heard when you play back an
MD onto which you have recorded a
source encoded with DTS.
A source encoded with DTS cannot be
recorded onto an MD.
No sound is heard when you play back a
DAT onto which you have recorded a
source encoded with DTS.
Depending on a DAT deck, a source
encoded with DTS cannot be recorded onto
a DAT.
Press the INPUT MODE button on the front
panel or the input selector button (for the
currently selected source) on the remote
controller so that “PCM” appears on the
monitor screen.
No sound is heard when you play back a
source (CD etc.) even though the currently
selected input mode is “AUTO”.
In the “AUTO” mode, DTS-decoding mode
cannot be changed to the normal (PCM)
digital signal input mode automatically.
Notes
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back a source must be
connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a
D-to-A converter is used without using a DTS decoder, when you play back a source, only a loud hiss noise will be heard.
• If you make a search (or skip etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the
display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode
to prevent a noise from being output.
• A source encoded with DTS cannot be recorded onto analog audio and video tapes, and also, an analog tape recorded with a
source encoded with DTS cannot be played back.
The same result is obtained for MDs and DATs (depending on a DAT deck used for recording and/or playback).
71
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SPECIFICATIONS
Output Level/Impedance
Gain Tracking Error (0 to –60 dB)
MAIN L/R ....................................3 dB or less
AUDIO SECTION
REC OUT....................... 150 mV/1.0 k-ohms
PRE OUT............................ 2.6V/1.1 k-ohms
SUBWOOFER (MAIN SP: SMALL)
Minimum RMS Output Power Per Channel
(Power Amp. Section)
(When both channels are driven)
MAIN L/R
20 Hz to 20 kHz, 0.04% THD, 8 ohms
................................................ 85W+85W
1 kHz, 0.07% THD, 8 ohms
............................................ 100W+100W
CENTER
20 Hz to 20 kHz, 0.04% THD, 8 ohms
.......................................................... 85W
1 kHz, 0.07% THD, 8 ohms ............ 100W
REAR L/R
20 Hz to 20 kHz, 0.04% THD, 8 ohms
.................................................85W+85W
1 kHz, 0.07% THD, 8 ohms
............................................ 4.0V/1.2 k-ohms
VIDEO SECTION
Headphone Jack Rated Output/Impedance
Output Level
CD/TAPE⅐MD/DVD⅐LD/TV⅐DBS/VCR
/VIDEO AUX Input: 1 kHz,
150 mV, RL=8 ohms ........................ 0.55V
Impedance .................................... 390 ohms
Video Signal Type
[U.S.A. and Canada models]................NTSC
[Europe, U.K., Australia and Singapore
models] .................................................. PAL
[China and General models] ....... NTSC/PAL
Video Signal Level ................. 1 Vp-p/75 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TAPE⅐MD/DVD⅐LD/TV⅐DBS/VCR
/VIDEO AUX to MAIN L/R SP OUT
S-Video Signal Level
Y ......................................... 1 Vp-p/75 ohms
C .................................. 0.286 Vp-p/75 ohms
........................................................ 0±0.5 dB
RIAA Equalization Deviation
PHONO MM ....................................0±0.5 dB
Maximum Input Level ........... 1.5 Vp-p or more
Signal-to-Noise Ratio ............... 50 dB or more
.............................................100W+100W
Maximum Power (EIAJ) [China and General
models only]
1 kHz, 10% THD, 8 ohms
(When both channels are driven)
MAIN L/R ................................125W+125W
CENTER.............................................125W
REAR L/R ...............................125W+125W
Total Harmonic Distortion (20 Hz to 20 kHz)
CD/TAPE⅐MD/DVD⅐LD/TV⅐DBS/VCR/VIDEO
AUX to MAIN SP OUT, 40W/8 ohms
.............................................. 0.025% or less
PHONO MM to REC OUT, 1V
Monitor Out Frequency Response
..................................... 5 Hz to 10 MHz, –3 dB
................................................ 0.02% or less
FM SECTION
Signal-to-Noise Ratio (IHF-A Network)
CD/TAPE⅐MD/DVD⅐LD/TV⅐DBS/VCR/VIDEO
AUX to SP OUT (Input Shorted 150 mV)
(EFFECT OFF) ...................... 96 dB or more
PHONO MM to REC OUT
Tuning Range
[U.S.A. and Canada models]
..........................................87.5 to 107.9 MHz
[Europe, U.K., Australia, China, Singapore
and General models] ........87.5 to 108.0 MHz
Dynamic Power Per Channel
(by IHF Dynamic Headroom Measuring Method)
MAIN L/R (8 ohms/6 ohms/4 ohms/2 ohms)
(When both channels are driven)
..................................115W/140W/170W/200W
(Input Shorted 5 mV)
[U.S.A., Canada, China and General
models] .................................86 dB or more
[Europe, U.K., Australia and Singapore
models] .................................82 dB or more
50 dB Quieting Sensitivity (IHF, 75 ohms,
100% mod., 1 kHz)
[U.S.A., Canada, China and General
models only]
Dynamic Headroom
[U.S.A. and Canada models only]
MAIN L/R (8 ohms) .......................... 1.31 dB
Mono.................................1.6 µV (15.3 dBf)
Stereo................................23 µV (38.5 dBf)
DIN Standard Output Power Per Channel
[Europe, U.K. and Singapore models only]
MAIN L/R (1 kHz, 0.7% THD, 4 ohms)
(When both channels are driven) ..... 130W
Residual Noise (IHF-A Network)
MAIN L/R SP OUT ................. 170 µV or less
Usable Sensitivity (75 ohms)
[Europe, U.K., Australia and Singapore
models only]
DIN, Mono (S/N 26 dB) .....................0.9 µV
DIN, Stereo (S/N 46 dB).....................28 µV
Channel Separation (Vol. –30 dB, EFFECT
OFF)
CD/TAPE⅐MD/DVD⅐LD/TV⅐DBS/VCR/VIDEO
AUX Input 5.1 k-ohms Shorted
1 kHz/10 kHz
........................................ 60/45 dB or more
PHONO MM Input Shorted
1 kHz/10 kHz
IEC Power
[Europe, U.K. and Singapore models only]
MAIN L/R (1 kHz, 0.04% THD, 8 ohms)
(When both channels are driven) ....... 95W
Alternate Channel Selectivity (±400 kHz)
[U.S.A., Canada, China and General
models only]..........................................75 dB
Power Band Width
8 ohms, 40W, 0.09% THD
(When both channels are driven)
MAIN L/R .........................10 Hz to 50 kHz
.........................................60/55 dB or more
Selectivity (two signals, 40 kHz Dev. ±300
kHz)
[Europe, U.K., Australia and Singapore
models only] .........................................55 dB
Tone Control Characteristics
Bass
Boost/Cut ........................... ±10 dB (50 Hz)
Turnover frequency ........................ 350 Hz
Treble
Damping Factor (SPEAKER A)
MAIN L/R (20 Hz to 20 kHz, 8 ohms)
..................................................... 80 or more
Signal-to-Noise Ratio
Boost/Cut ......................... ±10 dB (20 kHz)
Turnover frequency ....................... 3.5 kHz
(IHF) Mono/Stereo
Input Sensitivity/Impedance
[U.S.A., Canada, China and General
models]..........................................81/75 dB
(DIN-Weighted, 40 kHz Dev.) Mono/Stereo
[Europe, U.K., Australia and Singapore
models]..........................................75/69 dB
CD/TAPE⅐MD/DVD⅐LD/TV⅐DBS/VCR
/VIDEO AUX ................... 150 mV/47 k-ohms
PHONO MM......................2.5 mV/47 k-ohms
Bass Extension (MAIN L/R) .......+6 dB (50 Hz)
Filter Characteristics
Maximum Input Signal
MAIN L/R, CENTER, REAR L/R
(MAIN, CENTER, REAR SP: SMALL)
(H.P.F.) .......................fc = 90 Hz, 12 dB/oct.
SUBWOOFER (L.P.F.)
CD/TAPE⅐MD/DVD⅐LD/TV⅐DBS/VCR
/VIDEO AUX (EFFECT ON)
(1 kHz, 0.5% THD) ................... 2.2V or more
PHONO MM (1 kHz, 0.04% THD)
............................................ 110 mV or more
.................................... fc = 90 Hz, 18 dB/oct.
72
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SPECIFICATIONS
Harmonic Distortion (1 kHz)
Mono/Stereo ....................................0.1/0.2%
Usable Sensitivity..............................300 µV/m
Signal-to-Noise Ratio ..............................52 dB
Output Level (30% mod., 1 kHz) .........150 mV
Maximum Power Consumption
[General model only] ...........................690W
Stereo Separation (1 kHz).......................48 dB
AC Outlets
2 SWITCHED OUTLETS
Frequency Response
20 Hz to 15 kHz ..................................0±1 dB
[U.S.A., Europe, Canada, China, Singapore
and General models] ....... 100W max. total
1 SWITCHED OUTLET
GENERAL
Output Level (100% mod., 1 kHz)
[U.K. and Australia models] ..... 100W max.
[U.S.A., Canada, China and General models]
...........................................................550 mV
[Europe, U.K., Australia and Singapore
models (40 kHz Dev.)] ......................550 mV
Power Supply
[U.S.A. and Canada models]
Dimensions (W x H x D)
........................................ 435 x 151 x 391 mm
(17-1/8” x 5-15/16” x 15-3/8”)
............................................. AC 120V/60 Hz
[Europe, U.K. and Singapore models]
............................................. AC 230V/50 Hz
[Australia model] .................. AC 240V/50 Hz
[China and General models]
Weight ......................... 13.0 kg (28 lbs. 10 oz)
AM SECTION
.................. AC 110/120/220/240V, 50/60 Hz
Accessories..........................Remote controller
Batteries
Tuning Range
[U.S.A., Canada, China and General models]
........................................... 530 to 1,710 kHz
[Europe, U.K., Australia and Singapore
models] ...............................531 to 1,611 kHz
Power Consumption
AM loop antenna
Indoor FM antenna
[U.S.A. model] ..................................... 310W
[Europe, U.K., Australia, China, Singapore
and General models] ............................350W
[Canada model]........................350W/440 VA
Antenna adapter
(U.S.A. and Canada models only)
* Specifications are subject to change without
notice.
73
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LIST OF MANUFACTURER’S CODES
LISTE DES CODES FABRICANTS
For U.S.A., Canada and China models
Modèles pour les Etats-Unis, le Canada et la Chine
Clarivox
Concerto
0037
0056
Harvard
Hinari
0180, 0068
0179, 0009, 0037, 0283
SETUP CODES FOR TV
Contec
Craig
0180, 0009, 0185, 0216
0180, 0161
Hisawa
Hitachi
0282
0145, 0056, 0032,
Manufacturer
Code
Crosley
Crown
0054
0109, 0151, 0576
0216
0282, 0037, 0264
A-Mark
AOC
Abex
Acura
Admiral
Adventura
Adyson
Aiko
0003
0180, 0039, 0009, 0037, 0418
Huanyu
Hypson
ICE
0030, 0019, 0003, 0052, 0185
Curtis Mathes 0047, 0054, 0154, 0051,
0451, 0093, 0060, 0030,
0032
0009
0093
0046
0032
0264
0283
0418
0037
0054
0017
0068
0145, 0056, 0016, 0039, 0166
ITT
Daewoo
0451, 0019, 0039, 0009,
Imperial
Indiana
Infinity
Inteq
Interbuy
Interfunk
Intervision
JBL
JCB
JEC
JVC
Janeil
KEC
0037, 0066, 0092
Dansai
Dayton
Daytron
De Graaf
Decca
Denon
Dixi
Dumont
Ectec
Electroband
Elin
0037
0009
0019
0208
0037
0145
0092
Akai
0030, 0208
0264
0179, 0216
0009, 0037
Akura
Alaron
Alba
Ambassador
Amstrad
Anam
Anam National
Anitech
Arcam
0037, 0512
0037, 0068, 0264
0054
0000
0502
0177
0009, 0171, 0177
0180, 0004, 0009, 0068
0004, 0009, 0037
0017, 0019
0391
0000, 0185
0053, 0069, 0160
0161
0009, 0068
0046
0180
0037
0216
Elta
0009
KTV
0180, 0030, 0039, 0185, 0280
Archer
0003
Emerson
0154, 0236, 0463, 0180,
0282, 0178, 0019, 0179,
0039, 0177, 0185, 0280
0030
Kaisui
Kamp
Kawasho
Kaypani
Kendo
Kenwood
Kingsley
Kloss
Korpel
Koyoda
LG
LXI
Leyco
0282, 0009, 0216
Audinac
Audiosonic
Audiovox
BPL
Basic Line
Baur
Baysonic
Belcor
Bell & Howell
Beon
Blaupunkt
Blue Star
Bradford
Brandt
Britannia
Brockwood
Broksonic
Bush
CCE
CS Electronics
CXC
Candle
Carnivale
Carver
Cascade
Cathay
Celebrity
Centurion
Cimline
0391
0037, 0109
0451, 0180, 0003, 0092
0216
0216
0052
0037
Envision
Erres
Ferguson
Fidelity
Finlandia
Finlux
Firstline
Fisher
Formenti
Frontech
Fujitsu
0282
0009
0037
0037, 0109, 0287, 0560
0216
0030, 0019
0037, 0512, 0535, 0554
0216
0046
0037
0009
0056
0180
0019
0154, 0016
0037
0535, 0554
0208
0179, 0037
0009, 0216
0154, 0159, 0208
0037
0047, 0054, 0154, 0156, 0178
0037, 0264
0282
0180
0109
0216
0264
0179
Liesenk & Tter
Lloytron
Loewe
Logik
Luxman
0037
0032
0512
Funai
Futuretech
GE
0180, 0179, 0171, 0264
0180
0047, 0051, 0451, 0093,
0282, 0178, 0021, 0135
0037
0019
0016, 0001
0236, 0463, 0003, 0426
0056
0009, 0037, 0068,
0109, 0287
0282, 0009, 0037
GEC
M Electronic
0037
0216
0180
Geloso
Gibralter
GoldStar
0009
0017, 0030, 0019
0030, 0178, 0019, 0056,
0001, 0002, 0032, 0037, 0109
MEI
MGA
MTC
0185
0150, 0030, 0178, 0019
0060, 0030, 0019, 0056,
0185, 0216, 0512
0054, 0030, 0179,
0186, 0187
0030, 0056, 0046, 0186
0030
0054, 0170
Goodmans
0179, 0037
0053, 0056, 0170
0037, 0208, 0339, 0502
0282
Gradiente
Granada
Grandin
Grundig
Grunpy
Magnavox
0009
0037
0000
0037
0009
Majestic
Manesth
Marantz
Mark
0016
0264
0054, 0030, 0037
0037
0037, 0535, 0554
0180, 0179
HCM
0282, 0009
Cineral
0451, 0092
Hallmark
Hanseatic
Harley Davidson
0178
0037
0179
Matsui
Matsushita
Mediator
0009, 0035, 0037, 0177, 0208
Citizen
0060, 0030, 0056, 0039,
0046, 0092, 0186, 0280
0185
0250
0037
Clairtone
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Megatron
Memorex
0178, 0145, 0003
0154, 0250, 0150, 0178,
0056, 0016, 0009
0535
Radiola
Realistic
0037
Techwood
Teknika
0051, 0056, 0003
0054, 0180, 0150, 0060,
0019, 0179, 0056, 0016,
0039, 0092, 0186
0056, 0109, 0252
0009
0154, 0165, 0180, 0030,
0178, 0019, 0056, 0039, 0032
Metz
Midland
Revox
Rex
Rhapsody
Roadstar
Runco
SBR
SEG
SEI
SSS
Saba
0037
0264
0185, 0216
0009, 0264, 0418
0047, 0017, 0051,
0039, 0032, 0135
0535, 0554
Telefunken
Teletech
Teleton
Texet
Thomson
Thorn
Minerva
Minutz
Mitsubishi
0186
0216
0021
0017, 0030
0093, 0150, 0178,
0019, 0512, 0535
0216
0037
0264
0177
0180, 0019
0109, 0287
0109, 0287
0035, 0037, 0512, 0535
0282
Mivar
Tomashi
Toshiba
Motorola
Multitech
NAD
NEC
NEI
NTC
Neckermann
Nesco
Nikkai
Nikko
Nisato
Nordmende
Noshi
Onwa
Optimus
Optonica
Orion
Osaki
Osume
Otto Versand 0037, 0512, 0535, 0554
Palladium
Panama
Panasonic
Pathe Cinema
Pausa
Penney 0047, 0156, 0051, 0060, 0030,
0178, 0021, 0019, 0018, 0056,
0039, 0002, 0003,
0093
0154, 0156, 0060,
0035, 0149, 0502
0185
0180, 0009, 0216
0156, 0178, 0166
0030, 0019, 0056, 0170
0037
Saisho
Sampo
Samsung
0009, 0177, 0264
0030, 0039, 0032, 0052
0060, 0030, 0178, 0019,
0056, 0039, 0009, 0032,
0037, 0090, 0264, 0427
0039
Tosonic
Totevision
Triumph
Ultra
Universum
Vector Research
Vestel
Victor
Vidikron
Vidtech
0039
0177
0391
0092
0037, 0554
0037, 0264, 0535
0179
Samsux
Sandra
Sansei
Sansui
Sanyo
Schneider
Scimitsu
Scotch
Scott
0030
0037
0053
0032, 0035, 0037, 0216, 0264
0030, 0178, 0092
0391
0216
0451
0463
0054
0109, 0287, 0560
0018
0180
0154, 0250, 0166
0093, 0165
0154, 0159, 0208, 0339
0037
0178, 0019
0046
Viking
0019
0178
Wards 0054, 0165, 0030, 0178, 0021,
0019, 0179, 0056, 0016, 0080
Watson
White Westinghouse
Yamaha
Yoko
0236, 0180, 0178, 0019, 0179
0047, 0054, 0154, 0156, 0178,
0179, 0056, 0149, 0159, 0171
0037
0037, 0216
0030, 0019
0037, 0264
0017, 0016, 0092
0003
0236, 0463, 0179, 0037, 0177
Sears
0032, 0264
0032
Semivox
Semp
Sentra
0180
0156
0035, 0283
0093, 0165, 0039
0019
Zenith
Zonda
0418
0264
0051, 0250, 0226
0216
Sharp
Shogun
Siemens
Signature
Simpson
Sinudyne
Solavox
Sonitron
Sonoko
Sonolor
Sontec
Sony
Soundesign
Soundwave
Spectricon
Squareview
Standard
Starlite
0037, 0535, 0554
0016
0009
0186, 0187
0177
0032
0208
0009, 0037
0208
SETUP CODES FOR CABLE
Manufacturer
Code
0032, 0135, 0149
Phase
Philco
Philips
Phonola
Pilot
Pioneer
Portland
Prism
Profex
Proscan
Protech
Proton
Pulsar
Quasar
Quelle
R-Line
RCA
0032
0054, 0463, 0030, 0145, 0019
0054, 0037, 0554
0037
ABC
Allegro
Archer
BBT
1003, 1008, 1014, 1011
1315
1797
1267
1056
1003
1056
1315
1031
1040
0037
0000, 0080
0030, 0019, 0039
0109, 0166, 0287
0019, 0039, 0092
0051
0180, 0178, 0179, 0186
0037, 0418
0003
Belcor
British Telecom
Cable Star
Citizen
Colour Voice
Comtronics
Contec
Emerson
Everquest
Focus
GC Electronics
Gemini
General Instrument
GoldStar
Goodmind
Hamlin
Hitachi
0171
0009
0180
0056
0046
0000
0009
0047
0009, 0037, 0264, 0418
0178, 0003, 0052
0017, 0019
Supra
1019
1797
Supre-Macy
Supreme
Sylvania
Symphonic
Sysline
TMK
Tandy
Tatung
Technics
Technol Ace
1015, 1040
1400
0051, 0250, 0165
0037, 0252, 0512, 0535, 0554
0037
0054, 0030
0171
0037
0178, 0056, 0177
0093
1056
1015
1476, 1011
1144, 1040
1797
0047, 0051, 0093, 0019,
0018, 0090, 0135
Radio Shack 0047, 0154, 0165, 0180,
0030, 0178, 0019, 0056,
0039, 0032
0003, 0037
0051, 0250
0179
1020, 1259, 1009, 1034
1011
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Jasco
Jerrold
1315
SETUP CODES
FOR DBS TUNER
SETUP CODES
FOR VCR
1003, 1012, 1476, 1014,
1015, 1011, 1024
1019
MNet
Manufacturer
Code
Manufacturer
Code
Magnavox
Memorex
Movie Time
NSC
Novaplex
Oak
1027
1000
1063
1063
1618
1019
1021
AST
Audio Ton
Avalon
Chaparral
Connexions
DNT
2321
2364
2396
ASA
3037, 3081
3048
Admiral
Adventura
Aiko
Aiwa
Akai
3000
3278
2053, 2209
2396
3037, 3000
3041, 3061, 3281, 3288
Optimus
2396
PVP Stereo Visual Matrix
1003
Echostar
Elta
Expressvu
Fuba
Galaxis
Galaxisat
General Instrument
Huth
2396
2364
2775
2396
2364
2321
2361
2364
Akiba
Akura
Alba
Ambassador
American High
Amstrad
3072
3271
Panasonic
Paragon
Philips
1000, 1107, 1021
1000
3209, 3072, 3278, 3020, 3295
1027, 1031
1144, 1533
1400
3020
3035
3000, 3278
3072
Pioneer
Popular Mechanics
Prelude
1770
1000
Anitech
Asha
Pulsar
3240
RCA
1021
JSR
2364
Asuka
3037
Radio Shack
Recoton
Regal
Rembrandt
Runco
SL Marx
Samsung
Scientific Atlanta
Signal
Signature
Sprucer
StarSight
Starcom
Stargate
Starquest
TV86
TeleCaption
Teleview
Timeless
Tocom
Toshiba
Tusa
1015, 1315
1400
1020, 1259
1011
1000
1040
1144, 1040
1008, 1477
1015, 1040
1011
JVC
Jerrold
Lemon
NEC
Neusat
Next-Wave
Primestar
Radix
2775
2361
2692
2507
2692
2732
2361
2396
2321
2692
2396
2321
Audiovox
Baird
Basic Line
Beaumark
Bell & Howell
Blaupunkt
3037
3000, 3104, 3041
3072, 3278, 3020
3240
3104
3162, 3034, 3195,
3226, 3227
3187, 3320
3041
Brandt
Brandt Electronic
Broksonic
SAT
SatPartner
Seemann
Triad
Wisi
Zehnder
3184, 3121, 3209, 3002,
1021
1422
3295, 3361, 3479
3209, 3072, 3278
Bush
CCE
CGE
Calix
Canon
Capehart
Carver
Catron
Cimline
Cineral
Citizen
Clatronic
Colt
1003, 1015
1015, 1040, 1770, 1797
2321, 2396
2321
3072, 3278
3000
3037
3035
3020
3081
3020
3072
3278
1015
1063
1221
1040
1418
1012
1000
1015
1003
(DSS)
AlphaStar
Echostar
General Instrument
HTS
Hitachi
Hughes Network System
Jerrold
Magnavox
Memorex
Panasonic
Philips
Primestar
RCA
Sony
Star Choice
Toshiba
2772
2775
2869
2775
2819
2749
2627
2724
2724
2701
2724
2627
2566
2639
2869
2790
2724
3037, 3278
United Cable
Universal
Viewstar
Zenith
3020
3072
3020
1056, 1191
1063, 1027
1000, 1054, 1525
1400
Condor
Craig
Crown
3037, 3047, 3240, 3072, 3271
3072, 3278, 3020
Zentek
Curtis Mathes 3060, 3035, 3041, 3162
Cybernex
Cyrus
Daewoo
Dansai
Daytron
De Graaf
Decca
3240
3081
3045, 3278, 3020
3072
3020
Uniden
3042, 3166
3081, 3000
3042
Denon
Dual
3041
Dumont
Dynatech
ESC
3081, 3000, 3104
3000
3240, 3278
3038
Elbe
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Elcatech
3072
3037
3037
M Electronic
MEI
MGA
MGN Technology
MTC
Magnasonic
Magnavox
Magnin
Manesth
Marantz
Marta
Matsui
Matsushita
Memorex
3000
3035
3240, 3043, 3061
3240
Pye
3081
3046
3046
Electrohome
Electrophonic
Emerex
Quarter
Quartz
Quasar
Quelle
RCA
3032
3035, 3162
3081
3060, 3035, 3048,
3240, 3042, 3202
3037, 3000
3081
Emerson
3037, 3184, 3000, 3121,
3043, 3209, 3002, 3278,
3036, 3061, 3068, 3208,
3212, 3295, 3361, 3479
3041, 3320
3000
3081, 3104
3081, 3000, 3042, 3104
3240, 3000
3278
3035, 3039, 3081, 3000
3240
3045, 3072
3035, 3081, 3062, 3295
3037
3209, 3036, 3208, 3295
3035, 3162
3035, 3037, 3048, 3039,
3047, 3240, 3000, 3104,
3162, 3046
Radio Shack
Radiola
Radix
Randex
Realistic
Ferguson
Fidelity
Finlandia
Finlux
3037
3037
3035, 3037, 3048, 3047,
3000, 3104, 3062, 3046, 3066
Firstline 3037, 3045, 3043, 3209, 3072
Fisher
Frontech
Fuji
Funai
GE
3047, 3104, 3046, 3054, 3066
Rex
3041, 3384
3034
3037, 3240, 3072, 3278
3039
3020
3035, 3033
Ricoh
Roadstar
Runco
SBR
SEG
SEI
STS
Saba
Saisho
Salora
Samsung
Sanky
3000
Memphis
Metz
Minerva
Minolta
Mitsubishi
3072
3162, 3195, 3227
3195
3060, 3035, 3048, 3240, 3202
3081
3240
3081
3042
GEC
3081
3000
3020
3072
Garrard
General
GoldHand
GoldStar
3042
3048, 3081, 3067, 3043,
3061, 3173, 3196
3035, 3048
3041, 3320, 3384
3209, 3036, 3208
3043, 3046
3240, 3045
3048, 3039
3037, 3038, 3225, 3471
Motorola
Multitech
Murphy
Goodmans
3037, 3000, 3072, 3278,
3062, 3020
3000, 3008
3240, 3104, 3041
3081, 3104, 3046
3037, 3000, 3072
3081, 3072, 3195, 3226
3072
3000, 3072
3000
Gradiente
Graetz
Granada
Grandin
Grundig
HCM
NEC
3104, 3067, 3041, 3038, 3040
Neckermann
Nesco
Nikko
Nikon
Noblex
3081
3072
3037
3034
3240
Sansui 3000, 3067, 3041, 3271, 3479
Sanyo
Schaub Lorenz
Schneider
Scott
3047, 3240, 3104, 3046
3000, 3104, 3041
3081, 3000, 3072
3184, 3045, 3121, 3043, 3212
HI-Q
3047
3037
3000
3038
Nokia
3240, 3104, 3041, 3046
3041, 3320, 3384
3000, 3041
3035, 3226
3037, 3048, 3104, 3162
3062
3184, 3121, 3209, 3002,
3036, 3208, 3295, 3479
3037, 3000, 3072
3081
Sears
3035, 3037, 3047, 3000, 3042,
Hanseatic
Harley Davidson
Harman/Kardon
Harwood
Headquarter
Hinari
Nordmende
Oceanic
Olympus
Optimus
Optonica
Orion
3104, 3046, 3054, 3066
Seleco
Semp
Sentra
Sharp
Shintom
Shogun
3041
3045
3020
3072, 3068
3046
3240, 3072, 3208
3240, 3000, 3042,
3041, 3166, 3235
3072
3048, 3062
3104, 3072
3240
Hitachi
Osaki
Siemens 3037, 3081, 3104, 3054, 3195
Silva
Singer
Hypson
ITT
ITV
Imperial
Interfunk
JVC
Jensen
KEC
Otto Versand
Palladium
Panasonic
3037
3045, 3072
3240, 3104, 3041, 3046, 3384
3037, 3041, 3072
3035, 3162, 3225,
3226, 3227
3037, 3278
Sinudyne
Solavox
Sonolor
Sontec
Sony
Sunstar
Suntronic
Sylvania
Symphonic
TMK
Tashiko
Tatung
Teac
3081
3020
3046
3000
3081
Pathe Cinema
Pathe Marconi
Penney
3036
3041
3067, 3041, 3008, 3384
3037
3035, 3032, 3000, 3033, 3034
3000
3041
3037, 3278
3035, 3037, 3240, 3042,
3038, 3040, 3054
3042
KLH
3072
3072
3209
Pentax
Perdio
Philco
3000
Kaisui
Kendo
Kenwood
Kodak
Korpel
LXI
Lenco
Leyco
LIoyd’s
Loewe
Logik
3000
3035, 3081, 3000, 3043
3035, 3209, 3038, 3479
3035, 3081, 3062, 3384
3081
3000
3240, 3036, 3208
3000
3081, 3000, 3041
3000, 3041
3067, 3041, 3038, 3384
Philips
Phonola
Pilot
Pioneer
Portland
Profitronic
Proline
Proscan
Protec
3035, 3037
3072
3037
3278
3072
3037
3081, 3067, 3162, 3235
3020
Tec
3020
3240
3000
3060, 3202
Technics
Teknika
Teleavia
Telefunken
Tenosal
3035, 3162, 3226
3035, 3037, 3000
3041
3000, 3208
3037, 3081
3240, 3072
3072
3039
3041, 3187, 3320, 3384
3072
Luxor
3048, 3104, 3043, 3062, 3046
Pulsar
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Tensai
3000
3000
Elektra
Emerson
Fisher
6393, 6437
6305, 6155, 6164
6179, 6048, 6088, 6342
SETUP CODES
FOR LD PLAYER
Thomas
Thomson
Thorn
3041, 3320, 3384
3104, 3041, 3036
3081, 3045, 3043, 3041,
3066, 3212, 3366, 3384
3037, 3240
Garrard 6420, 6393, 6245, 6280, 6425
Manufacturer
Code
Toshiba
Genexxa
Goodmans
Grundig
Harman/Kardon
Hitachi
JVC
Kenwood
Kodak
Krell
Kyocera
LXI
Linn
Luxman
MCS
6032, 6305, 6164, 6426
6305, 6245, 6280
Aiwa
Carver
Denon
Disco Vision
Funai
5203
5064, 5194, 5323
5059, 5172
5023
Totevision
Triumph
Uher
Unitech
Universum
6157
6426
6032, 6155
3208
3240
3240
6072
5203
5023
5194, 5217
5064, 5194
5059
5059
5204
5064, 5194
5059, 5023
5204
3037, 3081, 3240,
3000, 3195
6028, 6037, 6190, 6048
Hitachi
6287
6157
6018
6305
6157
6093
Magnavox
Marantz
Mitsubishi
NAD
Panasonic
Philips
Pioneer
Quasar
Realistic
Salora
Samsung
Sega
Vector
3045
Vector Research
Video Concepts
Videosonic
3038, 3040
3045, 3040, 3061
3240
Wards
3060, 3035, 3048, 3047,
3081, 3240, 3000, 3042,
3072, 3062, 3212
6029, 6043
6420
6157, 6305
MTC
White Westinghouse
XR-1000
Yamaha
Yamishi
Yokan
3278
3035, 3000, 3072
3038
Magnavox
Marantz
Matsui
Mclntosh
Memorex
5203
5064
5323
5023
6029, 6157, 6180
6157
6287
6032, 6305, 6155,
3072
3072
Sony
5193, 5201
5204
Yoko
Zenith
3240, 3020
3039, 3000, 3033, 3034
6164, 6180
Technics
Telefunken
Theta Digital
Yamaha
Meridian
Micromega
Mission
Mitsubishi
NAD
6157
6157
6157
6156
5059
5194
5217
6000
SETUP CODES
FOR DVD PLAYER
NEC
NSM
6043
6157
Nagaoka
Naim
Nakamichi
Nikko
Onkyo
Optimus
6018
6157
6147
6164, 6170
SETUP CODES
FOR CD PLAYER
Manufacturer
Code
JVC
4558
4534
4503
4521
4503
Manufacturer
Code
Kenwood
Magnavox
Mitsubishi
Onkyo
Panasonic
Philips
Pioneer
Proscan
RCA
6101
6000, 6032, 6179, 6305,
6037, 6420, 6048, 6145,
6468, 6087, 6280, 6342,
6426, 6437
ADC
Acoustic Research
Adcom
Aiwa
Akai
6018
6420
6155
4490
6157, 6012, 6124
6156
4503, 4539
4525
Panasonic
Parasound
Philips
Pioneer
Poppy
Proton
QED
Quad
6029, 6303
6420
6157, 6287
Arcam
6157
6437
6157
6170
6157
6157
6157
6245
4522
4522
4533
4490
Audio Pro
Audio Research
Audio-Technica
Audio Ton
Audiolab
Audiomeca
BSR
6032, 6305, 6468, 6244
6164
Sony
Technics
Toshiba
Yamaha
Zenith
6157
6157
6157
6029
4503
4490, 4545
4503
Quasar
RCA
6179, 6305, 6053, 6155
Bestar
6164
Realistic 6179, 6420, 6155, 6164, 6180
Burmester
Bush
California Audio Lab
Carver
Condor
Crown
6420
6245
6029
Revox
Roadstar
Rotel
6157
6461
6157, 6420
6157, 6179, 6437
6164
Royal
SAE
6420
6157
6122
STS
6018
Cyrus
6157
Sansui
Sanyo
Scott
6157, 6305, 6202
6179, 6048, 6087, 6342
6305, 6155, 6164
DAK
DKK
Denon
6245
6000
6003, 6034
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Sears
Sharp
Sherwood
Shure
6305
6037, 6180, 6261
6114, 6180, 6426
6043
SETUP CODES
FOR TAPE DECK
Manufacturer
Code
Sony
6000, 6185
6145, 6425
6420
Soundesign
Tascam
Teac
Technics
Universum
Victor
ADC
Aiwa
Akai
8171
8029, 8197
8283
6420, 6393, 6180
6029, 6303
6157, 6437
6072
Arcam
Carver
Denon
Fisher
Garrard
GoldStar
Grundig
8076
8029
8076
8074
Wards
6157, 6053
Yamaha 6036, 6187, 6261, 6082, 6712
Yorx
8308, 8309, 8375
8375
6461
8029, 8375
JVC
8244, 8274, 8303, 8304, 8310
Kenwood
Kyocera
Magnavox
Marantz
Memorex
Mitsubishi
Onkyo
Optimus
Panasonic
Philips
8071, 8092, 8233, 8234
8171
8029
8029, 8009
8099
SETUP CODES
FOR MD RECORDER
Manufacturer
Code
8283
8136, 8282
8027, 8220, 8337
8229
Kenwood
Sony
Yamaha
7826
7490
7888, 7490
8029
Phonotrend
Pioneer
Revox
8337
8027, 8220, 8099
8029, 8190
Sansui
Sanyo
8029, 8009
8074
Sharp
8231
Sherwood
Sonic
Sony
8337
8375
8243, 8170, 8291
8280, 8289, 8308, 8309
8229
Teac
Technics
Universum
Victor
8375
8274
Wards
8027
Yamaha
8097, 8094, 8478, 8524
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For Australia model
Modèle pour l’Austrarie
Harvard
Hinari
Hisawa
0068
0037, 0218, 0009, 0036
0282, 0455
SETUP CODES FOR TV
Continental Edison
0196, 0198,
0205, 0333
Manufacturer
Code
Crosley
Crown
Crystal
0074, 0076, 0084, 0213
0037, 0370, 0418, 0009, 0076
0431
Hitachi 0217, 0036, 0109, 0032, 0043,
0044, 0105, 0163, 0196,
Abex
0032
0009
0198, 0225, 0306, 0349
Acura
Admiral
Adyson
Akai
Akura
Alaron
Alba
Curtis Mathes
Cybertron
Daewoo
Dainichi
Dansai
Dayton
De Graaf
Decca
Dixi
Dual
Dual Tec
Dumont
Elbe
0093
0218
0037, 0374, 0009
0218, 0215
0037
Huanyu
Hypson
ICE
0216, 0374
0037, 0282, 0264
0217, 0371, 0264
0093, 0163, 0213
0217, 0032
0208, 0361
0218, 0264, 0369
0216
ICeS
0218
ITS
0371
0009
0208
0037, 0072
0037, 0009
0336, 0352
0217
ITT
0163, 0361
0037, 0218, 0371, 0009,
0036, 0235
0294
Imperial
0370, 0418, 0074, 0076,
0084, 0247
Allorgan
Amplivision
Amstrad
Anam
Anitech
Arcam
Asberg
Asuka
Atlantic
Audiosonic
Autovox
BPL
Indiana
0037
0217
Ingelen
0163
0371, 0009, 0362, 0369
0009, 0068
0009, 0068, 0076
0216, 0217
0076
Inno Hit
Interbuy
Interfunk
Intervision
0072
0068
0070
0259
0037
0037, 0163, 0247, 0361
Elin
Elite
Elta
Emerson
Erres
0037, 0217, 0264,
0218, 0320
0009
0282, 0213, 0361
0037, 0012
0206
0102, 0068
0218
0206
0037, 0109
0206, 0076, 0336
0282
Isukai
0218
JVC
0371, 0036, 0053, 0190, 0192
KTV
0217
Expert
Ferguson
Kaisui
Kamp
0216, 0217, 0218, 0009, 0282
0037, 0109, 0005, 0073,
0216
BSR
0294
0190, 0238, 0287, 0335, 0343
0216, 0361
0208, 0346, 0359
0037, 0072, 0070, 0105, 0346
0216, 0217, 0294, 0009,
0321, 0247
Kapsch
Kawasho
Kendo
Kingsley
Kneissel
Korpel
Koyoda
Leyco
0206, 0163
0216
0037, 0235, 0362
BTC
Baird
Basic Line
Baur
Beko
Beon
Binatone
Blaupunkt
0218
0343
Fidelity
Finlandia
Finlux
0218, 0009
0037, 0010, 0554, 0349, 0361
0216
0259
0037
0009
Firstline
0370
0037
0217
Fisher
Flint
0370, 0217, 0208, 0303
0455
0037, 0294, 0072, 0264
0554, 0191, 0195, 0200,
Formenti
Frontech
Fujitsu
Funai
0037, 0320, 0213
0264, 0431, 0163, 0247
0072, 0206
Liesenk & Tter
Lloytron
Loewe
Luma
Luxor
0037
0032
0075
0213, 0327, 0328
Blue Sky
Blue Star
Bondstec
Boots
0218
0282
0247
0294, 0264, 0303
0282, 0093
0206
GE
0349, 0361
0217
GEC
GPM
Geloso
Genexxa
GoldStar
0037, 0217, 0072, 0043, 0205
0218
M Electronic
0037, 0217, 0374, 0009,
0109, 0068, 0105, 0163,
0287, 0346
Brandt
0109, 0196, 0198,
0205, 0333, 0335
0362
0009, 0213
0218, 0163
0037, 0217, 0109,
0032, 0290
0037, 0217, 0374, 0371,
Brionvega
Britannia
Bush
MGA
MTC
0150
0216, 0349
0102, 0247
0216
0037, 0218, 0374, 0371, 0294,
0009, 0282, 0036, 0349
0037, 0217
Magnadyne
Magnafon
Magnavox
Manesth
Marantz
Mark
Goodmans
0102, 0076, 0213
0036
0217, 0320, 0264, 0235
0037
CCE
CGE
CS Electronics
CTC
Carrefour
Cascade
Cathay
Centurion
Century
Cimline
0072, 0036, 0235, 0317, 0343
0074, 0076, 0084, 0247, 0306
Gorenje
Gradiente
Graetz
0370
0053
0163, 0361
0216
0247
0036
0009
0037
0037
0213
0009
0037
0037
Granada
0037, 0217, 0072, 0146,
Matsui
0037, 0217, 0371, 0294,
0009, 0072, 0036, 0035,
0011, 0208, 0235
0250
0208, 0339, 0359
Grandin
Grundig
0282
Matsushita
McMichael
Mediator
Memorex
Memphis
Metz
0037, 0554, 0070, 0191,
0195, 0205
0043
0037, 0012
0009, 0250, 0150
0337
Clarivox
Clatronic
Condor
HCM
Hanseatic
Harley Davidson
0009, 0282
0037, 0320, 0361
0043
0370, 0076, 0247
0370, 0320
0216, 0009, 0036, 0157
0213, 0367
Contec
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Midland
Minerva
Minoka
Mitsubishi
Mivar
0032
0554, 0070
Revox
Rex
Rhapsody
Roadstar
SBR
SEG
SEI
Saba
0037
0206, 0264, 0163, 0259
0216
0218, 0418, 0009, 0264
0037, 0012, 0043
Thorn
0037, 0072, 0035, 0074,
0084, 0190, 0192, 0361
0369
Thorn-Ferguson
Tomashi
Toshiba
Trical
Triumph
Uher
Ultra
Ultravox
Universum
0343
0282
0036, 0093, 0108, 0150
0216, 0290, 0291, 0292
0076
0036, 0035, 0070, 0243
Motion
Motorola
0217, 0264, 0036, 0076
0294, 0102, 0213
0157
0243
0206, 0320, 0303
0192
0093
Multitech 0216, 0217, 0009, 0102, 0076
NEC
NEI
Neckermann
0109, 0075, 0163, 0196, 0198,
0205, 0213, 0287, 0335, 0343
0238
0455, 0036
0037, 0431, 0337
0037, 0554, 0191,
0213, 0349
Saccs
0102
Saisho 0009, 0264, 0431, 0011, 0235
Salora
Sambers
Sampo
Samsung
0037, 0370, 0264,
0105, 0346
0037
0163, 0349, 0359, 0361
0102, 0076, 0213
0032
0037, 0370, 0217, 0009,
0264, 0032, 0090, 0290
0216
Nikkai
0037, 0216, 0218, 0072,
0264, 0035, 0032, 0337
0317
Vestel
Victor
0053
0247
0217
0036
0320
0163
0217
Nikko
Nobliko
Nokia
Videosat
Videotechnic
Vidtech
Vision
Voxson
Waltham
Watson
Watt Radio
Wega
0102, 0076
0361
Sandra
Nordmende
0109, 0196, 0198,
0213, 0287, 0343
0163, 0215, 0361
0250
Sanyo 0072, 0036, 0011, 0146, 0157,
0208, 0213, 0339
Schaub Lorenz
Schneider
Oceanic
Optimus
Optonica
Orion
Osaki
Oso
0361
0037, 0218, 0371, 0247,
0303, 0323, 0336, 0352
0146
0037, 0320
0102
0093
0037, 0294, 0320, 0321, 0235
0217, 0218, 0072, 0264, 0032
0218
Sears
Sei-Sinudyne
Seleco
Sentra
Sharp
Shorai
Siarem
Siemens
0036
0010
White Westinghouse 0037, 0216, 0320
Yoko
Zanussi
0206, 0163, 0259, 0362
0035
0036, 0093, 0157
0294
0102, 0213
0037, 0554, 0157, 0191,
0037, 0217, 0264, 0431
0206
Osume
Otake
0072, 0032, 0157
0317
Otto Versand 0037, 0217, 0320, 0036,
0010, 0554, 0191, 0213,
0343, 0349
Palladium
Panama
0370, 0418
0217, 0264
0195, 0200, 0213, 0327, 0328
0036
Silver
Panasonic
0250, 0163, 0213, 0214,
0226, 0367
Sinudyne
Solavox
Sonitron
Sonoko
Sonolor
Sontec
Sony
Soundwave
Standard
Stern
0294, 0102, 0213, 0235
0032, 0163
Pathe Cinema 0216, 0320, 0213, 0238
Pathe Marconi 0196, 0198, 0205, 0333
0208
0037, 0009
0163, 0208, 0215
0037
0036, 0010, 0011
0037, 0418
0217, 0218, 0009
0206, 0163, 0259
0294, 0321
0218
Pausa
Penney
Perdio
Phase
Philco
Philips
0009
0032
0320
0032
0074, 0076, 0084, 0213, 0247
0037, 0374, 0554, 0012,
0043, 0323
Sunkai
Susumu
Sysline
Phonola
Pioneer
Profex
0037, 0012
0109, 0163, 0287
0009, 0076, 0361
0321
0037
Tandy
0217, 0218, 0072, 0093, 0163
0217, 0036, 0043, 0359
0037, 0217, 0072
0217, 0247
Proline
Protech
Tashiko
Tatung
Tec
Technema
Technics
Teknika
Teleavia
0037, 0217, 0418, 0009,
0264, 0102, 0431, 0247, 0337
0012
Pye
0320
0250
0150
Quasar
Quelle
0250
0037, 0010, 0554, 0011,
0070, 0074, 0084, 0200,
0213, 0306, 0327, 0328, 0361
0036
0205, 0333, 0343
Telefunken
0109, 0005, 0074, 0084,
0101, 0213, 0262, 0306,
0335, 0343
Questa
R-Line
RBM
0037
0070
0090, 0093
Telemeister
Teletech
Teleton
Tensai
Texet
0320
0009
RCA
Radio Shack
Radiola
Rank Arena
Realistic
Rediffusion
0032
0037, 0012, 0323
0036
0217, 0206, 0349
0218, 0294, 0320, 0317
0216, 0218
0109, 0196, 0198, 0205,
0287, 0333, 0343, 0349
0032
0361
Thomson
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Hitachi
Houston
Huth
2455
2668
SETUP CODES FOR CABLE
SETUP CODES
FOR DBS TUNER
2243, 2288, 2220, 2346
Manufacturer
Code
ITT
2108
Manufacturer
Code
InVideo
Intervision
JVC
Johansson
Kathrein
2871
2592
2571
2332
ABC
1003, 1008, 1014, 1017
Birgmingham Cable Communications
1276
British Telecom
Cabletime
Clyde
AST
Alba
Aldes
Allantide
2321, 2351
2455, 2421, 2362, 2613
1003, 1105
1161, 1271, 1377
1086
2288
2333
2173, 2200, 2092, 2331,
2358, 2394, 2442, 2480, 2504
2331, 2335
Amstrad 2080, 2252, 2345, 2461, 2501
Ankaro 2369, 2288, 2220, 2519, 2217
Kosmos
Contec
1019
Kreiselmeyer
Kyostar
La Sat
2173
2421
2520, 2513, 2464
2692
Decsat
Filmnet
France Telecom
GEC
1423
1443
1451
1086
Anttron
Arcon
Armstrong
Astra
2421, 2183
2368
2243
2108, 2539
Lemon
Lenco
Lennox
Lupus
Luxor
Manhattan
Marantz
Maspro
2421, 2335
2592
General Instrument
GoldStar
Jerrold
1276
1144
1003, 1276, 1014
1443, 1019
1032
Astro
Avalon
Axis
BT
Barcom
Beko
Best
Blaupunkt
Boca
Brain Wave
Bush
CNT
Cambridge
Channel Master
Chaparral
CityCom
Commlink
Connexions
Crown
2520, 2173, 2358, 2501
2396
2369, 2530
2369
2573, 2108
2455, 2592, 2520
2200
2092, 2328, 2336
2571, 2344
2243
MNet
2668
2217
2189
Magnavox
Memorex
Movie Time
NSC
1000
1156
1156
1019
1003
1000
1000
2369, 2217
2173
2243, 2513
Matsui
Mediamarkt
Micro Technology
Minerva
Morgan’s
Multistar
Muratto
Navex
Neuhaus
Neusat
Newhaus
Nikko
Oak
2333, 2539
2571
2243, 2513
2331, 2464
2335
2332
2501
2692, 2834
2220
PVP Stereo Visual Matrix
Panasonic
Paragon
Pioneer
Pulsar
Runco
STS
Salora
Samsung
Satbox
2332
2067
2520
2344
1144, 1260
1000
2362
1000
1156
1382
1144
2053, 2209
2394
2288
2396
2243
2360
1375
Nokia
2455, 2573, 2108, 2328,
Scientific Atlanta
Starcom
1008, 1277, 1017
1003
Cyrus
D-box
2200
2723
2397, 2873
Nordmende
Orbitech
Oxford
2362
2501
2344
Tele+1
Teleservice
Toshiba
1443
1281
1000
1286
DDC
DNT
Diskxpress
Drake
2362
2396, 2200
2217
2268
Pace
2455, 2183, 2067, 2328,
Tudi
2336, 2791
2297
United Cable
Videoway
Westminster
Zenith
1003
1250
1105
1000
EIF
2417
2396, 2871
Palcom
Palladium
Palsat
Echostar
Emanon
FTE
2571
2501
2421
2331
Panda
Philips
2455
Ferguson
Fidelity
Finlux
Fracarro
Freecom
Fuba
2183, 2067, 2189, 2336
2455, 2571, 2200, 2292, 2328
2252
Phonotrend
Planet
Plasmatic
Polytron
Promax
Prosat
Quadral
RFT
Radiola
Radix
SAT
SEG
STVI
2288, 2592
2871
2455, 2108, 2344, 2397
2871
2421, 2335
2421, 2369, 2396, 2217,
2442
2394
2455
2288
2297, 2417
2183
2288, 2834, 2863
G-Sat
Galaxis
2362, 2519
2288, 2220, 2200
2200
2396, 2882
2321, 2351, 2461
2421, 2369, 2539
2417
Galaxisat
GoldStar
Gooding
Goodmans
Grothusen
Grundig
2321
2335
2571
2189
2335
2571, 2173, 2189, 2328
Saba
Sabre
2520, 2336
2455
Harting und Helling
Hinari
2333
2183
Sagem
Salora
2820
2108
Hirschmann
2502, 2173, 2573,
2287, 2333, 2397, 2398
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Samsung
SatPartner
2287
Emerson
3000, 3037, 3278, 3209,
3036, 3043, 3088
3320, 3041, 3107, 3321
3000
3081, 3104
3000, 3081, 3042, 3104
3072, 3037, 3209,
3045, 3043
3046, 3047, 3054, 3104
3020
SETUP CODES FOR VCR
2421, 2332, 2520, 2502,
2335, 2692
2605, 2346
2183, 2328
2346
Ferguson
Fidelity
Finlandia
Finlux
Manufacturer
Code
Satcom
Satec
ASA
3037, 3081
Satmaster
Schwaiger
Seemann
Siemens
Skymaster
Star Trak
Strong
Sunstar
TPS
Tantec
TechniSat
Techniland
Telefunken
Teleka
Telesat
Thomson
Tonna
Admiral
Adventura
Aiko
3048
3000
3278
2183, 2394, 2504
2396, 2530
2173
2288, 2605, 2519
2421
Firstline
Fisher
Frontech
Fuji
Funai
GE
Aiwa
Akai
Akiba
Alba
3000, 3037, 3307, 3348, 3352
3315, 3106, 3041, 3053
3072
3033
3000
3048, 3240
3081
2421
2513
2820
3072, 3020, 3278, 3209,
3315, 3352
GEC
Ambassador
Amstrad
Anitech
3020
2455, 2297, 2336
2262, 2501
2346
Garrard
General
Go Video
GoldHand
GoldStar
Goodmans
3000
3020
3432
3072
3000, 3278, 3325, 3332
3072
3240
3037
3037
Asha
Asuka
2421
2243, 2613
2605
3037, 3038, 3225
3072, 3000, 3020,
Audiovox
Baird
3000, 3041, 3104, 3107
2455
Basic Line
Beaumark
Bell & Howell
Blaupunkt
3072, 3020, 3278
2668, 2346
2321, 2333, 2335, 2351
2501
3037, 3278, 3403
Gradiente
Graetz
3240
3104
Triad
Triasat
3000, 3008
3005, 3041, 3104, 3240
3034, 3226, 3195,
Unitor
Universum
Vector
2332, 2217
2571, 2173
2333
Granada
Grandin
Grundig
3081, 3046, 3104
3072, 3000, 3037
3072, 3081, 3347, 3226,
3003, 3006, 3154,
3162, 3227, 3403
3320, 3187, 3321
Brandt
Ventana
Vortec
Vtech
2200
2421
2351
3195, 3003, 3006, 3007,
Brandt Electronic
Broksonic
Bush
3041
3209
3207, 3349, 3403
HCM
3072
3072, 3278, 3209, 3352
Wevasat
Winersat
Wisi
2333
2332
HI-Q
3047
3037
3000
3038
CCE
CGE
Calix
Capehart
Carver
3072, 3278
Hanseatic
Harley Davidson
Harman/Kardon
Harwood
Headquarter
Hinari
3000
3037
3020
3081
3020
3072
3278
2455, 2396, 2173, 2321,
2351, 2372, 2406, 2407
2889
XSat
Xcom Multimedia
Zehnder
3072
2889
2520, 2321, 2331
3046
3072, 3004, 3240, 3352
3000, 3004, 3042, 3041,
3166, 3235, 3240
3072
3106, 3046, 3384, 3005,
3041, 3104, 3240
3037, 3278
Catron
Cimline
Cineral
Citizen
Clatronic
Colt
Combitech
Condor
Craig
Hitachi
3037, 3278
Hypson
ITT
3020
3072
3352
3020
ITV
Imperial
Ingersol
Interfunk
JVC
3000
3004
3081
3072, 3037, 3047, 3240
3072, 3020, 3278
3041, 3162
3240
Crown
Curtis Mathes
Cybernex
Cyrus
Daewoo
Dansai
3067, 3384, 3008, 3041,
3206, 3207, 3486
3041
3081
3020, 3278, 3045
3072
Jensen
KEC
3037, 3278
KLH
3072
3072
Daytron
De Graaf
Decca
Denon
Dual
Dumont
Dynatech
ESC
3020
Kaisui
Kendo
Kenwood
Kodak
Korpel
LXI
Lenco
Leyco
LIoyd’s
Loewe
Logik
3042, 3166
3000, 3081
3042
3209, 3106
3067, 3384, 3038, 3041
3037
3041
3000, 3081, 3104
3000
3072
3037
3278
3072
3278, 3240
3038
Elbe
3000
Elcatech
Electrohome
Electrophonic
Emerex
3072
3037
3037
3032
3037, 3004, 3081, 3006
3072, 3004, 3240
3106, 3048, 3046, 3043, 3104
Luxor
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M Electronic
MGA
MGN Technology
MTC
Magnasonic
Magnavox
Magnin
Manesth
Marantz
3000
3043, 3240
3240
3000, 3240
3278
Quelle
RCA
RFT
Radio Shack
Radiola
Radix
Randex
Realistic
3081
3106, 3042, 3048, 3240
3403
Tensai
3322, 3000
3000
3320, 3384, 3041
3036, 3041, 3104
3081, 3045, 3384,
3041, 3043
Thomas
Thomson
Thorn
3000, 3037
3081
Toshiba
3000, 3081
3240
3037
3037
3000, 3037, 3048,
3046, 3047, 3104
3384, 3041
3034
Totevision
Towada
Uher
Unitech
Universum
3037, 3240
3072, 3045
3081, 3003, 3006
3037
3209, 3004, 3036,
3088, 3348, 3352
3162
3000, 3037, 3048,
3046, 3047, 3104,
3162, 3240, 3307
3072
3347, 3195, 3003,
3006, 3162, 3227
3195, 3006
3042
3322
3240
3240
Marta
Matsui
Rex
Ricoh
Roadstar
SBR
SEG
SEI
3000, 3037, 3081, 3106,
3195, 3006, 3240, 3325
3045
3072, 3037, 3278, 3240
3081
Matsushita
Memorex
Vector
3322, 3240
3004, 3081
3042
Vector Research
Video Concepts
Videosonic
3038
3045
3240
STS
Saba
Memphis
Metz
3320, 3384, 3041, 3206,
3207, 3297, 3321
3209, 3004, 3036, 3088
3106, 3046, 3043
3432, 3045, 3053, 3240
3048
3000, 3067, 3041
3046, 3047, 3104, 3240
3352
3000, 3005,
3041, 3104
3072, 3000, 3081
3045, 3043
3000, 3037, 3042, 3046,
3047, 3054, 3104
3041
Wards
3072, 3000, 3081, 3042,
3048, 3047, 3240
Saisho
Salora
Samsung
Sanky
Sansui
Sanyo
Saville
Schaub Lorenz
White Westinghouse
XR-1000
Yamaha
Yamishi
Yokan
Yoko
3278
3072, 3000
3038
Minerva
Minolta
Mitsubishi
Motorola
Multitech
Murphy
NEC
Neckermann
Nesco
Nikko
3081, 3067, 3048, 3043
3072
3072
3020, 3240
3000, 3033, 3034
3048
3072, 3000
3000
Zenith
3067, 3038, 3041, 3104
3081
3072
3037
3034
3240
Schneider
Scott
Sears
Nikon
Noblex
SETUP CODES
FOR DVD PLAYER
Nokia
3106, 3046, 3041, 3104, 3240
Seleco
Semp
Sentra
Sharp
Shintom
Shogun
Shorai
Siemens
Nordmende
3320, 3384, 3041,
3297, 3321
3000, 3041
3315, 3348
3226
3045
3020
3048
Manufacturer
Code
Oceanic
Okano
Olympus
Kenwood
Magnavox
Onkyo
Panasonic
Philips
4534
4503
4503
3072, 3104
3240
Optimus 3037, 3432, 3048, 3104, 3162
Orion
3004
4490
3209, 3004, 3036,
3088, 3348, 3352
3072, 3000, 3037
3081
3037, 3081, 3195, 3003,
3006, 3054, 3104
3037
4539, 4503
4525
Pioneer
Sony
Osaki
Otto Versand
Palladium
Panasonic
Pathe Cinema
Pathe Marconi
Silva
Singer
Sinudyne
Solavox
Sonolor
Sontec
4533
4490
4551
4503
3072, 3045
3004, 3081
3020
Technics
Thomson
Toshiba
Yamaha
Zenith
3072, 3037, 3006, 3041
3226, 3162, 3225, 3227
3036
3046
3037
4490, 4545
4503
3041
Penney 3037, 3042, 3038, 3054, 3240
Sony
3000, 3032, 3033, 3034, 3011
Pentax
Perdio
Philco
Philips
Phonola
Pilot
Pioneer
Portland
Profex
Profitronic
Proline
Protec
Pye
Quarter
Quartz
Quasar
3042
3000
3209, 3038
3081, 3384, 3403
Sunkai
Sunstar
Suntronic
Sylvania
Symphonic
TMK
Tashiko
Tatung
Teac
3348
3000
3000
3000, 3081, 3043
3081
3037
3000
3036, 3240
3000
3081, 3067, 3162, 3235
3020
3322
3240
3000
3072
3081
3046
3046
3162
3000, 3081, 3041
3000, 3041
3020
Tec
Technics
Teknika
Teleavia
Telefunken
3226, 3162
3000, 3037
3041
3320, 3384, 3041,
3187, 3321
3072
Tenosal
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Goodmans
Grundig
Harman/Kardon
Hitachi
6536
6157
6108, 6173
6032, 6291
6072
SETUP CODES
SETUP CODES
FOR LD PLAYER
FOR MD RECORDER
Manufacturer
Code
Manufacturer
Code
JVC
Kenwood
6037, 6523, 6028,
6048, 6190
6287
Aiwa
Carver
Cyrus
5203
5064, 5194
5388
Kenwood
Sony
Yamaha
7826
7490
7888, 7490
Kodak
Krell
Linn
6157
6157
6328
6525
Denon
Disco Vision
Funai
5059, 5172
5023
Luxman
M Electronic
MCS
Magnavox
Marantz
Matsui
Mclntosh
Memorex
Meridian
Micromega
Mission
Mitsubishi
NAD
5203
5023
5194, 5217
5064, 5194
5059
Hitachi
6029
Magnavox
Marantz
Mitsubishi
NAD
Panasonic
Philips
Pioneer
Quasar
Radiola
Realistic
Salora
SETUP CODES
FOR TAPE DECK
6157, 6038, 6129
6157, 6029, 6038, 6129
6157, 6288, 6307
6287
5059
Manufacturer
Code
5204, 5496
5064, 5388, 5194
5023, 5059
5204
6032, 6164
6157
6157
6157
6108, 6156
6000
Aiwa
Akai
Arcam
8029, 8197, 8200
8188, 8189
8076
5388
5203
5064
Carver
Denon
Fisher
8029
8076, 8412
8074
NSM
Naim
Nikko
Onkyo
6157
6157
Sega
Sharp
Sony
Technics
Telefunken
Theta Digital
Thorn
5023
5001
5193, 5201
5204, 5496
5059
Grundig
Harman/Kardon
JVC
8029
8182
8244, 8273, 8274
8070, 8071, 8092,
8205, 8233, 8234
8029
6525, 6164
6101, 6102
6000, 6032, 6037, 6536,
6048, 6179, 6196, 6342
6303, 6029, 6367
6157, 6274, 6287
6032
Kenwood
Optimus
5194
5014
5217
Magnavox
Marantz
Memorex
Mitsubishi
Onkyo
Optimus
Panasonic
Philips
Panasonic
Philips
Pioneer
Poppy
Proton
QED
Quad
Quasar
RCA
8029, 8009
8099, 8101
8189
8136, 8135
8027, 8220
8229
Yamaha
6164
6157
6157
6157
6029
6179
SETUP CODES
FOR CD PLAYER
8029
Pioneer
Revox
8027, 8099, 8101, 8220
8029
Realistic
Revox
Roadstar
Rotel
SAE
Sansui
Sanyo
Schneider
Scott
Sharp
Sherwood
Siemens
Signature
Sony
6164, 6179
6157, 6113
6461, 6525, 6527
6157
Manufacturer
Code
Sansui
Sanyo
Sharp
Sony
Technics
Victor
Wards
8029, 8009
8074
8205
8170, 8243
8229
Aiwa
Akai
Alba
Arcam
Audio Research
Audio Ton
Audiolab
Audiomeca
BSR
6124, 6157, 6419
6108, 6156, 6199
6536, 6288, 6334
6157
6157
6157, 6202, 6513
6048, 6179, 6342
6134
8273, 8274
8027
6157
6157
6157
6157
6134
6164
6452
6029
Yamaha 8094, 8097, 8205, 8478, 8524
6164
6037, 6262, 6265
6114, 6196
6516
Bestar
6108
6000, 6490
6378
Binatone
California Audio Lab
Carver
Condor
Cyrus
DKK
Denon
Dual
Emerson
Fisher
Teac
6157, 6179
6134, 6164
6157
6000
6003, 6034
6196
Technics
Toshiba
Universum
Victor
Wards
Yamaha
Yorx
6207, 6303, 6029
6481
6157
6072
6157, 6108
6036, 6082, 6187, 6712
6461
6164
6048, 6179, 6342
6334
GE
Genexxa
GoldStar
6032, 6164
6525, 6383
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Quick Reference Card
/
Ⅵ AMP/TUN
Ⅵ TAPE/MD
Ⅵ CD
Ⅵ DVD/LD
POWER
STANDBY
POWER
STANDBY
POWER
STANDBY
POWER
STANDBY
POWER
POWER
STANDBY
POWER
POWER
P
/
/DTS
MOVIE
THEATER
TAPE/MD
/DTS
MOVIE
THEATER
TAPE/MD
/DTS
MOVIE
THEATER
TAPE/MD
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
SURROUND
2
SURROUND
2
SURROUND
2
MOVIE
MOVIE
MOVIE
MOVIE
CD
CD
THEATER
1
CD
THEATER
1
CD
THEATER
1
THEATER
1
TUNER
TUNER
TUNER
TUNER
1
1
3
3
1
1
3
3
2
2
2
2
MONO
DVDM/OLVDIE
DISCO
VCR
MONO
DVDM/OLVDIE
DISCO
VCR
MONO
DVDM/OLVDIE
DISCO
VCR
MONO
DVDM/OLVDIE
DISCO
VCR
TVS/PDORBTSS
TVS/PDORBTSS
TV
TV
TVS/PDORBTSS
TVS/PDORBTSS
TV
TV
INPUT
INPUT
INPUT
INPUT
4
6
4
6
4
6
4
6
5
5
5
5
ROCK
PHONO
ROCK
PHONO
ROCK
PHONO
ROCK
PHONO
CHURCH
CHURCH
CHURCH
CHURCH
JAZZ
V-ACULUXB
JAZZ
V-ACULUXB
JAZZ
V-ACULUXB
JAZZ
V-ACULUXB
9
7
9
7
7
9
7
9
8
8
8
8
TEST
TEST
HALL
EXT. DEC
TEST
HALL
EXT. DEC
TEST
HALL
EXT. DEC
HALL
EXT. DEC
EXT. DEC.
.
+100
.
+100
.
+100
.
+100
+10
+10
+10
+10
CLEAR
CLEAR
0
CLEAR
0
CLEAR
0
0
TEST
ENTER
ENTER
ENTER
ENTER
A/B/C/D/E
A/B/C/D/E
A/B/C/D/E
A/B/C/D/E
A/B/C/D/E
DSP
DSP
EFCT
DSP
EFCT
DSP
EFCT
DSP
EFCT
EFFECT ON/OFF
PRESET +/–
DISC SKIP
PRESET
DISC SKIP
PRESET
DISC SKIP
PRESET
DISC SKIP
PRESET
ON/OFF
ON/OFF
ON/OFF
ON/OFF
DISC SKIP
CH
CH
CH
CH
CH
CH
TV
CH
CH
TV
TV
TV
DISC SKIP
(TV VOLUME)
(TV VOLUME)
DISPLAY (MD)
(TV VOLUME)
CODE SET
MUTE
CODE SET
MUTE
CODE SET
MUTE
CODE SET
MUTE
VOLUME
UP/DOWN
(TV VOLUME)
ON SCREEN
VOLUME
VOLUME
VOLUME
VOLUME
DISPLAY
INDEX
DISP
INDEX
DISP
INDEX
DISP
INDEX
DISP
DISPLAY
(TV POWER)
REC/PAUSE
MUTE
SLEEP
SLEEP
SLEEP
SLEEP
POWER
TV
POWER
TV
POWER
TV
POWER
TV
(TV POWER)
SKIP
ON SCREEN
ON SCREEN
ON SCREEN
ON SCREEN
(TV INPUT)
(TV POWER)
VCR REC
/
TV INPUT
A/B
VCR REC
/
TV INPUT
A/B
(TV INPUT)
(TV POWER)
VCR REC
/
TV INPUT
A/B
VCR REC
/
TV INPUT
A/B
SLEEP
DECK A/B
PAUSE
PAUSE
PAUSE
SKIP/SEARCH
PLAY
DIR A
DIR B
DIR
A
DIR
B
DIR
A
DIR
B
DIR
A
DIR
B
DIR
A
DIR
B
SKIP (MD)
SELECT
SELECT
SELECT
SKIP (MD)
SELECT
PLAY
STOP
SET UP
RETURN
SET UP
RETURN
STOP
SET UP
RETURN
SET UP
RETURN
STOP
PLAY
SUBTITLE
ON/OFF
ANGLE
AUDIO
SUBTITLE
ON/OFF
ANGLE
AUDIO
SUBTITLE
ON/OFF
ANGLE
AUDIO
SUBTITLE
ON/OFF
ANGLE
AUDIO
BACKWARD
ANGLE (DVD)/
FAST
FORWARD (LD)
FAST
FORWARD
REWIND
BACKWARD
(MD)
FAST
FORWARD
SUBTITLE (DVD)/
BACKWARD (LD)
MENU
TITLE
MENU
TITLE
MENU
TITLE
MENU
TITLE
LEVEL
SET MENU
LEVEL
SET MENU
LEVEL
SET MENU
LEVEL
SET MENU
LEVEL
SET MENU
SUBTITLE
ON/OFF (DVD)
AUDIO (DVD)
S
POWER
STANDBY
Ⅵ DSP
S
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
MOVIE
CD
THEATER
1
TUNER
1
3
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TVS/PDORBTSS
DSP program
4
6
5
ROCK
PHONO
CHURCH
JAZZ
V-ACULUXB
7
9
8
TEST
HALL
EXT. DEC
.
+100
+10
CLEAR
0
ENTER
A/B/C/D/E
V296070
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Quick Reference Card
/
M
C
Ⅵ DVD MENU
Ⅵ VCR
Ⅵ CBL/DBS
Ⅵ TV
POWER
STANDBY
POWER
STANDBY
POWER
STANDBY
POWER
STANDBY
POWER
POWER
POWER
C
/
M
/DTS
MOVIE
THEATER
TAPE/MD
/DTS
MOVIE
THEATER
TAPE/MD
/DTS
MOVIE
THEATER
TAPE/MD
SURROUND
2
SURROUND
MOVIE
2
SURROUND
2
/DTS
MOVIE
MOVIE
MOVIE
CD
CD
CD
SURROUND
THEATER
2
THEATER
1
THEATER
1
THEATER
1
MOVIE
CD
TAPE/MD
THEATER
1
TUNER
TUNER
TUNER
1
1
1
3
3
3
TUNER
1
3
2
2
2
MONO
DVDM/OLVDIE
DISCO
VCR
MONO
DVDM/OLVDIE
DISCO
VCR
MONO
DVDM/OLVDIE
DISCO
VCR
2
MONO
DVDM/OLVDIE
DISCO
VCR
TV
TV
TV
TVS/PDORBTSS
TVS/PDORBTSS
TVS/PDORBTSS
CHANNEL
CHANNEL
CHANNEL
TV
TVS/PDORBTSS
4
6
4
6
4
6
Numeric
keys
4
6
5
5
5
ROCK
PHONO
ROCK
PHONO
ROCK
PHONO
5
CHURCH
CHURCH
CHURCH
ROCK
PHONO
JAZZ
V-ACULUXB
JAZZ
V-ACULUXB
JAZZ
V-ACULUXB
CHURCH
JAZZ
V-ACULUXB
7
9
7
9
7
9
7
9
8
8
8
TEST
TEST
TEST
HALL
EXT. DEC
HALL
EXT. DEC
HALL
EXT. DEC
8
+100
.
+100
.
+100
TEST
.
HALL
EXT. DEC
.
+100
+10
+10
+10
CLEAR
CLEAR
CLEAR
CHANNEL
ENTER
0
0
0
CHANNEL
ENTER
CHANNEL
ENTER
+10
+100
TV EFFECT
ON/OFF
CLEAR
0
ENTER
ENTER
ENTER
CLEAR
ENTER
A/B/C/D/E
A/B/C/D/E
A/B/C/D/E
A/B/C/D/E
DSP
EFCT
DSP
EFCT
DSP
EFCT
+10
DSP
EFCT
DISC SKIP
PRESET
DISC SKIP
PRESET
DISC SKIP
PRESET
ON/OFF
ON/OFF
ON/OFF
DISC SKIP
PRESET
ON/OFF
CH
CH
CH
CH
CHANNEL
(TV VOLUME) +(UP)/–(DOWN)
CH
CH
TV
TV
TV
CHANNEL
+(UP)/–(DOWN)
CHANNEL
+(UP)/–(DOWN)
CH
CH
TV
DISC SKIP
TV VOLUME
(TV VOLUME)
(TV VOLUME)
CODE SET
MUTE
CODE SET
MUTE
CODE SET
MUTE
CODE SET
MUTE
TV MUTE
VOLUME
VOLUME
VOLUME
VOLUME
TITLE/INDEX
(TV INPUT)
INDEX
DISP
INDEX
DISP
INDEX
DISP
DISPLAY
INDEX
DISP
SLEEP
SLEEP
SLEEP
DISPLAY
DISPLAY
TV INPUT
POWER
TV
POWER
TV
POWER
TV
SLEEP
(TV POWER)
VCR REC (*1)
TV SLEEP
ON SCREEN
ON SCREEN
ON SCREEN
POWER
TV
ON SCREEN
(TV POWER)
MENU SELECT
VCR REC
/
TV INPUT
A/B
VCR REC
/
TV INPUT
A/B
VCR REC
/
TV INPUT
A/B
(TV POWER)
VCR REC
/
TV INPUT
A/B
(TV INPUT)
(TV INPUT)
(VCR)
MENU UP
MENU RIGHT
MENU UP
TV POWER
PAUSE
STOP
PLAY
DIR
A
DIR
B
MENU LEFT
DIR
A
DIR
B
DIR
A
DIR
B
MENU LEFT
DIR
A
DIR
B
MENU RIGHT
MENU DOWN
SELECT
SELECT
SELECT
SELECT
SET UP
RETURN
SET UP
RETURN
MENU DOWN
RECALL
SET UP
RETURN
MENU SELECT
SET UP
RETURN
REWIND
SUBTITLE
ON/OFF
ANGLE
AUDIO
SUBTITLE
ON/OFF
ANGLE
AUDIO
SUBTITLE
ON/OFF
ANGLE
AUDIO
SUBTITLE
ON/OFF
ANGLE
AUDIO
FAST
FORWARD
(VCR)
SET UP
TITLE
TITLE
MENU
TITLE
MENU
TITLE
MENU
RETURN
MENU
TITLE
MENU
LEVEL
SET MENU
LEVEL
SET MENU
LEVEL
SET MENU
LEVEL
SET MENU
MENU
*1: Press this key twice to start recording.
Premere due volte questo tasto per iniziare la registrazione.
Oprima dos veces esta tecla para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.
Appuyer deux fois sur cette touche pour démarrer l’enregistrement.
Diese Taste zweimal drücken, um die Aufnahme zu starten.
Tryck två gånger på denna knapp för att starta inspelningen.
V296070
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