Yamaha Musical Instrument CLP 154S User Manual

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SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these graph-

ics appears on this page. Please observe all cautions indi-

cated on this page and those indicated in the safety in-

struction section.

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes nec-

essary, contact a qualified service representative to per-

form the replacement.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point within the equi-

lateral triangle is intended to alert the

user to the presence of important oper-

ating and maintenance (servicing) in-

structions in the literature accompany-

ing the product.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and con-

sult your dealer before requesting service.

The lightning flash with arrowhead

symbol, within the equilateral triangle,

is intended to alert the user to the pres-

ence of uninsulated “dangerous volt-

age” within the product’s enclosure that

may be of sufficient magnitude to con-

stitute a risk of electrical shock.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

IMPORTANT NOTICE: All Yamaha electronic prod-

ucts are tested and approved by an independent safety

testing laboratory in order that you may be sure that when

it is properly installed and used in its normal and custom-

ary manner, all foreseeable risks have been eliminated.

DO NOT modify this unit or commission others to do so

unless specifically authorized by Yamaha. Product per-

formance and/or safety standards may be diminished.

Claims filed under the expressed warranty may be denied

if the unit is/has been modified. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

without notice or obligation to update existing units.

CLP-155

CLP-154S

Model _____________________________________

Serial No. __________________________________

Purchase Date ______________________________

92-469 1

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Introduction

Thank you for choosing a Yamaha CLP-154S/155 Clavinova. Your Clavinova is a fine musical

instrument that employs advanced Yamaha music technology. With the proper care, your

Clavinova will give you many years of musical pleasure.

● Yamaha’s AWM (Advanced Wave Memory) tone generator system offers rich, realistic voices. The

CLP-155 additionally features stereo sampling of its PIANO 1 voice for unmatched realism and ex-

pressive power.

● Piano-like touch response — adjustable in 4 stages — provides extensive expressive control and out-

standing playability.

● Dual play mode allows 2 voices to be played simultaneously.

● Unique Clavinova Tone voice provides a fresh sound for new musical expression.

● Damper pedal includes natural resonance effect for the piano voices, simulates the string and sound-

board resonance of acoustic pianos.

● Metronome feature with variable tempo facilitates practice.

● 2-track digital recorder lets you record and play back anything you play on the keyboard (up to ap-

proximately 4,200 notes).

● MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range of advanced

MIDI music systems.

In order to make the most of your Clavinova’s performance potential and features, we urge you

to read this Owner’s Manual thoroughly, and keep it in a safe place for later reference.

Taking Care Of Your Clavinova

Your Clavinova is a fine musical instrument, and deserves the most careful treatment.

Observe the following points and your Clavinova will sound and look great for many years.

1 Never open the case and touch or tamper with the inter-

5 Install your Clavinova in a place that is away from di-

nal circuitry.

rect sunlight, excessive humidity or heat.

2 Always turn the POWER switch OFF after use, and

close the key cover to protect the keyboard, or cover the

keyboard with the dust cover provided.

6 Never apply excessive force to the controls, connectors

or other parts of your Clavinova, and avoid scratching

or bumping it with hard objects.

3 Clean the cabinet and keys of your Clavinova only with

a clean, slightly damp cloth. A neutral cleanser may be

used if desired. Never use abrasive cleansers, waxes,

solvents or chemical dust cloths since these can dull or

damage the finish.

● Name Plate Location

The CLP-154S/155 name plate is located on the bottom

panel.

4 Never place any vinyl products on your Clavinova. Con-

tact with vinyl can cause irreversible damage to the

finish.

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Contents

The Control Panel ............................................................2

Connections ......................................................................4

Selecting & Playing Voices ...........................................5

● Playing the Demonstration Tunes...............................6

The Dual Mode..................................................................7

Using the Recorder .......................................................13

● Recording..................................................................13

● Changing the Initial Settings.................................14

● Erasing a Single Track .........................................14

● Playback ...................................................................14

● Fast Forward Playback.........................................14

MIDI Functions ...............................................................15

● A Brief Introduction to MIDI ..................................15

● Adjusting the Balance Between the

Dual-mode Voices ..................................................7

● Shifting a Dual-Mode Voice Up One Octave ..........7

● Slow-attack Strings (CLP-155 only) .......................7

● MIDI “Messages” Transmitted & Received

by the Clavinova ...................................................15

● Memorizing the Balance, Strings Type (CLP-155),

& Octave Shift Settings ..........................................7

● MIDI Transmit & Receive Channel Selection .......16

● MIDI Transmit Transpose .....................................16

● Other MIDI Functions................................................17

● Local Control ON/OFF..........................................17

● Program Change ON/OFF ...................................17

● Control Change ON/OFF......................................18

● The Multi-Timbre Mode ........................................18

● The MIDI Split & Left Local OFF Mode ................19

● The MIDI Split & Right Local Off Mode ................19

● Transmitting the Panel Settings (CLP-155 only) ..20

● Bulk Data Dump ...................................................20

Factory Preset Recall ...................................................21

Troubleshooting.............................................................21

Options & Expander Modules ....................................21

Reverb ...............................................................................8

● Adjusting Reverb Depth .........................................8

● Memorizing the Reverb Type & Depth Settings .....8

Brilliance (CLP-155) ..........................................................9

● Memorizing the Brilliance Setting ...........................9

The Pedals .........................................................................9

● Soft (Left) Pedal .....................................................9

● Sostenuto (Center) Pedal .......................................9

● Damper (Right) Pedal.............................................9

Touch Sensitivity ...........................................................10

● Memorizing the Touch Sensitivity Setting ............10

Transposition..................................................................10

Pitch Control ...................................................................11

● Tuning Up .............................................................11

● Tuning Down ........................................................11

● To Restore Standard Pitch ...................................11

● Memorizing the Pitch Control Setting ...................11

The Metronome & Tempo Control.............................12

● The Metronome ........................................................12

● Metronome Volume ..............................................12

● Metronome Time Signature ..................................12

● Tempo Control ..........................................................12

Keyboard Stand Assembly ............................................ i

MIDI Data Format ........................................................... vii

Specifications ................................................................ viii

MIDI Implementation Chart .......................................... ix

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The Control Panel

CLP-154S

RECORDER

REVERB

ROOM

HALL 1

HALL 2

COSMIC

MASTER VOLUME

TEMPO

120

MIDI/

TRANSPOSE

CLAVINOVA

TONE

HARPSI-

CHORD

MIN

MAX

PIANO 1

PIANO 2

E. PIANO

ORGAN

METRONOME

280

PLAY

REC

DEMO

RECORDER

REVERB

ROOM

HALL

COSMIC

MASTER VOLUME

TEMPO

120

MIDI/

TRANSPOSE

CLAVINOVA

TONE

HARPSI-

CHORD

MIN

MAX

PIANO

E. PIANO

ORGAN

METRONOME

280

PLAY

REC

DEMO

POWER

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6

Pitch control keys

(See page 11)

Transpose keys

(See page 10)

Balance/Depth keys (See page 7, 8)

PHONES Jacks

(Bottom Panel)

Left voice shift up key

Right voice shift up key

(See page 7)

CLP-155

RECORDER

BRILLIANCE

REVERB

ROOM

HALL 1

HALL 2

MELLOW

NORMAL

BRIGHT

TEMPO

120

MASTER VOLUME

MIDI/

COSMIC

CLAVINOVA

TONE

HARPSI-

CHORD

MIN

MAX

DEMO

280

PLAY

REC

TRANSPOSE

PIANO 1

PIANO 2

E. PIANO

VIBES

STRINGS

ORGAN

METRONOME

RECORDER

BRILLIANCE

REVERB

ROOM

MELLOW

NORMAL

BRIGHT

HALL

COSMIC

MASTER VOLUME

MAX

TEMPO

120

MIDI/

TRANSPOSE

CLAVINOVA

TONE

HARPSI-

CHORD

MIN

PIANO

E. PIANO

VIBES

STRINGS

ORGAN

METRONOME

280

PLAY

REC

DEMO

POWER

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6

Pitch control keys

(See page 11)

Transpose keys

(See page 10)

Balance/Depth keys (See page 7, 8)

PHONES Jacks

(Bottom Panel)

Left voice shift up key

(See page 7)

Right voice shift up key

(See page 7)

If you will be using sheet music with your Clavinova, raise

the music stand built into its top panel by lifting the rear edge

of the music stand, then flip down the music stand braces and

engage them with the corresponding recesses.

● The Music Stand

The music stand can be lowered after slightly lifting it and

folding the two brackets which support it against the back of

the stand.

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• The PIANO 1 voice is auto-

matically selected whenever

the [POWER] switch is ini-

tially turned ON.

1 [POWER] Switch

NOTE

Press the [POWER] switch once to

turn the power ON, a second time to

turn the power OFF. When the power

is initially turned ON, the [PIANO 1]

voice selector LED will light, and the

power indicator located below the left

end of the keyboard will light.

7 [METRONOME] Button

Turns the metronome sound on and

off. The [TEMPO] control, below, is

used to set the tempo of the metro-

nome sound. More precise tempo set-

tings can be achieved by using the

[METRONOME] button and the

CLP-154S/155 keyboard as described

on page 12.

2 [MASTER VOLUME] Control

The [MASTER VOLUME] control

adjusts the volume (level) of sound

produced by the Clavinova’s internal

stereo sound system. The [MASTER

VOLUME] control also adjusts

headphone volume when a pair of

headphones is plugged into the

PHONES jack (page 4).

8 [TEMPO] Control

This control adjusts the tempo of the

CLP-154S/155 metronome function as

well as the playback tempo of the re-

corder function. The tempo range is

from 32 to 280 quarter-note beats per

minute.

F6 G6 A6 B6 C7

[BRILLIANCE] Button (CLP-155 only)

Memory key

(See page 7, 8, 10, 11)

This button can be used to change the

tonality or “timbre” of the selected

voice. See page 9 for details.

9 RECORDER [PLAY] and [REC]

Buttons

These buttons control the CLP-154S/

155 2-track recorder, letting you

record and play back just about any-

thing you play on the keyboard — up

to a maximum of about 4,200 notes.

See page 13 for details.

4 [REVERB] Button

The [REVERB] button selects a

number of digital reverb effects that

you can use for extra depth and ex-

pressive power. See page 8 for de-

tails.

5 [MIDI/TRANSPOSE] Button

0 [DEMO] Button

The [MIDI/TRANSPOSE] button

allows access to the Clavinova’s

TRANSPOSE function (to shift the

pitch of the entire keyboard up or

down), keyboard touch sensitivity

adjustment, and MIDI functions. For

details refer to “TRANSPOSITION”

on page 10, “TOUCH SENSITIVITY”

on page 10, and “MIDI FUNCTIONS”

on page 15.

Activates the demo playback mode in

which you can select playback of dif-

ferent demonstration sequences for

each of the Clavinova’s voices. See

page 6 for details.

! Pedals

F6 G6 A6 B6 C7

The CLP-154S/155’s soft (left),

sostenuto (center) and damper (right)

pedals provide a range of expressive

control capabilities similar to the pedal

functions on an acoustic piano. See

page 9 for details.

Memory key

(See page 7, 8, 10, 11)

6 Voice Selectors

The CLP-154S has six voice selectors

and the CLP-155 has eight. Simply

press any of the voice selectors to

select the corresponding voice. The

voice selector LED will light to indi-

cate which voice is currently selected.

The CLP-154S/155 also has a DUAL

mode in which two voices can be

played simultaneously across the full

range of the keyboard — see page 7

for details.

Soft

pedal

Damper

pedal

Sostenuto

pedal

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Connections

CLP-154S

3 1 2

MIDI

OUT

THRU

AUX IN

AUX OUT

L/L+R

CLP-155

AUX IN

AUX OUT

L/L+R

MIDI

OUT

THRU

1 AUX IN L and R Jacks

These jacks are intended for use with an external tone generator module such as

the Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs from the external

tone generator module are connected to the AUX IN L and R jacks, allowing the

sound of the tone generator to be reproduced via the Clavinova’s internal sound

system and speakers.

AUX IN

DOU-10

• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks, but is

not affected by the Clavinova’s volume control or reverb effect.

NOTE

2 AUX OUT L/L+R and R Jacks

The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for con-

nection to an instrument amplifier, mixing console, PA system, or recording equip-

ment. If you will be connecting the Clavinova to a monaural sound system, use

only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the left-

and right-channel signals are combined and delivered via the L/L+R jack so you

don’t lose any of the Clavinova’s sound.

AUX OUT

L/L+R

The Internal Amplifier & Speaker System

The CLP-154S and CLP-155 feature high-performance stereo amplifiers delivering 20 and

30 watts per channel, respectively. The CLP-155 features a bass-reflex type enclosure with

two 13-cm and two 5-cm speakers, while the CLP-154S houses a pair of 13-cm speaker

units in a sealed enclosure.

Stereo System

• The AUX OUT jack signal must never be returned to the AUX IN jacks, either

directly or through external equipment.

NOTE

3 MIDI IN, THRU and OUT

The MIDI IN connector receives MIDI data from an external MIDI device (such

as the DOU-10 Disk Orchestra Unit) which can be used to control the Clavinova.

The MIDI THRU connector re-transmits any data received at the MIDI IN connec-

tor, allowing “chaining” of several MIDI instruments or other devices. The MIDI

OUT connector transmits MIDI data generated by the Clavinova (e.g. note and

velocity data produced by playing the Clavinova keyboard).

Connectors

MIDI

OUT

THRU

More details on MIDI are given in “MIDI FUNCTIONS” on page 15.

Tone Generator

DOU-10

● PHONES Jacks (Bottom Panel)

Two pairs of standard pair of stereo headphones can be plugged in here for pri-

vate practice or late-night playing. The internal speaker system is automatically

shut off when a pair of headphones is plugged into either of the PHONES jacks.

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Selecting & Playing Voices

ZTurn Power On

After making sure that the Clavinova’s AC plug is properly inserted into

a convenient AC wall outlet, press the [POWER] switch located to the left

of the keyboard to turn the power ON.

POWER

When the power is turned ON, the [PIANO 1] voice selector LED will

light (the PIANO 1 voice is automatically selected whenever the power is

turned ON).

Initially set the [MASTER VOLUME] control about half way between

the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the

[MASTER VOLUME] control for the most comfortable listening level.

XSet the Volume

MASTER VOLUME

MIN

MAX

Select the desired voice by pressing one of the voice selectors.

CSelect a Voice

CLP-155

CLP-154S

CLAVINOVA

TONE

HARPSI-

CHORD

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

PIANO 1

PIANO 2

E. PIANO

ORGAN

PIANO 1

PIANO 2

VIBES

STRINGS

ORGAN

VPlay

The Clavinova also offers keyboard touch response, so the volume and

timbre of notes played can be controlled according to how “hard” you play

the keys. The amount of variation available depends on the selected voice.

You can also change the overall tone or add reverb and/or effects as de-

sired by using the [REVERB] button, and the [BRILLIANCE] button on

the CLP-155 (see page 9 for [BRILLIANCE] button operation, “Reverb”

on page 8).

BAdjust Tone & Add Effects

As Required

REVERB

ROOM

CLP-154S

HALL 1

HALL 2

COSMIC

CLP-155

BRILLIANCE

REVERB

ROOM

MELLOW

NORMAL

BRIGHT

HALL 1

HALL 2

COSMIC

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Selecting & Playing Voices

Playing the Demonstration Tunes

The CLP-154S features 6 demonstration tunes and the CLP-155 has 8 demo tunes that effectively

demonstrate their sound capabilities. Here’s how you can select and play the demo tunes.

ZEngage the Demo Mode

Press the [DEMO] button to engage the demo mode — the voice selectors

will flash in sequence.

DEMO

Press one of the flashing voice selectors to start playback of the correspond-

ing demo tune — featuring the voice normally selected by that voice selector

button. The demo tunes will play in sequence until stopped, starting with the

selected tune. The voice selector indicator will flash during demo playback.

XSelect a Demo Tune

CLP-154S

CLP-155

CLAVINOVA

TONE

HARPSI-

CHORD

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

PIANO 1

PIANO 2

E. PIANO

ORGAN

PIANO 1

PIANO 2

VIBES

STRINGS

ORGAN

Use the [MASTER VOLUME] control to adjust the volume.

CSet the Volume

MASTER VOLUME

MIN

• The [TEMPO] control does not affect demo playback.

MAX

NOTE

You can start playback of any other demo tune during playback by simply

pressing the corresponding voice selector. Playback will stop and the playback-

ready mode described in step 2, above, will be re-engaged if you press the voice

selector of the demo that is currently playing.

VPlay a Different Demo

Press the [DEMO] button when you want to stop demo playback and return

to the normal play mode.

BStop the Demo

DEMO

The Demo Tunes

CLP-154S

[PIANO 1] button: Etude op. 10-5 “Black Keys” by F. F. Chopin

[PIANO 2] button: “Le Rhône” by K. Hattori

CLP-155

[PIANO 1] button: Etude op. 10-5 “Black Keys” by F. F. Chopin

[PIANO 2] button: “Le Rhône” by K. Hattori

[CLAVINOVA TONE] button: “Pavane pour une infante défunte” by

M. J. Ravel

[CLAVINOVA TONE] button: “Pavane pour une infante défunte” by

M. J. Ravel

[HARPSICHORD] button: “Le Coucou” by L. C. Daquin

[ORGAN] button: “Jesu, Joy Of Man’s Desiring” (Chorale from Cantata

No. 147) by J. S. Bach

[HARPSICHORD] button: “Le Coucou” by L. C. Daquin

[VIBES] button: “Schmetterling (Papilions)” op. 43 by E. H. Grieg

[STRINGS] button: “Charmaine” by L. Polladk

[ORGAN] button: “Jesu, Joy Of Man’s Desiring” (Chorale from Cantata

No. 147) by J. S. Bach

•

The demonstration pieces listed above are short excerpts from the

YAMAHA CORPORATION).

•

The demonstration pieces listed above are short excerpts from the

YAMAHA CORPORATION).

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The Dual Mode

The DUAL mode makes it possible to play two voices simultaneously across the entire range of the key-

board. To activate the DUAL mode simply press two voice selectors at the same time (or press one voice

selector while holding another). The voice indicators of both selected voices will light when the DUAL mode

is active. To return to the normal single-voice play mode, press any single voice selector.

The volume levels of the two voices combined in the DUAL mode are

normally set automatically to produce a pleasing balance (see “Default Set-

tings” below). The balance can be adjusted manually by using the C2

● Adjusting the Balance Be-

tween the Dual-mode Voices

VINOVA

ONE

HARPSI-

CHORD

E. PIANO

through C4 keys on the keyboard while pressing the two voice selectors

corresponding to the voices to be combined in the DUAL mode.

The C3 key produces equal (50:50) balance between the two voices,

while keys to the left of C3 increase the volume of the left voice in relation

to the right voice, and keys to the right of C3 increase the volume of the

right voice in relation to the left voice. By “left” and “right” voice we refer

to the relative positions of the voice selectors — i.e. in a PIANO 2/

CLAVINOVA TONE combination PIANO 2 is the left voice and

CLAVINOVA TONE is the right voice.

Left voice

maximum.

Equal

balance.

Right voice

maximum.

Depending on which voices you combine using the DUAL mode, the

combination may sound better if one of the voices is shifted up an octave.

To shift the right voice, press the C5 key while pressing the two voice se-

lectors corresponding to the voices to be combined in the DUAL mode.

Press C5 again to shift the voice back to its normal range. Use the C1 key

in the same way to shift the left voice.

● Shifting a Dual-Mode Voice

Up One Octave

HARPSI-

CHORD

E. PIANO

Default octave settings are provided for all voice combinations, as listed

in the “Default Settings” chart, below.

Right voice

shift up.

Left voice

shift up.

In a DUAL mode voice combination using STRINGS and any other

voice, it is possible to switch the STRINGS voice to a slow-attack variation

when initially selecting the voices by pressing the [STRINGS] selector

twice while holding the other voice selector. Repeat this operation to return

to the normal STRINGS voice attack.

● Slow-attack Strings (CLP-155 only)

CLAV

PIANO 1

PIANO 2

STRINGS

ORGAN

Press the C7 key while holding any two voice selectors to memorize all

balance, STRINGS voice attack variation (CLP-155), and octave shift settings

made since the power was turned on. The memorized settings will be retained

in memory for about one week after the power is turned off, then the default

settings will be restored. To keep the memorized settings for longer periods,

turn the power on briefly at least once a week.

● Memorizing the Balance,

Strings Type (CLP-155), &

Octave Shift Settings

HARPSI-

CHORD

E. PIANO

If these settings are not memorized as described above, they are retained in

memory only until the Clavinova is turned off.

Default Settings

Balance

ORGAN

CLAVINOVA

TONE

HARPSI-

CHORD

VIBES

STRINGS

(CLP-155)

PIANO 1

PIANO 2

E. PIANO

(CLP-155)

(CLP-154S)

(CLP-155)

PIANO 1

PIANO 2

CLAVINOVA TONE

E. PIANO

HARPSICHORD

VIBES (CLP-155)

STRINGS (CLP-155)

ORGAN

C2 … C4: Balance keys

0: Normal octave L: Left voice up one octave

R: Right voice up one octave

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Reverb

The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and

expressive power.

To select a reverb type press the [REVERB] button a few times until the indicator corresponding to the

desired type lights (the indicators light in sequence each time the [REVERB] button is pressed). No reverb

is produced when all indicators are off.

OFF ............When no reverb effect is selected (no REVERB indicator is lit), a special natural

damper effect is applied to the piano voices. This simulates the natural resonance of

an acoustic piano’s strings and sound board when the damper pedal is pressed.

ROOM ........This setting add a continuous reverb effect to the sound that is similar to the type of

acoustic reverberation you would hear in a medium-size room.

HALL 1 ......For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natu-

ral reverberation of a medium-size concert hall.

HALL 2 ......For a really spacious reverb sound, use the HALL 2 setting. This effect simulates the

natural reverberation of a large concert hall.

COSMIC ....The COSMIC reverb effect produces an echo-plus-reverb sound that can add life and

animation to your music.

The depth of the selected reverb effect can be adjusted for the current

● Adjusting Reverb Depth

voice by using the C2 through C4 keys on the keyboard while holding the

[REVERB] button. The C3 key sets the “normal” depth for the selected

effect. Keys to the left of C3 decrease the reverb depth, while keys to the

right of the C3 key increase the reverb depth. Separate reverb settings can

be made for each effect and voice, and these settings are retained in

memory until the power is turned off. The depth of the natural damper ef-

fect is fixed.

REVERB

ROOM

HALL 1

HALL 2

COSMIC

Default Settings

ROOM

HALL 1

HALL 2

COSMIC

STRINGS (CLP-155), ORGAN

Decrease

depth.

Normal

depth.

Increase

depth.

* All effect types set to C3 for all other voices.

* The default reverb type is ROOM.

Press the C7 key while holding the [REVERB] button to memorize the

current effect type and all depth settings made since the power was turned

on. The memorized settings will be retained in memory for about one week

after the power is turned off, then the default settings will be restored. To

keep the memorized settings for longer periods, turn the power on briefly at

least once a week.

● Memorizing the Reverb

Type & Depth Settings

REVERB

ROOM

HALL 1

HALL 2

COSMIC

If these settings are not memorized as described above, they are retained

in memory only until the Clavinova is turned off.

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Brilliance (CLP-155)

The [BRILLIANCE] button makes it possible to change the tonality or “timbre” of the selected

voice to suit your musical requirements. Three settings are provided: MELLOW, NORMAL, and

BRIGHT. To select one of these settings, press the [BRILLIANCE] button a few times until the

indicator corresponding to the desired setting lights.

NORMAL .....This setting produces the “normal” tone of the selected voice.

BRIGHT .......This setting creates a brighter, sharper tone.

MELLOW .....The MELLOW setting produces a rounder, softer tone.

Press the C7 key while holding the [BRILLIANCE] button to memorize

the current brilliance setting. The memorized setting will be retained in

memory for about one week after the power is turned off, then the default

setting (NORMAL) will be restored. To keep the memorized setting for

longer periods, turn the power on briefly at least once a week.

If this setting is not memorized as described above, it is retained in

memory only until the Clavinova is turned off.

● Memorizing the Brilliance

Setting

BRILLIANCE

MELLOW

NORMAL

BRIGHT

The Pedals

The CLP-154S/155 has three foot pedals that produce a range of expressive effects

similar to those produced by the pedals on an acoustic piano.

● Soft (Left) Pedal

Pressing the soft pedal reduces the volume and slightly changes the timbre of

notes played.

If you play a note or chord on the keyboard and press the sostenuto pedal while

the note(s) are held, those notes will be sustained as long as the pedal is held (as if

the damper pedal had been pressed) but all subsequently played notes will not be

sustained. This makes it possible to sustain a chord, for example, while other notes

are played “staccato.”

● Sostenuto (Center) Pedal

● Damper (Right) Pedal

The damper pedal functions in the same way as a damper pedal on an acoustic

piano. When the damper pedal is pressed notes played have a long sustain. When

no REVERB effect is selected and a piano voice is selected, the damper pedal also

produces a special “resonance” that simulates the ring of the strings and the sound

board of an acoustic piano. Releasing the pedal immediately stops (damps) any

sustained notes. The CLP-155 damper pedal additionally features continuous

damping. This allows you to create shorter effects by pressing the damper pedal

down only part of the way.

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Touch Sensitivity

Four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED —

can be selected to match different playing styles and preferences. The different touch sen-

sitivity settings are selected by using the [MIDI/TRANSPOSE] and [REVERB] buttons.

HARD (ROOM indicator) ...........The HARD setting requires the keys to be played quite hard to produce maxi-

mum loudness.

MEDIUM (HALL 1 indicator)......The MEDIUM setting produces a fairly “standard” keyboard response. This is

the initial factory default setting.

SOFT (HALL 2 indicator) ...........The SOFT setting allows maximum loudness to be produced with relatively

light key pressure.

FIXED (No indicator lit) ..............All notes are produced at the same volume no matter how hard the keyboard is

played. This is an ideal setting for voices which normally have no keyboard

REVERB

ROOM

HALL 1

sensitivity (i.e. harpsichord and organ).

HALL 2

COSMIC

MIDI/

TRANSPOSE

To select a touch sensitivity setting press the [REVERB] button a few

times while holding the [MIDI/TRANSPOSE] button until the indicator

corresponding to the desired setting lights.

● Memorizing the Touch Sen-

Press the C7 key while holding the [MIDI/TRANSPOSE] and

[REVERB] button to memorize the current touch sensitivity setting. The

memorized setting will be retained in memory for about one week after the

power is turned off, then the default setting (MEDIUM) will be restored. To

keep the memorized setting for longer periods, turn the power on briefly at

least once a week.

sitivity Setting

REVERB

ROOM

HALL 1

HALL 2

COSMIC

MIDI/

TRANSPOSE

If this setting is not memorized as described above, it is retained in

memory only until the Clavinova is turned off.

Transposition

The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of the entire key-

board up or down in semitone intervals up to a maximum of six semitones. “Transposing” the

pitch of the Clavinova keyboard facilitates playing in difficult key signatures, and you can easily

match the pitch of the keyboard to the range of a singer or other instrumentalist.

The [MIDI/TRANSPOSE] button and keys F#2 through F#3 on the keyboard are used for transposition.

F#2

F#3

ZPress and hold the [MIDI/TRANSPOSE] button.

MIDI/

TRANSPOSE

-6 -4 -2

+1 +3

XPress a key between F#2 and F#3 according to the desired amount of

-5 -3 -1 0 +2 +4 +5

transposition.*

Transpose Transpose

down.

up.

Normal

pitch.

CRelease the [MIDI/TRANSPOSE] button.

* Pressing the C3 key produces normal keyboard pitch. Pressing the key to the left of C3 (B2) transposes the pitch

of the keyboard down a semitone, the next key to the left (Bb2) transposes down a whole tone (two semitones),

etc., down to the F#2 key which transposes down 6 semitones. Upward transposition is accomplished in the

same way using the keys to the right of C3, up to F#3 which transposes up 6 semitones.

• Notes below and above the A-1 — C7 of the Clavinova sound one oc-

NOTE

tave higher and lower, respectively.

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Pitch Control

Pitch control makes it possible to tune the Clavinova over a ±50-cent range in approximately

1.2-cent intervals. A hundred “cents” equals one semitone, so the tuning range provided allows

fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for

tuning the Clavinova to match other instruments or recorded music.

● Tuning Up

ZTo tune up (raise pitch), hold the A-1 and B-1 keys simultaneously.

-1

B-1

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is increased by approximately 1.2 cents, up to a maxi-

mum of 50 cents above standard pitch.

CRelease the A-1 and B-1 keys.

● Tuning Down

ZTo tune down (lower pitch), hold the A-1 and A#-1 keys simultane-

ously.

-1

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is decreased by approximately 1.2 cents, up to a maxi-

mum of 50 cents below standard pitch.

CRelease the A-1 and A#-1 keys.

ZTo restore the default pitch (A3 = 440 Hz), hold the A-1, A#-1 and B-1

● To Restore Standard Pitch*

keys simultaneously.

-1

XPress any key between C3 and B3.

CRelease the A-1, A#-1 and B-1 keys.

• The PITCH CONTROL function has no effect when LOCAL OFF is

active (see “MIDI FUNCTIONS,” page 17).

NOTE

Press the C7 key while holding the A-1/B-1, A-1/A#-1, or A-1/A#-1/B-1

key combination to memorize the current pitch control setting. The memo-

rized setting will be retained in memory for about one week after the power

is turned off, then the standard pitch will be restored. To keep the memo-

rized setting for longer periods, turn the power on briefly at least once a

week.

● Memorizing the Pitch Con-

trol Setting

If this setting is not memorized as described above, it is retained in

memory only until the Clavinova is turned off.

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The Metronome & Tempo Control

The CLP-154S/155 built-in metronome is a convenient feature for practice, and it can also

provide a solid rhythmic guide when recording using the Recorder feature, described below.

The Metronome

The metronome sound is turned on and off via the [METRONOME]

METRONOME

button. Press the [METRONOME] button so that its indicator lights to turn

the metronome on, then again so the indicator goes out to turn the metro-

nome off.

The volume of the metronome sound can be independently adjusted by

using the [TEMPO] control while holding the [METRONOME] button.

● Metronome Volume

TEMPO

120

METRONOME

280

Sliding the control to the right increases the metronome volume.

The time signature of the metronome sound can be set by pressing the

appropriate voice selector button while holding the [METRONOME] but-

ton, as follows:

● Metronome Time Signature

CLAVINOVA

TONE

HARPSI-

CHORD

PIANO 1

PIANO 2

E. PIANO

METRONOME

[METRONOME] + [PIANO 1]

No accent (default)

2 time

[METRONOME] + [PIANO 2]

[METRONOME] + [CLAVINOVA TONE]

[METRONOME] + [E. PIANO]

3 time

4 time

[METRONOME] + [HARPSICHORD]

6 time

Tempo Control

TEMPO

120

The tempo of the metronome and recorder playback can be controlled in

two ways:

280

● Use the panel [TEMPO] control to set the required tempo from 32 to

METRONOME

280 quarter-note beats per minute.

● For more precise tempo settings press the appropriate key on the key-

board while holding the [METRONOME] button.

Tempo/Key Chart

Key

A-1

A#-1

B-1

Tempo

Key

G#0

Tempo

Key

G#1

Tempo

Key

F#2

Tempo

Key

Tempo

120

122

124

126

128

130

132

134

136

138

140

Key

Tempo

142

144

146

148

150

152

154

156

158

160

164

Key

D#5

Tempo

168

172

176

180

184

188

192

196

200

204

208

Key

Tempo

212

216

220

224

232

240

248

256

264

272

280

100

102

104

106

108

110

112

114

116

118

F#3

D#6

A#0

G#2

F#4

G#4

A#1

G#3

F#5

C#0

A#2

F#6

G#6

C#1

A#3

G#5

D#0

C#2

A#4

D#1

C#3

A#5

D#2

C#4

A#6

F#0

D#3

C#5

F#1

D#4

C#6

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Using the Recorder

The CLP-154S/155 features a two-track recorder that lets you record what you play on the keyboard and

then play it back. Since you have two tracks, you can “overdub” one part on top of another, using a differ-

ent voice if you like, to create complex, rich-sounding recordings. The recorder feature is a useful adjunct

to any keyboard study program, since it lets you hear exactly how you sound from the listener’s perspec-

tive. It can also be just plain fun.

The recorder actually records the following data:

Parameters Recorded for Each track

Parameters Recorded for the Entire Song

● Reverb type ● Reverb depth

● Tempo (initial setting only)

● Notes played

● Voice selection ● Dual mode voices

● Damper pedal ● Soft pedal

● Dual balance

● Sostenuto pedal (not recorded as an initial setting)

● Brilliance (CLP-155 only)

Recording

Press the RECORDER [REC] button to engage the record ready mode

(recording does not actually start yet). The [REC] button indicator will

light.

Engage the Record Ready

Mode

RECORDER

PLAY

REC

When the record mode is engaged in the previous step, the last-recorded

track will automatically be selected for recording and its indicator — i.e.

the [1] or [2] button indicator — will glow red. If you want to record on a

different track, press the appropriate track button so that its indicator glows

red.

X Select the Record Track

RECORDER

PLAY

REC

• The track button indicators of tracks which contain previously recorded

data will glow green (unless the track is turned off as described below).

The previously-recorded data on the non-record track will normally be

played back as you record, so you can play along with a previously-

recorded track. If you don’t want to hear the previously recorded track as

you record, press the playback track button before pressing the [REC]

button (step 1, above) so that its indicator goes out.

NOTE

• Recording on a track which already contains data will erase all previous

data on that track.

Before actually beginning to record, select the voice you want to record

with (or voices if you will be using the dual mode). You might also want to

set the volume and tempo controls.

Make All Necessary Initial

Settings

CLAVINOVA

TONE

E. PIANO

HAR

CHO

PIANO 1

PIANO 2

Recording will begin automatically as soon as you play a note on the

keyboard or press the [PLAY] button.

V Start Recording

• If the metronome was on when you started recording, you’ll be able to

keep time with the metronome while recording, but the metronome

sound will not be recorded.

NOTE

• You can record up to a maximum of about 4,200 notes, depending on

pedal usage and other factors. The [REC] button and record track indi-

cators will begin to flash when recorder memory is almost full, and re-

cording will stop automatically.

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Using the Recorder

Press either the RECORDER [REC] or [PLAY] button to stop recording. The indi-

cator of the recorded track will glow green to indicate that it now contains data.

BStop Recording

RECORDER

PLAY

REC

● Changing the Initial

The initial voice (including dual mode and dual balance setting), damper pedal, soft

pedal, tempo, reverb type, reverb depth, and brilliance (CLP-155 only) settings made in

step 3 of the recording procedure are actually recorded by the CLP-154S/155. These

initial settings can be changed after the recording is finished by pressing the [REC]

button to engage the record ready mode, pressing the appropriate track button, making

the required changes, and then pressing the [REC] button again to exit from the record

ready mode and register the changes. If you do this, be careful not to press the [PLAY]

button or a key on the keyboard, either of which will start recording and erase all previ-

ous recorded data on the selected track. If you start this procedure but decide to cancel,

simply select a different track then press the [REC] button a second time.

Settings

All data can be erased from either of the recorder’s tracks by engaging the record

mode, selecting the track you want to erase, and then pressing the [PLAY] button

twice without recording any data.

● Erasing a Single Track

Playback

To play back what you’ve recorded, first make sure that the green track indicators of

the tracks you want to play are lit. If not, press the corresponding track button(s) so

that they are lit. Then press the RECORDER [PLAY] button. Playback starts from the

beginning of the recorded data, and will stop automatically at the end of the recorded

data. You can also stop playback at any time by pressing the [PLAY] button. To mute

a track so that it doesn’t play back, press the corresponding track button so that its

indicator goes out (press again to turn the track back on).

RECORDER

PLAY

REC

• All recorder data will be retained in memory for about one week after the power is

turned off. If you want to keep your recorded data for longer periods, turn the power

on briefly at least once a week. It is also possible to store it to an external MIDI stor-

age device such as the Yamaha DOU-10 Disk Orchestra Unit by using the Bulk Dump

function described on page 20.

NOTE

• The track indicators will not light automatically when the power is turned on even if the

recorder contains data. It is therefore necessary to press the track buttons so that the

corresponding green indicators light before starting RECORDER playback. It is also a

good idea to press the track buttons to check if the tracks contain data before record-

ing. If the green indicator lights when the corresponding track button is pressed, that

track contains data which will be erased and replaced by the newly-recorded data.

• If the metronome is being used during playback, the metronome will stop when play-

back is stopped.

• The playback data is not transmitted via the MIDI OUT connector.

When you want to locate a specific point in a recording you can quickly move for-

ward through the recording while monitoring the sound by pressing the [REC] button

while holding the [MIDI/TRANSPOSE] button.

● Fast Forward Playback

RECORDER

MIDI/

TRANSPOSE

PLAY

REC

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MIDI Functions

● A Brief Introduction to MIDI

MIDI, the Musical Instrument Digital Interface, is a world-standard com-

munication interface that allows MIDI-compatible musical instruments and

equipment to share musical information and control one another. This

makes it possible to create “systems” of MIDI instruments and equipment

that offer far greater versatility and control than is available with isolated

instruments. For example, most MIDI keyboards (including the Clavinova,

of course) transmit note and velocity (touch response) information via the

MIDI OUT connector whenever a note is played on the keyboard. If the

MIDI OUT connector is connected to the MIDI IN connector of a second

keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer

with no keyboard), the second keyboard or tone generator will respond

precisely to notes played on the original transmitting keyboard. The result is

that you can effectively play two instruments at once, providing thick multi-

instrument sounds.

MIDI Cable

MIDI OUT

MIDI IN

DOU-10

Clavinova

Data Being Recorded

Playback Data

This same type of musical information transfer is used for MIDI se-

quence recording. A sequence recorder can be used to “record” MIDI data

received from a Clavinova, for example. When the recorded data is played

back, the Clavinova automatically “plays” the recorded performance in

precise detail.

MIDI OUT

MIDI IN

MIDI OUT

MIDI IN

DOU-10

The examples given above really only scratch the surface. MIDI can do

much, much more. The CLP-154S/155 offers a number of MIDI functions

that allows it to be used in fairly sophisticated MIDI systems.

Clavinova

• Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN

terminals. Never use MIDI cables longer than about 15 feet, since cables

longer than this can pick up noise which can cause data errors.

NOTE

The MIDI information (messages) transmitted and received by the

Clavinova are as follows:

● MIDI “Messages” Transmitted

& Received by the Clavinova

Note and Velocity Data

This information tells the receiving keyboard or tone generator to play a certain note (specified by the MIDI

note number) at a certain dynamic level (specified by the MIDI velocity value). Note and velocity data is trans-

mitted by the Clavinova whenever a key is pressed, and the Clavinova’s internal AWM tone generator will

“play” the corresponding note(s) whenever note and velocity data is received from an external MIDI device.

Program Change Numbers

The CLP-154S transmits a MIDI program change number between 0 and 5, and the CLP-155 transmits a

MIDI program change number between 0 and 7 when one of its voice selectors is pressed. This normally causes

the correspondingly numbered voice to be selected on a receiving MIDI device. The Clavinova will respond in

the same way, automatically selecting the appropriate voice when a MIDI program change number is received.

See “Program Change ON/OFF” on page 17 for information on turning program change number reception and

transmission ON or OFF.

Control Change Numbers

Control Change data representing Damper pedal operation is transmitted by the Clavinova whenever one of

these pedals is used. If the receiving device is a tone generator or another keyboard, it will respond in the same

way as the Clavinova’s internal tone generator when one of the pedals is used. The Clavinova also receives and

responds to the appropriate control change data. See “Control Change ON/OFF” on page 18 for information on

turning control change number reception and transmission ON or OFF.

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MIDI Functions

● MIDI Transmit & Receive

The MIDI system allows transmission and reception of MIDI data on 16

different channels. Multiple channels have been implemented to allow se-

lective control of certain instruments or devices connected in series. For

example, a single MIDI sequence recorder could be used to “play” two

different instruments or tone generators. One of the instruments or tone

generators could be set to receive only on channel 1, while the other is set

to receive on channel 2. In this situation the first instrument or tone genera-

tor will respond only to channel-1 information transmitted by the sequence

recorder, while the second instrument or tone generator will respond only to

channel-2 information. This allows the sequence recorder to “play” two

completely different parts on the receiving instruments or tone generators.

Channel Selection

MIDI OUT MIDI IN

Tone Generator

DOU-10

MIDI THRU

(Set to receive on MIDI

channel 2)

MIDI IN

Clavinova

(Set to receive on MIDI channel 1)

In any MIDI control setup, the MIDI channels of the transmitting and

receiving equipment must be matched for proper data transfer. An “OMNI”

receive mode is also available, which allows reception on all 16 MIDI chan-

nels. In the OMNI mode it is not necessary to match the receive channel of

the receiving device to the transmit channel of the transmitting device (ex-

cept when receiving mode messages).

Setting the Clavinova MIDI Channels

MIDI/

TRANSPOSE

ZPress and hold the [MIDI/TRANSPOSE] button.

XPress the key on the keyboard corresponding to the desired MIDI trans-

mit or receive channel.*

CRelease the [MIDI/TRANSPOSE] button.

D#2

14 16

* Keys C1 through D#2 on the keyboard are used to set the MIDI transmit

channel, and keys C4 through D#5 are used to turn the OMNI mode OFF

and set the MIDI receive channel as shown in the illustration to the left.

The E5 key sets the OMNI receive mode and basic receive channel 1.

10 12 13 15

For setting the transmit

channel. (C1 ~ D#2)

For setting the receive

channel. (C4 ~ D#5)

For OMNI mode

• When the power is initially turned ON, MIDI receive is set to the OMNI

mode, the basic receive channel is set to 1, and the transmit channel is

set to 1.

NOTE

This function allows the MIDI note data transmitted by the Clavinova to

be transposed up or down in semitone increments by up to plus or minus 6

semitones. The pitch of the Clavinova itself is not affected.

● MIDI Transmit Transpose

Setting the MIDI Transpose Function

F#5

F#6

MIDI/

TRANSPOSE

ZPress and hold the [MIDI/TRANSPOSE] button.

-6 -4 -2

-5 -3 -1

+1 +3

XPress the key on the keyboard corresponding to the desired amount of

+2 +4 +5

transposition.*

CRelease the [MIDI/TRANSPOSE] button.

* Keys F#5 through F#6 on the keyboard are used to set the MIDI transmit

transpose function as shown in the illustration to the left.

• When the power is turned ON, MIDI transmit transpose is set to 0 (no

NOTE

transposition).

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Other MIDI Functions

MIDI FUNCTION CHART

Function

The MIDI functions listed to the right

are engaged by holding down the [MIDI/

TRANSPOSE] button and pressing the

corresponding voice selector. Full details

are given in the following pages.

CLP-154S

CLP-155

Voice Selector

Local Control ON/OFF

Program Change ON/OFF

Control Change ON/OFF

Multi-Timbre Mode

[PIANO 1]

[PIANO 2]

[CLAVINOVA TONE]

[E. PIANO]

[CLAVINOVA TONE]

[E. PIANO]

MIDI Split & Left Local OFF

MIDI Split & Right Local OFF

Panel Data Transmit

[HARPSICHORD]

[ORGAN]

[HARPSICHORD]

[VIBES]

- none -

[STRINGS]

● Local Control ON/OFF

“Local Control” refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator,

allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since

the internal tone generator is controlled locally by its own keyboard.

Local control can be turned OFF, however, so that the Clavinova keyboard does not play the internal voices,

but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on

the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI

IN connector.

When using the DOU-10 Disk Orchestra Unit with the Clavinova, for example, Local Control should be

turned OFF when recording using the DOU-10 voices only, and ON when recording the Clavinova voices while

listening to playback of the DOU-10 voices.

CLAVINO

PIANO 2

TONE

MIDI/

TRANSPOSE

ZHold down the [MIDI/TRANSPOSE] button.

PIANO 1

XPress the [PIANO 1] voice selector. If the PIANO 1 LED is lit when

the [PIANO 1] voice selector is pressed, you have turned local control

OFF. If the PIANO 1 LED is not lit when the [PIANO 1] voice selector

is pressed, you have turned local control ON.

PIANO 1

= Local Control OFF

= Local Control ON

CRelease the [MIDI/TRANSPOSE] button.

● Program Change ON/OFF

Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard

or other MIDI device, causing the correspondingly numbered Clavinova voice to be selected. The Clavinova

will normally also send a MIDI program change number whenever one of its voices is selected, causing the

correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to

receive and respond to MIDI program change numbers.

This function makes it possible to cancel program change number reception and transmission so that voices

can be selected on the Clavinova without affecting the external MIDI device, and vice versa.

CLAVINO

PIANO 2

TONE

MIDI/

TRANSPOSE

ZHold down the [MIDI/TRANSPOSE] button.

PIANO 1

XPress the [PIANO 2] voice selector. If the PIANO 2 LED is lit when

the [PIANO 2] voice selector is pressed, you have turned program

change reception/transmission OFF. If the PIANO 2 LED is not lit

when the [PIANO 2] voice selector is pressed, you have turned pro-

gram change reception/transmission ON.

PIANO 2

= Program Change OFF

= Program Change ON

CRelease the [MIDI/TRANSPOSE] button.

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MIDI Functions

● Control Change ON/OFF

Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or

keyboard, causing the selected Clavinova voice to be affected by pedal and other “control” settings received

from the controlling device. The Clavinova also transmits MIDI control change information when one of its

pedals are operated.

This function makes it possible to cancel control change data reception and transmission if you do not want

the Clavinova voices to be affected by control change data received from an external device or vice versa.

CLAVINOVA

TONE

MIDI/

TRANSPOSE

ZHold down the [MIDI/TRANSPOSE] button.

ANO 2

E. PIANO

XPress the [CLAVINOVA TONE] voice selector. If the CLAVINOVA

TONE LED is lit when the [CLAVINOVA TONE] voice selector is

pressed, you have turned control change reception/transmission OFF. If

the CLAVINOVA TONE LED is not lit when the [CLAVINOVA

TONE] voice selector is pressed, you have turned control change re-

ception/transmission ON.

CLAVINOVA

TONE

= Control Change OFF

= Control Change ON

CLAVINOVA

TONE

CRelease the [MIDI/TRANSPOSE] button.

The Multi-Timbre mode is a special mode in which the Clavinova voices

can be independently controlled on different MIDI channel numbers by an

external MIDI device. The Multi-Timbre mode can be activated as follows:

● The Multi-Timbre Mode

CLAVINOVA

TONE

MIDI/

TRANSPOSE

ANO 2

E. PIANO

ZHold down the [MIDI/TRANSPOSE] button.

XPress the [E. PIANO] voice selector. If the E. PIANO LED is lit when

the [E. PIANO] voice selector is pressed, you have turned the Multi-

Timbre mode ON. If the E. PIANO LED is not lit when the [E. PI-

ANO] voice selector is pressed, you have turned the Multi-Timbre

mode OFF.

E. PIANO

= Multi-Timbre Mode ON

= Multi-Timbre Mode OFF

CRelease the [MIDI/TRANSPOSE] button.

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● The MIDI Split & Left Local OFF Mode

In the MIDI split mode one section of the Clavinova keyboard is used to play a Clavinova voice in the normal

way, while the remaining section is used to play a second MIDI keyboard or tone generator such as the Yamaha

DOU-10 Disk Orchestra Unit. In this mode the right-hand section of the keyboard is used to play an internal

Clavinova voice, while the left-hand section of the keyboard plays the external keyboard or tone generator.

Playing the left-hand section of the keyboard produces no sound from the Clavinova. The “split point,” or the

key that divides the left- and right-hand sections of the keyboard can be set at any desired key.

The MIDI split mode is useful if, for example, you want to play a piano

(Clavinova) voice with the right hand while playing a synthesizer bass line

or string section with the left hand.

AUX IN

OUT PUT

MIDI

MIDI OUT

When the MIDI split mode is activated, notes played on the left-hand

section are transmitted via the Clavinova MIDI OUT connector on MIDI

channel 2. Notes played on the right-hand section are transmitted on the

“basic channel” (i.e. the channel set using the MIDI channel selection func-

tion described previously).

DOU-10

(Set to receive on

MIDI channel 2)

Clavinova

INOVA

ONE

HARPSI-

CHORD

E. PIANO

ZPress the [HARPSICHORD] voice selector while holding down the

[MIDI/TRANSPOSE] button. The HARPSICHORD LED will flash.

MIDI/

TRANSPOSE

XWhile still holding the [MIDI/TRANSPOSE] button, press the key on

the keyboard at which you want to set the split point. The HARPSI-

CHORD LED will light continuously. The split-point becomes the first

key of the left-hand section.

CRelease the [MIDI/TRANSPOSE] button.

VTo return to the normal full-keyboard mode, hold the [MIDI/TRANS-

POSE] button and press the [HARPSICHORD] voice selector, then

release both buttons.

SPLIT POINT

●

• When the power is turned ON the default split point key — F#2 — will be

NOTE

automatically selected. If a new split point is selected it remains active

until the power is turned OFF or a different split point is selected.

Left-hand section plays

a DOU-10 bass voice.

Right-hand section plays a

Clavinova piano voice.

● The MIDI Split & Right Local Off Mode

In the CLP-154S/155 either the right- or left-hand section of the keyboard can be assigned to control an exter-

nal keyboard or tone generator. Assigning the left-hand section to external tone generator control was described

in the previous section. To assign the right-hand section to external tone generator control while playing the

Clavinova voices with the left hand, press the [ORGAN] voice selector on the CLP-154S or the [VIBES] voice

selector on the CLP-155 instead of the [HARPSICHORD] voice selector when activating the Split mode (see

the preceding section). All other operations are exactly the same as described in the previous section.

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MIDI Functions

● Transmitting the Panel Settings (CLP-155 only)

This function causes all the current Clavinova control settings (selected voice, etc.) to be transmitted via the

MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence re-

corder which will be used to control the Clavinova on playback. By transmitting the Clavinova panel settings

and recording them on the MIDI sequence recorder prior to the actual performance data, the Clavinova will be

automatically restored to the same settings when the performance is played back.

ZHold down the [MIDI/TRANSPOSE] button.

MIDI/

TRANSPOSE

BES

STRINGS

ORGAN

XPress the [STRINGS] voice selector.

CRelease the [MIDI/TRANSPOSE] button.

• See page viii for list of the panel settings transmitted by this function.

NOTE

This function is used to transmit all data stored in the Recorder memory

to a MIDI data storage device such as the Yamaha DOU-10 Disk Orchestra

Unit, other sequence recorders, or MIDI compatible computers.

● Bulk Data Dump

RECORDER

ZHold [MIDI/TRANSPOSE] and press the [PLAY] button. Transmis-

MIDI/

TRANSPOSE

PLAY

REC

sion will begin.

XRelease the buttons.

• Bulk dump will not function when the metronome is on or when the re-

NOTE

corder is in operation.

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Factory Preset Recall

POWER

All dual mode, reverb, brilliance (CLP-155), touch sensitivity, and pitch

control settings can be restored to their original factory preset values by

holding the C7 key while turning the [POWER] switch ON. This also

erases all recorder data.

Troubleshooting

If you encounter what appears to be a malfunction, please check the following

points before assuming that your Clavinova is faulty.

1. No Sound When the Power is Turned ON

Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER

VOLUME control turned up to a reasonable listening level?

2. The Clavinova Reproduces Radio or TV Sound

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

3. Intermittent Static Noise

This is usually due to turning ON or OFF a household appliance or other electronic equipment which is fed by the

same AC mains line as your Clavinova.

4. Interference Appears On Radio or TV Sets Located Near the Clavinova

The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the

Clavinova further away from the affected equipment, or vice versa.

5. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System

If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the set-

ting of the Clavinova volume control to a level at which the distortion ceases.

Options & Expander Modules

● Options

BC-8 Bench

A comfortable bench styled to match your Yamaha Clavinova.

HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

KC-883 Key Cover (CLP-154S)

A convenient way to keep your keyboard clean and dust-free.

● Expander Modules

DOU-10

Disk Orchestra Unit

A range of MIDI recording and playback functions, plus Yamaha Disk Orchestra Collection,

Disklavier PianoSoft™, General MIDI, and Standard MIDI File disk playback capability.

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CLP-154S

CLP-155

5 x 40 mm long gold screws

4 x 25 mm round-head screws

Lange goldene Schrauben (5 x 40 mm)

Vis longues dorées de 5 x 40 mm

Tornillos dorados largo de 5 x 40 mm

Halbrundschrauben (4 x 25 mm)

Vis à tête ronde de 4 x 25 mm

Tornillos de cabeza redonda de 4 x 25 mm

x 6

x 4

6 x 16 mm flat-head screws

Senkschrauben (6 x 16 mm)

Vis à tête plate de 6 x 16 mm

Tornillos de cabeza plana de 6 x 16 mm

6 x 18 mm round-head screws

Halbrundschrauben (6 x 18 mm)

Vis à tête ronde de 6 x 18 mm

x 4

Tornillos de cabeza redonda de 6 x 18 mm

Zusammenbau und Aufstellung

Keyboard Stand Assembly

HINWEIS

• Wir raten davon ab, das Clavinova alleine

• We do not recommend attempting to assemble the

NOTE

zusammenzubauen und aufzustellen. Zwei Personen

können diese Arbeit jedoch problemlos ausführen.

Clavinova alone. The job can be easily accom-

plished, however, with only two people.

• Verwenden Sie ausschließlich die mitgelieferten

Schrauben oder Ersatzschrauben identischer Größe.

Die Verwendung von Schrauben mit abweichenden

Maßen kann eine Beschädigung des Instruments zur

Folge haben.

• Use only the screws provided or replacements of

exactly the specified size. Using screws of the wrong

size can result in damage to the instrument.

Z Open the box and remove all the parts.

Öffnen Sie den Karton und nehmen Sie

alle Teile heraus.

Im Karton sollten die oben abgebildeten Teile enthalten

sein. Prüfen Sie zunächst bitte, ob alle Teile vollständig vor-

handen sind.

On opening the box you should find the parts shown in

the illustration above. Check to make sure that all the re-

quired parts are provided.

Assemble the side panels (D) and feet

(E).

Schrauben Sie die Seitenwände (D) und

die Füße (E) zusammen.

Machen Sie die Füße (E) mit den vier langen goldenen

Schrauben (5 x 40 mm) 1(jeweils 3 Schrauben) so an den

Seitenwänden fest, daß der Ausschnitt am jeweiligen Fuß

unter dem Winkelblech an der Seitenwand zu liegen kommt.

Secure the feet (E) to the side panels (D) with the 5 x 40

millimeter long gold-colored screws 1(3 each), making

sure that the cutouts on the feet face the bracket side of the

side panels.

Attach the side panels (D) to the pedal

Schrauben Sie den Pedalkasten (C) an

box (C).

den Seitenwänden (D) fest.

Before installing the pedal box, untie and straighten out

the bundled cord attached to the bottom of the pedal box.

Place the pedal box on top of the brackets attached to the

side panels (D), and attach using the four 6 x 18 millimeter

round-head screws 2— two screws on each side. Make

sure the pedals extend in the same direction as the feet.

Bevor Sie den Pedalkasten montieren, nehmen Sie zu-

nächst das gebündelte Kabel aus dem Pedalkasten, entfernen

den Kabelbinder und ziehen das Kabel dann gerade aus.

Setzen Sie den Pedalkasten auf die Winkelbleche der bei-

den Seitenwänden (D), und schrauben Sie ihn dann mit den

vier Halbrundschrauben (6 x 18 mm) 2fest (jeweils zwei

Schrauben links und rechts). Achten Sie dabei darauf, daß die

Pedale in dieselbe Richtung weisen wie die vorspringenden

Teile der Füße.

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CLP-155

6 x 18 mm round-head screws 2

Halbrundschrauben (6 x 18 mm) 2

Vis à tête ronde de 6 x 18 mm 2

5 x 40 mm long gold screws 1

Lange goldene Schrauben (5 x 40 mm) 1

Vis longues dorées de 5 x 40 mm 1

Tornillos dorados largo de 5 x 40 mm 1

Tornillos de cabeza redonda de 6 x 18 mm 2

CLP-154S

Assemblage du support de clavier

Conjunto del soporte del teclado

REMARQUE

• Nous ne vous conseillons pas d’essayer d’assembler

le Clavinova seul. Toutefois, ce travail peut être

facilement exécuté par deux personnes.

NOTA

• No le recomendamos que intente montar la

Clavinova usted solo. El trabajo puede ser realizado

fácilmente entre dos personas.

• Utilice sólo los tornillos suministrados o reemplazos

del exacto tamaño especificado. El empleo de

tornillos de un tamaño erróneo puede dañar el

instrumento.

• N’utilisez que les vis fournies ou des vis ayant

exactement les mêmes dimensions. L’utilisation de

vis de dimensions incorrectes pourrait endommager

l’instrument.

Z Abra la caja y extraiga todas las partes.

Ouvrez le carton et retirez toutes les

pièces

Les pièces indiquées sur l’illustration devraient toutes se

trouver dans le carton. Vérifiez qu’il n’en manque aucune.

Al abrir la caja deberá encontrar todas las partes

mostradas en la ilustración. Compruebe para asegurarse

que se proporcionan todas las partes necesarias.

Monte los paneles laterales (D) y las

Montez les panneaux latéraux (D) sur

patas (E).

les supports inférieurs (E)

Asegure las patas (E) en los paneles laterales (D) con los

tornillos dorados largos de 5 x 40 mm 1(3 cada uno),

asegurándose de que los cortes de las patas quedan

encarados con el lado de la ménsula de los paneles

laterales.

Fixez les supports inférieurs (E) aux panneaux latéraux

(D) à l’aide des vis longues dorées de 5 x 40 millimètres

1(3 chacun) et veillez à ce que le bord découpé de

chaque support soit dirigé vers le côté ferrure des

panneaux latéraux.

Acople los paneles laterales (D) en la

caja de pedales (C).

Antes de instalar la caja de pedales, desate y enderezca

el cable plegado unido a la parte inferior de la caja de

pedales.

Fixez les panneaux latéraux (D) au

pédalier (C)

Avant de poser le pédalier, détacher le cordon de la

partie inférieure du pédalier et le dérouler.

Ponga la caja de pedales en la parte superior de las

ménsulas acopladas a los paneles laterales (D), y acople

empleando los cuatro tornillos de cabeza redonda de 6 x 18

mm 2; dos tornillos en cada lado. Asegúrese de que el

pedal se extiende en la misma dirección que la pata.

Placez le pédalier sur les ferrures fixées aux panneaux

latéraux (D) et fixez-le à l’aide des quatre vis à tête ronde

de 6 x 18 millimètres 2: deux vis de chaque côté. Veillez

à ce que les pédales soient dirigées dans le même sens que

les supports inférieurs.

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CLP-155

CLP-154S

4 x 25 mm round-head screws 3

Halbrundschrauben (4 x 25 mm) 3

Vis à tête ronde de 4 x 25 mm 3

Halbrundschrauben (4 x 25 mm) 3

Vis à tête ronde de 4 x 25 mm 3

Tornillos de cabeza redonda de 4 x 25 mm 3

Attach the center panel (B) to the side

panels (D).

Schrauben Sie die Rückwand (B) an die

beiden Seitenwände (D).

The center panel (B) should be screwed to the brackets

on the side panels (D) using the four 4 x 25 millimeter

round-head screws 3, as shown in the illustration. Make

sure the center panel is attached to the side of the brackets

facing the pedals. The corner cutouts in the CLP-155

center panel are on the top edge of the panel.

Die Rückwand (B) wird mit den vier Halbrundschrauben

(4 x 25 mm) 3an den Winkelblechen der Seitenwände

(D) festgeschraubt, wie in der Abbildung gezeigt. Achten

Sie bitte darauf, daß die Rückwand an den pedalseitigen

Flächen der Winkelbleche angebracht wird. Beim CLP-155

müssen die Ausschnitte in den Ecken der Rückwand oben

zu liegen kommen.

B Install the main unit (A).

B Montieren Sie die Tastatureinheit (A).

Place the main unit (A) on the side panels (D) with the

screws on its bottom panel (toward the rear of the main

unit) just behind the grooves in the brackets located at the

top of the side panels. Then slide the main unit forward

until it stops. WATCH YOUR FINGERS WHEN DO-

ING THIS!!

Setzen Sie die Tastatureinheit (A) so auf den fertigen

Ständer, daß die beiden Schrauben an ihrer Unterseite hin-

ter den Winkelblechen mit Führungsschlitz an der Hinter-

seite des Ständers zu liegen kommen. Schieben Sie die

Tastatureinheit dann bis zum Anschlag in die Schlitze.

KLEMMEN SIE IHRE FINGER DABEI NICHT EIN!!

Richten Sie die Schraubenbohrungen an der Unterseite

der Tastatureinheit mit den Bohrungen der Winkelbleche

aus (achten Sie auch darauf, daß sie mittig auf dem Ständer

steht, wie in der Abbildung gezeigt). Schrauben Sie die

Tastatureinheit dann mit den vier Senkschrauben (6 x 16

mm) 4am Ständer fest.

Align the holes on the bottom panel of the main unit

with the holes in the brackets on the side panels (also

center the main unit to produce equal clearance on the left

and right sides, as shown in the illustration), then screw in

and securely tighten the four 6 x 16 millimeter flat-head

screws 4.

iii

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CLP-155

CLP-154S

6 x 16 mm flat-head screws 4

Senkschrauben (6 x 16 mm) 4

6 x 16 mm flat-head screws 4

Senkschrauben (6 x 16 mm) 4

Vis à tête plate de 6 x 16 mm 4

Tornillos de cabeza plana de 6 x 16 mm 4

Vis à tête plate de 6 x 16 mm 4

Tornillos de cabeza plana de 6 x 16 mm 4

Fixez le panneau central (B) aux

panneaux latéraux (D)

Acople el panel central (B) a los

paneles laterales (D).

Le panneau central (B) doit être fixé aux ferrures des

panneaux latéraux (D) de la manière illustrée à l’aide des

quatre vis à tête ronde de 4 x 25 millimètres 3. Veillez à

ce que le panneau central soit fixé aux ferrures côté pédale.

Les découpes aux deux extrémités du panneau central du

CLP-155 doivent être dirigées vers le haut.

EL panel central (B) debe enroscarse a las ménsulas de

los paneles laterales (D) usando los cuatro tornillos de

cabeza redonda de 4 x 25 mm 3como se muestra en la

ilustración. Asegúrese de que el panel central se monta al

lado de las ménsulas encarado a los pedales. Los cortes de

las esquinas del panel central de la CLP-155 están en el

borde superior del panel.

B Posez le clavier (A)

B Instale la unidad principal (A).

Placez le clavier sur les panneaux latéraux (D), avec les

vis de son panneau inférieur (situées vers l’arrière du cla-

vier) placées immédiatement derrière les rainures des fer-

rures situées à la partie supérieure des panneaux latéraux

(D), puis faites glisser le clavier vers l’avant jusqu’à ce

qu’il vienne en butée. FAITES ATTENTION A VOS

DOIGTS EN EXECUTANT CETTE OPERATION!!

Alignez les trous du panneau inférieur du clavier sur les

trous des ferrures des panneaux latéraux (centrez égale-

ment le clavier de manière à avoir un jeu identique de cha-

que côté) puis posez et serrez à fond les quatre vis à tête

plate de 6 x 16 millimètres 4.

Coloque la unidad principal en los paneles laterales (D)

con los tornillos de su panel inferior (hacia la parte poste-

rior de la unidad principal) justo detrás de las ranuras de la

ménsula ubicada en la parte superior de los paneles latera-

les (D), después deslice el teclado hacia adelante hasta que

se pare. ¡TENGA CUIDADO CON SUS DEDOS MIEN-

TRAS LO HACE!

Alinee los orificios del panel inferior de la unidad prin-

cipal con los orificios de las ménsulas de los paneles late-

rales (también centre la unidad principal para producir una

holgura igual en los lados derecho e izquierdo, como se

muestra en la ilustración), después enrosque y apriete bien

los cuatro tornillos de cabeza plana de 6 x 16 mm 4.

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CLP-154S

CLP-155

Cord holder

Kabelhalter

Cord holder

Kabelhalter

Support de cordon

Soporte del cable

Support de cordon

Soporte del cable

N Connect the pedal cord.

N Schließen Sie das Pedalkabel an.

Sichern Sie das Pedalkabel in den beiden Kabelhaltern

an den Seitenwänden. Der Stecker wird an die zugehörige

Buchse an der Unterseite der Tastatureinheit (A) ange-

schlossen. Der Stecker paßt nur in einer Richtung in die

Buchse (beim CLP-155 muß die Führungsnase nach hin-

ten weisen und beim CLP-154S in Richtung der gegen-

überliegenden Seitenwand — siehe Abbildung). Versuchen

Sie nicht, den Stecker falsch herum mit Gewalt in die

Buchse zu drücken!

Pass the pedal cord through the two cord holders on the

side panel. Plug the free end of the cord into the connector

on the bottom of the main unit (A). The plug only goes in

one way (the lug on the CLP-155 connector should face

the rear of the main unit, while that on the CLP-154S con-

nector should face the opposite leg, as shown in the illus-

trations) — don’t try to force it in the wrong way around.

MSet the adjuster.

Justieren Sie schließlich noch den

For stability, an adjuster is provided on the bottom of

the pedal box (C). Rotate the adjuster until it comes in firm

contact with the floor surface. The adjuster ensures stable

pedal operation and facilitates pedal effect control. If the

adjuster is not in firm contact with the floor surface, dis-

torted sound may result.

Höhenversteller.

Zur Stabilisierung ist an der Unterseite des Pedalkastens

Höhenversteller heraus, bis er fest auf dem Fußboden steht.

Der Höhenversteller sorgt für stabile Pedalbetätigung und

ermöglicht eine präzise Regelung des Betätigungshubs.

Wenn er nicht fest auf dem Boden steht, können beim Tre-

ten der Pedale Klangverzerrungen auftreten.

IMPORTANT

• After assembling the Clavinova, check once more to

make sure that all screws have been securely fas-

tened.

WICHTIG

• Vergewissern Sie sich nach Zusammenbau und

Aufstellung des Clavinova noch einmal davon, daß

alle Schrauben fest angezogen sind.

• If the stand leans to the side, makes unusual noises,

or otherwise seems unstable during use, check and

tighten all screws while following the assembly in-

structions given above.

• Wenn der Ständer schief steht, komische Geräusch

erzeugt oder sich beim Spielen wackelig anfühlt,

prüfen Sie gemäß den unter “Zusammenbau und

Aufstellung” gegebenen Anweisungen, ob der Stän-

der richtig zusammengebaut wurde, und ziehen

dabei die einzelnen Schrauben noch einmal nach.

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N Connectez le cordon du pédalier

N Conecte el cable de los pedales.

Faites passer le cordon du pédalier dans les deux sup-

ports de cordon situés sur le panneau latéral. La prise doit

être branchée au connecteur correspondant situé à la partie

inférieure du clavier (A). La prise ne peut être branchée

que dans un seul sens (la languette de la prise du CLP-155

doit être dirigée vers l’arrière du clavier, alors que celle de

la prise du CLP-154S doit être dirigée vers l’autre pied,

comme montré sur les illustrations) et n’essayez donc pas

de la forcer pour la mettre en place du mauvais côté.

Pase el cable de los pedales a través de los dos soportes

de cable del panel lateral. La clavija puede enchufarse en

el conector correspondiente de la parte inferior de la uni-

dad principal (A). La clavija se enchufa sólo en una direc-

ción (la lengüeta del conector de la CLP-155 debe quedar

encarada a la parte posterior de la unidad principal, mien-

tras que en el conector de la CLP-154S debe quedar enca-

rada a la pata opuesta, como se muestra en las ilustracio-

nes), por eso no la fuerce en la dirección errónea.

N’oubliez pas de régler la hauteur du

pédalier

MAsegúrese de ajustar el ajustador.

Para la estabilidad del aparato, se proporciona un

ajustador en la parte inferior de la caja de pedales (C).

Gire el ajustador hasta que contacte firmemente con el

suelo. El ajustador asegura una operación estable de los

pedales y facilita el control del efecto de los pedales. Si el

ajustador no contacta firmemente con el suelo, puede re-

sultar en sonido distorsionado.

Pour assurer la stabilité du pédalier (C), un dispositif de

réglage a été prévu à sa partie inférieure. Tournez ce dis-

positif jusqu’à ce qu’il soit en contact ferme avec la sur-

face du sol. Ce dispositif assure la stabilité du pédalier

lors de son utilisation et facilite la commande au pied des

effets. Si ce dispositif n’est pas en contact ferme avec le

sol, il pourra se produire une distorsion du son.

IMPORTANTE

• Después de montar la Clavinova, compruebe otra

vez para asegurarse de que todos los tornillos se

han apretado bien.

IMPORTANT

• Après avoir assemblé le Clavinova, vérifiez une fois

de plus que toutes les vis sont bien serrées.

• Si le support du clavier penche d’un côté, fait du bruit

ou semble instable lorsque vous utilisez l’instrument,

vérifiez de nouveau et resserrez toutes les vis en

suivant les instructions d’assemblage données ci-

dessus.

• Si el soporte se inclina hacia un lado, hace ruidos

anormales, o parece inestable durante la utilización,

compruebe y apriete todos los tornillos mientras

sigue las instrucciones de montaje de arriba.

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MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MID

If you’re already very familiar with MIDI, or are using a computer to control your music hardware with com-

puter-generated MIDI messages, the data provided in this section can help you to control the Clavinova.

Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für

die Instrumente verwenden, können Sie sich zur Steuerung des Clavinovas nach den im folgenden Abschnitt

aufgeführten Spezifikationen richten.

Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre

matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous

seront utiles et vous aideront à commander le Clavinova.

SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos

musicales con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le

ayudarán a controlar la Clavinova.

1. NOTE ON/OFF

3. PROGRAM CHANGE

Data format: [9nH] -> [kk] -> [vv]

Data format: [CnH] -> [pp]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 15 ~ 114 = D#-1 ~ F#7 /

Receive: 21 ~ 108 = A-1 ~ C7)

CnH = program event (n = channel number)

pp = Program number

pp CLP-155 VOICE

00 PIANO 1

CLP-154S VOICE

PIANO 1

vv = Velocity (Key ON = 1 ~ 127. Key OFF = 0)

01 PIANO 2

02 CLAVINOVA TONE

03 E. PIANO

04 HARPSICHORD

05 VIBES

06 STRINGS

PIANO 2

CLAVINOVA TONE

E. PIANO

HARPSICHORD

ORGAN

Data format: [8nH] -> [kk] -> [vv]

8nH = Note OFF event (n = channel number)

kk = Note number (Transmit: 15 ~ 114 = D#-1 ~ F#7 /

Receive: 21 ~ 108 = A-1 ~ C7)

vv = Velocity (Key OFF = 0 ~ 127)

07 ORGAN

Note OFF event format [8nH] -> [kk] also recognized (reception only).

08 STRINGS SLOW ATTACK (reception only)

2. CONTROL CHANGE & MODE MESSAGES

4. SYSTEM REALTIME MESSAGES

Data format: [BnH] -> [cc] -> [vv]

[rrH]

F8H: Timing clock

FAH: Start

FCH: Stop

BnH = Control event (n = channel number)

cc = Control number

vv = Control value

FEH: Active sensing

07H Volume

(reception only)

CONTROL

VALUE [vv]

00000000 : -∞

01101111 : -3dB

01111111 : ±0dB

00H ~ 17H LEFT

18H ~ 1FH

Data Transmission

Reception

F8H

Transmitted every Received as 96-clock tempo timing

96 clocks

when MIDI clock is set to External

Recorder start

0AH Pan Pot

(reception only)

FAH

Recorder start

20H ~ 27H

28H ~ 2FH

30H ~ 37H

38H ~ 3FH

40H ~ 47H CENTER

48H ~ 4FH SCALING PAN

50H ~ 57H RIGHT 1

58H ~ 5FH

60H ~ 67H

FCH Recorder stop

FEH

Recorder stop

Transmitted every All notes are turned off if no data is

200 milliseconds

received for more than 400

milliseconds

* Caution: If an overrun framing error occurs the Damper, Sostenuto, and

Soft effects for all channels are turned off and an All Note Off occurs.

5. SYSTEM EXCLUSIVE MESSAGES

(1) YAMAHA MIDI Format

68H ~ 6FH

70H ~ 77H

78H ~ 7FH

Data format: [F0H] -> [43H] -> [xn] -> [ff] . . . [F7H]

0BH Expression

(reception only)

00000000 : -∞

01101111 : -3dB

01111111 : ±0dB

00H ~ 7FH : eight levels (CLP-155)

00H ~ 3FH : OFF

43H : Yamaha

xn : Substatus + channel number.

ff : Format number.

40H Damper Pedal

Information

(CLP-154S)

}

7CH Panel data receive.

7CH Panel Data Send occurs when this data received.

7DH Name Data Send occurs when this data received.

40H ~ 7FH : ON

00H ~ 3FH : OFF

40H ~ 7FH : ON

00H ~ 3FH : OFF

40H ~ 7FH: ON

00H ~ 7FH

42H Sostenuto Pedal

43H Soft Pedal

(2) Clavinova MIDI Format

Data format: [F0H] -> [43H] -> [73H] -> [xx] -> [yy] -> [F7H]

5BH Reverb Depth

78H All Sound OFF

(reception only)

00H

43H : Yamaha ID

73H : Clavinova ID

xx : 38H (CLP-154S ID), 38H (CLP-155 ID)

yy : Substatus

79H Reset AllController

7AH Local Control ON/OFF

(reception only)

7BH All Notes OFF

`(reception only)

00H

00H : OFF

7FH : ON

00H

Information

02H Internal MIDI clock.

03H External MIDI clock.

13H Multi-timbre mode OFF.

15H Multi-timbre mode ON.

61H MIDI FA cancel ON.

7CH Omni OFF/All Notes OFF 00H

(reception only)

7DH Omni ON/All Notes OFF 00H

(reception only)

62H MIDI FA cancel OFF.

7cH All notes OFF; receive channel = c+1; omni OFF.

vii

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(3) Special Control

PANEL DATA FORMAT

Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [11H] ->

[0nH] -> [ccH] -> [vvH] -> [F7H]

F0H, 43H, 0nH, 7CH, 00H, 1BH (n: channel number)

53H, 4BH, 20H, 20H

43H, 4CH, 50H, 27H, 39H, 34H

3xH, 3yH

(SK)

(CLP ’94)

(x, y: version number)

43H : Yamaha ID

73H : Clavinova ID

xx : 38H (CLP-154S ID), 38H (CLP-155 ID)

11H : Clavinova special control

0nH : Control MIDI change + channel number

cc : Control number

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(53H+4BH+20H+......+Data end)

F7H

• Panel Data Contents

(1) VOICE

vv : Value

(2) DUAL VOICE

cc Control

Value [vv]

(3) DUAL ON/OFF

(4) DUAL BALANCE

(5) 0 (CLP-154S)/BRILLIANCE (CLP-155)

(6) 0

08H Dual Balance

00H : Left Voice Max.

7FH : Right Voice Max.

00H : Off

01H : On

00H : Medium

01H : Soft

1BH Metronome

(7) 0

26H Touch Sensitivity

(8) REVERB NUMBER

(9) REVERB DEPTH

(10) TOUCH SENSITIVITY

(11) 0

(12) SPLIT POINT

(13) 0

02H : Hard

03H : Off

58H Brilliance (CLP-155) 00H : Normal

01H : Mellow

02H : Bright

00H : Off

01H : Room

(14) Absolute tempo low byte

(15) Absolute tempo high byte

59H Reverb

02H : Hall-1

03H : Hall-2

NAME DATA SEND FORMAT

04H : Cosmic

00H : Dual Off

01H : Dual On (Normal)

02H : Dual On (Left voice 1 octave up)

03H : Dual On (Right voice 1 octave up)

[vvH] : Dual Voice

F0H, 43H, 0nH, 7DH, 00H, 10H

(n: channel number)

5AH Dual Mode

53H, 4BH, 20H, 20H

(SK)

43H, 4CH, 50H, 27H, 39H, 34H

3xH, 3yH, 20H, 20H, 20H, 20H

[CHECK SUM (1byte)] = 0-(53H+4BH+20H+......+20H)

F7H

(CLP ’94)

(x, y: version number)

5CH Dual Voice

(4) Absolute Tempo

BULK DUMP FORMAT

Data format: [F0H] -> [43H] -> [73H] -> [xx]

-> [11H] -> [1nH] -> [cc] -> [dd] -> [F7H]

43H : Yamaha ID

F0H, 43H, 73H

38H

06H

02H

(Product ID: CLP-154S/CLP-155)

(Bulk ID)

(Bulk number)

73H : Clavinova ID

0DH, 00H, 07H, 0CH (Data length= wxyzH 0x683e*2 bytes)

[BULK DATA] (Sequence data)

[CHECK SUM (1byte)] = 0-sum (BULK DATA)

F7H

xx : 38H (CLP-154S ID), 38H (CLP-155S ID)

11H : Clavinova special control

1nH : Control MIDI change

(Transmit: n=control channel number)

(Receive: any channel OK)

ccH : Absolute tempo low byte

ddH : Absolute tempo hight byte

Tempo=dd*128+cc

Specifications/Technische Daten/Caractéristiques techniques/Especificaciones

CLP-154S

CLP-155

KEYBOARD

88 KEYS (A-1 ~ C7)

32 NOTES MAX.

POLYPHONY

VOICE SELECTORS

PIANO,

PIANO1, PIANO2, CLAVINOVA TONE,

PIANO1, PIANO2, CLAVINOVATONE, E.

E. PIANO, HARPSICHORD, ORGAN

HARPSICHORD, VIBES, STRINGS, ORGAN

BRILLIANCE

—

MELLOW, NORMAL, BRIGHT

REVERB

ROOM, HALL 1, HALL 2, COSMIC

TOUCH SENSITIVITY

RECORDER

HARD, MEDIUM, SOFT, FIXED

1, 2, PLAY, REC

PEDAL CONTROLS

OTHER CONTROLS

JACKS/CONNECTORS

SOFT, SOSTENUTO, DAMPER

MASTER VOLUME, MIDI/TRANSPOSE, METRONOME, TEMPO, DEMO

PHONES x 2, AUX OUT R & L/L+R, AUX IN R & L, MIDI IN/OUT/THRU

INPUT & OUTPUT

LEVEL/IMPEDANCE

AUX OUT: Output impedance 600Ω

AUX IN: Input impedance 10 kΩ/Input sensitivity -10 dBm

MAIN AMPLIFIERS

SPEAKERS

20W x 2

30W x 2

13 cm x 2

13 cm x 2, 5 cm x 2

DIMENTIONS

(W x D x H)

Music stand

down

1414.0 x 500.0 x 890.8 mm

(55-5/8" x 19-5/8" x 35")

1414.0 x 500.0 x 890.8 mm

(55-5/8" x 19-5/8" x 35")

Music stand

1414.0 x 500.0 x 1060.9 mm

(55-5/8" x 19-5/8" x 41-3/4")

1414.0 x 500.0 x 1060.9 mm

(55-5/8" x 19-5/8" x 41-3/4")

* Specifications subject to change without notice.

* Änderungen ohne Vorankündigung vorbehalten.

* Sous toute réserve de modification des caractéristiques sans préavis.

62.0 kg (136.7 lbs.)

WEIGHT

54.0 kg (119.0 lbs.)

* Especificaciones sujetas a cambios sin previo aviso.

viii

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IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These pre-

cautions include, but are not limited to, the following:

This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Exam-

ples of wet/damp locations are; near a swimming pool, spa, tub,

sink, or wet basement.

Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions

found in this manual BEFORE marking any connections, in-

cluding connection to the main supply.

This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact

your dealer for supply voltage verification and (if applicable)

instructions. The required supply voltage is printed on the

name plate. For name plate location, please refer to the graphic

found in the Special Message Section of this manual.

10.

The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for ex-

tended periods of time. Cords should also be disconnected when

there is a high probability of lightening and/or electrical storm

activity.

11.

Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the

plug into the outlet, turn the plug over and try again. If the

problem persists, contact an electrician to have the obsolete

outlet replaced. Do NOT defeat the safety purpose of the plug.

12.

Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any

power supply or adapter other than one described in the owners

manual, on the name plate, or specifically recommended by

Yamaha.

e. The product has been dropped, or the enclosure of the

product has been damaged.

WARNING: Do not place this product or any other

objects on the power cord or place it in a position where any-

one could walk on, trip over, or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! If you must use an extension cord, the

minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:

The smaller the AWG number, the larger the current handling

capacity. For longer extension cords, consult a local electri-

cian.

13.

Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing

should be referred to qualified service personnel.

14.

This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO NOT

operate for a long period of time at a high volume level or at a

level that is uncomfortable. If you experience any hearing loss or

ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in loca-

tions that do not interfere with proper ventilation. If instruc-

tions for enclosed installations are not provided, it must be

assumed that unobstructed ventilation is required.

15.

Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the

product or as optional accessories. Some of these items are de-

signed to be dealer assembled or installed Please make sure that

benches are stable and any optional fixtures (where applicable) are

well secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

Temperature considerations: Electronic products

should be installed in locations that do not significantly con-

tribute to their operating temperature. Placement of this prod-

uct close to heat sources such as; radiators, heat registers and

other devices that produce heat should be avoided.

PLEASE KEEP THIS MANUAL

92-469-2

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FCC INFORMATION (U.S.A.)

with FCC regulations does not guarantee that interference will not

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted

by the FCC, to use the product.

occur in all installations. If this product is found to be the source

of interference, which can be determined by turning the unit

“OFF” and “ON”, please try to eliminate the problem by using one

of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker

or fuse) circuits or install AC line filter/s.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

In the case of radio or TV interference, relocate/reorient the an-

tenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

3. NOTE: This product has been tested and found to comply with

the requirements listed in FCC Regulations, Part 15 for Class “B”

digital devices. Compliance with these requirements provides a

reasonable level of assurance that your use of this product in a

residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio

frequencies and, if not installed and used according to the

instructions found in the users manual, may cause interference

harmful to the operation of other electronic devices. Compliance

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type

of product. If you can not locate the appropriate retailer, please

contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed

by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

Wichtiger Hinweis für die Benutzung in der Bundesrepublik

Deutschland.

Wichtiger Hinweis für die Benutzung in der Bundesrepublik

Deutschland.

Bescheinigung des Importeurs

Hiermit wird bescheinigt, daß der/die/das

Electronic Piano Typ: CLP-154S

Hiermit wird bescheinigt, daß der/die/das

Electronic Piano Typ: CLP-155

(Gerät, Typ, Bezeichnung)

in Übereinstimmung mit den Bestimmungen der

VERFÜGUNG 1046/84

in Übereinstimmung mit den Bestimmungen der

VERFÜGUNG 1046/84

(Amtsblattverfügung)

funk-entstört ist.

(Amtsblattverfügung)

funk-entstört ist.

Der Deutschen Bundespost wurde das Inverkehrbringen

dieses Gerätes angezeigt und die Berechtigung zur Überprüfung

der Serie auf Einhaltung der Bestimmungen eingeräumt.

Der Deutschen Bundespost wurde das Inverkehrbringen

dieses Gerätes angezeigt und die Berechtigung zur Überprüfung

der Serie auf Einhaltung der Bestimmungen eingeräumt.

Yamaha Europa GmbH

Name des Importeurs

• Dies bezicht sich nur auf die von der Yamaha Europa GmbH vertriebenen

Produkte.

• Dies bezicht sich nur auf die von der Yamaha Europa GmbH vertriebenen

Produkte.

Dit produkt is gefabriceerd in overeenstemming met de

radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/

EEG).

ΑΥΤΗ Η ΣΥΣΚΕΥΗ ΑΝΤΑΠΟΚΡΙΝΕΤΑΙ ΣΤΙΣ ΑΠΑΙΤΗΣΕΙΣ ΤΩΝ

Ο∆ΗΓΙΩΝ ΤΗΣ ΕΥΡΩΠΑΙΚΗΣ ΟΙΚΟΝΟΜΙΚΗΣ ΚΟΙΝΟΤΗΤΑΣ 82/

499/Ε.Ο.Κ..

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B”

LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARA-

TUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF

THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS

RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES

AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES

DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRI-

QUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU

CANADA.

Este produto está de acordo com o radio de interferencia frequente

requiridos do Conselho Diretivo 82/499/EEC.

Dette apparat overholder det gaeldende EF-direktiv vedrørende

radiostøj.

Cet appareil est conforme aux prescriptions de la directive

communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder

87/308/EWG.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

This product complies with the radio frequency interference require-

ments of the Council Directive 82/499/EEC and/or 87/308/EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva

CEE/87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre

interferencias de radio frequencia fijados por el Consejo Directivo

87/308/CEE.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA

BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU

FOND.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

YAMAHA CORPORATION

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accor-

dance with the following code:

BLUE

: NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured makings identifying the terminals

in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the termi-

nal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of

the three pin plug.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

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VS31580 407POCP1.4-01A0 Printed in Japan

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