C L P - 3 8 0
OWNER’S MANUAL
IMPORTANT
—Check your power supply—
Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may
be provided on the rear panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The
voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the
correct voltage appears next to the pointer on the panel.
For information on assembling the keyboard stand, refer to the instructions at the end of this manual.
EN
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Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to alert
the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the product.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
The above warning is located on the bottom of the unit.
IMPORTANT SAFETY INSTRUCTIONS
1
2
3
4
5
6
7
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with dry cloth.
Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong.The wide
blade or the third prong are provided for your safety. If
the provided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete outlet.
11 Only use attachments/accessories specified by the
manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table specified
by the manufacturer, or sold with
the apparatus. When a cart is
used, use caution when moving
the cart/apparatus combination
to avoid injury from tip-over.
8
9
13 Unplug this apparatus during
lightning storms or when unused for long periods of
time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or plug
is damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally,
or has been dropped.
10 Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
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PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
Water warning
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings. If any liquid such as water seeps into the instrument, turn off the
power immediately and unplug the power cord from the AC outlet. Then have
the instrument inspected by qualified Yamaha service personnel.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.
• Use only the supplied power cord/plug.
• Never insert or remove an electric plug with wet hands.
• Do not place the power cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects
on it, or place it in a position where anyone could walk on, trip over, or roll
anything over it.
Fire warning
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
Do not open
If you notice any abnormality
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
• If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the instrument, or if any unusual smells or smoke
should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
Location
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord. Pulling by the cord can damage it.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold
or heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
• Remove the electric plug from the outlet when the instrument is not to be used
for extended periods of time, or during electrical storms.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
• Do not connect the instrument to an electrical outlet using a multiple-
connector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
Assembly
• Before moving the instrument, remove all connected cables.
• Read carefully the attached documentation explaining the assembly process.
Failure to assemble the instrument in the proper sequence might result in
damage to the instrument or even injury.
• When setting up the product, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
• Do not place the instrument against a wall (allow at least 3 cm/one-inch from
the wall), since this can cause inadequate air circulation, and possibly result in
the instrument overheating.
(1)B-12 1/2
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Connections
Using the bench (If included)
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
• Do not place the bench in an unstable position where it might accidentally fall
over.
components, set all volume levels to minimum. Also, be sure to set the
volumes of all components at their minimum levels and gradually raise the
volume controls while playing the instrument to set the desired listening level.
• Do not play carelessly with or stand on the bench. Using it as a tool or step-
ladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the
possibility of accident or injury.
Maintenance
• Do not attempt to adjust the bench height while sitting on the bench, since this
can cause excessive force to be imposed on the adjustment mechanism,
possibly resulting in damage to the mechanism or even injury.
• In the case of a model with a polished finish, gently remove dust and dirt with a
soft cloth. Do not wipe too hard since small particles of dirt can scratch the
instrument's finish.
• If the bench screws become loose due to extensive long-term use, tighten them
periodically using the included tool.
• When cleaning the instrument, use a soft, dry/dry or slightly damp cloth. Do
not use paint thinners, solvents, cleaning fluids, or chemical-impregnated
wiping cloths.
Saving data
Saving and backing up your data
Handling caution
before saving. Save the data to a USB storage device/external device such as a
computer.
• Take care that the key cover does not pinch your fingers, and do not insert a
finger or hand in any gaps on the key cover or instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the key
cover, panel or keyboard. If this happens, turn off the power immediately and
unplug the power cord from the AC outlet. Then have the instrument inspected
by qualified Yamaha service personnel.
Saved data may be lost due to malfunction or incorrect operation. Save
important data to a USB storage device/external device such as a computer.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
• In the case of a model with a polished finish, bumping the surface of the
instrument with metal, porcelain, or other hard objects can cause the finish to
crack or peel. Use caution.
• Do not rest your weight on, or place heavy objects on the instrument, and do
not use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a
high or uncomfortable volume level, since this can cause permanent hearing
loss. If you experience any hearing loss or ringing in the ears, consult a
physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
(1)B-12 2/2
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Introduction
Thank you for choosing the Yamaha Clavinova CLP-380.
In order to make the most of your Clavinova’s performance potential and features, please read this
Owner’s Manual thoroughly, and keep it in a safe place for later reference.
About this Owner’s Manual and Data List
This manual consists of four main sections: “Introduction,”“Basic Operation,”“Detailed Settings,” and “Appendix.” Also,
a separate “Data List” is provided.
Introduction:
Please read this section first.
Basic Operation:
This main section explains how to use the basic functions. Refer to this section while you play
the Clavinova.
Detailed Settings: This section explains how to make detailed settings for the Clavinova’s various functions. Refer
to this section as necessary.
Appendix:
Data List:
This section introduces troubleshooting, a description of preset voices, and other reference
material.
Normal (Default) Setting List, XG Voice List, etc.
The Effect Parameter List, Effect Data Assign Table, MIDI Data Format, and MIDI
Implementation Chart are available for downloading from the Yamaha Manual Library.
• The model CLP-380 will be referred to as the CLP/Clavinova in this Owner’s Manual.
• The illustrations and LCD screens as shown in this Owner’s Manual are for instructional purposes only, and may appear somewhat
different from those on your instrument.
• Copying of commercially available software or music data for purposes other than your personal use is strictly prohibited.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has
license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software and MIDI files, etc. Any
unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright
has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. This device is capable of using various types/formats of
music data by optimizing them to the proper format music data for use with the device in advance. As a result, this device may not play
them back precisely as their producers or composers originally intended.
AVE-TCP™, a TCP/IP protocol stack by ACCESS Co., Ltd., is installed in this product.
Copyright © 1986-2008 ACCESS CO., LTD.
AVE™-SSL, an encryption module technology by ACCESS Co., Ltd., is installed in this product.
Copyright © 1997-2008 ACCESS CO., LTD.
Trademarks
®
• Windows is the registered trademark of Microsoft Corporation.
• All other trademarks are the property of their respective holders.
Tuning
Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.
Transporting
If you move to another location, you can transport the Clavinova along with your other belongings. You can move the
unit as it is (assembled) or you can disassemble the unit.
Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the
instrument to excessive vibration or shock.
After transporting the instrument, do the following to ensure optimum performance of the iAFC function (page 92):
• Place the Clavinova so that its rear panel is at least 10 cm away from the wall.
• Perform the automatic adjustment of the iAFC function (page 93).
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Main Features
NW (Natural Wood) with synthetic ivory keytops
This type of keyboard features the feel of real ivory. The special Natural Wood keyboard also uses real-wood
white keys. The key surface is soft and slightly porous, giving the keys added grip and a natural friction that lets
you play easily. This authentic touch and feel of the keys goes far beyond existing electronic keyboards, making
you feel as if you’re playing a real grand piano. The specially crafted keyboard also lets you use techniques only
possible on grand pianos, such as playing the same note successively and having the sounds blend smoothly even
without use of the damper pedal, or playing the same key quickly and having perfect articulation without the
sound cutting off unnaturally.
AWM Dynamic Stereo Sampling
The CLP-380 features Yamaha’s original AWM Dynamic Stereo Sampling tone-generation technology that gives
the instrument its rich, authentic voices and unmatched sonic realism. AWM (Advanced Wave Memory) is a
sampling system which creates authentic acoustic instrument sounds by using digital technology to record the
actual instrument sound and applying high-quality digital filter technology to the recorded audio samples. The
GRAND PIANO 1 Voice in particular features completely new samples recorded from a full-size concert grand
piano. Each sampled note has been adjusted and processed meticulously to ensure the very best sound—with
instantaneous attack and expressive response. This special Voice features three velocity-switched samples
(Dynamic Sampling), Sustain Sampling for recreating the unique resonance of an acoustic grand piano’s
soundboard and strings when the damper pedal is pressed, and Key-off Samples that add the subtle sound
produced when the keys are released. These sophisticated features and advanced technologies ensure that the
instrument sounds and plays virtually the same as an actual acoustic piano.
Tri-Amp System
The instrument has a built-in Tri-Amp System that features separate amplification for each speaker range—
high, mid, and low—providing greater clarity and accuracy from each speaker, ensuring optimum volume
balance for each octave range, and letting you enjoy richer, more natural, expansive sound.
The Acoustic Ambience of a Grand Piano—with the iAFC Feature
Turn on the iAFC (Instrumental Active Field Control) effect, and hear the sound expand around you—as if
you’re playing on stage in a concert hall. Use the Spatial Effect to recreate and emphasize the natural sounds of
true acoustic instruments. The overall sound is deeper and more resonant, especially when using the damper
pedal (Dynamic Damper Effect).
Internet Direct Connection (IDC)
By directly connecting the CLP-380 to the Internet, you can use the special service on the Yamaha website that
enables you to automatically play back a wide variety of songs (song data) in various musical genres directly on
your instrument.
Included Accessories
• “50 greats for the Piano” Score Collection
• Owner’s Manual
• Accessory CD-ROM for Windows
• Accessory CD-ROM for Windows Installation Guide
• AC Power Cord
• Data List
• Bench (included or optional depending on locale)
• My Yamaha Product User Registration
The PRODUCT ID on the sheet will be needed when you fill out
the User Registration form.
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Table of contents
Setting the volume..........................................................................................................................................16
Playing the 50 piano preset songs..................................................................................................................19
Combining two voices (Dual mode).............................................................................................................27
Recording a performance without specifying the recording part................................................................32
Deleting a song from the Clavinova’s Storage memory or from a USB storage device ... [Delete] ...........43
Renaming files ... [Rename]...........................................................................................................................43
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Table of contents
About the Internet Settings............................................................................................................................58
Exporting the Connection Information........................................................................................................62
Troubleshooting (IDC)..................................................................................................................................69
Listening to the Songs on Internet............................................................................................... 70
Connections.................................................................................................................................... 72
Parameter List.................................................................................................................................................77
Detailed settings for recording and playback [FILE/SONG SETTING]......................................... 82
Detailed settings for the metronome METRONOME [SETTING]................................................. 85
Data Compatibility....................................................................................................................... 112
Using USB Storage Devices..........................................................................................................................123
Handling the Floppy Disk Drive (FDD) and Floppy Disks (Optional)........................................ 124
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Panel Controls and Terminals
2
3
4
6
9
!
#
5
7
)
8
@
#
$
(
&
¡
%
*
1
º
™
^
Top panel
£
SELECT
USB TO DEVICE
∞
¢
Jacks & Terminals
£
§
¶
•
ª
‚
⁄
Make sure when using the jacks and terminals to carefully check the names as printed on the panel before
making connections.
AC IN
2 4 0
127
¤
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Panel Controls and Terminals
When iAFC is engaged, the Clavinova will sound deeper, more
resonant, and more similar to the sound of an actual acoustic
instrument. You can turn the iAFC function on or off or make
detailed settings for the iAFC.
Adjust the volume level using this dial.
This lets you adjust the volume balance between the song
playback and the sound you are playing on the keyboard.
In order to obtain the optimal results from iAFC, we
recommend that you do the following.
Demonstration playback is available for each voice.
• Position the Clavinova so that its rear panel is at least 10 cm
away from the wall.
For repeatedly playing back a single song or specifying a range
(in beats) within a song for repeated playback.
• Perform the automatic adjustment after you turn on the
power of the Clavinova for the first time, and after each
time you move the Clavinova (page 93).
6 [RIGHT], [LEFT], [EXTRA PARTS] buttons
..................................................pages 21, 31, 35
For turning the left- and right-hand parts on or off as required
so you can practice the corresponding part (the part that is
turned off) on the keyboard.
This lets you make detailed settings, such as adjusting the
keyboard touch, making fine adjustments to the pitch or MIDI
settings.
For connecting the instrument to a USB storage device, allowing
saving/loading of data to and from the connected device. The
instrument has two [TO DEVICE] terminals, A (on the left of
the keyboard) and B (on the connector panel at the bottom),
which can be specified using the [SELECT] switch.
For recording your keyboard performance.
8 [PLAY/PAUSE], [STOP] buttons
..................................................pages 20, 49, 71
For playing back the preset songs, your recorded material,
commercially available music data, or songs from the Internet,
etc.
¢ Soft pedal (left), Sostenuto pedal (center),
For producing a range of expressive effects similar to those
produced by the pedals on an acoustic piano. These pedals can
also be assigned to various functions.
For selecting a song to play back or edit.
For saving recorded songs and managing song files. Also lets you
make detailed settings for song recording and playback.
For connecting a set of standard stereo headphones, allowing
private practice.
! METRONOME [ON/OFF], METRONOME
[SETTING] buttons ...................pages 30, 77, 85
For using the metronome functions.
For connecting the instrument to your computer, allowing you
to transfer MIDI data between the Clavinova and the computer.
For changing the tempo (speed) of the song and metronome.
For connecting external MIDI devices, allowing the use of
various MIDI functions.
For adjusting the display contrast.
For connecting an optional pedal, allowing convenient foot
control over one of a variety of assignable functions.
Pressing this button returns to the main operation display (the
one shown when the power is turned on).
For connecting an external tone generator, allowing you to play
the sound of that device via the Clavinova’s internal sound
system and speakers.
For choosing voice groups. Sixteen groups of voices, including
grand piano, are available. You can also combine two voices and
use them together.
For outputting the sound of the Clavinova to external powered
speaker systems, for playing in large venues at higher volumes.
For making detailed changes to the voice sound and effects.
For playing different voices on the left- and right-hand sections
of the keyboard.
By directly connecting the CLP-380 to the Internet, you can use
the special service on the Yamaha website that enables you to
automatically play back a wide variety of songs (song data) in
various musical genres as background music directly on your
instrument.
For adding reverb and chorus effects to the sound.
º BRILLIANCE [MELLOW] [BRIGHT] buttons
............................................................... page 25
For adjusting the brightness of the sound.
For connection of the power cord.
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Introduction to the Controls
This instrument has many buttons and controls—so many that you may feel overwhelmed at first. However, once you
understand the basic operations, you’ll find the instrument is very easy to use.
Press the button corresponding to the function you want to use.
The buttons are the means of entrance to the functions.
For example, when you want to change a voice, you simply press one of the voice group buttons on the right of the panel,
or when you want to listen to a preset song, press the [SONG SELECT] button on the left of the panel.
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSI-
CHORD
E.CLAVI-
CHORD
VIBRAPHONE
GUITAR
CHUR
ORGA
JAZZ
GAN
SYNTH. PAD WOOD BASS
VOICE
STRINGS
CHOIR
E.BASS
XG
When you press a button, related content or parameter is shown in the display. For example, when you press a voice
button, the voice name is shown, or when you press the [SONG SELECT] button, a song name is shown on the display.
After pressing a button, check the display for the indication.
A
B
NO
YES
Grand Piano 1
C
D
Selecting items/parameters with the buttons on the side of the display.
Each function may have many items or parameters from which you can choose. To select an item or parameter, press one of
the A [–][+] – D [–][+] buttons. Each parameter in the display corresponds to the A [–][+] – D [–][+] button next to it.
A
B
NO
YES
GrandPiano1
Vibraphone
Harpsi.8'
WoodBass
C
D
■ To reset the values or parameters, press the [–][+] buttons simultaneously.
If you’ve changed the parameter values or settings, you may wan to reset them to their normal condition. To do this, simply press
the [–][+] buttons simultaneously.
A
B
NO
YES
MetronomeVolume
100
C
D
The TEMPO and BRILLIANCE buttons are the same shape as the A [–][+] – D [–][+] buttons. You can reset the related values or
parameters by simultaneously pressing buttons of this shape.
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Introduction to the Controls
■ To execute or cancel the operation, press the B [+ (YES)] / B [– (NO)] button.
When a prompt is shown on the upper right of the display, press the B [+ (YES)] / B [– (NO)] button to execute or cancel the
operation.
YES: execute
NO: cancel
A
B
NO
YES
Save
Overwrite?-->
M-001:NewSong001.MID
C
D
Press the [EXIT] button to exit from a function.
The [EXIT] button is the means to “leave” a function.
After you’ve used a function and want to exit from it, press the [EXIT] button.
[EXIT] button
CONTRAST
B
NO
YES
EXIT
D
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Before Using the Clavinova
About the key cover
To open the key cover:
Lift the cover slightly, then push and slide it open.
To close the key cover:
Slide the cover toward you and gently lower the cover over
the keys.
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid
catching fingers (yours or others, especially children’s) between the cover and the unit.
Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover may fall inside
the unit when the cover is opened and may be nearly impossible to remove. This could cause electric shock, short circuit, fire or
other serious damage to the instrument.
About the music rest
To raise the music rest:
1. Pull the music rest up and toward yourself as far as it will go.
2. Flip down the two metal supports at the left and right on the rear
of the music rest.
3. Lower the music rest so that it rests on the metal supports.
To lower the music rest:
1. Pull the music rest toward yourself as far as it will go.
2. Raise the two metal supports (at the rear of the music rest).
3. Gently lower the music rest backward until it is all the way down.
CAUTION
Do not try to use the music rest in a half-raised position.
When lowering the music rest, do not release your hands from the music rest until it is all the way down.
About the music braces
These braces are for holding the pages of music books in place.
To open
To close
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Before Using the Clavinova
Turning the power on
1. Connect the power cable.
First insert the plug of the power cable into the AC connector on the Clavinova, then plug the other end of the cable into the proper
AC outlet on the wall. For an illustration of the location of the [AC IN] connector, see “Panel Controls and Terminals” (page 10).
In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.
1-1
1-2
(The shape of plug differs depend-
ing on locale.)
(rear panel)
WARNING
Make sure your CLP-380 is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on the name
plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main keyboard unit near the
power cord. Make sure that the voltage selector is set for the voltage in your area. Connecting the unit to the wrong AC supply can
cause serious damage to the internal circuitry and may even pose a shock hazard!
Use only the AC power cord supplied with the CLP-380. If the supplied cord is lost or damaged and needs to be replaced, contact
your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard!
The type of AC power cord provided with the CLP-380 may be different depending on the country in which it is purchased. (In some
areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.) Do NOT modify the plug pro-
vided with the CLP-380. If the plug will not fit the outlet, have a proper outlet installed by a qualified electrician.
2. Turn on the power to the Clavinova.
Press the [POWER] switch located on the right of the keyboard to turn the power on.
The screen located in the center of the front panel and the power indicator located below the left end of the keyboard lights up.
TIP
[POWER] switch
Power indicator
Power indicator
If you close the key cover without
turning the power off, the power
indicator remains lit, indicating that
the power is still on.
CAUTION
Even when the instrument is
turned off, electricity is still
flowing to the instrument at the
minimum level. When you are
not using the instrument for a
long time or during electrical
storms, make sure you unplug
the AC power plug from the wall
AC outlet.
A
B
NO
YES
Grand Piano 1
C
D
When you turn on the power to the Clavinova, a voice name appears on
the screen.
Press the [POWER] switch again to turn off the power to the Clavinova.
The screen and the power indicator turn off.
Adjusting the display contrast
You can adjust the contrast of the display by turning the [CONTRAST] knob located to the right of the LCD.
CONTRAST
A
B
Use this knob.
NO
YES
TERMINOLOGY
EXIT
Contrast
C
D
Difference between brightness and
darkness.
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Before Using the Clavinova
Setting the volume
To adjust the volume, use the [MASTER VOLUME] dial located at the left of the panel. Play the keyboard to actually
produce sound while you adjust the volume.
TERMINOLOGY
MASTER VOLUME:
The volume level of the entire
keyboard sound
CAUTION
The level
decreases.
The level
increases.
Do not use the Clavinova at a
high volume level for a long
period of time, or your hearing
may be damaged.
TIP
You can also adjust the [PHONES]
output level and the AUX [OUT]
output level using the [MASTER
VOLUME] dial.
MIN
MAX
MASTER VOLUME
Using headphones
Connect a pair of headphones to one of the [PHONES] jacks.
When the headphones are plugged into either of the
[PHONES] jacks, the internal speaker system is automatically
shut off.
Bottom surface
Two [PHONES] jacks are provided. Two sets of standard stereo
headphones can be plugged in. (If you are using only one pair
of headphones, you can plug them into either of these jacks.)
CAUTION
Do not use headphones at a high volume for an extended period of
time.
Doing so may cause hearing loss.
Standard stereo phone plug
Using the Headphone Hanger
TIP
You can hang the headphones on the Clavinova. Install the
headphone hanger using included two screws (4 × 10mm) as
shown in the illustration.
Optional headphones
HPE-160 Yamaha headphones.
CAUTION
Do not hang anything other than the headphones on the hanger.
Otherwise, the Clavinova or the hanger may be damaged.
Performing the iAFC automatic adjustment
The CLP-380 features an iAFC (Instrumental Active Field Control) effect. This produces sound from the speaker located
on the rear of the Clavinova, enhancing the reverberation and spaciousness of the sound.
In order to take full advantage of iAFC, perform the automatic adjustment (page 92).
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Listening to the Demonstration Tunes
Basic Operation
For each voice group, the Clavinova contains one demo song that shows off the character of the voices.
This section explains how to listen to the demo songs for the voice groups listed below.
Demonstration tunes
Voice group
Tunes
Composer
GRAND PIANO1
HARPSICHORD
Albumbrad, Lyriske stykker IV, op.47-2
E. H. Grieg
Concerto a cembalo obbligato, 2 violini, viola e continuo No.7,
BWV.1058
J. S. Bach
CHURCH ORGAN
Herr Christ, der ein'ge Gottes-Sohn, BWV.601
J. S. Bach
The demonstration pieces listed above are short rearranged excerpts the original compositions.
All other songs are original (©2008 Yamaha Corporation).
3 Voice group buttons
2 4
Procedure
1.
Turn the power on.
(In case the power is not turned ON) Press the [POWER] switch to turn
the power on.
Initially set the [MASTER VOLUME] dial about half way between the “MIN” and
“MAX” settings. Then, when you start playing, re-adjust the [MASTER
VOLUME] dial to the most comfortable listening level.
2.
Engage the demo mode.
Press the [DEMO] button to engage the demo mode.
The indicators of the voice group buttons will blink in succession.
TERMINOLOGY
Mode:
A mode is a status under which you
can execute a certain function. In
demo mode, you can play back
demonstration tunes.
A
B
NO
YES
VoiceDemo
SelectVoiceButton
C
D
TIP
3.
4.
Select a tune and start playback.
Press the voice group button for the demo song that you want to hear.
The indicator of the voice group button you pressed will light, and the demo song
will begin playing. Subsequently, the demo songs will play back consecutively
from the upper left voice group button until you stop the playback.
To adjust the volume balance
between the song playback and
the sound you are playing on the
keyboard, use the [SONG
Stop the playback and exit from demo mode.
Press the [DEMO] button.
TIP
You can also exit from demo mode
by pressing the [EXIT] or [STOP]
button.
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Listening to the Demonstration Tunes
Hearing the piano demo (using sampling technology) and
iAFC demo
By holding down the [DEMO] button and pressing the A [+] button to call up the
“Piano Demo” display, you can hear and compare how the piano demo sounds with
and without the sampling technology and iAFC demo, by turning iAFC on/off. The
demo songs are assigned to the voice group buttons as follows.
Sampling technology/
Voice group buttons
iAFC demo
Piano demo
Stereo Piano
GRAND PIANO 1
(Stereo Sampling)
Mono Piano
GRAND PIANO 2
(Mono Sampling)
Sustain (Sustain Sampling)
With
E.PIANO1
E.PIANO 2
Without
KeyOff (Key-off Sampling)
With
HARPSICHORD
E.CLAVICHORD
Without
StringRes (String Resonance)
With
VIBRAPHONE
GUITAR
Without
iAFC
iAFC demo
With
CHURCH ORGAN
JAZZ ORGAN
Without
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Listening to 50 Piano Preset Songs
The Clavinova provides performance data of 50 piano songs. You can just listen to these songs (page 19) or use them for
practice (page 21). You can also refer to the included “50 greats for the Piano” booklet that contains the scores for 50
piano preset songs.
Playing the 50 piano preset songs
1-1
1-2
4 3
2
5
TEMPO [DOWN] [UP] button
Procedure
TERMINOLOGY
1.
Call up the Song Select screen.
Song:
On the Clavinova, performance
data is called a “Song.” This
includes demonstration tunes and
piano preset tunes.
1-1 Press the [SONG SELECT] button.
1-2 Use the A [–][+] buttons to select the “PRESET” song type.
Song select screen
A
B
NO
YES
PRESET
BAR 001
P-001:Invention No.1
C
D
The song number appears on the display.
PRESET.........Stands for Preset song memory. This memory contains 50 piano
preset songs.
2.
Select the desired song.
Press the C [–][+] buttons to select the desired piano song from P-001 to
P-050.
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Listening to 50 Piano Preset Songs
TIP
3.
Play a preset song.
Press the [PLAY/PAUSE] button to start playback.
• [-----: NewSong] is a blank song
provided for you to record your
performance (page 31).
The number of measures
• You can repeatedly play back a
single song or specify a range (in
beats) within a song for repeated
playback by using the [REPEAT]
“SongRepeat” parameter in the
[FILE/SONG SETTING] menu to
repeat playback of all songs
A
B
NO
YES
PRESET
P-001:Invention No.1
BAR 015
C
D
Adjusting the tempo
TIP
You can play the keyboard along
with the preset song playback. You
can change the voice playing on
the keyboard.
You can use the TEMPO [DOWN][UP] buttons to adjust the playback tempo as
required. The default tempo (the song’s original tempo) is set when you press the
[DOWN] and [UP] buttons simultaneously.
Press either of the [SONG SELECT] button to return to the song select screen.
TIP
Use the D [–][+] buttons to scroll
through the song name, if the name
does not fit in the display.
A
B
NO
YES
Tempo
86
TIP
C
D
You can also use the D [–][+]
buttons to change the tempo.
TIP
Resetting the tempo
4.
5.
Stop the song playback.
Whenever you select a new preset
song, the tempo is automatically
reset to the song’s original value.
When playback is complete, it automatically stops and the Clavinova locates the
top of the song. To stop playback in the middle of a song, press the [STOP]
button. You can also pause playback by pressing the [PLAY/PAUSE] button.
Playback stops when you press the button.
Fast forward and rewind
You can perform the following operations in the song select screen:
Use the B [– (NO)][+ (YES)] buttons to move back and forth (rewind and fast
forward) through the song while the song is played or stopped.
Press the C [–] button during playback to start playback from the previous song.
Press the C [+] button during playback to start playback from the next song.
Press the [STOP] button or simultaneously press the B [– (NO)][+ (YES)]
buttons during playback or while playback is stopped in the middle of the song to
locate the top of the song.
TERMINOLOGY
Return to the default screen.
Press the [EXIT] button.
Default screen:
The default screen is a voice select
when you turn on the power to the
Clavinova.
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Listening to 50 Piano Preset Songs
Practicing a one-hand part using 50 preset songs
The 50 preset songs have separate left- and right-hand parts on individual parts. You can turn the left- and right-hand
parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. The
right-hand part is played by [RIGHT] and the left-hand part is played by [LEFT].
1
3
2
Procedure
TIP
1.
Turn off the playback part you wish to practice.
After you select a song to practice, press the [RIGHT] or [LEFT] button
to turn off the corresponding part.
You can turn parts on or off, even
during playback.
When you first select a song, both [RIGHT] and [LEFT] indicators light up,
indicating that you can play back both parts. When you press one of the buttons to
turn off playback, the corresponding button indicator turns off and the
corresponding part playback is muted. Pressing the buttons repeatedly toggles
between playback on and off.
2.
Start playback and playing.
Press the [PLAY/PAUSE] button to start playback. Play the part you just
turned off.
TERMINOLOGY
Starting playback automatically as you start playing the
keyboard (Sync Start)
Sync:
Synchronous; occurring at the
same time.
You can cause playback to begin when you play the keyboard (Sync Start).
Hold down the [STOP] button and press the [PLAY/PAUSE] button. The [PLAY/
PAUSE] indicator will blink, and the Clavinova will wait for Sync Start.
Now when you play the keyboard, playback will begin at the same moment.
If you press the [STOP] button while waiting, Sync Start will be cancelled.
TIP
3.
Stop playback.
Resetting the part playback
When playback is complete, it automatically stops and the Clavinova locates the
top of the song. If you wish to stop playback in the middle of a song, press the
[STOP] button. You can also pause playback by pressing the [PLAY/PAUSE]
button. Playback stops when you press the button.
Both parts are automatically turned
ON whenever you select a new
song.
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Listening to 50 Piano Preset Songs
Practicing with the Repeat Playback function and the preset
songs
The Song Repeat functions can be used to repeatedly play back a song or a specific range of measures in a song. This is
useful for repeated practicing of difficult-to-play phrases.
Playing back a song repeatedly
TIP
You can repeatedly play back all
songs from the 50 preset songs or
from the USB storage devices
Procedure
1.
2.
3.
Enter the Repeat mode.
Select a song to practice, then press the [REPEAT] button.
Start Repeat playback.
Press the [PLAY/PAUSE] button to start playback.
Exit the Repeat mode and return to the normal play
mode.
Press the [STOP] button to stop playback, then press the [REPEAT]
button.
Specifying a range of measures and playing them
back repeatedly (A-B repeat)
Procedure
1.
2.
Select the desired song for practicing and play it.
Press the [PLAY/PAUSE] button to start playback.
TIP
Specify the repeat range.
Press the [REPEAT] button at the starting point (A) of the range to be
repeated. Press the [REPEAT] button again at the ending point (B).
After an automatic lead-in (to help guide you into the phrase), the range from
point A to point B is played back repeatedly,
Specifying the repeat range
between point A and the end of the
song. Specifying only point A
results in repeat playback between
point A and the end of the song.
TIP
When you select another song, the
specified range is automatically
cancelled and the repeat function
is turned off.
3.
Cancel the specified range and return to the normal play
mode.
Press the [REPEAT] button.
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Selecting and Playing Voices
Selecting Voices
Voice group buttons
1
2
Procedure
TERMINOLOGY
1.
2.
Select a voice group.
Press a voice group button.
Voice
On the Clavinova, a voice means
“tone” or “tonal color.”
TIP
Select a voice.
Use A [–][+] buttons to select a voice.
You can also switch between
voices in the same group by
pressing a voice group button
repeatedly.
Voice group
Voice name
Voice group
Voice name
TIP
GRANDPIANO1
GrandPiano1
MellowPiano
RockPiano
CHURCHORGAN
PipeOrganPrincipal
PipeOrganTutti
PipeOrganFlute 1
PipeOrganFlute 2
JazzOrgan
RotaryOrgan
MellowOrgan
Strings
To learn characteristics of the
voices, listen to demo songs for
to “Preset Voice List” on page 114 for
more information on characteristics
of each preset voice.
HonkyTonkPiano
GrandPiano2
BrightPiano
E.Piano1
GRANDPIANO2
E.PIANO1
JAZZORGAN
STRINGS
CHOIR
TIP
SynthPiano
E.Piano2
You can control the loudness of a
voice by how hard you play the
keyboard, although different playing
styles (touch sensitivities) have little
or no effect with the sound of certain
musical instruments. Refer to “Preset
E.PIANO2
SynthStrings
SlowStrings
Choir
Vintage E.Piano
Harpsichord8'
Harpsichord8'+4'
E.Clavichord
Wah Clavi.
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
SlowChoir
Scat
SYNTH.PAD
WOOD BASS
E.BASS
SynthPad 1
SynthPad 2
WoodBass
Vibraphone
Marimba
Celesta
Bass&Cymbal
ElectricBass
FretlessBass
XGVoice
GUITAR
NylonGuitar
SteelGuitar
XG
For details on XG voices, refer to “XG voice list” (the separate data list booklet).
TIP
If you select XG
XG is a major enhancement of the
GM System level 1 format, and was
developed by Yamaha specially to
provide more voices and
XG voices are categorized and included in separate folders. You can select the XG
voice group first, then select the desired voice.
variations, as well as greater
expressive control over voices and
effects, and to ensure compatibility
of data well into the future.
2-1 Simultaneously press the [–][+] screen buttons located
beside the XG voice name display, to access a screen
where you can select XG voices.
2-2 Use A [–][+] buttons to select the voice group.
2-3 Use C [–][+] buttons to select the desired voice.
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Selecting and Playing Voices
Using the pedals
The Clavinova has three foot pedals: damper pedal (right), sostenuto pedal
(center), and soft pedal (left) that produce a range of expressive effects similar to
those produced by the pedals on an acoustic piano.
Damper (right) pedal
TIP
When you press the damper pedal, the notes you play
have a longer sustain.
If the damper pedal doesn’t work,
or notes are sustained even when
the pedal is not pressed, make
sure that the pedal cord is properly
plugged into the [PEDAL] jack on
Also, make sure that the
RPedalFunc parameter in the
“FUNCTION” menu is set to ON
When you select Grand Piano 1, pressing the damper
pedal activates the instrument’s special “Sustain
Samples”to accurately recreate the unique resonance of
When you press the damper pedal
here, the notes you play before you
release the pedal have a longer
sustain.
an acoustic grand piano’s soundboard and strings. The
damper pedal also features a naturally expressive half-
pedal function.
TERMINOLOGY
Half-pedal:
While playing the piano with
Sustain and you want to slightly
mute the sustained sound, release
the damper pedal from maximum
position to half position.
Sostenuto (center) pedal
If you play a note or chord on the keyboard and press
the sostenuto pedal while holding the note(s), the
notes will sustain as long as the pedal is held. All
subsequent notes will not sustain.
TIP
The threshold at which the Half
Pedal effect starts can be set from
the Half Pedal Point parameter in
When you press the sostenuto
pedal here while holding the note(s),
the notes will sustain as long as you
hold the pedal.
TIP
You can adjust the depth of the
resonance produced by the
“Sustain Samples” using the
Sustain Sampling Depth parameter
in the “FUNCTION” menu. (See
Soft pedal (left)
The soft pedal reduces the volume and slightly changes the timbre of notes played while
the pedal is pressed. (The soft pedal will not affect notes that are already playing when it
is pressed. Press the pedal immediately before you play the target notes.)
TIP
You can assign a function to each
pedal via the “RPedalFunc”,
“CPedalFunc”, and “LPedalFunc”
parameters in the “FUNCTION”
With the Vibraphone, Jazz Organ and Mellow Organ voices, this pedal turns vibrato on
and off or toggles the speed of vibrato. (See page 98.)
TIP
The center and left pedals can also
be assigned to song start/stop
operation (PLAY/PAUSE function)
via the “PedalPlay/Pause”
parameter in the “FUNCTION”
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Selecting and Playing Voices
Adding variation to the sound [BRILLIANCE]/[REVERB]/[CHORUS]
The Effect function enables you to add expression to the sound. The Clavinova effects include Brilliance, Reverb, and
Chorus.
[CHORUS] button
[REVERB] button
BRILLIANCE [MELLOW] [BRIGHT] button
[BRILLIANCE]
You can use this control to adjust the brilliance of the tone and change the tonality to suit
your preference.
Procedure
Press one of the BRILLIANCE [MELLOW]/ [BRIGHT] buttons
TIP
to select the desired tonality.
You can press BRILLIANCE
[MELLOW] [BRIGHT] buttons, and
then use D [–][+] buttons to select
A
B
the desired tonality.
NO
YES
Brilliance
TIP
Normal
Normal setting = Normal
C
D
TERMINOLOGY
Normal setting:
Mellow3
Mellow2
Mellow1
Soft and mellow tone.
The “Normal setting” refers to the
default setting (factory setting)
obtained when you first turn on the
power to the Clavinova.
The sound becomes more mellow and rounder as the number
increases.
TIP
Normal..........Standard tone.
If you select [Bright1], [Bright2] or
[Bright3] as the type of brilliance,
the volume level will increase
slightly. Under this condition, if you
raise the [MASTER VOLUME] dial
setting, the sound may become
distorted. In this case, lower the
volume accordingly.
Bright1
Bright tone.
Bright2
The sound becomes brighter as the number increases.
Bright3
Press the [EXIT] button to return to the main screen.
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Selecting and Playing Voices
[REVERB]
This control adds reverberation to the sound by simulating the natural reverberation of a
concert hall.
TIP
Procedure
You can select a reverb type via the
Reverb Type parameter in the
“VOICE SETTING” menu, and
adjust the reverb depth for the
selected voice via the Reverb Send
Pressing the [REVERB] button repeatedly toggles the
reverb on and off.
Even if the reverb effect is turned off, a “soundboard reverb” effect will be applied
when the GrandPiano1 or GrandPiano2 voice is selected.
TIP
Normal setting = ON
[CHORUS]
This control adds spread and spaciousness to the sound.
TIP
Procedure
You can select a chorus type via
the Chorus Type parameter in the
“VOICE SETTING” menu, and
adjust the chorus depth for the
selected voice via the Chorus Send
parameter. You can also turn
Pressing the [CHORUS] button repeatedly toggles the
chorus on and off.
You can turn the chorus effect on and off by pressing the [CHORUS] ON/OFF
buttons on the panel and by setting the Chorus On Off parameter in the VOICE
panel is temporary. That is, if you select another voice, the chorus setting for the
previous voice is cancelled. The Chorus On Off parameter setting is saved for each
voice. That is, if you select a given voice, the chorus setting is automatically turned
on or off according to the saved chorus setting.
chorus on or off via the Chorus On
Off parameter. (See page 89.)
TIP
Normal Setting:
The normal chorus on/off setting is
different for each voice.
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Selecting and Playing Voices
Combining two voices (Dual mode)
You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody
duet or combine two similar voices to create a thicker sound. Refer to “Voice Combination Examples (Dual and Split)” on
page 116 for examples of effective voice combinations.
The numbers on the upper row indicate the steps
in Dual mode using voices from different group.
Voice group buttons
2
2
1 3
The numbers on the bottom row indicate the steps
in Dual mode using voices from the same group.
3
1 4 Voice group buttons
2
Dual mode using voices in different voice groups
Procedure
1.
Enter Dual mode.
Press two voice group buttons simultaneously.
TIP
If you want to select Dual mode for
the left-hand area when the entire
keyboard is divided into left and
right areas (page 28), hold down
[SPLIT] button and simultaneously
press two voice group buttons.
Voice 1
Voice 2
A
B
NO
YES
GrandPiano1
Vibraphone
TIP
to select XG voices.
C
D
2.
3.
Select a voice.
Use the A [–][+] buttons and B [– (NO)][+ (YES)] buttons to select a
voice.
voice 1, and those listed in the bottom row are called voice 2.
Exit Dual mode and return to normal play mode.
Press any voice group button.
Dual mode using voices in the same voice group
Procedure
1.
2.
Select a voice group.
In normal play mode, press the desired voice group button.
Select a voice.
Use the A [–][+] buttons to select a voice.
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Selecting and Playing Voices
TIP
3.
Select another voice.
Use the B [– (NO)][+ (YES)] buttons to select another voice in the same
voice group.
To use the identical voices, press the B [– (NO)][+ (YES)] buttons once. To use
different voices within the same voice group, press the B [– (NO)][+ (YES)]
buttons repeatedly.
If you want to select Dual mode for
the left-hand area when the entire
keyboard is divided into left and
[+] buttons.
A
B
NO
YES
E.Piano1
SynthPiano
C
D
4.
Exit Dual mode and return to normal play mode.
Press any voice group button.
Splitting the keyboard range and playing two different voices
(Split mode)
Split mode enables you to play two different voices on the keyboard — one with the left hand and another with the right
hand. For example, you can play a bass part using the [WOOD BASS] or [E. BASS] voice with the left hand, and a melody
with the right hand. Refer to “Voice Combination Examples (Dual and Split)” on page 116 for examples of effective voice
combinations.
Voice group buttons
2 3
2
3
4
1 3 4 5
Procedure
1.
2.
Enter Split mode.
Press the [SPLIT] button.
Select a voice for the right hand.
Use the voice group buttons and the A [–][+] buttons to select the voice
for the right-hand area.
TIP
3.
Select a voice for the left hand.
Hold down the [SPLIT] button, and press a voice group button to select
the voice group for the left-hand area.
to select XG voice.
Use the C [–][+] buttons to select a voice.
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Selecting and Playing Voices
TIP
4.
Specify the split point (the border between the right- and
left-hand range).
A specified “split point” key is
included in the left-hand range.
The normal setting of the split point is “F#2.”
TIP
The split point can also be set by
the [FUNCTION] parameter
Center “C”
F#2
To change the split point setting:
Hold down the [SPLIT] button, then use the D [–][+] buttons to specify the split
point.
(Optional) Press and hold down the [SPLIT] button and play the key you wish to
assign as the split point.
A
B
NO
YES
SplitPoint
F#2
C
D
Release the [SPLIT] button to return to the main screen.
5.
Exit Split mode and return to normal play mode.
Press the [SPLIT] button.
A
B
NO
YES
GrandPiano1
Vibraphone
Harpsi.8'
WoodBass
C
D
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Selecting and Playing Voices
Using the metronome
The Clavinova is built-in metronome (a device that keeps an accurate tempo) is a convenient feature for practice.
1 2
TEMPO [DOWN] [UP] buttons
Procedure
1.
Start the metronome.
Press the METRONOME [ON/OFF] button.
Adjusting the tempo
TIP
The default tempo is 120. (If a song
has been selected, the song tempo
is used.)
Press the TEMPO [DOWN] or [UP] button.
A
B
NO
YES
Tempo
120
C
D
To adjust the tempo (number of beats per minute: 5 – 500), use the TEMPO
[DOWN][UP] or the D [–][+] buttons. To reset the tempo to the normal
(default) setting, press the [DOWN] and [UP] buttons or the D [–] and [+]
buttons simultaneously.
TIP
You can set the time signature,
metronome volume, and
metronome tone using the
METRONOME [SETTING] button.
Press the [EXIT] button to return to the normal screen.
2.
Stop the metronome.
Press the METRONOME [ON/OFF] button.
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Recording Your Performance
This chapter explains how to record your performance using the Clavinova recording
function.
TIP
You can record your performance
(audio data) to a cassette tape
recorder or other recording devices
via the AUX OUT connector. (See
You can, for example, play back what you have played on the Clavinova keyboard for an
effective practice aid. You can also record just the left-hand part, then practice the right-
hand part while playing back the recorded left-hand part.
Since you can record up to sixteen parts separately, you could record the left- and right-
hand parts separately, or record each part of a four-handed performance or ensemble
song one by one to build a song.
TERMINOLOGY
Recording vs. Saving:
The format of performance data recorded on a cassette tape differs from that of data recorded on the Clavinova. A
cassette tape records audio signals. On the other hand, the Clavinova “saves” information regarding note timing,
voices, and a tempo value, but not audio signals. When you play back recorded songs, the Clavinova produces
sound based on the saved information. Therefore, recording on the Clavinova may be more accurately called
“saving information.” However, this book often uses the word “recording” because it seems to make more sense.
A message (information or confirmation dialog) sometimes appears on the screen to
message, appropriate actions to take, and troubleshooting information.
Recording a New Song
There are two ways to record your performance: recording it quickly without specifying a recording part, or recording
several different parts to multiple parts. You can select whichever way best suits your purpose.
■ Recording a performance without specifying the recording part
This convenient and simple recording method lets you quickly record your performance
without specifying the recording parts—useful, for example, in recording solo piano pieces.
In this way, the performance is automatically recorded to part 1 (right part).
This lets you record the right, left and extra parts separately. Since you can record the left part
while playing back the right, this is useful for recording both parts of a duet. Since you can
record up to sixteen parts separately, record the performance of each instrument part one by
one and create fully orchestrated compositions.
TIP
Appropriate channels (parts) in the
song will automatically be assigned
to [RIGHT] and [LEFT]. Therefore,
[RIGHT] may be assigned to a part
other than Part 1, or [LEFT] to a
part other than Part 2.
EXTRA PARTS LEFT
RIGHT
TIP
[RIGHT] corresponds to part 1.
Record the right-hand part to [RIGHT].
Part 1
If a “MemoryFull” message or
“SystemLimit” message appears
after recording your performance,
[LEFT] corresponds to part 2.
Record the left-hand part to [LEFT].
Part 2
Part 3
Part 4
[EXTRA PARTS] corresponds to part 3 – 16.
Record parts 3-16 in addition to part 1 and 2
when you are recording a song which has
many parts, such as a symphony orchestra.
Part 16
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Recording Your Performance
Recording a performance without specifying the recording part
2
4 5
1 3
Procedure
1.
Select “NewSong” for recording.
Press the [REC] and [STOP] buttons simultaneously.
TIP
If you select a song other than
“-----:NewSong” and record on a
part that already has data, the
existing data on the part will be lost.
“NewSong” screen
A
B
NO
YES
-------------
-----:NewSong
BAR 001
C
D
2.
3.
Select a voice.
Select a voice (or voices) for recording (see page 23).
TIP
Set the tempo in Step 3.
Set the other parameters, such as reverb, chorus and Song Balance.
TIP
Adjust the [MASTER VOLUME] dial to set the volume level to suit your
preference. You can also use the dial to adjust the level during playback.
After you set the tempo or if the record standby screen does not appear, press the
[SONG SELECT] button once to return to the “NewSong” screen.
See page 38 for more information
on recording in Dual/Split mode.
Engage the record mode.
Press the [REC] button.
The [REC] and [RIGHT] indicators flash in red.
(To stop recording, press the [REC] button again or press the [STOP] button.)
Record standby screen
A
B
NO
YES
SongRecording
-----:NewSong
BAR 001
C
D
Set the tempo, if necessary.
If this record standby screen does not appear, press the [SONG SELECT] button
once.
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Recording Your Performance
TIP
4.
Start and stop recording.
Recording begins automatically as soon as you play a note on the
keyboard.
(Optional) Press the [PLAY/PAUSE] button to start recording.
The recording screen displays the current measure number.
Using the metronome
You can record data while using
the metronome. To do this, turn the
metronome on before step 4. The
metronome is not recorded.
TIP
Record screen
To stop recording in the middle of a
song, press the [PLAY/PAUSE]
button. To resume recording, press
the [PLAY/PAUSE] button again or
play a note on the keyboard.
A
B
NO
YES
SongRecording
-----:NewSong
BAR 012
C
D
TIP
When you press the [REC] button,
recording pauses. To return the
location to the start of the song,
press the [REC] button, again.
Measure number in recording
To stop recording, press the [STOP] button. The Clavinova locates the
top of the song.
TIP
As soon as recording is stopped, the song is automatically saved to Storage
appears.
Rename songs
The recorded songs are named
automatically, but you can rename
A
B
NO
YES
SAVE
Executing
-----:NewSong001.MID
C
D
5.
Play back the recorded performance.
Press the [PLAY/PAUSE] button to play back the recorded performance.
If you’ve recorded a passage of silence prior to the first note on step 4, and want to
play from top of the measure (including that silence or rests), set the “QuickPlay”
function to OFF (page 83).
When playback is complete, it automatically stops and the Clavinova locates the
top of the song. To stop playback in the middle of a song, press the [STOP]
button. You can also pause playback by pressing the [PLAY/PAUSE] button.
Re-recording a song partially
This section explains how to record part of a song again.
Procedure
1.
Select a recording method.
1-1 Press the [FILE/SONG SETTING] button.
1-2 Press the A [–][+] buttons to display “RecStart” or
“RecEnd.”
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Recording Your Performance
1-3 Press the D [–][+] buttons to specify how the recording
should start and end.
Starting methods:
Normal: The existing data will be erased after re-recording starts.
FirstKeyOn: Data that exists prior to the point where you start playing a note will
not be erased.
Ending methods:
Replace: The data after the point you stop recording will also be erased.
PunchOut: The data after the point you stop recording will remain.
2.
Pause the song at the beginning of the part you wish to
re-record.
Use the B [– (NO)][+ (YES)] buttons while the playback screen is
displayed to move through the measures or play back the recording and
press the [PLAY/PAUSE] button to locate a point slightly prior to the
beginning of the part you wish to re-record.
If the playback screen is not displayed, press the [SONG SELECT] button once.
A
B
NO
YES
MEMORY
BAR 009
M-001:NewSong001.MID
C
D
3.
4.
Select a voice or voices for recording, if necessary.
Engage record mode.
Press the [REC] button.
To stop recording, press the [REC] button again or press the [STOP] button. After
pressing the [REC] button again or the [STOP] button when “RecStart” is set to
overwrite, press the B [– (NO)] button.
5.
6.
Start and stop recording.
Recording begins automatically as soon as you play a note on the
keyboard.
(Optional) Press the [PLAY/PAUSE] button to start recording.
To stop recording, press the [STOP] button. The Clavinova locates the top of the
song.
Save the recorded songs.
TERMINOLOGY
When you stop recording, the display prompts you whether you want to
overwrite the song or not. Press the B [+ (YES)] button to overwrite the
song.
“Overwrite?->”:
Do you wish to overwrite the song?
To cancel overwriting, press the B [– (NO)] button.
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Recording Your Performance
Recording a performance of several different parts
2 2
1
1
3
TIP
Procedure
Set the tempo in Step 2.
TIP
1.
2.
Select “New Song” and a voice for recording.
Follow the same operation steps as in “Recording a performance without
See page 38 for more information
on recording in Dual/Split mode.
Specify the recording parts and engage the record mode.
Record to the right (part 1) or left (part 2) part:
Press and hold down the [REC] button and press the [RIGHT]/[LEFT] button.
Record to the extra parts (part 3 – 16):
Press the [FILE/SONG SETTING] button and press the A [–][+] button to display
“RecExtraPartsCh.” Press the D [–][+] buttons to specify a recording part. The
specified part is assigned to the [EXTRA PARTS] button.
After specifying the recorded part to the [EXTRA PARTS] button, press and hold
down the [REC] button and press the [EXTRA PARTS] button.
The [REC] and specified part indicators flash in red.
(To stop recording, press the [REC] button again or press the [STOP] button.)
Record standby screen
A
B
NO
YES
SongRecording
-----:NewSong
BAR 001
C
D
Set the tempo, if necessary.
If this record standby screen does not appear, press the [SONG SELECT] button
once.
If you don’t want to hear the right/left part while you record, press the [RIGHT]/
[LEFT] button so that its indicator is turned off.
3.
Start and stop recording.
Recording begins automatically as soon as you play a note on the
keyboard.
(Optional) Press the [PLAY/PAUSE] button to start recording. To stop recording,
press the [STOP] button. The Clavinova locates the top of the song.
To stop recording, press the [STOP] button. The Clavinova locates the
top of the song.
As soon as recording is stopped, the song is automatically saved to Storage
appears.
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Recording Your Performance
Other recording techniques
Adding data to or recording over an existing song
The previous section explains how to record your performance from the beginning by
selecting a blank “-----: NewSong.” You can also add your performance to or overwrite
existing songs (such as 50 preset songs [P-001 – P-050], commercially-available music
Procedure
TIP
1.
Select a song to be recorded over.
If you record on a part that already
has data, the existing data on the
part will be lost.
To select a preset song, press the [SONG SELECT] button, then press the A [–][+]
buttons to display “PRESET.” To select a song, press the C [–][+] buttons.
To select a song from commercially available music data or from already-recorded
data, press the A [–][+] buttons to display “MEMORY” or “USB1” in the Song
Select screen and press the C [–][+] buttons.
When you record over a preset song, the song is automatically saved to Storage
When you record over a song of commercially available music data or of already-
recorded data, the display prompts you whether you want to overwrite the song or
not (when recording is stopped). Press the B [+ (YES)] button to overwrite the
song.
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Recording Your Performance
Changing a voice or tempo after recording
You can change the voice and tempo after recording to change a song’s feel or to set a
more suitable tempo. You can also change these elements in the middle of a song.
Procedure
TIP
1.
2.
Before changing a voice or tempo,
set the starting method to “Normal”
When the starting method is set to
“FirstKeyOn,” you cannot change a
voice or tempo.
To change the voice or tempo in the middle of the song,
specify the measure to change by using the B [– (NO)] [+
(YES)] buttons while the playback screen is displayed or
by pressing the [PLAY/PAUSE] button to locate a point
slightly prior to the beginning of the part you wish to re-
record.
TIP
information on the settings that can
be changed here.
TIP
3.
4.
Change the settings (voice, reverb, etc.).
Change the tempo in Step 4.
For example, if you wish to change the recorded E.Piano1 voice to E.Piano2, use
the voice group buttons and the A [–][+] buttons to select E.Piano2.
When the setting is complete, press the [SONG SELECT] button once to return to
the song select screen.
CAUTION
The panel settings on Step 3 will be
saved in memory and you will not
be able to restore the previous
settings. Proceed with caution.
Press and hold down the [REC] button and select the part
to change.
The indicator for the selected part lights up in red.
Change the tempo setting now, if necessary.
At this point, do not play the keyboard or press the [PLAY/PAUSE] button.
Otherwise, recording will start, erasing the recorded data.
5.
Press the [STOP] or [REC] button to exit record mode.
When you exit record mode, the display prompts you whether you want to
overwrite the song or not. Press the B [+ (YES)] button to overwrite the song.
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Recording Your Performance
Adjusting the volume balance between playback and
your performance [SONG BALANCE]
While recording multiple parts one by one, you can adjust the volume balance between
the playback of the recorded parts and your current performance.
Procedure
TIP
1.
Move the [SONG BALANCE] slider to the left or right to
make adjustments.
Some commercially-available
music data contains extremely high
volumes. When using such data,
please adjust the song balance.
SONG
KEYBOARD
SONG BALANCE
The song playback volume
will be lower.
Your playing volume
will be lower.
Recording in Dual or Split mode
TIP
Switching between Dual and Split
mode in a song is not recorded.
When you record in Dual or Split mode, the Clavinova records each voice onto a separate
part. The following table shows how parts are assigned to each voice.
CAUTION
When you record multiple parts one by one, or when you record new data over an existing song (see page 36), the
existing data will be erased. Proceed with caution.
In the following example, RIGHT, LEFT, and EXTRA PARTS n have been selected for
recording.
Dual
Split
Split+Dual
Parts assigned for
recording
RIGHT
LEFT
EXTRA
PART n
RIGHT
LEFT
EXTRA
PART n
RIGHT
LEFT
EXTRA
PART n
↓
↓
↓
↓
↓
↓
↓
↓
↓
MAIN
(voice 1)
Part 1
Part 2
Part n
Part 1
Part n
Part 1
Part n
LEFT
(voice 1)
–
Part 4
–
Part 2
Part n+1
Part 2
Part 3
Part 4
Part n+1
Part n+2
Part n+3
Parts
used for
recording
MAIN
(voice 2)
Part 3
Part n+2
–
–
LEFT
(voice 2)
Note: Part n = Part 3 – Part 16
If “n+1,” “n+2,” and “n+3” exceed 16, Parts 1, 2, and 3 are used.
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Handling files such as deleting song files ...
[FILE/SONG SETTING]
File screens (accessed via the [FILE/SONG SETTING] button) enables you to handle files (e.g., save, delete and rename
recorded songs), copy and format medias and change characters on the screen. To connect to a USB storage device, be
The following parameters are provided for these operations:
TERMINOLOGY
Parameter
name
Reference
page
Settings
File
A file contains a group of data. On
the Clavinova, a song file includes
song data and a song number.
Saving recorded songs to a USB storage device
Save
Deleting a song from the Clavinova’s Storage memory Delete
or from a USB storage device
Memory
Memory is a location inside the
Clavinova in which you can save
and edit data.
Renaming files
Copying files
Moving files
Rename
Copy
Character code
Type of characters
Move
Making folders (directories) in the USB storage device MakeDir
CAUTION
Please note that the copy features
are intended for your personal use
only.
Formatting a USB storage device
Format
Automatically selecting a song in storage media
Changing the type of characters on screen
SongAutoOpen
CharacterCode
Clavinova memory
The Clavinova has the following three types of memory:
Current memory:
This is a temporary memory area where you can temporarily place and edit the
currently-selected song before playback or recording.
Preset song memory:
This read-only memory area saves 50 piano preset songs.
Storage memory:
This memory area enables you to save recorded songs or song data loaded from
USB storage device.
When you select a song in the song select screen, it is loaded from Preset song memory,
Storage memory, or USB storage device, into Current memory.
You will use Current memory to play back and record songs. When you turn off the
power to the Clavinova, songs saved in Preset song memory and Storage memory are not
erased. On the other hand, songs in Current memory are lost. However, recorded songs
are automatically saved to Storage memory from Current memory.
In this manual, a song located in a song recorded in Current memory, is referred to as a
“Current song,” a song in Storage memory is a “Memory song,” and a song on a USB
storage device is an “External song.”
Preset song
memory
Storage memory
Current memory
USB storage device
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Handling files such as deleting song files ... [FILE/SONG SETTING]
Song types
This instrument handles various types of songs. Letters and song numbers are displayed
to the left of the song name. The letters indicate the different song types as follows:
Preset song memory
P...............Preset songs
Storage memory
M .............Memory songs
MP...........Protected songs such as preset songs saved to Storage memory, or Disk
Orchestra Collection (DOC) songs, and Disklavier Piano Soft songs in the
Storage memory.
MS, Ms ....Yamaha-protection-formatted songs in the Storage memory.
USB storage device
U1............External song
U1P..........External songs such as Disk Orchestra Collection (DOC) songs or
Disklavier Piano Soft songs in a USB storage device.
U1S, U1s..Yamaha-protection-formatted songs in a USB storage device.
Limitation of file operations
TIP
U1 song with the “.SME” extension
can only be deleted — cannot
Ø: Yes ˛: No
execute other file operations at left.
Song types
MS, Ms, U1S,
P
M, U1
MP, U1P
U1s
*1
*1
Save
Ø
Ø
Ø
Ø
Ø
Ø
Ø
˛
*2
Delete
Rename
Copy
˛
˛
Ø
Ø
*2
Ø
Ø
*1
*1
Ø
˛
Ø
˛
*3
Move
˛
Ø
*1 Only to Storage memory
*2 Only MP songs
*3 Only between Storage memory and USB storage memory
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Handling files such as deleting song files ... [FILE/SONG SETTING]
Basic file operation
A message (information or confirmation dialog) sometimes appears on the screen to facilitate operation. Refer to the
“Message List” on page 104 for an explanation of each message, appropriate actions to take.
1
3
4
2 3
4
4 5
TIP
Procedure
The “ ” and “ ” indicators may be
displayed in the lower right of the
screen. In this case, you can use
the D [+] button to open the folder.
Press the D [–] button to shift to the
upper level.
1.
Prepare for handling file(s).
Prepare for handling files as follows.
To use “Rename,”“Copy” or “Move”:
Select a song via the [SONG SELECT] button referring to the section “Listening to
CAUTION
Avoid frequently turning the power
on/off to the USB storage device, or
connecting/disconnecting the cable
too often. Doing so may result in the
operation of the instrument
To use “MakeDir”:
Select the USB storage device via the [SONG SELECT] button referring to the
“freezing” or hanging up. While the
instrument is accessing data (such
as in the Save, Copy and Delete
operations), do NOT unplug the
USB cable, do NOT remove the
media from the device, and do NOT
turn the power off to either device.
Doing so may corrupt the data on
either or both devices.
To use “Save,”“Delete,”“Format,”“SongAutoOpen” or “CharacterCode”:
No need to perform any operations in this step.
2.
Access the File/Song Setting menu.
Press the [FILE/SONG SETTING] button.
A
B
NO
YES
Save
Selected?-->
M-002:NewSong002.MID /-
C
D
To close the File/Song Setting menu, press the [EXIT] button once or twice.
3.
4.
Select the desired parameter.
Press the [FILE/SONG SETTING] or A [–][+] buttons repeatedly to
display the desired item.
TERMINOLOGY
“Overwrite?→”:
Do you wish to overwrite the song?
“Execute?→”:
Do you wish to execute the
operation?
Set the parameter or execute the command.
Use the B [– (NO)][+ (YES)], C [–][+], D [–][+] buttons.
For more information regarding this procedure, refer to the corresponding
section below.
“Sure?→”:
Are you sure?
“Executing”:
The Clavinova is executing the
operation.
5.
Close the File/Song Setting menu.
Press the [EXIT] button.
“Completed”:
The operation is complete.
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Handling files such as deleting song files ... [FILE/SONG SETTING]
Saving recorded songs to a USB storage device ... [Save]
Recorded songs are automatically saved to Storage memory from Current memory, so normally you won’t need to save
songs using this function. However, if a “MemoryFull” message or “SystemLimit” message appear, save the song to
another device using this function.
A
B
CAUTION
Do not turn off the power before the
save operation is completed. If you
turn off the power to the Clavinova
before the save operation is
completed, the recorded song will
be lost.
NO
YES
Save
Selected?-->
M-001:NewSong001.MID /-
C
D
Procedure
See page 41 for information on basic operations.
The following is a detailed procedure of Step 4.
4-1 Select a save destination.
TIP
Press the D [–] button to display “DriveSelected?→” and press the C [–][+]
buttons to select a save destination (Storage memory or USB storage device). After
selecting a save destination, press the B [+ (YES)] button to fix it. Then press the B
[+ (YES)] button to display “Execute?→.”
The “ ” and “ ” indicators may be
displayed in the lower right of the
screen. In this case, you can use
the D [+] button to open the folder.
Press the D [–] button to shift to the
upper level.
4-2 Name the song.
To move the cursor (small underline), use the C [–][+] buttons.
To insert a space, press the C [–][+] buttons simultaneously.
To select a character at the cursor, use the D [–][+] buttons.
To delete a character, press the D [–][+] buttons simultaneously.
You can use up to 46 one-byte or 23 two-byte characters for a song name. If the
name is longer than the screen, use the C [–][+] buttons to move the cursor and
scroll the name.
TIP
You can change the type of
characters on the screen using the
“CharacterCode” parameter.
4-3 Execute the operation.
CAUTION
Do not turn off the power or eject
the media while “Executing” is
shown in the display.
Press the B [+ (YES)] button located next to “Execute?→.”
Follow the instructions on screen.
The song is automatically numbered.
TIP
If Storage memory contains one or
more songs, and you save a new
song, the Clavinova automatically
sorts the songs alphabetically and
renumbers them.
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Handling files such as deleting song files ... [FILE/SONG SETTING]
Deleting a song from the Clavinova’s Storage memory or from
a USB storage device ... [Delete]
This deletes a song from Storage memory or from a USB storage device. It is not possible to delete a preset song or current
song.
A
B
TIP
The “ ” and “ ” indicators may be
displayed in the lower right of the
screen. In this case, you can use
the D [+] button to open the folder.
Press the D [–] button to shift to the
upper level.
NO
YES
Delete
Execute?-->
/-
U1-001:NewSong001
C
D
TIP
Procedure
After you delete a song, the
Clavinova automatically updates
the song numbers.
See page 41 for information on basic operations.
The following is a detailed procedure of Step 4.
TIP
When you delete a folder, all files
within that folder will be deleted.
4-1 Press the C [–][+] buttons to select a song to delete.
CAUTION
Do not turn off the power or eject
the media while “Executing” is
shown in the display.
4-2 Press the B [+ (YES)] button located next to “Execute?→.”
Follow the instructions on screen.
Renaming files ... [Rename]
You can change a song’s title except for the preset songs and [-----: NewSong].
A
B
TIP
To rename a folder
To rename a folder, select
NO
YES
Rename
Execute?-->
M-001:NewSong001
“Rename” then select the folder by
pressing the [SONG SELECT]
button and the C [–][+] buttons.
(The folder name is shown after
“DIR:.”) To select another level in
this display, press the D [–][+]
buttons. (Other levels can be
C
D
Procedure
selected when “
/
” is shown in
the display.) After that, select
“Rename” again and rename the
folder.
See page 41 for information on basic operations.
The following is a detailed procedure for Step 4.
TIP
After you rename a song, the
Clavinova sorts songs
alphabetically and renumbers
them.
4.
Name the song as described in the “Save” section
CAUTION
Do not turn off the power or eject
the media while “Executing” is
shown in the display.
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Handling files such as deleting song files ... [FILE/SONG SETTING]
Copying files ... [Copy]
You can copy songs. However, you cannot copy files to the same root directory or same folder.
A
B
TIP
Please note that the copy features
are intended for your personal use
only.
NO
YES
Copy
Execute?-->
/-
U1-001:NewaSong001
C
D
TERMINOLOGY
Root:
The highest level of a hierarchical
structure. This indicates an area
which does not belong to a folder.
Copy operation
You can copy files to other memory location.
Can be copied.
File A
File A
File B
Can be copied.
File B
Storage memory
USB storage device
You can copy files to a folder but not on the same root directory.
Can be copied.
File A
File A
Folder
Cannot be copied.
File B
USB storage device
TIP
Procedure
Protected songs cannot be copied.
See page 41 for information on basic operations.
The following is a detailed procedure for Step 4.
TIP
Please note that the copy features
are intended for your personal use
only.
4-1 When you copy a song to/from a USB storage device,
make sure that a USB storage device is connected to the
instrument.
TIP
You cannot copy a folder.
TIP
The “ ” and “ ” indicators may be
displayed in the lower right of the
screen. In this case, you can use
the D [+] button to open the folder.
Press the D [–] button to shift to the
upper level.
4-2 Press the D [–] button to display “DriveSelected?→” and
press the C [–][+] buttons to select a copy destination
(Storage memory or USB storage device). After selecting a
copy destination, press the B [+ (YES)] button to fix it.
CAUTION
Do not turn off the power or eject
the media while “Executing” is
shown in the display.
4-3 Press the B [+ (YES)] button located next to “Execute?→.”
Follow the instructions on screen.
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Handling files such as deleting song files ... [FILE/SONG SETTING]
Moving files ... [Move]
You can move (cut and paste) songs.
A
B
NO
YES
Move
Execute?-->
/-
U1-001:NewSong001
C
D
TIP
Procedure
Preset songs and some protected
songs cannot be moved.
See page 41 for information on basic operations.
The following is a detailed procedure for step 4.
TIP
You cannot move a folder.
TIP
4-1 When you move a song to/from a USB storage device,
make sure that a USB storage device is connected to the
instrument.
The “ ” and “ ” indicators may be
displayed in the lower right of the
screen. In this case, you can use
the D [+] button to open the folder.
Press the D [–] button to shift to the
upper level.
Press the D [–] button to display “DriveSelected?→” and press the C [–][+]
buttons to select a move destination (Storage memory or USB storage device).
After selecting a move destination, press the B [+ (YES)] button to fix it.
CAUTION
Do not turn off the power or eject
the media while “Executing” is
shown in the display.
4-2 Press the B [+ (YES)] button located next to “Execute?→.”
Follow the instructions on screen.
Making folders in the USB storage device ... [MakeDir]
You can create folders (directories) on the USB storage device to organize songs. This instrument enables you to create
folders only in the USB storage device—not in the Preset song memory and Storage memory.
A
B
TIP
NO
YES
MakeDir
U1 :NewDir_
Execute?-->
To make a folder for the
selected drive or level
C
D
To make a folder for the selected
drive or level, select “MakeDir”
then select “USB” by pressing the
[SONG SELECT] button. In this
display, press the A [–][+] button to
select another drive. Press the
D [–][+] button to select another
level. After that, select “MakeDir”
again and make a folder, following
step 4 at left.
Procedure
See page 41 for information on basic operations.
The following is a detailed procedure for step 4.
4-1 Follow the steps “Saving recorded songs to a USB storage
CAUTION
Do not turn off the power or eject
the media while “Executing” is
shown in the display.
4-2 Press the B [+ (YES)] button located next to “Execute?→.”
TERMINOLOGY
Follow the instructions on screen.
The folder is created in the root directory in the USB1 (indicated by “U1” in this
display) device.
Root:
The highest level of a hierarchical
structure. This indicates an area
which does not belong to a folder.
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Handling files such as deleting song files ... [FILE/SONG SETTING]
Formatting a USB storage device ... [Format]
You can format media so that it can be used with the Clavinova.
A
B
NO
YES
Format
USB1
Execute?-->
C
D
Procedure
See page 41 for information on basic operations. The following is a detailed procedure
for step 4.
4-1 If some USB storage devices are recognized by the
instrument, press the C [–][+] buttons to select a device.
CAUTION
Do not turn off the power or eject
the media while “Executing” is
shown in the display.
4-2 Press the B [+ (YES)] button located next to “Execute?→.”
Follow the instructions on screen.
Automatically selecting a song in storage media ...
[SongAutoOpen]
Specify whether a song (not contain in a folder) which does not contain to a folder will automatically be opened when
you insert the media.
A
B
TIP
When a USB storage device is
connected to the instrument, a
song in the device will not
NO
YES
SongAutoOpen
On
automatically open. A song is
automatically opened only when
media is inserted to a drive.
C
D
Therefore, this function cannot be
used for devices which do not use
removable media—such as USB
flash memory or hard disk drive.
Procedure
See page 41 for information on basic operations.
The following is a detailed procedure for step 4.
4
Use D [–][+] button to select ON or OFF.
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Handling files such as deleting song files ... [FILE/SONG SETTING]
Changing the type of characters on screen ... [CharacterCode]
You can change the type of characters that appear on screen.
The default setting is “International.” To input katakana, change this setting to “Japanese.”
A
B
NO
YES
CharacterCode
Japanese
C
D
Procedure
See page 41 for information on basic operations.
The following is a detailed procedure for step 4.
4
Use D [–][+] button to select International or Japanese.
Options: International, Japanese
Character list
International
Japanese
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Playing Back Recorded Songs and
Commercially-available Music Data
commercially-available music data. You can also play the keyboard along with the
TIP
See page 50 for information on the
types of song data that can be
played on the Clavinova.
playback.
TIP
TIP
Change the Clavinova’s character
type ([CharacterCode]) as
appropriate for the selected song
Songs containing a large amount of data may not be able to be read properly by the instrument, and as such you
may not be able to select them. The maximum capacity is about 200 – 300KB, however this may differ depending
on the data contents of each song.
Playing back a song
If you want to play back an External song on this instrument, connect the USB storage device and insert the appropriate
media into the device. Before using a USB storage device, be sure to read the section “Precautions when using the USB
1-1
1-2
4 3
2
5
TIP
Procedure
You can enjoy ensemble
performance by yourself. Record
the parts for a four-handed song or
a piano duet, then play the
recorded part while playing the
other part on the keyboard.
1.
Display the song select screen.
1-1 Press the [SONG SELECT] button.
TIP
1-2 Use the A [–][+] buttons to select the song type:
You can repeat playback a single
song via the [Repeat] button
(page 22) or repeat playback all
songs by using the “SongRepeat”
“MEMORY” or “USB1.”
Song select screen
A
B
NO
YES
USB1
Bar 001
U1-001:Song001.MID
C
D
MEMORY .....Stands for Storage memory. This memory contains recorded songs
or copied songs. “MEMORY” is not displayed when this memory
does not contain any songs.
USB1 .............Stands for USB storage device. This device contains commercially
available song data, etc. “USB1” is not displayed when the USB
storage device is not connected to the instrument.
When several USB storage devices are recognized to the instrument,
numbers are added after “USB,” like “USB1,”“USB2”... The
numbers are not fixed and may change according to the order in
which the devices are connected and disconnected.
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Playing Back Recorded Songs and Commercially-available Music Data
TIP
2.
3.
Select the desired song.
Use the C [–][+] buttons to select a song or folder.
Letters indicating song types and song numbers are shown on the left of the song
names, while letters indicating song types are shown on the left of folder names.
In addition, folders are indicated by “DIR” at the left of the corresponding name.
See page 40 for details regarding the letters used to indicate song types.
If the song name extends beyond
what can be displayed in the
screen, you can press the D [+]
button to move toward the right in
steps of one character. Press the D
[–] button to move back to the left
in steps of one character.
TIP
The “ ” and “ ” indicators may be
displayed in the lower right of the
screen. In this case, you can use
the D [+] button to open the folder.
Press the D [–] button to shift to the
upper level.
Start playback.
Press the [PLAY/PAUSE] button.
Starting playback automatically as you start playing the
keyboard (Sync Start)
TIP
It is a good idea to shorten long
folder names (i.e., over 13
characters) on your computer
before using them. See
more details regarding the display
of folder names.
You can start playback as soon as you start playing the keyboard. This is called the
“Sync Start” function.
To enter Sync Start standby mode, press and hold down the [STOP] button and
press the [PLAY/PAUSE] button. The [PLAY/PAUSE] indicator flashes.
Now play the keyboard. Playback starts simultaneously.
To cancel the Sync Start function, press the [STOP] button while the Clavinova is
in Sync Start standby mode.
You can move back and forth (rewind and fast forward) through the bars by using
the B [– (NO)][+ (YES)] buttons in the song select screen while the Clavinova is
playing or stopped.
TERMINOLOGY
Bar: measure
TIP
The bar number in playback
You can play the metronome along
with the song playback. When you
stop playback, the metronome is
also stopped.
A
B
NO
YES
USB1
Bar 005
U1-001:Song001.MID
TIP
C
D
Press the C [+] button during
playback to start playback from the
next song. Press the C [–] button
during playback to start playback
from the previous song.
You can play the keyboard while the Clavinova is playing back a song. You can also
play the notes in a voice different from the playback voice by selecting the voice
from the panel, and adjusting the volume balance between the playback parts and
your current performance using the [SONG BALANCE] slider. (See page 38.)
Press the [SONG SELECT] button to return to the song select screen.
Adjusting the tempo
You can use the TEMPO [DOWN][UP] buttons to adjust the playback tempo as
required before or during playback. The default tempo (the song’s original tempo)
is set when you press the [DOWN] and [UP] buttons simultaneously.
Press the [SONG SELECT] button to return to the song select screen.
4.
5.
Stop playback.
When playback is complete, the Clavinova automatically stops and locates the top
of the song. To stop playback in the middle of a song, press the [STOP] button.
You can also pause playback by pressing the [PLAY/PAUSE] button. Playback
pauses when you press the button.
Return to the main screen.
Press the [EXIT] button.
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Playing Back Recorded Songs and Commercially-available Music Data
Turning part playback on and off
While the Clavinova is playing or stopped, pressing these part buttons turn off the
indicators, and the data on those parts will not be played. Pressing the part buttons
toggles part playback on and off. You can play the part that is turned off.
TIP
You can practice a part or phrase
parameters in the “FILE/SONG
SETTING” menu.
TIP
Appropriate channels (parts) in the
song will automatically be assigned
to [RIGHT] and [LEFT]. Therefore,
[RIGHT] may be assigned to a part
other than Part 1, or [LEFT] to a
part other than Part 2.
Supported song data type
Data formats that can be played on the CLP-380
The Clavinova CLP-380 plays song data in the following formats:
Sequence format
• SMF (Standard MIDI File) formats 0 and 1
• ESEQ
TERMINOLOGY
Sequence format:
A structured method for recording
performance data.
Performance data recorded on the CLP-380 is saved as SMF format 0.
TERMINOLOGY
Voice arrangement format
• XG voice arrangement
Voice arrangement format:
A structured method for numbering
the voices for assignment.
• GM system level 1 voice arrangement
• GM system level 2 voice arrangement
• DOC voice arrangement
TIP
This instrument can play GS format
songs. However, the voices may
not be completely the same as
used in the original.
Performance data recorded with preset XG voices on the CLP-380 can be played on other
XG-compatible instruments.
See the separate “Data List” for the XG voice list.
TERMINOLOGY
Floppy disk format
• 3.5-inch 2DD disks in the MS-DOS 720KB format
Disk format:
A structured method for writing
data to disk.
• 3.5-inch 2HD disks in the MS-DOS 1.44MB format
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Internet Direct Connection (IDC)
This feature lets you directly connect your instrument to the Internet.
A service in the special Yamaha website enables you to play back a range of songs (song
data) in various musical genres.
For the latest services, refer to the Yamaha website:
Here in this section, you may come across some unfamiliar terms and phrases related to
computers and online communications. To look up the meaning of these terms, refer to
In addition, since information and confirmation messages sometimes appear on the
screen to facilitate operation, you can refer to the “Message List (IDC)” on page 64 and
“Message List” on page 104 for an explanation of the messages, appropriate actions to
take, and troubleshooting information.
Connecting the Instrument to the Internet
You can connect the instrument to a full-time online connection (ADSL, optical fiber,
cable Internet, etc.) via a router or a modem equipped with a router.
CAUTION
Due to EU regulations, users within
Europe should use an STP
(shielded twisted pair) cable to
prevent electromagnetic
interference.
Use a computer to connect to the Internet and get online before connecting the
instrument, since no modem or router settings can be made from the instrument
itself.
To use the Internet connection, you will first need to subscribe to an Internet service or
provider.
TIP
Depending on the Internet
connection, you may not be able to
connect to two or more devices (for
example, a computer and the
instrument), depending on the
contract with the provider. This
means you cannot connect with the
instrument. If in doubt, check your
contract or contact your provider.
Procedure
1.
Select the connection environment of your computer
from the following.
Reference
page
Connection environment
Using a Cable Connection (Using DHCP)
Using a Wireless LAN (Using a Wireless Game Adaptor; using DHCP)
Using a Wireless LAN (Using a USB Wireless LAN Adaptor; using DHCP)
Using a Cable Connection (Using Static IP Address, Proxy Server)
Using a Wireless LAN (Using Static IP Address, Proxy Server)
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Internet Direct Connection (IDC)
Using a Cable Connection (Using DHCP)
2.
Connect the devices according to the example.
First turn the power of the instrument off, then connect the LAN cable
to the [LAN] port on the instrument, and finally turn the power on
again.
Connection example: Connecting by cable (using a modem without
router)
TIP
For an illustration of the location of
the [LAN] port, see “Panel Controls
LAN cable
Modem*
Router
No router
Cable type
capability
TIP
LAN cable
Some types of modems require an
optional Ethernet hub network for
simultaneously connecting to
several devices (such as computer,
musical instrument, etc.).
[LAN] port
* Here, “modem” refers to an ADSL modem,
optical network unit (ONU) or cable modem.
Connection example: Connecting by cable (using a modem with
router)
LAN cable
Modem*
with router
LAN cable
[LAN] port
* Here, “modem” refers to an ADSL modem,
optical network unit (ONU) or cable modem.
TIP
3.
Connect the instrument to the Internet.
You do not need to make Internet settings. You can access the Internet simply by
connecting a router or a modem equipped with a router to the instrument via a
LAN cable.
The most common router and
modem equipped with a router
have a DHCP function.
You can play back songs from the Internet. For instructions on playing back songs,
Using a Wireless LAN (Using a Wireless Game
Adaptor; using DHCP)
2.
Connect the devices according to the example.
First turn the power of the instrument off, then connect the wireless
game adaptor to the [LAN] port on the instrument, and finally turn the
power on again.
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Internet Direct Connection (IDC)
Connection example: Wireless connection (using a wireless game
adaptor)
TIP
For an illustration of the location of
the [LAN] port, see “Panel Controls
Access
Modem*
point
TIP
For a list of wireless game adaptors
whose compatibility has been
confirmed by Yamaha, refer to the
http://music.yamaha.com/
download/
Wireless game adaptor
TIP
[LAN] port
* Here, “modem” refers to an ADSL modem,
optical network unit (ONU) or cable modem.
In addition to the modem or an
access point, this connection
requires a router.
TIP
3.
Connect the instrument to the Internet.
You do not need to make Internet settings. You can access the Internet simply by
connecting a wireless game adaptor to the instrument.
The wireless game adaptor
requires settings such as the
access point. For information about
how to make settings, read the
owner's manual for the product you
are using.
You can play back songs from the Internet. For instructions on playing back songs,
Using a Wireless LAN (Using a USB Wireless LAN
Adaptor; using DHCP)
For important information on the USB [TO DEVICE] terminal, refer to the section
2.
Connect the devices according to the example.
TIP
For an illustration of the location of
the USB [TO DEVICE] terminal, see
First turn the power of the instrument off, then connect the USB
wireless LAN adaptor to the USB [TO DEVICE] terminal on the
instrument, and finally turn the power on again.
TIP
Connection example: Wireless connection (using a USB wireless LAN
adaptor)
For a list of USB wireless LAN
adaptors whose compatibility has
been confirmed by Yamaha, refer
http://music.yamaha.com/
download/
Access
Modem*
point
TIP
In addition to the modem or an
access point, this connection
requires a router.
USB wireless LAN adaptor
USB [TO DEVICE] terminal
TIP
This instrument is encrypted in
WEP format only.
* Here, “modem” refers to an ADSL modem,
optical network unit (ONU) or cable modem.
3.
Connect the instrument to the Internet.
You’ll need to make Internet settings on the instrument explained in the section
Making the Internet settings might take some time.
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Internet Direct Connection (IDC)
About the Internet Settings (settings concerning the access point)
When you use Internet Direct Connection (IDC) for the first time, you should make the
TIP
Internet settings on the instrument, then save all of the settings.
You do not need to make Internet
settings here if you are using a
Make a written note of the settings, in case you have to enter them again.
cable connection (using DHCP), a
wireless LAN (using a wireless
game adaptor; using DHCP), or a
cable connection/wireless LAN
(using static IP address, proxy
server).
Access point
SSID
Channel
Encryption
WEP key
YES
NO
—
TIP
About the confirmation and
changes in the setting of the
access point side, read the owner's
manual for the product you are
using.
TIP
Searching for and selecting the access point
Confirm that the power of the
access point is on.
When searching for an access point, the display shows the access point(s) near the
Clavinova. Once you select the desired access point, the SSID and channel are
automatically set.
The WEP key is not entered automatically. You have to enter it by yourself if you select an
encrypted access point (key icon “ ” appears).
2 3-2 4-1 4-4
1
1
3-1 4-2
4-3
Procedure
1.
Call up the Internet Settings screen.
Hold down the [FILE/SONG SETTING] button, and press the [REC]
button.
Internet Settings screen
A
B
NO
YES
Wireless
NetworkSearch
Execute?-->
C
D
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Internet Direct Connection (IDC)
2.
Search for the access point(s).
Press the B [+(YES)] button to search for the access point(s).
The access point(s) is displayed on the screen.
TIP
If no signal from the access point is
received, the access point cannot
be displayed.
A
B
NO
YES
Wireless
NetworkSearch
Execute?-->
C
D
Access point(s)
A
B
NO
YES
Wireless
Select?-->
:abcdefghijk(C01)
C
D
:abcdefghijk(C01)
Key icon
Channel
SSID
TIP
3.
Select the access point.
If the access point extends beyond
what can be displayed in the
screen, you can press the D [+]
button to move toward the right in
one-character steps. Press the
D [–] button to move back to the
left in one-character steps.
3-1 Use the C [–][+] buttons to display the desired access
point.
3-2 Press the B [+ (YES)] button to select the access point.
No key icon
Because your access point is not an encrypted setting, you don’t need to make a
setting for the WEP key. Please proceed to “Saving the Settings and Checking the
Connection” on page 57. If you want to encrypt the access point, change this in
the settings of the access point side.
With key icon “ ”
The display for inputting the WEP key is called up in step 4.
4.
Input the WEP key.
4-1 Press the B [+ (YES)] button to display the WEP Key Input
screen.
WEP Key Input screen
A
B
NO
YES
Wireless
WEPkey:
Input?-->
C
D
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Internet Direct Connection (IDC)
4-2 Move the cursor to the desired point by using the C [–][+]
buttons.
4-3 Select a character at the cursor by using the D [–][+]
buttons.
A
B
NO
YES
Wireless
WEPkey:abcde
Input?-->
_
C
D
Cursor
Insert a space
TIP
Move the cursor to the position you want to insert the space, and press the
C [–][+] buttons simultaneously.
To cancel the WEP key input, press
the B [– (NO)] button and return to
the WEP Key Input screen.
Delete a character
TIP
If the WEP key input is incorrect, re-
input it.
Move the cursor to the character you want to delete, and press the D [–][+]
buttons simultaneously.
WEP key character list
A~Z @ .
–
|
!
"
#
$ % &
'
(
)
*
+
,
/
:
;
< = > ?
a~z
–
}
[
¥
]
^
`
{
~
0~9
4-4 Set the WEP key input by using the B [+ (YES)] button.
When you set the WEP key input, the characters are shown as “******.”
A
B
NO
YES
Wireless
*****
Set?-->
C
D
4-5 Actually enter the WEP key input by using the B [+ (YES)]
button.
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Internet Direct Connection (IDC)
CAUTION
Saving the Settings and Checking the Connection
Make sure to save any settings you
have made or changed. Turning off
the instrument before saving may
result in loss of data.
You can save the settings and check the connection.
5.
Save the settings and check the connection.
Press the B [+ (YES)] button.
After the settings are saved, the instrument automatically starts checking the
connection. When the operation is finished, the results are displayed on the
screen.
Save the Settings and Check the Connection screen
A
B
NO
YES
Wireless
Execute?-->
Save&ConnectTest
C
D
A
B
NO
YES
ConnectSucceeded
OK-->
C
D
6.
7.
Return to the Internet Settings screen.
Press the B [– (NO)], B [+ (YES)], or [EXIT] button.
Return to the default screen.
Press the [EXIT] button.
You can play back songs from the Internet. For instructions on playing back songs,
Using a Cable Connection (Using Static IP Address,
Proxy Server) / Using a Wireless LAN (Using Static IP
Address, Proxy Server)
Before using a USB storage device, be sure to read the section “Precautions when using
TIP
This instrument has two USB [TO
DEVICE] terminals; however, both
cannot be used at the same time.
Use the [SELECT] switch on the left
of the panel to select the desired
terminal. If you connect USB
storage devices to both USB [TO
DEVICE] terminals, the devices
may not operate properly.
2.
3.
Connect the devices according to the example.
For information on connecting the devices, refer to the website:
Connect the instrument to the Internet.
You’ll need to make Internet settings on the instrument explained in the section
“About the Internet Settings” below.
Making the Internet settings might take some time.
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Internet Direct Connection (IDC)
About the Internet Settings
When you use Internet Direct Connection (IDC) for the first time, you should make the
Internet settings according to the following illustration flow. This flow is shown to make
you easily understand how to load the setting file created on the computer to your
instrument. You won’t need to make any settings on your instrument.
For details, refer to the Yamaha webpage:
TIP
You do not need to make Internet
settings here if you are using a
cable connection (using DHCP), a
wireless LAN (using a wireless
game adaptor; using DHCP), or a
wireless LAN (using a USB wireless
LAN adaptor; using DHCP).
Save the file to USB
storage device
Load the file to the
instrument
Special Yamaha
website
USB Storage
Device
Create the Internet
setting file
Creating the Internet Setting File
Procedure
1.
Create the Internet Setting File.
You need to create the Internet setting file on the special Yamaha webpage using
your computer. For information about how to create the file, read the instructions
on the Yamaha webpage:
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Internet Direct Connection (IDC)
Loading the Internet Setting Files
This procedure lets you make Internet settings by loading the files created on the special
Yamaha webpage to the instrument.
3
4
2
2
2.
3.
4.
Call up the Internet Settings screen.
Hold down the [FILE/SONG SETTING] button, and press the [REC]
button.
Internet Settings screen
A
B
NO
YES
Wireless
NetworkSearch
Execute?-->
C
D
Engage the Load mode.
Make sure that the USB storage device containing the saved Internet
setting file named “config.n21” is connected to the instrument, and then
use the A [–][+] buttons.
TIP
You can create the Internet setting
files (named “config.n21”) on the
special Yamaha webpage.
A
B
TIP
NO
YES
Yamaha recommends that you
back up the Internet setting files
ConfigFile
Import
Execute?-->
C
D
Start loading.
Press the B [+ (YES)] button to call up the confirmation message
(“Sure?-->”).
A
B
NO
YES
ConfigFile
Import
Sure?-->
C
D
To proceed, press the B [+ (YES)] button again. An “Executing” message appears
and data loading starts. When loading is complete, a “Completed” message
appears for three seconds, followed by the Check the Connection screen. Please
proceed to “Checking the Connection” on page 60.
To cancel the loading, press the B [– (NO)] button instead of the B [+ (YES)]
button.
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Internet Direct Connection (IDC)
Checking the Connection
5.
Check the connection.
Press the B [+ (YES)] button.
Check the Connection screen
A
B
NO
YES
ConfigFile
ConnectTest
Execute?-->
C
D
A
B
NO
YES
ConnectSucceeded
OK-->
C
D
6.
7.
Return to the Internet Settings screen.
Press the B [– (NO)], B [+ (YES)], or [EXIT] button.
Return to the default screen.
Press the [EXIT] button.
You can play back songs from the Internet. For instructions on playing back songs,
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Internet Direct Connection (IDC)
Calling Up the Connection Information
This lets you confirm LAN connection environment, IP address acquisition status, Time acquisition status, and the field
strength (when using a USB wireless LAN adaptor; using DHCP) for the current connection.
1-2
2
1-1
1-1
Procedure
1.
Call up the Connection Information screen.
1-1 Hold down the [FILE/SONG SETTING] button, and press
the [REC] button.
A
B
NO
YES
Wireless
NetworkSearch
Execute?-->
C
D
1-2 Use the A [–][+] buttons.
Connection Information screen
A
B
NO
YES
ConnectInf
Display
Execute?-->
C
D
If “Display” does not appear in the lower left of the screen, use the C [–][+]
buttons to call up “Display.”
2.
Call up the connection information.
Press the B [+ (YES)] button.
TIP
If the connection information
extends beyond what can be
displayed in the screen, you can
press the D [+] button to move
toward the right in one-character
steps. Press the D [–] button to
move back to the left in one-
character steps.
A
B
NO
YES
ConnectInf
Execute?-->
Display:Device=OK(Port)
C
D
Indication
Meaning
Device =
LAN connection environment
IP address acquisition status
Time acquisition status
IP =
Time =
Strength =
Field strength (when using a USB wireless LAN adaptor;
using DHCP)
The connection information is not displayed, depending on the state of the connection, and
is indicated as “NoInfo.”
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Internet Direct Connection (IDC)
Exporting the Connection Information
This procedure lets you export the detailed information on the current connection as a text file to a USB flash storage
device. You can check the information on your computer.
2
3
1
1
Procedure
TIP
1.
Call up the screen below.
Hold down the [FILE/SONG SETTING] button, and press the [REC]
button.
The connection information file
does not allow you to manually
make Internet settings (pages 53
information file is set to “read only”
and cannot be edited.
A
B
NO
YES
Wireless
NetworkSearch
Execute?-->
C
D
2.
Turn on the Export mode.
Make sure that a USB flash storage device is connected to the
instrument, and then press the A [–][+] button.
A
B
NO
YES
ConnectInf
Export
Execute?-->
C
D
If the “Export” does not appear in the lower left of the screen, press the C [–][+]
buttons to call up “Export.”
3.
Start exporting.
Press the B [+ (YES)] button.
Overwriting the Connection Information
A “Overwrite?-->” message will appear on the display if a USB storage device
contains a file with the same name as the one you exported before. To overwrite,
press the B [+ (YES)] button again. An “Executing” message appears and the
Clavinova overwrites the data. When overwriting is complete, a “Completed”
message appears for three seconds, before returning to the previous screen.
To cancel overwriting, press the B [– (NO)] button instead of the B [+ (YES)]
button.
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Internet Direct Connection (IDC)
A
B
NO
YES
ConnectInf Overwrite?-->
Export
C
D
A
B
NO
YES
ConnectInf
Export
Completed
C
D
After exporting, connect the USB storage device to your computer, and then open
the text file “ConnectionInfo.txt” in the root directory of the USB storage device
to check the detailed connection information.
Restoring the Internet Settings to Normal (Default) Settings
Turn on the power while simultaneously holding down the [FILE/SONG SETTING] button and [PLAY/PAUSE] button
to restore the Internet settings to default settings.
TIP
A
B
The Internet settings are not
restored to the default settings
when using the “Restoring the
normal (default) settings” operation
NO
YES
FactorySet
Executing
InternetSetting
C
D
TIP
CAUTION
Information contained in the
cookies will be restored at the
same time.
Restoring the instrument resets all Internet settings to the original factory-programmed settings.
Yamaha recommends you that you back up your Internet settings before restoring. See “Backing up
Internet Normal (Default) Settings List
DHCP
ON (available)
Wireless LAN
Proxy server
OFF (no settings)
OFF (no settings)
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Internet Direct Connection (IDC)
Message List (IDC)
The messages are listed in alphabetical order.
Message
Meaning
Execution of the operation failed because the recorded data has not been saved. Save the data
by following the instructions “Saving recorded songs to a USB storage device ... [Save]” on
CannotOperate
Exit-->
Currently checking whether the USB wireless LAN adaptor connected to the musical
instrument is compatible or not.
CheckingLANadaptor
This might take about 5 minutes. Please wait for a while.
An error in communication with the Internet occurred.
Confirm whether the connection is correct by “Connecting the Instrument to the Internet”
Communication
Error (xxxx)
Exit-->
* For detailed information on the error, refer to the “Error Code List (IDC)” on page 66.
A communication timeout occurred.
If this message appears repeatedly, the communication may be unreliable. Make sure that
your communication environment is appropriate.
Communication
Timeout (xxxx)
Exit-->
Exit-->
The connection test of the instrument to the Internet has failed.
Confirm whether the connection is correct by “Connecting the Instrument to the Internet”
ConnectError
(xxxx)
* For detailed information on the error, refer to the “Error Code List (IDC)” on page 66.
Currently connecting to the Internet by a USB wireless LAN adaptor whose compatibility
has not been confirmed.
Connecting
UnknownLANadaptor
The instrument could not be successfully connected to the Internet.
Confirm whether the connection is correct by referring to “Connecting the Instrument to
ConnectionError Exit-->
(xxxx)
* For detailed information on the error, refer to the “Error Code List (IDC)” on page 66.
The connection test of the instrument to the Internet has succeeded.
ConnectSucceeded
OK-->
Exit-->
Exit-->
An error occurred.
ErrorOccurred
(xxxx)
Check the error code number in the display and refer to the “Error Code List (IDC)” on
page 66 for an explanation.
The particular USB wireless LAN adaptor which is connected to the instrument is invalid.
Use a USB wireless LAN adaptor whose compatibility has been confirmed by Yamaha
Invalid
LANadaptor
This message is displayed when the WEP key input is incorrect.
Re-input the correct WEP key.
InvalidWEPkey
The USB wireless LAN adaptor is not recognized by the instrument.
NoWirelessAdaptor
• Confirm whether the connection of the USB wireless LAN adaptor to the instrument is
correct.
The particular USB wireless LAN adaptor which is connected to the instrument is
unsupported.
UnknownLANadaptor OK-->
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Internet Direct Connection (IDC)
Message
Meaning
This message appears if the wireless network has not been found.
WirelessNetwork
NotFound
• Please check that the power of the access point is turned on and that the settings of the
device are correct.
• Set the instrument within reach of the signal from the access point. The signal will not be
received if the distance from the access point is too great or there is an obstacle blocking
reception.
The characters “(xxxx)” indicate the relevant error code. For detailed information on specific error codes, refer to the “Error Code List
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Internet Direct Connection (IDC)
Error Code List (IDC)
Error Code
Meaning
1110
USB wireless LAN adaptor, LAN cable, or router cannot be recognized.
Please check whether a USB wireless LAN adaptor, LAN cable, or router has been correctly connected. Also
check that you are not using a damaged cable.
1120
The USB wireless LAN adaptor connected to the musical instrument does not function
properly.
Make sure to use a USB wireless LAN adaptor whose compatibility has been confirmed by Yamaha
1130
Communication with the access point has failed.
• Please check that all settings of the wireless LAN are correct.
• Please check that the power of the access point is turned on and that the settings of the device are correct.
• Set the instrument within reach of the signal from the access point. The signal will not be received if the
distance from the access point is too great or there is an obstacle blocking reception.
1250 – 1252
IP address could not be obtained from the router.
• (When using a cable LAN connection:) Check that the LAN cable is correctly connected and that the cable
you are using is not damaged.
• (When using a wireless LAN connection:) Check that all settings for the wireless LAN are correct.
• Make sure that the power of the router is turned on. Also, confirm that the router settings allows the use of
DHCP.
• Try turning on the power of the router once again.
1410 – 1415
Connection to the special website has failed.
• Make sure that the power of the router is turned on. Also, confirm that the router settings are correct.
• (When using a fixed IP address, proxy server:) Check that all LAN settings are correct.
• Try turning on the power of the router once again.
2001
2042
Communication error.
Check the communication environment. Try connecting again after a while.
Communication timeout occurred.
• Check that the LAN cable is correctly connected and that the cable you are using is not damaged.
• Make sure that the power of the router is turned on. Also, confirm that the router settings are correct.
• Try turning on the router again.
2404
Server was not found.
Try again after a while.
3001
3002
3003
3004
3011
3019
File access error.
File cannot be read.
Data cannot be written to the file.
There is not enough available memory in the media.
There is not enough space in the assigned folder.
This media has not been formatted.
Format the media after making sure that there is no important data remaining. Please be careful that all data
will be deleted when executing the format.
3020
Write-protect has been enabled for the media.
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Internet Direct Connection (IDC)
Glossary of Terms (IDC)
A device that acts as a communication hub for multiple wireless devices, and conventionally enables
both wired and wireless LAN connections.
Access point
Broadband
Browser
An Internet connection technology/service (such as ADSL and optical fiber) that allows for high-
speed, high-volume data communication.
The software used to search for, access, and view web pages. For this instrument, this refers to the
display that shows the contents of the web pages.
A system that records certain information that the user transfers when visiting a website and using
the Internet. The function is similar to a preference file in a conventional computer program, in that
it “remembers” certain information such as your user name and password, so you don’t have to re-
enter the information each time you visit the site.
Cookie
This is a standard or protocol by which IP addresses and other low-level network configuration
information can be dynamically and automatically assigned each time connection is made to the
Internet.
DHCP
Transferring data over a network, from a larger “host” system to a smaller “client” system’s hard drive
or other local storage device—much like copying files from your hard disk drive to a floppy disk. For
this instrument, this refers to the process of transferring Song and other data from a website to the
instrument.
Download
The first page shown when opening a browser and connecting to the Internet. This phrase is also
used to mean the “front screen” or top page of a website.
Home page
Internet
IP address
LAN
A huge network made up of networks, the Internet allows high-speed data transfer among
computers, mobile phones and other devices.
A string of numbers assigned to each computer connected to a network, and indicating the device’s
location on the network.
Short for Local Area Network, this is a data-transfer network that connects a group of computers at
a single location (such as an office or home) by means of a special cable.
Location information in other sentences and images, etc. that are under buttons and character
strings on a web page. When the place with the link is clicked, the page selection jumps to the
relevant link.
Link
A device which connects and allows data transfer between a conventional telephone line and a
computer. It converts the digital signals from the computer to analog audio for sending over the
phone line, and vice versa.
Modem
A communications business that offers Internet connection services. In order to connect to the
Internet, it is necessary to contract to a provider.
Provider
Proxy
A proxy server is a server that all computers on a local network have to go through before accessing
information on the Internet. It intercepts all or designated requests to the real server to see if it can
fulfill the requests itself. If not, it forwards the request to the real server. Proxy servers are used to
improve performance and speed, and to filter requests, usually for security and to prevent
unauthorized access to an internal network.
A device for connecting multiple computer networks. For example, a router is necessary when
connecting several computers in a house or office, and allow them to all access the Internet and share
data. A router is usually connected between a modem and a computer, although some modems have
a built-in router.
Router
Server
A hardware system or computer used as a central point for a network, providing access to files and
services.
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Internet Direct Connection (IDC)
Short for “website,” this refers to the group of web pages that are opened together. For example, the
collection of web pages whose addresses begin with “http://www.yamaha.com/” is referred to as the
Yamaha site.
Site
Short for Secure Sockets Layer, a standard for transmitting confidential data such as credit card
numbers over the Internet.
SSL
Short for Uniform Resource Locator, a string of characters used to identify and link to specific
websites and pages on the Internet. A complete URL usually starts with the characters “http://.”
URL
Refers to each individual page that makes up a website.
Web page
WEP
Short for Wired Equivalent Privacy, a security protocol for wireless networks.
WEP protects communication contents from being intercepted.
A LAN connection that allows data transfer through a wireless, cable-free connection.
Wireless LAN
Device that allows easy wireless connection with digital consumer electronic devices, printers, and
game machines, etc. equipped with [LAN] ports.
Wireless Game Adaptor
(Wireless Ethernet
Converter or Bridge)
Wireless network where signal is sent and received by using electric waves.
Wireless network
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Internet Direct Connection (IDC)
Troubleshooting (IDC)
Problem
Cause
Solution
The instrument cannot connect
to the Internet using the [LAN]
port.
The LAN cable is not connected Check the connection of the LAN cable to the
securely to the [LAN] port.
[LAN] port.
The LAN cable used for
Use a new LAN cable.
connection may be damaged.
The instrument cannot connect
to the Internet using a wireless
game adaptor.
The settings of the wireless
game adaptor are incorrect.
The settings of the wireless game adaptor
cannot be made on the instrument. For
information about how to make settings, read
the owner’s manual for the particular wireless
game adaptor you are using.
The USB wireless LAN adaptor
is not recognized by the
instrument.
The particular USB wireless LAN Check the list of USB wireless LAN adaptors
adaptor you are using is not
whose compatibility has been confirmed by
compatible with the instrument.
The desired USB [TO DEVICE]
terminal has not been selected.
This instrument has two USB [TO DEVICE]
terminals; one on the left of the panel and one
on the terminal at the front. Use the [SELECT]
switch to select the desired terminal
The instrument cannot connect
to the Internet using a static IP
address, proxy server.
The necessary Internet settings
have not been made.
Make Internet settings on the instrument as
The instrument cannot connect
to the Internet using a wireless
LAN.
The access point is set to
conceal the SSID.
Temporarily remove the setting that conceals
SSID, and make the appropriate Internet
settings.
The access point is set to filter
the MAC address.
(When using a USB Wireless LAN Adaptor:)
Register the MAC address of USB wireless
LAN adaptor you are using in the access point.
(When using a Wireless Game Adaptor:) For
information about the MAC address that is
registered, refer to the owner’s manual for the
wireless game adaptor you are using.
The access point is set for
This instrument is encrypted in WEP format
encryption in a format other than only.
WEP.
No signal from the access point
to the instrument is received.
Set the instrument within reach of the signal
from the access point. The signal will not be
received if the distance from the access point
is too great or there is an obstacle blocking
reception.
The WEP key has been entered
After confirming the characters of the WEP key,
incorrectly (e.g., incorrect use of including uppercase and lowercase letters,
uppercase and lowercase
letters).
enter it again.
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Listening to the Songs on Internet
Yamaha provides a special website with a data service that enables you to play back a
range of songs (song data) in various musical genres on your instrument.
TIP
Change the Clavinova’s character
type (“CharacterCode”) as
appropriate for the selected song
For the latest services, refer to the Yamaha website:
Before connect the instrument to the Internet, be sure to read “Internet Direct
1-2
1-1
4 3
2
5
Procedure
1.
Display the Song Select screen.
1-1 Make sure that the instrument is connected to the
Internet, then press the [SONG SELECT] button.
1-2 Use the A [–][+] buttons to select “INTERNET.”
The folder name in the Internet is displayed on the screen.
A
B
NO
YES
INTERNET
Connecting
C
D
The number of measures
A
B
NO
YES
INTERNET
BAR---
I-DIR:xxxxxxxxxxxxxx /
C
D
Folder name
Internet:
The Internet can be used by the instrument to play back a wide range of songs
(song data) in various musical genres.
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Listening to the Songs on Internet
2.
Select a song.
TIP
settings on/off (page 21), and A-B
only after you play back the song
once.
2-1 Use the C [–][+] buttons to select a folder.
Press the D [+] button to open the folder and press the D [–] button to return to
the previous (upper) level.
2-2 Use the C [–][+] buttons to select a desired Internet song.
TIP
If the song name extends beyond
what can be displayed in the
screen, you can press the D [+]
button to move toward the right in
steps of one character. Press the
D [–] button to move back to the
left in steps of one character.
A
B
NO
YES
INTERNET
BAR001
I-001:xxxxxxxxxxxxxx /
C
D
TIP
Song name
You can play the keyboard along
with the Internet song playback.
You can change the voice playing
on the keyboard.
3.
4.
5.
Start playback.
Press the [PLAY/PAUSE] button.
TIP
You might not be able to adjust the
tempo of songs from the Internet. In
such cases, the default tempo “---”
is automatically selected.
Stop playback.
Press the [STOP] button.
TIP
Song data from the Internet is not
transmitted via the MIDI
connectors.
Return to the main screen.
Press the [EXIT] button.
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Connections
Connectors
CAUTION
Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turning the power on or
off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur.
On the left of
the panel
At front
SELECT
USB TO DEVICE
1
1
2
3
4
5
6
7
TIP
1 USB [TO DEVICE] terminal (A/B)
There are two different types of
USB terminals on the instrument:
USB [TO DEVICE] and USB [TO
HOST]. Take care not to confuse
the two terminals and the
This terminal allows connection to USB storage devices.
corresponding cable connectors.
Be careful to connect the proper
plug in the proper direction.
2 USB [TO HOST] terminal
This terminal allows direct connection to a personal computer. Refer to “Connecting a
personal computer” on page 75 for more information.
TIP
MIDI performance data and
commands are transferred in the
form of numeric values.
3 MIDI [IN], [OUT], [THRU] terminals
Use MIDI cables to connect external MIDI devices to these connectors.
MIDI [IN]: Receives MIDI data.
TIP
Since MIDI data that can be
transmitted or received varies
depending on the type of MIDI
device, check the “MIDI
MIDI [OUT]: Transmits MIDI data.
MIDI [THRU]: Transmits data received at the MIDI [IN] terminal as it is.
Implementation Chart” to find out
what MIDI data and commands
your devices can transmit or
receive. The Clavinova’s MIDI
Implementation Chart is available
for downloading from the Yamaha
Manual Library.
About MIDI
MIDI (Musical Instrument Digital Interface) is a standard format for data
transmission/reception. It enables the transfer of performance data and commands
between MIDI devices and personal computers. Using MIDI, you can control a
connected MIDI device from the Clavinova, or control the Clavinova from a
connected MIDI device or computer.
4 [AUX PEDAL] jack
A separately sold FC7 foot controller or FC4/FC5 foot switch can be connected to this
jack. By using an FC7 you can control the volume while playing to add expression to your
performance, or control various other functions. By using an FC4/FC5, you can switch
various selected functions on/off. To select the function that will be controlled, use the
also be assigned to a foot switch (page 98).
CAUTION
Connect or disconnect the pedal
when the power is off.
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Connections
5 AUX IN [L/L+R], [R] jacks
TIP
The stereo outputs from another instrument can be connected to these jacks, allowing
the sound of an external instrument to be reproduced via the Clavinova’s speakers. Refer
to the diagram below and use audio cables for connection.
The Clavinova’s [MASTER
VOLUME] dial setting affects the
input signal from the AUX IN jacks,
but the [REVERB], [CHORUS], and
BRILLIANCE [MELLOW] [BRIGHT]
CAUTION
TIP
When the Clavinova’s AUX IN jacks are connected to an external device, first turn on the power to
the external device, then to the Clavinova. Reverse this order when you turn the power off.
If you connect the Clavinova to a
monaural device, use only the AUX
IN [L/L+R] jack.
Clavinova
TIP
Use audio cables and adaptor
plugs with no resistance.
AUX IN
Phone plug (standard)
Audio cable
Plug shape depends
on the device.
AUX OUT
Tone Generator
6 AUX OUT [L/L+R] [R] jacks
TIP
These jacks let you connect the Clavinova to external powered speaker systems, for
When the sound from the AUX OUT
jacks is routed to the AUX IN jacks,
the input sound will be output from
the speaker of the CLP. The output
sound may be excessively loud
and may cause noise.
playing in larger venues at higher volumes.
CAUTION
When the Clavinova’s AUX OUT jacks are connected to an external system, first turn on the power to
the Clavinova, then to the external system. Reverse this order when you turn the power off.
TIP
Powered speaker
Clavinova
If you connect the Clavinova to a
monaural device, use only the AUX
OUT [L/L+R] jack.
AUX OUT
AUX IN
Phone plug
(standard)
Phone plug
(standard)
Cable
The Clavinova’s [MASTER VOLUME] setting will affect the sound that is output from
AUX OUT jacks. When the Clavinova’s AUX OUT jacks are connected to an external
speaker and you want to turn off the speaker sound of the Clavinova, switch the speaker
speakers and the headphones changes automatically to the appropriate settings according
to how the instrument is being used (see chart below).
Speakers sound
Speakers do not sound
No plugs to connected to AUX OUT jacks
Plugs connected to AUX OUT jacks
Speakers On
Speakers Normal
Speakers Off
Speakers On
Speakers Normal
Speakers Off
(Headphones Switch)
(Headphones Switch)
Optimum equalization
for speakers applied
Flat
Flat
Flat
Flat
Flat
Flat
Flat
Flat
Flat
Headphones
connected
Optimum equalization Optimum equalization
for speakers applied for speakers applied
Headphones
not connected
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Connections
7 [LAN] port
This port allows direct connection of the CLP-380 to the Internet, letting you use a
special service on the Yamaha website for playing back songs in a variety of musical
genres as background music on the instrument. Before connecting the instrument to the
Internet, be sure to read the section “Internet Direct Connection (IDC)” on page 51.
Connecting to a USB storage device
To connect to a USB storage device, be sure to read the section “Precautions when using the USB [TO DEVICE] terminal”
To display the data in the USB storage device
To view the data of the USB storage device on the CLP display, press the [SONG
SELECT] button and select a USB storage device with the A [–][+] buttons to engage the
Song Selection mode, or press the [FILE/SONG SETTING] button to engage the File/
Song Setting mode. If you try to engage these modes before connecting the USB storage
device, press the [EXIT] button to exit the mode and re-engage the mode.
Backing up your data to a computer
■ Backing up the instrument data to a computer
Once you’ve saved data to a USB storage device, you can copy the data to the hard disk
of your computer, then archive and organize the files as desired. Simply reconnect the
device as shown below.
Saves internal data to a USB storage device.
Instrument
USB [TO DEVICE] terminal
USB storage
device
Disconnect the USB storage device from the instrument and connect it
to the computer.
Backing up data to a computer and organizing files/folders.
USB storage device
Computer
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Connections
■ Copying files from a computer hard disk to a USB
storage device
Files contained on the hard disk of a computer can be transferred to the
instrument by first copying them to the storage media, then connecting/inserting
the media to the instrument.
Not only files created on the instrument itself but also Standard MIDI files created
on other devices can be copied to a USB storage device from the hard disk of the
computer. Once you’ve copied the data, connect the device to the USB [TO
DEVICE] terminal of the instrument, and play back the data on the instrument.
Copying the files of the hard disk of the computer to the
USB storage device.
USB storage device
Computer
Disconnect the USB storage device from the computer and connect it
to the instrument.
Reading files on the USB storage device from the instrument.
Instrument
USB [TO DEVICE] terminal
USB storage
device
Connecting a personal computer
By connecting a computer to the USB [TO HOST] or MIDI terminals, you can transfer data between the instrument and
the computer via MIDI, and take advantage of sophisticated computer music software. Keep in mind that you also need
to install an appropriate USB MIDI driver.
There are the two methods by which to connect the Clavinova to a personal computer:
1. Connecting the USB port on the computer to the Clavinova’s USB [TO HOST]
terminal (see below)
TERMINOLOGY
Driver:
A driver is software that provides a
data-transfer interface between the
computer’s operating system and a
connected hardware device. You
need to install a USB MIDI driver to
connect the computer and the
instrument.
If you are using a computer that has a USB interface, we recommend that you connect the
computer and the instrument by USB, rather than by MIDI.
For more information, refer to the following pages.
CAUTION
When connecting the Clavinova to a personal computer, first turn off the power of the Clavinova and
quit any application software that is open on the computer before connecting any cables. After
making connections, turn on the power to the Clavinova.
CAUTION
If you are not using the connection between the Clavinova and your computer, you must disconnect
the cable from the USB [TO HOST] terminal.The Clavinova may not operate correctly if a cable is left
connected.
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Connections
Connecting the USB port on the computer to the
Clavinova’s USB [TO HOST] terminal
Use a USB cable to connect the USB port on your computer to the USB [TO HOST]
terminal on the Clavinova.
TIP
• The instrument will begin
transmission a short time after the
USB connection is made.
• When using a USB cable to
connect the instrument to your
computer, make the connection
directly without passing through a
USB hub.
Instrument
USB [TO HOST] terminal
• For information on setting up your
sequence software, refer to the
owner’s manual of the relevant
software.
USB cable
Computer
Precautions when using the USB [TO HOST] terminal
When connecting the computer to the USB [TO HOST] terminal, make sure to
observe the following points. Failing to do so risks freezing the computer and
corrupting or losing the data. If the computer or the instrument freezes, restart the
application software or the computer OS, or turn the power to the instrument off then
on again.
CAUTION
•
•
Use an AB type USB cable of less than about 3 meters.
Before connecting the computer to the USB [TO HOST] terminal, exit from any
power-saving mode of the computer (such as suspended, sleep, standby).
Before turning on the power to the instrument, connect the computer to the USB
[TO HOST] terminal.
Execute the following before turning the power to the instrument on/off or
plugging/unplugging the USB cable to/from the USB [TO HOST] terminal.
- Quit any open application software on the computer.
•
•
- Make sure that data is not being transmitted from the instrument. (Data is
transmitted only by playing notes on the keyboard or playing back a song.)
While the computer is connected to the instrument, you should wait for six seconds
or more between these operations: (1) when turning the power of the instrument
off then on again, or (2) when alternately connecting/disconnecting the USB cable.
•
Using a MIDI interface and the Clavinova’s MIDI
terminals
Use a MIDI interface device to connect a computer to the Clavinova using special MIDI
cables.
USB port or serial port
(modem or printer terminal)
MIDI cable
MIDI [IN] terminal
MIDI [OUT]
terminal
Instrument
Computer
MIDI interface
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Detailed Settings
Detailed Settings
You can set various parameters to make the best use of Clavinova functions, such as recording and playback, metronome,
Parameter List
Recording and playback [FILE/SONG SETTING]
Settings
Parameter name
Reference page
Saving recorded songs to a USB storage device
Save
Deleting a song from the Clavinova’s Storage memory or from a
USB storage device
Delete
Renaming files
Rename
Copying files
Copy
Moving files
Move
Making folders in the USB storage device
Formatting a USB storage device
Automatically selecting a song in storage media
Changing the type of characters on screen
Playing back a song/all songs repeatedly
Playing back the phrase specified by the phrase number
Correcting note timing
MakeDir
Format
SongAutoOpen
CharacterCode
SongRepeat
PhraseMark
Quantize
Specifying whether playback starts immediately along with the
first voicing
QuickPlay
Auditioning the channels
ChannelListen
ChannelClear
RecStart
Deleting data from each channel
Selecting a record starting method
Selecting a record ending method
Recording parts 3 – 16 (Extra Parts)
RecEnd
RecExtraPartsCh
Metronome [METRONOME SETTING]
Settings
Parameter name
Reference page
Setting the metronome time signature
Setting the metronome volume level
Setting the metronome voice
TimeSignature
MetronomeVolume
MetronomeSound
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Detailed Settings
Voices [VOICE SETTING]
In Dual mode, parameters with the “ ” mark are set for Voice 1 and Voice 2 individually.
*
Settings
Parameter name
Reference page
Setting the octave*
Octave
Setting the volume level*
Volume
Setting the position of right and left channels*
Make fine adjustments to the pitch (only in Dual mode)
Selecting the reverb type
Pan
Detune
ReverbType
ReverbSend
ChorusType
ChorusSend
ChorusOnOff
DSP Type (DSP)
VibeRotorSpeed
Setting the reverb depth*
Selecting the chorus type
Setting the chorus depth*
Setting the chorus on/off
Selecting the DSP type*
Setting the speed of the vibraphone vibrato effect*
Turning the vibraphone vibrato effect on/off*
VibeRotorOnOff
(RotorOnOff)
Setting the rotation speed of the rotary speaker*
RotarySpeed
(Rot.Speed)
Adjusting the depth of the DSP effect*
Adjusting the brightness of the sound*
Adjusting the resonance effect*
DSPDepth
Brightness
HarmonicContent
(Harmonic)
Adjusting the low-range frequency of the equalizer*
EQ LowFreq.
(EQ L.Freq)
Adjusting the low-range gain (amount of boost/cut) of the
equalizer*
EQ LowGain
Adjusting the high-range frequency of the equalizer*
EQ HighFreq.
(EQ H.Freq)
Adjusting the high-range gain (amount of boost/cut) of the
equalizer*
EQ HighGain
Setting the touch sensitivity*
TouchSense
iAFC [iAFC SETTING]
Settings
Parameter name
Reference page
Turning iAFC on/off
iAFC
Adjusting the Dynamic Damper Effect depth
Adjusting the Spatial Effect depth
Calibration (automatic adjustment)
Restoring the default calibration setting
DynDmpFX Depth
SpatialFX Depth
Calibration
iAFC Default
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Detailed Settings
Other settings [FUNCTION]
Settings
Parameter name
Reference page
Changing the key
Transpose
Selecting a touch response
TouchResponse
Tune
Fine tuning the pitch
Selecting a tuning curve for a piano voice
Selecting a scale
PianoTuningCurve
Scale
Specifying the Split Point
SplitPoint
Setting the right pedal function
Setting the center pedal function
Setting the left pedal function
RPedalFunc
CPedalFunc
LPedalFunc
AuxPedalFunc
RPedalOnOff
CPedalOnOff
LPedalOnOff
AuxPedalOnOff
PedalPlay/Pause
AuxPedalType
HalfPedalPoint
Setting the auxiliary pedal function
Turning the right pedal function on/off
Turning the center pedal function on/off
Turning the left pedal function on/off
Turning the auxiliary pedal function on/off
Assigning the SONG [PLAY/PAUSE] function to the pedal
Selecting a type of auxiliary pedal
Setting the point at which the damper pedal starts to affect the
sound
Adjusting the depth of the Soft pedal
Setting the depth of string resonance
Setting the depth of sustain sampling for the damper pedal
Specifying the volume of the key-off sound
Setting the range of pitch bend
SoftPedalDepth
StringResonanceDepth
SustainSamplingDepth
KeyOffSamplingDepth
PitchBendRange
Speaker
Switching the speaker on/off
Setting the MIDI transmit channel
Setting the MIDI receive channel
MidiOutChannel
MidiInChannel
Turning local control on/off
LocalControl
Selecting performance from the keyboard or song data for MIDI
transmission
MidiOutSelect
Selecting a type of data received via MIDI
Selecting a type of data transmitted via MIDI
Transmitting the initial settings on the panel
Selecting items saved at shutdown
ReceiveParameter
TransmitParameter
InitialSetup
MemoryBackup
FactorySet
Restoring the normal (default) settings
Backing up the Clavinova’s internal data
Displaying the version number
FullBackup
Version
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Detailed Settings
Making detailed settings
1 2
3 4
1
1
3 5
1
2 3
1
Procedure
1.
Access a setting menu.
Press the desired setting button ([FILE/SONG SETTING],
METRONOME [SETTING], [VOICE SETTING], [iAFC SETTING], or
[FUNCTION]) to access the corresponding setting menu.
Press the [EXIT] button any time to close the setting menu.
2.
3.
Select the desired parameter or part.
Press the setting button, A [–][+], and/or C [–][+] buttons repeatedly as
required.
Set the parameter or part.
Some parameters or parts lead you to more options. Use the B [– (NO)]
[+ (YES)], C [–][+], and D [–][+] buttons to select or set the option.
To restore the normal parameter value, press the [–] and [+] buttons
simultaneously.
4.
Write, execute, or save the data.
There are two ways to respond to the messages.
If “Execute?→” or “Start?→” appears:
Press the B [+ (YES)] button to display confirmation (“Sure?→”). To proceed,
press the B [+ (YES)] button again. The Clavinova displays “Executing” and writes
the data. When the operation is complete, it displays “Completed” for three
seconds, then returns to the previous screen.
To cancel the operation, press the B [– (NO)] button instead of the B [+ (YES)]
button.
When “Overwrite?→” appears after the “Completed” message, press the B [+
(YES)] button.
A
B
NO
YES
Quantize
Strength=100%
Execute?-->
1/4
C
D
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Detailed Settings
If “Set?→” appears:
Press the B [+ (YES)] button to execute the setting. The Clavinova displays
“Executing” and saves the data. When the operation is complete, it displays
“Completed” for three seconds, then returns to the previous screen.
A
B
NO
YES
Main
Octave
Set?-->
0
C
D
5.
Close the setting menu.
Press the [EXIT] button.
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Detailed settings for recording and
playback [FILE/SONG SETTING]
You can make detailed settings for the selected song. First, select the desired song from preset songs (“PRESET”), memory
songs (“MEMORY”), or External songs (“USB1”) (see page 48).
Procedure
Select the desired song and press the [FILE/SONG SETTING] button to access the “File/Song
Setting” menu.
[FILE/SONG SETTING] button
Playing back a song/all songs
repeatedly
Playing back the phrase specified by
the phrase number
[SongRepeat]
[PhraseMark]
You can repeatedly play back all songs or a single song
selected from the 50 preset songs or from the USB storage
devices.
If you select a song from an ensemble collection disk,
such as the “Disk Orchestra Collection” or one of the “XG
for Piano” disks, you can specify phrase numbers in the
score to play back from the score from the mark point, or
to play back the phrase repeatedly.
When you start playback, the Clavinova plays the song
you selected using the front panel, then starts repeat
playback of the specified songs until you press the [STOP]
button.
If you start playing back a song with “Repeat On”
selected, the count down starts, followed by the repeated
playback of the specified phrase until you press the
[STOP] button.
See the procedure on page 80.
Select on or off.
If you select “Repeat Off,” normal playback starts without
repeat.
A
B
See the procedure on page 80.
NO
YES
SongRepeat
Off
USBSongs
Select repeat on or off.
C
D
A
B
Specify the repeated songs.
NO
YES
PhraseMark
001
RepeatOff
Setting range:
[USBSongs] ...........All songs in the media inserted in the USB
storage device
C
D
[MemorySongs] .....All songs in the Clavinova’s memory
Specify the phrase number.
[USB+Memory]......All songs from “USBSongs” and
“MemorySongs”
Setting range of the phrase number:
--- (not specified)
[PresetSongs] ........All 50 preset songs
[ALL] ......................All songs from “USBSongs,”
“MemorySongs,” and “PresetSongs”
0 – the last phrase number of the song
[OneSong] .............One song selected from the front panel
TIP
If you select any song other than those from the “Disk Orchestra
Collection” or one of the “XG for Piano” disks, you can select only “Off.”
TIP
When several USB storage devices are connected, the device which
contains the previously selected song is the destination device.
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Detailed settings for recording and playback [FILE/SONG SETTING]
Quarter-note length
Original data
Correcting note timing
[Quantize]
Quantizing
strength=100
You can correct the timing of notes. For example, you can
adjust recorded notes to precise eighth or sixteenth notes.
Changes are made by song.
Quantizing
strength=50
See the procedure on page 80.
Stores the changed value.
Setting range:
0% – 100%
A
B
NO
YES
Quantize
Strength=100%
Execute?-->
1/16
Specifying whether playback starts
immediately along with the first voicing
C
D
Specifies the type of note.
[QuickPlay]
Notes for which you can adjust the timing:
This parameter enables you to specify whether a song that
starts from the middle of a bar, or a song with a silence
prior to the first note, should be played from the first note
or from the top of the bar (rest or blank).
1/4.................
1/6.................
quarter note
quarter note triplet
eighth note
1/8.................
1/12...............
1/16...............
1/24...............
See the procedure on page 80.
eighth note triplet
A
B
sixteenth note
NO
YES
QuickPlay
On
sixteenth note triplet
thirty-second note
C
D
1/32...............
1/8+1/12...........
1/16+1/12.........
1/16+1/24.........
Setting range:
[On] ....................... Playing from the first note
eighth note + eighth note triplet*
sixteenth note + eighth note triplet*
sixteenth note + sixteenth triplet*
[Off] ....................... Playing from the top of the bar (including a
rest or blank)
The three Quantize settings marked with asterisks (*) are
exceptionally convenient, since they allow you to quantize
two different note values at the same time. For example,
when the straight eighth notes and eighth notes triplet are
contained in the same part, if you quantize by the straight
eighth notes, all notes in the part are quantized to straight
eighth notes—completely eliminating any triplet feel.
However, if you use the eighth note + eighth note triplet
setting, both the straight and triplet notes will be
quantized correctly.
From this display, you can determine how strongly the
notes will be quantized. A setting of 100% produces exact
timing. If a value less than 100% is selected, notes will be
moved toward the specified quantization beats according
to the specified percentage. Applying less than 100%
quantization lets you preserve some of the “human” feel
in the recording.
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Detailed settings for recording and playback [FILE/SONG SETTING]
Auditioning the channels
[ChannelListen]
Deleting data from each channel
[ChannelClear]
You can select a single channel to listen to its contents.
Playback starts from the first note.
You can delete data from each of 16 channels.
See the procedure on page 80.
See the procedure on page 80.
Delete data.
Playback continues as long as you press
and hold down this button.
A
B
NO
YES
ChannelClear Execute?-->
Ch1
A
B
C
D
NO
YES
ChannelListen Start?-->
Ch1
Select the desired channel for deletion.
C
D
Setting range:
Select the desired channel for playback.
Ch1 – Ch16, ALL (all channels)
Setting range:
Ch1 – Ch16
TIP
The song data consists of 16 channels. A channel is assigned to a part,
so in this instrument, channel means the same as part.
TIP
The song data consists of 16 channels. A channel is assigned to a part,
so in this instrument, channel means the same as part.
TIP
Even channels that contain no data are displayed.
TIP
TIP
Even channels that contain no data are displayed.
When you clear all channels using the “ALL” parameter, you can overwrite
the song. In this case, the file which contains song settings with no
channel data is saved.
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Detailed settings for the metronome
METRONOME [SETTING]
You can set the time signature, volume level, and voice of the Clavinova metronome.
Procedure
Press the METRONOME [SETTING] button to access the Metronome Setting menu.
METRONOME [SETTING] button
Setting the metronome time signature
[TimeSignature]
Selecting the metronome voice
[MetronomeSound]
See the procedure on page 80.
See the procedure on page 80.
A
B
A
B
NO
YES
TimeSignature
4/ 4
NO
YES
MetronomeSound
BellOff
C
D
C
D
Set the numerator of
the time signature.
Set the denominator
of the time signature.
Setting range:
[BellOff] ................. Click (standard metronome sound)
[EnglishVoice]........ Click and “1, 2, 3, 4” in English
[GermanVoice] ...... Click and “1, 2, 3, 4” in German
[JapaneseVoice].... Click and “1, 2, 3, 4” in Japanese
[FrenchVoice] ........ Click and “1, 2, 3, 4” in French
[SpanishVoice] ...... Click and “1, 2, 3, 4” in Spanish
[BellOn] ................. Click and bell
For example, to specify “3/4,” use the C [–][+] buttons to
select “3” and the D [–][+] buttons to select “4.”
Setting range for the numerator:
1 – 16
Setting options for the denominator:
2, 4, and 8
TIP
To mute the beat count, select “BellOff.”
Setting the metronome volume level
[MetronomeVolume]
See the procedure on page 80.
A
B
NO
YES
MetronomeVolume
100
C
D
Setting range:
0 – 127
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Detailed settings for the voices
[VOICE SETTING]
This menu enables you to make various detailed settings for the voices in Dual or Split mode and the effects. You can
make these settings for each voice (or each combination of voices) individually. You can listen to the notes you play on the
keyboard while changing the settings.
Procedure
1.
2.
Select a voice.
Access the “Voice Setting” menu.
Press the [VOICE SETTING] button to access the “Voice Setting” menu.
[VOICE SETTING] button
3
2
3.
Press the A [–][+] buttons to select the part for which you wish to change the
voice.
The range of the displayed part varies depending on the selected voice.
[Main] ...................... MAIN voices (displayed with a single voice or in Split mode)
[Main × Layer]......... MAIN Voice 1 and Voice 2 (displayed when the MAIN side is in Dual mode)
[Left]......................... LEFT voice (displayed in Split mode)
[Left × Layer] ........... LEFT Voice 1 and Voice 2 (displayed when the LEFT side is in Dual mode)
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Detailed settings for the voices [VOICE SETTING]
In Dual mode, parameters with the “*” mark are set for Voice 1 and Voice 2 individually.
Parameter names enclosed in parentheses ( ) are displayed in Dual mode.
Setting the octave
[Octave]*
Setting the position of right and left
channels
[Pan]*
The pitch of a note can be shifted upward or downward in
steps of an octave.
You can specify the position in the stereo image from
which you hear the sound.
See the procedure on page 80.
See the procedure on page 80.
A
B
A
B
NO
YES
Main
Octave
Set?-->
0
NO
YES
Main
Pan
Set?-->
C
C
D
C
D
In Dual mode:
In Dual mode:
A
B
A
B
NO
YES
MainxLayer
Octave(GrndPno1)
Set?-->
0
NO
YES
MainxLayer
Pan(GrndPno1)
Set?-->
C
C
D
C
D
Voice for editing (Voice 1 or Voice 2)
Voice for editing (Voice 1 or Voice 2)
Setting range:
-2 (two octaves lower) – 0 (no pitch shift) – +2 (two octaves
higher)
Setting range:
L64 (hard left) – C (center) – R63 (hard right)
Setting the volume level
Make fine adjustments to the pitch
(only in Dual mode)
[Volume]*
You can set the volume level for each voice part.
See the procedure on page 80.
[Detune]
The pitch of the two sounds selected in Dual mode can be
“skewed” slightly away from each other.
See the procedure on page 80.
A
B
NO
YES
Main
Volume
Set?-->
100
A
B
C
D
NO
YES
MainxLayer
Detune
Set?-->
+ 3
In Dual mode:
C
D
A
B
NO
YES
MainxLayer
Volume(GrndPno1)
Set?-->
100
Setting range:
-20 – +20 (Positive (+) settings will raise the pitch of the first
sound and lower the pitch of the second sound. Negative (–)
settings will do the opposite.)
C
D
Voice for editing (Voice 1 or Voice 2)
Setting range:
0 – 127
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Detailed settings for the voices [VOICE SETTING]
Setting the reverb type
[ReverbType]
Selecting the chorus type
[Chorus Type]
TIP
TIP
You cannot set this parameter for the voice parts “Left” and “Left × Layer.”
You cannot set this parameter for the voice parts “Left” and “Left × Layer.”
See the procedure on page 80.
See the procedure on page 80.
A
B
A
B
NO
YES
Main
ReverbType
Set?-->
Hall1
NO
YES
Main
ChorusType
Set?-->
Chorus
C
D
C
D
Setting range:
Setting range:
Room......................Simulates reverberation in a room.
Chorus................... Adds a rich, spacious sound.
Celeste .................. Adds swell and a spacious sound.
Hall1.......................Simulates reverberation in a concert hall.
Hall2.......................Reverberation is slightly longer than that of
“Hall1.”
Flanger .................. Adds swell effects of an ascending or
descending jet plane.
Stage......................Reverberation suitable for a solo instrument
sound.
Plate.......................Reverberation simulating that created by
vibration of a metal plate.
Setting the chorus depth
[ChorusSend]*
See the procedure on page 80.
Setting the reverb depth
[ReverbSend]*
A
B
NO
YES
Main
ChorusSend
Set?-->
48
TIP
C
D
The reverb effect is not applied if the ReverbSend parameter is set to “0.”
See the procedure on page 80.
In Dual mode:
A
B
A
B
NO
YES
Main
ReverbSend
Set?-->
14
NO
YES
MainxLayer
Set?-->
ChorusSend(E.Piano1) 72
C
D
C
D
In Dual mode:
Voice for editing (Voice 1 or Voice 2)
A
B
Setting range:
0 – 127
NO
YES
MainxLayer
Set?-->
ReverbSend(E.Piano1) 26
C
D
Voice for editing (Voice 1 or Voice 2)
Setting range:
0 – 127
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Detailed settings for the voices [VOICE SETTING]
Setting the chorus on/off
[ChorusOnOff]
Setting the speed of the vibraphone
vibrato effect*
[VibeRotorSpeed]
You can set the [CHORUS] button on or off for each
voice. When you select a voice, the chorus on/off setting
for the voice automatically changes according to this
parameter.
TERMINOLOGY
Rotor= The rotating portion of an electrical device etc.
This will be displayed only if VibeRotor is selected for the
DSP Type parameter explained above.
This sets the speed of the vibrato effect that is applied
when you have selected Vibraphone and are using the
VibeRotor pedal.
TIP
Even if this parameter is turned on, the chorus effect is disabled if the
ChorusSend parameter is set to 0.
See the procedure on page 80.
See the procedure on page 80.
A
B
A
B
NO
YES
Main
ChorusOnOff
Set?-->
Off
NO
YES
Main
VibeRotorSpeed
Set?-->
6
C
D
C
D
Setting range:
On/Off
Setting range:
1 – 10
Selecting the DSP type*
[DSP Type (DSP)]
Turning the vibraphone vibrato effect
on/off*
[VibeRotorOnOff (RotorOnOff)]
You can select other effects (than reverb and chorus).
See the procedure on page 80.
This will be displayed only if VibeRotor is selected for the
DSP Type parameter explained above.
It turns on/off the vibrato effect that is applied when you
use the VibeRotor pedal.
A
B
NO
YES
Main
DSP Type
Set?-->
DelayLCR
C
D
See the procedure on page 80.
A
B
Setting range:
DelayLCR...............Delay applied at left, center, and right
positions.
NO
YES
Main
VibeRotorOnOff
Set?-->
On
DelayLR .................Delay applied at left and right positions.
Echo.......................Echo-like delay
C
D
CrossDelay ............Left and right delays are crossed.
Symphonic.............Adds a rich and deep acoustic effect.
Rotary.....................Adds the vibrato effect of a rotary speaker.
Tremolo ..................The volume level changes in rapid cycles.
VibeRotor ...............The vibrato effect of a vibraphone.
Setting range:
On/Off
AutoPan .................The sound pans left to right and back and
forth.
Phaser....................The phase changes periodically, swelling
the sound.
AutoWah.................The center frequency of the wah filter
changes periodically.
SoundBoard...........Simulates the reverberation of a piano
soundboard.
Off ..........................No effect.
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Detailed settings for the voices [VOICE SETTING]
Setting the rotation speed of the
rotary speaker*
Adjusting the resonance effect*
[HarmonicContent (Harmonic)]
[RotarySpeed (Rot.Speed)]
See the procedure on page 80.
This will be displayed only if Rotary is selected for the
DSP Type parameter explained above.
A
B
NO
YES
Main
HarmonicContent
Set?-->
0
It sets the rotation speed of the rotary speaker effect.
See the procedure on page 80.
C
D
A
B
Setting range:
-64 – +63
NO
YES
Main
RotarySpeed
Set?-->
Slow
C
D
TIP
Resonance can produce a distinctive “peaky” tone, making the sound
brighter and harder.
Setting range:
Slow/Fast
Adjusting the low-range frequency of
the equalizer*
Adjusting the depth of the DSP effect*
[DSPDepth]
[EQ LowFreq. (EQ L.Freq)]
This sets the depth of the DSP effect (page 89).
Some DSP Type settings do not allow you to set the
DSPDepth.
TERMINOLOGY
Equalizer:
An audio equalizer divides the frequency spectrum into multiple regions
and enables the user to adjust the relative amplitude of each region.
See the procedure on page 80.
A
B
NO
YES
Main
DSPDepth
Set?-->
127
Low Gain
High Gain
C
D
Setting range:
1 (output only the original sound with almost no effect applied) –
127 (output only the sound processed by the effect)
Adjusting the brightness of the
sound*
High Freq.
Low Freq.
See the procedure on page 80.
[Brightness]
A
B
See the procedure on page 80.
NO
YES
Main
EQ LowFreq.
Set?-->
32
A
B
C
D
NO
YES
Main
Brightness
Set?-->
0
C
D
Setting range:
32 Hz – 2.0 kHz
Setting range:
-64 – +63
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Detailed settings for the voices [VOICE SETTING]
Adjusting the low-range gain (amount
of boost/cut) of the equalizer*
Setting the touch sensitivity
[TouchSense]*
[EQ LowGain]
This parameter enables determines the manner and
degree to which the volume level changes in response to
your touch on the keyboard (how hard you play). Since
the volume level of the harpsichords and pipe organs do
not change regardless of how you play the keyboard, the
normal setting for these voices is 127. (See the setting
range below.)
See the procedure on page 80.
A
B
NO
YES
Main
EQ LowGain
Set?-->
0
C
D
Setting range:
See the procedure on page 80.
-12 – +12 dB
A
B
NO
YES
Main
TouchSense
Set?-->
64
Adjusting the high-range frequency of
the equalizer*
C
D
In Dual mode:
[EQ HighFreq. (EQ H.Freq)]
A
B
See the procedure on page 80.
NO
YES
MainxLayer
Set?-->
TouchSense(GrndPno1) 64
A
B
C
D
NO
YES
Main
EQ HighFreq.
Set?-->
500
Voice for editing (Voice 1 or Voice 2)
C
D
Setting range:
Setting range:
0 (softest) – 64 (largest changes in the level) – 127 (loudest and
fixed)
500 Hz – 16.0 kHz
Adjusting the high-range gain
(amount of boost/cut) of the
equalizer*
[EQ HighGain]
See the procedure on page 80.
A
B
NO
YES
Main
EQ HighGain
Set?-->
0
C
D
Setting range:
-12 – +12 dB
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Detailed settings for iAFC [iAFC SETTING]
When iAFC is engaged, the Clavinova will sound deeper and more resonant, similar to an acoustic musical instruments.
This lets you experience the ambience and reverberation that are characteristic of performing on stage or simulates the
sustain sound that occur when you press the damper pedal of a grand piano.
This section describes how to make various settings for the iAFC function. You can also perform an automatic adjustment
in order to obtain the optimal iAFC effect.
Procedure
Press [iAFC SETTING] button to enter iAFC Setting mode.
[iAFC SETTING] button
Perform the automatic adjustment after you turn on the power of the Clavinova for the
When the [iAFC SETTING] button is pressed before performing the automatic adjustment, the “Calibration” screen
will be displayed.
TIP
iAFC cannot be used in the following cases.
When the Speaker setting is Normal, and headphones are connected.
When the Speaker setting is off.
TIP
When using iAFC, do not block the speaker located on the rear panel of the Clavinova. The optimal iAFC effect cannot be obtained if this speaker is
blocked.
TIP
iAFC uses Yamaha’s EMR (Electronic Microphone Rotator) technology to ensure stability against acoustic feedback.
Turning iAFC on/off
[iAFC]
Adjusting the Dynamic Damper Effect
depth
[DynDmpFX Depth]
See the procedure on page 80.
Dynamic Damper Effect is one type of the iAFC effect.
Dynamic Damper Effect simulates the sustain sound that
occurs when you press the damper pedal of a grand
piano. The internal microphones are not used, but the
sound produced within the Clavinova is processed to
create a spacious sensation, as you press the damper pedal
and play the keyboard.
A
B
NO
YES
iAFC
On
C
D
Setting range:
On/Off
See the procedure on page 80.
A
B
NO
YES
DynDmpFX Depth
105
C
D
Setting range:
0 – 127
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Detailed settings for iAFC [iAFC SETTING]
Adjusting the Spatial Effect depth
[SpatialFX Depth]
Restoring the default calibration
setting
[iAFC Default]
Spatial Effect is one type of the iAFC effect. Spatial Effect
creates a sense of reverberation and spaciousness by
picking up the output sound using internal microphones
and output the sound from the speaker on the rear of the
instrument. The spread and spaciousness of the sound is
different depending on the depth. For lower depth
settings, this creates the resonance and enhances the
acoustic realism of the sound that is characteristic of
acoustic instruments by creating a virtual soundboard.
For deeper depth settings, the sound of the instrument
itself and the sound of singing and other instruments
played nearby is picked up by internal microphones, and
processed to simulate the spatial characteristics of
performing together on stage.
This sets the calibration function to the default setting.
See the procedure on page 80.
A
B
NO
YES
iAFC Default
Set?-->
C
D
See the procedure on page 80.
A
B
NO
YES
SpatialFX Depth
14
C
D
Setting range:
0 – 127
Calibration (automatic adjustment)
[Calibration]
This automatically adjusts the sensitivity and response of
iAFC so that the optimal iAFC effect will be obtained.
When automatic adjust begins, a test sound (noise) will
sound for about five seconds.
While automatic adjustment is being performed, do not
make audible noises in the vicinity of the Clavinova.
See the procedure on page 80.
A
B
NO
YES
Calibration
Sure?-->
Test sound is output.
C
D
TIP
The keyboard will not produce sound while automatic adjustment is being
performed. Nor is it possible to adjust the volume of the Clavinova.
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Other settings [FUNCTION]
You can make detailed settings for touch, tuning, scale, etc.
Procedure
Press the [FUNCTION] button to enter Function mode.
[FUNCTION] button
Changing the key
Selecting a touch response
[Transpose]
[TouchResponse]
TIP
You can specify a touch response (how the sound
responds to the way you play the keys).
See the procedure on page 80.
TRANSPOSE= To change the key
(Changing the key: To raise or lower the overall pitch of the entire song.)
The Clavinova’s Transpose function makes it possible to
shift the pitch of the entire keyboard up or down in
semitone intervals to facilitate playing in difficult key
signatures, and to let you easily match the pitch of the
keyboard to the range of a singer or other instruments.
For example, if you set the transposition amount to “5,”
playing key C produces pitch F. In this way, you can play
the song as if it were in C major, and the Clavinova will
transpose it to the key of F.
A
B
NO
YES
TouchResponse
Vel= 64
Fixed
C
D
Setting range:
Light....................... With a soft touch, the Clavinova produces a
loud sound. The volume level of tones tends
to be consistent.
Medium.................. Standard touch response.
Heavy .................... You must hit the key very hard to generate a
loud volume. This allows for versatile
expression, from pianissimo to fortissimo
tones.
A
B
NO
YES
Transpose
Master
0
Fixed...................... No touch response. The volume level will be
the same regardless of how hard you play
the keys. Use the B [– (NO)][+ (YES)]
C
D
buttons to set the volume level.
Setting for:
Master....................The sound of the entire instrument (the
manually-played sound and the song
playback)
Setting range of the “Fixed” volume level:
1 – 127
Keyboard ...............The manually-played sound
Song.......................The song playback
Setting range:
-12 (-1 octave) – 0 (normal pitch) – +12 (+1 octave)
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Other settings [FUNCTION]
Fine tuning the pitch
[Tune]
Selecting a scale
[Scale]
You can fine tune the pitch of the entire instrument. This
function is useful when you play the Clavinova along with
other instruments or CD music.
You can select various scales.
Equal Temperament is the most common contemporary
piano tuning scale. However, history has known
numerous other scales, many of which serve as the basis
for certain genres of music. You can experience the
tunings of these genres.
See the procedure on page 80.
A
B
NO
YES
Tune
See the procedure on page 80.
A3=440.0Hz
C
D
A
B
NO
YES
Scale
BaseNote=C
PureMajor
Setting range:
A3 = 414.8 Hz – 466.8 Hz (0.2 Hz steps)
C
D
Setting range:
Equal ..................... One octave is divided into twelve equal
intervals. Currently most popular piano
tuning scale.
Selecting a tuning curve for a piano
voice
PureMajor/PureMinor
[PianoTuningCurve]
............................... Based on natural overtones, three major
chords using these scales produce a
beautiful, pure sound.
You can select a tuning curve from “GrandPiano1” and
“GrandPiano2.” Select “Flat” if you feel the tuning curve
of the piano voice does not quite match that of other
instruments voices.
Pythagorean .......... This scale, designed by Pythagoras, a
Greek philosopher, is based on the interval
of a perfect 5th. The 3rd produces swells,
but the 4th and 5th are beautiful and suitable
for some leads.
See the procedure on page 80.
MeanTone.............. This scale is an improvement of the
Pythagorean in that the swell of the 3rd has
been eliminated. It spread during the late
16th century through the late 18th century.
Handel used this scale.
A
B
NO
YES
PianoTuningCurve
Stretch
C
D
Werckmeister/Kirnberger
............................... These scales combine Mean Tone and
Pythagorean in different ways. With these
scales, modulation changes the impression
and feel of the songs. They were often used
in the era of Bach and Beethoven. They are
also often used now to reproduce the music
of that era on harpsichords.
Setting range:
Stretch....................Tuning curve particularly for pianos
Flat .........................Tuning curve in which the frequency is
octave doubled over the entire keyboard
range
Normal setting:
Equal
If you select a scale other than Equal, you need to specify
the root note using the B [– (NO)][+ (YES)] buttons.
A
B
NO
YES
Scale
BaseNote=C
PureMajor
C
D
Setting range:
C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B
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Other settings [FUNCTION]
Specifying the Split Point
Setting the center pedal function
[CPedalFunc]
[Split Point]
You can specify the split point (the boundary between the
right-hand and left-hand keyboard areas).
See the procedure on page 80.
See the procedure on page 80.
A
B
NO
YES
CPedalFunc
Set?-->
Sostenuto
A
B
C
D
NO
YES
SplitPoint
F#2
Setting range:
C
D
Same as “Setting the right pedal function” above, except for the
following parameters.
Setting range:
A -1 – C7
• SustainCont
• Expression
• PitchBend Up
• PitchBend Down
TIP
Normal Setting:
Sostenuto
Setting the right pedal function
[RPedalFunc]
Setting the left pedal function
[LPedalFunc]
See the procedure on page 80.
A
B
See the procedure on page 80.
NO
YES
RPedalFunc
Set?-->
SustainCont
A
B
NO
YES
LPedalFunc
Set?-->
Soft
C
D
C
D
Setting range:
Sustain ...................ON/OFF switch type damper
Setting range:
SustainCont............Damper that sustains the sound
Same as “Setting the right pedal function” above, except for the
following parameters.
proportionately to how deeply you press the
pedal
• SustainCont
• Expression
Soft.........................Soft (page 24)
• PitchBend Up
• PitchBend Down
Expression .............A function that lets you create changes in
dynamics (volume) as you play
PitchBend Up.........A function that smoothly raises the pitch
Normal Setting:
PitchBend Down......A function that smoothly lowers the pitch
RotarySpeed..........Change the rotational speed of the
JazzOrgan rotary speaker (switch between
Soft (for all voices other than JazzOrgan, MellowOrgan and
VibraPhone), Rotary Speed (JazzOrgan and MellowOrgan),
Vibraphone (VibeRotor)
fast/slow each time you press the pedal)
VibeRotor ...............Switch the vibraphone vibrato on/off (switch
on/off each time you press the pedal)
Normal setting:
SustainCont
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Other settings [FUNCTION]
Setting the auxiliary pedal function
[AuxPedalFunc]
Turning the center pedal function on/off
[CPedalOnOff]
You can assign a function to the pedal connected to the
Clavinova’s AUX PEDAL jack.
This turns the center pedal function on or off for the
relevant voice part. In other words, you can select the
desired voice part (Main, MainLayer, Left, LeftLayer) and
determine whether the center pedal function (set on
page 96) will affect that part or not.
See the procedure on page 80.
A
B
NO
YES
AuxPedalFunc
Set?-->
Expression
See the procedure on page 80.
C
D
A
B
NO
YES
CPedalOnOff
Main
Set?-->
On
Setting range:
C
D
Normal setting:
Expression
Select on or off.
Select the voice part for which
the center pedal on/off setting
is to be changed.
TIP
Yamaha FC7 foot controller
This foot controller is suitable for controlling Expression, SustainCont, or
PitchBend Up/Down.
Setting for:
Main, MLayer (MainLayer), Left, LLayer (LeftLayer)
Setting range:
On/Off
Yamaha FC4 foot switch
Yamaha FC5 foot switch
These foot switches are suitable for controlling Sustain, Sostenuto, Soft,
RotarySpeed, or VibeRotor.
Normal Setting:
Different for each voice.
Turning the right pedal function on/off
[RPedalOnOff]
Turning the left pedal function on/off
[LPedalOnOff]
This turns the right pedal function on or off for the
relevant voice part. In other words, you can select the
desired voice part (Main, MainLayer, Left, LeftLayer) and
determine whether the right pedal function (set on
page 96) will affect that part or not.
This turns the left pedal function on or off for the
relevant voice part. In other words, you can select the
desired voice part (Main, MainLayer, Left, LeftLayer) and
determine whether the left pedal function (set on
page 96) will affect that part or not.
See the procedure on page 80.
See the procedure on page 80.
A
B
A
B
NO
YES
RPedalOnOff
Main
Set?-->
On
NO
YES
LPedalOnOff
Main
Set?-->
On
C
D
C
D
Select the voice part for which
the right pedal on/off setting is
to be changed.
Select on or off.
Select the voice part for which
the left pedal on/off setting is
to be changed.
Select on or off.
Setting for:
Main, MLayer (MainLayer), Left, LLayer (LeftLayer)
Setting for:
Setting range:
Main, MLayer (MainLayer), Left, LLayer (LeftLayer)
On/Off
Setting range:
Normal Setting:
On/Off
Different for each voice.
Normal Setting:
Different for each voice.
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Other settings [FUNCTION]
Turning the auxiliary pedal function
on/off
Selecting a type of auxiliary pedal
[AuxPedalType]
[AuxPedalOnOff]
A pedal connected to the [AUX PEDAL] jack may switch
on and off differently. For example, some pedals turn on
the effects and others turn them off when you press them.
Use this parameter to reverse this mechanism.
See the procedure on page 80.
This turns the auxiliary pedal function on or off for the
relevant voice part. In other words, you can select the
desired voice part (Main, MainLayer, Left, LeftLayer) and
determine whether the auxiliary pedal function (set on
page 97) will affect that part or not.
A
B
See the procedure on page 80.
NO
YES
AuxPedalType
Make
A
B
C
D
NO
YES
AuxPedalOnOff
Main
Set?-->
On
Setting range:
C
D
Make, Break
Select on or off.
Select the voice part for which
the AUX pedal on/off setting is
to be changed.
Setting the point at which the damper
pedal starts to affect the sound
Setting for:
Main, MLayer (MainLayer), Left, LLayer (LeftLayer)
[HalfPedalPoint]
Setting range:
On/Off
Here you can specify the point to which you must depress
the pedal (right and AUX) before the assigned effect
begins to be applied. This setting applies only to the
right or AUX pedal.
Normal Setting:
Different for each voice.
Assigning the SONG [PLAY/PAUSE]
function to the pedal
A
B
NO
YES
HalfPedalPoint
0
[PedalPlay/Pause]
C
D
TIP
Setting range:
-2 (effective with the shallowest press) – 0 – +2 (effective with the
deepest press)
If you assign the SONG PLAY/PAUSE function to a pedal and turn the
function On, the pedal function assigned to the pedal in the Function
See the procedure on page 80.
Adjusting the depth of the Soft pedal
[SoftPedalDepth]
A
B
NO
YES
PedalPlay/Pause
Center
Off
See the procedure on page 80.
C
D
Select a pedal to assign
the function
Select on or off.
A
B
NO
YES
SoftPedalDepth
5
Setting for:
C
D
Left, Center, AUX
Setting range:
Setting range:
On/Off
1 – 10
Normal setting:
Off for all pedals
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Other settings [FUNCTION]
Setting the depth of string resonance
[StringResonanceDepth]
Setting the range of pitch bend
[PitchBendRange]
This parameter is effective on the voices, such as “Grand
Piano 1.”
This specifies the amount of change that can be produced
by the pitch bend function which smoothly varies the
pitch.
See the procedure on page 80.
This setting applies only to the manually-played sound.
This setting can be made in semitone steps.
whether the pitch will be raised or lowered.
See the procedure on page 80.
A
B
NO
YES
StringResonanceDepth
5
C
D
Setting range:
A
B
Off, 1 – 10
NO
YES
PitchBendRange
2
C
D
Setting the depth of sustain sampling
for the damper pedal
Setting range:
0 – +12 (Pressing the pedal will raise/lower the pitch by 12
[SustainSamplingDepth]
semitones [1 octave])
Normal setting:
2
This parameter is effective only on the voice group
“GRANDPIANO1.”
See the procedure on page 80.
A
B
Switching the speaker on/off
[Speaker]
NO
YES
SustainSamplingDepth
5
C
D
This setting lets you switch the speaker on/off.
See the procedure on page 80.
Setting range:
Off, 1 – 10
A
B
NO
YES
Speaker
Normal(HeadphoneSW)
C
D
Specifying the volume of the key-off
sound
Setting range:
Normal (HeadphoneSW) ....The speaker will sound only if
[KeyOffSamplingDepth]
headphones are not connected.
On.......................................The speaker will always sound.
Off.......................................The speaker will not sound.
You can adjust the volume of the key-off sound (the
subtle sound that occurs when you release a key)
This is effective on the voice groups “Grand Piano1,”
“Harpsichord,” and “E.Clavichord” and on the voice
“E.Piano2.”
See the procedure on page 80.
A
B
NO
YES
KeyOffSamplingDepth
5
C
D
Setting range:
Off, 1 – 10
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Other settings [FUNCTION]
MIDI IN
USB TO HOST
Setting the MIDI transmit channel
[MidiOutChannel]
This parameter enables you to specify the channel on
which the Clavinova transmits MIDI data.
See the procedure on page 80.
Midi/Usb1
Ch1 – Ch16
Usb2
Ch1 – Ch16
A
B
NO
YES
MidiOutChannel
Main Midi/Usb1Ch1
Keyboard
– LeftLayer
Song
C
D
Select a voice part.
Specify the channel.
Turning Local control on/off
[LocalControl]
Setting for:
Main, Left, Layer, Left Layer
Setting range:
“Local Control On” is a state in which the Clavinova
produces the sound from its tone generator when you
play the keyboard. In “Local Control Off” state, the
keyboard and the tone generator are cut off from each
other. This means that even if you play the keyboard, the
Clavinova will not produce the sound. Instead, the
keyboard data can be transmitted via MIDI to a
connected MIDI device, which can produce the sound.
The “Local Control Off” setting is useful when you wish
to play an external sound source while playing the keys on
the Clavinova.
Midi/Usb1 Ch1 – Ch16, Off (Not transmitted.)
Normal setting:
Main ......................Midi/Usb1 Ch1
Left ........................Midi/Usb1 Ch2
Layer .....................Midi/Usb1 Ch3
Left Layer ..............Midi/Usb1 Ch4
Setting the MIDI receive channel
[MidiInChannel]
You can specify whether each channel of data from MIDI
[IN] and USB [TO HOST] will be received.
See the procedure on page 80.
See the procedure on page 80.
A
B
NO
YES
LocalControl
A
B
On
C
D
NO
YES
MidiInChannel
Midi/Usb1Ch1
Song
C
D
Setting range:
On/Off
Select a channel
Select a MIDI receive part
Normal setting:
On
Setting for:
Midi/Usb1 Ch1 – Ch16
Usb2 Ch1 – 16
Setting range:
Song, Main, Left, Layer, LeftLayer, Keyboard, Off
Normal setting:
Midi/Usb1 Ch1 – Ch16........Song
Usb2 Ch1............................Keyboard
Usb2 Ch2............................Main
Usb2 Ch3............................Left
Usb2 Ch4............................Layer
Usb2 Ch5............................LeftLayer
Others .................................Off
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Other settings [FUNCTION]
Selecting performance from the
keyboard or song data for MIDI
transmission
Selecting a type of data transmitted
via MIDI
[TransmitParameter]
[MidiOutSelect]
This parameter enables you to specify which MIDI data
the Clavinova can transmit.
You can select whether your performance data or song
playback data is sent via MIDI.
See the procedure on page 80.
See the procedure on page 80.
A
B
A
B
NO
YES
TransmitParameter
Note
On
NO
YES
MidiOutSelect
Keyboard
C
D
C
D
Select a type of data.
Select on or off.
Setting range:
Keyboard ...............performance data played on the keyboard
Song.......................song playback data
Type of data:
Note, Control, Program, Pitch Bend, SystemRealTime, SysEx
(System Exclusive)
Normal setting:
Keyboard
Setting range:
On/Off
Normal setting:
On for all types of data
Selecting a type of data received via
MIDI
[ReceiveParameter]
Transmitting the initial settings on the
panel
This parameter enables you to specify which MIDI data
the Clavinova can receive.
[InitialSetup]
See the procedure on page 80.
You can transmit the panel data, such as voice selection,
to a connected sequencer. Before you record performance
data to a sequencer, it is useful if you first send and record
(at the beginning of the performance data) the panel
setup data for your performance during playback.
See the procedure on page 80.
A
B
NO
YES
ReceiveParameter
Note
On
C
D
Select a type of data.
Select on or off.
A
B
Type of data:
Note, Control, Program, Pitch Bend, SysEx (System Exclusive)
NO
YES
InitialSetup
Start?-->
Setting range:
C
D
On/Off
Normal setting:
On for all types of data
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Other settings [FUNCTION]
Selecting items saved at shutdown
[MemoryBackup]
Restoring the normal (default)
settings
[FactorySet]
You can back up some settings, such as voice selection
and metronome setting, so that they will not be lost after
you turn off the power to the Clavinova.
You can reset the Clavinova to its normal (factory default)
settings.
The CharacterCode parameter setting (page 47) does not
change.
Memory songs (saved in the Clavinova’s memory), the
backup on/off setting (this parameter setting), and the
backed up.
The MemoryBackup parameter setting (On/Off) (left
column) is reset to the normal setting.
You can specify whether the memory songs are erased or
kept.
See the procedure on page 80.
A
B
See the procedure on page 80.
NO
YES
MemoryBackup
Transpose
Off
CAUTION
C
D
Do not turn off the power during factory set. Doing so could result
in damage to the data.
Select on or off.
Select the desired item.
Reset the Clavinova.
Setting for:
Transpose
A
B
NO
YES
FactorySet
Execute?-->
Brilliance
MemorySongExcluded
ReverbOnOff
iAfc
C
D
SplitPoint
Select whether the memory songs
are erased or kept.
Main/LeftVoice
MetronomeSetting
File/SongSetting
Selecting for “MemorySong”:
MemorySongExcluded.......Memory songs are kept.
MemorySongIncluded........Memory songs are erased.
MidiSetting (“MidiOutChannel” – “TransmitParameter” in the
Function settings)
Function (except for Transpose, SplitPoint and Midi settings).
Other method for restoring the normal
settings
Setting range:
On/Off
Press and hold down the white key on the right end (C7)
and press the [POWER] switch to turn on the power to
the Clavinova. In this case, the Memory songs saved in
the storage memory are not erased.
Normal setting:
The Transpose, Main/LeftVoice, MetronomeSetting, and Function
(except for Transpose and SplitPoint setting) parameters are set
to Off. Other parameters are set to On.
C7
[POWER] switch
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Other settings [FUNCTION]
Backing up the Clavinova's internal
data
Displaying the version number
[Version]
[FullBackup]
You can display the version number of the program of
this instrument, [LAN] port driver, and USB-LAN
adaptor driver.
For maximum data security Yamaha recommends that
you copy or save your important data to a USB storage
device. This provides a convenient backup if the internal
memory is damaged. Perform the operation after
connecting the USB storage device.
See the procedure on page 80.
Setting for:
•Program (the program of this instrument)
•LAN port ([LAN] port driver)
See the procedure on page 80.
Perform backup.
•USB-LAN adaptor (USB-LAN adaptor driver)
A
B
NO
YES
FullBackup
Save
Execute?-->
C
D
Select “Save” or “Load.”
TIP
It's best not to connect several USB storage devices when backing up your
data. When several devices are connected, a specific device cannot be
identified for saving data.
CAUTION
Do not execute “FullBackup” during file operations such as
loading songs. Doing so could result in damage to the data.
TIP
It may take 1 – 2 minutes to complete the backup.
CAUTION
Do not turn off the power during full backup. Doing so could result
in damage to the data.
TIP
Protected songs (indicated by MS/Ms in the display) cannot be saved.
Move the songs to the USB storage device before executing Full Backup.
If you do not move the protected songs and keep the data only in the
internal memory, the data will be deleted when you load the backup
settings to the instrument.
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Message List
The messages are listed in alphabetical order.
Message
Meaning
• This message appears when data has failed to be written or loaded to the Storage memory
or USB storage device. When you write or load data via USB storage device, check the
USB cable connection and try again. If you still see this message, the Storage memory/
media/device may have malfunctioned or may be damaged.
AccessError
AccessError
• This message appears when a Read-Only file is selected to be overwritten. The file cannot
to be overwritten.
When you delete a folder, this message asks you whether you want to delete all of the files in
that folder. To delete all files in the folder, press the D [+ (YES)] button. To cancel, press the
D [– (NO)] button.
AllFiles?-->
This message will appear when there is insufficient empty space in backup memory. Turn
the power switch off and turn it on again to delete unnecessary backup data.
BackupMemoryFull
This message means that automatic adjustment of iAFC is not possible and the settings reset
to their default values. In this case, perform the automatic adjustment once again.
CalibrationError
DefaultReset
This message means that automatic adjustment of iAFC is not possible because no sound is
output from the rear speaker. In this case if the “Speaker” setting is Off, turn “Speaker” On. If
“Speaker” is set to Normal and headphones are connected, unplug the headphones.
Calibration
Speaker sound is off
This message will appear to confirm start of the iAFC calibration. When calibrating, a test
tone will sound from the instrument.
Calibration
Sure?-->
Test sound is output.
This message confirms that the operation has been cancelled.
Canceled
This message appears when you do the following operation to a protected song:
• Overwrite (protected songs cannot be overwritten)
Caution ProtectedSong
• Save with a new name (protected songs cannot be used with “Save as” function)
• Delete (this message confirms that the protected song will be deleted)
• Rename (renamed protected songs may not be played back)
This message is displayed following the message “Executing.” The Clavinova’s internal
processing is complete. You may proceed to the next step.
Completed
This message appears when a communication error occurred between the instrument and
drive. Check the USB cable connection and try again. If you still see this message, use a drive
DriveError
The number of drives exceeds the limitation. Two USB storage devices can be connected to
one USB [TO DEVICE] terminal using a hub device. This instrument can recognize up to
four drives in one USB storage device.
DriveNumLimitOver
DrivePowerError
The power consumption of the connected USB device exceeds the predetermined value.
When a bus-powered USB hub is used, this message appears. The USB hub must be self-
powered (with its own power source) and the power must be on.
This message appears when the USB storage device is removed from the instrument.
DriveRemoved
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Message List
Message
Meaning
appear if an identically-named song already exists. Three seconds after this message is
displayed, you will return to the previous screen. Please specify a different name.
DuplicateName
This message prompts you to execute a file-related operation. Press the B [+ (YES)] button
to proceed, or press the [EXIT] button to cancel.
Execute?-->
Executing
Completed
Executing
The Clavinova is processing the data internally. Wait until the message disappears, then
proceed to the next step.
This message appears when factory set is completed. The instrument is then restarted.
FactorySet
Restart
The normal (factory default) settings (including the memory song setting) (“FactorySet” on
page 102) have been restored. This message also appears if you press and hold down the C7
and turn on the power to the Clavinova (page 102).
FactorySet
MemorySongExcluded
The normal (factory default) settings (except for the memory song setting) (“FactorySet” on
page 102) have been restored.
FactorySet
Executing
MemorySongIncluded
This message will appear when loading of the backup file is completed. The instrument is
then restarted.
FullBackup
Restart
Completed
There is a problem with the USB [TO HOST] terminal
HostError
• When using the CLP-380 connected to your personal computer:
The driver or MIDI application on your computer is not functioning correctly, perhaps
because the computer is turned off, the cable is not connected correctly. In this case, turn
off the power of the CLP-380 and your computer, and check the cable connections. Then
turn on the power in the order of your computer → CLP-380, and check that the driver
and MIDI application on your computer are functioning correctly.
• When using the CLP-380 by itself:
This message may appear if a cable is left connected to the USB [TO HOST] terminal of
the CLP-380. In this case, turn off the power of the CLP-380, disconnect the cable, and
then turn on the power again. If the cable is left connected, the CLP-380 may not function
correctly.
This message will appear when the power is turned on after turning off the power while
saving a song or internal settings. The internal memory is being checked while this message
appears. If the internal settings are damaged, they will be reset to the initial settings. If
Memory songs are damaged, they will be deleted.
LastPowerOffIllegal
MemoryChecking
This message appears when you attempt to create a folder to a USB storage device that
cannot be accessed. Check that the USB storage device is connected to the instrument and
that the [SELECT] switch specifies the appropriate device, then try again.
MakeDir
---:Select USB Drive
There is not enough memory space left and you cannot save any more songs. Save songs to
to memory.
MemoryFull
A USB storage device was not connected to the instrument when you attempted to perform
a drive-related function. Connect the device and continue.
NoDrive
• This message will appear when there is no file to load from the media, even if the file name
is displayed. Securely insert the media.
NoFile
• This message will appear when two-byte letters are included in the file name.
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Message List
Message
Meaning
You tried to copy a song that does not exist in the Storage memory or on USB storage device.
Select a Memory song or External song via the [SONG SELECT] button.
NoSongToCopy
You tried to move a song that does not exist in the Storage memory or on USB storage
device. Select a Memory song or External song via the [SONG SELECT] button.
NoSongToMove
NoSongToRename
OverCurrent
You tried to rename a song that does not exist in the Storage memory or on USB storage
device. Select a Memory song or External song via the [SONG SELECT] button.
The connection has been cut off because of an abnormal power surge to the drive. To recover
from this, turn the power switch of the hub off and on again, or disconnect the USB storage
device from the instrument and turn the power switch of the instrument off and on again.
This message prompts you to select whether you wish to overwrite the existing data with
new data. Press the B [+ (YES)] button to allow overwriting. Press the B [– (NO)] button to
cancel.
Overwrite?-->
This message appears when Musicsoft Downloader is started on a computer connected to
the instrument. When this message appears, you cannot operate the instrument.
PC<->CLP
InCommunication
You tried to start playing a song or perform another operation right after you select the song.
Wait until the message disappears.
PleaseWait
This message appears when you try to write (save), copy, or delete data on a protected drive/
media. Set protect to off and try again. If you still see this message, the disk is internally
protected (such as commercially available music data). You cannot write or copy to such a
disk.
ProtectedDrive
This message appears when a protected song and the drive are not compatible. Use a drive
ProtectedDriveError
You tried to copy or delete data in internally-protected files (such as commercially available
music data). You cannot write to, copy, or delete such files.
ProtectedFile
This message appears when you play back a protected song which has a file format error.
ProtectedFileFormatError
ProtectedSong
After you load an internally-protected song into the Clavinova’s Current memory or storage
memory, you tried to save the song to a USB storage device. You cannot save such a song to
another disk. You cannot write or copy to such a disk.
This message appears when you copy a protected song. Protected songs cannot be copied.
However, you can move the song (page 45).
ProtectedSong:UseMove
This message appears when you attempt to save a protected song (security song). Protected
songs cannot be saved.
SecuritySongIsProtected
CannotSave
This message prompts you to select whether you wish to save the edited settings. Press the B
[+ (YES)] button to save the settings. Press the [EXIT] button to cancel.
Set?-->
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Message List
Message
Meaning
This message appears when you record or edit the protected song and select another song.
The recorded/edited protected song cannot be saved. The song will be deleted when you
select another song.
SongChanged Clear?
You tried to perform another operation before saving the recorded song to storage memory
or an external device. If you continue the operation, the recorded song will be lost. To delete
the new recording, press the B [– (NO)] button. To keep the recording, press the B [+ (YES)]
button. The Clavinova displays the “Save” parameter screen. Save the recorded song and
proceed to another operation.
SongChanged Save?
This message will appear if a problem is found with the song data when you select a song or
while the song is playing. In this case, reselect the song, and try once again to play it back. If
the message still appears, the song data may have been damaged.
SongError
1. This message will be displayed if current memory fills up during recording. Recording will
stop automatically at this point. The data that had been recorded up to that point will
remain. This message will also be displayed when you attempt to enter Record mode for
additional recording if that song already occupies all of current memory. In this case,
additional recording will not be possible. If there is an already-recorded part that you do
that you will then be able to record the equivalent amount of additional material.
2. This message will be displayed when you select a song if that song is larger than the
and cannot be played back. Please select a different song.
SongTooBig
This message prompts you to start the operation. To start, press the B [+ (YES)] button.
Press the [EXIT] button to cancel the operation.
Start?-->
Sure?-->
This message prompts you to confirm the execution. Press the B [+ (YES)] button to
continue. Press the B [– (NO)] button to cancel.
This message appears when the number of files and folders exceeds the system limit. The
maximum number of files/folders which can be stored in a folder is 250. Try again after
deleting/moving the unnecessary file(s).
SystemLimit
You tried to perform a file- or drive-related operation using an unformatted media. Eject the
UnformattedDrive
UnformattedDrive Format?
UnsupportedDrive
You tried to perform a file- or drive-related operation using an unformatted media. To
cancel the operation, press the B [– (NO)] button. To format the disk and try again, press the
B [+ (YES)] button to display the format parameter (page 46).
This message appears when you connect an unsupported drive. Use a drive whose
• The connected drive does not support use of protected songs. Use only drives whose
WrongDrive
• This message appears when the connected USB storage device is damaged and cannot be
accessed.
You used a period or space at the beginning of a song name or you tried to change a song
name that includes a character (or characters) not supported by the CLP-380, and the CLP-
380 could not process the name. The Clavinova displays the previous screen in three
seconds. Rename the song correctly.
WrongName
This message appears when, in copying a song, the same folder has been selected for both
the source and destination. You cannot select the same folder for both the source and
destination. Select the different folder as the destination folder.
WrongSelection
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Questions about Operations and Functions
■ The buttons do not respond.
While you are using a function, some buttons not used
for the function are disabled. If the song is playing, stop
the playback. Otherwise, press the [EXIT] button to
return to the main screen. Then, perform the desired
operation.
■ Performance in Dual or Split mode is not
recorded.
Part data is lost unexpectedly.
For Dual or Split mode recording, the recording part for
the second voice (that is, the voice for the left-hand part)
already has data, the data will be overwritten during
recording. Also, switching to Dual mode or Split mode in
the middle of the song is not recorded. Therefore, the
notes you played with the second voice (or the notes
lower than the Split point) are not recorded.
■ The sound sustains indefinitely and does
not decay when I press the sostenuto
pedal.
With the voices in the CHURCH ORGAN, JAZZ
ORGAN, STRINGS, CHOIR group, or some voices in the
XG group, the sound continues sustaining while you are
holding down the sostenuto pedal.
What type of data is recorded?
Data recorded in the parts:
• Note data (notes you play)
• Voice selection
• Clavinova pedals and external pedal on/off
• Reverb depth [ReverbSend]
■ Higher or lower notes does not sound
correctly when the transpose or octave
setting is made.
The setting range for the transposition and octave setting
is C -2 – G8. (With the normal setting, the Clavinova’s 88
keys covers the range of A -1 – C7.) If the lowest key is set
to a note lower than C -2, it will produce a sound one
octave higher. If the highest key is set to a note higher
than G8, it will produce a sound one octave lower.
• Chorus depth [ChorusSend]
• DSP effect depth [DSPDepth]
• Sound brightness [Brightness]
• Resonance effect setting [HarmonicContent]
• Equalizer’s low-range frequency setting [EQLowFreq.]
• Equalizer’s low-range gain setting [EQLowGain]
• Equalizer’s high-range frequency setting [EQHighFreq.]
• Equalizer’s high-range gain setting [EQHighGain]
• Octave setting of the voice [Octave]
• Volume setting of each voice [Volume]
• Left/right position of each sound [Pan]
■ How can I return to the recording or song
select screen during song recording or
playback?
• Fine pitch adjustment between two voices (Dual only)
[Detune]
• Volume change in response to playing strength for each voice
[TouchSense]
Press the [SONG SELECT] button once.
Data recorded globally in all parts:
• Tempo
■ The tempo does not change even though
I recorded with tempo changes.
Depending on the timing of tempo changes, the changed
tempo may not be recorded. In this case, the recording
will be played back at the original tempo.
• Time signature
• Reverb type
• Chorus type
• DSP effect type
Make tempo changes when the recording part is selected
and a red part indicator is flashing. The same trick applies
to editing the tempo after recording.
You can change all data except for note data, Octave
setting or Time Signature after recording.
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Questions about Operations and Functions
■ How much data can I record?
■ The on/off setting of the pedal connected
to the AUX PEDAL jack is reversed.
Some types of pedals may turn on and off in opposite
the “FUNCTION” menu to change the external pedal
setting.
■ The song title is not correct.
The “CharacterCode” setting may be different than that
used when you named the song. Also, if the song was
recorded on another instrument, the title might be
displayed incorrectly. Use the“CharacterCode”parameter
(page 47) in the FILE/SONG SETTING menu to change
the setting. However, if the song was recorded on another
instrument, changing the “CharacterCode” parameter
setting may not resolve the problem.
■ What is the difference between
“TouchSense” and “TouchResponse” MIDI
data?
“TouchSense” determines the manner and degree to
which the volume level changes in response to your touch
on the keyboard. The MIDI note-on velocity data is not
changed. It changes the volume level at the same velocity
data.
“TouchResponse” determines the touch sensitivity of an
instrument. The MIDI note-on velocity data is changed
when you play the keyboard with a consistent touch.
■ Only “PhraseMark” can be selected via
the [FILE/SONG SETTING] button during
song playback.
The “PhraseMark” parameter can only be set via the
[FILE/SONG SETTING] button during song playback. If
you desired to select other parameters, stop the song and
try once again.
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Troubleshooting
Appendix
Problem
Cause
Solution
The power of the Clavinova does not
turn on.
The power cable is not plugged in
(check at the Clavinova and at the
electrical outlet).
Insert the power cable plug firmly
into the Clavinova and into the
electrical outlet of the correct voltage
There is a clicking noise when you
press the [POWER] button to turn the
power on or off.
This is caused by the electrical
power within the instrument.
This is not a malfunction.
Noise is heard from the Clavinova.
A portable telephone is being used
near the Clavinova (or the ring tone
is sounding).
Turn off the power of the portable
telephone located near the
Clavinova. Noise may be heard if a
portable telephone is used near the
Clavinova or if the ring tone occurs.
The overall volume is too low.
Or, there is no sound at all.
The [MASTER VOLUME] dial is
lowered.
Raise the [MASTER VOLUME] dial
The volume level for the keyboard
performance is set too low.
Move the [SONG BALANCE] slider
toward the keyboard to increase the
keyboard volume.
Headphones are connected (only if
the Speaker setting is “Normal
Disconnect the headphone plug.
Speaker setting is off.
Set [Speaker] to “Normal” or “ON”
Local Control is turned off.
Set Local Control ON (page 100).
“Expression” is assigned to the right
pedal or the AUX pedal.
Assign any function other than
“Expression” to the pedal.
The keyboard volume is lower than
the song playback volume.
The volume level for the keyboard
performance is set too low.
Move the [SONG BALANCE] slider
toward the keyboard to increase the
keyboard volume.
Sound is still heard from the
speakers even though headphones
are plugged in.
Speaker setting is On.
Set the speaker setting to “Normal
The tone quality and/or volume from
the speaker or headphones has
changed.
Plugs are connected to the AUX
OUT jacks.
Disconnect the plugs.
Feedback occurs when you turn
iAFC on.
iAFC was not automatically adjusted
correctly.
Turn iAFC OFF, and perform the
Damper pedal does not function.
The plug of the pedal cable is not
inserted into the [PEDAL] jack.
Plug the pedal cable firmly into the
[PEDAL] jack. (Refer to “Keyboard
Stand Assembly” beginning on
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Troubleshooting
Problem
Cause
Solution
The USB storage device is not
recognized by the instrument.
The USB storage device may not be
recognized by the instrument
depending on the timing of the
device connection or the setting of
the [SELECT] switch.
Disconnect the USB storage device
and connect it again and select a
device using the [SELECT] switch.
To view the data of the USB storage
device on the CLP display, press the
[SONG SELECT] button to engage
song selection mode or press the
[FILE/SONG SETTING] button to
engage file/song setting mode. If
you try to engage these modes
before connecting the USB storage
device, press the [EXIT] button to
exit the mode and re-engage the
mode. If the device is still not
recognized, it may not be supported
by Yamaha. Only use devices
The USB storage device has hung
up (stopped).
The USB storage device is not
compatible with the instrument.
Only use devices whose
compatibility has been confirmed by
The USB storage device does not
operate properly.
Disconnect the device and connect
it to the instrument again.
The folder name does not change.
A maximum of 13 characters from a
folder name can be displayed.
Therefore, if several folders have the
same 13 characters at the start of
their names, it will appear that they
do not change when the C [–][+]
buttons are pressed.
Shorten long folder names on your
computer before using them.
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Data Compatibility
This section covers basic information on data compatibility: whether or not other MIDI devices can playback the data
recorded by CLP-380, and whether or not the CLP-380 can playback commercially available song data or song data
created for other instruments or on a computer.
Depending on the MIDI device or data characteristics, you may be able to play back the data without any problem, or you
may have to perform some special operations before the data can be played back. If you run into problems playing back
data, please refer to the information below.
Basic Check Points
Voice Allocation Format
The data and the MIDI device must match in regards to
the items below.
With MIDI, voices are assigned to specific numbers,
called “program numbers.” The numbering standard
(order of voice allocation) is referred to as the “voice
allocation format.”
• Sequence format
• Voice allocation format
Voices may not play back as expected unless the voice
allocation format of the song data matches that of the
compatible MIDI device used for playback.
• Disk Format (floppy disk drive is optional)
The CLP-380 is compatible with the following formats.
Sequence Format
The system which records song data is called “sequence
format.”
■ GM System Level 1
Playback is only possible when the sequence format of the
disk matches that of the MIDI device.
This is one of the most common voice allocation formats.
Many MIDI devices are compatible with GM System
Level 1, as is most commercially available software.
The CLP-380 is compatible with the following formats.
■ GM System Level 2
■ SMF (Standard MIDI File)
This is the most common sequence format.
“GM System Level 2” is a standard specification hat
enhances the original “GM System Level 1” and improves
song data compatibility. It provides for increased
polyphony, greater voice selection, expanded voice
parameters, and integrated effect processing.
• Standard MIDI Files are generally available as one of
two types: Format 0 or Format 1.
• Many MIDI devices are compatible with Format 0, and
most commercially available software is recorded as
Format 0.
• The CLP-380 is compatible with both Format 0 and
Format 1.
■ XG
XG is a major enhancement of the GM System Level 1
format, and was developed by Yamaha specifically to
provide more voices and variations, as well as greater
expressive control over voices and effects, and to ensure
compatibility of data well into the future.
Song data recorded on the CLP-380 using voices in the
XG category is XG-compatible.
• Performance data recorded on the CLP-380 is saved in
the SMF format 0.
■ ESEQ
This sequence format is compatible with many of
Yamaha’s MIDI devices, including the Clavinova series
instruments. This is a common format used with various
Yamaha software.
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Data Compatibility
■ DOC (Disk Orchestra Collection)
This voice allocation format is compatible with many of
Yamaha’s MIDI devices, including the Clavinova series
instruments.
This is also common format used with various Yamaha
software.
■ GS
GS was developed by the Roland Corporation.
In the same way as Yamaha XG, GS is a major
enhancement of the GM specifically to provide more
voices and drum kits and their variations, as well as
greater expressive control over voices and effects.
Even if the devices and data used satisfy all the conditions
above, the data may still not be completely compatible,
depending on the specifications of the devices and
particular data recording methods.
Disk format
It is necessary to first configure the floppy disk to the
system of the device being used. This operation is called
“formatting.”
• There are two types of floppy disks: MF2DD (double
sided, double density) and MF2HD (double sided, high
density), and each type has different formatting
systems.
• Playback is only possible when the MIDI device to be
used is compatible with the format of the disk.
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Preset Voice List
: Yes ×: No
Stereo
sampling
Touch
Sense
Dynamic
sampling
Key-off
samples
String
resonance
Voice group
Voice name
Voice description
This sound was newly sampled from a full
concert grand piano. Five stages of dynamics
were sampled, and no effort has been spared
in making the sound virtually identical to that
of an acoustic piano. Even the tonal changes
produced by the damper pedal and the subtle
sounds of releasing a key are reproduced.
The sympathetic vibration (string resonance)
that occurs between the strings of an acoustic
piano has also been simulated. Suitable not
only for classical compositions but also for
piano pieces of any style.
GrandPiano1
GRAND
PIANO1
A warm and mellow piano sound. Ideal for
classical music.
MellowPiano
RockPiano
A bright-sounding piano. Ideal for rock styles.
A honky-tonk style piano. Enjoy a tonal
character that is quite different than a grand
piano.
HonkyTonk
Piano
×
A spacious and clear piano sound with a
bright resonance. Ideal for popular music.
GrandPiano2
BrightPiano
×
×
×
×
×
×
GRAND
PIANO2
A spacious and bright piano sound. Ideal for
popular and rock music.
An electronic piano sound produced by an FM
synthesizer. The tone will change as you vary
your playing touch. Ideal for popular music.
E.Piano1
×
×
×
×
×
×
E.PIANO1
E.PIANO2
This voice simulates the electric piano sound
produced by synthesizers in popular music. It
also goes well with the acoustic piano sound.
SynthPiano
×
The sound of an electric piano using hammer-
struck metallic “tines.” Soft tone when played
lightly, and an aggressive tone when played
hard.
E.Piano2
×
×
×
×
×
×
A different type of electric piano sound.
Widely used in rock and popular music.
Vintage
E.Piano
×
The sound of the instrument frequently used
in baroque music. Variations in playing touch
will not affect the volume, and a characteristic
sound will be heard when you release the key.
Harpsichord8'
×
×
×
×
HARPSI
CHORD
A harpsichord with an added upper octave.
Produces a more brilliant sound.
Harpsichord
8'+4'
This is the voice of a keyboard that produces
sound by striking the strings with magnetic
pickups. This funky sound is popular in black
contemporary music. Because of its unique
structure, the instrument produces a peculiar
sound when you release the keys.
E.Clavichord
×
×
×
×
×
E.CLAVI
CHORD
A distinctive effect is preset.
Wah Clavi.
Vibraphone
×
×
Vibraphone played with relatively soft mallets.
The tone becomes more metallic the harder
you play.
×
×
A marimba sound, sampled in stereo for
spaciousness and realism.
Marimba
Celesta
×
×
×
VIBRA-
PHONE
The sound of a celesta (a percussion
instrument in which hammers strike metallic
bars to produce sound).This instrument is
well-known for its appearance in “Dance of
the Sugar-plum Fairies” from Tchaikovsky’s
“Nutcracker Suite.”
×
A warm and natural nylon-string guitar sound.
Enjoy the atmosphere it adds to a quiet song.
NylonGuitar
SteelGuitar
×
×
×
×
GUITAR
A bright steel guitar sound. Ideal for popular
music.
×
×
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Preset Voice List
Stereo
sampling
Touch
Sense
Dynamic
sampling
Key-off
samples
String
resonance
Voice group
Voice name
Voice description
This voice features the combination of pipes
(8'+4'+2') of a principal (brass instrument)
organ. It is suitable for Baroque church music.
PipeOrgan
Principal
×
×
×
×
×
×
×
×
This voice features a full coupler of a pipe
organ, famous for the sound used in Toccatta
and Fugue by Bach.
PipeOrgan
Tutti
CHURCH
ORGAN
A pipe organ sound that combines flute-type
(woodwind type) stops of different pitches (8'
+ 4'). This is a gentle sound that is ideal for
accompanying hymns.
PipeOrgan
Flute1
×
×
×
×
×
×
×
×
A pipe organ sound that combines flute-type
(woodwind type) stops of different pitches (8'
+ 4' + 1-1/3'). This is brighter than
PipeOrgan
Flute2
PipeOrganFlute1, and is suitable for solos.
The sound of a “tonewheel” type electric
organ. Often heard in jazz and rock idioms.
JazzOrgan
×
×
×
×
×
×
×
×
×
×
×
×
×
×
×
JAZZOR-
GAN
A bright electric organ sound.
RotaryOrgan
MellowOrgan
A mellow electric organ sound. Ideal for
calmer songs.
Stereo-sampled, large-scale strings
Strings
ensemble with realistic reverb. Try combining
this voice with piano in the Dual mode.
×
×
×
×
×
×
A bright and spacious strings sound. Suitable
for sustained parts in the background of an
ensemble.
STRINGS
SynthStrings
×
The sound of a string ensemble, with a slow
attack. Suitable for use in Dual mode with
GRAND PIANO or E.PIANO.
SlowStrings
Choir
×
×
×
×
×
×
×
×
×
A big, spacious choir voice. Perfect for
creating rich harmonies in slow pieces.
×
×
The sound of a choir with a slow attack.
Suitable for use in Dual mode with GRAND
PIANO or E.PIANO.
SlowChoir
CHOIR
You can enjoy jazz “scatting” with this voice.
Depending on how hard and what note range
you play, different sounds will be produced.
Scat
×
×
×
×
×
×
A warm, mellow, and spacious synth sound.
Ideal for sustained parts in the background of
an ensemble.
SynthPad1
×
×
SYNTH.
PAD
A clear and spacious synth sound. Ideal for
sustained parts in the background of an
ensemble.
SynthPad2
WoodBass
×
×
×
×
×
×
×
×
×
The sound of a finger-plucked upright bass.
Frequently used in jazz and Latin music.
WOOD
BASS
The sound of a cymbal has been layered onto
the bass. Effective when used for jazz
walking-bass lines.
Bass&Cymbal
The sound of an electric bass. Frequently
used in jazz, rock, and popular music.
ElectricBass
FretlessBass
×
×
×
×
×
×
×
×
E.BASS
The sound of a fretless bass. Suitable for
styles such as jazz and fusion.
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Voice Combination Examples (Dual and Split)
Dual
MAIN + MAIN
GrandPiano1 + E.Piano1
GrandPiano1 + E.Piano2
This combination is often used in popular music.
MAIN + MAIN
MAIN + MAIN
GrandPiano1 + SynthPiano
GrandPiano2 + GrandPiano2
This produces a fantasy, spacious piano sound.
This combination sounds as if you are playing two
notes that are one octave apart. It is suitable for the
accompaniment of Salsa music.
MAIN + MAIN
MAIN + MAIN
E.Piano1 + SlowChoir
This is suitable for romantic ballads.
E.Piano2 + E.Clavichord
This is suitable for funk, rhythm & blues, and soul
music.
MAIN + MAIN
MAIN + MAIN
Harpsichord8' + Strings
Celesta + SynthStirngs
This combination is very suitable for Baroque
music.
This combination adds strings and bell sound.
A delay effect is automatically applied.
Split
MAIN / LEFT
GrandPiano1 / WoodBass
or Bass&Cymbal
This is recommended for light Jazz music. The
damper pedal is effective on the voice assigned to
the right-hand range.
MAIN / LEFT
MAIN / LEFT
Celesta / Choir
This is suitable for a peaceful, somewhat cute
song.
Choir / GrandPiano1
Play these voices elegantly along with piano
arpeggio. Playing the Choir voice in chords would
be more effective.
MAIN / LEFT
MAIN / LEFT
Scat / WoodBass
E.Piano2 / Scat
This combination features a cool (stylish) jazz
chorus. The Scat voice is touch sensitive, adding a
variety of expressions.
Playing the Scat voice for a bass part may create
an interesting sound.
Dual + Split
MAIN + MAIN / LEFT
GrandPiano1 + SynthString /
GrandPiano1
This combination creates the thick sound of a
layered piano and strings.
MAIN + MAIN / LEFT
GrandPiano2 + E.Piano1 /
ElectricBass
This sound is suitable for fusion. Deeper reverb
damper pedal is effective on the voice assigned to
the right-hand range.
MAIN + MAIN / LEFT + LEFT
Harpsichord8' + 4' + Strings /
Harpsichord8' + Strings
This combination makes a very brilliant sound.
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Keyboard Stand Assembly
CAUTION
• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance
with the sequence given below.
• Assembly should be carried out by at least two persons.
• Be sure to use the correct screw size, as indicated below. Use of incorrect screws can cause damage.
• Assemble the stand on a flat floor with ample space.
• Be sure to tighten up all screws upon completing assembly of each unit.
• To disassemble, reverse the assembly sequence given below.
Have a Phillips-head (+) screwdriver of the appropriate size ready.
Remove all parts from the box. Confirm that all parts shown in the illustration are provided.
A
Connector
panel
AC IN
Styrofoam pads
Take out the styrofoam pads, and place A on top of the pads.
Position the styrofoam pads to protect the connector panel at
the bottom of A and the AC IN.
B
6 x 25mm long screws x 4
Headphone hanger
6 x 16mm short screws x 6
Cord holders x 2
AC power cord
C
D
4 x 14mm thin screws x 8
Pedal cord
(The shape of plug
differs depending
on locale.)
4 x 20mm tapping screws x 5
4 x 10mm thin screws x 2
E
F
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Keyboard Stand Assembly
2-3
1.
1-1
Attach E and F to D.
Secure D using the four 6 x 25mm long screws.
1-2
Remove the twist tie from the folded pedal cord.
Do not remove the twist tie located next to the
hole.
Don’t discard the twist tie, you’ll need it later in
step 6.
E
1-2
2-4
F
3.
Lay A into position.
Align the screw threads on the bottom of A with
the screw threads of E and F, while gently lowering
A into position.
D
1-1
A
2.
2-1
Attach B.
15cm
Insert B between E and F as shown in the
illustration.
F
15cm
E
F
B
Place your hands
at least 15 cm from either
end of A when positioning it.
E
D
CAUTION
Fingers can become pinched between the main unit and
the rear or side panels, be extra careful so as not to drop
the main unit.
2-2
2-3
Align and attach B to the front side of D, E and F.
Secure B using the 4 x 14mm thin screws.
CAUTION
Do not hold the keyboard in any position other than the
position shown in the illustration.
* Insert two screws into the smaller holes on the
brackets.
2-4
Temporarily secure with 4 x 14mm thin screws.
* Insert four screws into the smaller holes on the
brackets.
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Keyboard Stand Assembly
4.
Attach A.
5.
Connect the speaker cord.
4-1
Adjust the position of A so that the left and right
ends of A will project beyond E and F equally (as
seen from the rear).
5-1
Remove the twist tie attaching the speaker cord.
5-2
Insert the speaker cord plug into the connector so
that the tab extends toward the front when viewed
from the rear.
4-2
4-3
Secure A using two 6 x 16mm short screws from
the rear.
Secure A using four 6 x 16mm short screws from
the front.
4-1
5-2
6.
6-1
Connect the pedal cord.
Insert the pedal cord plug into the [PEDAL]
connector.
6-2
6-3
Attach the cord holders to the instrument, then
clip the cord into the holders. At this time, be
careful that the pedal cord isn’t loose between the
plug and cord holder.
4-2
4-3
Use a twist tie to bundle the pedal cord.
4-4
Firmly tighten the screws from the upper parts
you temporarily fastened in step 2-4 above
(assembly B).
6-1
B
6-2
6-3
4-4
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Keyboard Stand Assembly
7.
Attach C.
Voltage Selector
Before connecting the AC power cord, check the setting of
the voltage selector which is provided in some areas. To set
the selector for 110V, 127V, 220V or 240V main voltages,
use a “minus” screwdriver to rotate the selector dial so that
the correct voltage for your region appears next to the
pointer on the panel. The voltage selector is set at 240V
when the unit is initially shipped.
After the proper voltage has been selected, connect the AC
power cord to the [AC IN] and an AC wall outlet. A plug
adaptor may be also provided in some areas to match the
pin configuration of the AC wall outlets in your area.
7-1
Place on D, the stopper-wood at the bottom edges
of C, then secure the top.
7-2
7-3
Secure upper right and left of C using two 4 x
14mm thin screws.
Secure upper center and lower of C using five
4 x 20mm tapping screws.
7-2
WARNING
An improper voltage setting can cause serious damage to
the Clavinova or result in improper operation.
7-1
9.
Set the adjuster.
Rotate the adjuster until it comes in firm contact
with the floor surface.
C
D
C
7-3
8.
Connect the power cord.
Insert the AC power cord plug into the [AC IN].
10.Attach the headphone hanger.
You can attach a headphone hanger on the
Clavinova to hang the headphones.
Install the headphone hanger using included two
screws (4 x 10mm) as shown in the figure.
2 4 0
For models that feature
a voltage selector:
Set the voltage selector to an
appropriate voltage.
127
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Keyboard Stand Assembly
After transporting the instrument, do the following to
ensure optimum performance of the iAFC function
After completing the assembly, please
check the following.
• Are there any parts left over?
Review the assembly procedure and correct any errors.
• Place the Clavinova so that its rear panel is at least 10 cm
away from the wall.
• Is the Clavinova clear of doors and other
movable fixtures?
• Perform the automatic adjustment of the iAFC function
Move the Clavinova to an appropriate location.
• Does the Clavinova make a rattling noise when
you shake it?
Tighten all screws.
• Does the pedal box rattle or give way when you
step on the pedals?
Turn the adjuster so that it is set firmly against the
floor.
• Is the power cord inserted securely into the
socket?
Check the connection.
• If the main unit creaks or is otherwise unsteady
when you play on the keyboard, refer to the
assembly diagrams and retighten all screws.
CAUTION
When moving the instrument after assembly, always hold
instrument by the lower surface in the front of the main
unit and by the handles in the rear panel.
Do not hold the key cover. Improper handling can result in
damage to the instrument or personal injury.
Hold here.
Do not hold here.
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Precautions when using the USB [TO
DEVICE] terminal
This instrument features a built-in USB [TO DEVICE] terminal. When connecting a USB device to the terminal, be sure
to handle the USB device with care. Follow the important precautions below.
n For more information about the handling of USB devices, refer to the owner’s manual of the USB device.
Compatible USB devices
Connecting USB device
• USB storage devices (flash memory, floppy disk drive,
hard disk drive, etc.)
• When connecting a USB device to the USB [TO
DEVICE] terminal, make sure that the connector on
the device is appropriate and that it is connected in the
proper direction.
• USB hub
• USB-LAN adaptor
CAUTION
The instrument does not necessarily support all
commercially available USB devices. Yamaha cannot
guarantee operation of USB devices that you purchase.
Before purchasing a USB device for use with this
instrument, please visit the following web page:
When connecting a USB device to the USB [TO DEVICE]
terminal on the top panel, remove it before closing the key
cover. If the key cover is closed with the USB device
connected, the USB device may be damaged.
• If you intend to connect two or three devices at the
same time to a terminal, you should use a USB hub
device. The USB hub must be self-powered (with its
own power source) and the power must be on. Only
one USB hub can be used. If an error message appears
while using the USB hub, disconnect the hub from the
instrument, then turn on the power of the instrument
and re-connect the USB hub.
n Other USB devices such as a computer keyboard or
mouse cannot be used.
• Though the instrument supports the USB 1.1 standard,
you can connect and use a USB 2.0 storage device with
the instrument. However, note that the transfer speed is
that of USB 1.1.
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Precautions when using the USB [TO DEVICE] terminal
Using USB Storage Devices
By connecting the instrument to a USB storage device, you can save data you’ve created to the connected device, as well as
read data from the connected device.
n Although CD-R/RW drives can be used to read data to the instrument, they cannot be used for saving data.
This instrument has two USB [TO DEVICE] terminals;
Formatting USB storage media
one on the left of the panel and one on the terminal at the
When a USB storage device is connected or media is
front.
inserted, a message may appear prompting you to format
USB [TO DEVICE] terminal A
the device/media. If so, execute the Format operation
Select the desired
CAUTION
terminal
The format operation overwrites any previously existing data.
Make sure that the media you are formatting does not contain
important data. Proceed with caution, especially when
SELECT
USB TO DEVICE
connecting multiple USB storage media.
To protect your data (write-protect)
To prevent important data from being inadvertently
USB [TO DEVICE] terminal B
erased, apply the write-protect provided with each
storage device or media. If you are saving data to the USB
Both are the same terminal; however, both cannot be used
storage device, make sure to disable write-protect.
at the same time. Use the [SELECT] switch to select the
desired terminal. Switching to “A” selects the terminal on
the left of the panel, while switching to “B” selects the
Connecting/removing USB storage
device
terminal panel at the front.
CAUTION
Before removing the media from the device, make sure
While the USB storage device is connected to the instrument, do
that the instrument is not accessing data (such as in the
NOT use the [SELECT] switch.
Save, Copy and Delete operations).
CAUTION
While the instrument is accessing data (such as in the Save,
Copy and Delete operations), do NOT use the [SELECT] switch.
Doing so may corrupt the media or data.
CAUTION
Avoid frequently turning the power on/off to the USB storage
device, or connecting/disconnecting the device too often. Doing
so may result in the operation of the instrument “freezing” or
hanging up. While the instrument is accessing data (such as
during Save, Copy, Delete, Load and Format operations) or is
mounting the USB storage device (shortly after the connection),
do NOT unplug the USB connector, do NOT remove the media
from the device, and do NOT turn the power off to either device.
n If you connect USB storage devices to both USB [TO
DEVICE] terminals, the devices may not operate
properly.
Doing so may corrupt the data on either or both devices.
The number of USB storage device to be
used
Up to two USB storage devices can be connected to the
USB [TO DEVICE] terminal. (If necessary, use a USB
hub. The number of USB storage devices that can be used
simultaneously with musical instruments even when a
USB hub is used is a maximum of two.) This instrument
can recognize up to four drives in one USB storage device.
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Handling the Floppy Disk Drive (FDD) and
Floppy Disks (Optional)
Be sure to remove the floppy disk from the disk drive
before turning off the power. A floppy disk left in the
drive for extended periods can easily pick up dust and dirt
that can cause data-read and -write errors.
An optional floppy disk drive can be installed to
this instrument. For instructions on installing the
floppy disk drive, see page 125.
The floppy disk drive lets you save original data you’ve
created on the instrument to floppy disk, and allows you
to load data from floppy disk to the instrument.
Be sure to handle floppy disks and treat the disk drive
with care. Follow the important precautions below.
Cleaning the Disk Drive Read/Write Head
Clean the read/write head regularly. This instrument
employs a precision magnetic read/write head which,
after an extended period of use, will pick up a layer of
magnetic particles from the disks used that will eventually
cause read and write errors.
Floppy Disk Compatibility
To maintain the disk drive in optimum working order
Yamaha recommends that you use a commercially-
available dry-type head cleaning disk to clean the head
about once a month. Ask your Yamaha dealer about the
availability of proper head cleaning disks.
3.5" 2DD and 2HD type floppy disks can be used.
Formatting a Floppy Disk
If you find that you are unable to use new, blank disks or
old disks that have been used with other devices, you may
need to format them. For details on how to format a disk,
see page 46. Keep in mind that all data on the disk will be
lost after formatting. Make sure to check beforehand
whether or not the disk contains important data.
About Floppy Disks
Handle floppy disks with care, and follow
these precautions:
• Do not place heavy objects on a disk or bend or apply
pressure to the disk in any way. Always keep floppy
disks in their protective cases when they are not in use.
n Floppy disks formatted on this device may or may not be
useable as is on other devices.
• Do not expose the disk to direct sunlight, extremely
high or low temperatures, or excessive humidity, dust
or liquids.
Inserting/Removing Floppy Disks
Inserting a Floppy Disk into the Disk Drive:
• Do not open the sliding shutter and touch the exposed
surface of the floppy disk inside.
Hold the disk so that the label of the disk is facing upward
and the sliding shutter is facing forward, towards the disk
slot. Carefully insert the disk into the slot, slowly pushing
it all the way in until it clicks into place and the eject
button pops out.
• Do not expose the disk to magnetic fields, such as those
produced by televisions, speakers, motors, etc., since
magnetic fields can partially or completely erase data
on the disk, rendering it unreadable.
n Never insert anything but floppy disks into the disk drive.
Other objects may cause damage to the disk drive or
floppy disks.
• Never use a floppy disk with a deformed shutter or
housing.
• Do not attach anything other than the provided labels
to a floppy disk. Also make sure that labels are attached
in the proper location.
Removing a Floppy Disk
After checking that the instrument is not accessing* the
floppy disk (checking that the use lamp on the floppy disk
drive is off), firmly press the eject button at the upper
right of the disk slot all the way in. When the floppy disk
is ejected, pull it out of the drive. If the floppy disk cannot
be removed because it is stuck, do not try to force it, but
instead try pressing the eject button again, or try re-
inserting the disk and attempt to eject it again.
To Protect Your Data (Write-protect Tab):
To prevent accidental erasure of important data, slide the
disk's write-protect tab to the “protect” position (tab
open). When saving data, make sure that the disk’s write-
protect tab is set to the “overwrite” position (tab closed).
* Access of the disk indicates an active operation, such as
recording, playback, or deletion of data. If a floppy disk is
inserted while the power is on, the disk is automatically
accessed, since the instrument checks whether the disk has
data.
Write-protect tab open
(protect position)
CAUTION
Do not remove the floppy disk or turn off the instrument itself
while the disk is being accessed.
Doing so may result not only in loss of data on the disk but also
damage to the floppy disk drive.
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Installing the Floppy Disk Drive (Optional)
The optional UD-FD01 floppy disk drive can be installed to the bottom of the instrument by using the included floppy
disk drive case and screws.
Have a Phillips-head (+) screwdriver of the appropriate size ready.
1.
Remove the three backing papers
from the adhesive tape in the case,
and fit the floppy disk drive into
the case.
3.
Attach the drive and case assembly
to the left underside of the
instrument, using the included four
screws (4mm x 10mm).
Insert the drive to the case, with the side
having the rubber stoppers facing the case.
4.
Connect the USB cable to the USB
[TO DEVICE] terminal.
Dual-sided adhesive tape
2.
Fold the USB cable inside the case
as shown.
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Options
■ BC-100 Bench
A comfortable bench styled to match your Yamaha
Clavinova.
■ HPE-160 Stereo Headphones
High-performance lightweight dynamic headphones with
extra-soft ear pads.
■ UD-FD01 USB-FDD Unit
Floppy disk drive for connecting to the instrument and
saving/loading data.
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Specifications
Item
CLP-380
Width
1406mm (55 3/8")
943mm (37 1/8")
With music rest: 1037mm (40 13/16")
Dimensions
Height
Size/Weight
Depth
512mm (20 3/16")
95kg (209 lb 7 oz)
88
Weight
Weight
Number of Keys
NW (Natural Wood) with synthetic ivory keytops (with
real-wood white keys)
Keyboard
Type
Touch Sensitivity
Number of Pedals
Half Pedal
Functions
Type
Yes
3
Pedal
Control
Interface
Yes
Damper (with half-pedal effect), Sostenuto, Soft
LCD
Size
24-character x 2-line
Display
Color
Monochrome
Contrast
Yes
Language
Language
Key Cover Style
English, Japanese
Panel
English
Key Cover
Sliding
Music Rest
Music Clips
Yes
Cabinet
Yes
Tone Generation Technology
Number of Dynamic Levels
Stereo Sustain Samples
Key-off Samples
String Resonance
Number of Polyphony (Max.)
Number of Voices
XG
AWM Dynamic Stereo Sampling
5
Tone Generation
Yes
Yes
Yes
Polyphony
Preset
128
Voices
38 + 480 XG + 12 Drum Kits
Yes
GS
Yes
Compatibility
GM
Yes
GM2
Yes
Reverb
5
Chorus
3
Types
Brilliance
7
DSP
12
Effects
iAFC
Yes
Dual/Layers
Yes
Functions
Preset
Split
Yes
Number of Preset Songs
Number of Songs (max.)
Number of Tracks
Data Capacity
Playback
50
250
Recording
16
Songs
1.47MB
SMF (Format 0 & 1), ESEQ
SMF (Format 0)
Compatible Data
Format
Recording
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Specifications
Item
CLP-380
Metronome
Yes
Tempo Range
Transpose
5 – 500
-12 to 0, 0 to +12
Yes
Overall Controls
Functions
Tuning
Scale Type
7 types
Optional
1.47MB
Floppy Disk Drive
Internal Memory
Storage
External Drives
(USB Storage Device)
Optional
Headphones
MIDI
x 2
[IN][OUT][THRU]
Storage and
Connectivity
AUX IN
[L/L+R][R]
AUX OUT
[L/L+R][R]
Connectors
[AUX PEDAL]
USB [TO DEVICE]
USB [TO HOST]
[LAN]
Yes
x 2 (selectable)
Yes
Yes
Amplifiers
35W x 2 + 20W x 2 + 20W x 2 + 12W x 2
Amplifiers and
Speakers
Speakers
16cm x 2, 2.5cm (DOME) x 2, 8cm x 4
Tri-Amp System
Yes
Yes
Internet Direct Connection (IDC)
Service
Bundled
Software
CD-ROM
Yes
Owner’s Manual, Accessory CD-ROM for Windows
Installation Guide, “50 greats for the Piano” Score
Collection, AC Power Cord, Bench (included or
optional depending on locale), Data List, My Yamaha
Product User Registration
Included Accessories
Accessories
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or
modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in
every locale, please check with your Yamaha dealer.
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Index
You can search the desired section using not only the terminology in this manual but also commonly-used words.
The * mark indicates that the corresponding page includes the terminology explanation in the right column.
Numerics
DOWN (TEMPO)
A
Dual
E
B
Bench ............................................................................................ 7
C
Connection
F
G
GS ..............................................................................................113
H
D
Delete .......................................................................................... 43
I
iAFC
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Index
J
N
Jacks
O
K
P
Pedal Function
L
PLAY/PAUSE
LCD ➔ Screen
Left .............................................................................................. 86
List
Playback
PRESET
M
MP .............................................................................................. 40
Ms ............................................................................................... 40
R
RIGHT/LEFT
CLP-380 Owner’s Manual
130
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Index
S
Save ............................................................................................. 42
Scale ............................................................................................ 95
Select
Song
U
U1 ...............................................................................................40
U1s ..............................................................................................40
UP (TEMPO)
SONG SELECT
Sound
V
Volume
Split
STOP
X
Sync Start
T
TEMPO
Terminals
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FCC INFORMATION (U.S.A.)
not guarantee that interference will not occur in all installations. If
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions con-
tained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.
2. IMPORTANT:When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE:This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reason-
able level of assurance that your use of this product in a residential
environment will not result in harmful interference with other elec-
tronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation
of other electronic devices. Compliance with FCC regulations does
this product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to elimi-
nate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by
the interference.
Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please con-
tact Yamaha Corporation of America, Electronic Service Division,
6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
(class B)
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
Responsible Party : Yamaha Corporation of America
IMPORTANT. The wires in this mains lead are coloured in accordance
with the following code:
Address : 6600 Orangethorpe Ave., Buena Park,
Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Digital Piano
Model Name : CLP-380PE/380PM
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured makings identifying the terminals in your
plug proceed as follows:
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interfer-
ence that may cause undesired operation.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the termi-
nal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the
three pin plug.
See user manual instructions if interference to radio reception is sus-
pected.
• This applies only to products distributed by Yamaha Music U.K. Ltd.
(2 wires)
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(FCC DoC)
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For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Para detalles sobre productos, contacte su tiendaYamaha más cercana
o el distribuidor autorizado que se lista debajo.
THE NETHERLANDS/
NORTH AMERICA
ASIA
BELGIUM/LUXEMBOURG
CANADA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Yamaha Music Europe Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 021-6247-2211
Tel: 416-298-1311
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
HONG KONG
U.S.A.
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
ITALY
Tel: 714-522-9011
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
INDIA
Yamaha Music India Pvt. Ltd.
5F Ambience Corporate Tower Ambience Mall Complex
Ambience Island, NH-8, Gurgaon-122001, Haryana, India
Tel: 0124-466-5551
CENTRAL & SOUTH AMERICA
MEXICO
SPAIN/PORTUGAL
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
Yamaha Música Ibérica, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1, Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Olga Cossettini 1553, Piso 4 Norte
Madero Este-C1107CEK
Buenos Aires, Argentina
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A, DK-2730 Herlev, Denmark
Tel: 44 92 49 00
Tel: 011-4119-7000
PHILIPPINES
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1, N-1345 Østerås, Norway
Tel: 67 16 77 70
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM/IRELAND
Yamaha Music U.K. Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
TAIWAN
ICELAND
Skifan HF
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland
Tel: 525 5000
Tel: 02-2511-8688
Tel: 01908-366700
RUSSIA
Yamaha Music (Russia)
Office 4015, entrance 2, 21/5 Kuznetskii
Most street, Moscow, 107996, Russia
Tel: 495 626 0660
THAILAND
GERMANY
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
Siam Music Yamaha Co., Ltd.
4, 6, 15 and 16th floor, Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: 02-215-2626
SWITZERLAND/LIECHTENSTEIN
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Yamaha Music Europe GmbH
Branch Switzerland in Zürich
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2317
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
OCEANIA
AUSTRALIA
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: +81-53-460-2312
MIDDLE EAST
Tel: 3-9693-5111
TURKEY/CYPRUS
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
NEW ZEALAND
Music Works LTD
POLAND
Yamaha Music Europe GmbH
Branch Sp.z o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
P.O.BOX 6246 Wellesley, Auckland 4680,
New Zealand
Tel: 9-634-0099
OTHER COUNTRIES
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868
Tel: +81-53-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
EKB49
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Clavinova Web site
http://music.yamaha.com/homekeyboard/
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2008 Yamaha Corporation
WM91210 903MWAP3.2-05D0 Printed in China
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