Sherwood Stereo Receiver R 903 User Manual
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Introduction  
READ THIS BEFORE OPERATING YOUR UNIT  
This symbol is intended to alert the user to the  
presence of uninsulated "dangerous voltage"  
within the product's enclosure that may be of  
sufficient magnitude to constitute a risk of  
electric shock to persons.  
: TO REDUCE THE RISK OF  
CAUTION  
REMOVE COVER (OR BACK). NO  
ELECTRIC SHOCK, DO NOT  
This symbol is intended to alert the user to the  
presence of important operating and  
USER-SERVICEABLE PARTS  
INSIDE. REFER SERVICING TO  
QUALIFIED SERVICE PERSONNEL.  
maintenance (servicing) instructions in the  
literature accompanying the appliance.  
: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,  
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.  
WARNING  
Caution regarding placement  
To maintain proper ventilation, be sure to leave a space around the unit (from  
the largest outer dimensions including projections)  
equal to, or greater than, shown below.  
Left and right panels: 5 cm  
Rear panel: 10 cm  
Top panel: 20 cm  
Do not block ventilation openings or stack other equipment on the top.  
FOR YOUR SAFETY  
Units shipped to Australia are designed for operation on 240 V AC only.  
To ensure safe operation, the three-pin plug supplied must be inserted only into a  
standard three-pin power point which is effectively earthed through the normal  
household wiring. Extension cords used with the equipment must be three-core and  
220 V  
-
240 V  
be correctly wired to provide connection to earth.  
EUROPE  
Improper extension cords are a major cause of fatalities. The fact that the  
equipment operates satisfactorily does not imply that the power point is earthed  
and that the installation is completely safe. For your safety, if in any doubt about the  
effective earthing of the power point, consult a qualified electrician.  
PAN-EUROPEAN UNIFIED VOLTAGE  
AUSTRALIA  
All units are suitable for use on supplies 220-240 V AC.  
Avoid high temperatures. Allow for sufficient heat dispersion when installed on a rack.  
Keep the set free from moisture, water, and dust.  
•
•
•
•
•
•
•
•
Do not let foreign objects in the set.  
Handle the power cord carefully. Hold the plug when unplugging the cord.  
Unplug the power cord when not using the set for long periods of time.  
Do not obstruct the ventilation holes.  
Do not let insecticides, benzene, and thinner come in contact wth the set.  
Never disassemble or modify the set in any way.  
The ventilation should not be impeded by covering the ventilation openings with items, such  
as newspapers, table-cloths, curtains, etc.  
•
CAUTION  
No naked flame sources, such as lighted candles, should be placed on the apparatus.  
Please be care the environmental aspects of battery disposal.  
•
•
•
•
The apparatus shall not be exposed to dripping or splashing for use.  
No objects filled with liquids, such as vases, shall be placed on the apparatus.  
3
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CONTENTS  
Introduction  
READ THIS BEFORE OPERATING YOUR UNIT | 3  
System Connections | 5  
Front Panel Controls | 9  
Universal Remote Controls | 10  
OPERATING COMPONENTS WITH REMOTE CONTROL  
| 12  
REMOTE CONTROL OPERATION RANGE  
LOADING BATTERIES | 12  
USING FUNCTIONS OF REMOTE CONTROL  
| 12  
| 13  
Before Operation  
SURROUND SOUND  
| 16  
Operations  
TURNING THE POWER ON/OFF  
| 21  
LISTENING TO A PROGRAM SOURCE  
| 22  
ENJOYING SURROUND SOUND  
| 24  
LISTENING TO RADIO BROADCASTS  
| 31  
LISTENING TO RDS BROADCASTS (FM ONLY) | 33  
ANALOG AUDIO/VIDEO RECORDING | 35  
DIGITAL AUDIO RECORDING WITH MD RECORDER  
OTHER FUNCTIONS | 37  
| 36  
Using the OSD  
CURRENT STATUS DISPLAY | 38  
MENU SCREEN | 38  
Troubleshooting Guide  
Specifications | 42  
Appendix  
| 41  
INITIALIZING THE SYSTEM | 43  
SETTING UP THE SYSTEM ON FRONT PANEL  
| 43  
SETUP CODE TABLE  
| 45  
4
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System Connections  
• Do not plug the AC input cord into the wall AC outlet until all connections are completed.  
• Be sure to observe the color coding when connecting audio and video cords.  
• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.  
1
4
5
8
ANTENNA  
FRONT  
SPEAKERS(6  
SURROUND  
SPEAKERS(6  
SURR. BACK  
SUB WOOFER(6  
/
CENTER  
)SPEAKER(6  
)
)
)
S-VIDEO  
VIDEO  
FER  
C
ENTER  
SUB WO  
O
GND  
AM  
DIG ITAL  
O UT  
FM 75  
OPT 1  
OPT  
2
-
FRO NT  
7C  
SURRO UND SURR.BAC K  
DIREC INPUT  
SUB  
WOOFER  
UT  
COAX  
O PT  
IN  
O UT  
IN  
IN  
IN  
IN  
O UT  
O
DIG ITAL IN  
VIDEO  
1
VIDEO  
2
VIDEO  
3
AUX  
TAPE  
H
T
2
3
6
7
1. CONNECTING ANTENNAs  
FM Outdoor Antenna  
FM Indoor Antenna  
ANTENNA  
ANTENNA  
FM 75  
GND  
AM  
FM 75  
GND  
AM  
• A 75Ω outdoor FM antenna may be used to further  
improve the reception. Disconnect the indoor  
antenna before replacing it with the outdoor one.  
• Change the position of the FM indoor antenna until you  
get the best reception of your favorite FM stations.  
AM Outdoor Antenna  
AM Loop Antenna  
ANTENNA  
FM 75  
GND  
AM  
• Place the AM loop antenna as far as possible from the  
receiver, TV set, speaker cords and the AC input cord  
and set it to a direction for the best reception.  
• If the reception is poor with the AM loop antenna, an AM  
outdoor antenna can be used in place of the AM loop  
antenna.  
5
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2. CONNECTING DIGITAL INs and OUT  
• The COAXIAL or the OPTICAL DIGITAL OUTs of the components that are connected to AUX and VIDEO 1~3 of this unit can  
be connected to these DIGITAL INs.  
• If a digital recorder or other component with OPTICAL DIGI-  
TAL IN/OUT jacks is connected to the corresponding jacks of  
this unit, you can playback and/or record the high quality  
DIG ITAL  
O UT  
sound of CD’s, etc. without analog conversion or degradation.  
• A digital input should be connected to the components such  
Component such as  
an MD recorder, CD recorder  
with OPTICAL DIGITAL IN  
as a CD player, LD player, DVD player, etc. capable ofout-  
putting DTS Digital Surround, Dolby Digital or PCM format  
digital signals, etc.  
OPT 1  
OPT 2  
COAX  
O PT  
DIG ITAL IN  
Component with  
COAXIAL DIGITAL OUT  
• For details, refer to the operating instructions of the compo-  
nent connected.  
Component with  
• When making the COAXIAL DIGITAL connection, be sure to  
use a 75Ω COAXIAL cord, not a conventional AUDIO cord.  
• All of the commercially available optical fiber cords cannot be  
used for the equipment. If there is an optical fiber cord which  
cannot be connected to your equipment, consult your dealer  
or nearest service organization.  
OPTICAL DIGITAL OUT  
Component with  
OPTICAL DIGITAL OUT  
3. CONNECTING AUDIO COMPONENTS  
• The AUX jacks may be connected to an additional audio component such as a CD player, a tape deck, etc.  
• The TAPE IN/OUT jacks can be connected to PLAY(OUT) / REC(IN) jacks of MD recorder.  
L
AUDIO  
OUT  
AUX CD player, tape deck, etc.  
R
SUB  
W
O O FER  
L
L
AUDIO  
IN  
AUDIO  
OUT  
R
R
FRO NT  
SURRO UND SURR.BAC K  
O UT  
IN  
IN  
IN  
IN  
O UT  
TAPE
Tape deck, MD recorder, etc.  
VIDEO  
1
VIDEO  
2
VIDEO  
3
AUX  
TAPE  
7C H DIREC T INPUT  
4. CONNECTING VIDEO COMPONENTS  
• This unit incorporates S-VIDEO and composite (normal) VIDEO jacks.  
For your reference, the excellence in picture quality is as follows: “S-VIDEO” > composite(normal) “VIDEO”  
• A signal input into the composite(normal) VIDEO IN jack will be output in the composite(normal) VIDEO OUT jacks and a  
signal input into the S-VIDEO IN jack will be output in the S-VIDEO OUT jacks and the composite (normal) MONITOR 1/2  
VIDEO OUT jacks.  
• The next picture is different from your real back pannel; just for helping your understnading.  
When you connecting the components on the real back pannel, refer to the sticker on top cover.  
6
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VIDEO 1 VCR, DVD player/recorder, etc.  
MONITOR 2 Additional TV, projector, etc.  
VIDEO  
IN  
AUDIO AUDIO  
OUT IN  
S-VIDEO S-VIDEO  
OUT IN  
VIDEO  
OUT  
VIDEO  
IN  
R
L R  
L
S-VIDEO IN  
MO NITO R  
VIDEO 1  
VIDEO 2  
IN  
IN  
O UT  
IN  
IN  
IN  
O UT  
MO NITO R  
VIDEO 1  
O UT  
VIDEO 2  
IN  
VIDEO 3  
IN  
MO NITO R  
IN  
IN  
1
2
S-VIDEO  
VIDEO  
IN  
O UT  
IN  
VIDEO  
IN  
VIDEO  
1
2
VIDEO  
3
IN  
VIDEO  
3
• The jacks of VIDEO 1 may also be connected to a VCR,  
DVD recorder or other digital video recording component.  
For details, refer to the operating instructions of the  
component to be connected.  
S-VIDEO IN  
VIDEO  
IN  
• The jacks of VIDEO 2/VIDEO 3 can also be connected to an  
additional video component such as a cable TV tuner, an LD  
player or satellite system.  
MONITOR 1 TV, projector, etc.  
VIDEO 2 DVD player, VCR, etc.  
VIDEO 3 DVD player, VCR, etc.  
AUDIO  
OUT  
S-VIDEO  
OUT  
AUDIO  
OUT  
S-VIDEO  
OUT  
VIDEO  
OUT  
VIDEO  
OUT  
R
L
R
L
MO NITO R  
VIDEO 1  
VIDEO 2  
IN  
VID  
MO NITO R  
VIDEO 1  
VIDEO 2  
IN  
VIDEO 3  
IN  
MO NITO R  
IN  
O UT  
IN  
IN  
IN  
O UT  
O UT  
IN  
IN  
IN  
O UT  
1
2
S-VIDEO  
IN  
O UT  
IN  
VIDEO  
IN  
VIDEO  
O UT  
IN  
IN  
VIDEO  
1
2
3
DEO  
1
VIDEO  
2
VIDEO 3  
7
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5. CONNECTING 7 CH DIRECT INPUTS  
7. CONNECTING SPEAKERS  
Front right  
Front left  
VIDEO  
Surround  
back  
C ENTER  
SUB WO O FER  
FRONT  
SPEAKERS(6  
SURROUND  
SPEAKERS(6  
SURR. BACK  
SUB WOOFER(6  
/
CENTER  
SPEAKER(6  
-
FRO NT  
SURRO UND SURR.BAC K  
SUB  
)
)
)
)
O UT  
WOOFER  
OUT  
TAPE  
7C H DIREC T INPUT  
Decoder with 6 or 7  
channel outputs  
(Front)  
Center  
L
R
R
L
BACK  
CENTER  
SURROUND  
Surround right  
Surround left  
SUBWOOFER  
FRONT  
7 CH DIRECT OUTPUT  
• Be sure to connect speakers firmly and correctly according  
to the channel(left and right) and the polarity(+ and -). If the  
connections are faulty, no sound will be heard from the  
speakers, and if the polarity of the speaker connection is  
incorrect, the sound will be unnatural and lack bass.  
• For installing the speakers, refer to “Speaker placement” on  
page 18.  
• After installing the speakers, first adjust the speaker settings  
according to your environment and speaker layout.(For  
details, refer to “Adjusting the speaker settings” on page  
19.)  
• Use these jacks to connect the corresponding analog out-  
puts of a DVD player or external decoder, etc. that has 6 or  
7 channel outputs.  
• In case of 6 channel outputs, do not connect this SUR-  
ROUND BACK input to your component.(For details, refer  
to the operating instructions of the component to be con-  
nected.)  
6. SUBWOOFER PRE OUT connection  
Caution :  
• Be sure to use the speakers with the impedance of 6 ohms  
or above.  
• Do not let the bare speaker wires touch each other or any  
metal part of this unit. This could damage this unit and/or  
the speakers.  
-
SUB  
WOOFER  
OUT  
Subwoofer  
8. AC INPUT CORD  
• Plug this cord into a wall AC outlet.  
• To emphasize the deep bass sounds, connect a powered  
subwoofer.  
• Note : When there is not surround back speaker, you can  
connect the subwoofer into the terminal of surround back  
speaker. In this case, you should change the subwoofer  
speaker setting. Refer to “Adjusting the speaker settings” on  
page 19.  
8
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Front Panel Controls  
FLUORESCENT DISPLAY  
1. Input, frequency, volume level,  
operating information, etc.  
2. Surround mode indicators  
3. AUTO indicator  
10  
9
8
7
6
4. DIGITAL input signal indicator  
5. PRESET number, SLEEP time,  
Speaker distance display  
6. MEMory indicator  
7. DIRECT indicator  
1
2
3
4
5
8. TUNED indicator  
9. STEREO indicator  
10. RDS indicators  
DIGITAL A/  
V
RECEIVER R-9  
0
3
R
POW ER  
PHONES  
ADJ UST  
VOLUME  
INPUT SELECTOR DIGITAL INPUT  
AM/ FM MODE  
SETUP  
DECODING  
STANDBY  
MEMORY  
TUNE MODE  
TUNING/ PRESET  
ON/ OFF  
1
2
3
4
5
6
7
8
9
1. POWER switch  
6. DECODING/TUNE MODE button  
• In setting mode, this button functions as sub  
mode button.  
2. STANDBY indicator  
3. INPUT SELECTOR button  
7. ADJUST/TUNING/PRESET UP( ) /  
DOWN( ) buttons  
4. DIGITAL INPUT/AM/FM MODE button  
• When digital signal(AUX, VIDEO1~3) is  
inputted, this button functions as digital  
input selector button.  
• In setting mode, this button functions as  
ADJUST button.  
8. VOLUME UP( ) / DOWN( ) buttons  
9. HEADPHONE jack  
• When tuner is selected, this button  
functions as band selector button.  
5. SETUP/MEMORY button  
• When pressing this button for a seconds,  
this button functions as setup button.  
9
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Universal Remote Controls  
This universal remote control can operate not only this receiver but also most popular brands of audio and video  
components such as CD players, cassette decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc.  
• To operate 7 components other than this receiver, you should enter the setup code for each component.  
(For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 13.)  
• The numbered buttons on the remote control have different functions in different device modes. For details, refer to  
“FUNCTION TABLE of the NUMBERED BUTTONS” on the following page 11.  
LED  
POW ER  
STANDBY  
1
2
POWER  
AUDIO  
VCR  
CD  
AUX  
TV  
DEVICE  
To operate the desired component with  
this remote control, first select the  
corresponding DEVICE button.  
DVD  
CABLE  
SAT  
MACRO  
M2  
MACRO  
To operate a macro function, press  
the corresponding MACRO button.  
M1  
M3  
SPK SET PL PARA. CH SEL. CH/ LEVEL  
T/ V  
3
4
5
CHANNEL LEVEL UP/ DOW N (  
CHANNEL SELECTOR  
MUTE  
,
)
SPEAKER SETUP  
ADJ UST  
MUTE  
PL II MUSIC PARAMETER  
AUDIO SEL. SUBTITLE  
ZOOM  
VOLUME  
STEREO  
6
9
VOLUME UP/ DOW N(  
,
)
ADJ UST UP/ DOWN (>,<)  
7
8
DSP  
AUTO  
STEREO  
DSP MODE UP/ DOWN (  
TEST TONE  
,
)
AUTO  
OSD  
OSD  
T. T O NE  
PTY SELECT  
11  
12  
10  
SETUP  
MENU  
ENTER  
RDS  
EON TA  
EON PTY  
CURSOR CONTROL (  
ENTER  
In TUNER function (R-903R only) : RDS buttons.  
,
,
,
)
/
SLEEP  
DIMMER  
RETURN  
13  
16  
18  
SLEEP  
PTY SELECT, EON TA, EON PTY,  
SEARCH M.  
DISPLAY  
SEARCH M., RDS  
P.SCAN  
14  
15  
DIMMER  
TUNE  
PRESET  
19  
21  
TUNING UP/ DOWN(+,-)  
NUMERIC(0 ~9 , +1 0 )  
7 CH DIR.  
+
17  
20  
10  
PRESET SCAN  
TUNER CD  
AUX TAPE  
1
2
3
4
5
0
PRESET UP/ DOWN (+,-)  
7 CH DIRECT  
VIDEO1 VIDEO2 VIDEO3  
/
INPUT SELECTOR  
6
7
8
9
To select the desired input  
source of TUNER~VIDEO 3.  
UNIVERSAL REMOTE CONTROL  
-
RNC 4 7  
10  
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FUNCTION TABLE of the NUMBERED BUTTONS  
Device to be  
CD  
AUX  
TV  
VCR  
DVD  
CABLE  
(for cable box)  
POWER  
SAT  
controlled  
(for CD player)  
POWER  
(for tape deck)  
POWER  
(for TV)  
POWER  
(for VCR)  
POWER  
(for DVD player)  
POWER  
(for satellite receiver)  
POWER  
Button symbol  
POW ER  
1
2
STANDBY  
STANDBY  
(POWER OFF)  
STANDBY  
(POWER OFF)  
STANDBY  
(POWER OFF)  
STANDBY  
(POWER OFF)  
STANDBY  
(POWER OFF)  
STANDBY  
(POWER OFF)  
STANDBY  
(POWER OFF)  
CHANNEL LEVEL CHANNEL LEVEL  
UP/DOWN ( UP/DOWN (  
CHANNEL LEVEL  
CHANNEL LEVEL  
CH/ LEVEL  
CH SEL.  
3
/
)
/
)
UP/DOWN (  
/
)
UP/DOWN (  
/
)
INPUT SELECTOR  
MUTE  
INPUT SELECTOR  
MUTE  
INPUT SELECTOR  
MUTE  
INPUT SELECTOR  
MUTE  
T/  
V
4
5
MUTE  
VOLUME  
UP/DOWN (  
VOLUME  
UP/DOWN (  
VOLUME  
UP/DOWN (  
VOLUME  
UP/DOWN (  
VOLUME  
6
7
/
)
/
)
/
)
/
)
AUDIO SEL.  
SUBTITLE  
AUDIO SELECTOR  
SUBTITLE  
ZOOM  
8
9
ZOOM  
OSD  
10  
11  
SETUP  
SETUP  
T.TONE  
MENU  
MENU  
CURSOR CONTROL  
ENTER  
12  
ENTER  
SLEEP  
13  
14  
DISPLAY  
DISPLAY  
DIMMER  
RETURN  
RETURN  
PLAY  
PLAY  
FORWARD PLAY  
REVERSE PLAY  
PLAY  
15  
16  
PAUSE  
PAUSE  
PAUSE  
P.SCAN  
17  
18  
19  
STOP  
STOP  
STOP  
STOP  
RECORD  
RECORD  
TUNE  
REWIND (  
FAST FORWARD (  
)
REWIND (  
FAST FORWARD (  
)
REVERSE SEARCH (  
FORWARD SEARCH (  
)
)
)
)
PRESET  
REVERSE SKIP (  
FORWARD SKIP (  
)
)
REVERSE SKIP (  
FORWARD SKIP (  
)
)
20  
21  
0
9
+
10  
NUMERIC  
NUMERIC  
NUMERIC  
NUMERIC  
NUMERIC  
NUMERIC  
Notes:  
• Some functions for each component may not be available or may work differently.  
• Depending on other kinds of components that are available for each DEVICE button, some functions may not be  
available or may work differently, too.  
• For details about functions, refer to the operating instructions of each component.  
11  
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OPERATING COMPONENTS WITH REMOTE CONTROL  
REMOTE CONTROL OPERATION RANGE  
Enter the setup code for each component  
other than this receiver you wish to  
control. For details, refer to “Entering a  
• Use the remote control unit within a range of  
about 7 meters (23 feet) and angles of up to 30  
degrees aiming at the remote sensor.  
1
setup code” on page 13.  
DIGITAL  
R
ECEIVER  
R
-9  
0
3
Turn on the component you want to  
operate.  
2
7m  
Press the DEVICE button on the remote  
control corresponding to the component  
you wish to operate.  
3
M1  
M2  
M3  
T/  
V
Aim the remote control at the REMOTE  
SENSOR of the component you wish to  
control and press the button corresponding  
+1  
0
4
1
6
2
3
8
4
9
5
0
7
to the operation you want.  
LOADING BATTERIES  
• When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries within  
several minutes after removing old batteries.  
• If the batteries are removed or have been exhausted for a longer period of time, memorized contents will be cleared.  
Should this happen, you should memorize them again.  
Remove the cover.  
Load two batteries matching the polarity.  
1
2
2 1.5V  
(“AAA” size)  
• Remove the batteries when they are not used for a  
long time.  
• Do not use the rechargeable batteries(Ni-Cd type).  
• Be sure to use alkaline batteries.  
12  
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USING FUNCTIONS OF REMOTE CONTROL  
• This remote control can control up to 8 different components.  
• Before operating audio and video components other than this receiver with using this remote control, the setup  
code for each component should be entered.  
• For system remote control operation, “000” was stored previously in the memory of the device button “CD” for  
Sherwood CD player, “DVD” for Sherwood DVD player and “AUX” for Sherwood tape deck respectively as its  
factory setup code. So, you don’t need to enter its code for each Sherwood component except in such a case  
that its code does not work.  
Entering a setup code  
Turn on the component you want to control  
Find the setup codes according to the type  
and the brand name of your component,  
referring to “SETUP CODE TABLE” on  
page 45.  
2
1
3
Press and hold down both the ENTER  
button and the DEVICE button you want  
for more than 1 second.  
Enter a 3 digit code, aiming the remote control  
at the remote sensor on the component.  
Example) When entering “001”.  
4
0
0
1
DEVICE  
buttons  
AUDIO  
VCR  
CD  
AUX  
TV  
DVD  
CABLE  
SAT  
MACRO  
M2  
M1  
M3  
T/  
V
• If entering is performed successfully, the LED will  
flicker twice.  
• To be sure that the setup code is correct, press the  
POWER(or STANDBY) button.  
If your component is tuned off, the setup code is correct.  
• When your component is not turned off, repeat the  
above steps 2 to 4, trying each code for your component  
until you find one that works.  
ENTER  
• The LED will flicker once.  
Note:  
• The AUDIO button is unavailable for the audio  
components other than this receiver.  
Notes:  
• If the LED did not flicker twice, then repeat the above  
steps 3 to 4 and try entering the same code again.  
• Manufacturers may use different setup codes for the  
same product category. For that reason, it is important  
that you check to see if the code you have entered  
operates as many controls as possible. If only a few  
functions operate, check to see if another code will  
work with more buttons.  
Repeat the above steps 1 to 4 for each of  
your components.  
5
13  
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Using a punch-through function  
This remote control may be programmed to operate  
either the AUDIO volume punch-through or the TV  
volume and/or TV channel punch-through in  
conjunction with any of the eight components  
controlled by this remote control.  
Removing a punch-through function  
• When removing the AUDIO volume punch-through,  
press and hold down both “AUDIO” button and  
“VOLUME ” button for more than 1 second.  
AUDIO  
For example, since this receiver will likely be used as  
the sound system while watching TV, you may want  
to adjust this receiver’s volume although this remote  
control is set to control the TV.  
• When programming this remote control for the  
AUDIO volume punch-through, press and hold  
down both “AUDIO” button and “VOLUME  
button for more than 1 second.  
”
VOLUME  
• If removing is performed successfully, the LED will  
flicker twice.  
AUDIO  
•
When you want to remove either TV volume or TV  
channel punch-through, press and hold down both  
“TV” button and either “VOLUME ” or “CH  
button for more than 1 second.  
”
VOLUME  
Removing all punch-through functions  
Press and hold down both “AUDIO” button and  
“AUTO” button for more than 1 second.  
• If programming is performed successfully, the LED  
will flicker twice.  
AUDIO  
•
When you want either TV volume or TV channel  
punch-through, press and hold down both “TV”  
button and either “VOLUME ” or “CH  
button for more than 1 second.  
”
Note :  
• If you use one of AUDIO and TV volume punch-  
through functions, you cannot use the other.  
AUTO  
• If removing all punch-through functions is  
performed successfully, the LED will flicker twice.  
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Press the operation buttons you want to  
program in order.  
Programming a macro function  
• The macro function enables you to program a series  
of button operations(up to 10) on this remote control  
into a single button.  
2
Note:  
• You can store up to three separate macro command  
sequences into “M1”, “M2” and “M3” buttons.  
You should press the corresponding DEVICE buttons  
before pressing each operation button.  
Press and hold down both “ENTER” button  
and one of three NUMERIC buttons  
Example) When playing a DVD on the DVD player  
connected to VIDEO 2 jacks of this receiver.  
1. Press “AUDIO” button to control this receiver.  
2. Press “POWER” button to turn this receiver on.  
3. Press “AUDIO” button to control this receiver.  
4. Press “VIDEO 2(7)” button to select the desired  
input source.  
1
(“1”~“3”) corresponding to “M1”~“M3”  
buttons for more than 1 second.  
Example) When programming a series of button  
operations into “M1” button.  
5. Press “DVD” button to control the DVD player.  
6. Press “POWER” button to turn the DVD player on.  
7. Press “DVD” button to control the DVD player.  
8. Press “ ” button to start playback.  
ENTER  
AUDIO  
POW ER  
AUDIO  
VIDEO2  
7
DVD  
POW ER  
DVD  
TUNER  
• If the macro mode is entered, the LED will flicker  
once.  
Press “ENTER” button.  
To remove a macro program  
• When removing a macro program, perform the above  
steps 1 and 3, but ignore the step 2.  
3
ENTER  
To change a macro program  
• When a new macro program is stored into a MACRO  
button with performing the above steps 1 to 3, the  
previous macro program is cleared from the memory  
of the MACRO button.  
• If the programming is performed successfully, the  
LED will flicker twice.  
Operating a macro function  
Notes:  
• Aim the remote control at the REMOTE SENSORs  
of the components to be controlled and press the  
MACRO button you want.  
• The codes programmed into a MACRO button will  
be transmitted at an interval of 0.5 seconds.  
However, some components may not be able to  
complete one operation in 0.5 seconds and may miss  
the next code.  
Example) When pressing “M1” button.  
In this case, the macro function cannot control the  
corresponding components correctly.  
M1  
• Be sure to use the remote control within the remote  
control operation range of the components.  
• Depending on the operation status of the  
components, etc., the macro function cannot control  
the corresponding components correctly.  
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Before Operation  
SURROUND SOUND  
• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound  
quality and sound atmosphere in your personal Home Theater.  
Surround modes  
DTS Digital Surround  
DTS Neo : 6™ surround  
DTS Digital Surround(also called simply DTS) is a multi-  
channel digital signal format which can handle higher data  
rates than Dolby Digital. Although both Dolby Digital and  
DTS are 5.1 channel formats, discs bearing the “  
This mode applies conventional 2-channel signals such as  
digital PCM or analog stereo signals to the high precision  
digital matrix decoder used for DTS-ES Matrix 6.1 to  
achieve 6.1-channel surround playback. DTS Neo : 6  
surround includes two modes for selecting the optimum  
decoding for the signal source.  
”
are generally thought to provide better sound quality due to  
the lower audio compression required.  
It also provides wide dynamic range and separation,  
resulting in magnificent sound.  
DTS Neo : 6 Cinema  
This mode is optimum for playing movies. Decoding is  
performed with emphasis on separation performance to  
achieve the same atmosphere with 2-channel sources as  
with 6.1-channel sources.  
(
)
DTS - ES Extended Surround™  
This is a new multi channel digital signal format which  
greatly improves the 360- degree surround impression and  
space expression thanks to further expanded surround  
signals, offering high compatibility with the conventional  
DTS format.  
DTS Neo : 6 Music  
This mode is suited mainly for playing music. The front left  
and front right signals bypass the decoder and are played  
directly so there is no loss of sound quality, and the effect  
of the surround signals from the center, surround left,  
surround right and surround back channels adds a natural  
sense of expansion to the sound field.  
In addition to the 5.1 channels, DTS-ES Extended  
Surround also offers the surround back (sometimes also  
referred to as “surround center”) channel for surround  
playback with a total of 6.1 channels. DTS-ES Extended  
Surround includes two signal formats with different  
surround signal recording methods as follows:  
“DTS”, “DTS-ES Extended Surround” and “Neo : 6” are  
trademarks of Digital Theater Systems,Inc.  
DTS-ES™ Discrete 6.1  
Because the signals for 6.1 channels (including the surround  
back channel) are fully independent, it is possible to achieve a  
sense that the acoustic image are moving about freely among  
the background sounds surrounding the listener from 360  
degrees.  
Dolby Digital  
Dolby Digital is the multi- channel digital signal format  
developed by Dolby Laboratories. Discs bearing the  
“
” includes the recording of up to 5.1 channels of  
Though maximum performance is achieved when sound  
tracks recorded with this system are played using a DTS -ES  
decoder, when played with a conventional DTS decoder, the  
surround back channel signals are automatically downmixed  
to the surround left and surround right channels so that none  
of the signal components are lost.  
digital signals, which can reproduce much better sound  
quality, spatial expansion and dynamic range  
characteristics than the previous Dolby Surround effect.  
Dolby Digital EX  
This mode creates the back (sometimes also referred to as  
“surround center”) signals from the surround left and right  
signals in Dolby Digital 5.1 channel source using a matrix  
decoder and provides 6.1 channel surround playback. For  
the best results, this mode should be selected during  
DTS - ES™ Matrix 6.1  
With this format, the additional surround back channel signals  
undergo matrix encoding and are input to the surround left and  
surround right channels beforehand. During playback, they are  
decoded to the surround left, surround right and surround back  
channels.  
Because the bit stream format is 100% compatible with  
conventional DTS signals, the effect of the DTS-ES Matrix 6.1  
format can be achieved even with DTS 5.1- channel signal  
sources. Of course, it is possible to play DTS-ES Matrix 6.1 -  
channel signal sources with a DTS 5.1 - channel decoder.  
When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded  
with a DTS - ES decoder, the format is automatically detected  
upon decoding and the optimum surround mode is selected.  
However, some DTS - ES Matrix 6.1 sources may be  
detected as DTS sources. In this case, the DTS - ES Matrix  
mode should be selected manually to play these sources.  
playback of sources(bearing the “  
”) recorded in  
Dolby Digital Surround EX. With this additional channel,  
you can experience more dynamic and realistic moving  
sound especially.  
When Dolby Digital EX sources are decoded with a Dolby  
Digital EX decoder, the format is automatically detected  
upon decoding and the Dolby Digital EX mode is selected.  
However, some Dolby Digital EX sources may be detected  
as Dolby Digital sources. In this case, the Dolby Digital EX  
mode should be selected manually to play these sources.  
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Dolby Pro Logic  
Dolby Virtual  
Dolby Pro Logic is a specially encoded two channel  
surround format which consists of four channels ( front left,  
center, front right and surround). Sources bearing the  
This mode employs sophisticated digital processing to  
create the illusion of “phantom” speakers, this mode allows  
you to experience surround sound effects from Dolby  
Digital, Dolby Surround or 2-channel (recorded in digital  
PCM or analog stereo) sources, through just a single pair  
of front speakers.  
“
” provide the theater-like surround sound.  
The surround channel is monaural, but is played through  
both surround speakers.  
Manufactured under license from Dolby Laboratories.  
“Dolby”, “Pro Logic”, “Surround EX” and the double-D  
symbol are trademarks of Dolby Laboratories.  
Dolby Pro Logic II surround  
This mode applies conventional 2- channel signals such as  
digital PCM or analog stereo signals as well as Dolby  
Surround signals, etc. to surround processing to offer  
improvements over conventional Dolby Pro Logic circuits.  
Dolby Pro Logic II surround includes two modes as follows:  
MPEG Multichannel  
This mode is a surround system which faithfully  
reproduces the ambience and dynamics of movie  
soundtracks and music alike. Though the number of audio  
channels is 5.1 which is same as Dolby Digital, discs  
Dolby Pro Logic II Cinema  
When enjoying movies, this mode allows you to further  
enhance the cinematic quality by adding processing that  
emphasizes the sounds of the action special effects.  
bearing the “  
” provides much better at  
locating individual sounds to the correct and stable position  
in the sound stage.  
Dolby Pro Logic II Music  
When listening to music, this mode allows you to further  
enhance the sound quality by adding processing that  
emphasizes the musical effects.  
When using the 7 CH DIRECT INPUTs to playback the  
sound from an additional multichannel decoder for  
surround sound, you can enjoy the corresponding surround  
sound, too. For details, refer to the operating instructions of  
the component to be connected.  
The following modes apply conventional 2-channel signals such as digital PCM or analog stereo signals to high  
performance Digital Signal Processor to recreate sound fields artificially. Select one of the twelve provided  
surround modes according to the program source you want to play.  
Theater  
Club 1/2  
This mode provides the effect of being in a theater -in-the  
round when watching a play.  
This mode creates the sound field of a jazz club with a  
low ceiling and hard walls (Club 1) or a live house with a  
relatively spacious floor (Club 2).  
Movie  
This mode provides the effect of being in a movie theater  
Arena 1/2  
when watching a movie.  
This mode provides the feeling of a live concert in a  
medium - sized (Arena 1) or large (Arena 2) arena.  
Hall 1/2  
This mode provides the ambience of a chamber hall for  
chamber music or an instrumental solo (Hall 1) or a  
concert hall for orchestral music or an opera (Hall 2).  
Game  
Use this mode to enjoy video game sources.  
Matrix  
This mode reproduces a delayed signals from the  
surround channels to emphasize the sense of expansion  
for music sources.  
Stadium  
This mode provides the expansive sound field to achieve  
the true stadium effect when watching baseball or soccer  
games.  
Church  
This mode provides the ambience of a church for  
baroque, string orchestral or choral group music.  
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For your reference, the sound from each channel can be reproduced according to the surround modes as follows:  
Channels  
SURROUND  
L/R  
FRONT L/R  
CENTER  
SURROUND BACK  
SUBWOOFER  
Modes  
DTS  
DTS ES DISCRETE/MATRIX  
DTS NEO MOVIE/MUSIC  
DOLBY DIGITAL  
DOLBY DIGITAL EX  
DOLBY PRO LOGIC  
DOLBY PRO LOGIC II MOVIE/MUSIC  
DOLBY VIRTUAL  
MPEG  
MATRIX  
Other Surround  
STEREO  
7 CH DIRECT  
Depending on the speaker settings and the number of the encoded channels, the sound from the corresponding  
channels cannot be reproduced.(For details, refer to “Adjusting the speaker settings” on page 19.)  
Speaker placement  
Ideal speaker placement varies depending on the size of your room and  
the wall coverings, etc. The typical example of speaker placement and  
recommendations are as follows :  
TV or SCREEN  
1
CENTER  
SUBWOOFER  
Front left and right speakers and center speaker  
Place the front speakers with their front surfaces as flush with TV or  
monitor screen as possible.  
FRONT (LEFT)  
4
FRONT (RIGHT)  
3
Place the center speaker between the front left and right speakers  
and no further from the listening position than the front speakers.  
Place each speaker so that sound is aimed at the location of the listener’s  
ears when at the main listening position.  
LISTENING  
POSITION  
6
7
Surround left and right speakers  
Place the surround speakers approximately 1 meter (40 inches) above  
the ear level of a seated listener on the direct left and right of them or  
slightly behind.  
SURROUND  
(LEFT)  
SURROUND  
(RIGHT)  
9
8
Surround back speaker  
Place the surround back speaker at the rear center facing the front at a  
slightly higher position (0 to 10 inches) than the surround speakers.  
We recommend installing the surround back speaker at a slightly  
downward facing angle. This effectively prevents the surround back  
channel signals from reflecting off the TV or screen at the front center,  
resulting in interference and making the sense of movement from the  
front to the back less sharp.  
SURROUND  
(BACK)  
Surround speaker  
Front speaker  
Surround back  
speaker  
Point slightly  
downward  
Subwoofer  
The subwoofer reproduces powerful deep bass sounds.  
Place a subwoofer anywhere in the front as desired.  
60 to 90 cm  
Notes :  
When using a conventional TV , to avoid interference with the TV picture,  
use only magnetically shielded front left and right and center speakers.  
To obtain the best surround effects, the speakers except the subwoofer  
should be full range speakers.  
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Adjusting the speaker settings  
• After you have installed this unit and connected all the components, you should adjust the speaker settings for the optimum  
sound acoustics according to your environment and speaker layout.  
Setting the type of speakers  
The composition of the signals output from the different channels and the frequency reponse are adjusted automatically  
according to the combination of speakers actually being used.  
Depending or relationship between speakers, settings  
possible for each speaker are as follows:  
Select “Large” or “Small” not according to the actual size  
of the speaker but according to the speaker’s capacity for  
playing low frequency (bass sound below frequency set for  
the Crossover Frequency mode and below) signals.  
Front L/R Center Surr. L/R Surr. Back Subwoofer  
Large  
Large  
Small  
None  
Small  
None  
None  
Large  
Small  
None  
Small  
None  
None  
Large  
Small  
None  
Small  
None  
Small  
None  
None  
Small  
None  
Large : Select this when connecting speakers that can  
fully reproduce sounds below crossover  
frequency(*) of your speaker.  
Small : Select this when connecting speakers that cannot  
fully reproduce sound below crossover frequency.  
When this setting is selected, sound below  
crossover frequency is assigned to the subwoofer  
or speakers which are set to “Large”(when not  
using a subwoofer).  
None : Select this when no speakers are connected.  
When this is selected, sound is sent to the front  
speakers.  
Yes / None : Select the desired depending on whether a  
subwoofer is connected or not.  
Large  
Small  
None  
Large  
Yes  
or  
Large  
Small  
None  
None  
Small  
None  
Large  
Small  
(*) : Crossover frequency is the frequency (Hz) below which the  
bass sound of each main speakers is to output from the  
subwoofer or from speakers which are set to “Large” (when not  
using a subwoofer).  
Refer to the operating instructions of the speakers to be connected.  
If the frequency range of your speaker is 80 Hz ~ 12 KHz, the  
crossover frequency is 80 Hz.  
Small  
None  
Small  
Small  
None  
Small  
Yes  
If you do not know, try comparing the sound at both settings  
(setting the volume to a level low enough so as not to damage the  
speakers) to determine the proper setting.  
Speaker distance settings  
When enjoying 5.1 channel surround playback with Dolby Digital and DTS sources, it is ideal that the center and surround  
speakers should be the same distance from the main listening position as the front speakers. By entering the distance between  
the listening position and each speaker, the delay times of center and surround speakers are automatically adjusted to create  
an ideal listening environment virtually as if the center and surround speakers were at their ideal locations respectively as  
below:  
Ideal location of a  
center speaker  
FL  
SW  
FR  
C
Dc  
All speakers should be located  
within a circle with a radius of Df  
Df : Distance between front speakers and listening position  
Dc : Distance between center speakers and listening position  
Ds : Distance between surround speakers and listening position  
Df  
Ds  
SB SR  
SL  
Ideal location of a  
surround speaker  
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Refer to the previous page and adjust the speaker settings  
• You can also adjust these settings with using the buttons on the front panel.(For details, refer to “SETTING UP THE SYSTEM  
ON FRONT PANEL” on page 43.)  
Note : When the headphones are plugged or the 7 CH DIRECT is selected as an input source, the speaker setting function  
cannot be available.  
1. When selecting each setting mode  
2. When adjusting the selected setting  
mode to the desired setting  
SPK SET  
ADJUST  
UP(>), DOWN(<)  
• Each time the SPEAKER SETUP button is pressed,  
the speaker setting mode changes in succession and  
is displayed for several seconds as follows.  
• When the speaker setting mode disappears, press  
the SPEAKER SETUP button repeatedly to select  
the desired mode.  
• Each time the ADJUST UP( ) or DOWN(  
button is pressed, one of the settings is selected and  
displayed for several seconds as follows.  
)
• When selecting the front-center-surround speaker  
setting mode,  
• You can select one of 11 different speaker settings.  
FL - CL - SL / FL - CL - SN / FL - CS - SL /  
FL - CN - SL / FL - CS - SN / FL - CN - SS /  
FS - CS - SS / FS - CS - SN / FS - CN - SS /  
FL - CS - SS / FL - CL - SS  
“FL - CL - SL”  
(F: Front, C: Center, S: Surround, L: Large, S: Small, N: None)  
• When selecting the surround back speaker setting  
mode,  
L
S
N
“SUR B - L”  
• Depending on the surround speaker setting, you  
cannot select “L” or/and “S”.  
• When selecting the subwoofer setting mode,  
“SUB W - Y”  
Y(es)  
N(o)  
• When the front speaker is set to “S”, the subwoofer  
is automatically set to “Y”.  
• Only when the surround back speaker is set to “N”,  
the subwoofer type mode can be selected.  
“ACTIVE”  
ACTIVE  
PASSIVE  
• When the surround back speaker does not exist,  
you can connect subwoofer into the terminal of  
surround back speaker. In this case, the setting of  
surround back speaker is N(one) and the type of  
subwoofer have to be changed to PASSIVE.  
• When the surround back speaker is set to L(arge)  
or S(mall), this mode set to ACTIVE automatically  
and does not be displayed.  
• When selecting the front left distance mode,  
“FRONT L 3.0 (m)”  
• You can adjust the distance within the range of 0.3  
~ 9.0 meters in 0.3 meter interval.  
Note:  
• When the type of speaker is set to “N”, its distance  
mode cannot be selected.  
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• When selecting the front right distance mode,  
“FRONT R 3.0 (m)”  
• You can adjust the distance within the range of 0.3  
~ 9.0 meters in 0.3 meter interval.  
• When selecting the center distance mode,  
“CENTER 3.0 (m)”  
• When selecting the surround left distance mode,  
“SURR L 3.0 (m)”  
Note:  
• When the type of speaker is set to “N”, its distance  
mode cannot be selected.  
• When selecting the surround right distance mode,  
“SURR R 3.0 (m)”  
• When selecting the Dolby Virtual delay time mode,  
“NARROW”  
NARROW : Relatively long distance for the main  
listening position to front speakers.  
• This mode can work only in the Dolby Virtual mode.  
In the other surround modes, this setting is just  
displayed.  
WIDE : Relatively short distance.  
• When selecting the crossover frequency setting  
mode,  
80  
120  
(unit : Hz)  
160  
200  
“CFREQ 80”  
Operations  
• Note : Before operating this receiver with the supplied remote control, refer to “Universal Remote Controls” on page 10 for  
details about operation.  
Memory backup function  
• These following items, set before the receiver is turned off, are memorized:  
Input settings, surround mode settings, speaker settings, channel level settings, preset stations, etc.  
TURNING THE POWER ON/OFF  
Press the POWER switch.  
In the standby mode, turn the power on.  
1
2
POW ER  
POWER  
ON/ OFF  
• This unit enters the standby mode.  
The lighting of STANDBY indicator means that the  
receiver is not disconnected from the AC mains and a  
small amount of current is retained to support the  
memorized contents and operation readiness.  
• To switch the power off, push the POWER switch  
again. Then the power is cut off and the STANDBY  
indicator goes off.  
• Each time the POWER button on the remote control  
is pressed, the receiver is turned on to enter the  
operating mode or off to enter the standby mode.  
• In the standby mode, if the INPUT SELECTOR  
button is pressed, the receiver is turned on  
automatically and the desired input is selected.  
When the power operation switch is in the OFF or STANDBY state, the apparatus is still connected on  
some AC line voltages.  
Please be sure to unplug the cord when you leave home for, say, a vacation.  
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LISTENING TO A PROGRAM SOURCE  
Select the desired input source.  
When AUX, VIDEO 1~3 is selected as an  
input source  
1
Select the digital or analog input  
connected as desired.  
7 CH DIR.  
TUNER  
AUX  
TAPE  
VIDEO1  
VIDEO2  
VIDEO3  
2
DIGITAL INPUT  
INPUT SELECTOR  
AM/ FM MODE  
or  
• Each time this button is pressed, the corresponding  
input is selected as follows ;  
• Each time the INPUT SELECTOR button on the  
front panel is pressed, the input source changes as  
follows;  
A(nalog) o(ptical) 1 o(ptical) 2 c(oaxial) 1  
• To listen to a DTS, Dolby Digital or MPEG program  
source in the 2-CH downmix mode, in the stereo  
mode, the corresponding digital input should be  
selected. (For details, refer to “Downmixing into 2  
front channels” on page 30.)  
TUNER  
TAPE  
AUX  
VIDEO 1  
(frequency displays.)  
7-DIRECT  
VIDEO 3  
VIDEO 2  
When selecting the 7 CH DIRECT  
• “7-DIRECT” is displayed and the 7 or 6 separate analog  
signals from the component connected to this input can  
be controlled only by volume depending on the  
surround back speaker setting.  
• These analog signals (except front L/R channel)  
cannot be recorded.  
Notes :  
• When the selected optical or coaxial digital input is  
not connected, the “DIGITAL” indicator flickers,  
meaning no sound.  
• The sound from the component connected to the  
selected digital input can be heard regardless of the  
selected input source.  
Depending on the input digital signal format,  
select the desired decoding mode.  
• Each time this button is pressed, the decoding mode  
changes as follows :  
3
IN-AUTO : The input digital signal format(DTS, Dolby  
Digital, MPEG or PCM(2 channel stereo),  
etc.) used by the selected digital input  
source is detected automatically to perform  
the necessary decoding process for optimum  
surround mode.  
AUTO  
DECODING  
TUNE MODE  
or  
IN-DTS : The DTS signal processing is performed only  
when DTS signals are input.  
IN-PCM : The PCM signal processing is performed only  
when PCM signals are input.  
Notes :  
• Only when the digital input is selected as signal input for the input sources except TUNER, TAPE and 7 CH  
DIRECT, the decoding mode can be selected.  
• Noise may be generated at the beginning of playback and while searching during DTS playback in the IN-AUTO  
mode. In this case, try playing in the IN-DTS mode.  
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Operate the selected component for  
playback.  
Adjust the (overall) volume.  
4
5
7
VOLUME  
• When playing back the program sources with  
surround sound, refer to “ENJOYING SURROUND  
SOUND” on page 24.  
To mute the sound,  
To listen with the headphones,  
6
PHONES  
MUTE  
• The sound from the speakers is cut off.  
• “MUTE” will flicker.  
• To resume the previous sound level, press it again.  
• When listening to a DTS, Dolby Digital or MPEG  
program source, if the headphones are plugged, it  
enters the 2-CH downmix mode automatically. (For  
details, refer to “Downmixing into 2 front  
channels”on page 30.)  
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ENJOYING SURROUND SOUND  
• When the AUTO OSD function is on, the corresponding setup display is on the TV screen.  
Selecting the surround mode  
• You can also select the surround mode with using the buttons on the front panel.  
(For details, refer to “SETTING UP THE SYSTEM ON FRONT PANEL” on page 44.)  
DSP  
• Each time the DSP MODE or button is pressed, the surround mode changes depending on the signal format  
being input and the selected decoding mode as follows :  
Signal format being input  
Dolby Digital 5.1,  
Selected decoding mode Selectable surround mode  
IN-AUTO mode  
(DOLBY DIGITAL EX,) DOLBY DIGITAL,  
Dolby Digital EX 6.1 channel sources  
Dolby Digital 2-channel  
sources  
DOLBY VIRTUAL  
IN-AUTO mode  
(DOLBY DIGITAL EX,) PL II CINEMA, PL II  
MUSIC, PRO LOGIC, DOLBY VIRTUAL  
PL II CINEMA, PL II MUSIC, PRO LOGIC,  
DOLBY VIRTUAL, NEO 6 CINEMA, NEO 6  
MUSIC, THEATER, MOVIE, HALL 1/2,  
STADIUM, CHURCH, CLUB 1/2, ARENA 1/2,  
GAME, MATRIX  
PCM(2 channel) sources  
Analog stereo sources  
IN-AUTO, IN-PCM mode  
DTS 5.1,  
IN-AUTO, IN-DTS mode  
IN-AUTO mode  
(DTS ES DISCRETE/MATRIX)  
DTS  
DTS ES Discrete 6.1,  
DTS ES Matrix 6.1 sources  
MPEG sources  
corresponding MPEG surround mode  
( ): possible only when surround back speaker setting is not “N”.  
• When 96 kHz PCM signals are input, the stereo mode is selected automatically; the surround mode cannot be selected.  
• When MPEG signals are input in the IN-AUTO mode, the corresponding MPEG surround mode will be selected  
regardless of using the DSP MODE or button.  
Notes:  
• When the selected decoding mode is not matched to the input signal format, the “DIGITAL” indicator flickers and  
no sound is heard. Therefore, be sure to select the required decoding mode and the available surround mode  
according to the input signal format.  
• When the 7 CH DIRECT is selected as an input source, the decoding and surround modes cannot be selected.  
• When the digital signals are not input, the desired surround mode cannot be selected.  
• When the headphone is used, the surround mode cannot be selected.  
To cancel the surround mode for stereo operation  
• Then the stereo mode is selected.  
• To cancel the stereo mode, select the desired surround  
STEREO  
mode with using the DSP MODE or button.  
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Adjusting each channel level with test tone  
• You can adjust the level of test tone for each channel so that they are all heard at the same level.  
Note : When the 7 CH DIRECT is selected as an input source or the headphones are plugged, the test tone function does  
not work.  
• The test tone will be heard from the speaker of each  
channel for 2 seconds as follows:  
Enter the test tone mode.  
1
FL  
C
FR  
SR  
Surround  
Right  
Front Left  
Center  
Front Right  
T.TONE  
SW  
SL  
SB  
Subwoofer  
Surround  
Left  
Surround  
Back  
• When the speaker setting is “N”, the test tone of the  
corresponding channel is not available.  
At each channel, adjust the level so that  
they are all heard at the same level.  
Cancel the test tone function.  
2
3
CH/LEVEL  
T.TONE  
• You can select the desired channel and adjust its level  
with repeating the steps 1 and 2 in “Adjusting each  
channel level” procedure.  
Adjusting each channel level  
• After adjusting each channel level with test tone, adjust the channel levels either according to the program sources or to  
suit your tastes.  
• You can also adjust the channel levels with using the buttons on the front panel.  
(For details, refer to “SETTING UP THE SYSTEM ON FRONT PANEL” on page 43.)  
Select the desired channel.  
• Each time this button is pressed, the  
corresponding channel is selected and  
displayed for several seconds as follows:  
1
FL  
C
FR  
Front Right  
SR  
Surround  
Right  
Front Left  
Center  
CH.SEL  
SW  
SL  
SB  
Subwoofer  
Surround  
Left  
Surround  
Back  
• When it is in the stereo or Dolby Virtual mode or the speaker setting is “N”, center, surround  
L/R, surround back or subwoofer channel will not be selected.  
• When the headphones are plugged, only the front L/R channel can be selected.  
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Repeat the above steps 1 and 2 to adjust each  
channel level.  
Adjust the level of the selected channel  
as desired.  
3
2
CH/LEVEL  
• If the channel display disappears, start from the  
step 1 again.  
Presetting and Calling the channel levels  
• You can store the adjusted channel levels in the memory. If you change the channel levels and want to  
hear with preset levels, you can call them again.  
Presetting the channel levels  
Perform the steps 1 to 3 in “Adjusting  
each channel level” on page 25~26 to  
adjust each channel level you want.  
Press the SETUP button for more than 2  
seconds, then it enters the setup mode. While  
displaying the setup mode, press this button  
short repeatedly until “P CALL” is displayed.  
1
3
2
4
SETUP  
MEMORY  
While displaying “P CALL”, select “P  
MEMORY” with buttons below.  
Confirm your decision.  
DECODING  
ADJ UST  
TUNE MODE  
TUNING/ PRESET  
• The adjusted channel levels has now been stored  
in the preset memory.  
• When using this function with remote control unit,  
press OSD button and refer to page 38~40.  
”P CALL” : When calling the preset channel  
levels.  
“P MEMORY” : When storing the adjusted  
channel levels in the preset  
memory.  
Calling the channel levels  
• Select “P CALL” with performing the above steps 2 to 4.  
• Then the current channel levels are changed to the preset ones.  
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While displaying “DD L”, each time the  
button below is pressed, the mode changes  
as follows:  
Adjusting the LFE level  
2
• You can adjust the LFE(Low Frequency Effect)  
levels included in Dolby Digital, DTS and MPEG  
program sources.  
DECODING  
TUNE MODE  
Press the SETUP button for more than 2  
seconds, then it enters the setup mode.  
1
While displaying the setup mode, press  
this button short repeatedly until “DD L”  
is displayed.  
DD L  
(Dolby Digital LFE)  
DTS L  
(DTS LFE)  
MP L  
(MPEG LFE)  
SETUP  
MEMORY  
While displaying the desired LFE mode,  
adjust the level as desired.  
3
• The Dolby Digital LFE level can be adjusted within  
the range of -10~0 dB and other LFE levels within  
the range of -10~+10 dB.  
ADJ UST  
• In general, we recommend the LFE level to be  
adjusted to 0 dB.(However, the recommended LFE  
level for some early DTS software is -10 dB.) If the  
recommended levels seem too high, lower the setting  
as necessary.  
TUNING/ PRESET  
• When using this function with remote control unit,  
press OSD button and refer to page 38~40.  
• The LFE level can be adjusted and applied when Dolby Digital, DTS or MPEG program source  
is inputted. In case of other program sources, this mode is adjustable, but not applied.  
While displaying “BASS”, each time the  
DECODING button is pressed, the tone  
Adjusting the tone(bass and treble)  
2
mode changes as follows:  
Press the SETUP button for more than 2  
seconds, then it enters the setup mode.  
While displaying the setup mode, press  
this button short repeatedly until “TONE  
OFF” or “BASS” is displayed.  
DECODING  
1
TUNE MODE  
SETUP  
BASS TRBL(treble) TONE ON  
MEMORY  
• While displaying “TONE OFF”, you cannot adjust  
the tone. To adjust the tone, first perform the step 3  
and change “TONE OFF” to “TONE ON”.  
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While displaying the desired tone mode,  
adjust the tone as desired.  
• Each adjustable range of bass and treble is -10~+10.  
• In general, we recommend the bass and the treble to  
be set to 0(flat) level.  
3
ADJ UST  
• At “TONE ON” mode, you can select “TONE OFF”  
mode and vice versa.  
TUNING/ PRESET  
TONE ON: When adjusting the tone for your taste.  
(“DIRECT” indicator goes off.)  
TONE OFF: When listening to a program source  
without the tone effect.  
(“DIRECT” indicator light up.)  
• When using this function with remote control unit,  
press OSD button and refer to page 38~40.  
Notes:  
• If the display of the corresponding mode disappears, start from the step 1 again.  
• Extreme settings at high volume may damage your speakers.  
• When the digital signals from DTS, Dolby Digital or MPEG program sources are input in available surround  
mode, you cannot adjust the tone and can hear a program source without the tone effect.  
Compressing the dynamic range (Dolby Digital sources only)  
• This function compresses the dynamic range of previously specified parts of the Dolby Digital sound track(with  
extremely high volume) to minimize the difference in volume between the specified and non-specified parts.  
This makes it easy to hear all of the sound track when watching movies at night at low levels.  
• Only when the digital signals from Dolby Digital program source are input in available surround mode, the  
dynamic range can be adjusted.  
SETUP  
Press the SETUP button for more than 2  
seconds, then it enters the setup mode.  
MEMORY  
1
While displaying the setup mode, press this  
button short repeatedly until “DYNR 0.0” is  
displayed.  
While displaying “DYNR 0.0”, select the desired mode.  
2
• Each time the ADJUST UP( ) or DOWN( ) button is pressed, the mode  
changes as follows:  
ADJ UST  
DYNR 0.0 : Off  
TUNING/ PRESET  
DYNR 0.5 : Low compression  
DYNR 1.0 : High compression  
• When using this function with remote control unit, press OSD button and refer to  
page 38~40.  
Notes:  
• If the display of the dynamic range mode disappears, start from the step 1 again.  
• In some Dolby Digital softwares, this function may not be available.  
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Adjusting the Dolby Pro Logic II Music parameters  
• When selecting the Dolby Pro Logic II Music mode, you can adjust the various surround parameters for  
optimum surround effect.  
• You can also adjust the Dolby Pro Logic II Music parameters with using the buttons on the front panel.  
(For details, refer to “SETTING UP THE SYSTEM ON FRONT PANEL” on page 43.)  
Press the PL II MUSIC PARAMETER button to select  
the desired parameter.  
1
PL II PARA.  
• Each time this button is pressed, the parameter changes and is displayed for several seconds as follows;  
Panorama mode(“PANO”, default value: OFF)  
This mode extends the front stereo image to include the surround speakers for an exciting “wraparound”  
effect with side wall imaging. Select “OFF” or “ON”.  
Center width control(“C-WID”, default value: 0)  
This adjusts the center image so it may be heard only from the center speaker, only from the left/right  
speakers as a phantom image, or from all three front speakers to varying degrees.  
The control can be set in 8 steps from 0 to 7.  
Dimension control(“DIMEN”, default value: 0)  
This gradually adjusts the soundfield either towards the front or towards the rear. The control can be set  
in 7 steps from -4 to +2.  
While displaying the desired parameter,  
adjust it as desired.  
Repeat the above steps 1 and 2 to adjust  
other parameters.  
2
3
ADJUST  
UP(>), DOWN(<)  
• If the parameter display disappears, start from the  
step 1 again.  
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Downmixing into 2 front channels  
• To cancel the 2 - CH downmix mode, select the  
desired surround mode with the DSP MODE DOWN  
• Allows the multi - channel DTS, Dolby Digital or  
MPEG signal to be reproduced through only two  
speakers or through headphones.  
(
) or UP( ) button.  
• When the playback of the source on the player is  
stopped, interrupted, etc., the 2 - CH downmix mode  
is not canceled even though “ ST” and the DTS or  
Dolby Digital indicators go off.  
• When the digital signals from the DTS, Dolby Digital  
or MPEG program sources are input in available  
surround mode, press the STEREO button.  
• If the headphones are plugged while the digital  
signals from the DTS, Dolby Digital or MPEG  
program sources are being input, it will enter the 2-  
CH downmix mode automatically and if the  
headphones are unplugged in the 2-CH downmix  
mode, it will return to the previous mode.  
STEREO  
• “ST” indicator lights up and “2 CH DOWNMIX” is  
scrolled, meaning it enters the 2-CH downmix mode,  
and then the discrete multi-channels(except LFE) are  
mixed down into 2 front channels.  
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LISTENING TO RADIO BROADCASTS  
To select the tuner,  
TUNER  
INPUT SELECTOR  
or  
To select the desired band  
• Each time this button is pressed, the band is changed  
as follows:  
DIGITAL INPUT  
AM/ FM MODE  
FM STEREO  
FM MONO  
AM  
• When FM stereo broadcasts are poor because of weak  
broadcast signals, select the FM mono mode to reduce  
the noise, the FM broadcasts are reduced in monaural  
sound.  
BAND  
FREQUENCY  
Manual tuning  
Auto tuning  
Manual tuning is useful when you already know the  
frequency of the desired station.  
Select the tuning mode.  
Select the tuning mode.  
1
DECODING  
TUNE MODE  
1
DECODING  
TUNE MODE  
Press the below button for more than 0.5  
second.  
• Each time this button is pressed, the mode changes  
as follows;  
2
Tuning mode : “PRESET” goes off.  
Preset mode : “PRESET” lights up.  
ADJ UST  
TUNE  
-, +  
TUNING/ PRESET  
Press the below button repeatedly until the  
right frequency has been reached.  
or  
2
ADJ UST  
• The tuner will now search until a station of sufficient  
strength has been found. The display shows the tuned  
frequency and “TUNED”.  
• If the station found is not the desired one, simply  
repeat this operation.  
TUNING/ PRESET  
TUNE  
-, +  
or  
• Weak stations are skipped during auto tuning.  
• When pressing the TUNE +/- buttons on the remote  
control, you need not select the tuning mode on step 1.  
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Press the MEMORY button.  
Presetting radio stations  
SETUP  
2
• You can store up to 30 preferred stations in the  
memory.  
MEMORY  
Tune in the desired station with auto or  
manual tuning.  
1
• “MEM” is flickering for 5 seconds.  
Select the desired preset number (1~30) and press the MEMORY button.  
3
• The station has now been stored in  
the memory.  
ADJ UST  
SETUP  
• A stored frequency is erased from  
the memory by storing another  
frequency in its place.  
PRESET  
-, +  
TUNING/ PRESET  
MEMORY  
or  
• If “MEM” goes off, start again from  
the above step 2.  
Repeat the above steps 1 to 3 to memorize  
other stations.  
4
Select the desired preset number.  
Tuning to preset stations  
2
After selecting the tuner as an input  
source, select the preset mode.  
ADJ UST  
1
DECODING  
TUNING/ PRESET  
PRESET  
-, +  
TUNE MODE  
or  
• When pressing the PRESET +/- buttons on the  
remote control, you need not select the preset mode  
on step 1.  
• Then “PRESET” lights up.  
Scanning preset stations in sequence  
• The receiver will start scanning the stations in the preset  
sequence and each station is received for 5 seconds.  
• At the desired station, press this button again to stop  
scanning.  
P.SCAN  
• When pressing this button without selecting the tuner,  
the tuner will be selected automatically.  
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LISTENING TO RDS BROADCASTS(FM ONLY)  
THIS IS ADDITIONAL FUNCTION FOR R-903R TUNER ONLY  
RDS(Radio Data System) is a method for sending information signals together with the transmitter signals. Your tuner is  
capable of translating these signals and putting the information on the display. These codes contain the following informations.  
Program Service name(PS), A list of Program Types(PTY), Traffic Announcement(TA), Clock Time(CT), Radio Text(RT).  
While displaying “RDS SRCH”,  
RDS search  
2
• Use this function to automatically search and  
receive the stations offering RDS services.  
ADJ UST  
TUNE  
-, +  
PRESET  
-, +  
TUNING/ PRESET  
In the FM mode, select the RDS search mode.  
or  
1
• The tuner automatically searches stations offering RDS  
services and the station name is displayed.  
• If the station found is not the desired one, press the  
ADJUST/TUNE/PRESET UP(>/ /+) or DOWN(</  
/-) button again while the RDS indicator is flickering.  
• If no other RDS station is found, “NO RDS” is  
displayed.  
SEARCH M.  
• Each time this button is pressed, the search mode  
changes as follows;  
• When “RDS SRCH” is not displayed, repeat again from  
the above step 1.  
RDS SRCH  
TP SRCH  
PTY SRCH  
OFF  
While displaying “TP SRCH”.  
TP search  
• Use this function to automatically search and receive  
the stations broadcasting the traffic program.  
2
ADJ UST  
TUNE  
-, +  
PRESET  
-, +  
In the FM mode, select the TP search mode.  
TUNING/ PRESET  
or  
1
• The tuner automatically searches for stations  
broadcasting the traffic program.  
SEARCH M.  
• “NO TRAFF”is displayed if the signal is too weak or  
there are no stations broadcasting the traffic program.  
• When “TP SRCH” is not displayed, repeat again from  
the above step 1.  
• “TP SRCH” is displayed.  
While displaying “PTY SRCH”, select the  
desired program type.  
PTY search  
• Use this function to automatically search and receive  
the stations broadcasting the desired program type.  
2
PTY SELECT  
In the FM mode, select the PTY search mode.  
1
• Each time this button is pressed, one of 32  
different types of programs is selected.  
(NEWS, AFFAIRS, INFO, SPORT, EDUCATE, DRAMA, CULTURE,  
SCIENCE, VARIED, POP M, ROCK M, EASY M, LIGHT M,  
SEARCH M.  
CLASSICS, OTHER M, WEATHER, FINANCE, CHILDREN, SOCIAL,  
RELIGION, PHONE IN, TRAVEL, LEISURE, JAZZ, COUNTRY,  
NATION M, OLDIES, FOLK M, DOCUMENT, TEST, ALARM, NONE)  
• When “PTY SRCH” is not displayed, repeat again  
from the above step 1.  
• “PTY SRCH” is displayed.  
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ADJ UST  
TUNE  
-, +  
3
• The tuner automatically searches a station  
offering PTY services.  
• If no station is found, “NO PROG” is displayed.  
PRESET  
-, +  
TUNING/ PRESET  
or  
While the PTY indicator is flickering,  
select the desired program type.  
EON PTY (EON: Enhanced Other  
Networks information)  
2
• Use this function to automatically search and receive  
the desired program type while listening to a RDS  
station.  
PTY SELECT  
In the RDS mode,  
1
• If one of the preset stations is broadcasting the  
selected program type, it will be tuned in while  
listening to a RDS station.  
EON PTY  
• If the station stops broadcasting the selected  
program type, the tuner will find other stations  
repeatedly.  
• If no station is found, the previous RDS station will  
be tuned in.  
• When the PTY indicator goes off, repeat again from  
the above step 1.  
• press the EON PTY button to cancel the EON PTY  
mode.  
• Program type is displayed and the EON PTY indicator  
is flickering.  
EON TA  
DISPLAY  
• Use this function to automatically search and receive  
the traffic announcement while listening to traffic  
program.  
In the FM mode,  
In the TP mode,  
RDS  
EON TA  
• Each time this button is pressed, the display mode  
changes as follows;  
• Traffic program is displayed and the EON TA indicator  
lights up.  
• If the preset station broadcasting traffic announcement  
is found, it will be tuned in while listening to the traffic  
program.  
Program  
ervice name  
(PS)  
Program  
Type  
Clock  
Time  
(CT)  
Radio  
Text  
requency  
(PTY)  
(RT)  
• If the station stops broadcasting traffic announcement,  
the tuner will find other stations repeatedly.  
• If no station is found, the previous traffic program  
station will be tuned in.  
• If the signals are too weak or no RDS service is  
available, “NO NAME”, “NO PTY”, “NO TIME” or  
“NO TEXT” will be displayed.  
• Press the EON TA button to cancel the EON TA mode.  
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ANALOG AUDIO/VIDEO RECORDING  
• The analog signals (except front L/R channel) from the 7 CH DIRECT inputs as well as the digital signals from the coaxial or  
optical digital input cannot be recorded.  
• The volume and tone (bass, treble) settings have no effect on the recording signals.  
Start recording on the TAPE.  
Recording with TAPE  
2
Select the desired input as a recording  
source except for TAPE.  
1
Start play on the desired input.  
TUNER  
AUX  
VIDEO1  
VIDEO2  
VIDEO3  
INPUT SELECTOR  
3
or  
Start recording on the VIDEO 1.  
Dubbing from video components onto  
VIDEO 1  
2
Select VIDEO 2 or VIDEO 3 as a recording  
source.  
1
Start play on the VIDEO 2 or the VIDEO 3.  
3
INPUT SELECTOR  
VIDEO2  
VIDEO3  
or  
• The audio and video signals from the VIDEO 2 or the  
VIDEO 3 will be dubbed onto the VIDEO 1 and you  
can enjoy them on the TV set and from the speakers.  
Press the OSD button on the remote control unit  
Dubbing the audio and video signals  
separately onto VIDEO 1  
and select FUNCTION SELECT  
VIDEO  
2
SELECT VIDEO 2.  
(Refer to page 39.)  
Example) When dubbing the VIDEO 2 video signal  
and the CD audio signal separately onto  
VIDEO 1.  
Select AUX as an audio recording source.  
CD player should be connected to AUX jacks.  
1
OSD  
INPUT SELECTOR  
AUX  
or  
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Start recording on the VIDEO 1.  
Start play on the AUX and the VIDEO 2  
respectively.  
3
4
• The audio signal from the AUX and the video signal  
from the VIDEO 2 will be dubbed and you can  
enjoy them on the TV set and from the speakers.  
If you select AUX for hearing and VIDEO 1 for seeing, whenever you select AUX, the VIDEO 1 is selected  
automatically as video input source. So you are sure to be observe the order and doing of the above steps 1 and 2.  
DIGITAL AUDIO RECORDING WITH MD RECORDER  
• Only when the OPTICAL DIGITAL OUT of this receiver is connected to the OPTICAL DIGITAL IN of the MD recorder or CD  
recorder, you can enjoy high-quality sound of digital recording without converting the original signals. Refer to “  
CONNECTING AUDIO COMPONENTS”/ “ CONNECTING VEDIO COMPONENTS”/“CONNECTING DIGITAL INs and OUT”  
on page 6~7 and the operating instructions of the MD recorder or CD recorder.  
Notes:  
• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.  
• In most DVDs as well as some CDs, etc., digital recording may not be available depending on the signal format.  
• There are some restrictions on recording digital signals. When making digital recordings, refer to the operating instructions of  
your digital recording equipment to know what restrictions are imposed.  
Select a desired input of AUX, VIDEO  
1~3 as a recording source.  
For digital recording, select the desired  
digital input as recording signal input.  
1
2
DIGITAL INPUT  
AM/ FM MODE  
AUX  
VIDEO1  
VIDEO2  
VIDEO3  
INPUT SELECTOR  
• Each time this button is pressed, the corresponding  
input is selected as follows:  
or  
A(nalog) o(ptical) 1 o(ptical) 2 c(oaxial) 1  
Note : When the selected digital input is not  
connected, “DIGITAL” indicator flickers.  
There will be no recording as well as no sound.  
Start play on the desired input.  
Start recording on the component  
connected to OPTICAL DIGITAL OUT.  
4
3
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OTHER FUNCTIONS  
Operating the sleep timer  
Adjusting the brightness of the  
fluorescent displays  
• The sleep timer allows this unit to continue to operate  
for a specified period of time before automatically  
shutting off.  
• To set the receiver to automatically turn off after the  
specified period of time.  
DIMMER  
SLEEP  
• Each time this button is pressed, the brightness of  
fluorescent display of this unit changes as follows;  
ON  
dimmer  
OFF  
• Each time this button is pressed, the sleep time  
changes and “GOOD NIGHT” message scrolls.  
• In the display OFF mode, pressing any button will  
restore the display ON mode.  
10  
20  
30  
Unit : minutes  
60  
90  
OFF  
• While operating the sleep timer, “SLEEP” lights up.  
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Using the OSD  
This unit incorporates an OSD(On-screen display) function to provide information about basic operation of this unit and to  
simplify the setup procedures.  
The OSD function uses a monitor TV connected to this unit as a display and has two kinds of display modes such as current  
status display and menu screen.  
Notes:  
• Any on-screen display shown on the monitor TV will not be recorded onto VIDEO 1.  
• In some countries, this unit allows you to select either NTSC or PAL color system as video format.  
If it is different from your video components and video softwares, etc., in the standby mode, press the ADJUST down(  
button keeping the SETUP button pressed on the front panel, then the video format is changed to the NTSC or the PAL  
color system.  
)
However, it is fixed to NTSC color system in other countries.  
CURRENT STATUS DISPLAY  
When the AUTO OSD mode is set to ON on the menu screen, this mode shows the status corresponding to each  
operation.  
• The on-screen display will automatically disappear in several seconds.  
• For examples, there are 2 status displays as follows.  
When selecting the desired input source  
When selecting the TEST TONE mode  
• When the speaker setting is “N”, the test tone of the  
corresponding channel is not shown.  
Input source  
Digital input  
• When adjusting each channel level or overall volume, the  
volume level display will be shown.  
• The test tone display will be shown until the test tone mode is  
canceled.  
MENU SCREEN  
• This function simplifies the setup procedures.  
• The menu screen operation is performed easily with the CURSOR control(  
,
,
,
), OSD and ENTER buttons.  
Turn the menu screen on.  
1
OSD  
OSD : quit this OSD  
: press cursor up( )/ down( ) button to move  
ENTER : select menu or change the setting  
• The main menu will be shown.  
• To turn the menu screen off, press this button again.  
,
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Select the desired menu using the  
CURSOR UP( ) or DOWN( ) button.  
CURSOR  
2
3
Confirm your selection.  
ENTER  
When selecting the SPEAKER SETUP  
When selecting the FUNCTION SELECT  
When selecting the SURROUND MODE  
• Only when one of TUNER, TAPE, 7 CH DIRECT and AUX is selected, you can select a video input  
source on the VIDEO SELECT menu and enjoy the audio and video signals separately.  
• When dubbing them onto VIDEO 1, select either VIDEO 2 or VIDEO 3 on the VIDEO SELECT menu.  
• The displayed surround mode changes depending on the input signal format.(Refer to “Selecting the  
surround mode” page 24.)  
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When selecting the CH LEVEL SETUP  
When selecting  
PRESET TRIM menu  
When selecting  
CH LEVEL TRIM menu  
• You can adjust the preset channel level in PRESET TRIM menu.  
The adjusted is(are) memorized in preset channel level.  
• You can adjust the current channel level in CH LEVEL SETUP mode.  
The adjusted is(are) just memorized, not in preset channel level.  
• If you press ENTER button on the remote control unit after adjusting the current channel level in CH LEVEL SETUP  
menu, that setting is memorized in preset channel level. You can load it again by selecting PRESET CALL.  
When selecting the AUTO OSD  
• Each time the ENTER button is pressed, the AUTO OSD mode is set to ON to turn on the current display or OFF  
to turn it off.  
• When the AUTO OSD mode is set to ON, the current status display overlays the program image on the monitor TV  
and may interference with your movie enjoyment. In such a case, set it to OFF.  
Select the desired menu or(and) change the  
condition with the corresponding buttons.  
Repeat the above steps 2~4 to change the  
conditions on other menus.  
4
5
Notes:  
• OSD function on this unit can display all the settings.  
• According to your selections for the input source, input signal, decoding mode, surround mode, speaker settings,  
etc., the conditions of each menu may differ.  
• When adjusting the speaker distance or channel level, etc., use the CURSOR LEFT( ) and RIGHT( ) buttons.  
• In OSD, the parenthesized passage means that it is changeable by pressing CURSOR LEFT( ) and RIGHT(  
buttons.  
)
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Troubleshooting Guide  
If a fault occurs, run through the table below before taking your receiver for repair.  
If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation, consult  
your dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the warranty.  
PROBLEM  
POSSIBLE CAUSE  
REMEDY  
No power  
• The AC input cord is disconnected.  
• Poor connection at AC wall outlet or the outlet  
is inactive.  
• Connect the cord securely.  
• Check the outlet using a lamp or another  
appliance.  
Power shuts off abruptly  
during operation  
The protection circuit is activated by the  
following causes.  
• Speaker terminals are short-circuited.  
Should this happen, do the following steps.  
• Switch off the power and check the speaker  
connections.  
• Speaker settings are not adjusted correctly.  
• This unit is operated for long periods of time  
at extreme sound levels.  
• Adjust the speaker settings correctly.  
• Adjust the volume low.  
No sound  
• The speaker cords are disconnected.  
• The master volume is adjusted too low.  
• The MUTE button on the remote control is  
pressed to ON.  
• Check the speaker connections.  
• Adjust the master volume.  
• Press the MUTE button to cancel the muting  
effect.  
• Incorrect selection of the input source.  
• Incorrect connections between the  
components.  
• Select the desired input source correctly.  
• Make connections correctly.  
No sound from the surround  
speakers  
• Surround mode is switched off(stereo mode).  
• Select a surround mode.  
• Master volume and surround level are too low. • Adjust master volume and surround level.  
• A monaural source is used.  
• Surround speaker setting is “N”.  
• Select a stereo or surround source.  
• Select the desired surround speaker setting.  
No sound from the center  
speaker  
• Dolby Virtual, stereo mode, etc. is selected.  
• Center speaker setting is “N”.  
• Master volume and center level are too low.  
• Select the desired surround.  
• Select the desired center speaker setting.  
• Adjust master volume and center level.  
No sound from the surround  
back speaker  
• The input signal format or the current surround  
mode cannot support the 6.1 surround playback.  
• Master volume and surround back level are  
too low.  
• Under the proper situations, perform the 6.1  
surround playback.  
• Adjust master volume and surround back  
level.  
• Surround back speaker setting is “N”.  
• Select the desired surround back speaker  
setting.  
Stations cannot be received  
• No antenna is connected.  
• The desired station frequency is not tuned in.  
• The antenna is in wrong position.  
• Connect an antenna.  
• Tune in the desired station frequency.  
• Move the antenna and retry tuning.  
Preset stations cannot be  
received  
• An incorrect station frequency has been  
memorized.  
• The memorized stations are cleared.  
• Memorize the correct station frequency.  
• Memorize the stations again.  
Poor FM reception  
• No antenna is connected.  
• The antenna is not positioned for the best  
reception.  
• Connect an antenna.  
• Change the position of the antenna.  
Change the position of the antenna.  
Install an outdoor antenna.  
Continuous hissing noise during  
FM reception, especially when a  
stereo broadcast is received.  
• Weak signals.  
•
•
Continuous or intermittent  
hissing noise during AM  
reception, especially at night.  
• Noise is caused by motors, fluorescent lamps  
or lightning, etc.  
• Keep the receiver away from noise sources.  
• Install an outdoor AM antenna.  
Remote control unit does not  
operate.  
• Batteries are not loaded or exhausted.  
• The remote sensor is obstructed.  
• Replace the batteries.  
• Remove the obstacle.  
OSD function is not available  
• Video connections between this unit and the  
TV monitor are not made correctly.  
• Make proper video connections.  
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Specifications  
Amplifier Section  
Power output, stereo mode, 6 Ω, THD 0.3 %, 40 Hz~20 kHz | 2 100 W  
Total harmonic distortion, 6 Ω, 50 W, 1 kHz | 0.09%  
Intermodulation distortion  
60 Hz : 7 kHz= 4 : 1 SMPTE, 6 Ω, 100 W | 0.1%  
Input sensitivity, 47 kΩ  
Line (AUX) | 200 mV  
Signal to noise ratio, IHF “A” weighted  
Line (TAPE) | 95 dB  
Frequency response  
Line (AUX, TAPE), 20 Hz~44 kHz |  
Output level  
3 dB  
TAPE OUT, 2.2 kΩ | 180 mV  
Bass/Treble control, 100 Hz/10 kHz |  
Surround mode, only channel driven  
10 dB  
Front power output, 6 Ω, 1 kHz, THD 0.3 % | 100 W+100 W  
Center power output, 6 Ω, 1 kHz, THD 0.3 % | 100 W  
Surround power output, 6 Ω, 1 kHz, THD 0.3 % | 100 W+100 W  
Surround back power output, 6 Ω, 1 kHz, THD 0.3 % | 100 W  
Digital Audio Section  
Sampling frequency | 32, 44.1, 48, 96 kHz  
Digital input level  
Coaxial, 75 Ω | 0.5 Vp-p  
Optical, 660 nm | -15 ~ -21 dBm  
Video Section  
Video format | PAL  
Input sensitivity(=Output level), 75 Ω  
Video (Composite(normal)) | 1 Vp-p  
S-Video (luminance signal) | 1 Vp-p  
(chrominance signal) | 0.286 Vp-p  
FM Tuner Section  
Tuning frequency range | 87.5~108 MHz  
Usable sensitivity, THD 3%, S/N 26 dB | 17.2 dBf  
46 dB quieting sensitivity, mono/stereo | 20.8/41.2 dBf  
Signal to noise ratio, 1 mV, mono/stereo | 72/65 dB  
Total harmonic distortion, 1 kHz, mono/stereo | 0.2/0.4 %  
Frequency response, 20 Hz~15 kHz |  
1 dB  
Stereo separation, 65 dBf, 1 kHz | 45 dB  
Capture ratio | 4 dB  
IF rejection ratio | 120 dB  
AM Tuner Section  
Tuning frequency range | 522~1611 kHz  
Usable sensitivity | 500 V/m  
Signal to noise ratio | 40 dB  
Selectivity | 25 dB  
General  
Power supply | AC 220 - 240 V, 50/60 Hz  
Power consumption | 110 W  
Dimensions (W  
H
D) | 435 73.5 254 mm (17-1/8 2-7/8 10 inches)  
Weight (Net) | 4.2 kg (9.3 Ibs)  
Note: Design and specifications are subject to change without notice for improvements.  
42  
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Appendix  
INITIALIZING THE SYSTEM  
• When the display is not normal or when the operation of the unit does not shows the reasonable result, the  
initialization of this unit is required by the following procedure.  
After seeing the flickering standby indicator,  
take your hand(s) off from buttons.  
In standby mode, press SETUP and  
DECODING buttons at the same time.  
2
1
SETUP  
DECODING  
MEMORY  
TUNE MODE  
• If this unit has been reset, all the button settings  
are reset to the default values (the values set upon  
shipment from the factory).  
SETTING UP THE SYSTEM ON FRONT PANEL  
• You can adjust the system settings in succession according to your system using the buttons on the front panel.  
• This section explains how to adjust the settings using the buttons on the front panel.  
• Refer to the corresponding pages indicated in ( ) for details about each mode and use of remote control.  
Press the SETUP button for more than 2 seconds, then it enters the setup mode.  
While displaying the setup mode, each time the SETUP button is pressed, the setup mode changes as  
1
follows:  
While displaying the selected setup mode, each time the DECODING button is pressed, the setting mode changes  
as follows:  
2
While displaying the selected setting mode, each time the ADJUST UP( ) or DOWN( ) button is pressed, the  
mode is adjusted to the desired setting.  
3
Notes:  
• Only when selecting preset channel levels, press ADJUST UP( ) or DOWN( ) button to change the setting  
mode and DECODING button to confirm your decision(refer to page 26).  
• If the display of the corresponding mode disappears, start from the step 1 again.  
• To help your understanding, each setting operation is explained with using its default setting.  
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ADJ UST  
SETUP  
DECODING  
MEMORY  
TUNE MODE  
TUNING/ PRESET  
[ 1 ]  
[ 2 ]  
[ 3 ]  
Turn back to previous surrond mode and  
select the desired surround mode.  
(For details, refer to “Selecting the surround  
mode” on page 24.)  
STEREO(or 2 CH DOWNMIX) mode  
Surround mode  
: not available when the  
input signal is 96kHz PCM  
or headphone is used.  
( ): Possible when the digital signals from the DTS  
or Dolby Digital program sources are being  
input.  
Adjust the selected mode as desired.  
(For details, refer to “Adjusting the speaker  
settings” on page 19.)  
FL-CL-SL SUR B - L SUB W-Y FRONT 3.0(m)  
Speaker setup mode  
(“FL - CL - SL”)  
CFREQ80 NARROW SURROUND 3.0(m) CENTER 3.0(m)  
Adjust the level of the selected channel as  
desired.  
(For details, refer to “Adjusting each  
channel level” on page 25.)  
FL  
C
FR  
SR  
SB  
Channel level trim mode  
(“FL 0”)  
SW  
SL  
[2] Select Preset Call or Preset Memory as  
desired.  
[1] Preset channel level mode  
(“P CALL”)  
[3] Confirm your decision.  
Adjust the level of the selected LFE channel  
as desired.  
(For details, refer to “Adjusting the LFE  
channel level” on page 27.)  
LFE channel level mode  
(“DD L”)  
DD L  
DTS L  
MP L  
Tone mode  
BASS  
TRBL  
TONE ON  
Adjust the tone as desired.  
(For details, refer to “Adjusting the tone  
(bass and treble)” on page 26.)  
(“BASS” or “TONE OFF”)  
: available only when STEREO is  
selected during that analog or PCM  
signal is input.  
• While displaying “TONE OFF”, you cannot  
adjust the tone.  
Select the desired setting.  
Dynamic range mode  
(“DYNR 0.0”)  
: available only when the input  
signal is Dolby Digital.  
(For details, refer to “compressing the  
dynamic range(Dolby Digital sources only)”  
on page 28.)  
Ignore this step and skip to the step 3.  
Dolby Pro Logic II Music  
Parameter mode  
(“PANO OFF”)  
Adjust the selected parameter as desired.  
(For details, refer to “Adjusting the Dolby  
Pro Logic II Music parameters” on page 29.)  
PANO OFF  
C-WID 0  
DIMEN 0  
: available only when the  
current surroudn mode is  
Dolby Pro Logic II Music.  
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SETUP CODE TABLE  
TV  
ADMIRAL  
AKAI  
050 134  
ELCIT  
046 097 103 050 109 127  
093 049 123  
132  
ALBA  
068  
ELMAN  
046 132  
ALBIRAL  
ALCATEL  
AMSTRAD  
ANAM  
116  
ELTA  
090  
022  
EMERSON  
ERRES  
158 098 050  
000 021  
049 142  
155 156 157  
EUROPHON  
098 046 097 099 051 115  
132  
ARC EN CIEL  
ARISTONA  
028 039 043 145 081  
099 049 050 019 142 149  
FERGUSON  
146 040 041 150 057 061  
116 149  
078  
ARTHUR MARTIN  
053 139 117 120 122 123  
FIDELITY  
FINLUX  
099 149  
125 128  
034 046 053 055 057 109  
113 073 074 079  
015 048 050 052 109 136  
149  
ASA  
050 055 057 113 134  
ATLANTIC  
AUDIOSONIC  
AUSIND  
099 111  
FISHER  
054  
FORGESTONE  
FORMENTI  
FORTRESS  
FRABA  
053  
099 053 109 111 125  
137  
AUTOVOX  
BAIRD  
099 144 055 019 057 069  
083  
075  
BASICLINE  
BAUR  
006  
FRONTECH  
FUJITSU  
FUNAI  
054  
011  
025  
BEKO  
023 049  
054 059  
BLAUPUNKT  
BRANDT  
BRION VEGA  
BRUNS  
094 100 102 111 114  
GBC  
109 132  
028 039 040 043 145 081  
GEC  
099 060 109 115 134 088  
103 109 132 134 090  
092 003 017 099 049 075  
076 077 090 152  
033 049 060 077  
066 136  
050  
GELOSO  
GOLDSTAR  
048 050  
BSR  
059 110 132  
BUSH  
033 068 124 074  
GOODMANS  
GORENJE  
GREATZ  
CENTURY  
CGE  
098 101 050 079 136  
016 101 124 079 132 136  
001 058 109 122 123 128  
129 130 134  
CIHAN  
065  
CLARIVOX  
CONDOR  
CONTEC  
CONTINENTAL  
EDITION  
CROSLEY  
CROWN  
CTC CLATRONIC  
DAEWOO  
DECCA  
048 116  
099 111  
087  
GRANADA  
GRUNDIG  
HANSEATIC  
033 099 049 058 060 142  
115 125 134  
094 100 057 058 108 112  
114 082  
028 039 040 043 145 081  
033 047 099 049 109 139  
111  
101 050 109  
147  
HANTAREX  
HEMMERMANN  
HIFIVOX  
097  
046  
127  
089  
028 039 043 145 081  
158 033 045 143 090  
014 033 034 036 099 145  
056 109 139 110 067 117  
132 134 084 091 081 088  
093 099  
099 060 063 115 118  
HINARI  
DEGRAAF  
DIXI  
036  
HITACHI  
049 090  
049  
DRYNATRON  
DUAL  
099 141  
096 099 132  
046 050 057 073  
016 116  
065  
HYPER  
DUAL-TEC  
DUMONT  
ELBE  
IMPERIAL  
INGELEN  
016 101 124 079 132 133  
001 058 109 122 128 129  
130 134  
ELBIT  
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INNO HIT  
093 098 097 099 143 077  
NORDMENDE  
028 032 039 043 145 131  
090  
091 081  
INTERFUNK  
047 049 050 145 058 109  
OCEANIC  
ONCEAS  
OPTONICA  
ORION  
109 064 123  
142 123 128 129 091  
099  
IRRADIO  
ITT  
093 143 053 077 090  
137  
001 140 058 105 109 122  
000 059 118 068 127 090  
123 128 148 129 130 134  
OSAKI  
060  
135 083 089  
OSIO  
077  
JVC  
033 154  
OSUME  
087  
KTV  
099  
OTTO VERSAND  
P.T ACTTRON  
PAEL  
033 047 049 109 139  
065  
KAISUI  
006  
KARCHER  
KENDO  
KENNEDY  
KORTING  
KRIESLER  
006  
099 053  
098  
PANASONIC  
030 042 095 104 107 109  
121 126  
144 019 109  
050 059 111  
PATHE CINEMA  
PERDIO  
099 111 116 132  
060  
099 049 050 019 142 149  
078  
PHILCO  
016 030 101 050 109 124  
079 132 136  
LENOIR  
099  
LOEWE OPTA  
008 097 047 049 050 115  
072  
PHILIPS  
009 010 013 018 024 099  
049 050 019 142 148 149  
078 088  
LOGIK  
LUMA  
118 149  
049 120 134  
PHOENIX  
PHONOLA  
099 053 109 111 125  
099 049 050 019 142 149  
078  
LUXOR  
058 139 117 120 123 129  
135 083  
MAGNADYNE  
046 097 103 050 109 115  
127 132  
PIONEER  
PRANDONI-  
PRINCE  
020 049 145 091  
MAGNAFON  
MARANTZ  
MATSUI  
046 097 099 051 053 115  
049  
098 097 053 115 134  
124  
PREMIER  
PRINCE  
158 099 106 060 118 068  
134 090  
098 097 053 134  
049 054  
PROTECH  
PYE  
McMICHAEL  
MEMOREX  
METZ  
088  
099 049 050 019 142 148  
149 078  
090  
094 050 114 133  
094 100 057 058 114  
149  
QUASAR  
QUELLE  
046 097 051 053 077  
047 099 100 049 053 055  
057 058 111 112 113 114  
118 123 073 074 128  
099 049 050 019 142 149  
078  
MINERVA  
MISTRAL  
MITSUBISHI  
033 035 047 049 050 062  
118 119 148 080 138  
097 099 115 077  
046 099 115 136  
134  
RADIOLA  
MIVAR  
MULTITECH  
MURPHY  
MAONIS  
NATIONAL  
NEC  
RADIOMARELLI  
046 097 103 050 109 062  
127 132  
096 144 019 110 134  
042 104 109  
RANK  
074  
RBM  
074  
033 085  
REDIFFUSION  
REX  
062 123 134  
NECKERMANN  
NEI  
099 050 139 120 136  
049  
096 144 019 141 110 069  
134  
NIKKAI  
060  
ROBOTRON  
RTF  
048 050  
NOBLEX  
NOBLIKO  
NOGAMATIC  
NOKIA  
015  
048 050  
098 046 099 053 057  
028 039 043 145 081  
001 140 058 105 109 122  
123 128 148 129 130 134  
135 083 089  
SABA  
028 031 032 037 039 040  
043 097 050 145 115 120  
086 091 081  
SAISHO  
SALORA  
158 099 118 119 068 090  
053 139 117 120 122 123  
125 128 135 083  
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SAMBERS  
SAMPO  
046 097 051 053 115 077  
121  
UNIVERSUM  
UNIVOX  
092 034 054 077  
116  
SAMSUNG  
015 026 099 054 077 136  
090 151 153  
VEGAVOX  
VOXSON  
WATSON  
WATT RADIO  
WEGA  
079  
050 134  
SANYO  
SBR  
001 002 005 033 044 048  
060 113 118 071 054 136  
049 142 148 149 088  
111  
046 099 051 109 116 127  
033  
SCHAUB LORENZ 001 058 109 122 123 128  
129 130 134  
WHITE  
WESTINGHOUSE  
YOKO  
099 111  
SCHNEIDER  
096 099 049 050 052 019  
099  
141 109 142 125 149 078  
ZANUSSI  
ZOPPAS  
096 144 019 110 069 134  
096 144 019 110 134  
132  
SEG  
046  
SEI  
158 059  
VCR  
SELECO  
016 096 144 019 141 110  
069 134  
SHARP  
033 087 137  
AKAI  
042 022 052 032 033  
Sherwood  
SIAREM  
SICATEL  
SIEMENS  
000  
ALBA  
008 020  
046 097 050 109 115  
AMSTRAD  
ANITSCH  
ARC EN CIEL  
ARISTONA  
ASA  
011  
116  
009  
005 094 036 100 111 114  
042 056 052  
087  
045 031  
SIERA  
099 049 050 019 142 149  
018  
078  
AWIA  
011 042  
SILVER  
054  
BAIRD  
042 033  
SINGER  
SINUDYNE  
SONOKO  
SONY  
016 046 050 109  
158 046 050 059 109 127  
049 090  
BAUER. BOSCH  
BLAUPUNKT  
BRANDT  
014 043  
014 043 055 031 054 040  
146 007 027 033 038 118  
096 144 019 110 069 134  
133  
ELECTRONIQUE  
BRIONVEGA  
BUSH  
042 056 052  
STERN  
041  
TANDBERG  
TANDY  
008 020  
099 060 137  
C.EDISON  
CANON  
041  
TASHIKO  
TATUNG  
TEC  
002 033  
014  
099 060 063 065 115 118  
096 099 132  
CAPEHART  
CGE  
020  
011 042 052  
TELEAVIA  
028 039 040 043 145 091  
081  
CONTINENTAL  
EDISON  
042 056 052  
TELEFUNKEN  
TELETECH  
TELEVIDEON  
TENSAI  
028 041 145 150 086 091  
090  
CRAIG  
000 013  
CURTIS MATHES  
DAEWOO  
DAYTRON  
DECCA  
019  
099 053 109 111 125  
049  
001 020 021  
020  
THOMSON  
012 028 032 039 040 043  
145 091 081  
011 042  
DEGRAAF  
DUAL  
003 006 011 045 018  
042 052  
THORN-  
FERGUSON  
014 040 041 054 150 057  
061 116 149 086  
029  
DUMONT  
DYNATECH  
EMERSON  
FERGUSON  
FIDELITY  
FINLANDIA  
FINLUX  
003 011 018  
011  
TOCOM  
002 010 011 019 025  
042 059 030 052 034 036  
011  
TOSHIBA  
TRANS  
004 016 033 070 074  
CONTINENTS  
TRIUMPH  
UHER  
098 097 053 134  
158  
003 018  
003 006 011 018  
000 003 005  
052 111 125  
FISHER  
ULTRA VOX  
098 046 099 050 109 120  
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FUNAI  
011  
OSAKI  
011  
GE  
019  
OTTO VERAND  
P. CINEMA  
PALLADIUM  
PANASONIC  
PATHE MARCONI  
PENTAX  
043  
GENERAL  
GOLDSTAR  
GOODMANS  
GRAETZ  
GRANADA  
GRUNDIG  
014  
014  
004 062  
041 014  
008 011 046  
023 051 040  
041 042 056 050 052 038  
042 056 052  
003 005 018  
006 007  
014 043 018 055 031 053  
PERDIO  
011  
054  
043  
PHILIPS  
012 014 045 046 018 029  
HANSEATIC  
HARMAN-  
KARDON  
HIFIVOX  
HINARI  
031  
PHONOLA  
PIONEER  
PORTLAND  
PROLINE  
PYE  
014 045 018 029 031  
004  
060  
042 056 052  
020  
002 008 024 027  
011  
HITACHI  
IMPERIAL  
INGELEN  
INGERSOL  
ITT  
006 007 011 042 057  
014 045 018 029 031  
005  
011  
QUARTZ  
QUELLE  
042 056 052 038  
002 044 054  
045 031  
027  
RADIOLA  
RADIOMARELLI  
RCA  
005 041 042 056 050 052  
041  
033 038  
019  
JENSEN  
042  
REALISTIC  
000 003 005 011 013 045  
046  
JVC  
042 056 060 030 052 063  
KENWOOD  
KRIESLER  
KUBA  
005 042 060  
REX  
042 056 052  
039 042 056 052 035  
002 010 025 027  
005 017  
045 031  
SABA  
043  
SAISHO  
SALORA  
SAMSUNG  
SANSUI  
SANYO  
SBR  
LLOYD  
011  
LOEWE OPTA  
LOGIK  
014 018 029 031  
008 027  
013 019 032 061  
042 060  
LUXOR  
033 038  
000 003 005 025 038  
018 029  
MAGNADYNE  
MAGNASONIC  
MAGNAVOX  
MARANTZ  
MATUI  
041  
038  
SCHAUB LORENZ 041 042 056 050 052 038  
019  
SCHNEIDER  
SEI-SINUDYNE  
SELECO  
SENTRA  
SHARP  
008 011 045 031  
004 014 046 018 031  
010 025 027  
000 003 005 011 045  
014 043 031 054 037  
017  
027  
042 056 052  
MEMOREX  
METZ  
020  
045 046 105 048  
MGA  
SHINTOM  
SIEMENS  
SIERA  
008  
MINERVA  
MINOLTA  
MITSUBISHI  
MTC  
055 054  
014 043 055 031 054 038  
006 007  
045 031  
060 017 049  
011 013  
SINUDYNE  
SONY  
027  
044 015 016 026 028  
MULTITECH  
MURPHY  
NAONIS  
008 011  
STERN  
042 056 052  
006  
011  
STS  
042 056 052  
040  
SUNKAI  
025  
NATIONAL  
NEC  
SYLVANIA  
SYMPHONIC  
TASHIKO  
TATUNG  
TEAC  
011 017  
011 017  
011  
004 042 060 052  
002 041 014 042 052  
042 056 052  
003 005 041 042 056 050  
052 033 038  
039 042 056 052 053 035  
045 046  
NECKERMANN  
NOGAMATIC  
NOKIA  
011 042  
011 042  
011  
TEKNIKA  
TELEAVIA  
TELEFUNKEN  
TENOSAL  
NORDMENDE  
OPTONICA  
ORION  
042 056 052  
042 056 052  
008  
002 010 025 027  
48  
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THOMSON  
THORN-  
042 056 052  
CBL  
FERGUSON  
039 042 059 030 052 034  
ABC  
002 003 009 030  
036  
007 006 008  
TOSHIBA  
TOTELEVISION  
UHER  
001 042 056 017 058 052  
Allegro  
018 021  
013  
Archer  
018 026  
042  
Bell&Howell  
Century  
Citizen  
009  
ULTRA VOX  
UNITECH  
UNIVERSUM  
URANYA  
041  
018  
013  
018 021  
041 014 043  
Comtronics  
Contec  
014  
041  
011  
VECTOR  
004  
Easten  
001  
VICTOR  
042 060  
041  
Emerson  
Everquest  
Focus  
026  
VIDITAL  
010 014  
WESTING HOUSE 041  
022  
WARDS  
YAMAHA  
ZANUSSI  
ZENDER  
ZOPPAS  
019  
Garrard  
Gemini  
018  
004 042  
042 056 052  
052  
010  
General Instrument  
GoldStar  
Goodmind  
Hamlin  
033 276 006 034  
017 040  
042 056  
026  
012 020 004 013  
Hitachi  
006  
DVD  
Hytex  
007  
Jasco  
010 018 021  
DENON  
017  
Jerrold  
002 007 033 032 009 010  
GE  
003 004  
006 034  
JVC  
007  
Memolex  
Movie Time  
NSC  
000  
LG  
011 010  
015  
MAGNAVOX  
MITSUBISHI  
ONKYO  
019  
015  
001  
Oak  
011  
009  
Optimus  
Panasonic  
Paragon  
Philips  
031  
PANASONIC  
PHILIPS  
PIONEER  
PROSCAN  
RCA  
015  
000 016 031  
000  
019  
002 023  
018  
003 004  
Pioneer  
017 025  
003 004  
Popular Mechanics 022  
SAMSUNG  
SHERWOOD  
016 008  
Pulsar  
000  
000 010 011 012 013 014  
Quasar  
000  
022 020 021  
005  
RCA  
031  
SONY  
Radio Shack  
Recoton  
Regal  
010 021 026 028  
THOMSON  
TOSHIBA  
VIETA  
003 004  
006  
022  
012 020  
014  
Regency  
Rembrandt  
Runco  
001  
YAMAHA  
ZENITH  
019  
006  
011 010  
000  
SL Marx  
Smasung  
Scientific Atlanta  
Signal  
014  
017 014  
003 023 030 027  
010 014  
006  
Signature  
Sprucer  
031  
Starcom  
002 010  
49  
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Stargate  
Starquest  
TV86  
010 014 026  
010  
MAGAI  
022  
MARANTZ  
MASPRO  
MATSUSHITA  
METZ  
012  
015  
016  
Teleview  
Tocom  
014  
000  
007 008  
000  
036  
Toshiba  
Tusa  
MINERVA  
MULTISTAR  
MURATO  
NEC  
036  
010  
022  
Unika  
018  
004  
United Artists  
Universal  
Viewstar  
Zenith  
007  
040  
153 019  
015  
NEIRU  
021  
NOKIA  
026 037  
000 024  
022  
NORSAT  
PACE  
015  
Zentek  
001 042 016 017 018 044  
PANASONIC  
PHILIPS  
032  
003 011 012 029  
PHONOLA  
PROSAT  
PYE  
016  
SAT  
030  
016  
ALBA  
030  
QUADRAL  
QUELLE  
030  
AMSTRAD  
ARCON  
008 019 027  
036  
021  
RADIOLA  
REDIFFUSION  
SABA  
016  
ARISTONA  
ASTRA  
016  
015  
028  
035  
BLAUPUNKT  
BUSH  
033  
SALORA  
SAMSUNG  
SAT PARTNER  
SATPORTNER  
026  
016  
003 022  
004  
CH.MASTER  
CITY COM  
DDC  
030  
005  
021  
030  
SCHAUB LORENZ 026 037  
DYNASAT  
ECHOSTAR  
EMME ESSE  
FAIT  
005  
SCHNEIDER  
SIEMENS  
SIERA  
005 016  
033 036  
016  
002 009 032 020  
005  
005  
SILVA  
004 021  
039  
FERGUSON  
FINLUX  
014 041 016 017 018  
SKY  
006 007 013  
STARCOM  
STARSAT  
TECHNISAT  
TELEFUNKEN  
TELESYSTEM  
THORN-  
038  
FRACARRO  
FTE  
005  
022  
022  
003  
GOLDSTAR  
GRAETZ  
GROTHUSEN  
GRUNDIG  
HINARI  
004 021  
026 037  
004  
025  
005  
033 016 018 036  
030  
FERGUSON  
010 014 041 016 017 018  
043  
HIRSCHMANN  
HITACHI  
INGELEN  
ITT  
003 006  
013  
TRIAD  
004  
UNIDEN  
022  
026 037  
034  
UNITED CABLE  
V TECHNOLOGY  
VORTEC  
038  
004  
ITT-NOKIA  
JERROLD  
KATHREIN  
KOSMOS  
KRIESLER  
LENCO  
032 018 026 037  
038 014  
005 022 023  
004  
003 024 025  
022  
ZENDER  
016  
004 021  
026 037  
LUXOR  
50  
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CD  
AUX-TAPE/MD  
ADCOM  
021  
SHERWOOD  
000(for tape deck)  
AIWA  
045 039 022  
015 016(for MD recorder)  
AKAI  
046  
AUDIO  
016  
ARC EN CIEL  
036 014 027 030 031 018  
AUX-LD  
230  
DENON  
FISHER  
H/K  
054  
DAEWOO  
DENON  
002  
006  
012  
017 012 047 016  
GOLDSTAR  
KENWOOD  
MAGNAVOX  
OPTIMUS  
PANASONIC  
PHILIPS  
004  
JVC  
028 034 001  
003  
KENWOOD  
MARANTZ  
MONDIAL  
NAD  
003 020 010 029 006  
010  
015 014  
007  
033  
013  
048 002 042  
010  
NAKAMICHI  
NIKKO  
049  
POINNEER  
RCA  
000 009  
006  
016  
ONKYI  
013 037 011 021 038  
REALISTIC  
SAMSUNG  
SHARP  
007  
PANASONIC  
PHILPS  
PIONEER  
RCA  
051 052  
001 005  
003 011  
013  
014  
005 008 041  
TECHINCS  
TOSHIBA  
YAMAHA  
007 009  
003  
REALISTIC  
SANSUI  
SHARP  
045  
008  
040  
019 053  
SHERWOOD  
000 035 023 019 056 057  
058  
SONY  
050 024 025 026  
055 032  
TEAC  
TECHNICS  
VICTOR  
YAMAHA  
051 004 052  
001  
044 043 016  
51  
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