Roland Electronic Keyboard AT 350C User Guide
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Before using this unit, carefully read the sections entitled:“USING THE UNIT SAFELY”(p. 8), and“IMPORTANT NOTES”(p. 10). These sections provide important  
information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided  
by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.  
Copyright © 2011 ROLAND CORPORATION  
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.  
Roland, GS, SuperNATURAL, VIMA, and VIMA TUNES are either registered trademarks or trademarks of Roland Corporation in the United  
States and/or other countries.  
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Quick Start  
Trying Out the Sounds  
Let’s try playing various instrumental sounds.  
Producing Sound  
Make connections.  
Press the [Power] switch  
While playing the keyboard, use the  
1
2
3
to turn on the power.  
[Master Volume] knob to adjust the volume.  
Connect the AC adaptor and  
headphones (sold separately) (p. 23).  
AC adaptor  
Headphones  
MEMO  
• You can also connect speakers (sold separately) and listen to the ATELIER’s sound through speakers (p. 23).  
• If a pedalboard (PK series; sold separately) or an expression pedal (sold separately) is connected, use the [Master Volume] knob and the  
expression pedal to adjust the volume (p. 55).  
Playing piano sounds in the lower keyboard  
1Press the Lower [Piano] button to select the piano voice.  
2Play the lower keyboard.  
You’ll hear the piano sound.  
Pedalboard sound Lower keyboard sound  
Upper keyboard sound  
MEMO  
• For each keyboard (upper, lower, and pedal), you can select a different voice of your choice (p. 28).  
If you want to use a pedalboard, you’ll need to connect it (PK series; sold separately) (p. 24).  
• You can use the [Others] button to select a variety of voices, such as violin or flute (p. 30).  
What is a Voice?  
The ATELIER lets you play the sounds of a wide variety of instruments. Each of these sounds is called a “voice.”  
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Quick Start  
Performing with Rhythms  
Here’s how to enjoy listening to rhythms in various styles while you play.  
Press a Rhythm button to select the  
Use the Value [-] [+] buttons to  
1
2
desired rhythm group (p. 58).  
select a rhythm.  
MEMO  
You can use the Tempo [ ] [  
]
buttons to change the tempo of  
the rhythm.  
Press the [Start/Stop] button to  
Play along with the rhythm.  
4
3
start the rhythm.  
Press the [Start/Stop] button once again to  
stop the rhythm.  
MEMO  
You can also add an intro or ending to the rhythm (p. 60).  
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Quick Start  
Recalling Voices and Rhythms with a Single Button  
Here’s how you can recall settings for voices and rhythms by pressing a single button.  
Recalling voices and other panel settings  
1Press and immediately release one of the registration [1]–[8] buttons.  
The voices and other panel settings will be recalled.  
Recalling voices and other panel settings as well as rhythm and tempo  
1Press and hold one of the Registration [1]–[8] buttons for several seconds.  
The panel settings as well as the rhythm settings will be recalled.  
Hold for several seconds  
MEMO  
The settings for your favorite sounds and rhythms can be stored at a registration button (p. 67).  
What are “panel settings”?  
“Panel settings”are the settings you make when selecting a voice, or when setting the tempo, the speed of the rotary effect, etc., using  
the ATELIER’s panel.  
What is a Registration?  
The ATELIER lets you recall the settings for voices, rhythms, etc., at the press of a single button. When you store a collection of such  
settings, it becomes what it known as a “registration”(p. 66).  
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Quick Start  
Playing Along with a Song  
Here’s how you can play back one of the songs that are built into the ATELIER, and perform along with the song.  
Press the [Song] button.  
1
Use the Value [-] [+] buttons to  
2
select a song.  
Press the [Play/Stop] button to play  
Play along with the song.  
4
3
back the song.  
Press the [Start/Stop] button once again to  
stop the song.  
MEMO  
You can also play back songs from USB memory or a CD (p. 88, p. 109).  
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About WARNING and CAUTION Notices  
About the Symbols  
The symbol alerts the user to important instructions or  
Used for instructions intended to alert the  
user to the risk of death or severe injury  
should the unit be used improperly.  
warnings.The specic meaning of the symbol is  
determined by the design contained within the triangle. In  
the case of the symbol at left, it is used for general  
cautions, warnings, or alerts to danger.  
Used for instructions intended to alert the  
user to the risk of injury or material  
damage should the unit be used  
improperly.  
The symbol alerts the user to items that must never be  
carried out (are forbidden). The specic thing that must  
not be done is indicated by the design contained within  
the circle. In the case of the symbol at left, it means that  
the unit must never be disassembled.  
* Material damage refers to damage or  
other adverse eꢀects caused with  
respect to the home and all its  
furnishings, as well to domestic animals  
or pets.  
The symbol alerts the user to things that must be  
carried out. The specic thing that must be done is  
indicated by the design contained within the circle. In the  
case of the symbol at left, it means that the power-cord  
plug must be unplugged from the outlet.  
ALWAYS OBSERVE THE FOLLOWING  
Do not open (or modify in any way) the unit or its AC  
adaptor.  
Use only the attached power-supply cord. Also, the supplied  
power cord must not be used with any other device.  
Do not attempt to repair the unit, or replace parts within  
it (except when this manual provides specific instructions  
directing you to do so). Refer all servicing to your retailer,  
the nearest Roland Service Center, or an authorized Roland  
distributor, as listed on the “Information”page.  
Do not excessively twist or bend the power cord, nor  
place heavy objects on it. Doing so can damage the cord,  
producing severed elements and short circuits. Damaged  
cords are fire and shock hazards!  
This unit, either alone or in combination with an amplifier  
and headphones or speakers, may be capable of producing  
sound levels that could cause permanent hearing loss. Do  
not operate for a long period of time at a high volume level,  
or at a level that is uncomfortable. If you experience any  
hearing loss or ringing in the ears, you should immediately  
stop using the unit, and consult an audiologist.  
Never install the unit in any of the following locations.  
• Subject to temperature extremes (e.g., direct sunlight  
in an enclosed vehicle, near a heating duct, on top of  
heat-generating equipment); or are  
• Damp (e.g., baths, washrooms, on wet floors); or are  
• Exposed to steam or smoke; or are  
• Subject to salt exposure; or are  
• Humid; or are  
• Exposed to rain; or are  
• Dusty or sandy; or are  
Do not place containers containing liquid (e.g., flower vases)  
on this product. Never allow foreign objects (e.g., flammable  
objects, coins, wires) or liquids (e.g., water or juice) to enter  
this product. Doing so may cause short circuits, faulty  
operation, or other malfunctions.  
• Subject to high levels of vibration and shakiness.  
This unit should be used only with a stand that is  
recommended by Roland.  
Immediately turn the power off, remove the AC adaptor  
from the outlet, and request servicing by your retailer, the  
nearest Roland Service Center, or an authorized Roland  
distributor, as listed on the “Information”page when:  
When using the unit with a rack or stand recommended by  
Roland, the rack or stand must be carefully placed so it is  
level and sure to remain stable. If not using a rack or stand,  
you still need to make sure that any location you choose for  
placing the unit provides a level surface that will properly  
support the unit, and keep it from wobbling.  
• The AC adaptor, the power-supply cord, or the plug has  
been damaged; or  
• If smoke or unusual odor occurs  
• Objects have fallen into, or liquid has been spilled onto the  
unit; or  
Be sure to use only the AC adaptor supplied with the unit.  
Also, make sure the line voltage at the installation matches  
the input voltage specified on the AC adaptor’s body. Other  
AC adaptors may use a different polarity, or be designed  
for a different voltage, so their use could result in damage,  
malfunction, or electric shock.  
• The unit has been exposed to rain (or otherwise has  
become wet); or  
• The unit does not appear to operate normally or exhibits a  
marked change in performance.  
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USING THE UNIT SAFELY  
In households with small children, an adult should provide  
supervision until the child is capable of following all the  
rules essential for the safe operation of the unit.  
Never climb on top of, nor place heavy objects on the unit.  
Never handle the AC adaptor or its plugs with wet hands  
when plugging into, or unplugging from, an outlet or this  
unit.  
Protect the unit from strong impact.  
(Do not drop it!)  
Do not force the unit’s power-supply cord to share an outlet  
with an unreasonable number of other devices. Be especially  
careful when using extension cords the total power used  
by all devices you have connected—to the extension  
cord’s outlet must never exceed the power rating (watts/  
amperes) for the extension cord. Excessive loads can cause  
the insulation on the cord to heat up and eventually melt  
through.  
If you need to move the instrument, take note of the  
precautions listed below. At least two persons are required  
to safely lift and move the unit. It should be handled  
carefully, all the while keeping it level. Make sure to have a  
firm grip, to protect yourself from injury and the instrument  
from damage.  
• Disconnect the AC adaptor.  
If the AC adaptor is attached to the bottom of the AT-350C,  
detach the AC adaptor.  
Before using the unit in a foreign country, consult with your  
retailer, the nearest Roland Service Center, or an authorized  
Roland distributor, as listed on the “Information”page.  
• Disconnect all cords coming from external devices.  
• Remove the music stand.  
Before cleaning the unit, turn off the power and unplug the  
AC adaptor from the outlet (p. 22).  
The unit and the AC adaptor should be located so their  
location or position does not interfere with their proper  
ventilation.  
Whenever you suspect the possibility of lightning in your  
area, disconnect the AC adaptor from the outlet.  
This (AT-350C) for use only with Roland stand KS-G8 or  
KS-12. Use with other stands is capable of resulting in  
instability causing possible injury.  
Should you remove the music rest fastening screws and  
the ground terminal screw, keep them in a safe place out  
of children’s reach, so there is no chance of them being  
swallowed accidentally.  
Even if you observe the cautions given in the owner’s  
manual, certain types of handling may allow this product to  
fall from the stand, or cause the stand to overturn. Please be  
mindful of any safety issues before using this product.  
Always grasp only the plug on the AC adaptor cord when  
plugging into, or unplugging from, an outlet or this unit.  
At regular intervals, you should unplug the AC adaptor  
and clean it by using a dry cloth to wipe all dust and other  
accumulations away from its prongs. Also, disconnect the  
power plug from the power outlet whenever the unit is  
to remain unused for an extended period of time. Any  
accumulation of dust between the power plug and the  
power outlet can result in poor insulation and lead to fire.  
Try to prevent cords and cables from becoming entangled.  
Also, all cords and cables should be placed so they are out of  
the reach of children.  
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IMPORTANT NOTES  
Power Supply  
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the  
possibility of discoloration and/or deformation.  
• Do not connect this unit to same electrical outlet that is being used by an  
electrical appliance that is controlled by an inverter (such as a refrigerator,  
washing machine, microwave oven, or air conditioner), or that contains  
a motor. Depending on the way in which the electrical appliance is used,  
power supply noise may cause this unit to malfunction or may produce  
audible noise. If it is not practical to use a separate electrical outlet,  
connect a power supply noise filter between this unit and the electrical  
outlet.  
Repairs and Data  
• Please be aware that all data contained in the unit’s memory may be lost  
when the unit is sent for repairs. Important data should always be backed  
up USB memories, or written down on paper (when possible). During  
repairs, due care is taken to avoid the loss of data. However, in certain  
cases (such as when circuitry related to memory itself is out of order), we  
regret that it may not be possible to restore the data, and Roland assumes  
no liability concerning such loss of data.  
• The AC adaptor will begin to generate heat after long hours of consecutive  
use. This is normal, and is not a cause for concern.  
Additional Precautions  
• Before connecting this unit to other devices, turn off the power to all units.  
This will help prevent malfunctions and/or damage to speakers or other  
devices.  
• Please be aware that the contents of memory can be irretrievably lost as  
a result of a malfunction, or the improper operation of the unit. To protect  
yourself against the risk of loosing important data, we recommend that  
you periodically save a backup copy of important data you have stored in  
the unit’s memory on USB memories.  
Placement  
• Using the unit near power amplifiers (or other equipment containing large  
power transformers) may induce hum. To alleviate the problem, change  
the orientation of this unit; or move it farther away from the source of  
interference.  
• Unfortunately, it may be impossible to restore the contents of data that  
was stored in the unit’s memory or USB memories once it has been lost.  
Roland Corporation assumes no liability concerning such loss of data.  
• This device may interfere with radio and television reception. Do not use  
this device in the vicinity of such receivers.  
• Use a reasonable amount of care when using the unit’s buttons, sliders, or  
other controls; and when using its jacks and connectors. Rough handling  
can lead to malfunctions.  
• Noise may be produced if wireless communications devices, such as  
cell phones, are operated in the vicinity of this unit. Such noise could  
occur when receiving or initiating a call, or while conversing. Should you  
experience such problems, you should relocate such wireless devices so  
they are at a greater distance from this unit, or switch them off.  
• Never strike or apply strong pressure to the display.  
• When connecting / disconnecting all cables, grasp the connector itself—  
never pull on the cable. This way you will avoid causing shorts, or damage  
to the cable’s internal elements.  
• Do not expose the unit to direct sunlight, place it near devices that  
radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to  
temperature extremes. Also, do not allow lighting devices that normally  
are used while their light source is very close to the unit (such as a piano  
light), or powerful spotlights to shine upon the same area of the unit for  
extended periods of time. Excessive heat can deform or discolor the unit.  
• To avoid disturbing your neighbors, try to keep the unit’s volume at  
reasonable levels. You may prefer to use headphones, so you do not need  
to be concerned about those around you.  
• The sound of keys being struck and vibrations produced by playing an  
instrument can be transmitted through a floor or wall to an unexpected  
extent. In particular, when using headphones, please take care not to  
cause annoyance to others nearby.  
• When moved from one location to another where the temperature and/or  
humidity is very different, water droplets (condensation) may form inside  
the unit. Damage or malfunction may result if you attempt to use the unit  
in this condition. Therefore, before using the unit, you must allow it to  
stand for several hours, until the condensation has completely evaporated.  
• When you need to transport the unit, package it in the box (including  
padding) that it came in, if possible. Otherwise, you will need to use  
equivalent packaging materials.  
• Do not allow rubber, vinyl, or similar materials to remain on this unit for  
long periods of time. Such objects can discolor or otherwise harmfully  
affect the finish.  
• Do not apply undue force to the music rest while it is in use.  
• Use only the specified expression pedal (EV-7; sold separately). By  
connecting any other expression pedals, you risk causing malfunction  
and/or damage to the unit.  
• Do not allow objects to remain on top of the keyboard. This can be the  
cause of malfunction, such as keys ceasing to produce sound.  
• Do not paste stickers, decals, or the like to this instrument. Peeling such  
matter off the instrument may damage the exterior finish.  
• Some connection cables contain resistors. Do not use cables that  
incorporate resistors for connecting to this unit. The use of such cables  
can cause the sound level to be extremely low, or impossible to hear. For  
information on cable specifications, contact the manufacturer of the cable.  
• Depending on the material and temperature of the surface on which you  
place the unit, its rubber feet may discolor or mar the surface.  
You can place a piece of felt or cloth under the rubber feet to prevent this  
from happening. If you do so, please make sure that the unit will not slip or  
move accidentally.  
• The usable range of D Beam controller will become extremely small when  
used under strong direct sunlight. Please be aware of this when using the  
D Beam controller outside.  
• Do not put anything that contains water (e.g., flower vases) on this unit.  
Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray  
cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit  
using a dry, soft cloth.  
• The sensitivity of the D Beam controller will change depending on the  
amount of light in the vicinity of the unit. If it does not function as you  
expect, adjust the sensitivity as appropriate for the brightness of your  
location.  
Maintenance  
• When moving the ATELIER, take care not to damage the keyboard or the  
harmonic bars.  
• To clean the unit, use a dry, soft cloth; or one that is slightly dampened. Try  
to wipe the entire surface using an equal amount of strength. Rubbing too  
hard in the same area can damage the finish.  
10  
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IMPORTANT NOTES  
Before Using USB Memories  
Using USB Memories  
• Carefully insert the USB memories all the way in—until it is firmly in place.  
• Never touch the terminals of the USB memories. Also, avoid getting the  
terminals dirty.  
• USB memories are constructed using precision components; handle the  
USB memories carefully, paying particular note to the following.  
• To prevent damage to the USB memories from static electricity, be sure  
to discharge any static electricity from your own body before handling  
the USB memories.  
• Do not touch or allow metal to come into contact with the contact  
portion of the USB memories.  
• Do not bend, drop, or subject USB memories to strong shock or  
vibration.  
• Do not keep USB memories in direct sunlight, in closed vehicles, or  
other such locations.  
• Do not allow USB memories to become wet.  
• Do not disassemble or modify the USB memories.  
Copyright  
• Recording, duplication, distribution, sale, lease, performance, or broadcast  
of copyrighted material (musical works, visual works, broadcasts, live  
performances, etc.) belonging to a third party in part or in whole without  
the permission of the copyright owner is forbidden by law.  
• Do not use this product for purposes that could infringe on a copyright  
held by a third party. We assume no responsibility whatsoever with regard  
to any infringements of third-party copyrights arising through your use of  
this product.  
• The copyright of content in this product (the sound waveform data, style  
data, accompaniment patterns, phrase data, audio loops and image data)  
is reserved by Roland Corporation and/or Atelier Vision Corporation.  
• Purchasers of this product are permitted to utilize said content for the  
creating, performing, recording and distributing original musical works.  
• Purchasers of this product are NOT permitted to extract said content  
in original or modified form, for the purpose of distributing recorded  
medium of said content or making them available on a computer network.  
* XGlite (  
) is a registered trademark or a trademark of  
Yamaha Corporation.  
* MMP (Moore Microprocessor Portfolio) refers to a patent  
portfolio concerned with microprocessor architecture, which  
was developed by Technology Properties Limited (TPL).  
Roland has licensed this technology from the TPL Group.  
* Company names and product names appearing in this  
document are registered trademarks or trademarks of their  
respective owners.  
11  
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Contents  
Playing Drums from the Entire Lower Keyboard  
(Drums/SFX) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50  
Quick Start . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4  
Trying Out the Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4  
Performing with Rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5  
Recalling Voices and Rhythms with a Single Button. . . . . . . . . . . . . . . . 6  
Playing Along with a Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7  
Using the Lower Keyboard to Play the Bass Voice  
(Pedal To Lower). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51  
Easily Playing Chords on the Lower Keyboard  
(Easy One Finger). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51  
Realistically Expressing Acoustic Instrument Performances  
(SuperNATURAL Voices) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52  
USING THE UNIT SAFELY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8  
Selecting a SuperNATURAL Voice . . . . . . . . . . . . . . . . . . . . . . . . . .52  
Optimal Settings for Playing a SuperNATURAL Voice . . . . . . . .53  
Playing a SuperNATURAL Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . .54  
Adjusting the Overall Volume Using an Expression Pedal . . . . . . . . . 55  
Performing with an Active Expression Voice . . . . . . . . . . . . . . . . . . . . . .56  
Adding Decay to the Sound (Damper Pedal) . . . . . . . . . . . . . . . . . . . . .56  
Using the Foot Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57  
IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10  
Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14  
Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14  
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18  
Other Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19  
Getting Ready . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20  
Placing the ATELIER on the Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20  
Attaching the Music Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21  
Connecting the AC adaptor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21  
Turning the Power On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22  
Turning the Power On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22  
Turning the Power Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22  
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23  
Connecting to Output Device. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23  
Using Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24  
Connecting Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24  
Using the USB Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26  
Listening to the Demo Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27  
Performing with Rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . 58  
Selecting a Rhythm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58  
Selecting Rhythms Stored in User Memory or USB Memory .59  
Playing Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60  
Stopping the Rhythm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61  
Changing a Tempo of Rhythm and Automatic Accompaniment . . . 62  
Playing Rhythm and Automatic Accompaniment . . . . . . . . . . . . . . . . .62  
Adding Variety to the Rhythm or Automatic Accompaniment . . . . .63  
Changing the Arrangement of the Rhythm and  
Accompaniment (Variation) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63  
A Simple Way to Make Automatic Accompaniment Settings  
(One Touch Program). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64  
Deleting a Rhythm from User Memory or USB Memory . . . . . . . . . . . 65  
Storing Your Performance Settings (Registration). . . . 66  
Storing Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67  
Recalling a Registration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67  
Automatically Registering When You Switch Panel Settings . . . . . . . 67  
Saving Registration Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68  
Loading Previously Saved Registration Sets Into the ATELIER. . . . . .70  
Loading a Set of Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70  
Loading an Individual Registration. . . . . . . . . . . . . . . . . . . . . . . . .71  
Performing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28  
Selecting Sounds (Voices) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28  
About the Voices and Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28  
Functions of the Voice Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . .29  
Selecting a Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29  
Recalling Panel Settings by Choosing a Keyword  
(Music Assistant) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31  
Creating Organ Sounds (Vintage Organ) . . . . . . . . . . . . . . . . . . . . . . . . .32  
Playing a Vintage Organ Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33  
Adjust the Volume Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35  
Transposing to a Different Key (Key Transpose) . . . . . . . . . . . . . . . . . . .36  
Transpose the Pitch in Octave Units (Octave Shift) . . . . . . . . . . . . . . . .37  
Adding Effects to a Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38  
Adding Harmony to a Melody (Harmony Intelligence) . . . . . . 38  
Changing the Type of Harmony Intelligence. . . . . . . . . . . . . . . .38  
Adding Modulation to the Sound (Rotary Effect). . . . . . . . . . . . 39  
Adding Resonance to the Sound (Sustain Effect). . . . . . . . . . . .40  
Adding Reverberation to the Sound (Reverb Effect). . . . . . . . .41  
Making the Sound Distort (Overdrive Effect). . . . . . . . . . . . . . . .43  
Using the D Beam Controller to Modify the Sound. . . . . . . . . . . . . . . .44  
Using the Lower Keyboard Effectively . . . . . . . . . . . . . . . . . . . . . . . . . . . .45  
Recalling the Order that the Registrations are Saved  
(Load Next) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72  
Deleting a Set of Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73  
Recording Your Performance . . . . . . . . . . . . . . . . . . . . . . . 74  
Recording in SMF Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75  
Add a Count Sound to Match the Timing (Count In). . . . . . . . .76  
Advanced Recording Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . .77  
Saving Performance Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81  
Using Song with a Different Tempo Than That of the  
Performance Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83  
Erasing Performance Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84  
Recording in Audio Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85  
Changing the Name of Performance Data . . . . . . . . . . . . . . . . . .87  
Playing Performance Data from User Memory or a USB memory . . 88  
Deleting a Saved Performance Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . .89  
Playing the Solo Voice on the Lower Keyboard  
(Solo To Lower). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47  
Using the Lower Keyboard to Play the Bass Voice  
(Bass Split) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48  
Detailed Settings for Various Functions . . . . . . . . . . . . . 90  
Basic Operations in the Utility Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . .90  
Adjusting How the Instrument Responds . . . . . . . . . . . . . . . . . . . . . . . .92  
Playing a Lower Voice with Percussion Instrument Sounds  
and a Voice Phrase (Manual Percussion) . . . . . . . . . . . . . . . . . . . .49  
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Contents  
Adjusting the Volume of the Vintage Organ  
(VintageOrganVolume) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92  
Changing the USB Memory Setting  
(USB Memory Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104  
Selecting the Parts to which Vibrato or Chorus will be  
MIDI Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105  
Applied (Vibrato/Chorus Part) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92  
Selecting the MIDI Transmit Channel  
Adjusting the Initial Touch Sensitivity (Initial Touch) . . . . . . . . 92  
Turning Initial Touch Off (EZ Touch) . . . . . . . . . . . . . . . . . . . . . . . .92  
Changing How the Solo Voice Responds (Solo Mode). . . . . . .92  
(Tx MIDI Channel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105  
MIDI IN Mode (MIDI IN Mode). . . . . . . . . . . . . . . . . . . . . . . . . . . . 105  
Specifying Transmission of PC Numbers  
(Send PC Switch) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105  
Layering the Solo Voice and Lower Voice  
(SoloToLower Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92  
Setting PC Numbers (PC Number). . . . . . . . . . . . . . . . . . . . . . . . 105  
Other Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106  
Adjust the Standard Pitch (Master Tune). . . . . . . . . . . . . . . . . . 106  
Adjusting the Display Brightness (LCD Contrast). . . . . . . . . . 106  
Selecting the Screen Language (Language) . . . . . . . . . . . . . . 106  
Disabling Rhythm-related Buttons (Rhythm Lock) . . . . . . . . 106  
Using the V-LINK function (V-LINK). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106  
Restoring All the Factory Default Settings (Factory Reset) . . . . . . . 108  
Changing the Solo Split Point (Solo Split Point) . . . . . . . . . . . . .92  
Changing the Bass Split Point (Bass Split Point) . . . . . . . . . . . . .92  
Changing the Pedalboard Polyphony (Pedal Bass Mode). . . .93  
Performance Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93  
Changing the Foot Switch Functions  
(L Foot Switch, R Foot Switch). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93  
Changing the Pitch Bend Range (Pitch Bend Range) . . . . . . . . 94  
Changing the Function of the Expression Pedal  
(Exp. Source) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94  
Connections with Other Equipment . . . . . . . . . . . . . . . 109  
Connecting a CD Drive and Playing Songs. . . . . . . . . . . . . . . . . . . . . . 109  
Listening to Songs from Music CD . . . . . . . . . . . . . . . . . . . . . . . 109  
Enjoying Karaoke with a Music CD (Center Cancel). . . . . . . . 110  
Using a Song’s Melody as a Guide (Guide) . . . . . . . . . . . . . . . . 110  
Enjoying VIMA TUNES Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111  
Connecting an Audio Device and Playback Sounds . . . . . . . . . . . . . 111  
Changing the Speaker Connection Settings . . . . . . . . . . . . . . . . . . . . 112  
Outputting Sounds from the Aux Out Jacks (Aux Out) . . . . 112  
Adjusting the Depth of the Expression Pedal (Exp. Curve) . . .94  
Adjusting the Sensitivity of the D Beam Controller  
(D Beam Sensitivity) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94  
Rhythm Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95  
Producing Chords with Simple Fingering  
(Chord Intelligence) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95  
Using the Leading Bass Function (Leading Bass) . . . . . . . . . . . .95  
Preventing Rhythm Tempos from Switching Automatically  
(Auto Std Tempo). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95  
Playing a Countdown Sound When the Intro Ends  
Specifying the Output of the Aux Out Jacks  
(Intro Count Down). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95  
(Aux Out Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112  
Changing the Sound of the Countdown  
(Count Down Sound) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95  
Connecting a Computer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113  
Making the Settings for the USB Driver. . . . . . . . . . . . . . . . . . . 113  
Connecting MIDI Devices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113  
Adjusting the Volume Balance of the Arranger  
(AccompPartBalance). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96  
Registration Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96  
Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115  
Error Message . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119  
Chord List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120  
Glossary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122  
Stored Items. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123  
Main Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124  
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126  
Using the Foot Switch to Switch Registrations  
(Registration Shift) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96  
Registration Arranger Update (Arranger Update) . . . . . . . . . . . 97  
Registration Transpose Update (Trans. Update) . . . . . . . . . . . . .97  
Recording and Playback Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .97  
Changing the Key When Playing Back Songs  
(Playback Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .97  
Changing the Metronome Setting (Metronome). . . . . . . . . . . .97  
Adjusting the Metronome Volume (Metronome Volume) . . . 97  
Changing the Sound of the Metronome  
(Metronome Sound). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .97  
Changing the Beat Setting (Beat) . . . . . . . . . . . . . . . . . . . . . . . . . .97  
Silencing a Specific Track (Track Mute) . . . . . . . . . . . . . . . . . . . . .98  
Muting Individual Channels of Performance Data  
(Channel Mute). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .99  
Adjusting the Audio Recording Volume (Audio Rec Gain) . . . 99  
Switching the Display of Lyrics On or Off (Lyrics). . . . . . . . . . . .99  
Setting the Type of CD to be Played Back (CD/Audio Type) . . 99  
Media Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100  
Creating a Folder in USB Memory or User Memory  
(Create Folder) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100  
Copying Performance Song (Copy Song) . . . . . . . . . . . . . . . . . 101  
Copying Registrations (Copy Registration). . . . . . . . . . . . . . . . 102  
Copying Rhythms (Copy Rhythm) . . . . . . . . . . . . . . . . . . . . . . . . 103  
Formatting a USB Memory (Format Media) . . . . . . . . . . . . . . . 104  
13  
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Panel Descriptions  
Top Panel  
1
2
5
9
10  
11  
6
7
3
4
12  
13  
14  
8
19  
20  
15  
21  
16  
23  
17  
18  
22  
24  
1
6
7
Solo voice select buttons (p. 29)  
Use these buttons to select a solo voice and to adjust the volume of  
the solo voice.  
Reverb [ ] [ ] buttons (p. 41)  
These buttons adjust the amount of reverb.  
Accomp/SMF [ ] [ ] buttons (p. 35)  
These buttons adjust the volume of the automatic accompaniment  
or rhythm.  
Solo part  
[Alternate] button (p. 29)  
Level [ ] [ ] buttons (p. 35)  
[To Lower] button (p. 47)  
8
9
[Manual Percussion] button (p. 45)  
This button lets you play a variety of drum sounds or sound effects  
on the lower keyboard.  
2
3
4
5
Vintage Organ buttons (p. 32)  
These buttons add vintage organ sounds.  
[Power] switch (p. 22)  
This switch turns the power on/off.  
Pedal bass voice select buttons (p. 29)  
These buttons let you select the pedal bass voice and adjust the  
volume of the pedal bass voice.  
[Master Volume] knob (p. 22)  
This knob adjusts the overall volume.  
Pedal part  
Level [ ] [ ] buttons (p. 51)  
[To Lower] button (p. 35)  
D Beam (p. 44)  
You can apply effects to the sound by positioning your hand above  
the D Beam controller.  
14  
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Panel Descriptions  
25  
26  
10  
11  
12  
13  
Lower voice select buttons (p. 29)  
These buttons let you select the lower voice and adjust the volume  
of the lower voice.  
[One Touch Program] button (p. 64)  
This button automatically selects panel settings that are suitable for  
the automatic accompaniment or rhythm.  
Lower part  
[Alternate] button (p. 29)  
Level [ ] [ ] buttons (p. 35)  
14  
15  
[Harmony Intelligence] button (p. 38)  
This button adds harmony to the sound.  
Upper voice select buttons (p. 29)  
These buttons let you select the upper voice and adjust the volume  
of the upper voice.  
[Drums/SFX] button (p. 50)  
This button lets you play a variety of drum sounds or sound effects  
across the entire lower keyboard.  
Upper Organ part, Upper Orchestral part  
[Alternate] button (p. 29)  
Level [ ] [ ] buttons (p. 35)  
16  
Transpose [-] [+] buttons (p. 36)  
These buttons transpose the keyboard pitch.  
[Music Assistant] button (p. 31)  
This button lets you recall panel settings by selecting a keyword.  
15  
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Panel Descriptions  
1
2
5
9
10  
11  
6
7
3
4
12  
13  
14  
8
19  
20  
15  
21  
16  
23  
17  
18  
22  
24  
17  
21  
Beat indicator (p. 62)  
[Utility] button (p. 90)  
This indicator will blink in time with the tempo or time signature.  
This button takes you to the Utility menu.  
22  
Composer (p. 74)  
These buttons let you record your performance or play back a song.  
[Display/Exit] button  
This button returns you to the previous screen or cancels an  
operation.  
[Song] button  
[Registration] button  
[Media] button  
Menu [  
] [  
] buttons  
These buttons select parameters.  
Value [-] [+] buttons  
These buttons select a song or rhythm, or edit the value of a setting.  
Track buttons  
[Bass] button  
[Lower] button  
[Solo/Upper] button  
18  
19  
20  
Display (p. 23)  
This shows information such as the rhythm name or song title.  
[Reset] button  
[Play/Stop] button  
[Rec] button  
[Bwd] button  
[Fwd] button  
[Load] button (p. 70)  
This button loads a registration set or song into the ATELIER.  
[Save] button (p. 68, p. 81)  
This button saves a registration set or performance data.  
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Panel Descriptions  
25  
26  
23  
26  
Rhythm select buttons (p. 58)  
Registration buttons (p. 67)  
These buttons select and play rhythms.  
Use these buttons to recall or store registrations.  
Rhythm button  
[Write] button  
[Manual] button  
Registration [1]–[8] buttons  
Tempo [ ] [ ] buttons (p. 62)  
Arranger [On/Off] button (p. 62)  
Auto [Fill in] button (p. 63)  
Variation [1]–[4] buttons (p. 63)  
[Intro/Ending] button (p. 60)  
[Start/Stop] button (p. 60)  
24  
25  
Rotary sound buttons (p. 39)  
These buttons add modulation to the sound.  
[On/Off] button  
[Fast/Slow] button  
Harmonic bars (p. 32)  
Use these bars to shape the organ sound.  
17  
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Panel Descriptions  
Rear Panel  
3
4
6
1
2
9
5
7
8
1
USB (MIDI) connector  
Connect your computer for transferring performance data (p. 113).  
2
3
4
MIDI connectors  
Connect an external MIDI device here to transfer performance data (p. 113).  
Input jacks  
You can connect an audio source here (p. 111).  
AUX Out jacks  
By connecting speakers or an external reverb unit here, you’ll be able to much more readily express the expansiveness of the stereo sound field and  
add more of a sense of presence to your music (p. 112).  
5
6
7
8
9
Pedal jacks  
Connect an expression pedal (EV-7; sold separately) or pedal switch (DP series; sold separately) to these jacks (p. 26).  
Main Out jacks  
To listen to the ATELIER’s sound through speakers, connect your audio system or speakers to these jacks.  
PK In connector  
Connect the pedalboard (PK series; sold separately) to this socket (p. 24).  
DC In jack  
Connect the included AC adaptor here (p. 21).  
Grounding terminal  
Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to  
the touch when you touch this device, or the metal portions of other objects. This is due to an infinitesimal electrical charge, which is absolutely  
harmless.  
However, if you are concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a slight  
hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service  
Center, or an authorized Roland distributor, as listed on the “Information”page.  
Unsuitable places for connection  
• Water pipes (may result in shock or electrocution)  
• Gas pipes (may result in fire or explosion)  
• Telephone-line ground or lightning rod (may be dangerous in the event of lightning)  
18  
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Panel Descriptions  
Other Connectors  
1
2
1
USB Memory connector  
This port lets you connect separately available USB memory or a CD drive.  
You can use USB memory to store a registration set or a song that you’ve recorded on the ATELIER (p. 68).  
You can also connect a CD drive and play back a music CD or a CD-ROM that contains SMF music files (p. 109).  
2
Phones jack  
Connect your headphones here (p. 24).  
19  
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Getting Ready  
Placing the ATELIER on the Stand  
If you place the ATELIER on a stand, you must use the KS-G8 or the KS-12 (sold separately).  
NOTE!  
• When placing the ATELIER on the stand, be careful not to pinch your fingers between the instrument and the stand.  
• When lifting the ATELIER onto the stand, make sure to enlist the help of at least one other person.  
• Using the ATELIER with any other stand may produce an unstable situation, possibly causing the instrument to fall or overturn, and resulting in  
injury or damage.  
• For details on how to assemble the stand, refer to the owner’s manual that accompanied the stand.  
Placing on the KS-G8  
Front (keyboard) side  
D
B
D
B
A
A
Top view  
C
C
Rear panel side  
1. Place the ATELIER in the position shown in the illustration.  
• Position rubber feet “A”on the outside of the stand’s rubber pads.  
• Position rubber feet “B”directly above the stand’s arms.  
• Position rubber feet “C”so that they contact the inside of the stand’s rubber pads.  
* Make sure that the ATELIER’s eight rubber feet (A–D) are not resting on the stand’s rubber pads.  
Placing on the KS-12  
Front (keyboard) side  
D
D
Top view  
Rear panel side  
1. Place the ATELIER in the position shown in the illustration.  
Position rubber feet “D”so they fit inside the holes on the stand.  
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Attaching the Music Rest  
Connecting the AC adaptor  
1. Remove the two music rest fastening screws from the rear  
1. Make sure that the [POWER] switch is off (outward position).  
panel.  
2. Connect the included AC adaptor to the DC In jack located  
on the ATELIER’s rear panel, and plug the power cord into an  
electrical outlet.  
tlet  
Indicator  
If you do not wish to attach the AC adaptor to the bottom of the  
ATELIER, place the AC adaptor so that the surface with the indicator  
(see illustration) is facing upward.  
2. Tighten the two screws to fasten the music rest in place.  
The indicator will light when you plug the AC adaptor into an AC  
outlet.  
Placing the ATELIER on a stand  
If you wish to use the ATELIER while it is placed on a stand, attach the  
AC adaptor to the bottom of the instrument.  
Orient the AC adaptor so that its printed surface is against the bottom  
of the instrument (upward) and its indicator is facing down, and fasten  
it with the strap.  
NOTE!  
• When attaching the music rest, support it securely with your hand  
so that it does not fall.  
• Be careful not to pinch your hand or fingers when attaching the  
music rest.  
• Use only the included screws.  
• To detach the music rest, support it with your hand and slowly  
remove the screws. After detaching the music rest, firmly tighten  
the fastening screws.  
• The music rest fastening screws you remove must be kept out  
of the reach of small children so that they will not be swallowed  
accidentally.  
Band  
AC adaptor  
* Fasten the AC adaptor securely so that it does not fall.  
* When removing the ATELIER from a stand, always be sure to first  
detach the AC adaptor from the bottom panel of the instrument.  
21  
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Turning the Power Off  
Turning the Power On/Off  
* Once the connections have been completed, turn on power to your  
various devices in the order specified. By turning on devices in  
the wrong order, you risk causing malfunction and/or damage to  
speakers and other devices.  
1. Turn the [Master Volume] knob all the way toward the left to  
minimize the volume.  
* Before switching the power on/off, always be sure to turn the  
volume down. Even with the volume turned down, you might hear  
some sound when switching the power on/off. However, this is  
normal and does not indicate a malfunction.  
Turning the Power On  
1. Turn the [Master Volume] knob all the way toward the left to  
2. Press the [Power] switch to turn it off.  
minimize the volume.  
On  
Off  
2. Press the [Power] switch to turn it on.  
On  
Off  
The basic screen appears in the display.  
* This unit is equipped with a protection circuit. A brief interval (a  
few seconds) after power up is required before the unit will operate  
normally.  
* The explanations in this manual include illustrations that depict  
what should typically be shown by the display. Note, however, that  
your unit may incorporate a newer, enhanced version of the system  
(e.g., includes newer sounds), so what you actually see in the display  
may not always match what appears in the manual.  
3. Use the [Master Volume] knob to adjust the volume.  
Turning the [Master Volume] knob towards “Max”increases the  
volume; turning the knob towards “Min”decreases the volume.  
22  
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Connections  
Viewing the basic screen  
The ATELIER has three types of basic display screen: the Rhythm  
Screen, the Composer Screen and the Registration Screen.  
Connecting to Output Device  
You can connect the ATELIER to output devices such as speakers, and  
use them to listen to the ATELIER’s sound.  
You can alternate from one to the other by pressing the  
[Display/Exit] button.  
The ATELIER does not have built-in speakers. To have sound be  
reproduced, you’ll need to connect monitor speakers or a stereo set; or  
you can connect headphones.  
MEMO  
To make connections, use audio cables that have 1/4-inch phone  
plugs and that do not contain resistors.  
* To prevent malfunction and/or damage to speakers or other devices,  
always turn down the volume, and turn off the power on all devices  
before making any connections.  
Rhythm Screen  
Rhythm Name  
1. Turn down the volume all the way on all equipment.  
Tempo  
Beat  
Measure  
2. Turn off the power to the ATELIER and other connected  
equipment.  
3. Connect the ATELIER and other equipment with audio cables  
(sold separately).  
4. Turn on the ATELIER.  
5. Turn on the connected equipment.  
6. Adjust the volume.  
Chord Name  
Turning Off the Power  
1. Turn down the volume all the way on all equipment.  
2. Turn off the connected equipment.  
3. Turn off the ATELIER.  
Composer Screen  
Song Name  
Tempo  
Beat  
Measure  
Connection example  
Home use  
Main Out jack  
Chord Name  
Registration Screen  
Tempo  
Beat  
Measure  
Powered speaker  
(Amplifier contained within)  
stration set Name  
Registration set Name  
r to “Load Next  
Function”(p. 72).  
Chord Name  
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Live performance  
Connecting Pedals  
Connecting a pedalboard  
You can connect the ATELIER to pedalboard (PK series; sold separately).  
* Only pedalboard units that have a PK OUT connector can be  
connected.  
Main Out jack  
Power amp/speaker  
PK In
Mixer, etc.  
MEMO  
If you connect speakers or an external reverb unit to the AUX  
Out jacks, you’ll be able to much more readily express the  
expansiveness of the stereo sound field and add more of a sense of  
presence to your music (p. 112).  
Using Headphones  
The ATELIER features Phones jacks. These allow you to play without  
having to worry about bothering others around you, even at night.  
NOTE!  
• Accepts connection of stereo headphones.  
• To prevent damage to the cord, handle the headphones only by the  
headset or the plug.  
PK series  
• Headphones may be damaged if the volume is too high when they  
are plugged in. Lower the volume on the ATELIER before plugging  
in headphones.  
MEMO  
The AC adaptor supplied with the pedalboard is not used. The  
pedalboard will be turned on/off by the [Power] switch of the  
ATELIER, regardless of the position of the pedalboard’s own power  
switch.  
• To prevent possible auditory damage, loss of hearing, or damage  
to the headphones, the headphones should not be used at an  
excessively high volume. Use the headphones at a moderate  
volume level.  
1. Make sure that the [Power] switch the ATELIER and the  
pedalboard (PK series) are both switched off.  
2. Using the dedicated PK cable that is included with the  
ATELIER, connect the ATELIER’s PK In connector to the  
pedalboard’s PK OUT connector.  
3. Switch on the ATELIER’s power.  
4. Make sure that the indicator on the pedalboard’s rear panel  
is lit.  
Try playing the pedalboard; if you hear the sound of the pedal part  
from the ATELIER, the connection is complete.  
* This unit is equipped with a protection circuit. A brief interval (a  
few seconds) after power up is required before the unit will operate  
normally.  
* For details on settings for the pedalboard, refer to the owner’s  
manual for your pedalboard.  
1. Connect your headphones to the Phones jack underneath  
the left side of the keyboard.  
2. Adjust the headphones volume with the [Master Volume] knob.  
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Setting up the pedalboard  
Set up the pedalboard as shown below.  
For the PK-25A  
Position the pedalboard so that the lower  
keyboard’s A4 key is aligned with the  
center of the PK-25A’s expression pedal.  
Position the pedalboard so that the  
ATELIER’s rear panel is aligned with the  
PK-25A’s rear panel.  
For the PK-7A  
Position the pedalboard so that the  
ATELIER’s rear panel is aligned with the  
PK-7A’s rear panel.  
Position the pedalboard so that the lower  
keyboard’s C5 key is aligned with the  
center of the PK-7A’s expression pedal.  
25  
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Connecting expression pedals and pedal  
switches  
Using the USB Memory  
Songs you record on the ATELIER and registration sets you create can  
be copied to separately available USB memory for safekeeping.  
You can connect an expression pedal (EV-7; sold separately) and pedal  
switches (DP series; sold separately) to the Pedal jacks on the rear  
panel.  
You can also play back SMF music files saved on USB memory (p. 88).  
MEMO  
If you’re using new USB memory, you’ll need to initialize (format)  
it on the ATELIER. For details, refer to “Formatting a USB Memory  
(Format Media)”(p. 104).  
1. Connect your USB memory to the USB Memory connector.  
Pedal jack  
USB Memory  
connector  
USB Memory  
* Carefully insert the USB memories all the way in—until it is firmly in  
place.  
* Use USB memory available from Roland. Proper operation cannot be  
guaranteed if other USB device is used.  
*
Foot switch  
Expression pedal  
Foot switch  
Connected jack  
Explanation  
The pedal switch will sustain the notes played  
on the lower keyboard (p. 56).  
Pedal (Damper) jack  
The expression pedal will adjust the overall  
volume (p. 55).  
Pedal (Expression) jack  
Pedal (Control) jack  
The pedal switch will control the function  
that’s assigned to the right foot switch of the  
pedalboard (PK series; sold separately) (p. 93).  
* Use only the specified expression pedal (EV-7; sold separately). By  
connecting any other expression pedal, you risk causing malfunc-  
tion and/or damage to the unit.  
26  
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Listening to the Demo Songs  
The ATELIER contains 10 demo songs. Here’s how to play the demo songs, and fully appreciate the sounds, Rhythms, and Automatic Accompaniment  
that are available with the ATELIER.  
1
5
2
3
4
1. Press the [Registration] button and [Media] button simultaneously.  
2. Press the Value [-] [+] buttons to select a demo song.  
Song name  
Flamenco Gt  
Organ & Scat  
Pop Organ  
Jazz Organ  
Soft Gospel  
Jazz Combo  
Hawaiian  
Composer  
Player  
Copyright  
Ryoki Yamaguchi  
Akio Sasaki  
Ralf Schink  
Akio Sasaki  
Ric Iannone  
Ric Iannone  
Ric Iannone  
Ric Iannone  
Ric Iannone  
Ric Iannone  
Ryoki Yamaguchi  
Akio Sasaki  
Ralf Schink  
Akio Sasaki  
Ric Iannone  
Ric Iannone  
Ric Iannone  
Ric Iannone  
Ric Iannone  
Ric Iannone  
© 2011 Roland Corporation  
© 2011 Roland Corporation  
© 2004 Roland Corporation  
© 2007 Roland Corporation  
© 2001 Roland Corporation  
© 2003 Roland Corporation  
© 2003 Roland Corporation  
© 2003 Roland Corporation  
© 2003 Roland Corporation  
© 1999 Roland Corporation  
Dixieland  
Slow Waltz  
Jazz Scat  
3. Press the [Play/Stop] button to start playback of the demo song.  
When the selected demo song ends, the next demo song will begin playing.  
4. To stop playback in the middle of the song, press the [Play/Stop] button.  
5. Press the [Registration] button and [Media] buttons simultaneously to exit the demonstration screen.  
* All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.  
* The data for the demo song that is being played is not available at the MIDI Out connector, USB (MIDI) connector, and USB Memory connector.  
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Performing  
Selecting Sounds (Voices)  
The ATELIER is able to produce the sounds of various instruments. These sounds are called “Voices.”  
About the Voices and Parts  
The ATELIER is a two-manual instrument. These two manuals are called the “upper keyboard”and the “lower keyboard.”  
The voices of each keyboard are organized into several parts according to their character.  
The upper keyboard has three parts: Upper Vintage Organ, Upper Organ, and Upper Orchestral. The lower keyboard has two parts: Lower Vintage  
Organ and Lower.  
You can select one voice for each part, which allows you to play multiple, layered voices.  
For the upper keyboard and the lower keyboard, you can also layer on the voice of the Solo part.  
MEMO  
If you’ve connected a pedalboard (PK series; sold separately), you’ll be able to perform using the pedalboard (p. 24). The pedalboard has two parts:  
Pedal and Pedal Vintage Organ.  
Upper Vintage Organ  
Pedal Vintage Organ  
Lower Vintage Organ  
Solo  
Lower  
Upper Organ Upper Orchestral  
Keyboard  
Part  
Upper Vintage Organ  
Upper Organ  
Upper Keyboard  
Upper Orchestral  
Solo (This voice is sounded only when the Solo [To Lower] button be extinguished)  
Lower  
Lower Vintage Organ  
Lower Keyboard  
Pedalboard  
Solo (This voice is sounded only when the Solo [To Lower] button lights up)  
Pedal (This voice is sounded when the Pedal [To Lower] button lights up or turn ”Bass Split”on)  
Pedal  
Pedal Vintage Organ  
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Functions of the Voice Buttons  
Each time you press a voice button, its indicator will alternate between lit and unlit; when the indicator of a voice’s button is lit, that voice can be  
played.  
With the exception of the pedal bass buttons, two voices of the same category are assigned to each button. If a voice of a different category is assigned,  
the voice names of the two voices are printed on the button.  
These two voices will alternate each time you press the [Alternate] button.  
[Alternate] button  
Unlit  
Selected voice  
The voice printed on the button is selected.  
Another voice of the same category as the voice printed on the button is selected.  
If a voice of a different category is assigned to the button, the voice printed in the lower line on that button is  
selected.  
Lit  
Selecting a Voice  
1. Press one of the buttons for a part to select a voice for that part.  
The name of the selected voice is displayed for several seconds.  
If you want to switch to the other voice assigned to that button, press the [Alternate] button.  
MEMO  
Normally, playing the pedalboard will produce single notes. If you want to play more than one note simultaneously, you are free to change the way  
in which the pedal bass is sounded (p. 93).  
* If the voice buttons are unlit and the vintage organ voice is off, no sound will be heard when you play the keyboard.  
* If you press the Pedal [To Lower] button (p. 51) so its indicator is lit, the pedal bass voice will sound on the lower keyboard; it will not sound on the  
pedalboard.  
About solo voices  
Solo voices will sound only the highest note of the notes played on the upper keyboard.  
MEMO  
• For the Solo part, you can select voices (SuperNATURAL voices) that are particularly rich in expressive power (p. 52).  
• You are free to change the way in which the solo voice is sounded (p. 92).  
* If you press the Solo [To Lower] button (p. 47) so its indicator is lit, the solo voice will sound on the lower keyboard; it will not sound on the upper  
keyboard.  
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Selecting a voice of the [Others] button  
Each part has an [Others] button. By using the [Others] button you can select voices other than organ, such as violin or flute.  
1. Press the [Others] button for the Part for which you wish to specify a voice.  
The voice name appears in the display.  
2. While the voice name is shown in the display screen, use the Value [-] [+] buttons to select the desired voice.  
The indicator of the selected [Others] button will blink.  
MEMO  
• You can jump by voice group by pressing Menu [  
] [  
] buttons to select the voice.  
• To stop mid-way through this or any procedure, press the [Display/Exit] button.  
3. Once again, press the [Others] button for the part whose sound you wish to set to confirm the voice.  
The indicator of the [Others] button will change from blinking to light.  
MEMO  
For details on the voices that can be selected with the [Others] buttons, refer to “Voice & Rhythm List.”  
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Recalling Panel Settings by Choosing a Keyword (Music Assistant)  
The ATELIER contains panel settings appropriate for various well-known songs from around the world.  
By choosing a keyword that suits the feel of your song, you can easily recall a rhythm accompaniment and melody voices. Choose a keyword, and then  
try playing the keyboard.  
1. Press the [Music Assistant] button.  
The Music Assistant screen appears.  
2. Use the Value [-] [+] or Menu [ ] [ ] buttons to choose a keyword.  
The registration [1]–[4] buttons will blink.  
Panel settings and rhythms appropriate for the keyword will be recalled to the registration [1]–[4] buttons.  
3. Play a chord on the lower keyboard.  
When you play the keyboard, an intro will play, and the rhythm will start.  
4. Press the registration [1]–[4] buttons to switch the panel settings.  
5. Press the [Intro/Ending] button or the [Start/Stop] button to stop the rhythm.  
6. To cancel the Music Assistant function, press the [Music Assistant] button so its indicator goes out.  
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Creating Organ Sounds (Vintage Organ)  
The Vintage Organ button lets you add vintage organ sounds to the upper and lower parts.  
In addition, you can also use the harmonic bars to modify the selected sound as desired.  
The ATELIER provides nine harmonic bars each for the upper keyboard and lower keyboard parts, and two harmonic bars for the pedalboard part.  
Each harmonic bar is assigned a sound of a different footage (pitch), and by layering these sounds you can create a variety of organ tones.  
By sliding the harmonic bars forward or backward (in or out), you can adjust the volume of the various footages.  
The volume can be adjusted over nine steps (0–8).  
When a harmonic bar is pulled out all the way (8), the volume is loudest. When it is pushed in all the way (0), there will be no sound.  
MEMO  
You can use the Solo part’s harmonic bar to adjust the volume of the Solo part.  
What’s the feet?  
“Feet”is a term that began as a measurement of the length of the pipes in a pipe organ.  
The pipes that produce the basic pitch (fundamental) for each note are considered to be “8 feet”in length.  
Therefore, a pipe producing a pitch one octave below that of the reference of 8’(eight feet) would be 16’; for one octave above the reference,  
the pipe would be 4’, and to take the pitch up yet another octave it would be shortened to 2’.  
one octave  
below  
5th  
root  
8th  
12th  
15th  
17th  
19th  
22nd  
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Playing a Vintage Organ Voice  
1. Press the Vintage Organ [On/Off] button so its indicator is lit.  
Each time you press the button, the indicator will alternate between ON (lit) and OFF.  
The Vintage organ screen appears.  
2. Slide the harmonic bars that you want to hear.  
When a harmonic bar is pulled out all the way (8), the volume is loudest. When it is pushed in all the way (0), there will be no sound.  
MEMO  
The harmonic bar for the Solo part adjusts the volume of the voice that’s selected for the Solo part.  
* Glide and sustain effects are not applied to the Vintage Organ voice.  
Adding sparkle to the sound (percussion)  
This adds an attack sound to the beginning of the note, making the sound crisper.  
1. Press the Percussion [4’] button or the Percussion [2 2/3’] button so its indicator is lit.  
Play the Upper keyboard and notice that an attack has been added.  
Button  
Explanation  
Percussion [4’] button  
Percussion [2 2/3’] button  
Percussion one octave above  
Percussion one octave and a fifth above  
* The Percussion [4’] button and the Percussion [2 2/3’] button are valid only for vintage organ voices of the upper part.  
* When the Percussion [4’] button or the Percussion [2 2/3’] button are on, the 1’ pitch will not be produced.  
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Adjusting the rate at which the percussion decays  
You can shorten the decay time of the percussion sound.  
1. Press the Percussion [Fast Decay] button to switch the indicator between lit/unlit.  
Percussion [Fast Decay] Button  
Explanation  
Lit  
The percussion sound will disappear quickly. The percussion will have a sharper attack.  
The percussion sound will disappear slowly. The percussion will have a more gentle attack.  
Unlit  
Using the harmonic bar settings of the panel  
If you’ve switched registrations so that the Vintage Organ settings have changed, you can switch the Vintage Organ settings to the positions (settings)  
of the harmonic bars on the panel.  
1. Press the [H-Bar Manual].  
The part whose indicator is lit will have the settings of the harmonic bar positions (settings) of the panel.  
Adding an effect to the sound  
You can add a vibrato or chorus effect to the vintage organ voice.  
1. Press the [Vib/Cho] button so it’s lit.  
The name of the effect is shown for several seconds.  
2. While the name of the effect is shown in the display, use the Value [-] [+] buttons to select the desired effect.  
Type  
Explanation  
Vibrato  
Chorus  
Applies a vibrato effect to the sound.  
Applies a chorus effect to the sound.  
MEMO  
You can select the part to which the vibrato effect or chorus effect is applied (p. 92).  
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Adjust the Volume Balance  
The ATELIER allows you to adjust the volume balance individually for each Part.  
The following buttons are used to adjust the volume of a multiple number of Parts.  
Button  
Part  
Automatic Accompaniment (except Bass)  
Playback of performance songs from something other than the ATELIER performance songs  
(for example: SMF music files)  
Accomp/SMF [ ] [ ] button  
Rhythm performance  
Drums/SFX  
Manual Percussion  
Pedal voice  
Pedal Level [ ] [ ] button  
Bass note of Automatic Accompaniment  
1. The volume levels of each part are adjusted using the corresponding [ ] [ ] buttons.  
The volume can be set to any value from 0 to 12.  
When the volume value shown in the display is 0, that part will produce no sound.  
You can also press the [ ] button or [ ] button of the part whose volume you wish to adjust, so that the “Part Balance ”screen is displayed for several  
seconds, allowing you to check the volume balance.  
Display  
Ac  
Part  
Accomp/SMF  
Pedal  
Pd  
Lw  
Lower  
Org  
Och  
So  
Upper Organ  
Upper Orchestral  
Solo  
MEMO  
From the Part Balance screen, you can press the Menu [  
] button to access the Accomp Part Balance screen. In the Accomp Part Balance screen  
you can adjust the volume balance for each of the arranger’s accompaniment parts (p. 96).  
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Transposing to a Different Key (Key Transpose)  
You can transpose the key of a performance without having to shift the position of your fingers on the keyboard. This feature is called “Key Transpose.”  
For example: you may play in the familiar C major scale while your music will sound in any key of your choice.  
1. Press the Transpose [-] [+] buttons.  
Each press of the Transpose [-] [+] buttons transposes the key a semitone.  
The transpose value is displayed in the screen.  
Acceptable values range from A to G (in semitone steps).  
If the pitch is transposed (something other than C), the indicator of one of the Transpose buttons, either [-] [+], will be lit.  
If the pitch is not transposed (i.e., the key is C), the indicator of both the Transpose [-] [+] buttons will be extinguished.  
MEMO  
• By pressing the Transpose [-] [+] buttons simultaneously, you can restore the default setting “C.”  
• You can change the timing at which the transposition settings saved in a Registration will be recalled. For details refer to “Registration Transpose  
Update (Trans. Update)”(p. 97).  
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Transpose the Pitch in Octave Units (Octave Shift)  
The pitch of the sound played by the keyboard can be adjusted in one-octave steps. This function is called “Octave Shift.”  
You can individually specify Octave Shift for each of the following parts.  
• Upper Organ part  
• Upper Orchestral part  
• Lower part  
• Pedal part  
• Solo part  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select “Octave Shift.”  
3. Press the [Utility] button.  
4. Use the Menu [ ] [ ] buttons to select a Part to which you wish to apply an Octave Shift.  
Part  
Upper Organ, Upper Orch, Lower, Pedal, Solo  
5. Use the Value [-] [+] buttons to set the amount of shift.  
The value can be set to a range of +/- 3 octaves.  
To return to the basic screen, press the [Display/Exit] button a number of times.  
MEMO  
By holding down the [Utility] button and using the Menu [  
effect (p. 40) of the same part.  
] [  
] buttons, you can jump to editing screens for the reverb effect (p. 41) and sustain  
* Please note that when you apply the Octave Shift function to certain voices, their pitch could be stretched beyond their recommended note  
ranges, and they may not sound as expected. Care should be taken when using Octave Shift.  
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Adding Effects to a Voice  
The ATELIER allows you to apply various effects to the sounds you play from the keyboard.  
Adding Harmony to a Melody (Harmony Intelligence)  
Harmony appropriate for the chord you play in the lower keyboard can be added to the highest note played in the upper keyboard. This function is  
called “Harmony Intelligence.”  
When you press the [Harmony Intelligence] button, the voice most suitable for the selected harmony intelligence will be selected automatically.  
1. Press the [Harmony Intelligence] button (indicator lights).  
Each time you press a [Harmony Intelligence] button, the indicator will alternate between ON (lit) and OFF.  
Changing the Type of Harmony Intelligence  
The ATELIER provides 18 types of harmony intelligence.  
When you press the [Harmony Intelligence] button, the most appropriate voice(s) will be automatically set. The manner in which notes will sound also  
depends on the Harmony type.  
1. Press the [Harmony Intelligence] button (indicator lights).  
2. While the Harmony Intelligence name is shown in the display screen, use the Value [-] [+] buttons to select the Harmony  
Intelligence.  
The indicator of the [Harmony Intelligence] button will blink.  
To cancel the procedure, press the [Display/Exit] button.  
3. Once again, press the [Harmony Intelligence] button.  
The indicator of the [Harmony Intelligence] button will light, and the Harmony Intelligence is confirmed.  
Harmony Intelligence types:  
Number of notes  
of the harmony  
Type  
Solo Voice  
Upper Voice  
BIG BAND  
STRINGS  
Trumpet  
Flugel Horn  
Strings 5  
5
4
5
3
2
3
4
3
3
2
2
2
4
5
4
Strings 1  
BLOCK  
Vibraphone  
Natural Piano  
TRADITIONAL*  
HARP  
Currently selected tone  
—
Harp  
COMBO  
Clarinet  
Trombone  
Jazz Scat  
Jazz Guitar  
Theater Or.1  
JAZZ SCAT  
COUNTRY  
BROADWAY  
OCTAVE 1*  
OCTAVE 2*  
1 NOTE*  
Jazz Scat  
Full Organ1  
Celesta  
Currently selected tone  
Currently selected tone  
Currently selected tone  
Currently selected tone  
Currently selected tone  
Currently selected tone  
* For types indicated by “*,” the currently selected voice  
will be selected.  
3 NOTES*  
BIG BAND*  
STRINGS*  
* Harmonies are added only to the Upper voice.  
MEMO  
Harp-type harmony intelligence will not sound the  
keys you play. Use your left hand to play a chord in  
the lower keyboard and use your right hand to play  
a glissando on the upper keyboard, and a beautiful  
harp glissando will be produced.  
BLOCK*  
Currently selected tone  
Currently selected tone  
Currently selected tone  
5
4
3
JAZZ SCAT*  
BROADWAY*  
38  
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Adding Modulation to the Sound (Rotary Effect)  
Rotary is an effect which simulates the sound of rotating speakers.  
There is a choice of two settings: Fast and Slow.  
1. Select the voice to which you wish to apply the Rotary effect.  
2. Press the Rotary Sound [On/Off] button (confirm that its indicator is lit).  
The Rotary effect will be applied to the voice.  
3. Press the Rotary Sound [Fast/Slow] button to switch between Rotary Fast (Lit) and Rotary Slow (Unlit).  
Rotary Sound [Fast/Slow] button  
Lit (Fast)  
Effect  
The effect obtained is equivalent to speakers being rapidly rotated.  
Effect simulating the slow rotation of speakers.  
Unlit (Slow)  
When you switch the rotary effect from “Fast”to “Slow,”the modulation will slow down gradually, and when you switch from “Slow”to “Fast”the  
modulation will speed up gradually.  
MEMO  
• The function of the Rotary Sound [Fast/Slow] button can be assigned to the foot switch of the pedalboard (PK series; sold separately) (p. 93).  
• For details on voices to which the rotary effect can be applied, refer to “Voice & Rhythm List.”  
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Adding Resonance to the Sound (Sustain Effect)  
Sustain allows you to add a Sustain effect or decay to each voice after the keys are released.  
The Sustain effect can be added simultaneously to the Upper (except the Solo Part), Lower, and Pedal voices.  
* The Sustain effect will not be applied to the Solo part and vintage organ part voice.  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select the “Sustain.”  
3. Press the [Utility] button.  
4. Press the Menu [ ] [ ] buttons to select the desire part.  
Part  
Upper, Lower, Pedal  
5. Press the Value [-] [+] buttons to switch ON or OFF.  
To return to the basic screen, press the [Display/Exit] button.  
MEMO  
By holding down the [Utility] button and using the Menu [  
effect (p. 41) of the same part.  
] [  
] buttons, you can jump to editing screens for the octave shift (p. 37) and reverb  
Changing the sustain length  
The sustain length can be set independently for the each keyboard.  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select the “Sustain.”  
3. Press the [Utility] button.  
4. Press the Menu [ ] [ ] buttons to select “Length.”  
5. Press the Menu [ ] [ ] buttons to select the part whose sustain length you wish to adjust.  
Part  
Upper, Lower, Pedal  
6. Press the Value [-] [+] buttons to adjust the setting.  
Settings  
SHORT, MIDDLE, LONG  
To return to the basic screen, press the [Display/Exit] button.  
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Adding Reverberation to the Sound (Reverb Effect)  
Reverb is an effect that adds a sense of spaciousness to the sound, creating the illusion of playing in a concert hall.  
1. Press the Reverb [ ] [ ] buttons to adjust the overall Reverb amount.  
When you press the Reverb [ ] button, additional Reverb is applied. Pressing the Reverb [ ] button decreases the Reverb level.  
When you press the Reverb [ ] [ ] buttons, the Reverb level will be shown in the display.  
Changing the reverb type  
By changing the reverberations of the notes, you can enjoy the atmosphere of performance in a wide variety of different locations.  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select “Reverb.”  
3. Press the [Utility] button.  
4. Press the Menu [ ] [ ] buttons to select “Reverb Type.”  
5. Press the Value [-] [+] buttons to select a Reverb type.  
Type  
Explanation  
ROOM 1  
Reverberation of a small room  
ROOM 2  
Reverberation of a small club  
ROOM 3  
Reverberation of a large room  
HALL 1  
Reverberation of a large concert hall  
Reverberation of a small concert hall  
The reverberation of a small church  
HALL 2  
SMALL CHURCH  
LARGE CHURCH  
CATHEDRAL  
PLATE  
The reverberation of a large church  
The reverberation of a cathedral  
A bright, metallic reverberation  
DELAY  
An echo-like sound repeated several times  
Similarly to the above but where the sound is panned between the left and right speakers  
PAN DELAY  
To return to the basic screen, press the [Display/Exit] button.  
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Changing the wall type  
By changing the type of reverb you can experience the feeling of performing in various different locations, and by changing the Wall Type (wall  
material) you can make further adjustments to the way in which reverberation occurs.  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select “Reverb.”  
3. Press the [Utility] button.  
4. Press the Menu [ ] [ ] buttons to select “Wall Type.”  
5. Press the Value [-] [+] buttons to select a Wall type.  
Type  
Explanation  
DRAPERY  
CARPET  
Pleated curtain  
Carpet  
ACOUSTIC TILE  
WOOD  
Acoustical tile, sound-absorptive tile  
Wood  
BRICK  
Brick  
PLASTER  
CONCRETE BLOCK  
MARBLE  
Plaster  
Concrete block  
Marble  
To return to the basic screen, press the [Display/Exit] button.  
Changing the depth of the reverb  
You can make independent settings for each Part.  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select “Reverb.”  
3. Press the [Utility] button.  
4. Press the Menu [ ] [ ] buttons to select “Depth.”  
5. Press the Menu [ ] [ ] buttons to select the part whose reverb depth you wish to adjust.  
Accomp (Automatic Accompaniment except Bass), Rhythm, Drums, M.Perc  
A.Bass (Bass part of Automatic Accompaniment), Pedal, Lower, Solo, Vintage  
Part  
6. Press the Value [-] [+] buttons to adjust the setting.  
Settings  
Explanation  
0–10, AUTO (Accomp, Rhythm, A.Bass)  
Increasing the value will increase the amount of reverb effect.  
For the three Parts of the Accomp, Rhythm and A.Bass, you have the option of selecting the “AUTO”setting. Parts for which “AUTO”is selected will be set  
to the Reverb Depth that is most suitable for the Rhythm currently selected.  
To return to the basic screen, press the [Display/Exit] button.  
MEMO  
By holding down the [Utility] button and using the Menu [  
effect (p. 41) of the same part.  
] [  
] buttons, you can jump to editing screens for the octave shift (p. 37) and sustain  
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Making the Sound Distort (Overdrive Effect)  
The Overdrive effect makes the sound distort.  
1. Press the [Utility] button.  
2. Use the Menu [ ] [ ] buttons to select “Overdrive.”  
3. Use Value [-] [+] to adjust the amount of distortion.  
Settings  
0–12  
Explanation  
Higher values apply the Overdrive effect more strongly.  
To return to the basic screen, press the [Display/Exit] button.  
MEMO  
For details on voices to which the overdrive effect can be applied, refer to “Voice & Rhythm List.”  
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Using the D Beam Controller to Modify the Sound  
By positioning your hand above the D Beam controller located on the front panel, you can easily modify the sound or produce sound effects.  
This is a useful way to make your live performance even more expressive.  
1. Press either the D Beam [Pitch], [Filter], or [Volume] button, so its indicator is lit.  
Pressing the button cycles the illumination status of the indicator between lit (red), lit (green), and unlit. Switch the color of the button’s indicator to  
select the desired effect.  
Button  
Indicator color  
Red  
Explanation  
Changes the pitch of the sounds you play on the upper keyboard (Pitch bend).  
A bass drum and cymbal will sound.  
[Pitch] button  
Green  
Changes the tonal character of the sounds you play on the upper keyboard.  
Red  
*
For some sounds, the tonal change may be difficult to notice.  
[Filter] button  
Green  
Red  
The cymbal will be struck with gradually increasing force.  
Changes the volume of the sounds you play on the upper keyboard.  
The sound of a wind chime is produced.  
[Volume] button  
Green  
2. Place your hand above the D Beam controller.  
The effect assigned to the D Beam controller will be applied to the sound.  
3. To turn off the D Beam controller, press the button you pressed in step 1 a number of times until the indicator goes out.  
Effective range of the D Beam controller  
The illustration at right shows the effective range of the D Beam controller. Moving your hand outside this range will  
not produce any effect.  
The effective range of the D Beam controller will be drastically decreased under strong direct sunlight. Please be  
aware of this when using the D Beam controller outdoors.  
MEMO  
The sensitivity of the D Beam controller will vary according to the brightness of its surroundings. If it does not  
operate as you expect, you can readjust the sensitivity. Increasing the D Beam sensitivity value (p. 94) will make it  
more sensitive.  
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Using the Lower Keyboard Effectively  
You can divide the lower keyboard into two or more sections and play solo voices, play the pedal bass voice, or combine a variety of uses for even more  
versatility.  
For example, the following applications are possible.  
Using the lower keyboard to play the solo voice  
Press the Solo [To Lower] button in the Solo section to Play the Solo voice to the Lower keyboard (p. 48).  
Drums/SFX  
Manual Percussion  
Bass  
Lower  
Solo  
Using the lower keyboard to play the bass part by hand  
Set “Bass Split”to “ON”to play the Pedal Bass voice from the Lower keyboard (p. 48).  
Drums/SFX  
Manual Percussion  
Bass  
Lower  
Solo  
Using the lower keyboard to play drum sounds or sound effects  
Press the [Manual Percussion] button to play drum sounds or sound effects with the Lower voice on the lower keyboard (p. 49).  
Drums/SFX  
Manual Percussion  
Bass  
Lower  
Solo  
Playing drum sounds from the entire lower keyboard  
Press the [Drums/SFX] button (p. 50).  
Drums/SFX  
Manual Percussion  
Bass  
Lower  
Solo  
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Using the lower keyboard to play drum sounds and solo voice  
Press the [Drums/SFX] button, and then press the Solo [To Lower] button (p. 47, p. 50).  
Drums/SFX  
Manual Percussion  
Bass  
Lower  
Solo  
By changing the combination of voices that are played on the Lower keyboard, and by changing the Solo Split Point (p. 47) and Bass Split Point (p. 48), you  
can create the following types of setup.  
Drums/SFX  
Manual Percussion  
Bass  
Lower  
Solo  
Drums/SFX  
Manual Percussion  
Bass  
Lower  
Solo  
Drums/SFX  
Manual Percussion  
Bass  
Lower  
Solo  
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Playing the Solo Voice on the Lower Keyboard (Solo To Lower)  
Normally, the solo voice will sound on the upper keyboard.  
By using the Solo [To Lower] button, you can play the solo voice in the righthand side of the lower keyboard that includes the B4 key. The state in which  
the keyboard is divided in this way is called “split,”and the location at which the keyboard is divided to play the solo voice in the lower keyboard is  
called the “Solo Split Point.”  
1. Press a voice button for the Solo part to select the voice you want to play (p. 29).  
2. Press the Solo [To Lower] button (indicator lights).  
When you play the Lower keyboard, the Solo voice will sound in the range to the right of the Solo Split Point.  
Solo voice  
Lower keyboard  
Solo Split Point  
3. To turn off the Solo split, press the Solo [To Lower] button (indicator turns off).  
The Solo voice will no longer sound in the Lower keyboard; the Solo voice will now be played in the Upper keyboard.  
* If the Solo [To Lower] is ON, the Solo voice will not be heard from the upper keyboard.  
MEMO  
• You can change how the Solo voice will sound (p. 92).  
• You can adjust the Solo Split Point (p. 92).  
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Using the Lower Keyboard to Play the Bass Voice (Bass Split)  
By using the “Bass Split”function you can play the bass voice in the left-hand side (including C3) of the lower keyboard.  
The location at which the lower keyboard is divided in this way, to play the pedal bass voice, is called the “Bass Split Point.”  
1. Select a Pedal Bass voice (p. 29).  
2. Press the [Utility] button.  
3. Press the Menu [ ] [ ] buttons to select “Bass Split.”  
4. Use the Value [-] [+] buttons to turn ”Bass Split” on.  
When you play the Lower keyboard, the Pedal Bass voice will sound in the range to the left of (and including) the bass split point note.  
Pedal Bass voice  
Lower keyboard  
Bass Split Point  
To return to the basic screen, press the [Utility] button.  
* It is not possible to select and play both “Bass Split” function and Pedal [To Lower] buttons simultaneously (p. 51).  
* If the ”Bass Split” function is on, the Pedal Bass voice will not be heard from the pedalboard. The Pedal Bass voice will sound from the Lower  
keyboard.  
MEMO  
You can adjust the Bass Split Point (p. 92).  
48  
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Playing a Lower Voice with Percussion Instrument Sounds and a Voice Phrase  
(Manual Percussion)  
You can play various drum sounds and sound effects using the bottom 15 keys of the Lower keyboard. This is convenient when you wish to play the  
Lower voice together with drum sounds or sound effects.  
The keys for Drum sounds  
or Sound Effects  
15 keys  
Lower keyboard  
1. Press the [Manual Percussion] button (indicator lights).  
The button will alternate between ON (lit) and OFF (dark) each time it is pressed.  
The Manual Percussion screen will be displayed for several seconds.  
* It is not possible to select and play both [Drums/SFX] and [Manual Percussion] buttons simultaneously (p. 50).  
2. When you play the bottom 15 keys of the Lower keyboard the chosen drum sound is played on each key.  
Changing the manual percussion sets  
You can choose from seven different manual percussion sets.  
When you change the Manual Percussion Set, the sound played by each of the 15 lowest notes of the Lower keyboard will change.  
1. Press the [Manual Percussion] button (indicator lights).  
The Manual Percussion screen will be displayed for several seconds.  
2. While the Manual Percussion screen is displayed, use the Value [-] [+] buttons to select the desired manual percussion set.  
The [Manual Percussion] button indicator will begin to flash.  
Manual Percussion Set  
PERC SET 1, PERC SET 2, ORCHESTRA SET, LATIN SET, ASIAN SET, VOICE PHRASE, SFX SET  
3. Press the [Manual Percussion] button once again.  
The [Manual Percussion] button indicator will change from blinking to lit, and your choice of drum set will be finalized.  
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Playing Drums from the Entire Lower Keyboard (Drums/SFX)  
You can use the Lower keyboard to play various drum sounds (drum set). In this case, the Lower voices will no longer sound.  
1. Press the [Drums/SFX] button (indicator lights).  
Play the Lower keyboard and listen to the various drum sounds on each key.  
The [Drums/SFX] button will alternate between on (lit) and off each time it is pressed.  
* For some drum sets, there will be keys that do not sound.  
Changing the Drum/SFX set  
As the drum set, you can choose from 18 types of drum set. When you change the drum set, the sound produced by each note will change.  
1. Press the [Drums/SFX] button (indicator lights).  
The Drums/SFX will be displayed for several seconds.  
2. When the Drum Set name is displayed on the screen, press the Value [-] [+] buttons to select a Drum Set or Sound Effect Set.  
The [Drums/SFX] button indicator will begin to blink.  
POP, ROCK, JAZZ BRUSH, VOX DRUM, STANDARD, STANDARD 2, ROOM, ROOM 2, POWER, ELECTRONIC, TR-808,  
DANCE, JAZZ, BRUSH, BRUSH 2, ORCHESTRA, ETHNIC, SOUND EFFECTS  
Drum/SFX set  
To stop mid-way through this or any procedure, press the [Display/Exit] button.  
3. Press the [Drums/SFX] button once again.  
The [Drums/SFX] button indicator will light constantly, and the selected Drum/SFX set will be applied.  
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Using the Lower Keyboard to Play the Bass Voice (Pedal To Lower)  
By using the Pedal [To Lower] button, you can sound the Pedal Bass voice by playing the root note (p. 122) of a chord on the Lower keyboard in the area  
that is playing the Lower voice.  
1. Select a Pedal Bass voice (p. 29).  
2. Press the Pedal [To Lower] button (indicator lit).  
When you play a chord in the area of the Lower keyboard that sounds the Lower voice, the Pedal Bass voice will also be heard and will play the root  
note.  
If the “Leading Bass”function is on (p. 95), the lowest note played in the lower keyboard will sound the pedal bass voice.  
* If no portion of the Lower keyboard is sounding the Lower voice (the [Drums/SFX] button is ON), the Pedal Bass voice will not sound.  
* If the Pedal [To Lower] is ON, the Pedal Bass voice will not be heard from the pedalboard.  
Easily Playing Chords on the Lower Keyboard (Easy One Finger)  
This function lets you produce chords simply by playing one or two keys on the lower keyboard; it’s called the “Easy One Finger”function.  
1. Hold down the Pedal [To Lower] button for several seconds until its indicator starts lighting.  
Easy One Finger will turn on.  
MEMO  
If Easy One Finger is turned on, the sound of the lower keyboard part will be sustained even after you release the notes you were pressing in the  
lower keyboard; this sound will be sustained until you play the next note.  
The following functions will also turn on.  
• Chord Intelligence (p. 95)  
• Pedal To Lower  
• EZ Touch (p. 92)  
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Realistically Expressing Acoustic Instrument Performances  
(SuperNATURAL Voices)  
Acoustic instruments are noted for their richly varied tonal changes and the diversity of their performance techniques; these are indispensable  
elements that produce the distinctive charm of such instruments. “SuperNATURAL voices”are special voices that are able to realistically express the  
sounds and performance techniques of these acoustic instruments.  
Selecting a SuperNATURAL Voice  
* SuperNATURAL voices can be selected only for the Solo part.  
1. Press one of the Solo part voice buttons.  
A SuperNATURAL voice will be selected.  
If you want to switch to the other SuperNATURAL voice assigned to the button, press the [Alternate] button.  
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Selecting the SuperNATURAL voice of the [Others] button  
1. Press the Solo part [Others] button.  
The display will show the voice name.  
The indicator of the selected [Others] button will light.  
2. While the display shows the voice name, use the Value [-] [+] buttons to select a SuperNATURAL voice.  
The indicator of the Solo [Others] button will blink.  
SuperNATURAL voices have an “N.”at the beginning of their name.  
If you decide to cancel the procedure, press the [Display/Exit] button.  
3. Press the Solo part [Others] button once again to confirm the voice you selected.  
The indicator of the Solo part [Others] button will change from blinking to steadily lit, and the SuperNATURAL voice will be selected.  
Optimal Settings for Playing a SuperNATURAL Voice  
You can play SuperNATURAL voices even more effectively by making the appropriate solo mode and foot switch settings.  
You can also automatically set these controllers for optimally playing a SuperNATURAL voice.  
MEMO  
If you want to use the foot switches, connect a pedalboard (PK series; sold separately) (p. 24).  
1. Select a SuperNATURAL voice.  
2. While the display shows the voice name, press the [Rec] button.  
A confirmation message appears.  
3. Press the [Rec] button.  
The setting will be changed.  
The following settings are changed.  
Parameter  
Value set  
Explanation  
Solo Mode (p. 92)  
L Foot Switch (p. 93)  
POLYPHONIC  
N.CONTROL1  
The solo voice will sound on all keys played in the solo part.  
Applies an effect to the SuperNATURAL voice (p. 54).  
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Playing a SuperNATURAL Voice  
When you play a SuperNATURAL voice, its tone quality will change appropriately when you play legato or staccato passages.  
In addition, using the foot switches or D Beam while you perform can apply a variety of effects to the sound, making your performance expression  
even richer and more realistic.  
If you want to use the foot switches while performing, assign the foot switch functions (L Foot Switch, R Foot Switch) to “N.CONTROL 1”and  
“N.CONTROL 2”(p. 93).  
MEMO  
If you want to use the foot switches, connect a pedalboard (PK series; sold separately) (p. 24).  
Characteristics of the SuperNATURAL voices  
Foot switch effect  
Voice name  
Characteristics  
N.CONTROL 1  
N.CONTROL 2  
N.Violin  
N.Cello  
A sound with beautifully applied portamento and  
vibrato.  
Portamento  
Pizzicato  
This is characterized by the portamento and ornaments  
distinctive to the Er Hu.  
N.Er Hu  
Portamento  
Hold  
Ornament  
Harmonics  
A hold effect that sustains the sound and sound effects  
in the lower range make this unique.  
N.NylonStrGt  
When you play chords, the sound of guitar strumming  
is produced.  
N.FlamencoGt  
N.Trumpet  
The “falls”typical of a trumpet are particularly effective.  
Glissando  
Glissando  
Fall  
Fall  
The glissando that smoothly connects pitches is typical  
of this instrument.  
N.Trombone  
N.Alto Sax  
This is notable for its beautifully supple tone and its  
growl playing technique.  
Glissando  
Growl  
N.Tenor Sax  
This sound has an appealing glissando that smoothly  
connects the notes.  
N.Flute  
Glissando  
Glissando  
Glissando  
Glissando  
Glissando  
Glissando  
Growl  
The ability to sustain long notes and the beautiful  
vibrato make this voice special.  
N.EnglishHrn  
N.Clarinet  
Growl  
The glissando has a sense of pitch that is distinctive of  
the clarinet.  
Growl  
You can use ornaments in a way that is unique to the  
shakuhachi.  
N.Shakuhachi  
N.Harmonica  
N.Marimba  
Ornament  
Growl  
The growl technique that characterizes the harmonica  
is particularly expressive.  
This sound provides the distinctive tremolo of the  
marimba.  
Tremolo  
Foot switch effects  
Effect  
Explanation  
These performance techniques continuously vary the pitch between two notes. The way in which notes are  
connected will depend on the construction of the instrument.  
Portamento, Glissando  
Pizzicato  
In this performance technique, the strings of the violin are plucked with the fingers rather than bowed with the  
bow, producing sharply defined notes.  
This performance technique produces a rapid change in pitch at the beginning of the note, in a way that is  
distinctive of that particular instrument.  
Ornament  
Harmonics  
Fall  
This is a technique in which a string of the guitar is fingered lightly to sound an overtone. A pitch one octave  
higher than the keyboard note will be heard.  
This is the technique of rapidly lowering the pitch of a wind instrument while simultaneously producing a  
decrescendo.  
Growl  
This technique produces a powerful sound by simultaneously breathing and growling into a wind instrument.  
This is the technique of rapidly repeating a single note, or rapidly alternating between multiple notes.  
Tremolo  
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Adjusting the Overall Volume Using an Expression Pedal  
You can use a pedalboard (PK series; sold separately) or expression pedal (EV-7; sold separately) to adjust the ATELIER’s overall volume. Stepping down  
on the expression pedal will increase the volume; releasing the pedal will decrease the volume.  
Decrease  
the volume  
Increase  
the volume  
* Completely releasing the expression pedal does not lower the volume to zero. If you do want to turn down the volume completely, set the [Master  
Volume] knob to the Min (Minimum) position.  
MEMO  
• Even as you release your foot from the expression pedal and lower the volume, the lower-range portion will linger on. This provides a natural  
sounding resonance.  
• When an Active Expression voice is selected, the expression pedal can be used to produce changes in the voice (p. 56).  
• Likewise you can specify whether the Expression Pedal will or will not control the volume during the playback of recorded music data (p. 94).  
• You can specify whether the expression pedal will function when playing back performance data that was recorded on the ATELIER series (p. 94).  
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Performing with an Active Expression Voice  
For “Active Expression Voices,”operating the expression pedal will control not only the volume but also the tone, or may add additional sounds.  
MEMO  
If you want to use an expression pedal, you’ll need to connect a pedalboard (PK series; sold separately) or an expression pedal (EV-7; sold separately)  
(p. 26).  
1. Press the [Others] button of the Part to which you want to assign an Active Expression voice.  
The voice name appears in the display.  
The indicator of the selected [Others] button will light.  
* You can also use the Upper Organ part’s [Others] button to select an Active Expression voice, but the active expression effect won’t be applied.  
2. Press the Value [-] [+] buttons to select the Active Expression Voice.  
The indicator of the selected [Others] button will blink.  
Active Expression Voices have the letters “AEx”preceding their voice name.  
To stop mid-way through this or any procedure, press the [Display/Exit] button.  
3. Once again, press the [Others] button for the part whose sound you wish to set to confirm the voice.  
The indicator of the [Others] button will change from blinking to light.  
Example: selecting and performing the active expression voice  
1. Select the Active Expression voice “AEx Strings.”  
2. Depress the expression pedal.  
As you further step down on the expression pedal, the sound will gradually change to a bright strings sound, and a strings sound one octave higher  
will be added.  
Adding Decay to the Sound (Damper Pedal)  
You can use the hold switch of the pedalboard (PK series; sold separately) or a pedal switch (DP series; sold separately) to sustain the notes played on  
the lower keyboard.  
While you continue depressing the damper pedal, notes will be sustained even if you release the keys.  
* Decay cannot be added to the Solo voices.  
MEMO  
Decay can not be applied to Pedal Bass voices played on the Lower keyboard (when the Pedal [To Lower] button indicator is lit or Bass Split function  
is ON).  
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Using the Foot Switch  
There are two foot switches located at either side of the expression pedal on the pedalboard (PK series; sold separately). These two foot switches are  
assigned the following functions.  
Right foot switch  
Left foot switch  
When the power to the ATELIER is turned on, the following functions are assigned to the left and right foot switches.  
Foot switch  
Function  
Switch the Rotary effect between Fast/Slow  
Right foot switch  
If Rotary is turned on, the Rotary effect will switch between “Fast”and “Slow”each time you press the Right foot  
switch.  
Glide effect  
Left foot switch  
While you are pressing the foot switch, the pitch will be temporarily lowered. When you release the Left foot  
switch, the pitch will return to normal.  
* The glide effect applies only to the upper keyboard part. It will not apply to the vintage organ of the upper keyboard part.  
MEMO  
• You can change the functions that are assigned to the left and right foot switches. For details, refer to “Changing the Foot Switch Functions (L Foot  
Switch, R Foot Switch)”(p. 93).  
• The functions assigned to the foot switches can be stored individually for each registration button (p. 66).  
• A pedal switch (DP series; sold separately) connected to the Pedal (Control) jack will have the same function as the right foot switch.  
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Performing with Rhythms  
The ATELIER lets you enjoy playing along with a rhythmic accompaniment.  
Selecting a Rhythm  
The ATELIER provides 210 types of Rhythms and Automatic Accompaniments (Music Styles).  
The four buttons shown below are known as the “Rhythm buttons.”They allow you to select a rhythm from eight different groups, which are organized  
according to musical genre.  
Each rhythm button corresponds to two groups.  
By pressing a button that is lit, you can select that button’s other group.  
The selected group is shown by the illumination status of the two indicators located beside the rhythm buttons.  
Indicators located beside the rhythm buttons Explanation  
The rhythm group printed above the button is selected.  
(Jazz, Country/Gospel, Pop/Rock, Ballad)  
Upper indicator lit  
The rhythm group printed below the button is selected.  
(Latin, Waltz/March, Trad/Acoustic, User)  
Lower indicator lit  
1
2
1. Press a Rhythm button to select a Rhythm group.  
The indicator of Rhythm button will light.  
That Rhythm select screen appears.  
2. Press the Value [-] [+] buttons to select a different Rhythm within the same group.  
The indicator of the Rhythm button will blink.  
3. Press the flashing rhythm button once more.  
The Rhythm button’s indicator will change from blinking to light.  
The Rhythm has now been applied.  
MEMO  
For more on the internal rhythms, refer to “Voice & Rhythm List.”  
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Selecting Rhythms Stored in User Memory or USB Memory  
Here’s how to play rhythms that are stored in user memory or USB memory.  
You can select these rhythms by choosing the User group.  
MEMO  
With the factory settings, rhythms are already stored in user memory.  
1. If you want to select rhythms from USB memory, connect your USB memory to the USB Memory connector.  
2. Press the Rhythm [Ballad/User] button a number of times to select the user group.  
The Rhythm select screen appears.  
3. Press the [Media] button to select a memory.  
If you want to select the registration to USB memory, select “USB Memory.”  
If you want to select the registration to user memory, select “User.”  
4. Press the Value [-] [+] buttons to select a Rhythm.  
The indicator of Rhythm [Ballad/User] button will blink.  
5. After selecting a rhythm, press the blinking Rhythm [Ballad/User] button once more.  
The Rhythm [Ballad/User] button stops blinking and remains lit, indicating that the rhythm has been selected.  
MEMO  
If you wish to copy a Rhythm saved on USB memory to User memory, refer to “Copying Rhythms (Copy Rhythm)”(p. 103).  
What is User Memory?  
“User Memory”refers to an area inside the instrument where you can store the registration you create and the performances you record.  
Registration and SMF music files saved on USB memory can also be copied to user memory (p. 101, p. 101).  
User memory is quite useful, since anything you place there will be retained even while the power is turned off.  
The following things are stored in User memory:  
• Songs you’ve registered in “Favorites”  
• Rhythms  
• Registration sets  
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Playing Rhythm  
There are two ways to start the rhythm. You can press the [Start/Stop] button to start the rhythm, or you can use Synchro Start to have the rhythm start  
when you play the lower keyboard or the pedalboard.  
You can also make the rhythm start with an intro, or stop with an ending.  
Starting with an added intro  
1. Press the [Intro/Ending] button.  
The [Intro/Ending] button indicator will light.  
2. Press the [Start/Stop] button.  
The Intro is played and the Rhythm starts.  
While the Intro is playing, the [Intro/Ending] button indicator will light, until the Intro ends then the button indicator will go dark.  
Starting without an intro  
1. Press the [Start/Stop] button.  
The Rhythm starts without an Intro being played.  
Making the intro short and simple  
1. Press the Variation [1] button (indicator lights).  
2. Press the [Intro/Ending] button.  
3. Press the [Start/Stop] button.  
A short Intro is played and the Rhythm starts.  
Starting the Rhythm Automatically When You Play the Lower Keyboard or Pedalboard (Synchro Start)  
If you perform the following operation before starting the rhythm, the rhythm will start the moment you play the lower keyboard or  
pedalboard.  
1. While holding down the Arranger [On/Off] button, press Auto [Fill In] button to turn Synchro Start on.  
The [Start/Stop] button indicator will blink.  
* If the Arranger function is ON (the Arranger [On/Off] button indicator is lit), it is not be able to start the Rhythm by playing the Pedalboard  
(p. 62).  
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Stopping the Rhythm  
Stopping with an ending  
1. Press the [Intro/Ending] button.  
An Ending is played, then the Rhythm stops.  
While the Ending is playing, the [Intro/Ending] button indicator will light, until the Ending finishes the button indicator will be turned off.  
Stopping without an ending  
1. Press the [Start/Stop] button.  
The Rhythm stops without an Ending being played.  
Stopping with the ending short and simple  
1. Press the Variation [1] button.  
2. Press the [Intro/Ending] button.  
A short Ending is played, then the Rhythm stops.  
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Changing a Tempo of Rhythm and Automatic Accompaniment  
You can change the tempo of the Rhythm or Automatic Accompaniment.  
1. Press the Tempo [ ] [ ] buttons to change the tempo (speed) of the Rhythm or Automatic Accompaniment.  
Button  
Explanation  
The tempo becomes slower  
The tempo becomes faster  
Tempo [ ] button  
Tempo [ ] button  
The value of the tempo currently set (20–500 beats per minute) can be checked in the display.  
You can also check the tempo by viewing the Beat indicator.  
MEMO  
• By pressing the Tempo [ ] [ ] buttons simultaneously, the tempo is returned to the standard (preset) tempo for the selected Rhythm.  
• If you switch rhythms when “Auto Std Tempo”(p. 95) is on, the tempo changes to match the rhythm. If you switch rhythms when “Auto Std Tempo”is  
off, the tempo remains unchanged even when you switch the rhythm.  
Playing Rhythm and Automatic Accompaniment  
The Arranger function of the ATELIER can add an Automatic Accompaniment to each Rhythm.  
Based on the selected Rhythm, the Arranger function automatically adds an accompaniment that is suitable for the chord being pressed on the Lower  
keyboard.  
1. Press the Arranger [On/Off] button (indicator lights).  
Arranger [On/Off] button  
Lit (On)  
Explanation  
Rhythm and Automatic Accompaniment  
Rhythm  
Unlit (Off)  
2. Start the rhythm (p. 60).  
The rhythm and the automatic accompaniment will play together.  
If the Arranger [On/Off] button is ON and no Pedal Bass voice is selected, the Automatic Accompaniment will play the bass sound.  
* When the Arranger [On/Off] button is on, Synchro Start (p. 60) on the pedalboard cannot be used.  
* The lower voice is not played during the performance of the intro and ending, even when the Lower keyboard is played.  
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Adding Variety to the Rhythm or Automatic Accompaniment  
You can add variety to the rhythm or automatic accompaniment by changing the rhythm pattern of the rhythm.  
1. Press the Auto [Fill In] button (indicator lights).  
A fill-in will automatically be added when you press a Variation [1]–[4] button to change the accompaniment or rhythm arrangement.  
What’s a fill-in?  
A Fill In is a short phrase that is inserted at a break in the melody or at a point where the character of the song changes (between Chorus’s or  
Verses).  
Changing the Arrangement of the Rhythm and Accompaniment (Variation)  
You can change the arrangement of the accompaniment. This function is called “Variation.”  
For each rhythm, there are four types of arrangement for the accompaniment.  
1. Press the Variation [1]–[4] buttons to change the arrangement of the accompaniment.  
The indicator of the button you pressed will light.  
The Variation [1] button produces the simplest arrangement, and the [4] button produces the most florid.  
For an intro or ending, Variation [1] is the shortest and simplest.  
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A Simple Way to Make Automatic Accompaniment Settings (One Touch Program)  
When using the Arranger function (p. 62) for automatic accompaniment, you can also use the“One Touch Program”function to automatically select panel  
settings that are appropriate for the selected rhythm.  
By pressing the [One Touch Program] button, you can make the following settings.  
• Panel settings (e.g., sounds and volume) suitable for the rhythm  
• Automatic Accompaniment playing  
• [Start/Stop] button blinking (Waiting for Synchro Start) (p. 60)  
• Chord Intelligence function is ON (p. 95)  
* If the arranger function (p. 62) is on (the (Arranger [On/Off] button’s indicator is lit), you can’t start the rhythm from the pedalboard.  
1. Select a Rhythm (p. 58).  
2. Press the [One Touch Program] button.  
Panel settings appropriate for the rhythm and automatic accompaniment will automatically be called up for Registration [1]–[4] buttons.  
* When you press the [One Touch Program] button, the “Arranger Update” setting will automatically change to “INSTANT” (p. 97).  
3. Press the Registration [1]–[4] buttons to select panel settings.  
4. On the Lower keyboard, play a chord.  
At the moment you play the keyboard, the Intro will begin, and then the Rhythm and Automatic Accompaniment will play.  
5. Press the [Intro/Ending] or [Start/Stop] button to stop the Rhythm.  
Rhythm and Automatic Accompaniment stops.  
6. Press the [One Touch Program] button, extinguishing its indicator.  
The One Touch Program function is turned off, and the panel settings in effect prior to the [One Touch Program] button being pressed are restored.  
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Deleting a Rhythm from User Memory or USB Memory  
You can delete rhythms stored in User memory or USB memory.  
1. Select the rhythm you want to delete (p. 58).  
2. Press the [Load] button and [Save] buttons simultaneously.  
The following display appears.  
To cancel the procedure, press the [Reset] button.  
3. Press the [Rec] button.  
While the Rhythm is being deleted, the following screen will be displayed.  
When saving is complete, the Rhythm select screen reappears.  
* Never turn off the power while the operation is in progress. Doing so will damage the ATELIER’s internal memory or USB memory, making it  
unusable.  
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Storing Your Performance Settings (Registration)  
The ATELIER allows you to store sound settings and panel settings such as 8 in the Registration buttons.  
There are a total of 8 Registration buttons, and one set of panel settings can be stored in each, allowing you to register a total of 8 different panel  
settings.  
A “registration,”which consists of a collection of panel settings, can be stored at each of the registration buttons. When grouped together, all eight of  
the registrations stored at the eight registration buttons are called a “registration set.”  
This provides a convenient way to change large numbers of panel settings during a performance, or to recall a complex panel setting.  
8 registrations  
Registration set  
MEMO  
• You can save a registration set in user memory or on USB memory (sold separately) (p. 68).  
• For details on the settings that are stored in a registration, refer to “Stored Items”(p. 123).  
Saving or loading a registration set  
You can save or load registration set as shown in the illustration below.  
ATELIER  
Registrations you can recall  
by pressing a button  
Write  
Voices, Rhythm settings,  
etc.  
Registration sets  
1
Save  
Load  
Load  
Save  
Copy  
1
1
Registration sets  
Registration sets  
User memory  
USB memory  
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Storing Registrations  
1. Make all the panel settings that you wish to store.  
2. While holding down the [Write] button, press one of the Registration [1]–[8] buttons.  
The panel settings will be stored in the selected Registration button.  
* If you’ve made panel settings, but haven’t saved them, and then call up a registration, the panel settings that you didn’t save will be discarded.  
Whenever you have any panel settings that you want to keep, make sure to store them in a registration before you call up a registration.  
MEMO  
For details on the settings that are stored in a Registration, refer to “Stored Items”(p. 123).  
Recalling a Registration  
Here’s how panel settings stored at a registration button can be recalled.  
Recalling voices and other panel settings  
1. Press and immediately release one of the Registration [1]–[8] buttons.  
Recalling settings for rhythm and automatic accompaniment in addition to the panel settings  
1. Press and hold a Registration [1]–[8] button for several seconds.  
The indicator of the rhythm select button will blink, and the panel settings and settings related to rhythm performance and automatic accompaniment  
will be recalled.  
MEMO  
• You can switch the way in which registrations are recalled (p. 97).  
• You can also switch registrations by using the foot switch of a pedalboard (PK series; sold separately) or a pedal switch (DP series; sold separately) (p.  
96).  
Automatically Registering When You Switch Panel Settings  
When the [Manual] button is ON (lit), all panel settings you make will be stored automatically in the [Manual] button as they are made, thus updating  
the Registration that had been previously saved. If you change to a preset Registration [1]–[8] button, it is possible to return to the previous panel  
settings by pressing the [Manual] button.  
* The settings stored in the [Manual] button will return to their default state when you turn off the power.  
MEMO  
You can use the [Manual] button to successively recall registrations in the order in which they are saved in USB memory or user memory (p. 72).  
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Saving Registration Sets  
With the settings of Registration buttons [1]–[8] considered as one set, you can store the registration set to USB memory or User memory.  
We recommend that complex panel settings or Registrations you wish to keep be saved on USB memory.  
Furthermore, when you save registrations created on the ATELIER to USB memory, you can call up their settings on other ATELIER Series instruments  
and use the registrations the same way.  
1. Prepare to save the performance data.  
If you want to save a registration from USB memory, connect your USB memory to the USB Memory connector.  
2. Press the [Registration] button to make the indicator light.  
The Registration select screen appears.  
3. Press the [Media] button to select the desired media.  
If you want to save the registration to USB memory, select “USB Memory.”  
If you want to save the registration to user memory, select “User.”  
4. Press the Value [-] [+] buttons to select the save destination number.  
Numbers which have not been used in the Saving operation will be displayed as “------------.”  
To cancel the operation, press the [Registration] button.  
5. Press the [Save] button.  
6. Give the registration set a name.  
Press the Menu [  
] [  
] buttons to move the cursor, and press the Value [-] [+] buttons to select a character.  
Button  
Explanation  
Select a character. The following characters can be selected.  
Value [-] [+] buttons  
space ! “ # % & ’( ) * + , - . / : ; = ? ^ _ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r  
s t u v w x y z 0 1 2 3 4 5 6 7 8 9  
[Reset] button  
[Rec] button  
Delete a character.  
Inserts a space.  
7. Once you’ve given it a name, press the [Save] button.  
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8. Press the Value [-] [+] buttons to select the format in which the data will be saved.  
Display  
Explanation  
Save formats that can be used with the AT-350C. When saved in this format, the data can also be used by AT-S  
series, AT-900, AT-900C AT-800, AT-300, AT-100, AT-75, AT-45 and AT-15 devices.  
ORIGINAL  
R-SERIES  
Save formats that can be used with AT-R Series devices.  
9. Press the [Save] button.  
Saving of the registration data will begin.  
When saving ends, the “------------”in the screen will change to the registration name that you saved.  
* Never remove the USB memory or turn off the power while the operation is in progress. Doing so will damage the ATELIER’s internal memory or  
USB memory, making it unusable.  
If the following screen appears  
If you select a number at which a registration has already been saved and press the [Save] button, the following screen appears.  
If you wish to update the contents of the Registration data  
1. Press the [Rec] button.  
The Registration will be rewritten.  
If you wish to save new data instead of updating the registration  
1. Press the [Reset] button to cancel the procedure.  
Rewriting of the Registration will be canceled.  
2. Press the Value [-] [+] buttons to select a number for which “------------” is displayed on the upper right of the screen.  
3. Press the [Save] button to save the Registration set.  
When saving is complete, the saved registration name will be displayed.  
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Loading Previously Saved Registration Sets Into the ATELIER  
Here’s how to recall a previously saved Registration set from the User memory or USB memory into the memory of the ATELIER.  
Registrations can be selected in the following three ways.  
Loading a Set of Registrations  
You can load a “set”(a collection of settings for Registration buttons [1]–[8]) from USB memory or user memory.  
Loading an Individual Registration (p. 71)  
Recall the settings of one of the Registration [1]–[8] buttons.  
Recalling the Order that the Registrations are Saved on the USB Memory or User Memory (Load Next) (p. 72)  
Assign “RIGHT+ Load Next”to the foot switch, and recall Registration sets in the order in which they are stored in USB memory or user memory.  
* Be aware that when you load Registrations from a USB memory or user memory, the Registrations that were previously in internal memory will be  
lost. It is a good idea to save important Registrations to USB memory or user memory (p. 68).  
Loading a Set of Registrations  
You can load a “set”(a collection of settings for Registration buttons [1]–[8]) from USB memory or user memory.  
1. If you want to load a registration from USB memory, connect your USB memory to the USB Memory connector.  
2. Press the [Registration] button to make the indicator light.  
The Registration select screen appears.  
3. Press the [Media] button to select the desired media.  
If you want to load from the registration of USB memory, select “USB Memory.”  
If you want to load from the registration of user memory, select “User.”  
4. Press the Value [-] [+] buttons to select the Registration that you wish to load into internal memory.  
To cancel the procedure, press the [Registration] button.  
5. Press the [Load] button.  
When loading is complete, the Registration Select screen reappears.  
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Loading an Individual Registration  
Recall the settings of one of the Registration [1]–[8] buttons.  
1. If you want to load a registration from USB memory, connect your USB memory to the USB Memory connector.  
2. Press the [Registration] button to make the indicator light.  
The Registration Select screen appears.  
3. Press the [Media] button to select the desired media.  
If you want to load from the registration of USB memory, select “USB Memory.”  
If you want to load from the registration of user memory, select “User.”  
4. Press the Value [-] [+] buttons to select the Registration that you wish to load into internal memory.  
5. Press the [Utility] button.  
6. Press the Value [-] [+] buttons to specify the Registration button number to be loaded.  
To cancel the operation, press the [Utility] button.  
7. Press the [Utility] button.  
8. Press the Value [-] [+] buttons to specify the storage destination Registration.  
The registration will be loaded to the Registration button of the number you’ve selected here.  
9. Press the [Utility] button.  
The following display appears.  
To cancel the procedure, press the [Reset] button.  
10. Press the [Rec] button.  
When the Registration has been loaded, the Registration Load screen reappears.  
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Recalling the Order that the Registrations are Saved (Load Next)  
You can recall Registrations in the order in which they were saved on the USB memory or User memory. This function is called “Load Next.”  
When you will be performing live, you can save Registration sets to USB memory in the order in which you will be performing. Then while you perform,  
you can recall the next Registration set easily and smoothly.  
Changing the assignment of the [Manual] button  
Here’s how you can assign the Load Next function to the [Manual] button.  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select “ManualButtonAssign.”  
3. Use the Value [-] [+] buttons to select “LOAD NEXT.”  
4. Press the [Display/Exit] button.  
To return to the basic screen.  
Using the load next function to recall registrations  
You can recall registrations in the order in which they are saved on a USB memory or in user memory.  
1. If you want to load a Registration from USB memory, connect your USB memory to the USB Memory connector.  
2. Press the [Manual] button.  
The first Registration saved on the USB memory will be recalled into the ATELIER.  
To cancel the procedure, press the [Reset] button.  
3. Press the [Rec] button.  
The Registration will be confirmed.  
4. Press one of the Registration [1]–[8] buttons.  
The Registration will be loaded (recalled into internal memory).  
5. Repeat steps 2 and 4 to successively recall the Registration sets.  
MEMO  
You can assign the Load Next functions to either of the foot switches located on each side of the Expression Pedal (p. 93).  
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Deleting a Set of Registrations  
Here’s how to delete a Registration set that was saved to a USB memory, or User memory.  
1. Prepare the registration that you want to delete.  
If you want to delete registration data from the USB memory, connect the USB memory to the USB Memory connector.  
2. Press the [Registration] button to make the indicator light.  
The Registration select screen appears.  
3. Press the [Media] button to select the desired media.  
If you want to delete from the registration to USB memory, select “USB Memory.”  
If you want to delete from the registration to user memory, select “User.”  
4. Press the Value [-] [+] buttons to select the registration that you wish to delete.  
5. Simultaneously press the [Load] button and [Save] button.  
The following display appears.  
To cancel the procedure, press the [Reset] button.  
6. If you are sure that you wish to delete the data, press the [Rec] button.  
When a registration is deleted, the deleted registration name will change to “------------.”  
* Never remove the USB memory or turn off the power while the operation is in progress. Doing so will damage the ATELIER’s internal memory or  
USB memory, making it unusable.  
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Recording Your Performance  
You can record your own performance to see how you sound, or you can play along with a recorded performance.  
The ATELIER lets you record in the following ways.  
Recording format  
Explanation  
Records the song in SMF format.  
SMF recording (p. 75)  
You’ll be able to record and play back parts individually, using the ATELIER’s distinctive functionality.  
Records the song in audio format.  
You’ll be able to play back the song on your digital audio player or computer.  
Audio recording (p. 85)  
*
Performances recorded in audio format are saved on a USB memory. If you want to make an audio  
recording, connect your USB memory to the USB Memory connector.  
MEMO  
SMFs (Standard MIDI Files) use a standard format for music file that was formulated so that files containing music file could be widely compatible,  
regardless of the manufacturer of the listening device.  
Button operations used in recording and playback  
Button  
Explanation  
[Reset] button  
Returns you to the beginning of the song.  
Plays/stops the song.  
[Play/Stop] button  
If you’ve pressed the [Rec] button to put the ATELIER in recording-standby mode, recording will start when you  
press the [Play/Stop] button.  
Places the instrument in recording-standby mode.  
[Rec] button  
When in recording-standby mode, the [Rec] button will light and the [Play/Stop] button will blink.  
[Bwd] button  
[Fwd] button  
Rewinds the song.  
Fast-forwards the song.  
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Recording in SMF Format  
Here’s how a song you perform can be recorded in SMF format.  
3
6
4
5
7
2
Preparing to record  
1. Select the panel settings needed for recording the performance.  
2. Press the [Rec] button.  
The [Rec] button indicator will light, and the [Play/Stop] button will blink.  
3. Press the Value [-] [+] buttons to select ”SMF.”  
Starting and stopping recording  
4. Press the [Play/Stop] button to start recording.  
When you press [Play/Stop] button, the metronome will sound a two-measure count, and then recording will begin.  
MEMO  
If you wish to use Rhythm and Automatic Accompaniment as you record, press the [Start/Stop] button (p. 60) instead of the [Play/Stop] button to  
begin recording. Also, if the Sync Start is ON, recording will begin the instant you play the Lower keyboard.  
5. Press the [Play/Stop] button when you have completed your recording.  
The Track button’s indicator where performance data is recorded will light.  
MEMO  
When you press the [Intro/Ending] button or [Start/Stop] button while recording a Rhythm performance or Automatic Accompaniment, the Rhythm  
performance and Automatic Accompaniment will stop. However, the recording itself will continue. Press the [Play/Stop] button to stop recording.  
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Listening to the recorded performance  
6. Press the [Reset] button.  
The location at which playback will start will return to the beginning of the first measure (bar).  
If you wish to begin playback from the middle of the song, press the [Bwd] button or [Fwd] button to move to the measure from which you wish to  
begin playback.  
7. Press the [Play/Stop] button to start playback.  
After playback reaches the end of the performance, it will stop automatically.  
To stop playback at any point, press the [Play/Stop] button.  
MEMO  
• The function of the [Play/Stop] button can be assigned to a foot switch (located on either side of the expression pedal) (p. 93).  
• You can specify whether or not the Expression Pedal will affect the playback and what you play while ATELIER music data is being played back (p. 94).  
* If you use the Rhythm or Automatic Accompaniment immediately after having loaded and played back a song other than an ATELIER perfor-  
mance song, such as SMF’s, etc., the playback may not sound right (the voices may have changed, etc.) To prevent this from happening, press the  
[Reset] button before playback.  
Track button assignments for the recorded performance  
The parts of a performance you record as an SMF are automatically assigned to the three “track buttons,”as shown in the following table.  
Recording and playback can be carried out independently for each track button; for example, when re-recording, you can specify that it pertain  
only to a certain track button.  
Button  
Explanation  
Pedal Bass Voice Performance Data (Note)  
Bass part of the Automatic Accompaniment  
Lower Voice Performance Data (Note, Hold)  
Upper Voice Performance Data (Note, Hold)  
Solo Voice Performance Data (Note, Hold)  
[Bass] button  
[Lower] button  
[Solo/Upper] button  
MEMO  
• More information about the track assignments when playing commercial SMF music files, please refer to “Silencing a Specific Track (Track  
Mute)”(p. 98).  
• If you wish to erase all the recorded data and record new performance data, use the editing function “Erase”(erase performance data) to  
erase the data (p. 84).  
Add a Count Sound to Match the Timing (Count In)  
In cases such as when you want to perform in time with a song, you can have a count sound played before playback of the song begins, allowing you  
to synchronize your own performance with the song.  
Playing back a song after playing the count sound is called “Count In.”  
1
1. Hold down the [Reset] button and press the [Play/Stop] button.  
The metronome will play two measures (bars) of count-in before recording begins.  
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Advanced Recording Methods  
Recording each part separately  
In this method, each part (track button) is recorded one after another: first the bass part, then the Lower part, etc. If there are any previously recorded  
performances, you can listen to them as you record additional parts.  
4
5
6
3
2
1. Select the panel settings needed for recording the performance.  
2. Press the [Bwd] button or the [Fwd] button to select the desired measure (bar) when you start recording.  
If you wish to start recording from the beginning of the song, press the [Reset] button.  
3. Press the [Rec] button to enter recording standby mode.  
The [Rec] button indicator will light, and the [Play/Stop] button and the unrecorded track buttons will blink.  
The track buttons that are already recorded will light.  
4. Press the button of the track you want to record, so it’s blinking.  
The existing performance data in the specified track will be erased as recording takes place.  
* When the button for a track lights steadily, it means it won’t be recorded.  
5. Press the [Play/Stop] button to start recording.  
When you press [Play/Stop] button, the metronome will sound a two-measure count, and then recording will begin. As you listen to the performance  
data previously recorded, record the Part into a new Track.  
6. Press [Play/Stop] button to stop recording.  
The track button for which performance data has been recorded will be lit.  
7. Repeat steps 2–6 to record each part.  
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Re-recording  
You can record over recorded performance data.  
3
4
5
2
1
1. Press the [Bwd] button or the [Fwd] button to select the desired measure (bar) when you start recording.  
If you wish to start recording from the beginning of the song, press the [Reset] button.  
2. Press the [Rec] button to enter recording standby mode.  
The [Rec] button indicator will light, and the [Play/Stop] button and the unrecorded track buttons will blink.  
The track buttons that are already recorded will light.  
3. Press the button of the track you want to record, so it’s blinking.  
The existing performance data in the specified track will be erased as recording takes place.  
* When the button for a track lights steadily, it means it won’t be recorded.  
4. Press the [Play/Stop] button to start recording.  
When you press [Play/Stop] button, the metronome will sound a two-measure count, and then recording will begin. As you listen to the performance  
data previously recorded, record the Part into a new Track.  
5. Press [Play/Stop] button to stop recording.  
The track button for which performance data has been recorded will be lit.  
* If you wish to re-record with different settings for voices, tempo, part balance, erase the recorded song (p. 84) and re-record again. If the Control  
track still contains data from before you re-recorded, the volume or sounds may change during playback.  
* If you wish to keep the existing Expression Pedal data, and record only the panel operations, you can make settings to prevent the operation of  
the Expression Pedal from being recorded (p. 94).  
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Layering a new recording onto SMF music files  
You can load commercially available SMF music files into the ATELIER, and record your own performance on top of it. During recording, the data you’ve  
loaded will be played back, while you record your performance.  
4
5
2
3
1. Prepare the SMF music files.  
If you’re using SMF music files from USB memory, connect it to the USB Memory connector.  
2. Press the [Song] button (confirm that its indicator is lit).  
The Song Select screen appears.  
3. Press the [Media] button to select “USB Memory.”  
4. Press the Value [-] [+] buttons to select the SMF music files that you wish to load into internal memory.  
5. Press the [Load] button.  
The selected performance data will be loaded into internal memory.  
6. Select the panel settings needed for recording the performance.  
7. Record as described in “Re-recording” (p. 78).  
MEMO  
The performance data you recorded can be saved on a USB memory, or “Favorites”(p. 81).  
* Commercially sold music files can also be loaded into the ATELIER, but for reasons of copyright protection, cannot be saved in SMF format.  
* The performances of Channel 2 in SMF music files are deleted when pedal performances are recorded over again.  
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Re-recording using performance data from a USB memory  
If you want to re-record performance data from a USB memory, you must first load that performance data into the ATELIER’s internal memory.  
4
5
2
3
1. Prepare the performance data.  
Connect the USB memory to the USB Memory connector.  
2. Press the [Song] button (confirm that its indicator is lit).  
The Song Select screen appears.  
3. Press the [Media] button to select “USB Memory.”  
4. Press the Value [-] [+] buttons to select the performance data that you wish to load into internal memory.  
5. Press the [Load] button.  
The selected performance data will be loaded into internal memory.  
6. Select the panel settings needed for recording the performance.  
7. Record as described in “Re-recording” (p. 78).  
If the following screen appears  
If the performance data in the ATELIER has not been saved to a USB memory or Favorites (User Memory), the following message appears.  
Press the [Rec] button if you’re sure you want to delete the performance data. If you decide that you don’t want to delete it, press the [Reset]  
button.  
MEMO  
You can store performance data on a USB memory or in the Favorites (user memory) (p. 81).  
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Saving Performance Songs  
The performance data that you recorded will disappear when the power of the ATELIER is turned off. If you wish to keep the performance data, you can  
save it on a USB memory, or “Favorites”(internal memory).  
If the recorded performance data has not been saved, the display will show the “  
performance data.  
”symbol. This symbol will disappear when you save the  
6
4
6
8
5
7
9
2
3
1. Prepare to save the performance data.  
If you want to save performance song to a USB memory, connect the USB memory to the USB Memory connector.  
2. Press the [Song] button (confirm that its indicator is lit).  
The Song select screen appears.  
3. Press the [Media] button to select the media.  
Select “USB Memory”to save the data in USB memory, select “Favorites”to save it in user memory.  
4. Press the Value [-] [+] buttons to select the number of the save destination.  
If the save destination contains no data, the screen will indicate “------------.”  
5. Press the [Save] button.  
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6. Give the performance data a name.  
Press the Menu [  
] [  
] buttons to move the cursor, and press the Value [-] [+] buttons to select a character.  
Button  
Explanation  
Select a character. The following characters can be selected.  
Value [-] [+] buttons  
space ! “ # % & ’( ) * + , - . / : ; = ? ^ _ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r  
s t u v w x y z 0 1 2 3 4 5 6 7 8 9  
[Reset] button  
[Rec] button  
Delete a character.  
Inserts a space.  
7. Once you’ve given it a name, press the [Save] button.  
8. Press the Value [-] [+] buttons to select the format.  
You can select either “ORIGINAL”or “SMF”format.  
Display  
ORIGINAL  
SMF  
Explanation  
Save data in ATELIER format  
Saving in SMF Format for ATELIER Sound Modules  
To cancel the procedure, press the [Display/Exit] button.  
9. Press the [Save] button to confirm the format.  
Saving of the performance data will begin.  
* Never turn off the power while the operation is in progress. Doing so will damage the ATELIER’s internal memory or USB memory, making it  
unusable.  
* Performance data saved by the ATELIER format cannot be played back properly by the sound generator of an instrument that is not a member of  
the ATELIER series.  
* Saving performance data in SMF format (SMF) requires a longer time than saving it in ATELIER format (ORIGINAL).  
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If the following screen appears  
If you select a number at which performance data has already been saved, the following screen appears.  
If you wish to update the contents of the performance data  
1. Press the [Rec] button.  
If you want to save your performance as new data without overwriting the existing data  
1. Press the [Reset] button to stop the Save operation.  
2. In the Song Select screen, select the number that is displayed as “------------” (a number that currently does not contain  
performance data).  
3. Save the performance data.  
When saving is complete, the saved performance name will be displayed.  
Using Song with a Different Tempo Than That of the Performance Data  
Here’s how to change the tempo of performance data that you’ve saved.  
4
3
1. Prepare the performance data whose tempo you want to change.  
If you’re using performance data from USB memory, connect it to the USB Memory connector.  
2. Load the performance data into the ATELIER (p. 80).  
3. Determine the tempo with the Tempo [ ] [ ] buttons.  
4. Hold down the panel [Reset] button and press the [Rec] button.  
The tempo of the performance data will change.  
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Erasing Performance Data  
If you wish to discard your recording and re-record from the beginning, or if you wish to record a new performance, you must erase the previously-  
recorded data.  
2
1
3
1. Press the [Display/Exit] button a number of times to access the composer screen.  
2. Press the [Load] and [Save] buttons simultaneously.  
The following message, asking you to confirm your choice, will be displayed.  
To cancel the procedure, press the [Reset] button.  
3. If you are sure that you wish to erase the song, press the [Rec] button.  
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Recording in Audio Format  
Here’s how to record your performance in audio format.  
* Performances recorded in audio format are saved on a USB memory. If you want to record audio, you must connect your USB memory to the USB  
Memory connector.  
4
7
8
5
6
9
3
Preparing to record  
1. Connect your USB memory to the USB Memory connector (p. 26).  
2. Select the panel settings needed for recording the performance.  
3. Press the [Rec] button.  
The [Rec] button indicator will light, and the [Play/Stop] button will blink.  
4. Press the Value [-] [+] buttons to select ”Audio.”  
Starting and stopping recording  
5. Press the [Play/Stop] button to start recording.  
MEMO  
If you wish to use Rhythm and Automatic Accompaniment as you record, press the [Start/Stop] button (p. 60) instead of the [Play/Stop] button to  
begin recording. Also, if the Synchro Start is ON, recording will begin the instant you play the Lower keyboard.  
6. Press the [Play/Stop] button when you have completed your recording.  
MEMO  
When you press the [Intro/Ending] button or [Start/Stop] button while recording a Rhythm performance or Automatic Accompaniment, the Rhythm  
performance and Automatic Accompaniment will stop. However, the recording itself will continue. Press the [Play/Stop] button to stop recording.  
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Naming your performance data  
7. Press the Menu [ ] [ ] buttons to move the cursor, and press the Value [-] [+] buttons to select a character.  
Button  
Explanation  
Select a character. The following characters can be selected.  
Value [-] [+] buttons  
_ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9  
*
You can’t specify “_” (underline) as the first character.  
[Reset] button  
[Rec] button  
Delete a character.  
Inserts a character.  
Saving the performance data  
8. Once you’ve given it a name, press the [Save] button.  
The performance data will be saved.  
MEMO  
You can adjust the recording volume (p. 99).  
* Never turn off the power while the operation is in progress. Doing so will damage the ATELIER’s internal memory or USB memory, making it  
unusable.  
Listening to the recorded performance  
9. Press the [Play/Stop] button to start playback.  
After playback reaches the end of the performance, it will stop automatically.  
To stop playback at any point, press the [Play/Stop] button.  
MEMO  
The function of the [Play/Stop] button can be assigned to a foot switch (located on either side of the expression pedal) (p. 93).  
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Changing the Name of Performance Data  
You can change the name of performance data that’s been recorded in audio format.  
2
4
3
5
1. Load the performance data that is to be given a name change (p. 80).  
2. Press the [Display/Exit] button a number of times to access the composer screen.  
3. Press the [Save] button.  
4. Press the Menu [ ] [ ] buttons to move the cursor, and press the Value [-] [+] buttons to select a character.  
Button  
Explanation  
Select a character. The following characters can be selected.  
Value [-] [+] buttons  
_ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9  
*
You can’t specify “_” (underline) as the first character.  
[Reset] button  
[Rec] button  
Delete a character.  
Inserts a character.  
5. Once you’ve given it a name, press the [Save] button.  
The new name is now inserted.  
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Playing Performance Data from User Memory or a USB memory  
Here’s how to play back performance data that’s been saved in user memory or on a USB memory.  
4
2
3
5
6
1. Prepare the song that you want to play back.  
If you want to play back performance data from a USB memory, connect it to the USB Memory connector.  
2. Press the [Song] button so its indicator is lit.  
The song select screen appears.  
3. Press the [Media] button to choose the media.  
Choose “Favorites”if you want to play back performance data from user memory. Choose “USB Memory”if you want to play back performance data  
from a USB memory.  
4. Use the Value [-] [+] buttons to select the desired song.  
5. Press the [Play/Stop] button to play back the song.  
6. Press the [Play/Stop] button to stop the song.  
MEMO  
You can use the [Bwd] button or [Fwd] button to rewind or fast-forward the playback.  
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Deleting a Saved Performance Songs  
You can delete performance data that was saved onto a “Favorites,”or USB memory.  
If you want to delete a song in USB memory, connect your USB memory to the USB Memory connector before you continue.  
4
3
1
2
5
1. Press the [Song] button (confirm that its indicator is lit).  
The Song select screen appears.  
2. Press the [Media] button to select the media.  
If you want to delete a song from the “Favorites,”choose “Favorites.”If you want to delete a song from USB memory, choose “USB Memory.”  
3. Press the Value [-] [+] button to select the performance data that you wish to delete.  
4. Press the [Load] button and [Save] buttons simultaneously.  
The following message, asking you to confirm your choice, will be displayed.  
To cancel the procedure, press the [Reset] button, and you will return to the Song select screen.  
5. If you are sure that you wish to delete the song, press the [Rec] button.  
* Never turn off the power while the operation is in progress. Doing so will damage the ATELIER’s internal memory or USB memory, making it  
unusable.  
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Detailed Settings for Various Functions  
Basic Operations in the Utility Screen  
In the Utility screen you can make various settings related to performance and recording.  
1
3
2
4
5
Selecting the parameter to edit  
1. Press the [Utility] button.  
The [Utility] button’s indicator will light, and the Utility screen appears.  
2. Use the Menu [ ] [ ] buttons to select the parameter that you want to edit.  
If you’ve selected a parameter for which “Press [Rec]”is not shown in the lower right of the screen, proceed to step 4.  
MEMO  
By holding down the [Utility] button while using the Menu [  
] [  
] buttons, you can skip several parameters when making your selection.  
3. Press the [Utility] button.  
Repeat these steps to select the parameters that you want to edit.  
Pressing the [Display/Exit] button will take you back to the previous screen.  
Editing the value  
4. Use the Value [-] [+] buttons to change the value of the setting.  
Pressing the [-] [+] buttons simultaneously will return the value to the factory setting.  
Pressing the [Display/Exit] button will take you back to the previous screen.  
If you want to edit other settings, return to step 2 of “Selecting the parameter to edit,”and select the item that you want to change.  
5. Press the [Display/Exit] button a number of times.  
The [Utility] button’s indicator will go out, and you will return to the basic screen.  
MEMO  
• When you turn off the power, the settings you edited will return to their original values.  
• Some settings are remembered even after the power is turned off. For details on the settings that can be saved, refer to “Stored Items”(p. 123).  
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Settings you can change  
Parameter  
Page  
Parameter  
Page  
p. 100  
p. 101  
p. 102  
p. 103  
p. 104  
p. 110  
p. 111  
p. 97  
Octave Shift: Pedal  
Create Folder  
Octave Shift: Lower  
Octave Shift: Upper Organ  
Octave Shift: Upper Orchestra  
Octave Shift: Solo  
Sustain: Upper  
Sustain: Lower  
Copy Song  
Copy Registration  
Copy Rhythm  
Format Media  
Melody  
Octave Shift  
p. 37  
Media Utility  
VIMA TUNES  
Metronome  
Recommended Tone  
Metronome  
Sustain: Pedal  
Sustain  
p. 40  
Length: Upper  
Metronome Volume  
Metronome Sound  
p. 97  
Length: Lower  
p. 97  
Length: Pedal  
Beat  
p. 97  
Reverb Type  
Track Mute  
Channel Mute  
Audio Rec Gain  
p. 98  
Wall Type  
p. 99  
Depth: Accomp  
Depth: Rhythm  
Depth: Drums  
p. 99  
Recording  
Playback  
Exp. Source  
p. 94  
Depth: M.Perc  
Exp. Curve  
Lyrics  
p. 94  
p. 99  
Depth: A.Bass  
Reverb  
p. 41  
Depth: Pedal  
Master Tune  
V-LINK  
p. 106  
p. 106  
Depth: Lower  
Depth: Upper Organ  
Depth: Upper Orchestra  
Depth: Solo  
TxMIDI Channel: Solo  
TxMIDI Channel: Upper  
TxMIDI Channel: Lower  
TxMIDI Channel: Pedal  
TxMIDI Channel: Drums  
TxMIDI Channel: M.Perc  
TxMIDI Channel: Control  
MIDI IN Mode  
Depth: Vintage  
p. 105  
VintageOrganVolume  
Overdrive  
p. 92  
p. 43  
p. 92  
MIDI  
Vibrato/Chorus Part  
p. 105  
p. 105  
Upper  
Lower  
Initial Touch  
p. 92  
Send PC Switch  
PC Number: BankMSB  
PC Number: BankLSB  
PC Number: PC Num  
Aux Out  
EZ Touch  
p. 92  
p. 96  
p. 105  
Registration Shift  
L Foot Switch  
p. 93  
p. 112  
p. 112  
p. 106  
p. 94  
R Foot Switch  
Aux Out  
Aux Out Mode  
Pitch Bend Range  
Playback Transpose  
Chord Intelligence  
Leading Bass  
p. 94  
p. 97  
p. 95  
p. 95  
p. 92  
p. 92  
p. 92  
p. 48  
p. 92  
p. 93  
p. 95  
p. 95  
p. 95  
p. 97  
p. 97  
p. 72  
p. 96  
LCD Contrast  
D Beam Sensitivity  
USB Driver  
p. 113  
p. 104  
p. 106  
p. 99  
USB Memory Mode  
Language  
Solo Mode  
SoloToLower Mode  
Solo Split Point  
Bass Split  
CD Audio Type  
CD Audio Sync  
Rhythm Lock  
p. 99  
p. 106  
Bass Split Point  
PedalBass Mode  
Auto Std Tempo  
Intro Count Down  
Count Down Sound  
Arranger Update  
Trans. Update  
ManualButtonAssign  
AccompPartBalance  
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Changing How the Solo Voice Responds  
(Solo Mode)  
Adjusting How the Instrument  
Responds  
When the Solo voice is assigned to the Upper keyboard or Lower  
keyboard, you can specify how the Solo voice will respond when more  
than one key is pressed.  
Adjusting the Volume of the Vintage Organ  
(VintageOrganVolume)  
Value  
Explanation  
The Solo voice will sound the highest note that  
is played for the Solo part.  
TOP NOTE  
You can adjust the volume of the Vintage Organ sound to regulate the  
volume balance relative to the other sounds.  
The Solo voice will sound the note that was  
most recently played for the Solo part.  
LAST NOTE  
Value  
0–12  
Explanation  
The Solo voice will sound all notes that are  
played for the Solo part.  
Increasing the value will increase the volume of  
the Vintage Organ sound.  
POLYPHONIC  
Layering the Solo Voice and Lower Voice  
(SoloToLower Mode)  
Selecting the Parts to which Vibrato or  
Chorus will be Applied (Vibrato/Chorus Part)  
When the Solo voice is being played by the Lower keyboard (i.e., when  
the Solo [To Lower] button is ON), you can specify whether the Lower  
voice and the Solo voice will sound together (layered), or will sound  
separately (split).  
For the vintage organ voices, you can choose the parts to which the  
vibrato or chorus effect (p. 34) will be applied.  
Value  
Explanation  
The effect will be applied to the upper keyboard  
part and the lower keyboard part.  
Value  
SPLIT  
Explanation  
UPPER+LOWER  
The parts will sound separately.  
The effect will be applied to the upper keyboard  
part.  
UPPER  
LOWER  
The Lower voice and Solo voice will sound  
together.  
LAYER  
The effect will be applied to the lower keyboard  
part.  
Changing the Solo Split Point  
(Solo Split Point)  
Adjusting the Initial Touch Sensitivity  
(Initial Touch)  
This setting is used to determine the Solo Split Point (lower limit of the  
playable range of the Solo voice) on the Lower keyboard to any desired  
position.  
This adjusts the amount of the Initial Touch effect applied.  
Initial Touch is a function that translates the force used in playing the  
keys into a directly proportional amount of volume.  
Value  
A1–C7  
This can be set separately for both the upper keyboard and lower  
keyboard.  
Changing the Bass Split Point  
(Bass Split Point)  
Parameter  
Value  
Explanation  
Initial Touch is ON.  
Striking the keys more forcefully will  
produce correspondingly louder sounds.  
1–10  
You can assign the Bass Split Point (the highest key up to which the  
Pedal Bass voice will sound), to any key of the Lower keyboard.  
The change in volume when the keys are  
played forcefully increases as the value  
is increased.  
Upper, Lower  
Value  
A1–C7  
Initial Touch is off.  
OFF  
Volume remains constant regardless of  
how hard you play.  
Turning Initial Touch Off (EZ Touch)  
This allows you to perform at a consistent volume regardless of how  
strongly you play the keyboard.  
Value  
OFF  
Explanation  
Initial touch will be on.  
The volume will remain constant regardless of  
the force you use when playing the keyboard.  
ON  
Initial touch will be off.  
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Changing the Pedalboard Polyphony  
(Pedal Bass Mode)  
Performance Settings  
Changing the Foot Switch Functions  
(L Foot Switch, R Foot Switch)  
You can set the Bass Pedalboard to play simultaneous multiple notes  
or single notes only.  
Value  
Explanation  
You can select the functions that are assigned to the foot switches of  
the pedalboard (PK series; sold separately).  
MONOPHONIC  
POLYPHONIC  
Only single notes can be played.  
Multiple notes can be played.  
MEMO  
A pedal switch (DP series; sold separately) connected to the Pedal  
(Control) jack will have the same function as the right foot switch.  
Value  
Explanation  
Switch the Rotary speed between “FAST”and  
“SLOW.”  
ROTARY FAST/SLOW  
While the foot switch is pressed, the pitch will  
temporarily be lowered, and will gradually  
return to normal when you release the foot  
switch.  
Glide effect is added to the voice of all the  
sections being played on Upper keyboard.  
GLIDE  
*
The glide effect is applied only to the upper  
keyboard part (Upper Organ and Upper  
Orchestral). It won’t be applied to the  
vintage organ part of the upper keyboard.  
The Leading Bass function (p. 95) will operate only  
while you continue pressing the foot switch.  
LEADING BASS  
RHYTHM START/STOP  
Start/Stop the Rhythm.  
The same function as the [Play/Stop] button.  
COMP PLAY/STOP  
INTRO/ENDING  
VARIATION UP  
Each time you press the foot switch, the  
performance data will play back or stop.  
Play an Intro or Ending.  
Switches the Variation button.  
Each time you press the foot switch, the  
Variation number will increment.  
Switches the Variation button.  
VARIATION DOWN  
VARIATION ALT  
Each time you press the foot switch, the  
Variation number will decrement.  
Switches the Variation button.  
If the Variation [1] button or [3] button is  
selected, this will switch between the Variation  
[1] and [3] buttons.  
If the Variation [2] button or [4] button is  
selected, this will switch between the Variation  
[2] and [4] buttons.  
FILL IN  
BREAK  
Inserts a fill-in.  
Stop the Rhythm for one measure (break).  
Notes played on the Upper keyboard will be  
sustained only while you continue pressing the  
foot switch.  
DAMPER OF UPPER  
DAMPER OF LOWER  
*
Decay cannot be added to the Solo voices.  
Notes played on the Lower keyboard will be  
sustained only while you continue pressing the  
foot switch.  
*
Decay cannot be added to the Solo voices.  
N.CONTROL1  
N.CONTROL2  
OFF  
Applies an effect to a SuperNATURAL voice (p. 54).  
Turns the foot switch function off.  
* If the Utility menu “Registration Shift” setting is “RIGHT”, “LEFT” or  
“RIGHT+LoadNext“, the foot switch will be dedicated to switching  
through the Registrations, and the “R Foot Switch” or “L Foot Switch”  
setting will be ignored.  
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Changing the Pitch Bend Range  
(Pitch Bend Range)  
Adjusting the Depth of the Expression Pedal  
(Exp. Curve)  
This setting allows you to choose the maximum amount of Pitch  
change (range) permissible when using Pitch Bend (p. 44).The range can  
be set anywhere between 1–12 (in semitone units; with a maximum of  
one octave).  
You can set the amount of effect applied when you step on the  
expression pedal.  
Value  
Explanation  
The position of the expression pedal does not really affect  
the Rhythm performances and Automatic Accompaniment.  
Value  
1–12 (semitone steps)  
This setting is convenient when you do not want to have  
the Rhythm or Automatic Accompaniment volume change  
much.  
Changing the Function of the Expression  
Pedal (Exp. Source)  
1
Rhythm,  
Auto Accompaniment  
Specify how the Expression Pedal will function when your  
performance is being recorded and when ATELIER song files are being  
played back.  
Keyboard Part  
The expression pedal is applied to the Rhythms and  
Automatic Accompaniment just as it is to the keyboard  
performance.  
Parameter  
Value  
Explanation  
Expression Pedal movements will be  
recorded. The previous recording will be  
erased as new songs are recorded.  
PEDAL  
The volume is easily adjusted according to the angle of  
the expression pedal, making this setting perfect for use in  
songs with big changes in dynamics.  
Recording  
Expression Pedal movements will not be  
recorded. The previous data will remain  
without being erased.  
COMPOSER  
2
Expression pedal will function. Expres-  
sion pedal recording within the song file  
will also be effective.  
PEDAL+  
COMPOSER  
Expression pedal will not function. The  
Expression pedal recording within the  
song file will be effective.  
Rhythm, Auto Accompaniment, Keyboard Part  
Playback  
COMPOSER  
PEDAL  
The expression pedal is applied to the Rhythms and  
Automatic Accompaniment just as it is to the keyboard  
performance.  
Expression pedal will function. The  
Expression Pedal recording within the  
song file will be ignored.  
The expression affect is applied more gently than with  
Setting 2, so this setting is appropriate for quieter songs  
with less intense dynamic changes.  
3
Rhythm, Auto Accompaniment, Keyboard Part  
The expression pedal does not affect the Rhythms and  
Automatic Accompaniment at all.  
This setting is suitable for ensemble performances and  
other performances featuring multiple instruments.  
4
Rhythm,  
Auto Accompaniment  
Keyboard Part  
Adjusting the Sensitivity of the D Beam  
Controller (D Beam Sensitivity)  
This lets you adjust the sensitivity of the D Beam controller.  
Value  
1–10  
Explanation  
Higher settings will make the D Beam controller  
more sensitive.  
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Preventing Rhythm Tempos from Switching  
Automatically (Auto Std Tempo)  
Rhythm Settings  
Producing Chords with Simple Fingering  
(Chord Intelligence)  
You can prevent rhythm tempos from switching automatically when  
you switch rhythms.  
Value  
ON  
Explanation  
“Chord Intelligence”is a feature that intelligently plays the correct  
accompaniment chords the moment you play a key specifying a chord  
on the Lower keyboard during Automatic Accompaniment.  
Switching the rhythm while the rhythm is  
stopped automatically changes the tempo  
settings to those in the new rhythm.  
To play a C chord on the Lower keyboard, for example, you usually  
have to press down the three keys C, E, and G; but with Chord  
Intelligence, you only have to press the C Key to initiate a C chord  
accompaniment.  
When the rhythm is stopped, the tempo settings  
are not changed automatically when the  
rhythms are changed.  
OFF  
Value  
ON  
Explanation  
Playing a Countdown Sound When the Intro  
Ends (Intro Count Down)  
Chord Intelligence function is ON.  
OFF  
Chord Intelligence function is OFF.  
If an intro is played before your performance, you can have a  
countdown played to the end of the intro, allowing you to understand  
easily where you are to start playing.  
MEMO  
• When the [One Touch Program] button is pressed, the Chord  
Intelligence function is automatically switched ON.  
• When the Leading Bass function (p. 95) is on and the Chord  
Intelligence function is off, you can specify chords with a  
combination of the lower keyboard and pedalboard.  
Value  
ON  
Explanation  
A countdown will be sounded.  
OFF  
A countdown will not be sounded.  
Using the Leading Bass Function  
(Leading Bass)  
Changing the Sound of the Countdown  
(Count Down Sound)  
When Automatic Accompaniment is used, and the Pedal [To Lower]  
button is ON, the Pedal Bass voice will normally play the root note (p. 122)  
of the chord you play on the Lower keyboard.  
You can change the sound that is used for the count played at the end  
of the intro with the Intro Countdown function.  
If the Leading Bass function is enabled, the lowest note of the chord  
you play on the Lower keyboard will then be used as the bass note  
(the bottom note of the chord). For this reason, the bass note will be  
sounded differently than normal when you play an inverted chord (p.  
122).  
Value  
VOICE  
STICK  
Explanation  
Human voice count (One, two, three...)  
Stick sound count  
Value  
ON  
Explanation  
The Leading Bass function is ON.  
OFF  
The Leading Bass function is OFF.  
MEMO  
• You can assign the Leading Bass functions to either of the foot  
switches located on each side of the Expression Pedal (p. 94).  
• When the Leading Bass function (p. 95) is on and the Chord  
Intelligence function is off, you can specify chords with a  
combination of the lower keyboard and pedalboard.  
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Adjusting the Volume Balance of the  
Arranger (AccompPartBalance)  
Registration Settings  
Using the Foot Switch to Switch Registrations  
(Registration Shift)  
You can adjust the volume balance of each part.  
1. Press the [Utility] button.  
2. Use the Menu [ ] [ ] buttons to select  
A foot switch of the pedalboard (PK series; sold separately) can be  
assigned the function of successively switching registrations. Each  
time you press the foot switch, the registration will be changed.  
“AccompPartBalance.”  
MEMO  
A pedal switch (DP series; sold separately) connected to the Pedal  
(Control) jack will have the same function as the right foot switch.  
* The Registration Shift settings are stored to each individual  
Registration Set. When “RIGHT + Load Next” is assigned to the foot  
switch and the Load Next function (p. 72) is used to switch Registra-  
tion Sets saved to a USB memory, set the Registration Shift setting  
to “RIGHT + Load Next” for all saved Registrations.  
3. Press the [Utility] button.  
The Accomp Part Balance screen appears.  
Value  
OFF  
Explanation  
You can use a function assigned to the foot  
switch.  
The right foot switch is dedicated to switching  
registrations.  
RIGHT  
LEFT  
The function assigned to the right foot switch  
cannot be used.  
The left foot switch is dedicated to switching  
registrations.  
MEMO  
You can also access the Accomp Part Balance screen from the Part  
The function assigned to the left foot switch  
cannot be used.  
Balance screen (p. 35) by pressing the Menu [  
] button.  
4. Use the Menu [ ] [ ] buttons to select the part that you  
The right foot switch is dedicated to switching  
registrations. The function assigned to the right  
foot switch cannot be used.  
want to adjust.  
The arranger accompaniment is divided into six parts: A1–A6.  
Selecting the Registration [8] button and  
pressing the right foot switch activates the Load  
Next function, calling up the next registration  
saved to the USB memory, or user memory.  
The Registration Load window appears in the  
display.  
The content assigned to each part will depend on the accompaniment.  
5. Use the Value [-] [+] buttons to adjust the volume.  
RIGHT + Load Next  
Value  
0–12  
Explanation  
When you then press the right foot switch  
again, the Registration Set is confirmed, and the  
Registration [1] button is selected.  
Higher values make the volume louder.  
Press the [Display/Exit] button to return to the basic screen.  
Example:  
1→2→3...→8→Load Next→(Next Registration) 1  
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Registration Arranger Update  
(Arranger Update)  
Recording and Playback Settings  
Changing the Key When Playing Back Songs  
(Playback Transpose)  
You can specify how the settings related to Rhythm performances  
and Automatic Accompaniment will be recalled when you press a  
Registration [1]–[8] button.  
SMF Music files or a performance that you recorded can be transposed  
for playback.  
Value  
Explanation  
Settings related to Rhythm performances and  
Automatic Accompaniment will be recalled  
when you hold a Registration button for several  
seconds. If you quickly press the Registration  
button, only the panel settings (voice, etc.)  
that are not related to Rhythm and Automatic  
Accompaniment will be updated.  
Value  
-6–0–+5  
DELAYED  
MEMO  
You can transpose the keyboard for performance (p. 36).  
Settings related to Rhythm performances and  
Automatic Accompaniment will be recalled the  
instant you press a Registration button along  
with all other panel settings.  
Changing the Metronome Setting  
(Metronome)  
INSTANT  
This setting determines whether or not the metronome will sound.  
Registration Transpose Update  
(Trans. Update)  
Value  
OFF  
Explanation  
Not heard at all  
REC  
ON  
Heard only while recording  
Heard constantly  
You can specify how the transpose setting will be recalled when you  
press a Registration [1]–[8] button.  
Value  
Explanation  
Transpose settings will be recalled when you  
hold a Registration button for several seconds.  
DELAYED  
Adjusting the Metronome Volume  
(Metronome Volume)  
Transpose setting will be recalled the instant  
you press a Registration button along with all  
other panel settings.  
INSTANT  
You can adjust the volume of the metronome.  
Value  
1–10  
Explanation  
Increasing the value will raise the volume of the  
metronome.  
Changing the Sound of the Metronome  
(Metronome Sound)  
You can choose one of 4 different sounds for the metronome.  
Value  
Explanation  
CLICK&BELL  
Conventional metronome sound  
ELECTRONIC  
Electronic metronome sound  
Human voice (English)  
VOICE ENGLISH  
VOICE JAPANESE  
Human voice (Japanese)  
Changing the Beat Setting (Beat)  
This setting determines the beat to be used when recording  
performance songs.  
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8,  
12/8  
Value  
* When recording your performance with playing Rhythm perfor-  
mances or Automatic Accompaniment, the beat is set automatically.  
* You cannot change the beat of previously recorded songs.  
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Silencing a Specific Track (Track Mute)  
Assigning commercial SMF music files to the  
tracks  
Here’s how to individually mute tracks of SMF format performance  
data.  
1. Press the [Utility] button.  
Track  
Channel  
R (Rhythm)  
A (Accomp)  
B (Bass)  
10  
2. Using the Menu [ ] [ ] buttons, select “Track Mute.”  
5, 6, 7, 8, 9, 11, 12, 13, 14, 15, 16  
3. Press the Value [-] [+] buttons to select the track that you  
wish to mute.  
2
3
4
1
L (Lower)  
U (Upper)  
S (Solo)  
What the control track (control) does during  
recording  
Performance data recorded in SMF format has seven tracks. On each of  
the tracks, a certain type of performance is recorded, as shown below.  
Track  
Explanation  
Panel operations (Voice selections, Tempo changes, Rotary  
fast/slow etc.)  
Rhythm performances, Drums/SFX, Manual  
Percussion  
R (Rhythm)  
A (Accomp)  
B (Bass)  
Automatic Accompaniment (except Bass)  
Newly recorded performance data will be added without erasing the  
previously recorded data.  
Pedal Bass voice, Bass part of the Automatic  
Accompaniment  
If you wish to record new performance data, erase all the recorded  
data (p. 84).  
L (Lower)  
U (Upper)  
S (Solo)  
Lower voice  
Upper voice  
Expression pedal operations  
Solo voice  
The way in which expression operations are recorded will depend on  
the setting of the “Exp. Source”(p. 94) item “Recording.”  
C (Control)  
Panel operations, Expression Pedal operations  
4. Press the [Utility] button.  
The character changes to “–,”indicating that the track is muted.  
5. Once again press the [Utility] button, and muting will be  
canceled.  
To return to the basic screen, press the [Display/Exit] button.  
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Muting Individual Channels of Performance Switching the Display of Lyrics On or Off  
Data (Channel Mute)  
(Lyrics)  
You can mute (silence) individual channels of performance data of SMF  
music files (commercially available).  
Some music files have Lyrics included and these Lyrics can be  
displayed on the screen. You can turn on or off the lyrics display of  
such music files.  
1. Press the [Utility] button.  
Value  
ON  
Explanation  
2. Press the Menu [ ] [ ] buttons to select “Channel Mute.”  
Lyrics will be displayed.  
3. Press the Value [-] [+] buttons to select the channel that you  
OFF  
Lyrics not will be displayed.  
wish to mute.  
From the left, these are “1 Ch. (channel 1), 2 Ch. ... 15 Ch., and 16 Ch.”  
* If you press a voice select button while playing back music files that  
contains lyrics, the display screen will switch, and the lyrics will no  
longer be displayed. To re-display the lyrics, press the [Rec] button.  
Setting the Type of CD to be Played Back  
(CD/Audio Type)  
4. Press the [Utility] button.  
The ATELIER may be unable to correctly recognize the type of CD being  
used. In such instances, you can specify the type of CD manually.  
Value  
AUTO  
Explanation  
The CD type is detected automatically.  
General CDs for Player Piano contain audio and  
MIDI data, and the data format may vary from  
one CD to the next. If the CD’s data format does  
not match the ATELIER’s settings, a “beep”will  
sound.  
TYPE A  
TYPE B  
The number will change to “–,”indicating that the corresponding  
channel has been muted.  
Commercial Audio CD (CDs other than those  
designed for use with the player piano).  
STEREO  
5. Once again press the [Utility] button, and muting will be  
canceled.  
* Note that some commercial player piano CDs cannot be played back  
on the ATELIER.  
To return to the basic screen, press the [Display/Exit] button.  
MEMO  
Channel mute will be defeated when you select different  
performance data.  
Adjusting the Timing of a Player Piano CD’s  
Piano Sound and Accompaniment  
(CD Audio Sync)  
Adjusting the Audio Recording Volume  
(Audio Rec Gain)  
With some player piano CDs, the piano and accompaniment sounds  
may not be synchronized properly.  
This adjusts the volume for audio recording.  
In such instances, you can adjust the timing of the piano sounds so  
that they are in time with the accompaniment.  
Value  
-24 dB–6 dB  
Value  
0–100  
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Changing the name of a folder  
Media Settings  
Here’s how to rename a folder.  
* If the folder name includes Japanese characters, you won’t be able  
to rename the folder.  
Creating a Folder in USB Memory or User  
Memory (Create Folder)  
1. Press the [Registration] button.  
You can create folders in a connected USB memory device or in user  
memory.  
2. In the Registration select screen, select the folder that you  
want to rename.  
If you want to create a folder in USB memory, connect the USB  
memory to the USB Memory connector.  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select “Media Utility.”  
3. Press the [Save] button.  
3. Press the [Utility] button.  
4. Press the Menu [ ] [ ] buttons to select “Create Folder.”  
4. Press the Menu [ ] [ ] buttons to move the cursor, and  
press the Value [-] [+] buttons to select a character.  
The following characters can be selected when changing a name:  
Button  
Explanation  
Select a character. The following characters can  
be selected.  
5. Press the [Utility] button.  
Value [-] [+] button  
_ A B C D E F G H I J K L M N O P Q R S T U V W X  
Y Z 0 1 2 3 4 5 6 7 8 9  
6. Press the [Media] button to select the media.  
Choose “USB Memory”if you want to create a folder in USB memory, or  
“User”if you want to create a folder in user memory.  
[Reset] button  
[Rec] button  
Delete a character.  
Insert a character.  
7. Press the [Utility] button.  
5. To confirm the new name, press the [Save] buttons once  
8. Assign a name to the folder.  
again.  
Rename the folder as described in “Changing the Name of a Folder.”  
The new name is now inserted.  
9. To confirm the new name, press the [Save] button.  
The name will be assigned to the newly created folder.  
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11. Press the [Utility] button to copy the song.  
Copying Performance Song (Copy Song)  
The copying of the song to “Favorites”begins.  
Performance songs and SMF music files from USB memory can be  
copied to “Favorites”(User memory).  
Once the song has been accommodated in memory, the Media Utility  
screen reappears.  
If performance data saved in USB memory is stored in “Favorites,”the  
stored performance song will not disappear even when you turn off  
the power. It is convenient to load frequently-used performance song  
into “Favorites.”  
* Never remove the USB memory or turn off the power while the  
performance data is being copied from USB memory into the  
ATELIER. If you do so, the performance data will not be loaded into  
the ATELIER, and malfunctions could result.  
Performance songs saved in “Favorites”can also be copied to USB  
memory.  
If you select a number in which a song is already saved, a screen like  
the following appears.  
Copying performance songs from USB  
memory to “Favorites”  
1. Connecting the USB memory to the USB Memory connector.  
2. Press the [Utility] button.  
If you want to delete the previously saved song and overwrite it with  
the song you’re newly saving, press the [Rec] button.  
3. Press the Menu [ ] [ ] buttons to select “Media Utility.”  
If you don’t want to delete the previously saved song, press the [Reset]  
button, then select a number at which no song has been saved, and  
copy the song to that number.  
Copying performance songs from “Favorites”  
to USB memory  
4. Press the [Utility] button.  
You can copy performance song from “Favorites”to USB memory.  
5. Press the Menu [ ] [ ] buttons to select “Copy Song.”  
To do so, press the [Media] button in step 7 to choose “Favorites.”, you’ll  
be copying performance song from “Favorites”to USB memory.  
6. Press the [Utility] button.  
7. Press the [Media] button to select “USB Memory.”  
The rest of the procedure is the same as when copying performance  
song from USB memory to “Favorites.”  
8. Press the Value [-] [+] buttons to select the performance data  
you want to copy.  
9. Press the [Utility] button.  
10. Press the Value [-] [+] buttons to select the copy-destination  
number.  
Numbers for which a song name is shown already have a song saved  
to them.  
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10. Press the Value [-] [+] buttons to select the copy destination  
Copying Registrations (Copy Registration)  
number.  
Registrations from USB memory can be copied to user memory.  
If a registration saved in USB memory is stored in user memory, the  
stored registration data will not disappear even when you turn off the  
power. It is convenient to load frequently-used registration into User  
memory.  
Registrations saved in user memory can also be copied to USB  
memory.  
To cancel the procedure, press the [Display/Exit] button.  
11. Press the [Utility] button to copy the Registration.  
Copying registration from USB memory to  
user memory  
If you select a number in which a Registration is already saved, a screen  
like the following appears.  
1. Connect the USB memory to the USB Memory connector.  
2. Press the [Utility] button.  
3. Press the Menu [ ] [ ] buttons to select “Media Utility.”  
If you want to delete the previously saved Registration and overwrite it  
with the Registration you’re newly saving, Press the [Rec] button.  
If you don’t want to delete the previously saved Registration, Press the  
[Reset] Button, then select a number at which no Registration has been  
saved, and copy the Registration to that number.  
4. Press the [Utility] button.  
To return to the basic screen, press the [Display/Exit] button a number  
of times.  
5. Press the Menu [ ] [ ] buttons to select “Copy  
Registration.”  
* Never remove the USB memory or turn off the power while the  
registration data is being copied from USB memory into the  
ATELIER. If you do so, the registration data will not be loaded into  
the ATELIER, and malfunctions could result. After returning the  
registration stored in the user memory to the factory settings (p. 108),  
reload the registration from USB memory.  
Copying registration from user memory to  
USB memory  
6. Press the [Utility] button.  
7. Press the [Media] button to select “USB Memory.”  
You can copy Registration from user memory to USB memory.  
To do so, press the [Media] button in step 7 (above) to choose “User.”  
In this state, you’ll be copying Registration from user memory to USB  
memory.  
8. Press the Value [-] [+] buttons to select the Registration you  
want to copy.  
9. Press the [Utility] button.  
The rest of the procedure is the same as when copying Registration  
from USB memory to user memory.  
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10. Press the Value [-] [+] buttons to select the copy destination  
Copying Rhythms (Copy Rhythm)  
number.  
To cancel the procedure, press the [Display/Exit] button.  
User memory already contains rhythms, but you can replace these  
rhythms with rhythms from USB memory.  
11. Press the [Utility] button to copy the rhythm.  
Rhythms copied from the USB memory into User memory will not be  
lost even if the power is turned off. It is convenient to copy frequently-  
used Rhythms into User memory.  
While the Rhythm is being copied into internal memory, the following  
screen will be displayed.  
Copying rhythms from USB memory to user  
memory  
1. Connect the USB memory to the USB Memory connector.  
2. Press the [Utility] button.  
If you select a number in which a rhythm is already saved, a screen like  
the following appears.  
3. Press the Menu [ ] [ ] buttons to select “Media Utility.”  
If you want to delete the previously saved rhythm and overwrite it with  
the rhythm you’re newly saving, Press the [Rec] button.  
4. Press the [Utility] button.  
5. Press the Menu [ ] [ ] buttons to select “Copy Rhythm.”  
If you don’t want to delete the previously saved rhythm, press the  
[Reset] button, then select a number at which no rhythm has been  
saved, and copy the rhythm to that number.  
To return to the basic screen, press the [Display/Exit] button a number  
of times.  
* Never remove the USB memory or turn off the power while the  
rhythm data is being copied from USB memory into the ATELIER. If  
you do so, the rhythm data will not be loaded into the ATELIER, and  
malfunctions could result. After returning the rhythm stored in the  
usermemorytothefactorysettings(p.107),copytherhythmfromUSB  
memory once more.  
* If no USB memory is inserted, you won’t be able to choose “Copy  
Rhythm” in the Utility menu.  
6. Press the [Utility] button.  
7. Press the [Media] button to select “USB Memory.”  
Copying rhythms from user memory to USB  
memory  
You can copy rhythms from user memory to USB memory.  
To do so, press the [Media] button in step 7 (above) to choose “User.”  
In this state, you’ll be copying rhythms from user memory to USB  
memory.  
8. Press the Value [-] [+] buttons to select the rhythm you want  
to copy.  
9. Press the [Utility] button.  
The rest of the procedure is the same as when copying rhythms from  
USB memory to user memory.  
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Formatting a USB Memory (Format Media)  
Changing the USB Memory Setting  
(USB Memory Mode)  
The process of preparing USB memory so that they can be used with  
the ATELIER is called “initialization”(formatting).  
In some cases, when USB memory is connected to the USB Memory  
connector, it might take a long time for data to be read, or the ATELIER  
might fail to read the data. If this occurs, switching the USB memory  
setting may solve the problem.  
If the media format does not match the ATELIER’s, you will not be able  
to use that media with the ATELIER.  
1. Connect the USB memory to the USB Memory connector.  
2. Press the [Utility] button.  
Value  
MODE 1, MODE 2  
3. Press the Menu [ ] [ ] buttons to select “Media Utility.”  
4. Press the [Utility] button.  
5. Press the Menu [ ] [ ] buttons to select “Format Media.”  
6. Press the [Utility] button.  
The Format screen appears.  
To cancel the procedure, press the [Reset] button.  
7. Press the [Rec] button to start formatting.  
To return to the basic screen, press the [Display/Exit] button a number  
of times.  
* Never attempt to remove the USB memory until formatting is  
complete.  
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Specifying Transmission of PC Numbers  
(Send PC Switch)  
MIDI Settings  
Selecting the MIDI Transmit Channel  
(Tx MIDI Channel)  
Transmission of PC (Program Change) numbers can be switched ON/  
OFF.  
Value  
ON  
Explanation  
When you use the MIDI connectors of the ATELIER to transmit musical  
data to external devices, for each keyboard (Upper, Lower, and Pedal)  
you can specify the channel on which your playing will be transmitted  
as MIDI messages. You can modify these Tx (Transmit) MIDI settings as  
needed.  
PC numbers are transmitted.  
OFF  
PC numbers are not transmitted.  
Parameter  
Channel  
Setting PC Numbers (PC Number)  
Solo, Upper, Lower,  
Pedal, Drums, M.Perc,  
Control  
You can specify the Program Change number that will be transmitted  
from MIDI Out when a Registration is selected.  
1–16  
Value  
Explanation  
MEMO  
Bank MSB  
(Bank Select MSB)  
0–127  
• For details refer to “Connecting MIDI Devices”(p. 113).  
• The Control part transmits expression pedal data and PC numbers.  
Bank LSB  
(Bank Select LSB)  
0–127  
1–128  
PC Num  
(PC Number)  
MIDI IN Mode (MIDI IN Mode)  
The ATELIER contains two sound generators: one for SMF data  
playback and one for keyboard performance.  
Normally, data received at the MIDI In connector will control only  
the sound generator for SMF data playback. However by changing  
the MIDI IN Mode setting, you can also control the keyboard sound  
generator from MIDI In.  
Value  
Explanation  
MODE 1  
Control the instrument as a GS sound generator.  
Channels 5 through 10 and Channels 12, 14,  
15 are transmitted to the GS sound generator,  
and all other channels are transmitted to the  
keyboard sound generator.  
MODE 2  
How channels correspond to the MIDI IN mode  
Channel  
MODE 1  
MODE 2  
1
GS  
Solo  
2
GS  
Pedal/GS *  
Lower  
3
GS  
4
GS  
Upper  
5–10  
11  
12  
13  
14, 15  
16  
GS  
GS  
GS  
Drums/SFX  
GS  
GS  
GS  
Manual Percussion  
GS  
GS  
GS  
Control  
* : When the pedal part button is ON, data received at the MIDI In  
connector will control the pedal part of keyboard sound generator.  
When the pedal part button is OFF, data received at the MIDI In  
connector will control the GS sound generator.  
* There are limitations on the types of MIDI messages that can be  
received by the keyboard sound generator.  
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Other Settings  
Using the V-LINK function (V-LINK)  
Connecting the ATELIER to a V-LINK compatible image device allows  
you to control the images with the ATELIER.  
Adjust the Standard Pitch (Master Tune)  
The basic pitch of an instrument is generally considered as the pitch  
of the middle A note. The “Master Tune”parameter lets you adjust  
this basic pitch to match the pitch of any other instruments that are  
playing together with the ATELIER.  
What is the V-LINK?  
V-LINK (  
) is a function that allows music and  
images to be performed together. By using MIDI to connect two  
or more V-LINK compatible devices, you can easily enjoy a wide  
range of visual effects that are linked to the expressive elements  
of a music performance.  
Value  
415.3 Hz – 466.2 Hz (0.1 Hz units)  
Adjusting the Display Brightness  
(LCD Contrast)  
Value  
Explanation  
OFF  
The V-LINK function is switched off.  
The V-LINK function is switched on.  
Here’s how to adjust the brightness of the ATELIER’s display.  
When a Registration button is pressed, “Bank  
Select”and “Program Change Number”  
messages are transmitted from the MIDI Out  
connector as video control messages. At  
this time, the Control MIDI transmit channel  
setting is disregarded, and the messages are  
transmitted via Channel 16.  
Value  
1–10  
MODE 1  
Selecting the Screen Language (Language)  
You can specify the language in which confirmation messages are  
shown.  
The V-LINK function is switched on.  
In addition to the functions of“MODE 1,”MODE 2  
also sets the device to transmit “Note messages”  
as video control messages from the MIDI Out  
connector when one of the twelve right most  
keys in the Lower keyboard is pressed. In this  
case, the Lower and Solo MIDI transmit channel  
settings are disregarded, and the messages are  
transmitted via Channel 16.  
DUTCH, ENGLISH, FRENCH, GERMAN, ITALIAN,  
JAPANESE, PORTUGUESE, SPANISH  
Value  
MODE 2  
Disabling Rhythm-related Buttons  
(Rhythm Lock)  
* The MIDI transmit channel used for video control messages is fixed  
at channel 16.  
You can disable the rhythm-related buttons.  
This will prevent settings from being inadvertently changed even if  
you accidentally press a rhythm-related button while using the Rotary  
Sound [On/Off] button or Rotary Sound [Fast/Slow] button as you  
perform.  
MEMO  
• The V-LINK function is turned on, and the V-LINK icon appears in the  
basic screen.  
Value  
Explanation  
Rhythm Lock will be on.  
The following buttons will be disabled.  
•
•
•
•
•
•
Rhythm button  
Arranger [On/Off] button  
Auto [Fill In] button  
Variation [1]–[4] buttons  
[Intro/Ending] button  
[Start/Stop] button  
ON  
• By holding down the [Song] button while using the [Registration]  
button, you can turn on the V-LINK function MODE 2.  
• For more on switching video images, refer to the owner’s manual  
for the connected device.  
OFF  
Rhythm Lock will be off.  
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Restoring the User Memory to  
the Original Factory Settings  
(User Memory Reset)  
Restoring All Settings Other Than the  
User Memory to the Original Factory  
Settings (Panel Reset)  
You can restore the User memory to their original factory settings.  
This function is called “User Memory Reset.”  
All settings other than the User memory can be returned to their  
factory settings. This function is called “Panel Reset.”  
1. Turn down the volume to the minimum level, then turn off  
1. Turn down the volume to the minimum level, then turn off  
the power.  
the power.  
2. While holding down the Rhythm [Ballad/User] button, press  
2. While holding down the [Harmony Intelligence] button,  
the [Power] switch to turn the power on.  
press the [Power] switch to turn the power on.  
Do not turn off the power while the following screen is displayed.  
* Do not turn off the power while the following screen is displayed.  
The user memory will be reset to the factory-set state.  
When panel reset is completed, the basic screen is appeared.  
MEMO  
• To reset all settings other than the User memory to their original  
factory settings, refer to “Restoring All Settings Other Than the User  
Memory to the Original Factory Settings (Panel Reset)”(p. 107).  
• If you want to reset all settings to their factory-set state, refer to  
“Restoring All the Factory Default Settings (Factory Reset)”(p. 108).  
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Restoring All the Factory Default  
Settings (Factory Reset)  
The settings stored in the ATELIER can be returned to their factory  
settings. This function is called “Factory Reset.”  
1. Turn down the volume to the minimum level, then turn off  
the power.  
2. While holding down the [One Touch Program] button, press  
the [Power] switch to turn the power on.  
* Do not turn off the power while the following screen is displayed.  
When factory reset is completed, the basic screen reappears.  
* Loading factory default settings will erase any Registrations  
currently in the memory of the ATELIER. It is a good idea to save  
important Registrations to USB memory. To save the registrations  
you are currently using, refer to “Saving Registration Sets” (p. 68).  
MEMO  
• To reset all settings the User memory to their original factory  
settings, refer to “Restoring All Settings Other Than the User  
Memory to the Original Factory Settings (Panel Reset)”(p. 107).  
• To return only the User memory settings to their original factory  
conditions, refer to “Restoring the User Memory to the Original  
Factory Settings (User Memory Reset)”(p. 107)).  
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Connections with Other Equipment  
Listening to Songs from Music CD  
Connecting a CD Drive and Playing  
Songs  
You can connect a CD drive to the ATELIER and use it to play music  
CDs. This lets you perform or sing along with the backing of a music  
CD.  
You can connect a commercially available CD drive, and use it to play  
back music CDs or CD-ROMs on which SMF music files are saved.  
* You can’t copy music CD songs to “Favorites”.  
* It will take a certain amount of time until a music CD can be  
selected.  
1. Connect a commercially available CD drive to the USB  
Memory connector, and insert the music CD into the CD  
drive.  
2. Press the [Song] button (confirm that its indicator is lit).  
The Song select screen appears.  
tor  
USB cable  
CD drive  
1. Switch off the power to the ATELIER and the CD drive to be  
3. Press the [Media] button to select “CD.”  
connected.  
4. Press the Value [-] [+] buttons to select the song you want to  
2. Connect the USB cable included with the CD drive to the USB  
play.  
Memory connector on the ATELIER.  
5. Press the [Play/Stop] button to start playback.  
6. To stop playback, press the [Play/Stop] button.  
MEMO  
3. Turn on the power to the ATELIER.  
4. Turn on the power to the connected CD drive.  
* The ATELIER does not support CD drives that are powered by the  
USB bus. If you use a USB-bus-powered CD drive, you must use  
the power supply included with the CD drive so that the drive will  
operate under its own power.  
You can press [Bwd] button or [Fwd] button to rewind or fast-  
forward the playback.  
Precautions concerning use of the CD  
• You cannot play back CD-R/RW disks to which audio tracks have been  
added or CDs containing both audio tracks and data (CD Extra).  
• The ATELIER is capable of playing back only commercial CDs that  
conform the official standards-those that carry the “COMPACT disc  
DIGITAL AUDIO”logo.  
• The usability and sound quality of audio discs that incorporate  
copyright protection technology and other non-standard CDs cannot  
be guaranteed.  
• For more detailed information on audio discs featuring copyright  
protection technology and other non-standard CDs, please consult the  
disc vendor.  
• You cannot save songs to CDs, and you cannot delete songs recorded  
to CDs. Furthermore, you cannot format CDs.  
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Enjoying Karaoke with a Music CD  
(Center Cancel)  
Using a Song’s Melody as a Guide (Guide)  
You can reduce the playback volume of the melody within SMF music  
files.  
You can minimize the vocal sounds of a commercially available music  
CD, and sing the vocal part yourself. This is a convenient way to enjoy  
karaoke or practice soloing with a favorite music CD.  
Until you’ve learned the melody, you can sing along using this  
reduced-volume melody as a guide.  
* This does not work for songs on a music CD.  
* For some songs, the vocal sound may not be eliminated completely.  
1. Prepare the song that you want to sing.  
1. Connect a commercially available CD drive to the USB  
To play back SMF music files from a CD-ROM, connect your CD drive  
and insert the CD-ROM.  
Memory connector.  
2. Insert a music CD in the CD drive, and select the song that  
To play back SMF music files from USB memory, connect your USB  
memory.  
you want to sing (p. 109).  
3. Press the [Utility] button.  
2. Select the song that you want to sing (p. 88, p. 109).  
3. Press the [Utility] button.  
4. Press the Menu [ ] [ ] buttons to select “VIMA TUNES.”  
4. Press the Menu [ ] [ ] buttons to select “VIMA TUNES.”  
5. Press the [Utility] button.  
6. Press the Menu [ ] [ ] button to select “Melody.”  
5. Press the [Utility] button.  
6. Press the Menu [ ] [ ] buttons to select “Melody.”  
7. Press the Value [-] [+] buttons to select “MUTE/C.CANCEL.“  
7. Press the Value [-] [+] buttons to select “GUIDE.“  
The Center Cancel function is active.  
8. Press the [Play/Stop] button to start playing back the song.  
The Guide function is active.  
When you play back the song, the sound of the melody or vocal will be  
minimized.  
8. Press the [Play/Stop] button to start playing back the song.  
When you play back the song, the volume of the melody channel will  
be temporarily lowered.  
This lets you perform the melody portion yourself.  
Sing the melody while listening to the song. Since the melody will play  
at a reduced volume, you’ll be able to use it as a guide for your singing.  
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Enjoying VIMA TUNES Songs  
Connecting an Audio Device and  
Playback Sounds  
The ATELIER can play back separately available VIMA CD-ROMs (VIMA TUNES).  
This allows you to play back VIMA TUNES songs while you enjoy  
performing with recommended sounds.  
Here’s how to connect an audio device and play back its sounds  
through headphones or speakers.  
VIMA TUNES  
MEMO  
Use audio cables with phone plugs to make this connection.  
VIMA TUNES is a Roland specification for music files that contains  
image and lyric data, allowing you to enjoy songs with lyrics and  
images simultaneously. When data bearing the “VIMA TUNES”  
logo is played back on a device that bears the same logo, lyrics  
can be shown on the screen of a connected external display or  
television, letting you enjoy karaoke or watch a slide show.  
* To prevent malfunction and/or damage to speakers or other devices,  
always turn down the volume, and turn off the power on all devices  
before making any connections.  
* When connection cables with resistors are used, the volume level of  
equipment connected to the Input jacks may be low. If this happens,  
use connection cables that do not contain resistors.  
* The ATELIER is not able to play back VIMA TUNES images.  
Performing with sounds that match the song  
(recommended tones)  
Input jacks  
If you’re performing while listening to a CD-ROM produced for VIMA  
(VIMA TUNES), you have the option of using automatically selected  
tones that are appropriate for the mood of the selected song.  
When you select a song from a VIMA CD-ROM (VIMA TUNES), three  
recommended tones will be selected automatically.  
Using these three tones gives you an easy way to perform using sounds  
that are appropriate for the mood of the song.  
1/4-inch phone type  
Output j
1. Connect a commercially available CD drive to the USB  
Memory connector.  
2. Insert the VIMA TUNES CD-ROM into the CD drive, and select  
the song of VIMA CD-ROM (p. 109).  
3. Press the [Utility] button.  
4. Press the Menu [ ] [ ] buttons to select “VIMA TUNES.”  
Digital audio player, etc.  
1. Turn the volume all the way down on the ATELIER and on the  
audio device.  
2. Turn off the power to the ATELIER and audio device.  
3. Use audio cables (sold separately) to make the connection.  
4. Switch on the connected audio device.  
5. Switch on the ATELIER.  
5. Press the [Utility] button.  
6. Press the Menu [ ] [ ] buttons to select “Recommend  
Tone.”  
6. Adjust the volume level on the ATELIER and the connected  
audio device.  
The sound of the audio device will be heard through your headphones  
or speakers.  
MEMO  
Adjust the input volume using the controls of the audio device.  
7. Press the Value [-] [+] buttons to select a tone.  
8. Press the [Utility] button to return to the basic screen.  
9. Press the [Play/Stop] button to start playing back the song.  
10. Play along with the song.  
Turning off the power  
1. Turn the volume all the way down on the ATELIER and on the  
audio device you’re about to connect.  
2. Turn off the ATELIER.  
3. Turn off the connected audio device.  
The tones you play will be suitable for the character of the song.  
11. Press the [Play/Stop] button to stop playing back the song.  
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Specifying the Output of the Aux Out Jacks  
(Aux Out Mode)  
Changing the Speaker Connection  
Settings  
Here’s how to specify the type of output that you want for the Aux Out  
jacks.  
By connecting speakers or an audio system to the Aux Out jacks, you  
can play the reverberation portion of the sound through your speakers.  
You can also connect an external reverb device and use it to apply  
reverb.  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select “Aux Out.”  
Since the manually played sounds other than organ sounds can be  
output separately, this is convenient when you connect the ATELIER to a  
mixer to adjust the overall volume balance.  
Outputting Sounds from the Aux Out Jacks  
(Aux Out)  
3. Press the [Utility] button.  
Here’s how to get sound to be produced by speakers or an audio  
system that you’ve connected to the Aux Out jacks.  
4. Press the Menu [ ] [ ] buttons to select “Aux Out Mode.”  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select “Aux Out.”  
5. Press the Value [-] [+] buttons to select the mode.  
Value  
Explanation  
3. Press the [Utility] button.  
The RSS reverb sound will be heard from the  
speakers.  
4. Press the Menu [ ] [ ] buttons to select “Aux Out.”  
AMBIENCE  
The RSS reverb sound applied by the ATELIER  
will be output.  
Connect an external reverb unit to apply the  
desired type of reverb.  
TO EFFECTS UNIT  
A direct (unprocessed) sound will be output,  
allowing you to apply reverb.  
Use the connected mixer to adjust the volume  
balance.  
ORCHESTRAL VOICES  
Manually played sounds other than organ  
sounds will be output separately.  
5. Press the Value [-] [+] buttons to select “ON.“  
The output from the Aux Out jacks will be on.  
Accompaniment and rhythm will be heard from  
the speakers, creating the impression that you’re  
performing with an orchestra.  
To return to the basic screen, press the [Display/Exit] button a number  
of times.  
Sounds you play on the keyboard will be heard  
from the speakers connected to the Main Out  
jacks, and the accompaniment will be heard  
from the speakers connected to the Aux Out  
jacks.  
ENSEMBLE  
To return to the basic screen, press the [Display/Exit] button a number  
of times.  
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Connecting a Computer  
Connecting MIDI Devices  
The following become possible once you connect a USB cable  
(available separately) between the USB (MIDI) connector located to the  
lower left of the ATELIER and the USB connector of your computer.  
By connecting an external MIDI device so that performance data can  
be exchanged, you’ll be able to control each device’s performance. For  
example, you can play the ATELIER’s keyboard to produce sound or  
switch voices on an external MIDI device.  
• You can use the ATELIER to play sounds from SMF music files played  
back with MIDI software.  
What’s MIDI?  
• By exchanging MIDI data with sequencer software, you can save songs  
recorded with the ATELIER to your computer, and enjoy a variety of  
musical control and editing features.  
MIDI, short for “Musical Instrument Digital Interface,”was  
developed as a standard for the exchange of performance data  
between electronic instruments and computers.  
About MIDI connectors  
) connector  
Computer  
MIDI Out Connector  
Connect the external MIDI device to the MIDI IN connector with an  
optional MIDI cable.  
USB connector  
The notes played on the keyboard, movements of the Damper pedal,  
Expression data, data indicating that a Registration button [1]–[8], etc.,  
was pressed will be transmitted to the external MIDI connector.  
USB cable  
* If you’re using sequencer software, set your software so that it does  
not pass the audio through.  
The Solo voice will be transmitted only if the Solo [To Lower] button is  
ON.  
* Refer to the Roland website for system requirements.  
Roland website: http://www.roland.com/  
MIDI In Connector  
Connect the external MIDI device to the MIDI out connector with an  
optional MIDI cable. Performance messages from an external MIDI  
device are received here.  
Making the Settings for the USB Driver  
These incoming messages may instruct the receiving MIDI instrument  
to play sounds or switch voices.  
If you’re unable to connect successfully with your computer, the  
problem might be solved by using the dedicated Roland driver.  
Normally, there is no need to use the dedicated Roland driver.  
The ATELIER contains two sound generators: one sound generator  
for its own keyboards and one GM2/GS sound generator. Normally,  
musical data transmitted from an external device to the MIDI In  
connector is sent to the GM2/GS sound generator, but you can also  
set the “MIDI IN Mode”parameter (p. 105) so that the keyboard sound  
generator is controlled.  
If you want to use the dedicated Roland driver, set USB Driver to  
“ORIGINAL,”and install the driver in your computer.  
1. Press the [Utility] button.  
2. Press the Menu [ ] [ ] buttons to select “USB Driver.”  
3. Press the Value [-] [+] buttons to select the mode.  
Value  
Explanation  
Choose this if you want to use the standard USB  
driver that was included with your computer.  
Normally, you should use this mode.  
GENERIC  
Select this if you want to use the dedicated  
Roland driver.  
ORIGINAL  
4. Turn the ATELIER’s volume to the minimum level, switch off  
the power, then turn it back on again.  
MEMO  
For details on downloading and installing the Roland original driver,  
refer to the Roland website.  
Roland website: http://www.roland.com/  
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Example connection: Playing a MIDI sound module from  
the ATELIER  
tors  
MIDI cable  
MIDI IN  
MIDI device  
Making the connections  
1. Turn the volume all the way down on the ATELIER and on the  
device you’re about to connect.  
2. Switch off the power to the ATELIER and the device you’re  
about to connect.  
3. Use a MIDI cable (sold separately) to connect the MIDI  
connectors to each other.  
4. Switch on the power to the ATELIER and the connected  
device.  
5. Adjust the volume level on the ATELIER and the connected  
device.  
6. You should also set the MIDI send channel as needed (p. 105).  
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Troubleshooting  
If you suspect a malfunction, please read this section first.  
Power does not turn on  
Problem  
Cause  
Action  
Page  
When you press the [Power] switch, the  
power doesn’t come on  
AC adaptor is not connected correctly.  
Connect the AC adaptor is correctly.  
p. 21  
Problems with the screen display  
Problem  
Cause  
Action  
Page  
The ATELIER uses a liquid-crystal screen, so  
text may not be displayed when the ambient  
temperature is below freezing.  
Nothing appears on screen  
This is not a malfunction.  
- - -  
It appears as though there are vertical  
stripes in the screen  
This is due to the nature of a liquid crystal display,  
and is not a malfunction.  
This is not a malfunction.  
This is not a malfunction.  
- - -  
- - -  
With some music files, the lyrics cannot be  
displayed correctly.  
Lyrics are not indicated properly in the  
display  
During the display of lyrics, you could be taken to  
a different screen if you press a button.  
A button was pressed while the lyrics were being  
shown in the display.  
- - -  
If you want to have the lyrics be displayed again,  
Press the [Rec] button  
No sound is heard  
Problem  
Cause  
Action  
Page  
When connection cables with resistors are used,  
the volume level of equipment connected to the  
Input jacks may be low.  
The device connected to the Input jack is  
not loud enough  
Could you be using a connection cable that  
contains a resistor?  
- - -  
If this happens, use connection cables that do not  
contain resistors.  
If there is a cell phone nearby, you may hear  
noise from the ATELIER when an incoming call or  
outgoing call occurs, or during a conversation.  
Keep the cell phone as far away as possible, or turn  
off its power.  
Noise is heard in the sound  
- - -  
The [Master Volume] knob is set too low.  
Turn the [Master Volume] knob toward “Max.”  
p. 22  
The ATELIER does not have built-in speakers.  
Connect headphones or speakers.  
p. 23  
p. 24  
Headphones or speakers are not connected.  
The volume is set too low on the Level [ ] [  
buttons.  
]
Press the Level [ ] [ ] buttons to raise the  
volume.  
p. 35  
p. 55  
No sound is heard  
The volume is set too low on the Expression Pedal. Advance the expression pedal.  
Voices that have their button indicator lit can be  
played.  
You do not have a Voice selected.  
p. 28  
Press a voice button to select a voice.  
No sound is heard  
(when external devices are connected)  
The power of the connected external devices is  
not turned on.  
Use the correct procedure to turn on the power of  
the connected external devices.  
p. 109  
p. 50  
- - -  
Drums/SFX are selected for the Lower keyboard,  
but you are playing a key to which no drum sound  
is assigned.  
Turn the Drums/SFX off or play keys to which  
drums sounds are assigned.  
No sound is heard (by the Lower keyboard)  
The Lower keyboard will not produce sound while  
an Intro or Ending is being played.  
This is not a malfunction.  
When V-LINK setting is Mode 2, the group of  
twelve keys starting at the very right of the lower  
keyboard are used for controlling video images.  
There is no sound from the twelve keys at  
the right of the lower keyboard  
The V-LINK function is set Mode 2.  
Therefore, no sounds are played even when you  
press these keys.  
p. 106  
Turn the V-LINK function off, or select Mode 1 for  
the V-LINK function.  
If Percussion [2 2/3’] button or Percussion [4’]  
button is on, the sound of the 1’harmonic bar will  
not be heard.  
Percussion [2 2/3’] button or Percussion [4’] button  
is turned on.  
Can’t hear the 1’ harmonic bar  
- - -  
This is not a malfunction.  
115  
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Troubleshooting  
Problems with the sound  
Problem  
Cause  
Action  
Page  
When the human voice “Jazz Scat” is  
selected, playing dynamics do not change  
the sound  
The setting of “Initial Touch”is turned OFF.  
Turn “Initial Touch”on.  
p. 92  
Some sounds do not allow the rotary effect to be  
applied.  
Rotary effect is not be applied  
This is not a malfunction.  
This is not a malfunction.  
- - -  
- - -  
Some sounds do not allow the overdrive effect to  
be applied.  
Overdrive effect is not be applied  
When you release your fingers from keys  
in the Lower keyboard, the notes continue  
sounding  
Press the Pedal [To Lower] button to turn it off  
(dark).  
The Easy One Finger is at ON.  
p. 51  
Harmony Intelligence is at ON.  
Chord Intelligence is turned ON.  
Turn “Harmony Intelligence”off.  
Turn “Chord Intelligence”off.  
p. 38  
p. 95  
Even though you press only one key, a  
multiple number of notes sound  
Simultaneously press the Transpose [-] [+] buttons  
to cancel the transposition (the Transpose [-] [+]  
buttons’indicators will go out).  
Transpose is in effect.  
p. 36  
p. 106  
p. 37  
p. 35  
Pitch is off  
The tuning is incorrect.  
Adjust the standard pitch.  
While set for an octave shift, you are playing keys  
beyond the recommended range. This does not  
indicate a malfunction.  
Adjust the Octave Shift setting.  
The Part Balance volume of each part is too high.  
Press the Part Balance button to lower the volume.  
The Reverb volume has been raised when the  
volume of each Part Balance button is already  
raised.  
p. 35  
p. 41  
Either lower the Reverb volume, or adjust the Part  
Balance of each part.  
Sound is distorted / cracked  
The [Master Volume] slider has been used to raise  
the overall volume excessively.  
Use the [Master Volume] slider to lower the overall  
volume.  
p. 22  
- - -  
Some keys (of certain keyboard parts)  
sound strange  
You are playing notes outside the recommended  
range of the voice.  
This is not a malfunction.  
When the Pedal [To Lower] button is on, the Bass  
will be sounded by the Lower keyboard.  
p. 51  
p. 48  
Bass is heard even though you are not  
playing the Bass Pedalboard  
The Pedal [To Lower] button or the “Bass Split”  
function is on.  
In the Pedal part, press the Pedal [To Lower]  
button or “Bass Split”function is off.  
When playing the same sound in the Upper  
keyboard and Lower keyboard, the volume  
is different  
Set the initial touch settings of the Upper  
keyboard and the Lower keyboard to both On, or  
both Off.  
On one of the keyboards, “Initial Touch”is turned  
ON.  
p. 92  
If you layer the same type of sound (for example,  
Strings 1 and Strings 5), or play an octave-shifted  
organ sound, the timing at which you play a note  
or the phase relationship between the two sounds  
may affect the way in which the sounds are heard,  
but this is not a malfunction.  
You are layering sounds of the same type (e.g.,  
Strings 1 and Strings 5).  
The sound is not played correctly  
- - -  
This is not a malfunction.  
Alternatively, you are playing an organ sound with  
Octave Shift.  
When this setting is used, moving the expression  
pedal while playing back ATELIER performance  
data may create a difference between the  
expression pedal information in the performance  
data and the volume as set with the expression  
pedal, which can result in this kind of sound being  
produced.  
Pressing the expression pedal while playing The expression pedal function is set to  
back ATELIER performance data produces a  
crackling noise  
“PEDAL+COMPOSER”during playback of ATELIER  
performance data.  
p. 94  
Set the expression pedal function to “PEDAL”  
during playback.  
116  
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Troubleshooting  
Registrations do not switch correctly  
Problem  
Cause  
Action  
Page  
The settings at which Registrations are recalled  
(Registration Arranger Update) has been set to  
“DELAYED.”  
Set the timing at which the arranger settings  
are called up (Registration Arranger Update) to  
“INSTANT.”  
The Rhythm does not change when you  
press the Registration buttons  
p. 97  
Rhythm or automatic accompaniment does not sound right  
Problem  
Cause  
Action  
Page  
Rhythm does not sound  
Rhythm Lock is on.  
Turn Rhythm Lock off.  
p. 106  
When Chord Intelligence is OFF, the keys for a  
chord were not pressed simultaneously.  
Either turn on the Chord Intelligence function, or  
play the chord correctly.  
p. 95  
p. 95  
When Chord Intelligence is OFF, the chord is not  
being pressed correctly.  
Either turn on the Chord Intelligence function, or  
play the chord correctly.  
Automatic Accompaniment sounds odd  
When performance data from a device other  
than the ATELIER is being played together with  
the Automatic Accompaniment, the Automatic  
Accompaniment may not be sounded correctly.  
This is not a malfunction.  
- - -  
When performance data from a device other  
than the ATELIER is being played together with  
the Automatic Accompaniment, the Rhythm  
performance may not be sounded correctly.  
Rhythm sounds odd  
This is not a malfunction.  
This is not a malfunction.  
- - -  
- - -  
When you started a Rhythm with an Intro,  
the Rhythm did not sound.  
Some Rhythms do not have rhythm sounds in the  
intro.  
When a voice is selected for the Pedal Bass part,  
the bass of the Automatic Accompaniment will  
not sound.  
The bass note of the Automatic Accompani-  
ment does not sound  
This is not a malfunction.  
- - -  
Can’t use Chord Intelligence function  
Chord Intelligence is at OFF.  
Turn “Chord Intelligence”on.  
p. 95  
Song does not play correctly  
Problem  
Cause  
Action  
Page  
While the Utility menu appears in the display (with  
the exception of Channel Mute and Track Mute),  
playback is not allowed.  
If you wish to playback performance data, press  
the [Display/Exit] button to exit the Utility menu .  
Performance data cannot be played back  
- - -  
Certain instrument is not heard while  
playing a song  
The track is muted.  
Turn off track muting.  
p. 98  
Recording is not possible  
Problem  
Cause  
Action  
Page  
If you wish to erase a previously-recorded track  
and then re-record, press the track button for the  
desired track to make that button blink before you  
begin recording.  
Press the track button for the desired track to  
make that button indicator blink before you begin  
recording.  
p. 78  
Recording is not possible  
While the Utility menu appears in the display,  
recording is not allowed.  
If you wish to record performance data, press the  
[Display/Exit] button to exit the Utility menu.  
- - -  
Any performance that has been recorded is  
The recorded performance has disappeared deleted when the power to the ATELIER is turned  
A performance cannot be restored once it’s been  
deleted, so be sure to save it on a USB memory  
before you turn off the power.  
p. 81  
off.  
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Troubleshooting  
Problems with playback functions  
Problem  
Cause  
Action  
Page  
If a D Beam button is lit in red, moving your hand  
above the D Beam controller will apply an effect to  
the sound you play from the keyboard.  
Moving your hand over the D Beam  
controller does not produce a sound  
Press the D Beam button once again so the button  
is lit in green.  
p. 44  
The damper pedal affects only the Lower  
keyboard. The damper pedal does not affect the  
Upper Keyboards and Bass pedalboard.  
This is not a malfunction.  
This is not a malfunction.  
- - -  
- - -  
Damper Pedal does not operate  
Expression Pedal does not operate  
The damper pedal does not affect the Solo voice.  
The function of the Expression Pedal during  
recording or the function during playback has  
been set to “COMPOSER.”  
Set the expression pedal function during record-  
ing to “PEDAL,”and during playback to “PEDAL”or  
“PEDAL+COMPOSER.”  
p. 94  
If “Registration Shift”(change Registrations)  
is “RIGHT,”“LEFT,”or “RIGHT + Load Next,”the  
foot switch will be dedicated to switching the  
Registration.  
Can’t use the function assigned to the foot  
switch  
Turn “Registration Shift”off.  
p. 96  
Problems with the audio files  
Problem  
Cause  
Action  
Page  
Is the audio file in a format supported by the  
ATELIER?  
To be playable, audio files must be in the following  
format.  
Can’t play an audio file  
This is not a malfunction.  
- - -  
• File name extension is “.wav”  
• 16-bit linear sampling  
• Sampling rate is 44.1 kHz  
The ATELIER does not allow recording using audio  
files, and cannot be used to copy audio files into  
internal memory.  
Can’t record along with an audio file/  
Can’t copy an audio file to internal memory  
This is not a malfunction.  
- - -  
Other problems  
Problem  
Cause  
Action  
Page  
- - -  
Could you be using USB memory not made by  
Roland?  
We cannot guarantee operation if you’re using  
USB memory not made by Roland.  
Can’t read/write USB memory  
The USB memory setting is incorrect.  
Change the USB Memory setting.  
p. 104  
118  
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Error Message  
Error Message  
Meaning  
Copy Protected. Can’t Save.  
To protect the copyright, this music file cannot be saved as SMF format.  
The protect tab of the storage media is set to the Protect (write prohibit) position.  
Move the tab to the Write (write permit) position and try the operation again.  
Write-Protected Media  
Can’t Save This Song.  
Master Disk  
You can only play the music files. It cannot be saved on a storage media  
This storage media does not allow initialization or saving. Insert a different storage media and try the  
operation again.  
Read Only File  
No Media  
You cannot overwrite-save or delete a file on this storage media.  
Storage media is not connected. Please connect storage media.  
Saving is not possible because the storage media does not have enough space. Please use other  
storage media that has been formatted by the ATELIER.  
Media Full  
Unknown Media  
Media Ejected  
Damaged Media  
Can’t Read.  
This storage media cannot be used. Please format it.  
The storage media was disconnected while it was being accessed. Please try the operation again.  
A damaged area was found on the storage media.  
This data cannot be read.  
Playback was halted because the song could not be read fast enough.  
Can’t Play.  
The song could not be read from the storage media fast enough for playback. Press the [Reset]  
button, then press the [Play/Stop] button once again.  
There is no rhythm in user memory.  
No Rhythm  
The rhythm used by the selected registration was deleted from user memory, or its order was  
changed.  
The song data is excessively large, and cannot be loaded.  
Memory Full  
The performance data is excessively large, and cannot be loaded.  
The data cannot be stored in user memory since user memory is full.  
The ATELIER cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the  
amount of MIDI data sent to the ATELIER.  
MIDI Buffer Full  
A MIDI cable or computer cable has been disconnected. Connect it properly and securely.  
The ATELIER is unable to handle the data that was sent.  
Communication Error  
Please send data that the ATELIER is able to handle.  
A MIDI transmission error has occurred.  
Memory Full  
Data transfer failed. Please transfer the data again.  
Recording or editing is not possible because the memory of the ATELIER is full.  
An error occurred in internal memory.  
Memory Error  
Please perform the operation again. If this indication appears even after you’ve repeated the  
operation several times, please contact Roland service.  
This is registration data of a type that is not supported.  
USB over current  
This instrument cannot use this registration.  
USB memory not supported by the ATELIER was connected. This USB memory cannot be used with  
the ATELIER.  
119  
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Chord List  
symbol: Indicates the constituent not of chord.  
symbol: Chord shown with an “ ”can be played by pressing just the key marked with the “ .”  
C
C#  
D
E
E
E
E
E
E
E
F
Cmaj7  
C7  
C#maj7  
C#7  
Dmaj7  
D7  
maj7  
7
Emaj7  
E7  
Fmaj7  
F7  
Cm  
C#m  
Dm  
m
Em  
Fm  
Cm7  
Cdim  
C#m7  
C#dim  
Dm7  
Ddim  
m7  
dim  
Em7  
Edim  
Fm7  
Fdim  
Cm7  
5
C#m7  
C#aug  
C#sus4  
5
Dm7  
5
E
E
E
E
E
E
m7  
5
Em7  
5
Fm7  
5
Caug  
Csus4  
Daug  
Dsus4  
aug  
sus4  
Eaug  
Esus4  
Faug  
Fsus4  
C7sus4  
C6  
C#7sus4  
C#6  
D7sus4  
D6  
7sus4  
6
E7sus4  
E6  
F7sus4  
F6  
Cm6  
C#m6  
Dm6  
m6  
Em6  
Fm6  
120  
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Chord List  
F#  
G
A
A
A
A
A
A
A
A
A
A
B
B
B
B
B
B
B
B
B
B
F#maj7  
F#7  
Gmaj7  
G7  
maj7  
Amaj7  
A7  
maj7  
7
Bmaj7  
B7  
7
F#m  
Gm  
m
Am  
m
Bm  
F#m7  
F#dim  
F#m7  
F#aug  
F#sus4  
Gm7  
Gdim  
Gm7  
Gaug  
Gsus4  
m7  
dim  
m7  
aug  
sus4  
Am7  
Adim  
Am7  
Aaug  
Asus4  
m7  
dim  
m7  
aug  
sus4  
Bm7  
Bdim  
Bm7  
Baug  
Bsus4  
5
5
5
5
5
5
F#7sus4  
F#6  
G7sus4  
G6  
A
A
7sus4  
6
A7sus4  
A6  
B
B
7sus4  
6
B7sus4  
B6  
F#m6  
Gm6  
A
m6  
Am6  
B
m6  
Bm6  
121  
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Glossary  
Arrangement  
Registration  
This refers to changes that have been made in an original tune, by  
adding a new accompaniment or by changing the instruments used.  
A set of data that specifies the state of the instrument when  
performing, including sounds and panel settings.  
Automatic accompaniment  
Reverb  
Automatic Accompaniment is automatic accompaniment when just  
a few keys in the lower section of the keyboard are pressed to specify  
the chord.  
An effect that simulates the reverberation of a room or concert hall.  
Root note  
The root note is the basis of a chord. All chords are built on a root note,  
which is the part of the chord name given in uppercase letters.  
Basic Chord  
This refers to the most commonly used types of chord, which are  
generally the following six types: major chords, minor chords, minor  
seventh chords, minor seventh (5) chords, dominant seventh chords,  
and diminished seventh chords.  
Rotary  
An effect which simulates the modulation given to the sound when  
a rotating speaker is used. The Rotary effect produces two types of  
modulation: fast or slow.  
Chord  
Notes of two or more pitches sounded simultaneously. Chords  
consisting of three notes are called “triads,”and are the most basic type  
of chord.  
Sound generator  
This is the section that produces the sound. The ATELIER series uses a  
sound generator that is compatible with GM2/GS.  
Ending  
Split  
This is the last part of the accompaniment. When you stop playing the  
Automatic Accompaniment, the ATELIER plays an Ending appropriate  
for the Rhythm.  
A function which allows the keyboard to be divided into two or more  
areas, and a different sound assigned to each area. The point at which  
the keyboard is divided is called the “Split Point.”  
Glide  
Staccato playing  
An effect that temporarily lowers the pitch and then gradually returns  
it to normal.  
This is the opposite of legato playing, and means that you clearly  
separate each note you play. In other words, you would release the  
currently held key before playing the next note.  
Intro  
This is the introductory portion of an Automatic Accompaniment  
performance. When automatic accompaniment begins, the ATELIER  
can add an appropriate intro for each rhythm.  
Sustain  
An effect that adds a decay to each note. The ATELIER allows sustain to  
be applied to the voices of the upper part, lower part, and pedal part.  
Inversion  
Vibrato  
When the lowest note of a chord is the root, the chord is said to be in  
“root position.”In contrast, forms of a chord in which other notes are  
the lowest pitch are called “inversions.”  
An effect that cyclically modulates the pitch.  
Voice  
Legato playing  
The ATELIER is able to produce the sounds of various instruments.  
These sounds are called “Voices.”  
This refers to the play of successive notes without causing a break  
between them to be perceived. On a keyboard instrument, you would  
play the next note slightly before releasing the currently held key,  
causing the notes to briefly overlap.  
Mute  
To silence a sound. The ATELIER provides a Track Mute function that  
allows you to turn off the track button indicator of a track on which  
music data has been recorded, so that the corresponding track will  
temporarily be silenced.  
Panel settings  
Settings such as sound selections, tempo, Rotary fast/slow.  
122  
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Stored Items  
Solo Split Point  
Settings that are stored after the power is  
turned off  
Bass Split (ON/OFF)  
Bass Split Point  
Sustain ON/OFF  
Arranger Update  
Auto Std Tempo (Auto Standard Tempo)  
Aux Out Mode  
Sustain Length  
Tx MIDI Channel  
Initial Touch (Initial Touch Sensitivity)  
Vintage Organ Type  
D Beam Sensitivity  
Ez Touch  
Vintage Organ Volume  
Exp. Curve (Expression Curve)  
LCD Contrast  
PC Number (Program Change Number)  
Bank LSB (Bank Select LSB)  
Bank MSB (Bank Select MSB)  
Wall Type  
Lyrics  
ManualButtonAssign  
Master Tune  
The Voices assigned for each part  
Level [ ] [ ] (Part Balance Volume)  
The Reverb depth for each part  
The Octave settings for each part  
The voices assigned to the [Others] buttons for each part  
[Drums/SFX] button (ON/OFF)  
Drum/SFX Set  
Metronome Sound  
MIDI IN Mode  
Registration Shift  
Send PC Switch  
Trans. Update (Transpose Update)  
USB Driver  
USB Memory Mode  
Registration Name  
[Manual Percussion] button (ON/OFF)  
Manual Percussion Set  
Selected Rhythm  
[Intro/Ending] button (ON/OFF)  
Sync Start (ON/OFF)  
Settings that are stored in the registration  
buttons  
Variation  
Chord Intelligence ON/OFF  
Leading Bass ON/OFF  
Arranger Update  
Exp. Curve (Expression Curve)  
ManualButtonAssign  
Registration Shift  
Arranger [ON/OFF] button (ON/OFF)  
AccompPartBalance  
Lower Voice Hold (ON/OFF)  
Tempo setting  
Trans. Update (Transpose Update)  
Registration Name  
Volume of the rhythm part  
Reverb depth of the rhythm Accompaniment part  
Reverb depth of the rhythm drum part  
Reverb depth of the rhythm bass part  
Pitch Bend Range  
Settings that are stored in the individual  
registration buttons  
D Beam button setting  
Reverb Type  
Reverb Depth  
Solo [To Lower] button (ON/OFF)  
Pedal [To Lower] button (ON/OFF)  
Transpose [-] [+] button (Key Transpose)  
L Foot Switch Assignment (Left Foot Switch Assignment)  
R Foot Switch Assignment (Right Foot Switch Assignment)  
[Harmony Intelligence] buttons (ON/OFF)  
Harmony Intelligence Type  
Rotary [Fast/Slow] button (ON/OFF)  
Rotary [On/Off] button (ON/OFF)  
Vibrato/Chorus Part  
Overdrive  
Pedal Bass Mode  
Solo Mode  
Solo To Lower Mode  
123  
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Main Specifications  
ATELIER Combo AT-350C: Music ATELIER  
Upper  
49 keys (C3–C7)  
Keyboard  
Lower  
64 keys (Waterfall keyboard, A1–C7)  
Initial Touch  
Sound Generator  
Max. Polyphony  
Voice  
Upper, Lower (10 levels for each)  
Conforms to GM2/GS/XGlite  
128  
243 Voices (including 15 SuperNATURAL Voices and 8 Active Expression Voices)  
Upper Part  
Lower Part  
Solo Part  
Organ, Orchestral  
Sound Generator  
Lower  
Solo  
Pedal Part  
Vintage Organ  
Rhythm  
Pedal  
Flute (with full harmonic bars)  
210 rhythms in 8 groups x 4 variations  
99 rhythms  
Rhythm  
User Rhythm  
Tempo, Arranger On/Off, Start/Stop, Sync Start, Intro, Ending, Intro Count Down, Break, Auto Fill In,  
Variation (4 variations), One Touch, Program, Chord Intelligence, Leading Bass, Auto Standard Tempo  
Arranger Function  
Music Assistant  
One Touch Program  
Drums/SFX Sets  
Manual Percussion Sets  
Harmony Intelligence  
Master Tuning  
Over 240 titles x 4 variations  
210 rhythms x 4 variations  
17 Drum Sets + 1 SFX Set  
7 sets  
18 types  
415.3–466.2 Hz (Adjustable in Increments of 0.1 Hz)  
-4–+7 (in semitones)  
Key Transpose  
Playback Transpose  
Effects  
-6–+5 (in semitones)  
Rotary Sound, RSS Reverb, Sustain, Vibrato, Glide, D Beam, Overdrive  
Registration  
Function  
8 memories  
Registration  
Composer  
Load Next, Registration Shift  
7 tracks  
Tracks  
Note Storage  
Song Length  
Tempo  
Approx. 40,000 notes  
Max. 999 measures  
Quarter note = 20–500  
120 ticks per quarter note  
Realtime (Replace)  
Resolution  
Recording  
Audio Recording  
Media  
WAV (44.1 kHz, 16-bit Linear Format)  
USB memory  
File Storage  
Display  
Save Song  
Songs  
MUSIC ATELIER original format, SMF format 0, WAV  
Max. 99 songs for each folder  
Graphic LCD 128 x 64 dots  
Main Out jacks (L/Mono, R)  
AUX Out jacks (L/Mono, R)  
Input jacks (L/Mono, R)  
Phones jack (stereo)  
Pedal jacks (Damper, Expression, Control)  
MIDI connectors (In, Out)  
PK In connector  
Connectors  
USB (MIDI) connector  
USB Memory connector  
DC In jack  
Power Supply  
Current Draw  
Finish  
DC 9V (AC adaptor)  
1,000 mA  
Black  
1,250 (W) x 510 (D) x 370 (H) mm (including Music Rest)  
49-1/4 (W) x 20-1/8 (D) x 14-5/8 (H) inches  
Dimensions  
1,250 (W) x 510 (D) x 190 (H) mm (not including Music Rest)  
49-1/4 (W) x 20-1/8 (D) x 7-1/2 (H) inches  
124  
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Main Specifications  
25.5 kg / 56 lbs 4 oz (including Music Rest)  
24.5 kg / 54 lbs 1 oz (not including Music Rest)  
Weight  
Music Rest  
AC Adaptor  
Power Cord  
Accessories  
PK Cable  
Owner’s Manual  
Quick Guide  
Voice & Rhythm Guide  
Keyboard Stand: KS-G8, KS-12  
Pedalboard: PK-25A, PK-7A  
Damper Pedal: DP-10, DP-2  
Expression Pedal: EV-7  
Bench  
Options (sold separately)  
Stereo Headphones  
USB Memory  
CD Drive  
Keyboard Amplifier: KC-110, SA-1000  
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.  
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Index  
A
I
AC adaptor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21  
AccompPartBalance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96  
Accomp/SMF [ ] [ ] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35  
Active Expression Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56  
[Alternate] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29  
Arranger. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62  
Arranger [On/Off] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62  
Arranger Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97  
Audio Rec Gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99  
Auto [Fill In] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63  
Auto Std Tempo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95  
Aux Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112  
Aux OUT jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112  
Aux Out Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112  
Initial Touch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
Input jack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18, 111  
Intro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60  
Intro Count Down. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95  
[Intro/Ending] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60  
K
Key Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36  
KS-12 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20  
KS-G8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20  
L
Language. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106  
LCD Contrast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106  
Leading Bass. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95  
Length . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40  
Level [ ] [ ] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35  
L Foot Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93  
Load. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80  
[Load] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80  
Load Next . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72  
[Lower] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76  
Lower keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28, 45  
Lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99  
B
[Bass] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76  
Bass Split . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48  
Bass Split Point. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
Beat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97  
[Bwd] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74  
C
CD Audio Sync . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99  
CD/Audio Type. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99  
CD Drive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109  
Center Cancel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110  
Channel Mute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99  
Chord Intelligence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95  
Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34  
Computer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113  
Copy Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102  
Copy Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103  
Copy Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101  
Count Down Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95  
Count In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76  
Create Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100  
M
Main Out jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18, 23  
[Manual] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67  
ManualButtonAssign. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72  
Manual Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49  
[Manual Percussion] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49  
Master Tune . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106  
[Master Volume] knob. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22  
[Media] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79  
Memory connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109  
Metronome. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97  
Metronome Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97  
Metronome Volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97  
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113  
MIDI connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18, 113  
MIDI IN Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105  
Music Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31  
[Music Assistant] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31  
D
Damper pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56  
D Beam. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44  
D Beam controller. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44  
D Beam Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94  
DC In jack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18  
Demo song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27  
[Display/Exit] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23  
[Drums/SFX] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50  
N
Name  
Folder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100  
Performance data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82, 86, 87  
Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68  
E
Easy One Finger. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51  
Ending . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61  
Exp. Curve . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94  
Expression pedal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26  
Exp. Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94  
EZ Touch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
O
Octave Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37  
One Touch Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64  
[One Touch Program] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64  
[Others] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30  
Overdrive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43  
F
P
Factory Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108  
Fill-in . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63  
[Filter] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44  
Foot switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57  
Format Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104  
[Fwd] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74  
Panel Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107  
Part Balance Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35  
Parts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28  
PC Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105  
Pedal Bass Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93  
Pedalboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24  
Pedal (Control) jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26  
Pedal (Damper) jack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26  
Pedal (Expression) jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26  
Pedal jack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18  
Pedal Level [ ] [ ] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35  
Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24  
Pedal switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26  
Pedal To Lower. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51  
Pedal [To Lower] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51  
Percussion [2 2/3’] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33  
Percussion [4’] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33  
G
Grounding terminal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18  
Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110  
H
Harmonic bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32  
Harmony Intelligence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38  
[Harmony Intelligence] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38  
[H-Bar Manual] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34  
Headphones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24  
126  
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Index  
Percussion [Fast Decay] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34  
Phones jack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19, 24  
Pitch Bend Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94  
[Pitch] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44  
PK In connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18, 24  
Playback Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97  
[Play/Stop] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74  
Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22  
V
Variation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63  
Variation button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63  
Vibrato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34  
[Vib/Cho] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34  
Vibrato/Chorus Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
VIMA TUNES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110, 111  
Vintage Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32  
Vintage Organ button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32  
Vintage Organ [On/Off] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33  
VintageOrganVolume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
V-LINK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106  
Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28  
Voice button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29  
[Volume] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44  
R
[Rec] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74  
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74  
Audio Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85  
Audio recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74  
Each Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77  
Re-recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78, 80  
Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81  
SMF Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75  
SMF recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74  
Registration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66, 67  
Deleting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73  
Loading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70  
Recalling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67  
Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68  
Storing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67  
[Registration] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68  
Registration set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66  
Registration Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96  
[Reset] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74  
Reverb. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41  
Reverb [ ] [ ] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41  
Reverb Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41  
R Foot Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93  
Rhythm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58  
Rhythm [Ballad/User] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59  
Rhythm Lock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106  
Rotary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39  
Rotary Sound [On/Off] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39  
W
Wall type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42  
[Write] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67  
S
Send PC Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105  
SMF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74  
Solo Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
Solo Split Point. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
Solo To Lower. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47  
Solo [To Lower] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47  
SoloToLower Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
[Solo/Upper] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76  
Solo voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29  
[Song] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79  
Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28  
Speaker. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23  
Stand. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20  
[Start/Stop] button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60  
SuperNATURAL Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52  
Sustain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40  
T
Tempo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62  
Tempo button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62  
Track Mute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98  
Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36  
Trans. Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97  
Tx MIDI Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105  
U
Upper keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28  
USB Driver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113  
USB memory  
Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104  
USB Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26  
USB Memory connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19, 26  
USB (MIDI) connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18  
User Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59  
Utility. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90  
[Utility] button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90  
127  
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Information  
TAIWAN  
ECUADOR  
RUSSIA  
OMAN  
AFRICA  
ROLAND TAIWAN ENTERPRISE  
Mas Musika  
Roland Music LLC  
TALENTZ CENTRE L.L.C.  
Malatan House No.1  
Al Noor Street, Ruwi  
SULTANATE OF OMAN  
TEL: 2478 3443  
EUROPE  
Rumichaca 822 y Zaruma  
Guayaquil - ECUADOR  
TEL: (593-4) 2302364  
Dorozhnaya ul.3,korp.6  
117 545 Moscow, RUSSIA  
TEL: (495) 981-4967  
CO., LTD.  
9F-5, No. 112 Chung Shan  
North Road Sec. 2 Taipei 104,  
TAIWAN R.O.C.  
EGYPT  
BELGIUM/FRANCE/  
HOLLAND/  
Al Fanny Trading Oꢀce  
9, EBN Hagar Al Askalany Street,  
ARD E1 Golf, Heliopolis,  
Cairo 11341, EGYPT  
EL SALVADOR  
SERBIA  
TEL: (02) 2561 3339  
QATAR  
LUXEMBOURG  
OMNI MUSIC  
Music AP Ltd.  
THAILAND  
75 Avenida Norte y Final Alameda  
Juan Pablo II,  
Edi¥cio No.4010 San Salvador,  
EL SALVADOR  
Sutjeska br. 5 XS - 24413 Palic,  
SERBIA  
TEL: (024) 539 395  
AL-EMADI TRADING &  
Roland Central Europe N.V.  
Houtstraat 3, B-2260, Oevel  
(Westerlo) BELGIUM  
Theera Music Co. , Ltd.  
100-108 Soi Verng Nakornkasem,  
New Road,Sumpantawong,  
Bangkok 10100, THAILAND  
TEL: (02) 224-8821  
CONTRACTING CO.  
P.O. Box 62, Doha, QATAR  
TEL: 4423-554  
TEL: (022)-417-1828  
REUNION  
TEL: (014) 575811  
SLOVAKIA  
TEL: 262-0788  
MARCEL FO-YAM Sarl  
25 Rue Jules Hermann,  
Chaudron - BP79 97 491  
Ste Clotilde Cedex,  
CROATIA  
DAN Acoustic s.r.o.  
Povazská 18.  
SAUDI ARABIA  
GUATEMALA  
ART-CENTAR  
aDawliah Universal Electronics  
VIET NAM  
Casa Instrumental  
Calzada Roosevelt 34-01,zona 11  
Ciudad de Guatemala,  
GUATEMALA  
SK - 940 01 Nové Zámky,  
SLOVAKIA  
TEL: (035) 6424 330  
Degenova 3.  
HR - 10000 Zagreb, CROATIA  
TEL: (1) 466 8493  
APL  
VIET THUONG CORPORATION  
386 CACH MANG THANG TAM ST.  
DIST.3, HO CHI MINH CITY,  
VIET NAM  
REUNION ISLAND  
TEL: (0262) 218-429  
Behind Pizza Inn  
Prince Turkey Street  
aDawliah Building,  
PO BOX 2154,  
Alkhobar 31952,  
SAUDI ARABIA  
TEL: (03) 8643601  
SPAIN  
CZECH REP.  
TEL: (502) 599-2888  
SOUTH AFRICA  
Roland Iberia, S.L.  
Paseo García Faria, 33-35  
08005 Barcelona, SPAIN  
TEL: 93 493 91 00  
CZECH REPUBLIC DISTRIBUTOR  
TEL: (08) 9316540  
T.O.M.S. Sound & Music (Pty)Ltd.  
2 ASTRON ROAD DENVER  
JOHANNESBURG ZA 2195,  
SOUTH AFRICA  
HONDURAS  
s.r.o  
Almacen Pajaro Azul S.A. de C.V.  
BO.Paz Barahona  
Voctárova 247/16  
180 00 Praha 8, CZECH REP.  
TEL: (2) 830 20270  
3 Ave.11 Calle S.O  
San Pedro Sula, HONDURAS  
TEL: (504) 553-2029  
SYRIA  
TEL: (011) 417 3400  
OCEANIA  
SWEDEN  
Technical Light & Sound Center  
PO Box 13520 Bldg No.49  
Khaled Abn Alwalid St.  
Damascus, SYRIA  
Roland Scandinavia A/S  
DENMARK  
Paul Bothner(PTY)Ltd.  
Royal Cape Park, Unit 24  
Londonderry Road, Ottery 7800  
Cape Town, SOUTH AFRICA  
TEL: (021) 799 4900  
SWEDISH SALES OFFICE  
Mårbackagatan 31, 4 tr.  
SE-123 43 Farsta, SWEDEN  
TEL: (0) 8 683 04 30  
Roland Scandinavia A/S  
Skagerrakvej 7 Postbox 880  
DK-2100 Copenhagen,  
DENMARK  
AUSTRALIA/  
MARTINIQUE  
NEW ZEALAND  
Musique & Son  
TEL: (011) 223-5384  
Z.I.Les Mangle  
Roland Corporation  
97232 Le Lamantin,  
MARTINIQUE F.W.I.  
TEL: 596 596 426860  
TURKEY  
Australia Pty.,Ltd.  
38 Campbell Avenue  
Dee Why West. NSW 2099,  
AUSTRALIA  
TEL: 3916 6200  
SWITZERLAND  
ZUHAL DIS TICARET A.S.  
Galip Dede Cad. No.33  
Beyoglu, Istanbul, TURKEY  
TEL: (0212) 249 85 10  
FINLAND  
Roland (Switzerland) AG  
Landstrasse 5, Postfach,  
CH-4452 Itingen, SWITZERLAND  
TEL: (061) 975-9987  
Roland Scandinavia As, Filial  
ASIA  
Gigamusic SARL  
Finland  
10 Rte De La Folie  
97200 Fort De France  
MARTINIQUE F.W.I.  
TEL: 596 596 715222  
For Australia  
Vanha Nurmijarventie 62  
01670 Vantaa, FINLAND  
TEL: (0) 9 68 24 020  
U.A.E.  
TEL: (02) 9982 8266  
For New Zealand  
TEL: (09) 3098 715  
CHINA  
UKRAINE  
Zak Electronics & Musical  
Roland Shanghai Electronics  
EURHYTHMICS Ltd.  
P.O.Box: 37-a.  
Instruments Co. L.L.C.  
Zabeel Road, Al Sherooq Bldg.,  
No. 14, Ground Floor, Dubai,  
U.A.E.  
Co.,Ltd.  
GERMANY/AUSTRIA  
MEXICO  
5F. No.1500 Pingliang Road  
Shanghai 200090, CHINA  
TEL: (021) 5580-0800  
Nedecey Str. 30  
UA - 89600 Mukachevo, UKRAINE  
TEL: (03131) 414-40  
Roland Elektronische  
Casa Veerkamp, s.a. de c.v.  
Av. Toluca No. 323, Col. Olivar  
de los Padres 01780 Mexico D.F.,  
MEXICO  
Musikinstrumente HmbH.  
Oststrasse 96, 22844 Norderstedt,  
GERMANY  
CENTRAL/LATIN  
AMERICA  
TEL: (04) 3360715  
UNITED KINGDOM  
Roland Shanghai Electronics  
TEL: (040) 52 60090  
Roland (U.K.) Ltd.  
TEL: (55) 5668-6699  
Co.,Ltd. (BEIJING OFFICE)  
3F, Soluxe Fortune Building  
63 West Dawang Road, Chaoyang  
District, Beijing, CHINA  
Atlantic Close, SWANSEA SA7 9FJ,  
UNITED KINGDOM  
TEL: (01792) 702701  
GREECE/CYPRUS  
NORTH AMERICA  
NICARAGUA  
ARGENTINA  
STOLLAS S.A.  
Bansbach Instrumentos  
Instrumentos Musicales S.A.  
Av.Santa Fe 2055  
Music Sound Light  
155, New National Road  
Patras 26442, GREECE  
TEL: 2610 435400  
Musicales Nicaragua  
Altamira D'Este Calle Principal  
de la Farmacia 5ta.Avenida  
1 Cuadra al Lago.#503  
Managua, NICARAGUA  
TEL: (505) 277-2557  
TEL: (010) 5960-2565  
CANADA  
(1123) Buenos Aires, ARGENTINA  
TEL: (011) 4508-2700  
Roland Canada Ltd.  
HONG KONG  
(Head Oꢀce)  
MIDDLE EAST  
Tom Lee Music  
BARBADOS  
5480 Parkwood Way Richmond B.  
C., V6V 2M4, CANADA  
TEL: (604) 270 6626  
11/F Silvercord Tower 1  
30 Canton Rd  
Tsimshatsui, Kowloon,  
HONG KONG  
HUNGARY  
A&B Music Supplies LTD  
12 Webster Industrial Park  
Wildey, St.Michael, BARBADOS  
TEL: (246) 430-1100  
Roland East Europe Ltd.  
2045 Torokbalint, FSD Park,  
building 3., HUNGARY  
TEL: (23) 511011  
BAHRAIN  
PANAMA  
Moon Stores  
SUPRO MUNDIAL, S.A.  
Boulevard Andrews, Albrook,  
Panama City, REP. DE PANAMA  
TEL: 315-0101  
Roland Canada Ltd.  
TEL: 852-2737-7688  
No.1231&1249 Rumaytha  
Building Road 3931,  
Manama 339, BAHRAIN  
TEL: 17 813 942  
(Toronto Oꢀce)  
170 Admiral Boulevard  
Mississauga On L5T 2N6,  
CANADA  
BRAZIL  
IRELAND  
Parsons Music Ltd.  
Roland Brasil Ltda.  
8th Floor, Railway Plaza, 39  
Chatham Road South, T.S.T,  
Kowloon, HONG KONG  
TEL: 852-2333-1863  
Roland Ireland  
Rua San Jose, 211  
E2 Calmount Park, Calmount  
Avenue, Dublin 12,  
Republic of IRELAND  
TEL: (01) 4294444  
PARAGUAY  
Parque Industrial San Jose  
Cotia - Sao Paulo - SP, BRAZIL  
TEL: (011) 4615 5666  
TEL: (905) 362 9707  
IRAN  
Distribuidora De Instrumentos  
MOCO INC.  
U. S. A.  
Musicales  
NO.16 End of Nike St. Shariaty  
Ave, Roberouye Cerah Mirdamad  
Teheran, IRAN  
INDIA  
J.E. Olear y ESQ. Manduvira  
Asuncion, PARAGUAY  
TEL: (595) 21 492147  
Roland Corporation U.S.  
5100 S. Eastern Avenue  
Los Angeles, CA 90040-2938,  
U. S. A.  
CHILE  
ITALY  
Rivera Digitec (India) Pvt. Ltd.  
411, Nirman Kendra Mahalaxmi  
Flats Compound O¢. Dr. Edwin  
Moses Road, Mumbai-400011,  
INDIA  
Comercial Fancy II S.A.  
Rut.: 96.919.420-1  
Roland Italy S. p. A.  
Viale delle Industrie 8,  
20020 Arese, Milano, ITALY  
TEL: (02) 937-78300  
TEL: (021)-2288-2998  
PERU  
Nataniel Cox #739, 4th Floor  
Santiago - Centro, CHILE  
TEL: (02) 688-9540  
TEL: (323) 890 3700  
ISRAEL  
Audionet  
Halilit P. Greenspoon & Sons  
Distribuciones Musicales SAC  
Juan Fanning 530  
Mira©ores  
Lima - PERU  
TEL: (511) 4461388  
TEL: (022) 2493 9051  
Ltd.  
NORWAY  
8 Retzif Ha'alia Hashnia St.  
Tel-Aviv-Yafo ISRAEL  
TEL: (03) 6823666  
COLOMBIA  
INDONESIA  
Roland Scandinavia Avd.  
Centro Musical Ltda.  
Cra 43 B No 25 A 41 Bododega 9  
Medellin, COLOMBIA  
PT. Citra Intirama  
Kontor Norge  
Ruko Garden Shopping Arcade  
Unit 8 CR, Podomoro City  
Jl.Letjend. S.Parman Kav.28  
Jakarta Barat 11470, INDONESIA  
TEL: (021) 5698-5519/5520  
Lilleakerveien 2 Postboks 95  
Lilleaker N-0216 Oslo,  
NORWAY  
JORDAN  
TRINIDAD  
TEL: (574) 3812529  
MUSIC HOUSE CO. LTD.  
AMR Ltd  
TEL: 2273 0074  
FREDDY FOR MUSIC  
P. O. Box 922846  
Amman 11192, JORDAN  
TEL: (06) 5692696  
COSTA RICA  
Ground Floor  
JUAN Bansbach Instrumentos  
Maritime Plaza  
Barataria TRINIDAD W.I.  
TEL: (868) 638 6385  
POLAND  
KOREA  
Musicales  
ROLAND POLSKA SP. Z O.O.  
ul. Kty Grodziskie 16B  
Ave.1. Calle 11, Apartado 10237,  
San Jose, COSTA RICA  
TEL: 258-0211  
Cosmos Corporation  
1461-9, Seocho-Dong,  
Seocho Ku, Seoul, KOREA  
TEL: (02) 3486-8855  
03-289 Warszawa, POLAND  
TEL: (022) 678 9512  
KUWAIT  
URUGUAY  
EASA HUSAIN AL-YOUSIFI &  
Todo Musica S.A.  
Francisco Acuna de Figueroa  
1771  
SONS CO.  
CURACAO  
PORTUGAL  
Al-Yousi¥ Service Center  
P.O.Box 126 (Safat) 13002,  
KUWAIT  
MALAYSIA/  
SINGAPORE  
Zeelandia Music Center Inc.  
Orionweg 30  
Roland Iberia, S.L.  
C.P.: 11.800  
Montevideo, URUGUAY  
TEL: (02) 924-2335  
Branch Oꢀce Porto  
Edifício Tower Plaza  
Rotunda Eng. Edgar Cardoso  
23, 9ºG  
4400-676 Vila Nova de Gaia,  
PORTUGAL  
Curacao, Netherland Antilles  
TEL: (305) 5926866  
Roland Asia Paci‹c Sdn. Bhd.  
45-1, Block C2, Jalan PJU 1/39,  
Dataran Prima, 47301 Petaling  
Jaya, Selangor, MALAYSIA  
TEL: (03) 7805-3263  
TEL: 00 965 802929  
LEBANON  
DOMINICAN REPUBLIC VENEZUELA  
Chahine S.A.L.  
Instrumentos Fernando Giraldez  
Calle Proyecto Central No.3  
Ens.La Esperilla  
Instrumentos Musicales  
Allegro,C.A.  
Av.las industrias edf.Guitar import  
#7 zona Industrial de Turumo  
Caracas, VENEZUELA  
George Zeidan St., Chahine Bldg.,  
Achra¥eh, P.O.Box: 16-5857  
Beirut, LEBANON  
TEL: (+351) 22 608 00 60  
PHILIPPINES  
Santo Domingo,  
DOMINICAN REPUBLIC  
TEL: (809) 683 0305  
ROMANIA  
G.A. Yupangco & Co. Inc.  
339 Gil J. Puyat Avenue  
Makati, Metro Manila 1200,  
PHILIPPINES  
TEL: (01) 20-1441  
FBS LINES  
TEL: (212) 244-1122  
Piata Libertatii 1,  
535500 Gheorgheni, ROMANIA  
TEL: (266) 364 609  
TEL: (02) 899 9801  
As of Oct. 1, 2010 (ROLAND)  
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For EU Countries  
For China  
129  
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For EU Countries  
For the USA  
This product complies with the requirements of EMC Directive 2004/108/EC.  
FEDERAL COMMUNICATIONS COMMISSION  
RADIO FREQUENCY INTERFERENCE STATEMENT  
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the  
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential  
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in  
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee  
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or  
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the  
interference by one or more of the following measures:  
–
–
–
–
Reorient or relocate the receiving antenna.  
Increase the separation between the equipment and receiver.  
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.  
Consult the dealer or an experienced radio/TV technician for help.  
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:  
(1) this device may not cause harmful interference, and  
(2) this device must accept any interference received, including interference that may cause undesired operation.  
This equipment requires shielded interface cables in order to meet FCC class B limit.  
Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s  
authority to operate the equipment.  
For Canada  
NOTICE  
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.  
AVIS  
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.  
(
)
For C.A. US Proposition 65  
WARNING  
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.  
For the U.K.  
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.  
BLUE:  
NEUTRAL  
BROWN: LIVE  
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying  
the terminals in your plug, proceed as follows:  
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.  
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.  
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.  
For the USA  
DECLARATION OF CONFORMITY  
Compliance Information Statement  
Model Name : AT-350C  
Type of Equipment : Digital Organ  
Responsible Party : Roland Corporation U.S.  
Address : 5100 S. Eastern Avenue Los Angeles, CA 90040-2938  
Telephone : (323) 890-3700  
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