| m52L Quick Start Guide   This guide walks you through the basic setup needed to get   your new Planar displays up and running. Detailed information   is contained in the Installation Guide, which is in a CD-ROM on   the back of this guide.   Contents   Product/Safety Information   Unpacking the Display   1 2 Installing the VIM   3 Installing Screen Brackets   Connecting Source Cables   Connecting Power, Turning It On/Off   Using the Remote and Menus   Selecting a Source   4 Planar Systems, Inc.   1195 NW Compton Drive   Beaverton, OR 97006-1992   Phone: +1 503 748 1100   Toll-free Phone: +1-866-475-2627   Fax: +1 503 748 5532   5 6 7 8 Adjusting Levels for Analog Sources   Adjusting Input Levels and Position   Color Balancing for One Display   Color Balancing for Multiple Displays   Recommended Usage   9 10   11   12   13   14   Technical Support:   Phone: +1 503 748 5799   Toll-free Phone: +1-866-PLANAR1 (752-6271)   Email: [email protected]   Declaration of Conformity   020-0910-00A   Download from Www.Somanuals.com. All Manuals Search And Download.   Unpacking the Display   5 If you are tiling a video wall, install brackets on each dis-   play before you set up the wall.   Planning   Before you unpack your displays, you should have a detailed   plan of how the displays are to be configured. It should include   the following calculations:   Checking Accessories   Check for the following items included in your accessory box:   • • • • Power (max. of three units per 20A circuit for 115V operation)   Cable runs   Ventilation and cooling requirements   • • This guide and the Installation Guide CD on the back of this   guide   Remote control (with the batteries already   installed)   If hanging display on a wall, location of studs in the wall   • • Power cord (for use in North America)   15-pin cable for analog computer pictures   (although it’s called VGA, it carries anything up to   UXGA)   Brackets and couplers for video wall installation   DVI-D cable for use with the monitor   Have the Following Tools Available:   • • • Level to ensure the display is hung straight.   Stud finder (if hanging display on a wall).   Computer network LAN cables (straight through - no crossover)   to interconnect multiple displays for RS232 control.   LCD screen cleaner or LCD wipes, available at most electronics   stores.   Although a VGA cable is included with every display, you may   wish to obtain a long-run VGA, SDI or DVI cable if your source is   located far away from the display(s).   • • • • Make sure you have the following customer-sup-   plied items as needed to complete your installation:   • RJ45 to 9-pin adapter, if you will use RS232   commands to control the display   RJ45 cable, computer network type   Component video cables   S-video cables   SDI cables   RS232 cable   • Needle nose pliers to remove staples from the bottom of the   shipping box.   • • • • • • • Utility knife to open box and display packaging.   At least two very strong people to help lift displays into place. If   possible, more than two people are recommended.   Unpacking the Display   1 2 Using a utility knife, open a display’s box.   Using at least two people, carefully remove the display   from the box.   3 4 Remove the display from its shipping pouch.   Install power and source cables.   Download from Www.Somanuals.com. All Manuals Search And Download.   Installing the Video Input Module (VIM)   If you receive the optional Video Input Module (VIM) separately,   use the following instructions to install it. Your VIM shipment   should include the following items: VIM board, new VIM cover,   mounting screws, washers/nuts and a ground strap.   6 Install the VIM board in its place, pressing the VIM board   connector into the control board connector.   Install the four screws that secure the VIM board.   Slide the new VIM board cover in place, making sure the   connectors are aligned over the holes in the cover.   7 8 1 2 Attach the ground strap to your wrist and the chassis.   Turn off the AC power and unplug all cables.   WARNING! Always turn off power and remove the power cord when   adding or removing an electronic part.   3 Remove the screws that secure   the old VIM cover. Place the   screws aside.   Note: If you ordered a VIM with SDI, the SD/HD SDI connectors will   appear on the VIM. If your VIM does not have an SDI, you will only see   composite, S-video and component connectors.   4 Remove the old VIM cover.   WARNING! Failure to properly use a   grounding strap can destroy sensitive   electronic components in the VIM board.   9 If you have a VIM with SDI, secure the washers and nuts on   the SD/HD SDI connectors. Otherwise, go to step 10.   10 Install the screws that secure the new VIM cover.   11 Reconnect all cables, including the power cord. It is now   safe to turn on the AC power.   5 Remove the VIM board from its   shipping pouch and anti-static   bag.   Download from Www.Somanuals.com. All Manuals Search And Download.   Installing Screen Brackets   The following diagram shows where to place screen brackets if   you are tiling the m52L. Before you install a display on a wall,   install brackets on the back of the displays.   Lining Up Screen Brackets   1 Use the handles to pull displays closer together.   2 Slide the coupler over both brackets where they meet.   Close-up view of   four brackets   attaching four   displays.   3 4 Tighten the coupler using a screwdriver.   Repeat steps 1-3 for each set of displays where they meet.   Download from Www.Somanuals.com. All Manuals Search And Download.   Connecting Source Cables   The three types of picture sources are:   Depending on which input is selected, the Digital Out connec-   tor will show the picture from the analog input or the digital   input.   • Analog computer (from UXGA   down to VGA)   Digital computer - includes HDCP   (High-bandwidth Digital Content Protection), which prevents   the copying of digital audio and video content   Video (optional with VIM)   • Selecting the Correct Input   The following table gives you common examples of which   devices have which inputs. In terms of input quality, the table is   ordered from the most desirable input to the least desirable   input.   • • • • • S-Video (50Hz or 60 Hz)   Composite (NTSC, PAL or SECAM)   Component (480i, 480p, 576i, 576p, 720p, 1080i)   SDI (Serial digital interface inputs from 480i to 1080p)   Input   Found on the Following Devices   Analog   Input   DVI   SDI   Computers with digital out capability   Studio quality video equipment   Analog   Computers, laptops   Digital   Input   Video Inputs   RGB and RGBS from video processors or other profes-   sional equipment (may need BNC to DB15 adapter   cable). These may have separate sync, composite or   sync on green.   Digital Video Interface (DVI) digitally connects computers to   their monitors or interconnects to any display.   Component   S-Video   DVD players   Set top boxes (e.g. for cable TV or satellite TV)   Any YPbPr signal   The m52L converts the analog inputs to DVI and makes this   available at the Digital Out connector. This means you can bring   in a picture source - UXGA, SXGA, VGA, 1080p - to the first dis-   play and connect the rest of the displays in the loop with DVI.   The advantages of DVI are:   DVD players   Set top boxes   VCRs   • DVI is less subject to picture degradation than analog methods   of loop-through. (Even with DVI, loop-through is not infinite.)   DVI inputs require much less setup and adjustment. You adjust   the picture in the first display only, the display with the analog   input. Setup time is reduced.   Composite   TV tuners   VCRs   Set top boxes   • Note: Due to copyright protection protocols, the Digital Out   connector will be disabled when viewing the HDCP DVI input.   Download from Www.Somanuals.com. All Manuals Search And Download.   Connecting Power, Turning Display On/Off   The m52L typically draws up to 4.5A at 115V or 2.25A at 230V.   For countries outside of North America, it is the responsibility of   the installer to provide the power supply cord certified for use in   the destination country.   Turning Power On/Off   1 With the power cord attached, turn on the power switch   located on the back of the unit.   2 Turn on the m52L by aiming the   remote at the IR sensor in the lower   right corner of the screen (landscape)   or the lower left corner of the screen   (portrait), and pressing the ON button.   To turn off the m52L, press the OFF   button.   Connect a power cable to the power supply and to an AC   source. The power supply is auto-ranging, so it works with any   source from 100 to 240 VAC, 50 to 60 Hz.   The AC Master switch is located next to the power receptacle,   both of which are located in the rear of the display.   3 About UPS Supplies   Some installations use a UPS - Uninter-   ruptible Power Supply. Most UPS   devices will work with the m52L. Review   the power specifications of your UPS   device to make sure it is compatible with the m52L.   Download from Www.Somanuals.com. All Manuals Search And Download.   Using the Remote and Menus   Using the Remote Control   Using the Menus   The remote control works much like a remote control for a TV or The m52L’s menus and functions are arranged in groups and   DVD player, but it does more. Among other things, it opens   menus, changes values and moves the image.   can be accessed through grouped functions or by using direct   access keys. The starting point for accessing menus is the MENU   button on the remote.   The remote control operates with IR (infrared) signals going to   the IR receiver, which is located behind the lower center of the   screen.   1 Press MENU on the remote to display the MAIN MENU.   Main Menu   Some of these “hot keys” go   directly to the most-used   menus. Some of them go to   several menus, if you push the   button more than once.   SOURCE, SETUP and CURTAIN   perform special actions   without menus.   Picture   Size & Position   Aspect Ratio & Wall   Memory   Pressing MENU opens   Diagnostics   Pressing ENTER moves to the   the MAIN MENU.   next menu, when it has a right-   Advanced Options   Program Information   Pressing the up/down   arrow keys moves the   select bar (yellow   pointing arrow, or it toggles   the highlighted item on and   off.   highlight in the menus).   The –/+ (left/right)   arrow keys change   values in the selected   item. The right arrow   can also take you to the   next menu.   Pressing PREV reverts to the   previous menu.   2 Use the up/down arrow keys to move through menu   options. See explanations next to the remote control pic-   ture on this page for additional navigation information.   Some of the setups described in this Quick Start Guide will   explain how to navigate through specific menus. Most of the   menus are explained in detail in the Installation Guide CD.   To open menus on the m52L, aim the remote at the screen and   press the desired button(s).   Download from Www.Somanuals.com. All Manuals Search And Download.   Selecting a Source   In this guide, a source is any type of picture. It might be an ana-   log computer image, a video processor, a VCR or DVD, or it   might be a DVI picture from a computer.   2 Using the up/down arrows, select the SOURCE line and   press ENTER.   Note: The SOURCE submenu displays to the right of the PICTURE   menu.   Selecting the Source Automatically   1 Press SOURCE on the remote. The   m52L goes to the next connector that   has a valid picture on it and displays   that picture.   3 4 In the SOURCE submenu, use the up/down arrow keys to   select the desired source.   When the desired source is selected, press ENTER. The PIC-   TURE menu changes to display the settings for that   source.   2 If you want to select a different   source, press SOURCE again to select   the next connector (that has a valid   picture on it) and display the picture.   When the Source is Familiar to m52L   When a “new” source is selected, the m52L looks through a list   of the last 10 picture types it used. If the “new” source is like a   previous one in this list (resolution, number of active lines, etc.),   the m52L uses the stored data and does not do anything in the   AUTO SETUP OPTIONS menu. This saves time, and the picture is   displayed faster without going through adjustments, which are   visible on the screen.   Note: If a connector does not have a valid source, the m52L briefly   displays that it has scanned that connector and then proceeds to the   next connector.   Selecting the Source Manually   1 Press FREQ/PHASE on the remote. The m52L displays the   Best Way to Change a Source   The best way to select a source is to recall a configuration your   installer has created for you. See the Installation Guide CD for   more detailed information.   PICTURE menu for the current source.   Picture   Source   Digital   60Hz   1 2 On the remote, press SAVE. The RECALL menu displays.   Using the arrow keys, scroll to one of the numbered con-   figurations your installer has created for you.   Vertical Frequency (frame locked)   Horizontal Frequency   50.00kHz   1366   Horizontal Resolution   3 4 Press ENTER to show the RECALL SLOT menu.   Vertical Resolution   Sharpness   768   4 With the RECALL NOW line selected, press ENTER. If the top   of the menu displays “Current,” the source is identical to   the settings stored in the memory slot.   Download from Www.Somanuals.com. All Manuals Search And Download.   Adjusting Levels for Analog Sources   This page applies to analog RGB (computer) pictures only. The   levels are best adjusted semi-automatically.   Manual Level Adjustment   1 Select a source in the PICTURE menu. Display an all-black   picture from the source computer.   For analog RGB pictures, the levels for black and white vary from   one computer to another, or from one video processor to   another. They even vary between video outputs from a multi-   ple-output video card in a computer.   2 3 In the INPUT LEVELS menu, Press LEVEL on the remote.   Select BLACK LEVEL and adjust it up and down with the   -/+ keys to make the three center point values go to zero.   Once any value reaches zero, use the individual colors   under BLACK LEVEL to adjust the other two values to zero.   Your pictures will not look their best on the m52L until you   adjust for these differences. This is not about adjusting color or   contrast. It’s about telling the m52L what the computer or pro-   cessor means by black and by white.   Input Levels   Auto Black Level (offset)   Auto White Level (gain)   Semi-Automatic Level Adjustment   1 Select a source in the PICTURE menu. Display an all-black   picture from the source computer. This must come from the   computer source that will be used for the program.   Center Point   64   124   99   79   89   67   83   99   99   99   99   Black Level (offset)-All   Red   Note: We suggest displaying a black screen using Windows® Paint.   Green   Blue   2 3 To open the INPUT LEVELS menu, press LEVEL.   Select AUTO BLACK LEVEL and press ENTER. This menu line   says “Working…” until the process is complete.   White Level (gain)-All   Red   Green   Blue   Note: When doing Auto Black and Auto White with an interlaced   analog input, the color of the picture will change while it is working,   then it will change back to normal.   4 5 Display an all-white picture from the source computer.   Adjust WHITE LEVEL until the image maximums just go to   255. Once any value reaches 255, use the individual colors   under white level to adjust the other two values to 255.   Although it’s not required, it is recommended that you   save the configuration to a memory slot. See the Installa-   tion Guide CD for more information.   4 5 Display an all-white picture from the source computer.   In the INPUT LEVELS menu, select AUTO WHITE LEVEL and   press ENTER. Wait for “Working…” to disappear.   The m52L is now adjusted to the black and white levels of   this computer using this video card. If you change com-   puters or video output cards in the computer, you must   do this again.   6 6 7 Save the configuration to a memory slot.   Download from Www.Somanuals.com. All Manuals Search And Download.   Adjusting Input Levels and Position   6 If the color bar pat-   tern has a pluge   (Picture Line-Up   Generation Equip-   ment), you can use   it to adjust bright-   ness. Pluge is used   to calibrate the   Adjusting Levels for Video Sources   Video sources are adjusted best if a color bar test pattern is   available from the video source: the DVD or VCR player. If not,   you will have to adjust by eye and the “feel” of the picture.   Note: When a video source is selected, Auto Setup Options are not   available. Adjustments must be made manually.   Adjust   brightness so   you can’t see   the   Adjusting the Picture   difference   between   these two   marks   But you can you can   see the difference   between these two   marks   1 2 Select a video source in the PICTURE menu.   Press LEVEL on the remote to open INPUT LEVELS.   black level on a   video monitor.   7 Although it’s not   Input Levels   required, it is recommended that you save the configura-   tion to a memory slot. See the Installation Guide for more   information about saving memory slots.   Brightness   Contrast   Saturation   Hue   140   165   150   128   Adjusting Position   Blue Only   Position moves the picture on the screen but does not move the   menus. Press SIZE/POS on the remote once to open the PICTURE   POSITION menu. The four arrow keys move the picture on the   screen.   3 Adjust one of the following:   • Any picture from the video source.   Using a standard SMPTE color bar pattern from the source.   • Adjusting With Color Bars   The numbers for Horizontal and Vertical Position refer to the   number of pixels from sync to the first displayed pixel. These   numbers get smaller as the picture moves up and to the left.   1 2 3 If possible, use a SMPTE color bar pattern from the video   source you will use for the program material.   In the INPUT LEVELS menu, check BLUE ONLY. You should   see the alternate color bars, all of them blue.   Adjust SATURATION to make the outer two color bars   match. Match them in brightness; they will already match   in color.   The Horizontal Position number shows the number of pixels   from the beginning of H sync to the first active pixel. Because   there are many black pixels after H sync, this number will not be   zero when the picture is at the left border of the screen.   The Vertical Position number is the number of lines from V sync   to the first active line, so it will not be zero when the picture is at   the top of the screen.   4 5 Adjust HUE to make the inner two color bars match.   Uncheck BLUE ONLY.   Download from Www.Somanuals.com. All Manuals Search And Download.   Color Balancing for One Display   Color Balance is used to match the colors of adjacent displays   when several displays are arranged in an array. You can also use   it to adjust the color of a single display.   2 The m52L defaults to the brightest setting possible, which   is 100 in the red, green and blue lines under WHITE BAL-   ANCE. You can choose a different color temperature by   setting it in the COLOR BALANCE menu.   Select the COLOR TEMPERATURE line and then select from   3200°K (Warm), 5500°K, 6500ºK and 8500°K (Cool). If you   want the brightest display, select the NATIVE option.   For one display, the Color Balance controls can be used to set   the color temperature of that display.   3 1 To access the COLOR BALANCE menu, press MISC once on   the remote.   Note: Changing the color temperature changes the three WHITE   BALANCE values. You can also change the WHITE BALANCE values   individually to create a custom color temperature. Once you have   changed the values, a new CUSTOM option is available on the COLOR   TEMPERATURE line.   Color Balance   Color Temperature   White Balance - All   Native   (Clipboard)   Red   100 (100)   100 (100)   100 (100)   Green   Blue   Gray Balance - All   Red   7 7 7 (7)   (7)   Green   Blue   (7)   Test Pattern   Off   Hide Menu   Copy to Clipboard   Recall From Clipboard   Reset to Defaults   Download from Www.Somanuals.com. All Manuals Search And Download.   Color Balancing for Multiple Displays   Color balancing makes the individual displays in an array show   the same colors. Colors vary slightly from one display to the   next, because of slight variations in the backlights and display   panels. Color balancing can compensate for this.   display. If you don’t need a specific color temperature, use   NATIVE, which is the brightest.   On each display, highlight TEST PATTERN and use the left/   right arrow keys until the menu displays WHITE.   7 When your wall is first installed, the installer will run an ACB and   then perform manual color balance adjustments.   Note: Always use the internal Test Patterns for color balancing.   8 9 When all displays are white, find the least bright display in   the array. This will be the “baseline” display, and you will   not adjust it. All other displays will be adjusted to this   baseline display.   Choose a display next to the baseline display and adjust   its white values (red, green and blue) to make it match the   baseline display. Concentrate on the center of the dis-   plays, not the adjacent edges.   Note: You can manually color balance after an ACB to fine-tune   settings. These will be kept even after another ACB is performed.   Manual Color Balancing   To color balance, you only have to match whites and grays.   When you make all the displays look the same with white and   gray, all the other colors will look the same.   Caution: Do not match the colors of the displays with the Black and   White Level controls or with the video controls.   10 Continue with other adjacent displays until all the displays   have the same appearance when white. Be careful not to   change the values of displays once you are satisfied with   them.   Caution: If you are color blind, even a little bit, do not color balance   your array. Have someone else color balance the wall.   1 Turn on all the displays in the array and let them warm up   for at least five minutes. The backlights must be thor-   oughly warm before you color balance.   On each display, open the BACKLIGHT CONTROL menu   (MENU > ADVANCED OPTIONS > BACKLIGHT SETTINGS).   Set BACKLIGHT CONTROL MODE to MANUAL.   Set (or confirm) BACKLIGHT INTENSITY to 10 (100%).   On each display, open the COLOR BALANCE menu by   pressing MISC once on the remote.   11 When all displays look the same when showing the White   test pattern, select the Gray test pattern in all displays.   12 Choose any display as the new baseline display. It does   not need to be the baseline display you used for white.   13 Adjust gray for all the displays until they match the base-   line display. Do one display at a time. Again, match the   center part of the picture, not the edges.   2 3 4 5 14 When all displays match in gray, close all the menus. The   test pattern automatically turns off.   6 If the array has never been color balanced, make sure you   start with the NATIVE color temperature option on each   Download from Www.Somanuals.com. All Manuals Search And Download.   Recommended Usage   In order to get the most out of your m52L, use the following   recommended guidelines to optimize the display.   Static Image Display Guidelines   Here are some guidelines to help you avoid TIR:   Burn-In Versus Temporary Image Retention   • • Use the m52L to show moving images or still pictures that   change regularly.   Turn the display off when it is not in use. There are several ways   to do this automatically:   Burn-in causes the screen to retain an image essentially forever,   with little or no way to correct the problem. Under normal use,   an m52L will not experience burn-in, as plasma displays do, nor   will it retain images in any way.   • To use the display’s real-time clock, schedule an event. See   the Installation Guide CD for information.   Normal use of a m52L is defined as displaying continuously   changing video patterns or images. However, m52Ls can experi-   ence temporary image retention when recommended usage   guidelines are not followed.   • To use your source computer’s Power Options Properties,   set up your computer to turn off the monitor when not in   use. You also need to check the DPMS checkbox and set the   DPMS DELAY box in the BACKLIGHT CONTROL menu.   To use RS232 commands, see the Installation Guide CD.   • What is Temporary Image Retention?   Caution: It is suggested that you turn off the backlight power for six   hours per day. When using high-contrast images, reposition the   images frequently.   Temporary image retention (TIR) can occur when a static image   is displayed continuously for extended periods of time (12 hours   or longer). An electrical charge differential may build up   between the electrodes of the liquid crystal, which causes a   negative-color video image (color-inverted and brightness-   inverted version of the previous image) to be retained when a   new image is displayed. This behavior is true for any LCD device   from any LCD manufacturer.   Normal Use Thermal Guidelines   Normal use of an m52L is defined as operating in the open air to   prevent heat buildup, and without direct or indirect heat   sources such as adjacent displays, lighting fixtures, heating   ducts, or direct sunlight that can cause the display to experience   high operating temperatures. At 2000m or below, the maximum   ambient operating temperature cannot be above 35º C (30º C   with cover glass) nor below the minimum ambient operating   temperature of 0º C. If one of these conditions exists, it is up to   the installer to ensure that display placement is changed, ther-   mal shielding is provided and/or additional ventilation is pro-   vided to keep the display within its nominal operating   parameters.   Note: Normal use of any LCD device does not cause TIR.   Static Image Applications   Typical static image applications include airports, transit sta-   tions, stock markets, banks, and command/control installations,   or anywhere a fixed image is displayed continuously for 12 or   more hours.   Download from Www.Somanuals.com. All Manuals Search And Download.   Declaration of Conformity   Manufacturer's Name:   Manufacturer's Address:   Planar Systems, Inc.   1195 NW Compton Drive   Beaverton, OR 97006   Declares that the products   Model Numbers: m52L (Direct-view LCD)   Conforms with the provisions of:   Council Directive 2004/108/EC on Electromagnetic Compatibility;   EN55022:1998 Radiated and Conducted Emissions from IT Equipment   EN55024:1998 Immunity of IT Equipment   Including:   EN61000-4-2   EN61000-4-3   EN61000-4-4   EN61000-4-5   EN61000-4-6   EN61000-4-8   EN61000-4-11   EN61000-3-2   EN61000-3-3   Electrostatic Discharge   Radiated Immunity   Electrical Fast Transients   Line Surge   RF Conducted Susceptibility   Magnetic Field Immunity   Voltage Dips and Interrupts   Harmonic Current Emissions   Voltage fluctuations and Flicker   And:   Council Directive 2006/95/EC on Low Voltage Equipment Safety:   EN60950:2001 Safety of IT Equipment   The Technical Construction File required by this Directive is maintained at the corporate headquarters of Planar Systems, Inc., 1195 NW Compton Drive, Beaverton,   OR 97006.   Note: This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to part 15 of the FCC Rules. These limits are   designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates,   uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio   communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the   interference at his own expense.   Industry Canada (ICES-003): This Class A digital apparatus complies with Canadian ICES-003.   Cet appareil numérique de la classe A est conforme à la norme NMB-003 du Canada.   Any changes or modifications to the display not expressly approved by Planar could void the user's authority to operate this equipment.   Other Certifications: CISPR 22   Download from Www.Somanuals.com. All Manuals Search And Download.   |