Specifications
PYD1808/2808/3808
Input Sensitivity/Impedance
Equalizer
Control Frequencies
60, 150, 400, 1K, 2.4k,
6k,and 15k
Mic 1-2
1.5 mV/600 Ohms, bal/unbal
3.0 mV/50K Ohms
Phono 1-2
Line 1-8
Boost/Cut Range
+/- 12 dB from center
150.0 mV/27K Ohms
MIC Tone Control
Output Level
Amp
Treble
10kHz; +12/-12dB
100Hz; +12/-12dB
1.5 V/10-kOhms
1.5 V/10-kOhms
150mV/10-kOhms
Booth
Bass
Record
Talkover Attenuation -16dB
Frequency Response
20Hz – 20kHz +/- 3 dB
Echo Delay Time
20mS-200mS
S/N Ratio (at 1 kHz)
P Y D 18 0 8 / P Y D 2 8 0 8
P Y D 3 8 0 8
(PYD 2808)
Mic
>60 dB/1.5mV input
>70 dB/3.0mV input
>80 dB/150.0 mV input
Phono
Line
Sampling Length
12 Seconds
(PYD 3808)
Power Source
120 VAC, 60Hz/230 VAC, 50 Hz
Distortion
Mic
Phono
Line
0.20%
0.05%
0.03%
Dimensions, inches
(mm)
19.0 x 3.86 x 9.45
(482 x 98 x 240)
Limited Warranty
All PYLE PRO products are carefully constructed and tested before shipment.
Units purchased in the USA are warranted to be free of defects in material
and workmanship for two (2) years from the date of purchase. This warranty
is limited to the original retail purchaser of the mixer.
R.A.#: _____________
PYLE PRO Service Center
1600 63rd Street
Brooklyn, NY 11204
You must also include the following items with your return:
Should the unit fail due to factory defects in material or workmanship, your
unit will be repaired or replaced at the sole discretion of PYLE.
• A copy of your sales receipt or other proof of purchase
• A brief letter, indicating the problem you are experiencing with the product
• Include in your letter your return address, daytime phone number and R.A. number
• Also include a check or money order for $20.00 for return
To obtain warranty service, you must first call our Consumer Return Hotline
at (718) 236-6948 to obtain a Return Authorization Number. This R.A. # must shipping, handling and insurance, or provide your Visa/MC number with expiration date.
appear on the outside of your package and on all paperwork relating to your
return.
Our obligation under this warranty is limited to the repair or replacement
of the defective unit when it is returned to us prepaid. This warranty will
be considered void if the unit was tampered with, improperly serviced or
subject to misuse, neglect or accidental damage.
When returning the unit to us for warranty service, it must be carefully
packed and shipped, prepaid, to:
Please complete warranty card, detach and return
Thank you for purchasing this PYLE
product. To activate your
warranty registration card
warranty, please mail this card
within 10 days.
PYLE PRO MIXERS
Name
Address
City, State ZIP
Model No.
Serial # (if available)
Date of Purchase
12 – Pyle Pro Mixer Owner’s Manual
Purchased at:
Music Products Store
Catalog Merchandiser
Sound Contractor/Installer
Other
Mail Order
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Features and Controls: PYD 3808 Mixer
Features and Controls: PYD 2808 Mixer
Channel Input Selector Lets you choose the input source to play
for each channel
Channel CUE Switch Allows you to monitor the selected audio
Channel Input Selector Lets you choose the input source to play
input source and prepare it prior to mixing it in.
for each channel
MIC 1 Combo Input Jack For
connecting a balanced or unbalanced
low impedance microphone with XLR-
type or 1/4” plug
Channel CUE Switch Allows you to monitor the selected audio
input source and prepare it prior to mixing it in.
Dual Display Meter Indicates the levels of Left and Right Master
Channels
MIC 1 Combo Input Jack For
connecting a balanced or unbalanced
low impedance microphone with XLR-
type or 1/4”plug
Dual Display Meter Indicates the levels of Left and Right Master
Channels
Master Level Control Lets you control mixer’s overall volume level
MIC 2 Input Jack (on input panel)
For connecting a balanced or
unbalanced low impedance microphone
with 1/4” plug
Master Mono/Stereo Switch
Master Level Control Lets you control mixer’s overall volume level
MIC 2 Input Jack (on input panel)
For connecting a balanced or
unbalanced low impedance microphone
with 1/4”plug
7-Band Equalizer Allows you to tailor the mixer output to suit your
taste or performance environment. Each frequency range can be
cut or boost by up to 12dB.
Master Mono/Stereo Switch
7-Band Equalizer Allows you to tailor the mixer output to suit your
taste or performance environment. Each frequency range can be
cut or boost by up to 12dB.
BNC Lamp Adaptor Allows
you to connect a 12V/3W
lamp to light the panel
BNC Lamp Adaptor Allows
you to connect a 12V/3W
lamp to light the panel
Power Switch
Power Switch
Equalizer On/Off Selector
Equalizer On/Off Selector
Booth Level Control Lets
you control the mixer’s overall
Booth volume level, if you set
up remote speakers or DJ booth
monitors
Booth Level Control Lets
you control the mixer’s
overall Booth volume level,
if you set up remote speakers
or DJ booth monitors
Headphone CUE/PGM
Control Allows you to listen
simultaneously or separately
to the CUE material or the
active program
Headphone CUE/PGM
Control Allows you to listen
simultaneously or separately
to the CUE material or the
active program
Cue Level Control
-Let you adjust the
headphone's volume level
Cue Level Control
Headphone Jack
Accepts headphones with
1/4” plug
Headphone Jack
Accepts headphones with
1/4” plug
ECHO On/Off Switch
MIC1/2 Tone Controls
MIC1/2 Tone Controls
Sampler Mode Selector Selects the function of
the sampler section
ECHO Repeat Control Lets you control the time
period during which the echo is repeated
MIC1/2 Level Controls Lets you control
the MIC levels as they enter the mix
MIC1/2 Level Controls Lets you control
the MIC levels as they enter the mix
ECHO Delay Control Lets you adjust the delay
time for the echo
Sampler Start/Stop Controls the start and stop
ECHO Level Control Controls the depth of the
MIC Talkover Allows you to lower the
level of the input sources so you can talk
them using the DJ Mic
MIC Talkover Allows you to lower the
level of the input sources so you can talk
them using the DJ Mic
of the sampling process
echo effect
Sampler CUE Switch Allows you to monitor the
desired sample signal
Sound Effect Volume Control Lets you control
the volume level of the sound effect within the mix
Sound Effect Speed Control Lets you control
the pitch of the selected sound effect
Sampler Level Control Lets you adjust the volume
of the desired sample signal as it enters the mix
Digital Sound Effects Selectors Lets you create
special sound performance mixes from the six
preprogrammed special effects
Sampler Pitch Control Lets you control the
sampled signal’s pitch
Channel Assign Switch Lets you select the input source to be mixed
by the Crossfade Slider Control
Channel Assign Switch Lets you select the input source to be mixed
by the Crossfade Slider Control
Crossfade Slider Control Allows you to smoothly switch between
the input sources assigned to Channel A and Channel B
Crossfade Slider Control Allows you to smoothly switch between
the input sources assigned to Channel A and Channel B
2 – Pyle Pro Mixer Owner’s Manual
Pyle Pro Mixer Owner’s Manual – 3
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Connecting High Level Output Audio Sources
Presetting the Controls Before Use
Since sudden high output levels from your PYLE PRO mixer can damage not only audio devices
connected to the mixer output but your hearing as well (especially if you are using headphones),
please adjust the mixer’s controls BEFORE connecting AC power or turning on the unit.
Connect up to 8 such sources (tuner, cassette deck, CD Player, camcorder or VCR) to the input jacks
for Line 1 (if not being used as Phono 1 input), Line 2, Line 3 (if not being used as Phono 2 input),
Line 4, Line 5 and Line 6. Please note that Phono 1 and Line 1 (as well as Phono 2 and Line 3) use
the same jacks. The selector switch(e)s below the jacks should be set to Line position if the jacks
are used for the High Level input sources described here.
Set up the mixer controls like this before you start:
CONTROL
SETTING
Power On/Off
Tone Controls, Treble, Bass
MIC 1/2, CH 1/2/3/4, Master & Cue Levels 0
OFF
0
Use RCA type
patch cables
T
Crossfader
CENTER
CH 1
CAUTION:
TO PREVENT ELECTRIC SHOCK DO NOT USE THIS (POLARIZED)
PLUG WITH AN EXTENSION CORD RECEPTACLE
OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY
INSERTED TO PREVENT BLADE EXPOSURE
CAN:
CAUN:
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE.
FOR CONTINUED PROTECTION AGAINST RISK OF FIRE
REPLACE ONLY WITH SAME TYPE FUSE.
FUSE
VOLTAGE
OUTPUT
INPUT
CH 4
CH 3
CH 2
CH 1
AMP BOOTH REC
Connecting the Mixer Inputs
GROUND
BALANCED
L
L
R
L
MIC
2
INPUT
INPUT
SELECT
SELECT
This mixer permits connection of up to eight (8) audio input sources,and two microphones. Such a
system might include, for example:
R
R
~N
115/230/50 Hz
NPUT
SELECT
INPUT
SELECT
LINE
8
LINE
7
LINE
6
LINE
5
LINE
4
LINE
3
PHONO
2
LINE
2
LINE
1
PHONO
1
Two Microphones
Two Turntables
Six CD players
Two Microphones
Two Microphones
Two Microphones
Eight CD players
Two Turntables
Two Turntables
High Level Output
Audio Source
Three CD players
Three Cassette Decks
Four CD players
One Rhythm Synth
One Cassette Deck
HONO 2 LINE 2 LINE 1 PHONO
LEFT output
NOTE!
Do not connect any audio source with a HIGH LEVEL OUTPUT to the
LOW LEVEL PHONO 1 or PHONO 2 mixer audio input jacks (an audio
source output with a volume control is HIGH LEVEL).
If you use a High Level Output Audio Source(s)
in the Phono1/Line1 (and/or Phono2/Line3)
input jack(s), be sure to place the Input Select
switch in the LINE1 (and/or LINE3) position(s)!
RIGHT output
Please observe
the following:
CD player, cassette deck, camcorder, VCR, etc.
Connecting Microphones
Microphone 1. Connect a balanced/unbalanced low impedance (600 Ohm) XLR type mic OR a low
impedance mic with a 1/4” plug to the MIC 1 jack in the upper left corner of the mixer control panel.
Connecting Turntables and Other Level Output Audio Sources
Connect up to 2 turntables to the Phono 1 and Phono 2 input jacks. Please note that Phone 1 and
Line 1 (as well as Phono 2 and Line 3) use the same jacks. The selector switch below the jacks should
be set to Phono position if the jacks are used for phono inputs.
Use 1/4” or
XLR-type jack
When using a turntable, you should also securely connect its ground wire (usually green or black)
to the Ground screw on the input panel of the mixer.
Use RCA type
patch cables
MIC 1
CAUTION:
TO PREVENT ELECTRIC SHOCK DO NOT USE THIS (POLARIZED)
PLUG WITH AN EXTENSION CORD RECEPTACLE
OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY
INSERTED TO PREVENT BLADE EXPOSURE
CAUTION:
CAUTION:
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE.
FOR CONTINUED PROTECTION AGAINST RISK OF FIRE
REPLACE ONLY WITH SAME TYPE FUSE.
FUSE
VOLTAGE
OUTPUT
PUT
CH 4
CH 3
CH 2
CH 1
T
AMP BOOTH REC
GROUND
BALANCED
L
L
R
L
MIC
2
INPUT
SELECT
INPUT
SELECT
R
R
CH 1
~
115/23/50 Hz
LINE
8
LINE
7
LINE
6
LINE
5
LINE
4
LINE
3
PHONO
2
LINE
2
LINE
1
PHONO
1
Magnetic cartridge turntable
LEFT output
NPUT
SELECT
INPUT
SELECT
Microphone 2. Connect a high quality balanced/unbalanced low impedance (600 Ohm) microphone
with a 1/4” plug to the MIC 2 jack on the lower left corner of the mixer’s back panel.
RIGHT output
HONO 2 LINE 2 LINE 1 PHONO
MIC 2
Use 1/4”
jack
GROUND wire from turntable
NOTE!
If you use a Turntable in the Phono1/Line1
(and/or Phono2/Line3) input jack(s), be sure
to place the Input Select switch in the PHONO1
(and/or PHONO2) position(s)!
CAUTION:
TO PREVENT ELECTRIC SHOCK DO NOT USE THIS (POLARIZED)
PLUG WITH AN EXTENSION CORD RECEPTACLE
CAUTION:
CAUTION:
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE.
OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY
INSERTED TO PREVENT BLADE EXPOSURE
FOR CONTINUED PROTECTION AGAINST RISK OF FIRE
REPLACE ONLY WITH SAME TYPE FUSE.
FUSE
VOLTAGE
OUTPUT
INPUT
CH 4
CH 3
CH 2
CH 1
AMP BOOTH REC
GROUND
BALANCED
L
L
R
L
MIC 2
INPUT
SELECT
INPUT
SELECT
R
R
~AN
115/2300/50 Hz
LINE
8
LINE
7
LINE
6
LINE
5
LINE
4
LINE
3
PHONO
2
LINE
2
LINE
1
PHONO
1
4 – Pyle Pro Mixer Owner’s Manual
Pyle Pro Mixer Owner’s Manual – 5
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Connecting the Mixer Outputs
Output to an Amplifier
To play the mixer’s output signal through your speaker system (for events such as parties, dances,
conferences, etc.) connect an audio patch cord (not supplied) from the mixers AMP L and R jacks
to your receiver amplifier’s left and right input jacks.
Using Headphones
Plug a pair of stereo headphones (not supplied) with a 1/4” jack into the Phones input. Using
headphones not only affords you the opportunity to listen privately, but also enables you to monitor
(”cue”) the incoming audio sources so you can locate an exact passage or section before mixing it
in. It also gives you the opportunity to set up the relative volume level of the upcoming passage
before it joins the mix.
This mixer features two kinds of output jacks for you to choose from: RCA style and 1/4” type. DO
NOT USE BOTH SIMULTANEOUSLY.
Output to a Tape or Digital Audio Recorder
To play the mixer’s output signal through your speaker system (for events such as parties, dances,
conferences, etc.) connect an audio patch cord (not supplied) from the mixers REC L and R jacks
to your receiver/amplifier’s left and right input jacks.
Booth Output
To monitor the mixer output to a second set of speakers in the DJ booth (or in a remote location)
connect an audio patch cord (not supplied) from the mixers Booth L and R jacks to your secondary
amplifier’s left and right input jacks.
Stereo Headphones
Listen Safely! Please observe the following:
Do not listen at extremely high volume levels. Extended,
high-volume listening can lead to permanent hearing loss.
Follow these guidelines to protect your hearing, especially
when using headphones.
CAUTION: In order to avoid sudden unpleasant sound output,
adjust the output devices controls to these settings before you
connect the mixer’s output jacks to these devices’ input jacks.
Always start by setting the volume level to the lowest
possible level before listening.
OUTPUT DEVICE
CONTROL
SETTING
Put headphones on, and then gradually increase the
volume as necessary.
Tape Deck
Amplifier/Receiver
POWER
POWER
TONE
OFF
OFF
FLAT
Once you set the volume level do not increase it. Over
a period of time, your ears adapt to a volume level and there
is a temptation to increase it. Even though such an increase
may not cause discomfort, it might still damage your hearing.
Connecting the Lamp
If you wish to intall a console lamp (not supplied), simply insert the plug end of an appropriate
12V/3W gooseneck style or similar lamp into the lamp socket provided in the upper right corner of
the mixer control panel. Power is supplied to this lamp when the mixer power switch is turned on.
12V/3W lamp
6 – Pyle Pro Mixer Owner’s Manual
Pyle Pro Mixer Owner’s Manual – 7
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Adding Equalization to the Mix
You can further tailor the sound processed through the mixer to match your acoustic surroundings
or suit your personal preferences by using the ten frequency sliders for each channel. To engage
the equalization module, press the Equalization On/Off Switch.
Using the Mixer Controls
Turning on the Mixer
1. Turn on the output amplifier and temporarily set its volume to the minimum setting.
2. On the mixer, turn ON the power switch. The adjacent power LED will illuminate.
Each one of the sliding controls boosts or cuts the selected frequency by up to 12 dB. If you leave
a slider at the center (”0”) position, the corresponding frequency range for that stereo channel will
be left unaffected (”flat”). Please note that in order to provide a smooth range of control, the frequency
ranges overlap slightly. Therefore, for example, if you raise the level in the 1K range, the 400 and
2.4K ranges are also slightly affected.
3. Turn on the audio input sources you wish to mix, and set them to play (or talk continuously into
the microphone).
4. To monitor the audio input sources so that you can decide when to mix in each input, see “Monitoring
‘Cueing’ the Inputs.”
5. To mix the audio input sources so that you can play them through your amplifier system or record
them on your tape deck, see “Mixing the Inputs.”
Using the Microphone
Incorporating Voice into the Mix
To blend voice from the microphones with the audio program material, first be sure the MIC/TALKOVER
switch is set to the ON position. (In this position, the MIC channel is mixed into the program like
any other audio input source.)
Monitoring (”Cueing”) the Inputs
1. Set the CUE ASSIGN switch of the input source (MIC , CH1, CH2, CH3 or CH 4) you wish to
monitor.
Then adjust the corresponding MIC level controls to increase or decrease the microphone level (this
will not affect the main volume inputs). When a microphone is not in use, set the MIC/TALKOVER
switch to OFF.
2. Adjust the Headphone Level control to a comfortable listening level.
3. The Headphone CUE/PGM control permits you to switch easily from listening to CUE material to
the playing PROGRAM sound. You can also listen to both simultaneously by moving the Headphone
CUE/PGM control to a point midway between the two ends.
Talkover Mode
Talkover mode allows a voice to be heard clearly through the microphone by attenuating all the other
audio input sources. This mode is engaged by setting the Talkover Switch to the TALKOVER position.
PYD 3008: This model has an additional CUE on the sampler module for you monitor the sampled
signal being applied. To monitor a sampled signal, press the SAMPLE ASSIGN button for the
channel to which the sample has been saved, and then press the SAMPLE CUE button to audition
this sound.
Microphone Tone Controls
These BASS and TREBLE controls, permit you to tailor the tone frequencies of the MIC inputs processed
through the mix. Left in their center positions, the sound is unaffected (”flat”).
Mixing the Inputs
Microphone Level Controls
There are a maximum of ten input sources available at one time, including two microphone inputs.
Both microphone input sources are always available as part of the mix, if desired. Each of the four
audio channels can be linked to two different input sources, and one of these sources for each channel
is available for mixing.Turn on all the available audio sources and be sure they are providing sound
before continuing.
The independent MIC1 and MIC2 controls permit you to increase or decrease the levels of these
microphones within the mix.
1. Select the Channel Input Selectors for each channel, choose the audio sources you want to mix
for each channel (i.e., choose PHONO1/LINE1 or LINE2).
2. Set the Mic and Channel Level controls all to within the 8 - 10 range.
3. Slide the MASTER volume control toward 10 until you get an average reading of 0 on both Output
Level LED Meters. The output level displayed in the meters represents the TOTAL output from all
the channels supplying audio to the mix. NOTE: Once you set this level, we suggest you do not
change it!
4. If you add or change input sources, adjust the corresponding MIC1, 2 or CH1, CH2, CH3 or CH4 level
control(s) to maintain the average reading of 0 on the LED meters.
5. To change the overall sound level, adjust the RECEIVER/AMPLIFIER (NOT THE MIXER) volume
control to the desired volume.
8 – Pyle Pro Mixer Owner’s Manual
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4. To playback the recorded sample ONCE, turn the SAMPLER MODE switch to SINGLE, and press
START/STOP. The LED will go on, indicating that a sample is playing. Pressing START/STOP
during playback will stop the playback.
Using the Mono/Stereo Mode Switch
When the MASTER MONO/STEREO switch is in the MONO position, the mixer combines the right
and left channels and sends them to the OUTPUT R and L jacks. These combined outputs can be
used by a monoaural amplifier, such as a PA amp.
Each time you press the START/STOP control, the unit will replay the recorded sample from the
beginning and play it through the end of the recorded sound. Rapid, consecutive pressing of the
START/STOP button will create an interesting stuttering effect.
In the STEREO position, right and left channels remain separate. The mixer outputs can be used by
a stereo amplifier or recorder.
5. To playback the record sample repeatedly (”looping”), set the SAMPLER MODE switch to
REPEAT, and press START/STOP. The mixer will play the sampled recording all the way through,
and thenrepeat it until you press the START/STOP button.
Using the Crossfader with the Assign Switches
6. To adjust the speed of the playback signal, rotate the SAMPLE PITCH control to reduce or
increase the pitch of the sample during playback.
For crossfading effects, you can assign any of the four channels to either A or B sides of the crossfade
mix using the Crossfade assign knobs.
7. To adjust the level of the sample playback as it enters the mix, rotate the SAMPLE LEVEL
to increase or decrease the level.
When the crossfade slider is in the center position, the two assigned channels play equally. Sliding
the control towards the A position will increase the level of A and fade out B proportionally to the
distance from center. Likewise, sliding the control towards the B position will increase the level of
B and fade out A.
Troubleshooting
Your mixer should require very little maintenance. If you have problems, refer to the chart below
for possible solutions. If you cannot solve the problem, contact a qualified technician for assistance.
Using the Echo Controls (PYD 2808)
PROBLEM
POSSIBLE SOLUTION
The built-in Echo effect is applied to the total mix. To turn on the Echo mode and activate the
DELAY/REPEAT cycle, press the ECHO ON/OFF switch.
Nothing works
• Check the AC connection. Make sure the AC outlet is “live.”
• Check the power connection to the rest of the system (receiver/amplifier, etc.)
No signal from an
audio input
source
• Check the control setting
• Check the connection between the mixer and the input source
To change the length of time a sound is repeated, increase of decrease the REPEAT control.
To vary the time in between the repeats, increase or decrease the DELAY control.
To adjust the output level of the echo, increase or decrease the LEVEL control.
• Check that the turntable’s ground wire (usually black or green) is fastened securely to the GROUND
SCREW on the mixer input panel
Hum from PHONO
Hum from other
source
• Make sure there are no low level inputs connected to the LINE input jacks
Feedback is
present
• Move the microphone further away from the output speakers, or use a directional microphone
Using the Sound Effects (PYD 2808)
There are six pre-programmed sound effects for your selection. Press and hold any button to generate
a sound which is added to the mix. The sound will play continuously until you release the button.
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Care and
The SPEED control lets you raise or lower the pitch of the sound effect, and the VOLUME control
allows you to increase or decrease the effect’s volume level within the mix.
Maintenance
Your Pyle Pro Mixer is an example
of superior design and
craftsmanship. The following
suggestions will help you care for
your mixer so you can enjoy years
of use:
Place
Stamp
Here
Using the Digital Sampler (PYD 3808)
The PM 3008 mixer contains a digital sampler circuit which can record samples to the internal recording
IC. These samples can then be assigned to CH 1, CH 2, CH 3, CH 4 and the MIC channel for playback.
At the time of playback, the PITCH control can be adjusted to change the pitch of the sample.
• Keep the mixer dry. If it gets wet,
wipe immediately.
Follow these steps to record a sample:
• Use the mixer only in well-
ventilated installations.
1. Play the audio source for recording as a sample.
• Handle the mixer gently and
carefully - do not drop!
2. While it is playing, press the desired cue/sample channel assign button (i.e., CH 1, CH 2, CH 3,
CH 4 or MIC).
• Keep the mixer away from dust
and dirt.
PYLE PRO Audio, Inc.
1600 63rd Street
3. To record the source to that channel, set the SAMPLER MODE switch to the RECORD position and
press the START/STOP button to begin recording. The LED will go on, indicating recording is in
progress. To stop recording, press the START/STOP button again. Please note that the recording
IC is limited to 12-second samples, so in the event you do not press stop, it will automatically
stop after 12 seconds
• Wipe occasionally with a damp
cloth to keep it looking new. Do not
use harsh chemicals, solvents or
detergents!
Brooklyn, NY 11204
Pyle Pro Mixer Owner’s Manual –11
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