Panasonic Digital Camera AW E560 User Manual

Color Video Cam era

AW-E560

(Lens : Purchased locally)

Before attempting to connect or operate this product,

please read these instructions completely.

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CONTENTS

PREFACE ............................................................................................................................................................................................

FEATURES ..........................................................................................................................................................................................

SPECIAL NOTES ON OPERATION ....................................................................................................................................................

PRECAUTIONS ...................................................................................................................................................................................

MAJOR OPERATING CONTROLS AND THEIR FUNCTIONS ............................................................................................................

LENS MOUNTING .............................................................................................................................................................................. 11

FLANGE BACK ADJUSTMENT .......................................................................................................................................................... 12

IRIS GAIN CONTROL IN A LENS ....................................................................................................................................................... 12

CONNECTIONS .................................................................................................................................................................................. 13

ADJUSTMENT .................................................................................................................................................................................... 25

OPERATION MODE SETTING ............................................................................................................................................................ 31

MENU ITEM SETTING ........................................................................................................................................................................ 33

INITIAL SET MENU SETTING ............................................................................................................................................................. 36

USER SETUP MENU SETTING ........................................................................................................................................................... 43

CAMERA INSTALLATION ................................................................................................................................................................... 48

CAMERA ID SETTING ........................................................................................................................................................................ 49

TIME DATE SETTING ......................................................................................................................................................................... 52

RANGE OF SETUP/INITIAL SET AND THEIR INITIAL VALUE ............................................................................................................ 54

RANGE OF SCENE FILE/USER SET AND THEIR INITIAL VALUE ..................................................................................................... 55

SPECIFICATIONS ............................................................................................................................................................................... 59

STANDARD ACCESSORIES ............................................................................................................................................................... 60

OPTIONAL ACCESSORIES ................................................................................................................................................................ 60

-1-

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PREFACE

FEATURES

The Panasonic AW-E560 is a digital signal processing

color video camera that incorporates three 1/2” CCDs. A

digital video signal processing system is packed in a com-

pact, lightweight body while assuring high picture quality,

high reliability and high performance.

1. Digital video signal processing for high quality, high

reliability, high performance, lightweight and compact

size.

2. Resolution: 800 lines (HIGH BAND DTL : ON), S/N

ratio: 62dB

System setup and adjustments can be easily performed by

setup menu.

3. Minimum illumination: 5 lux (F1.4, +18dB)

4. SET UP menu for system check and readjustments.

5. Built-in automatic controls, including ATW, ELC, and

AGC

6. CCD readout is switchable between field and frame

modes. Vertical resolution can be stepped up in

frame mode and it is effective for shooting still objects.

7. Any of R/G/B, Y/C, Y/PB/PR and composite can be

selected as an output signal.

Connection to peripheral devices, such as an RCU and an

RCB, enables a wide variation of system configurations.

The lens and the camera pan/tilt unit can be remote con-

trolled when the camera is connected to an RCU with

optional multiplex adaptor WV-PS550.

Connection to an RCU for camera control and power sup-

ply can be simply done with a coaxial cable through an

optional adaptor.

8. Thanks to the built-in synchronized scanning system,

noiseless pictures are available from computer graph-

ics.

9. Various correction circuits permit video reproduction

with highest fidelity.

10. Chroma aperture correction enables clear shots of

dark color objects.

11. 2 Dimensional lowpass filter reduces spurious signals.

12. A dark detail circuit provides natural edge correction

to any object in a dark scene.

-2-

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13. A digital highlight compression circuit reproduces nat-

ural dynamic ranges.

SPECIAL NOTES ON OPERATION

14. A digital color matrix enables high fidelity color

images.

15. The optimum operation mode for each of your specific

applications can be selected.

16. The scene file automatically sets up the most appro-

priate shooting conditions.

• Turn power off before connecting or disconnecting

cables.

• Connection or disconnection of any studio cable, RCB

cable or other cable to any unit of equipment must be

performed while power is off.

• While the camera is automatic mode;

17. System setup parameters, such as SMPTE/full color

bar, date and time are indicated on the monitor

screen.

Shooting of bright objects in ELC operation mode may

result in a smeared picture unique to the CCD.

The ATW function under fluorescent illumination can

adversely change the white balance.

18. Remote control with an RCU or RCB.

-3-

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PRECAUTIONS

DONT'S

DO'S

• Do not attempt to disassemble the camera, Remote

Control Unit (RCU) or other units. In order to prevent

electric shock, do not remove screws or covers.

There are no user-serviceable parts inside.

• Do refer any servicing to qualified service personnel.

• Do not abuse the camera. Avoid striking, shaking,

etc. The camera contains sensitive components

which could be damaged by improper handling or

storage.

• Do handle the camera with care.

• Do not let the lens remain uncapped when the camera

is not in use. If the lens is not installed, do not leave

the lens mount hole uncovered.

• Do protect the precision made lens by placing the

lens cap over the lens when the camera is not in use.

If the lens is not installed, protect the surface of the

prism by placing the body cap into the lens mount

hole.

• Do not touch the surface of the lens or prism with your

fingers.

• Do use a mild blower or lens cleaning tissue designed

for coated lenses, to clean the surface of the lens or

prism in the event that it should become dirty.

• Do not use strong of abrasive detergents when clean-

ing the camera body.

• Do use a dry cloth to clean the camera if it is dirty. In

case the dirt is hard to remove, use mild detergent

and wipe gently.

-4-

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• Do not aim the camera toward the sun, no matter

whether it is turned on or not.

• Do use caution when operating the camera in the

vicinity of spot lights or other bright lights, as well as

light reflecting objects and surfaces.

• Do not expose the camera or Remote Control Unit

(RCU) to rain or moisture, and do not try to operate the

equipment in wet areas. Do not operate the camera or

RCU if it becomes wet.

• Do take immediate action if ever the camera or RCU

should become wet. Turn the power off and have the

unit checked by an authorized service facility.

• Do not operate the camera or Remote Control Unit

(RCU) outdoors during a lightning storm.

• Do follow normal safety precautions to avoid personal

injury.

• Do not use the camera in an extreme environment

where high temperatures or high humidity exist.

• Use the camera in an environment where the tempera-

ture is within 14°F - 113°F (−10°C - +45°C), and the

relative humidity is within 30% - 90%.

• Do not leave the camera and Remote Control Unit

(RCU) turned on when not in use. Do not unnecessar-

ily turn the camera power on and off repeatedly. Do

not block the ventilation slots.

• Always turn the power off when the camera is not

going to be used. Operate the camera and Remote

Control Unit (RCU) only when there is adequate venti-

lation.

-5-

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MAJOR OPERATING CONTROLS AND THEIR FUNCTIONS

-6-

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1. Lens Mount

1/2" standard bayonet type lens or a microscope

adaptor can be mounted.

2. Mounting Hole

A screw hole (1/4” - 20 UNC) for mounting the camera

on a wall, ceiling with a mounting bracket or tripod.

3. Page Switch (PAGE)

A menu will appear on the monitor screen when this

switch is pressed for around 2 seconds. Pressing the

switch advances the menu page.

ITEM

(AWC)

UP DOWN

(BAR)

PAGE

IRIS

(ABC)

G/L IN

VIDEO OUT

4. Item Switch (ITEM/AWC)

ZOOM/FOCUS

REMOTE

Any of the items shown in the menu can be selected

with this switch. When the menu is not displayed or

the camera is in shooting mode, the automatic white

balance control can be set with this switch.

VBS/HD

VIDEO/RGB

75 ¶

OFF

CONTROL

5. Up Switch (UP/ABC)

CAUTION

CONNECT TO SPECIFIED

CLASS 2 POWER SUPPLY

ONLY SEE MANUAL

While the menu is displayed, any setting can be

brought up to a higher value with this switch. When

the menu is not displayed or the camera is in shooting

mode, the automatic black balance control can be set

with this switch.

EXT DC IN

SEE MANUAL

6. Down Switch (DOWN/BAR)

While the menu is displayed any setting can be

brought down to a lower value with this switch. When

the menu is not displayed or the camera is in shooting

mode, the color bar and the shooting conditions are

alternately indicated by pressing the switch.

-7-

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7. Video Output Connector (VIDEO OUT)

9. Zoom/Focus Connector (ZOOM/FOCUS)

Input terminal for lens with zoom and focus function

that can be remote controlled.

A composite video signal is provided at this connec-

tor.

8. Iris Connector (IRIS)

Pin No.

Signal

Not Used

GND

Pin No.

Signal

Voltage Common

Focus Control

Zoom Control

Not Used

Input terminal for lens with an iris control function.

Some lenses may require an optional lens extension

cable for connection.

Not Used

+12 V

Pin No.

Signal

Not Used

Pin No.

Signal

Iris F

Lens +V

Lens −V

Not Used

Auto/Remote Control

Not Used

GND

Zoom/Focus Connector (ZOOM/FOCUS)

Auto/Manual Control

Iris Control

Lens P

Not Used

Iris Connector (IRIS)

i !

y r

-8-

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10. Remote Connector (REMOTE)

11. Power Indicator

Input terminal dedicated to control signals from the

optional Remote Control Box (WV-CB700A) and the

Remote Control Unit (WV-RC700A).

Red LED lamp lights to indicate that the specified DC

power is supplied to the camera.

* WV-CB700A is connected through the optional con-

version cable (WV-CA20T10).

* WV-RC700A is connected through the optional con-

version cable (WV-CA26T20).

12. DC Input Connector (EXT DC IN)

12 V DC is supplied through the 4-pin connector pro-

vided with the camera.

Pin No.

Signal

+12 V In

Ground

Pin No.

Signal

Composite Video Output

GND

Pin No.

Signal

RCB Transmission

Control (Command)

+9.2 V RCB

DC 12 V Output

DC 12 V Input

RCB Reception

GND

G/Y/Y Output

R/PR/C Output

GND

DC Input Connector (EXT DC IN)

RCB Detect

EXT SUB In

B/PB Output

GND

q r

GND

G/L Input

Not used

Remote Connector (REMOTE)

rewq

!oiuyt

!!!!!!

@!!!

-9-

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13. Video/RGB Output Connector (VIDEO/RGB)

Composite/Y signal, RGB/Y-C/component signal and

synchronizing signal are output from this connector.

* Refer to Page 41 for signal selection.

The multiplex adaptor WV-PS550 is connected to this

connector when using a coaxial multiplex system. The

WV-RC700A and WV-PS550 can be connected with a

coaxial cable.

The optional cable WV-CA9T5 or WV-CA9T9 must be

used for connection to this connector.

Pin No.

Signal

Composite Video Output

GND

Pin No.

Signal

Defroster Control Output

Wiper Control Output

Common

Pin No.

Signal

GND

Pin No.

Signal

SY/COMP

SYNC

Not Used

GND

Not Used

+5.2 V Output

GND

R/PR/C

G/Y/Y

GND

G/L Input

C/NC

GND

−5.2 V Output

GND

B/PB/NC

WV-PS550 Detect

PS Transmission

PS Reception

GND

Video/RGB Output Connector (VIDEO/RGB)

DC 12 V Input

Not Used

trewq

oiuy

UP Control Output

Down Control Output

Left Control Output

Right Control Output

+9.2 V Output

GND

Control Connector (CONTROL)

14. Control Connector (CONTROL)

Control signals for a pan/tilt unit come to this connec-

tor when a pan/tilt unit controller is connected to the

camera through the Remote Control Unit WV-RC700A

with a multicable.

zxcvbnm,.⁄⁄⁄⁄⁄

⁄⁄⁄⁄⁄¤¤¤¤¤¤¤¤¤

-10-

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15. G/L Signal 75-ohm ON/OFF Switch (75Ω ON/OFF)

A terminating switch for G/L signals at Items 16 and

17.

LENS MOUNTING

Lenses of any make can be mounted on the camera as

long as they are equipped with a 1/2” standard bayonet.

16. G/L VBS/HD Input Connector (G/L IN - VBS/HD)

Signals synchronized with the reference signal are to

be supplied to this connector when the camera is to

be synchronized with the reference signal. VBS/BB,

VS and HD signals are to be automatically deter-

mined.

1. Mounting

Rotate the lens fixing ring knob counterclockwise and

remove the lens mount cap. Mount the lens on the

camera and rotate the lens fixing ring knob clockwise

in order to fix the lens securely. Then connect the lens

cable to the IRIS Connector on the back panel of the

camera.

17. G/L VD Input Connector (G/L IN - VD)

Same as Item 16 except that VD signal is to be sup-

plied when input signal at Item 16 is HD.

Lens fixing ring knob

* Use the lens extension cable WV-CA12T12 (6”/15cm)

if your lens cable is too short.

-11-

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FLANGE BACK ADJUSTMENT

IRIS GAIN CONTROL IN A LENS

1. Fully open the iris by shooting a dark object. (Iris

selection switch should be set to M.)

2. Loosen the flange back lock knob.

3. Aim the camera at any object over 2 meters away from

the camera.

An iris gain control hole is usually provided in the front of a

lens. Adjustment of the iris gain, with a screwdriver

through the hole may be done as follows. (Shape and

location of the hole may vary depending on the lens

make.)

4. Set the lens to its TELE end first and adjust its focus

with the focus ring.

1 Turn the iris selection switch to Position A (AUTO).

2 Rotate the iris gain control to the maximum gain but in

a range where no hunting or oscillating of the iris ring

develops.

5. Set the lens to its widest angle next and adjust its

focus with the flange back adjust ring.

6. Adjust the focus ring and the flange back adjust ring

alternately for the best focus within the zooming

range.

* The figure represents Lens PH15X7BKRS2U.

Iris gain control

Tighten the flange back lock knob upon completion of

focusing.

7. Turn the iris selection switch to Position A.

* The figure represents Lens PH15X7BKRS2U.

Focus ring

Flange back

adjust ring

Automatic iris power zoom lens

Flange back

lock knob

-12-

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CONNECTIONS

Caution :

The connection and installation should be done by qualified service personnel or system installers.

Refer any servicing to qualified service personnel.

■ CONNECTION OF DEVICE WITH A COMPOSITE INPUT CONNECTOR

• Connection to any device which

has a composite input connec-

tor, such as a video monitor or

a VCR, must be made through

the VIDEO OUT Connector.

• Power supply to the camera

VIDEO IN

75Ω coaxial cable

VIDEO OUT

Video monitor

Connector

must be through the optional

ITEM

(AWC)

UP DOWN

(ABC) (BAR)

PAGE

IRIS

Conversion Cable WV-CA4C4P

or a power cable assembled

with the connector provided

with the camera.

G/L IN

VIDEO OUT

ZOOM/FOCUS

REMOTE

VBS/HD

VIDEO/RGB

OFF

To AG-B640

or AU-B110

• Power source must be able to

continuously supply 12 V DC,

2A nominally.

CONTROL

Conversion Cable WV-CA4C4P

CAUTION

NNE

T TO SPECIFIE

CLASS 2 POWER SUPPLY

EXT DC IN

ONLY SEE MANUAL

SEE MANUAL

Power supply:

12 V DC, 2A min.

Power Cable (locally purchased)

Cautions

1. Connect this to a 12V DC class 2 power supply only.

2. To prevent fire or shock hazard, the UL listed wire VW-1, style 1007 should be used as for the cable for 12V DC Input

Connector.

-13-

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Caution :

To prevent fire or shock hazard, the UL listed wire VW-

How to assemble the power cable:

1, style 1007 should be used as for the cable for 12V

DC Input Connector.

The power cable is to be assembled with the connector

provided with the camera.

1. Prepare the wire.

AWG24 or larger

2. Fix with a screw if necessary.

Put the casing and the rubber bushing on after solder-

ing wires to the connector.

-14-

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■ CONNECTION OF DEVICE WITH AN RGB MONITOR OR AN IMAGE PROCESSOR

NOTES:

Input signals to an RGB monitor or image processor must

be supplied from the VIDEO/RGB connector through the

optional D Sub/BNC cable WV-CA9T5 or D Sub/D Sub

cable WV-CA9T9.

• Output signals at the VIDEO/RGB connector can be

selected from the INITIAL SET menu.

• SYNC level can be selected from the INITIAL SET

menu.

WV-CA9T5 Cable Information

No.

Wire's

Color

Output

Signal

RGB monitor or

image processing

device

Red

Green

Blue

R/PR/C

G/Y/Y

Green

WV-CA9T5

Blue

B/PB

Black

ITEM

(AWC)

UP DOWN

(ABC) (BAR)

PAGE

IRIS

RGB/SYNC

connector

White

Black

Y/COMP

SYNC

White

G/L IN

VIDEO OUT

Computer

ZOOM/FOCUS

REMOTE

VBS/HD

VIDEO/RGB

RGB/SYNC

connector

OFF

WV-CA9T9

CONTROL

CAUTION

NNE

T TO SPECIFIE

Conversion Cable WV-CA4C4P

LASS 2 POWER SUPPLY

EXT DC IN

ONLY SEE MANUAL

SEE MANUAL

To AG-B640 or AU-B110

Power Cable (locally purchased)

Power supply:

12 V DC, 2A min.

Cautions

1. Connect this to a 12V DC class 2 power supply only.

2. To prevent fire or shock hazard, the UL listed wire VW-1, style 1007 should be used as for the cable for 12V DC Input

Connector.

-15-

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■ CONNECTION OF A REMOTE CONTROLLER (RCU AND A STUDIO CABLE)

Connection to the RCU (WV-RC700A) is made through the

optional conversion cable WV-CA26T20 and a studio

cable.

4. Turn RCU power on and the power indicator lamp will

light. The camera can now be remote controlled by

the RCU.

1. Turn RCU power off before connecting cables.

2. Set the cable selection switch of the RCU to MULTI.

3. Connect the 20 pin connector of the conversion cable

to the REMOTE Connector of the camera. The conver-

sion cable and the studio cable must be connected

with the connector supplied as a standard accessory

with the conversion cable.

NOTES:

• Maximum extension length: 300 meters

(Studio cables must be connected with joint adaptor

WV-CA26T26.)

• Use only the specified cables.

WV-RC700A

OUTPUT

VIDEO 1

TALLY & INCOM

N-LO

AUX

R/PR /C

S-VIDEO

AUTO

TALK

75 ¶/Hi-Z

G/Y/Y

VIDEO 2

SYNC

TALLY

INC

RE EIVE

CONTROL

MPX

OUT

AUDIO

B/PB /B

ITEM

(AWC)

UP DOWN

(ABC) (BAR)

PAGE

IRIS

SEE MANUAL

CAMERA (MULTI)

G/L IN

VIDEO OUT

125V 2A

USE

CABLE SELECT

Connector supplied

with WV-CA26T20

MULTI

OVP

ZOOM/FOCUS

REMOTE

MPX

VBS/HD

VIDEO/RGB

Set to MULTI

OFF

CONTROL

CAUTION

Conversion cable (Option)

WV-CA26T20 (10 ft/3 m)

Studio cable (Option)

NNE

T TO SPECIFIE

LASS 2 POWER SUPPLY

NLY SEE MANUAL

EXT DC IN

WV-CA26U15 (50 ft/15 m)

WV-CA26U30 (100 ft/30 m)

WV-CA26U100 (330 ft/100 m)

SEE MANUAL

-16-

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■ CONNECTION OF A REMOTE CONTROLLER (RCU AND A COAXIAL MULTIPLEX SYSTEM)

The optional multiplex adaptor WV-PS550 is used for

connection of a coaxial multiplex system.

NOTES:

• Use only model WV-RC700A (with WV-CB700A) as an

RCU.

• A coaxial multiplex system cannot be used with a stu-

dio 26-pin cable.

• R/G/B, Y/C and Y/PR/PB signals cannot be transmitted

through this system. Use a studio cable if any of

these signals is required.

• The maximum cable extension length allowed for this

system is 300 meters.

1. Turn RCU power off before connecting cables.

2. Connect the optional multiplex adaptor WV-PS550 to

the control connector of the camera through the stan-

dard accessory cable supplied with the WV-PS550.

3. Set the cable selection switch of the RCU to VP.

4. Connect the MPX connector of the multiplex adaptor

and that of the RCU with a coaxial cable (Belden 8281

or equivalent).

5. Turn RCU power on and the power indicator lamp will

light. The camera can now be remote controlled by

the RCU.

ITEM

(AWC)

UP DOWN

(ABC) (BAR)

PAGE

IRIS

G/L IN

VIDEO OUT

WV-RC700A

ZOOM/FOCUS

REMOTE

UTPUT

TALLY & INC

N-LO

AUX

R/PR /C

VIDEO 1

S-VIDE

VBS/HD

VIDEO/RGB

AUTO

75 ¶/Hi-Z

TALK

75 ¶/Hi-Z

G/Y/Y

VIDEO 2

TALLY

INC

RE EIVE

ONTRO

MPX

OUT

AUDIO

B/PB /B

SYNC

multiplex adaptor WV-PS550

OFF

CONTROL

SEE MANUAL

AMERA (MULTI)

MPX

DATA IN

AUDIO IN

125V 2A

USE

ABLE SELE

CAMERA

CONTROL OUT

AUDIO

DATA

MULTI

OVP

CAUTION

MPX

NNE

T TO SPECIFIE

LASS 2 POWER SUPPLY

EXT DC IN

ONLY SEE MANUAL

SEE MANUAL

Set to VP

Coaxial cable

(Belden 8281 or equivalent)

Supplied with

WV-PS550

-17-

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■ CONNECTION OF A REMOTE CONTROL BOX (RCB)

The RCB (WV-CB700A) and the camera must be connect-

ed with the optional conversion cable WV-CA20T10.

1. Turn RCB power off before connecting cables.

3. Turn RCB power on and the camera can be remote

controlled by the RCB.

2. Connect the 20 pin connector of the conversion cable

to REMOTE connector of the camera. The 10-pin con-

nector must be connected to the RCB accessory

cable or an optional RCB cable.

NOTES:

• The monitor output signals of the RCB attenuate and

deteriorate with cable length. It is recommended that

the signals from the monitor output be used for moni-

toring purpose only.

• No gen-lock signal is available from the RCB.

ITEM

(AWC)

UP DOWN

(ABC) (BAR)

PAGE

IRIS

G/L IN

VIDEO OUT

ZOOM/FOCUS

REMOTE

Conversion cable

WV-CA20T10 (Option)

(3 ft/ 1m)

VBS/HD

VIDEO/RGB

The RCB accessory cable, WV-CA10B25

(80 ft/25 m) or WV-CA10B50 (160 ft/50 m).

OFF

CONTROL

CAUTION

Video signals

NNE

T TO SPECIFIE

LASS 2 POWER SUPPLY

NLY SEE MANUAL

EXT DC IN

Conversion Cable WV-CA4C4P

SEE MANUAL

To AG-B640

or AU-B110

Power Cable (locally purchased)

USER SET

ALL

WV-CB700A

Power supply:

12 V DC, 2A min.

Cautions

1. Connect this to a 12V DC class 2 power supply only.

2. To prevent fire or shock hazard, the UL listed wire VW-1,

style 1007 should be used as for the cable for 12V DC

Input Connector.

RCB, Rear view

-18-

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■ CONNECTION WITH MULTIPLE CAMERAS

• Adjust the SC phase and H phase at the Program Out

Connector.

■ An example of connection for VBS/BB input (Color lock

mode).

• A special effect generator is used as the source of refer-

ence signals.

• Supply a synchronizing signal (VBS/BB) to the GEN-LOCK

Connectors of both the RCU and the camera.

There are two other modes such as VS input (No color lock

mode) and HD/VD input (monochrome mode), which

can be selected for your application.

AUX IN

Black burst

Program

Preview

Line out

Gen-

lock

Tally &

intercom

UTPUT

TALLY

INC

-LO

O 1

-VID

Video signal

75 ¶/Hi-Z

/Y/Y

IDEO 2

LLY

ONTROL

MPX

VTR

RCU

E MA

MPX

CAMERA (MULTI)

125V 2A

Tally & intercom

Tally &

ABLE SELE

MULT

MPX

AUX IN

VIDEO OUT

OUT

Gen-

lock

WV-PS550

Selectable

OUT

intercom

UTPUT

TALLY

INC

EXT DC INPUT

XT PATTERN INPUT

TALLY

INTERC

-LO

VID

O 1

-VID

SYNC OUTPUT

VIDEO OUTPUT

VIDEO INPUT

Hi-Z75

75 ¶/Hi-Z

/Y/Y

ID O 2

HROMAKE

LLY

INC

Hi-Z75

Hi-Z

OUT

NTROL

MPX

SYNC

ENLO

DSK

Special

VTR

RCU

B/P

BFP

effects

generator

E MA

AMERA (MULTI)

MPX

125V 2A

ABLE SELE

MULTI

MPX

OUT

Video

signal 3

WV-PS550

Gen-lock

(composite sync)

Selectable

Video signal 1

Video signal 2

Video

out

Gen-lock

VIDEO OUT

-19-

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CONNECTION OF COMPUTER INTERFACE ADAPTOR

The system shown here can remotely control this camera by using the Computer Interface Adaptor WJ-PC500.

The software required for this operation should be obtained locally.

Please contact qualified service personnel for this software.

PC Mode System 1-1

• Connect the WV-CA20T10

Conversion Cable and WV-CA

10B02, WV-CA10B25 or WV-

CA10B50 10/10-pin Cable

between the Camera 1 Input

Connector on the Computer

Interface Adaptor and Remote

Connector of this camera.

• Connect the coaxial cable

between the Monitor Output

Connector on the Computer

Interface Adaptor and the

video input connector of the

monitor.

ITEM

(AWC

UP DOWN

(ABC (BAR)

PAGE

IRIS

)

G/L IN

VIDEO OUT

AW-E560

WV-CA10B02 (2m)

WV-CA10B25 (25m)

WV-CA10B50 (50m)

ZOOM/FOCUS

REMOTE

VBS/HD

VIDEO/RGB

OFF

CONTROL

CAUTION

NLY

O S

IFIE

EXT DC IN

EE MA

SEE MANUAL

Conversion Cable

WV-CA20T10 (1m)

Computer

MONITOR

OUT

CAMERA 2

CAMERA 1 IN

RS-232C/422

G/L IN

25/9-pin Conversion Cable

for RS232C (straight)

DC12V IN

CAMERA SELECT

WJ-PC500

Monitor

• Connect the 25/9-pin conver-

sion cable between the RS-

232C/422 Connector on the

Computer Interface Adaptor

and computer.

Note: The decrement of the video signal from the Monitor

Output Connector on this Unit is in proportion to the

cable length.

-20-

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■ CONNECTION PROCEDURES FOR CABLE KIT WV-CA28T10

• The kit WV-CA28T10 has the following two cables in it.

• 20P-BNC cable

• Pan/Tilt control cable

CA20TBNC

CA28T103

• Connect the camera AW-E560 to the remote control box WV-CB550 with the CA20TBNC coaxial cable.

• Connect the camera AW-E560 to the receiver WV-RC100 with the CA28T103 cable according to the cable connecting instruc-

tions.

• Connect the camera AW-E560 to the remote control box WV-CB550 with two coaxial cables (video signal and G/L signal).

(PSF 1/2M, maximum total length 300 m)

• Use Model AW-E560 for camera. In case of using a pan/tilt head, the receiver WV-RC100 and the pan/tilt head control cable

are necessary. Be sure to use a pan/tilt head of contact type (WV-7230D or WV-7225, for example).

• For a detailed description of connecting each device, refer to its instruction manual.

• The devices should be switched on only after their connection.

G/L VIDEO

CAMERA VIDEO

Camera AWE560

DC12V

Remote Control

Box

ITEM

UP DOWN

(ABC) (BAR)

PAGE

IRIS

(AWC)

WV-CB550

G/L IN

VIDEO OUT

ZOOM/FOCUS

VBS/HD

75Ω

VIDEO/RGB

REMOTE

20-pin Connector

OFF

CONTROL

CAUTION

CONNECT TO SPECIFIED

CONTROL SIGNAL

EXT DC IN

CLASS

POWER SUPPLY

ONLY SEE MANUAL

SEE MANUAL

G/L VIDEO

MONITOR VIDEO

20-pin BNC CableCA20TBNC)

PAN/TILT CONTROL

-21-

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Color Monitor

G/L VIDEO

WV-CA12T12

DC12V

Signal Generator

Coaxial Cable

IRIS CONTROL

ZOOM/FOCUS CONTROL

AW-E560

G/L VIDEO

CAMERA VIDEO

CONTROL SIGNAL

Pan/Tilt Control Cable

DC12V

1/2" Zoom Lens

PAN/TILT CONTROL

CA28T103

Remote Control Box WV-CB

550

Pan/tilt Contact

Closure Type

Pan/tilt Control Cable

Remote Control

Box

Receiver

WV-RC100

WV-CB550

-22-

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■ CA28T103 CONNECTION PROCEDURE

• Connecting Receiver and Control Cable CA28T103

• The control cable CA28T103 is provided with a circuit board and spacers.

• Assemble the circuit board and spacer with the receiver WV-RC100 (WV-RC150), and connect the control cable to that circuit

board.

(1) Remove the two screws on the connector board

shown from inside the receiver.

(2) Fit the two spacers on the connector board and fasten

the circuit board with the screws removed in Step (1).

Spacer

Screws

Circuit board, an accessory to the cable

-23-

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(3) Disconnect the connector from connector CN4 on the

process circuit board, and connect it to connector

CN2 on the circuit board mounted. (Cut off or remove

the wire band.)

(5) Connect the control cable CA28T103 to connector

CN1 on the circuit board.

(4) Connect the lead from the circuit board to the ALARM

DC COM terminal.

ALARM DC COM

terminal

Process circuit board

Control cable

Connect the 28-pin end of it to the control ter-

minal on the camera.

Circuit board, an

accessory to the cable

-24-

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ADJUSTMENT

Color temperature and adjustment of white balance

When carbon is burnt, it develops various colors of light

depending on the temperature. Natural light can be spec-

ified by color temperature referring to the color developed

when carbon is burnt.

Blue sky

Cloudy

Rainy

The light of 3,200K (K=Kelvin, -273C equals to absolute

zero temperature 0K) represents the same value (color) as

what develops when carbon is burnt at 3,200K (2,927C).

The relationship between the color temperature of the light

source and weather condition is indicated in the right fig-

ure. Let’s study the difference of shooting an indoor object

from shooting one outdoors. Studio are usually lighted

with incandescent lamps and the color temperature of a

white object in a studio is around 3,000K. The color tem-

perature of a white object outdoors is around 6,500K. The

former may look a little yellowish while the latter appears

somewhat bluish when they are shot by a camera.

However, human eyes do not recognize the color differ-

ence between these objects even under different ambient

lighting conditions because of their adaptability to light.

The video camera reproduces color differences with high

fidelity and the color of an object somewhat different from

what appears to the human eyes.

AWC

Partly cloudy

ATW

Fine

Fluorescent

lamp

Halogen lamp

Tangsten

lamp

Candle

Therefore, there is a need to adjust the white balance in

order to correct their differences of color temperature.

NOTE: Color temperature outdoors may vary depending

on weather conditions.

-25-

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■ AUTOMATIC WHITE BALANCE CONTROL (AWC)

There are two white balance memories, “AWC A” or “AWC

B” for two different light sources color temperatures, with

the white balance setting. Then, when the two different

light sources are encountered, you may properly operate

the camera by simply change the white balance mode to

either AWC A (A CH) or AWC B (B CH). There is no need

to readjust the camera to the ambient conditions.

* The preset conditions will be renewed whenever you

input new conditions.

[ADJUSTMENT WITH THE RCU (RCB)]

4. When the auto white/auto black set switch is turned to

AWC, the white balance will be automatically set

regardless of camera operation mode. While the sys-

tem is being set, auto warning indicator (LED) blinks

and it goes out when the white balance setting is com-

pleted. If the lamp remains lit, setting must be tried

again.

5. If the painting mode is ON in the page No.1 of the INI-

TIAL SET menu white balance fine adjustment can be

performed with the red gain/blue gain adjustment con-

trol.

1. Turn the white balance selection switch to either “AWC

A” or “AWC B” of RCU or select the white balance

mode either A CH or B CH by SETUP menu.

2. Aim the camera at a white object (a white wall or a

white handkerchief) and zoom in to enlarge the image

as much as possible.

PAINTING

GAIN

AUTO/ATW

ATW

TOTAL

PED

[ADJUSTMENT by CAMERA]

3. In normal shooting mode:

AUTO

AWC

HOLD

ABC

Press the AWC (Item) switch for over 1 second.

In SETUP menu mode:

Select WHITE BAL and press the page switch for over

1 second.

In either case white balance is automatically set in 2

seconds.

-26-

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NOTES:

■ AUTOMATIC TRACKING WHITE BALANCE SETTING

(ATW)

White balance will be automatically set to continuously

match changes of light source and color temperature while

the white balance setting is set to ATW in the SETUP

menu.

• For white balance setting aim the camera at a

white object and try to position it in the center of

the monitor screen. The object must appear in

over 10% of the total monitor screen area. Try to

avoid overly bright object in the scene.

• White balance may not be correctly set if the light-

ing of the object is not strong enough.

Note: White balance may not be accurately set if there is

no white object in the scene being shot.

The white object must occupy over

10% of the monitor screen area.

■ MANUAL WHITE BALANCE SETTING

1. Set the white balance setting to MANU in the SETUP

menu.

2. Aim the camera at a large white object.

3. Adjust the red gain/blue gain control in the page No.1

of INITIAL SET menu until the carrier wave of the white

portion of the video signal is at the minimum width or

the white object in the monitor screen appears pure

white. (Use an oscilloscope or a waveform monitor for

precise adjustment.)

• Since the camera has a built-in battery, the set

white balance will be kept in the memory even if

power is turned off. Therefore, it is not necessary

to reset the white balance if the color temperature

of those objects remains unchanged. However, it

must be reset if the color temperature changes

such as when you move from indoors to outside

or vice versa.

Note: It cannot be manually adjusted if the camera is

controlled by RCU or RCB.

Minimize the carrier wave using

the red & blue gain controls

• When the camera is used without an RCU or RCB

red/blue adjustment of painting setting will be

automatically reset to its center after setting the

white balance.

Waveform for white

balance set chart

-27-

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■ RESET TO 3200K OR 5600K WHITE BALANCE

When the white balance setting is set to either “P SET

3.2K” or “P SET 5.6K” the white balance will be automati-

cally set to the color temperature 3,200K or 5,600K

respectively.

3. Set the pedestal level to 7.5IRE (0.050V) with the Up

switch and the Down switch.

NO.1 ** INITIAL **

R GAIN

B GAIN

T PED

+....I....-

OFF

■ BLACK BALANCE ADJUSTMENT

[ADJUSTMENT by CAMERA]

Press the ABC (UP) Switch for over 1 second and the

black balances for 0dB, 9dB and 18dB will be automatical-

ly set in 5 seconds.

R PED

B PED

PAINTING

If the painting switch is ON in the page No.1 of INITIAL

SET menu, black balance fine adjustment can be per-

formed with the red gain/blue gain control.

RET

END

[ADJUSTMENT WITH RCU OR RCB]

[ADJUSTMENT WITH RCU (RCB)]

Adjust the total pedestal level to 7.5IRE with the total

pedestal adjustment.

Set the auto white/auto black set switch to ABC and the

black balance will be automatically set regardless of cam-

era mode. While the system is being set, the auto warning

indicator (LED) blinks and it goes out when the black bal-

ance setting is completed. If the lamp remains lit, ABC

should be tried again.

Minimize the carrier wave using

the red & blue gain controls

■ TOTAL PEDESTAL LEVEL ADJUSTMENT

(Use an oscilloscope or a waveform monitor for this adjust-

ment.)

7.5 IRE

(0.050V)

[ADJUSTMENT by CAMERA]

1. Select the page No.1 of the INITIAL SET menu on the

monitor screen.

2. Select “T PED” with the item switch.

-28-

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■ GEN-LOCK ADJUSTMENT

External gen-lock input signal

(black burst output of special

effect generator)

Phase adjustments must be performed with the camera or

the RCU (RCB) when external synchronizing signals are

supplied to the system in cases where multiple cameras

are used or peripheral devices are connected.

Video signal

ENC

OFF

[ADJUSTMENT by CAMERA]

1. Press the BAR (DOWN) switch for over 1 second to

display the color bar.

PAGE

ITEM

SC PHASE

COARSE

DOWN

FINE

USER SET

2. Select page No.4 of INITIAL SET menu.

3. Select “H PHASE” with the item switch.

4. Adjust the horizontal phase with the Up switch and

Down switch.

H.PHASE

270

180

Horizontal phase

control

Subcarrier phase

fine control

NO.4 ** INITIAL **

Subcarrier phase

coarse control

H PHASE

SC COARSE

SC FINE

+....I....-

0°

+....I....-

■ HORIZONTAL PHASE CONTROL

Observe the waveform of the external synchronizing input

signal (black burst signal) and video output signal on a

two-channel oscilloscope. Then match the horizontal

phase of both signals by adjusting them with the cameras

or RCU's horizontal phase control.

RET

END

[ADJUSTMENT WITH RCU (RCB)]

Use the horizontal phase control located in the pocket of

RCU (RCB).

-29-

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■ COLOR PHASE ADJUSTMENT

NO.4 ** INITIAL **

Supply the output signal (split color bar) from the color

special effect generator to a color monitor or vectorscope.

Adjust the color phase of the camera with either the cam-

era controls or the RCU (RCB) control.

H PHASE

SC COARSE

SC FINE

+....I....-

0°

+....I....-

Color bar of

camera

RET

END

[ADJUSTMENT WITH RCU (RCB)]

Color bar of special

effects generator

Use the subcarrier phase coarse adjustment control and

subcarrier phase fine control located in the pocket.

* It is recommended that a vectorscope be used for

maximum accuracy in color phase adjustment.

[ADJUSTMENT by CAMERA]

1. Press the BAR (DOWN) switch for over 1 second for

the color bar mode.

2. Select page No.4 of INITIAL SET menu.

3. Select “SC COARSE” with the item switch. Make

coarse adjustment with the Up switch and the Down

switch.

4. Select “SC FINE” with the item switch. Perform fine

adjustment with the Up switch and the Down switch.

-30-

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OPERATION MODE SETTING

• Operation Mode Setting

The camera has three memories, including the setup mem-

ory, initial set memory and scene file memory, and various

functions for four operation modes, are preset in the facto-

ry.

Functions can be set as best suited to each operation

mode.

CURR:MODE1/SCENE1

MODE1

MODE2

MODE3

MODE4

MODE 1: For shooting mainly indoors

MODE 2: For monitoring indoors and outdoors

MODE 3: For microscopic shooting

MODE 4: For video processing and telop shooting

• Settings

1. When power is turned on the camera, the operation

mode selection as shown on the right figure appears

on the monitor screen.

2. One of the operation modes appears blinking and

changes each time the item switch is pressed.

3. Press the page switch to select the desired mode

while it is blinking.

NOTE:

Please refer SETUP/INITIAL SET AND THEIR INITIAL

VALUE TABLE for the details.

-31-

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4. The camera is now in scene file set mode and as

shown on the right figure on the top appear on the

monitor screen.

5. One of the scene files appears blinking and changes

each time the item switch is pressed.

6. Press the page switch to select the desired scene file

number while it is blinking.

CURR:MODE1/SCENE1

SCENE1

SCENE2

SCENE3

USER A

USER B

7. Now the mode setting is completed and the new

mode will be indicated on the screen for 2 seconds

before the camera returns to normal shooting mode.

* When the camera is controlled with the RCU (RCB) a

scene file is selected by the scene switch on the RCU

(RCB) and those figure will not be displayed.

CURR:MODE1/SCENE1

-32-

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MENU ITEM SETTING

Setup Item Setting

■ Setup Memory

■ Setup Data Screen

The AW-E560 has a setup menu memory, which stores

data on the states of the individual functions of the camera

preset before shipment from the factory.

Camera operating conditions can be set using the setup

function.

** SETUP **

AGC HIGH

GAIN

IRIS

AUTO

OFF

ATW

LOW

USER A

The camera has a memory for each mode.

SHUTTER

WHITE BAL

DTL LEVEL

SCENE FILE

■ Setup State

Camera alone: Press the page switch for 2 seconds or

more.

INIT USER END

Camera with RCU (RCB): Set the user set switch to ON.

When the camera has been placed in the setup state, the

SETUP menu is displayed on the monitor.

Setup operations can be performed at the camera head or

RCU (RCB).

* Composite signals are output from the VIDEO output

terminal regardless of the position (ENC/VF) of the

user set switch on the RCU (RCB).

** SETUP **

GAIN

IRIS

( AGC LOW

( AUTO

( OFF

)

SHUTTER

WHITE BAL ( ATW

DTL LEVEL ( LOW

SCENE FILE ( USER A

* When the camera is used with an RCU (RCB), those

items enclosed in parentheses can be adjusted with

the switches and controls on the RCU (RCB).

The word END is displayed only when the camera is

used alone.

INIT USER

-33-

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1 Gain Up Control Setting [GAIN: AGC LOW, AGC

HIGH, 0DB, 9DB, 18DB]

3 Electronic Shutter Speed Setting [SHUTTER: ELC,

OFF, 1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000,

1/10000, SYNCHRO]

When the mode is set to AGC LOW or AGC HIGH, the

AGC with a maximum gain increase of about 9 dB/18

dB operates to control gain up and automatically reg-

ulate the amount of light.

When the mode is set to ELC, the electronic shutter

speed is automatically controlled to regulate the

amount of light.

Normally, the mode should be set to 0DB. If a suffi-

cient video output is not obtained in shooting a dark

object even when the iris is fully opened, set the mode

to the 9DB or 18DB position.

• AGC convergence level, photometric method, and

detecting ratio can be set by INITIAL SET menu.

Note:

When the mode is set to OFF, the electronic shutter is

turned off. The mode is set to between 1/100 and

1/10000 represent respective shutter speeds.

Set the mode to SYNCHRO (synchro scan) for fine

adjustment of shutter speed.

* Refer to the table below for the relative light quantity

required for each setting of shutter speed and synchro

scan.

In using the AGC, it may not function when the iris

switch is in the manual position on the lens with

auto iris ON in the SETUP menu.

Shutter Speed

OFF

Synchro Scan

Required Light Ratio

1/100

159/525

63/525

31/525

15/525

7/525

2 Iris Control Setting [IRIS: MANU, AUTO]

When the mode is set to AUTO, lens iris is controlled

automatically with lens iris is A (auto) position.

• Auto iris convergence level, photometric method, and

detecting ratio can be set by INITIAL SET menu.

Note:

1/250

1/500

1/1000

1/2000

1/4000

1/10000

160

3/525

When the iris control is set to AUTO in this menu,

set the iris switch on the lens to the A (auto) posi-

tion. If the iris is set to MANU in this menu, set the

iris switch on the lens to the M (manual) position.

1/525

* ELC convergence level, photometric method, and

detecting ratio can be set by INITIAL SET menu.

When the mode is set to SYNCHRO, shutter speed

can be set by INITIAL SET menu.

Note: If the camera is used with an RCU (RCB), shut-

ter speeds of 1/250, 1/2000, 1/4000, 1/10000 can-

not be selected.

-34-

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When the mode is set to ELC, the electronic shutter

may not function if the iris is set to AUTO in the SETUP

menu and the lens iris switch to M (manual). Make

sure that the camera and lens settings are the same. If

ELC is selected, flicker may increase under fluores-

cent lights.

5 Detail Level Setting [DTL LEVEL: OFF, LOW, HIGH]

Use this mode to select any of three detail levels as

desired: HIGH, LOW, OFF.

* Low or high level ranges can be set by using a USER

SET menu.

6 Scene File Selection Setting [SCENE FILE: 1, 2, 3,

4 White Balance Setting [WHITE BAL: ATW, A CH, B

CH, MANU, P SET 3.2K, P SET 5.6K]

USER A, USER B]

Mode 1:

When the mode is set to ATW, white balance is auto-

matically adjusted at all times.

USER A/B -- User set

SCENE 1:

When the mode is set to A CH or B CH, with SETUP

menu OFF, white balance is automatically adjusted

with the AWC switch on the back of the camera. Color

temperature conditions of two scenes can be stored in

the A CH/B CH memories. When the painting mode is

ON, fine color adjustment can be made by red/blue

gain setting of INITIAL SET menu after AWC.

When the mode is set to MANU, white balance can be

adjusted by red/blue gain setting of INITIAL SET

menu.

SCENE 2:

SCENE 3:

Mode 2:

USER A/B -- User set

SCENE 1:

SCENE 2:

SCENE 3:

Mode 3:

USER A/B -- User set

SCENE 1:

When the mode is set to P SET 3.2K, white balance is

adjusted to 3200K illumination.

SCENE 2:

SCENE 3:

When the mode is set to P SET 5.6K, white balance is

adjusted to 5600K illumination.

Note:

Mode 4:

USER A/B -- User set

SCENE 1:

When the camera is used with an RCU (RCB), the

switch cannot be set to MANU, P SET 3.2K, or P

SET 5.6K.

SCENE 2:

SCENE 3:

* USER A and B have a memory for each operation

mode (8 in total).

-35-

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■ How to Read Screens

■ How to Set

(1) The cursor (blinking) moves each time the item switch

is pressed. The item indicated by the cursor can be

reset or its command can be executed.

Set parameter

(2) Use the Up and Down switches to change settings.

(3) When the page switch is pressed after moving the

cursor to INIT, the INITIAL SET menu will displayed.

(4) When the page switch is pressed after moving the

cursor to USER, the camera is ready for user setting.

(5) To terminate camera setup, move the cursor to END,

and press the page switch.

** SETUP **

GAIN

IRIS

AGC HIGH

Cursor (blinking)

AUTO

OFF

ATW

LOW

SHUTTER

WHITE BAL

DTL LEVEL

SCENE FILE

If the camera is used with an RCU (RCB), set the user

set switch to OFF.

USER A

The camera will then operate according to the set-

tings.

INIT USER END

To return to normal state (camera alone)

To enter user set state

To enter initial set state

INITIAL SET MENU SETTING

■ Initial Set Memory

The AW-E560 has an initial set memory, which stores data

on the states of the individual functions of the camera pre-

set before shipment from the factory.

Camera operating conditions can be set using the initial

set function.

The camera has a memory for each mode.

-36-

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■ Initial Set State

On No. 2 page, the light adjusting function that is now

ON is displayed on the second line from the top.

* When the camera is used with an RCU (RCB), those

items enclosed in parentheses can be adjusted with

the switches and controls on the RCU (RCB).

The word END is displayed only when the camera is

used alone.

(1) Display the SETUP menu by pressing the page button.

(2) Move the cursor to INIT and press the page switch.

The camera is initialized and the INITIAL set menu is

displayed on the monitor. Setup operation can be per-

formed at the camera head or RCU (RCB).

■ Initial Set Screen

<Camera with

NO.1 ** INITIAL **

RCU (RCB)>

R GAIN

B GAIN

T PED

+....I....-

OFF

R GAIN

B GAIN

T PED

(+....I....-)

OFF

R PED

B PED

PAINTING

B PED

PAINTING

RET

END

RET

NO.2 ** INITIAL **

AGC AUTO IRIS

NO.2 ** INITIAL **

AGC AUTO IRIS ELC

LEVEL

+....I....-

LEVEL

+....I....-

ALL

AREA

ALL

P....I....A

ADJ OFF

AREA

PEAK/AVG

AUTO IRIS

PEAK/AVG

AUTO IRIS

P....I....A

ADJ OFF

RET

END

RET

-37-

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NO.3 ** INITIAL **

SYNCHRO-SCAN 253/525

FLD/FRM

GAMMA

FIELD

OFF

FLD/FRM

GAMMA

FIELD

OFF

2D LPF

COLOR BAR

RET

END

RET

NO.4 ** INITIAL **

H PHASE

SC COARSE

SC FINE

+....I....-

H PHASE

(+....I....-)

0°

SC COARSE ( 0°

)

+....I....-

SC FINE

(+....I....-)

RET

END

RET

NO.5 ** INITIAL **

OUTPUT SEL1 R/G/B

OUTPUT SEL2 Y/C

OUTPUT SEL1 R/G/B

OUTPUT SEL2 Y/C

SYNC SEL

CAMERA ID

TIME DATE

0.3V

OFF

SYNC SEL

CAMERA ID

TIME DATE

0.3V

OFF

RET

END

RET

-38-

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7 Red gain adjustment [R GAIN]

8 Blue gain adjustment [B GAIN]

! AUTO IRIS/AGC/ELC Level Adjustment [LEVEL]

Convergence level of AUTO IRIS/AGC/ELC can be

adjusted.

When the white balance setting is set to MANU, white

balance can be adjusted by red/blue gain control.

Fine adjustment of white balance can also be made

after AWC by red/blue gain control when the white

balance setting is set to A CH or B CH and the paint-

ing mode is ON.

! Photometric Measurement Method Setting

[AREA: ALL, CENTER, TOP CUT, BOT CUT, R/L

CUT]

A photometric measurement method can be selected

for AUTO IRIS/AGC/ ELC.

* A memory is provided for each of MANU, A CH, and B

CH.

ALL:

All the screen area is measured.

If AWC is executed when the camera is used alone,

the memories for A CH and B CH return to the center.

CENTER: The screen is measured mainly in the cen-

ter area, about one-third each of the top

and bottom and one third each of the right

and left parts of the screen are cut out

from measurement.

9 Total Pedestal Adjustment [T PED]

The pedestal of the luminance (Y) signal can be set. It

is used to match the pedestals of two or more cam-

eras.

TOP CUT: About one-third of the top part of the

screen is cut out from measurement.

BOT CUT: About one-third of the bottom part of the

screen is cut out from measurement.

R/L CUT: About one-third each of the right and left

parts of the screen is cut out from mea-

surement.

! Red Pedestal Adjustment [R PED]

! Blue Pedestal Adjustment [B PED]

Fine adjustment of black balance can also be made

after ABC by red/blue pedestal adjustment when the

painting mode is ON.

* If ABC is executed when the camera is used alone,

the value of R/B PED returns to the center.

ALL

CENTER

R/L CUT

TOP CUT

! Painting Setting [PAINTING: ON/OFF]

If white balance is set to either A CH or B CH when the

painting switch is ON, fine adjustment of white bal-

ance can be made after AWC by red/blue gain con-

trol.

BOT CUT

Fine adjustment of black balance after ABC can also

be made by red/blue pedestal adjustment.

-39-

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! Detecting Ratio Adjustment [PEAK/AVG]

The ratio of AUTO IRIS/AGC/ELC detected peak to

average can be adjusted in a range of 9 steps.

! Gamma Correction ON/OFF Setting [GAMMA: ON,

OFF]

Gamma correction ON/OFF can be set.

* Gamma correction level can be set using a user set

menu.

! AUTO IRIS Level Fine Adjustment Setting

[AUTO IRIS: ADJ ON/ADJ OFF]

When the mode is set to ADJ ON, fine adjustment of

ALC/ AGC/ELC convergence level can be made with

the iris VR control on the RCU (RCB) if the camera is

used with an RCU (RCB) and the iris mode is set to

AUTO in the SETUP menu.

@ 2-Dimensional Lowpass Filter ON OFF Setting

[2D LPF: ON, OFF]

2D lowpass filter ON/OFF can be set to reduce cross

colors.

@ Color Bar Setting (COLOR BAR: 1, 2, 3, 4]

Color bars can be selected.

! Synchroscan Adjustment

[SYNCHRO-SCAN: 1/525 to 253/ 525]

1: SMPTE color bar with 0.0% setup

2: SMPTE color bar with 7.5% setup

3: Full color bar with 0.0% setup

4: Full color bar with 7.5% setup

Shutter speed can be adjusted when the shutter

speed mode is set to SYNCHRO in the SETUP menu.

In shooting a monitor screen, for example, set the

shutter speed mode is set to SYNCHRO and use this

item for shutter speed adjustment so that horizontal

bar noise will be reduced.

@ Horizontal Phase Adjustment [H PHASE]

Horizontal phase can be adjusted when a genlock sig-

nal is supplied.

! CCD Read Out Mode Setting [FLD/FRM: FIELD/

FRAME]

@ Sub Carrier Phase Coarse Adjustment

[SC COARSE: 0°, 90°, 180°, 270°]

The position FIELD means CCD field storage. The

position FRAME means frame storage, in which case

vertical resolution increases.

Coarse adjustment of sub carrier phase can be made

when a genlock signal is supplied.

FIELD: Set to this mode when shooting moving object

FRAME: Set to this mode when shooting still object

* It is recommended that the mode be normally kept at

FIELD because, if the mode is set to FRAME, residual

image will increase.

@ Sub Carrier Phase Fine Adjustment [SC FINE]

Fine adjustment of sub carrier phase can be made

when a genlock signal is supplied.

-40-

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■ How to Read Screens

@ Output Signal Setting 1

[OUTPUT SEL1: R/G/B, Y/C, Y/PR/PB]

Output signals from the VIDEO/RGB connector or

REMOTE connector on the back of the camera can be

selected.

Page No.

Set parameter

NO.1 ** INITIAL **

R GAIN

B GAIN

T PED

+....I....-

OFF

Cursor (blinking)

@ Output Signal Setting 2

[OUTPUT SEL2: Y/C, COMPOSITE]

Output signals from the VIDEO/RGB connector on the

back of the camera can be selected.

R PED

B PED

PAINTING

@ Synchronizing Signal Output Level Setting

[SYNC SEL: 0.3 V/4.0 V]

RET

END

The synchronizing signal output level from the VIDEO/

RGB connector on the back of the camera can be

selected.

To return to normal state (camera alone)

To return to setup state

@ Camera ID on/off setting [CAMERA ID : ON/OFF]

Used for camera ID setting and camera ID display on

the monitor.

■ How to Set

(1) The screen changes from one page to another each

time the page switch is pressed.

(2) The cursor (blinking) moves each time the item switch

is pressed. The item indicated by the cursor can be

reset or its command can be executed.

(3) Use the Up and Down switches to change settings.

(4) To return to the SETUP menu state, move the cursor to

RET and press the page switch.

@ Time Date on/off setting [TIME DATE : ON/OFF]

Used for time date setting and time date display on

the monitor.

(5) To return to the normal state, take the following steps.

If the camera is used alone, move the cursor to END,

and press the page switch.

If the camera is used with an RCU (RCB), set the user

set switch to OFF.

The camera will then operate according to the set-

tings.

-41-

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■ SETUP/INITIAL Set Memory Reset

The AW-E560 has a reset function, which restores the orig-

inal settings if the wrong data is set in SETUP or INITIAL

SET.

(1) Switch camera power off, and switch it back on.

(2) Complete the operation mode/scene file setting and

press the page switch. When the new settings for

reset are displayed, press the page switch again for

about 2 seconds while "CURR: MODE 1/SCENE 1" is

displaying on the screen then the screen shown at

right on the top appears.

RESET SETUP/INITIAL?

(MODE1)

YES : UP SW

NO : DOWN SW

Note: Display message of CURR: MODE 1/SCENE 1 is

changed by selected mode and scene file for

reset.

(3) If YES is selected by pressing the Up switch within

about 10 seconds after this screen is shown, the

setup/initial set memory is reset, a message appears

as shown at right on the center, and the operation

returns to normal state.

NOW RESET

SETUP/INITIAL MEMORY

(4) Unless NO is selected by pressing the Down switch

within about 10 seconds after the shown in Step (3)

above appears, or unless the Up switch or the Down

switch is pressed in 10 seconds or more after the

screen shown in Step (3) appears, the reset operation

is suspended as indicated by the screen at right on

the bottom and the operation returns to normal state.

NON RESET

-42-

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USER SETUP MENU SETTING

■ Scene File Memory

■ User Setting

The AW-E560 has five scene file memories, of which three

are preset before shipment from the factory. When the

scene file menu mode is set to [1], [2], or [3], the camera

operates under the preset conditions.

The remaining two, USER A and USER B, can be set as

desired.

(1) Display the SETUP menu.

(2) Select the USER A or USER B of scene file from the

SETUP menu.

(3) Move the cursor to USER, and press the page switch.

The camera is now in the user set state, and the USER

set screen appears on the monitor.

User set operation can be performed at the camera

head or RCU (RCB).

Each mode is provided with five scene files.

■ User Set Screens

NO.1

USER A

* 0DB

CURR NEW

.45 .45

98 98%

110 110%

31 31

NO.1

USER A

* 0DB

CURR NEW

.45 .45

98 98%

110 110%

31 31

(.35-.55)

*GAMMA(NOR)

*GAMMA(SHT)

KNEE POINT

*GAMMA(NOR)

*GAMMA(SHT)

KNEE POINT

WHITE CLIP

*H.DTL LEVEL H

*V.DTL LEVEL H

*H.DTL LEVEL L

*V.DTL LEVEL L

*H.DTL LEVEL H

*V.DTL LEVEL H

*H.DTL LEVEL L

*V.DTL LEVEL L

31 31

15 15

RET

END

RET

∗ Data of those items marked "*" can be stored in the memory at each of the gain levels (0, 9, 18 dB).

-43-

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NO.2

USER A

* 0DB

NO.2

USER A

* 0DB

( 2- 5)

CURR NEW

( 2- 5)

*DTL BAND

*NOISE SUP

*LEVEL DEP

*CHROMA DTL

DARK DTL

CURR NEW

*DTL BAND

*NOISE SUP

*LEVEL DEP

*CHROMA DTL

DARK DTL

RET

END

RET

NO.3

USER A

* 0DB

NO.3

USER A

* 0DB

(-25- 25)

MATRIX(R-G)

(R-B)

CURR NEW

(-25- 25)

MATRIX(R-G)

(R-B)

CURR NEW

(G-R)

(G-B)

(B-R)

(B-G)

FLARE RED

GREEN

FLARE RED

GREEN

BLUE

END

BLUE

RET

-44-

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# Gamma Compensation Level Setting

[GAMMA (NOR): .35 to .55]

# Detail Band Level Setting

[DTL BAND: 1 to 5]

[GAMMA (SHT): .35 to .55]

The contour correction band at high or low frequen-

cies can be set.

The larger the number, the finer the detail.

Gamma correction level can be set.

[GAMMA (NOR)] can be set when the electronic shut-

ter is OFF (normal state), or [GAMMA (SHT)] when it is

ON.

# Noise Suppress Compensation Level Setting

[NOISE SUP: 0 to 10]

# Knee Compensation Level Setting

[KNEE POINT: 88% to 98%]

Screen noise can be reduced when high or low detail

level is set. If noise suppress correction level is set too

high, however, fine detail objects will appear less dis-

tinct.

The level of video signals subject to knee correction

(knee point) can be set.

# White Clip Level Setting

[WHITE CLIP: 95% to 110%]

The peak level of video signals to be white-clipped

can be set.

# Level Dependent Compensation Level Setting

[LEVEL DEP: 0% to 25%]

Screen noise in the dark parts of an objects if

processed by the detail signal can be reduced. If level

dependent correction level is set too high, however,

fine detail objects like hair, for example, may appear

less distinct.

# Horizontal Detail High Level Setting: LEVEL HIGH

[H. DTL LEVEL H]

Vertical Detail High Level Setting: LEVEL HIGH

[V. DTL LEVEL H]

Horizontal Detail Low Level Setting: LEVEL LOW

[H. DTL LEVEL L]

Vertical Detail Low Level Setting: LEVEL LOW

[V. DTL LEVEL L]

# Chroma Aperture Compensation Level Setting

[CHROMA DTL: 0 to 15]

The contours of the highly color saturated part of an

object can be emphasized.

Detail level, high or low, horizontal or vertical, can be

set.

# Dark Detail Level Setting

[DARK DTL: 0 to 5]

The range of detail setting is 0 to 63, provided that

HIGH must be set at least 1 level higher than LOW.

The contours of the dark part of an object can be

emphasized.

-45-

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Note:

■ How to Read Screens

Dark detail setting is invalid unless level dependent

correction level [LEVEL DEP] is set to 0.

Page No.

Gain

# Matrix Compensation Level Setting

[MATRIX (R-G): -25% to 25%]

NO.1

USER A

* 0DB

CURR NEW

.45 .45

98 98%

110 110%

31 31

(.35-.55)

Cursor (blinking)

*GAMMA(NOR)

*GAMMA(SHT)

KNEE POINT

[MATRIX (R-B): -25% to 25%]

[MATRIX (G-R): -25% to 25%]

[MATRIX (G-B): -25% to 25%]

[MATRIX (B-R): -25% to 25%]

Item indicated by

cursor can be set

or reset.

WHITE CLIP

*H.DTL LEVEL H

*V.DTL LEVEL H

*H.DTL LEVEL L

*V.DTL LEVEL L

31 31

[MATRIX (B-G): -25% to 25%]

15 15

Matrix compensation level can be adjusted.

(R-G): To increase or decrease the intermediate

color between red and magenta

RET

END

(R-B): To increase or decrease the intermediate

color between red and yellow

(G-R): To increase or decrease the intermediate

color between green and cyan

(G-B): To increase or decrease yellowish green

(B-R): To increase or decrease the intermediate

color between blue and cyan

New settings

Current settings

To return to normal state

To return to SETUP menu state

Those marked * have data at each of gain levels (0, 9, 18

dB), and can be set to suit gain level. (In case of AGC,

operation takes place at 0-dB gain level.)

(B-G): To increase or decrease purple

■ How to Set

$ Flare Compensation Level Setting

[FLARE RED: 0 to 100]

(1) The screen changes from one page to another each

time the page switch is pressed.

(2) The cursor (blinking) moves each time the item switch

is pressed. The item indicated by the cursor can be

reset or its command can be executed.

[FLARE GREEN: 0 to 100]

[FLARE BLUE: 0 to 100]

Flare correction level can be adjusted.

* Flare correction level has already been adjusted prior

to shipment from the factory.

(3) Use the Up and Down switches to change settings.

-46-

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(4) To return to the SETUP menu state, move the cursor to

RET and press the page switch.

(5) To change gain up, move the cursor to GAIN in the

SETUP menu, and use the Up or Down switch. (This

applies in cases where the camera is used alone.)

(6) To return to the normal state, do the following steps.

If the camera is used alone, move the cursor to END,

and press the page switch.

If the camera is used with an RCU (RCB), set the user

set switch to OFF.

The camera will then operate according to the set-

tings.

■ User Set Memory Reset

The AW-E560 has a reset function, which restores the orig-

inal settings if wrong data is entered in USER SET A or

USER SET B setting.

(1) Switch camera power off, and switch it back on.

(2) Complete the operation mode/USER file setting and

press the page switch. When the new settings for

reset are displayed, press the page switch again for

about 2 seconds while "CURR: MODE 1/USER A" is

displaying on the screen then the screen shown at

right on the top appears.

RESET USER A?

(MODE1)

YES : UP SW

NO : DOWN SW

(In case of USER B, RESET USER B? appears on the

screen.)

(3) If YES is selected by pressing the Up switch within

about 10 seconds after the screen shown in Step (2)

appears, the user set memory is reset, a message

appears as shown at right, and the operation returns

to normal state.

NOW RESET

USER A MEMORY

(In case of USER B, NOW RESET USER B MEMORY

appears on the screen.)

-47-

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(4) Unless NO is selected by pressing the Down

(DOWN/BAR) switch within about 10 seconds after the

screen shown in Step (2) above appears, or unless

the Up (UP/ABC) switch or the Down (DOWN/BAR)

switch is pressed in 10 seconds or more after the

screen shown in Step (2) appears, the reset operation

is suspended as indicated by the screen at right, and

the operation returns to normal state.

CAMERA INSTALLATION

The camera can be mounted using the mounting hole on

top or the one in the bottom of the camera as shown

below.

The mounting hole has a standard 1/4-20" thread designed

for pan-head screws, such as those used on tripods.

NON RESET

Caution:

If this camera will be mounted on a tripod or mounting

bracket, Each must be capable of supporting four times

the total weight of the camera.

-48-

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■ Camera ID Set Screen

CAMERA ID SETTING

■ Camera ID

The AW-E560 has a camera ID function, which enables

you to mix the set characters with video output.

The maximum number of characters that can be set is 16.

Camera ID and display position are the same in all modes.

** CAMERA ID **

ABCDEFGHIJKLM

NOPQRSTUVWXYZ

0123456789

().,'"_←:_→;&#!?=

+-*/%$

■ Camera ID Setting

(1) Select the page No. 5 of the INITIAL SET menu.

(2) Move the cursor to CAMERA ID, and press the page

switch for 2 seconds or more.

←

→

SPACE

POSI RET END RESET

The camera is ready for ID setting, and its screen

appears on the monitor.

AW-E560.........

Camera ID can be set at the camera head or RCU

(RCB).

** CAMERA ID **

ABCDEFGHIJKLM

NOPQRSTUVWXYZ

0123456789

().,'"_←:_→;&#!?=

+-*/%$

←

→

SPACE

POSI RET END RESET

AW-E560.........

-49-

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■ How to Read Screens

Item switch: To move the cursor 1 line down

Up switch: To move the cursor 1 position left

Down switch: To move the cursor 1 position right

** CAMERA ID **

UP SW DOWN SW

←

→

Cursor

ABCDEFGHIJKLM

NOPQRSTUVWXYZ

0123456789

().,'"_←:_→;&#!?=

+-*/%$

↓

ITEM SW

Characters that

can be set

(2) To enter a character for camera ID, press the page

switch when the cursor is on the desired character.

The character is set, and is shown on the bottom line

of the screen.

Command

←

→

SPACE

POSI RET END RESET

(3) If the page switch is pressed when the cursor is at ←,

the cursor moves from the set character to one posi-

tion left.

(4) If the page switch is pressed when the cursor is at →,

the cursor moves from the set character to one posi-

tion right.

Set characters

(". " indicates a space.)

AW-E560.........

Cursor (blinking)

indicates next character

position.

(5) If the page switch is pressed when the cursor is at

SPACE, a blank is left.

(6) If the page switch is pressed when the cursor is at

POSI, camera ID display position is ready to be set.

(7) If the page switch is pressed when the cursor is at

RESET, all the set characters are erased.

(8) To return to the INITIAL SET menu state, move the cur-

sor to RET and press the page switch.

■ Camera ID Setting

(1) Display the page No.5 of the INITIAL SET menu.

(2) Move the cursor to CAMERA ID, and press the page

switch for more than 2 seconds to display the camera

ID setting mode.

(9) To return to the normal state, do the following steps.

If the camera is used alone, move the cursor to END,

and press the page switch.

■ How to Set

(1) Move the cursor (blinking) using the item switch, Up

switch, or Down switch, and select characters or a

command to set.

If the camera is used with an RCU (RCB), set the user

set switch to OFF.

-50-

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■ Camera ID Display Position

■ How to Set

Camera ID display position can be set as desired.

(1) Move the set camera ID using the item switch, Up

switch, or Down switch.

Item switch: To move the cursor 1 line down with

each press

■ Camera ID Display Position Setting

(1) Set a camera ID.

Up switch:

To move the cursor 1 position left with

each press

(2) Move the cursor to POSI, and press the page switch.

Camera ID display position is ready to be set, and its

screen appears on the monitor.

Down switch: To move the cursor 1 position right with

each press

Camera ID display position can be set at the camera

head or RCU (RCB).

Note:

UP SW

←

→

DOWN SW

↓

Unless a camera ID has been set, camera ID dis-

play position will not be ready for setting.

ITEM SW

If the item switch is pressed when the cursor is at the

bottom line, the cursor moves to the top line.

Even if the Up switch is pressed when the camera ID

is at the far left end, its position will not change.

Even if the Down switch is pressed when the camera

ID is at the far right end, its position will not change.

If the camera ID is positioned over time/date display

using the item switch, it moves 1 line below time/date.

If the camera ID is positioned over time/date display

using the Up/Down switch, no change is made in its

position.

■ Camera ID Position Set Screen

Camera ID display

(blinking)

AW-E560

02-23-93

18:40

Time/date display

Camera ID cannot be

positioned to overlap

time/date.

(2) To return to the camera ID set screen, press the page

switch.

(3) When the camera is used alone, it cannot directly

return to the normal state.

If the camera is used with an RCU (RCB), set the user

set switch to OFF.

-51-

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TIME/DATE SETTING

(1) Display the page No. 5 of the INITIAL SET menu.

(2) Move the cursor to TIME DATE, and press the page

switch for 2 seconds or more.

■ Time/Date Setting

The AW-E560 has a time/date function, which enables you

to mix year/month/day/hours/minutes with video output.

Time/date display position is the same in all modes.

The camera is ready for time/date setting, and its

screen appears on the monitor.

Time/date can be set at the camera head or RCU

(RCB).

■ Time/Date Set Screen

** TIME DATE **

ITEM ....SHIFT

** TIME DATE **

ITEM ....SHIFT

....SET

02-23-93

18:40

02-23-93

18:40

POSI RET END

POSI RET

-52-

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■ How to Set

■ Time/Date Display Position Set Screen

(1) Select the date and time positions to change, or a

command, using the item switch.

(2) To change time/date, use the Up switch.

The set value increases each time the Up switch is

pressed. Stop pressing it when the desired figure

appears.

Camera ID display

(If the Up switch is kept depressed, the figure increas-

es rapidly.)

position

AW-E560

It cannot be over time/

date display.

(3) If the page switch is pressed when the cursor is at

POSI, time/date display position is ready to be set.

(4) To return to the INITIAL SET menu screen, move the

cursor to RET, and press the page switch.

(5) To return to the normal state, do the following steps.

If the camera is used alone, move the cursor to END,

and press the page switch.

Time/date display

(blinking)

02-23-93

18:40

■ How to Set

If the camera is used with an RCU (RCB), set the user

set switch to OFF.

(1) Move the set time/date display position using the item

switch, Up switch, or Down switch.

Item switch: To move the cursor 1 line down

■ Time/Date Display Position

Up switch:

To move the cursor 1 position left

Time/date display position can be set as desired.

Down switch: To move the cursor 1 position right

■ Time/Date Display Position Setting

(1) Set time/date.

(2) Move the cursor to POSI, and press the page switch.

Time/date display position is ready to be set, and its

screen appears on the monitor.

UP SW

←

→

DOWN SW

↓

ITEM SW

Time/date display position can be set at the camera

head or RCU (RCB).

-53-

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RANGE OF SETUP/INITIAL SET AND THEIR INITIAL VALUES

VIDEO

INDOOR and

PURPOSE

ITEM

INDOOR

MODE1

MICROSCOPE

MODE3

PROCESSING

OUTDOOR

MODE2

MODE4

GAIN

IRIS

0dB

AUTO

OFF

Ach

AGC HIGH

AUTO

ELC

Ach

LOW

SCENE1

CENTER

OFF

AGC LOW

MANU

ELC

Ach

LOW

0dB

MANU

OFF

Ach

LOW

SCENE1

CENTER

OFF

SHUTTER

WHITE BAL

DTL LEVEL

SCENE FILE

R GAIN

B GAIN

T PED

R PED

B PED

PAINTING

LEVEL

AREA

PEAK/AVG

AUTO IRIS

SYNCHRO-SCAN

FLD/FRM

GAMMA

SETUP MENU

LOW

SCENE1

CENTER

OFF

CENTER

TOP CUT

CENTER

ADJ OFF

253/525

FIELD

SCENE1

CENTER

OFF

CENTER

ADJ OFF

253/525

FIELD

INITIAL SET

PAGE 1

CENTER

ALL

CENTER

ALL

INITIAL SET

PAGE 2

CENTER

ADJ OFF

253/525

FIELD

CENTER

ADJ OFF

253/525

FIELD

INITIAL SET

PAGE 3

2D LPF

OFF

COLOR BAR

H PHASE

SC COARSE

SC FINE

OUTPUT SEL 1

OUTPUT SEL 2

SYNC SEL

CAMERA ID

TIME DATE

CENTER

0°

CENTER

Y/PR/PB

COMPOSITE

0.3V

CENTER

0°

CENTER

Y/C

COMPOSITE

0.3V

OFF

CENTER

0°

CENTER

R/G/B

Y/C

0.3V

OFF

CENTER

0°

CENTER

R/G/B

Y/C

0.3V

OFF

INITIAL SET

PAGE 4

INITIAL SET

PAGE 5

OFF

-54-

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RANGE OF SCENE FILE/USER SET AND THEIR INITIAL VALUES

SCENE/USER FILE AND THEIR INITIAL VALUE (MODE1 : )

ITEM

SCENE 1

SCENE 2

18dB 0dB 9dB

SCENE 3

18dB 0dB 9dB

USER A

18dB 0dB

USER B

18dB 0dB

0dB

0.40

110

9dB

←

9dB

←

18dB

0.45

GAMMA (NOR)

GAMMA (SHT)

KNEE POINT

WHITE CLIP

H DTL LEVEL H

V DTL LEVEL H

H DTL LEVEL L

V DTL LEVEL L

DTL BAND

NOISE SUP

LEVEL DEP

CHROMA DTL

DARK DTL

MATRIX (R-G)

(R-B)

←

0.45

0.40

←

0.45

0.40

←

0.45

0.40

←

0.45

0.40

←

−15

−3

−15

−3

(G-R)

(G-B)

(B-R)

(B-G)

FLARE R

Remarks

Standard

Chroma High

Back light

Standard

Compensation

Compensation,

Chroma High

Note: The value for FLARE R, G and B are not indicated in this table. The value is differ from camera by camera.

-55-

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SCENE/USER FILE AND THEIR INITIAL VALUE (MODE2 : )

ITEM

SCENE 1

SCENE 2

18dB 0dB 9dB

SCENE 3

18dB 0dB 9dB

USER A

18dB 0dB

USER B

18dB 0dB

0dB

0.45

110

9dB

←

9dB

←

18dB

0.55

GAMMA (NOR)

GAMMA (SHT)

KNEE POINT

WHITE CLIP

H DTL LEVEL H

V DTL LEVEL H

H DTL LEVEL L

V DTL LEVEL L

DTL BAND

NOISE SUP

LEVEL DEP

CHROMA DTL

DARK DTL

MATRIX (R-G)

(R-B)

←

0.55

0.45

←

0.55

0.35

←

0.45

←

0.55

0.45

←

−20

←

(G-R)

(G-B)

←

(B-R)

(B-G)

FLARE R

Remarks

Standard

Under fluores-

cent light

Low light

Standard

Note: The value for FLARE R, G and B are not indicated in this table. The value is differ from camera by camera.

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SCENE/USER FILE INITIAL VALUE (MODE3 : )

ITEM

SCENE 1

SCENE 2

18dB 0dB 9dB

SCENE 3

18dB 0dB 9dB

USER A

18dB 0dB

USER B

18dB 0dB

0dB

0.40

110

9dB

←

9dB

←

18dB

←

GAMMA (NOR)

GAMMA (SHT)

KNEE POINT

WHITE CLIP

H DTL LEVEL H

V DTL LEVEL H

H DTL LEVEL L

V DTL LEVEL L

DTL BAND

NOISE SUP

LEVEL DEP

CHROMA DTL

DARK DTL

MATRIX (R-G)

(R-B)

←

−8

−5

−14

−5

−20

−23

−22

(G-R)

(G-B)

(B-R)

−25

(B-G)

FLARE R

Remarks

Standard Output

for printer

Output for

Panasonic Monitor

Output for

Another monitor

Standard Output

for printer

Standard Output

for printer

Note: The value for FLARE R, G and B are not indicated in this table. The value is differ from camera by camera.

-57-

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SCENE/USER FILE AND THEIR INITIAL VALUE (MODE4 : )

ITEM

SCENE 1

SCENE 2

18dB 0dB 9dB

SCENE 3

18dB 0dB 9dB

USER A

18dB 0dB

USER B

18dB 0dB

0dB

0.45

110

9dB

←

9dB

←

18dB

0.55

GAMMA (NOR)

GAMMA (SHT)

KNEE POINT

WHITE CLIP

H DTL LEVEL H

V DTL LEVEL H

H DTL LEVEL L

V DTL LEVEL L

DTL BAND

NOISE SUP

LEVEL DEP

CHROMA DTL

DARK DTL

MATRIX (R-G)

(R-B)

←

0.55

0.45

←

0.55

0.45

←

0.55

0.45

←

0.55

0.45

←

(G-R)

←

(G-B)

←

(B-R)

←

(B-G)

←

FLARE R

Remarks

Image Capturing

Detail High

Chroma detail off

Dark Detail off

Image Capturing

Note: The value for FLARE R, G and B are not indicated in this table. The value is differ from camera by camera.

-58-

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SPECIFICATIONS

Pickup element

Pixels

Scanning

1/2" interline, supersensitive CCD

768 (H) x 494 (V) pixels

2:1 interlace

System

NTSC

Scanning frequency

Lens mount

Synchronizing

External sync input

Sensitivity

Minimum illumination

Signal-to-noise ratio

Horizontal resolution

Registration

15.734 kHz (horizontal), 59.94 Hz (vertical)

1/2" standard bayonet mount

Internal or external

VBS, BB, HD, VD

2000 lux, F9.5, 3200 K

5 lux, F1.4, +18 dB

62 dB (typical)

800 TV lines (high band, DTL ON)

0.05%

Contour correction

White balance

Black balance

Color bar

Horizontal and vertical

Auto (2 memories), 3200 K/5600 K, MANU, ATW

AUTO

SMPTE, full color bar (Setup 0/7.5)

Y, R-Y, B-Y

Encoder

Shutter speed

Gain

Gamma correction

Storage mode

Iris

1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000, MANU (1/15000 to 1/62)

0 dB, 9 dB, 18 dB, AGC

ON/OFF switchable

Field/frame switchable

AUTO, ELC

Video output

Composite: 1 Vp-p (75 Ω)

R/B/G: 0.7 Vp-p (75 Ω)

Y: 1 Vp-p (75 Ω)

C: Same as VBS chroma level(75 Ω)

PR: 0.7 Vp-p (75 Ω)

PB: 0.7 Vp-p (75 Ω)

Sync: 4 V/0.3 V (75 Ω) switchable

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Source voltage

Power consumption

Operating temperature

Storage temperature

Dimensions

12 V DC

12.0 W

14°F to +113°F (−10°C to +45°C)

4°F to +140°F (−20°C to +60°C)

3-3/16" (W) x 3-3/8" (H) x 6-5/8" (D) [81 (W) x 86 (H) x 169 (D) mm]

2.64 lbs. (1.2 kg)

Weight

Weight and dimensions indicated are approximate.

Specifications are subject to change without notice.

STANDARD ACCESSORIES

Body cap ........................................................................... 1

4 pin connector for EXT DC IN .......................................... 1

OPTIONAL ACCESSORIES

Connection Cable (Dsub-Dsub)

Multiplex Adaptor

WV-PS550

WV-CA9T9 (9-pin - 9-pin, approx. 16ft/5m)

Conversion Cable (for AG-B640 or AU-B110)

WV-CA4C4P

Connection Cable (Dsub-BNC)

WV-CA9T5 (9-pin - BNC, approx. 16ft/5m)

Studio Cable (for WV-RC700A)

WV-CA26U15 (26-pin - 26-pin, approx. 50ft/15m)

WV-CA26U30 (26-pin - 26-pin, approx. 100ft/30m)

WV-CA26U100 (26-pin - 26-pin, approx. 330ft/100m)

Joint Connector WV-CA26T26 (26-pin - 26-pin))

RCB Cable (for WV-CB700A)

Remote Control Unit (RCU) WV-RC550

Remote Control Unit (RCU) WV-RC700A

Remote Control Box (RCB) WV-CB700A

RCU Rack Mount Frame

Computer Interface Adaptor WJ-PC500

Lens Extension Cable

WV-CA12T12 (12-pin - 12-pin, approx. 6”/15 cm)

Conversion Cable (for WV-CB700A)

WV-CA20T10 (20-pin - 10-pin, approx. 3ft/1m)

Conversion Cable (for WV-RC700A)

WV-Q70

WV-CA26T20 (26-pin - 20-pin, approx. 10ft/3m)

WV-CA10B25 (10-pin - 10-pin, approx. 80ft/25m)

WV-CA10B50 (10-pin - 10-pin, approx. 160ft/50m)

Mounting Bracket

WV-831

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Broadcast & Television Systems Company

Division of Matsushita Electric Corporation of America

Executive Office: One Panasonic Way 3F-5, Secaucus, NJ 07094

Regional Offices:

EASTERN ZONE: 50 Meadowlands Parkway, Secaucus, NJ 07094 (201) 348-7620

CENTRAL ZONE: 1707 North Randall Road, Elgin, IL 60123 (847) 468-5200

SOUTHERN ZONE:

Atlanta Region: 1225 Northbrook Parkway, Suite 1-160, Suwanee, GA 30024

Panazip 11 (770) 338-6841, fax (770) 338-6741

Law Enforcement Video Products: 1225 Northbrook Parkway, Suite 1-160, Suwanee, GA

30024, Panazip 11 (770) 338-6844, fax (770) 338-6721

WESTERN ZONE:

Seattle Region: 1200 Westlake Ave., North, Suite 508, Seattle, WA 98109 (206) 285-8883

Los Angeles Region: 6550 Katella Ave. 17A-1, Cypress, CA 90630 (714) 373-7271

Government Marketing Department: 52 West Gude Drive, Rockville, MD 20850 (301) 738-3840

PANASONIC CANADA INC.

5770 Ambler Drive, Mississauga, Ontario, L4W 2T3 Canada (905) 624-5010

PANASONIC SALES COMPANY

DIVISION OF MATSUSHITA ELECTRIC OF PUERTO RICO, INC.

San Gabriel Industrial Park, 65th Infantry Ave. KM. 9.5 Carolina, Puerto Rico 00630 (809) 750-4300

N1097-0

7J1A095A

Printed in Japan

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