User's Manual
16-CHANNEL MIXING
CONSOLE/WITH
GHIBLI 16/
GHIBLI 16FX
DIGITAL EFFECTS
R
Version 1.2 September 2006
English
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TABLE OF CONTENTS
1. INTRODUCTION...........................................................................................................................................3
2. FEATURES...................................................................................................................................................3
3. READY TO START.......................................................................................................................................3
4. CONTROL ELEMENTS...............................................................................................................................4
5. INSTALLATION AND CONNECTION........................................................................................................10
6. PRESET LIST.............................................................................................................................................13
7. SYSTEM BLOCK DIAGRAMS...................................................................................................................14
8. TECHNICAL SPECIFICATION...................................................................................................................16
9. WARRANTY................................................................................................................................................17
2
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1. INTRODUCTION
Thank you very much for expressing your confidence in LTO products by purchasing GHIBLI 16(FX) 16-Channel Mixing
Console. You will get the smooth, accurate more natural and open sound from this apparatus, and it is really ideal for small
gigs, recording and fixed PA installations. The GHIBLI 16(FX) is packed with features that can not be found in other con
soles of its size: 4 mono (these are provided with ultra low noise microphone preamplifiers and Phantom Power at +18 Volt)
and 4 stereo input channels, and each mono channel with 3 bands EQ + Mid Frequency sweep and MUTE function; highly
accurate 4-segment bar graph meters; built-in high efficiency digital effects processor for GHIBLI 16FX only;
Your GHIBLI 16(FX) is very easy to operate but we advise you to go through each section of this manual carefully. In this
way you will get the best out of your GHIBLI 16(FX).
2. FEATURES
The GHIBLI 16(FX) 16-Channel Mixing Console is designed for professional application. It provides the following features:
Mono channels with 3 bands EQ + Mid Frequency sweep and MUTE function.
TUBE SOUND COMPRESSOR on the MIC1-4 channels + De-esser function.
Insert function for all mono channels.
Surround processor with center and surround out + Stereo Bass Enhancer.
Extremely high headroom offering more dynamic range
Balanced ultra low noise microphone inputs with "HIGH END PREAMP"
Suitable for live, studio and home applications
2 AUX Control per mono channel for internal/external effects and monitoring
High-quality, low tolerance components for highest results.
Rugged construction ensures long life and durability
External power supply design for professional applications.
3. READY TO START
3.1 There is a small black box provided with your GHIBLI 16(FX). This is the specific 18V AC input adapter. Connect
the proper terminal into your GHIBLI 16(FX) and the adapter into an AC socket.
3.2 Be sure that the main power switch is turned off before connecting the mixer to the AC socket. Also, You should
make sure that all input and output controls are turned down before connecting the AC adapter. This will avoid
damage to your speakers and avoid excessive noise.
3.3 You shall turn on the mixer BEFORE the power amplifier and turn the mixer off AFTER the power amplifier once
you have finished your working session.
3.4 Before disconnecting the GHIBLI 16(FX) always turn off the power switch.
3.5 Do not use solvents to clean your GHIBLI 16(FX). A dry and clean cloth will be OK.
3
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4. CONTROL ELEMENTS
GHIBLI 16
R
MIC 1
MIC 2
MIC 3
MIC 4
GHIBLI 16
16-CHANNEL MIXING CONSOLE
CENTER &
SURROUND OUT
CH5 LEFT IN (MONO) CH7 LEFT IN (MONO)
2
1
2
1
2
1
2
1
3
3
3
3
MIC IN (BAL)
MIC IN (BAL)
MIC IN (BAL)
MIC IN (BAL)
CH6 RIGHT IN
CH8 RIGHT IN
AUX1 OUT
LEFT
OUT
BALANCED +4dBu
LINE IN (UNBAL)
LINE IN (UNBAL)
LINE IN (UNBAL)
LINE IN (UNBAL)
CH9-10 IN (LEFT)
CH13-14 IN (LEFT)
AUX2 OUT
RIGHT
OUT
CH12-11 IN (RIGHT)
CH16-15 IN (RIGHT)
INSERT
INSERT
INSERT
INSERT
PHONES
BALANCED +4dBu
LOW CUT
HARD
100Hz
SOFT
LOW CUT
HARD
100Hz
SOFT
LOW CUT
HARD
100Hz
SOFT
LOW CUT
HARD
100Hz
SOFT
OFF
OFF
OFF
OFF
BYPASS COMP DE-ES
BYPASS COMP DE-ES
BYPASS COMP DE-ES
BYPASS COMP DE-ES
GAIN
GAIN
GAIN
GAIN
CLIP
0dB
CLIP
0dB
CLIP
0dB
CLIP
0dB
MIC 0
LINE -20
50
+30
MIC 0
LINE -20
50
+30
MIC 0
LINE -20
50
+30
MIC 0
LINE -20
50
+30
0dB
0dB
0dB
0dB
HIGH
HIGH
HIGH
HIGH
15KHz
15KHz
15KHz
15KHz
-15
-15
+15
+15
5K
-15
-15
+15
+15
5K
-15
-15
600
-15
+15
+15
5K
-15
-15
+15
+15
5K
0dB
0dB
0dB
0dB
MID
MID
MID
MID
1KHz
1KHz
1KHz
1KHz
MID
freq
Hz
MID
freq
Hz
MID
freq
Hz
MID
freq
Hz
OPERATING
BASS ENHANCER
0dB
0dB
600
600
600
0dB
AUX1
pre
AUX1
pre
0dB
0dB
0dB
0dB
LOW
80Hz
LOW
80Hz
LOW
80Hz
LOW
80Hz
BYPASS
ON
8
8
-
-
+10
+10
center
8
center
-15
+15
+10
+10
-15
+15
+10
+10
+15
+10
+10
-15
+15
+10
+10
-
+10
PHONES
PAN
PAN
0dB
0dB
0dB
0dB
0dB
0dB
0dB
0dB
AUX1
pre
AUX1
pre
AUX1
pre
AUX1
pre
LEFT
Left
Right
Left
Right
8
8
8
8
-20 -10
0
10
-
-
-
-
0dB
0dB
LEVEL
LEVEL
AUX2
post
AUX2
post
AUX2
post
AUX2
post
RIGHT
8
8
8
8
8
8
-
+10
-
+10
-
-
-
-
center
center
center
center
PAN
PAN
PAN
PAN
5-6
0dB
7-8
0dB
AUX1
pre
AUX1
pre
Left
Right
Left
Right
Left
Right
Left
Right
CH
ON
CH
ON
CH
ON
CH
ON
8
8
-
-
+10
+10
MUTE
LEVEL
MUTE
LEVEL
MUTE
LEVEL
MUTE
LEVEL
0dB
0dB
0dB
0dB
0dB
0dB
LEVEL
LEVEL
8
8
8
8
8
8
-
+10
-
+10
-
-
-
-
+10
+10
+10
+10
1
2
3
4
MAIN MIXX LEVEL
9-12
13-16
4
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GHIBLI 16FX
R
MIC 1
MIC 2
MIC 3
MIC 4
FX
GHIBLI 16
16-CHANNEL MIXING CONSOLE
WITH DIGITAL EFFECTS
CENTER &
CH5 LEFT IN (MONO) CH7 LEFT IN (MONO)
2
1
2
1
2
1
2
1
SURROUND OUT
3
3
3
3
MIC IN (BAL)
MIC IN (BAL)
MIC IN (BAL)
MIC IN (BAL)
CH6 RIGHT IN
CH8 RIGHT IN
AUX1 OUT
LEFT
OUT
BALANCED +4dBu
LINE IN (UNBAL)
LINE IN (UNBAL)
LINE IN (UNBAL)
LINE IN (UNBAL)
CH9-10 IN (LEFT)
CH13-14 IN (LEFT)
AUX2 OUT
RIGHT
OUT
CH12-11 IN (RIGHT)
CH16-15 IN (RIGHT)
INSERT
INSERT
INSERT
INSERT
PHONES
BALANCED +4dBu
LOW CUT
HARD
100Hz
SOFT
LOW CUT
HARD
100Hz
SOFT
LOW CUT
HARD
100Hz
SOFT
LOW CUT
HARD
100Hz
SOFT
OFF
OFF
OFF
OFF
1
2
3
4
5
8
9
12
13
16
VIBRAFLANGE
FUNKY
ROCKABILLY
BIGSTAGE
1
16
10
2
BYPASS COMP DE-ES
BYPASS COMP DE-ES
BYPASS COMP DE-ES
BYPASS COMP DE-ES
15
14
13
12
11
3
7
4
GAIN
GAIN
GAIN
GAIN
VIBRATO
FLANGER
CHORUS
5
6
CLIP
0dB
CLIP
0dB
CLIP
0dB
CLIP
0dB
8
9
MIC 0
LINE -20
50
+30
MIC 0
LINE -20
50
+30
MIC 0
LINE -20
50
+30
MIC 0
LINE -20
50
+30
PRESETS
0dB
0dB
0dB
0dB
HIGH
HIGH
HIGH
HIGH
15KHz
15KHz
15KHz
15KHz
PEAK
-15
-15
+15
+15
5K
-15
-15
+15
+15
5K
-15
-15
600
-15
+15
+15
5K
-15
-15
+15
+15
5K
8
8
-
+10
FX LEVEL
-
+10
REVERB LEVEL
0dB
0dB
0dB
0dB
MID
MID
MID
MID
1KHz
1KHz
1KHz
1KHz
MID
freq
Hz
MID
freq
Hz
MID
freq
Hz
MID
freq
Hz
OPERATING
BASS ENHANCER
0dB
0dB
600
600
600
0dB
AUX1
pre
AUX1
pre
0dB
0dB
0dB
0dB
LOW
80Hz
LOW
80Hz
LOW
80Hz
LOW
80Hz
BYPASS
ON
8
8
-
-
+10
center
+10
center
8
-15
+15
+10
+10
-15
+15
+10
+10
+15
+10
+10
-15
+15
+10
+10
-
+10
PHONES
PAN
PAN
0dB
0dB
0dB
0dB
0dB
0dB
0dB
0dB
AUX1
pre
AUX1
pre
AUX1
pre
AUX1
pre
LEFT
Left
Right
Left
Right
8
8
8
8
-20 -10
0
10
-
-
-
-
0dB
0dB
LEVEL
LEVEL
AUX2
post
AUX2
post
AUX2
post
AUX2
post
RIGHT
D
F
X
D
F
X
D
F
X
D
F
X
8
8
8
8
8
8
-
+10
-
+10
-
-
-
-
center
center
center
center
PAN
PAN
PAN
PAN
5-6
0dB
7-8
0dB
AUX1
pre
AUX1
pre
Left
Right
Left
Right
Left
Right
Left
Right
CH
ON
CH
ON
CH
ON
CH
ON
8
8
-
-
+10
+10
MUTE
LEVEL
MUTE
LEVEL
MUTE
LEVEL
MUTE
LEVEL
0dB
0dB
0dB
0dB
0dB
0dB
LEVEL
LEVEL
8
8
8
8
8
8
-
+10
-
+10
-
-
-
-
+10
+10
+10
+10
1
2
3
4
MAIN MIXX LEVEL
9-12
13-16
5
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4.1 THE MIC/LINE INPUT
1
These are Channel 1 through Channel 4. You can connect balanced, low
impedance microphones or a low level signal to the XLR socket. On the
1/4" Line jack you can connect either a microphone or a line level instru-
ment .
MIC 1
Note: You shall never connect an unbalanced microphone to the XLR
socket if you do not want to damage both the microphone and the mixer.
Also, it is not possible to simultaneously use both the MIC&LINE inputs
on the same channel, use only one of them for the appropriate source on
each channel.
2
1
3
1
MIC IN (BAL)
- PHANTOM POWER +18 Volts
It is available only on the XLR input sockets. Please make sure the power
switch is turned off before connecting a microphone to the XLR input.
LINE IN (UNBAL)
4.2 MONO CHANNEL INSERT
2
2
Insert points are provided for mono MIC channels, which can allow you to
patch external signal processing devices into signal path. When you insert
a TRS jack in the insert socket, the signal will be taken out after the channel
compressor, sent to an external processor, and returned into the channel
strip immediately before the EQ section. Of course, the jacks used must be
stereo (Tip Send/Ring Return).
INSERT
4.3 STEREO INPUT (CH5~CH16)
3
Each stereo channel comes with two unbalanced line level inputs on 1/4"
TRS jacks, which are used to connect left and right input signals. Use the
LEFT input when connect a mono input signal to the STEREO INPUT. The
last two stereo channels feature an original and exclusive double stereo
input for each stereo channel. This feature allows you to connect two stereo
sources at the same time for each stereo channel, enlarging the real
number of signals you can manage at the same time.
CH5 LEFT IN (MONO) CH7 LEFT IN (MONO)
CH6 RIGHT IN
CH8 RIGHT IN
3
CH9-10 IN (LEFT)
CH13-14 IN (LEFT)
CH12-11 IN (RIGHT)
CH16-15 IN (RIGHT)
4.4 LOW CUT
4
By pushing this switch you will activate a 100Hz low frequency filter that
provides a precise cut for frequencies under 100Hz. You can use this facility
to reduce the hum noise infected by the mains power supply, or the stage
rumble while using a microphone.
4.5 THE TUBE SOUND COMPRESSOR SWITCH
5
The TSC switch (on the first 4 channels) activates the TUBE SOUND
COMPRESSOR and let you choose between Compressor and De-esser
functions. The two yellow LEDs show the amount of compression applied
to the input signal. Two algorithms are provided, one for soft compression
with a threshold level of 0dB, and one for hard limiting with a threshold
level of around +10dB. This dynamic processor works on the very entry
stage of the channel and it can avoid also the channel clipping, maintain
the best signal-to-noise ratio. The compression algorithm applied to the
sound is shown by two yellow LEDs.
6
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4.6 CLIP LED/0dB LED
6
The green LED illuminates when the signal overpasses the 0dB level,
the red CLIP LED illuminates when the channel is going into overload.
If the CLIP LED becomes permanently on, reduce the amount of gain.
To have best signal-to-noise ratio set the gain so that the green 0dB LED
becomes lighted.
LOW CUT
4.7 INPUT LEVEL SETTING
7
4
5
HARD
This control is provided with 2 different indication rings: one is for the
MIC input and the other for the LINE input. When you use a MIC input
you shall read the INSIDE ring (0~50dB); when you use a LINE input
you shall read the OUTSIDE ring (-20~+30dB).
OFF
100Hz
SOFT
BYPASS COMP DE-ES
GAIN
4.8 The 3 BANDS EQUALISER
CLIP
0dB
6
7
8
- HI
8
0
MIC
LINE -20
50
+30
This is the treble control. You can use it to get rid of high frequency noises
or to boost the sound of cymbals or the high harmonics of the human
voice. The gain range goes from -15dB to +15dB with a center frequency
of 15kHz.
0dB
HIGH
15KHz
-15
+15
+15
5K
- MID
9
0dB
MID
This is the midrange control. It can affect most fundamental frequencies
of all musical instruments and human voice. An attentive use of this
control will give you a very wide panorama of sound effects. The gain
range goes from -15dB to +15dB.
9
-15
1KHz
MID
freq
Hz
- MID FREQUENCY SWEEP
10
This control allow to choose the ceuter frequency of the mid band in a
range going from 600Hz to 5KHz.
10
11
600
0dB
LOW
- LOW
80Hz
11
This is the bass control. It is used to boost male voice, kickdrum or bass
guitar. Your system will sound much bigger than what it is. The gain range
goes from -15dB to +15dB and the center frequency is 80Hz.
-15
+15
+10
+10
0dB
0dB
AUX1
pre
4.9 AUX 1& 2
12
This control is used to adjust the level of respective channel signal sent
to the Auxiliary Bus. The configuration of AUX1 is pre-fader so the signal
sent to the AUX Bus 1 will not be affected by the LEVEL control of that
particular channel. The AUX2 is post-fader so the signal sent to AUX Bus
2 will be affected by the channel LEVEL control. In this GHIBLI 16FX,
The AUX2 signal also feeds the internal digital effect processor.
8
-
12
13
AUX2
post
D
F
X
8
-
center
PAN
4.10 PAN
13
This is the PANORAMA control. You can adjust the stereo image of the
signal via this control. Keep this control in center position and your signal
will be positioned in the middle of stage. Turn this control fully counter-
clockwise and the signal will be present only on the left speaker and vice-
versa. Of course a wide number of intermediate positions are available.
Left
Right
CH
ON
14
15
MUTE
LEVEL
0dB
4.11 MUTE SWITCH
14
8
-
+10
Mono channels are provided with a MUTE switch that allows to switch on
and off the channel signal, both on Left and Right buses and on AUX ones.
1
4.12 LEVEL
15
This control will adjust the overall level of this channel and set the amount
of signal sent to the Main output, and to the Surround and Center outputs.
7
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4.13 AUX1 pre
16
The AUX1 control allows to manage the signals coming from the
stereo inputs and send them to AUX1 output in order to feed the
monitors. The level of this signal is not affected by the channel
LEVEL control.
0dB
0dB
AUX1
pre
AUX1
pre
16
17
8
8
-
-
+10
+10
center
center
4.14 PAN
17
PAN
PAN
This control allows to choose the position of a mono input signal into
the stereo field. It allows also to modify the amount of left and right
level for a stereo input signal (balance function).
Left
Right
Left
Right
0dB
0dB
LEVEL
LEVEL
18
8
8
4.15 LEVEL
18
-
+10
-
+10
5-6
0dB
7-8
0dB
It determines the amount of the input signal on the main mix (LEFT
and RIGHT output) and on the Surround and Center outputs.
AUX1
pre
AUX1
pre
19
20
8
8
-
-
4.16 AUX1 pre
+10
+10
19
0dB
0dB
LEVEL
LEVEL
The AUX1 control allows to manage the signals coming from the
stereo inputs and send them to AUX1 output in order to feed the
monitors. The level of this signal is not affected by the channel
LEVEL control.
8
8
-
+10
-
+10
9-12
13-16
4.17 LEVEL
20
It is channel's LEVEL control and it determines the amount of the
input signals on the main mix (LEFT and RIGHT output) and on the Surr-
ound and Center outputs.
4.18 24 BIT DIGITAL EFFECTS (For GHIBLI 16FX Model only)
- PRESETS
21
Adjust this knob to select the right effect you wish to perform. There are total 16 options for you: Vibraflange, Funky,
Rockabilly, Bigstage, Vibrato, Flanger and Chorus etc.
- FX LEVEL CONTROL
This control is used to adjust the output level of FX signal, which can be varied from - to 10dB.
- REVERB LEVEL CONTROL
This control is used to adjust the output level of REVERB signal, which can be varied form - to 10dB.
- PEAK LED
22
23
24
This LED will illuminate when the internal effect signal is too high and possibly distorted.
In case of the digital effect module being muted, this LED also lights up.
1
2
3
4
5
8
9
12
13
16
VIBRAFLANGE
FUNKY
ROCKABILLY
BIGSTAGE
1
16
2
3
7
15
14
13
12
11
4
VIBRATO
FLANGER
CHORUS
5
21
22
6
10
8
9
PRESETS
PEAK
24
8
8
-
+10
FX LEVEL
-
+10
REVERB LEVEL
24
8
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4.19 OPERATING LED
25
The operating LED, when is on, shows that the main power
supply is present and the mixer is operating.
25
OPERATING
BASS ENHHANCER
0dB
4.20 PHONES
28
26
26
BYPASS
ON
This control sets the amount of signal sent to the PHONES
output.
8
-
+10
PHONES
4.21 VU METER
LEFT
27
-20 -10
0
10
27
29
It is the output VU meter of the mixer, it shows both the left
and right output signal level.
RIGHT
4.22 BASS ENHANCER
28
This is the BASS ENHANCER processor switch. Inserting this
processor it is possible to increase and optimize the general per-
formance at low frequency of the mixer.
4.23 MAIN MIX LEVEL
29
This control sets the amount of signal sent to the MAIN MIX
LEFT and RIGHT outputs.
MAIN MIXX LEVEL
4.24 CENTER & SURROUND OUT
30
This is Center and Surround output of the mixer. You can pick
up their signals using an insert cable.
4.25 AUX1 OUT
31
This is the AUX1 output, it is useful to connect active monitors
to the mixer.
R
30
31
32
33
FX
16-CHANNEL MIXING CONSOLE
GHIBLI 16
4.26 AUX2 OUT
32
WITH DIGITAL EFFECTS
CENTER &
SURROUND OUT
This is the AUX2 output, using its signal it is possible to feed
an external effect processors, wiring the effect return to one
of the stereo channels of the mixer.
AUX1 OUT
4.27 PHONES
33
LEFT
OUT
This socket will be used to send the signal to a pair of head-
phones as well as active monitors.
BALANCED +4dBu
34
AUX2 OUT
4.28 MAIN MIX OUTPUT
34
This stereo output is controlled by the MAIN MIX LEVEL on
the front panel and will send the audio signal to an external
amplifier. It is electronically balanced and it has got a profe-
ssional standard level of +4dBu. You can use both for stereo
and for surround system wiring.
RIGHT
PHONES
BALANCED +4dBu
OUT
4.29 REAR PANEL
- POWER SUPPLY
Used to connect the supplied 24V AC adapter, supplied by LTO company only.
- POWER ON/OFF SWITCH
35
36
This switch is used to turn the main power ON and OFF.
36 35
MODEL
SERIAL
POWER POWER
ON
SUPPLY
9
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5. INSTALLATION AND CONNECTION
Ok, you have got to this point and you are now in the position to successfully operate your GHIBLI 16(FX). However,
we advise you to read carefully the following section to be the real master of your own mixer. Not paying enough
attention to the input signal level, to the routing of the signal and the assignment of the signal will result in unwanted
distortion, a corrupted signal or no sound at all. So you should follow these procedures for every single channel:
1). Before connecting mics or instruments, make sure that the power of all your systems components including the
mixer is turned off. Also, make sure that all input and output controls of your mixer are turned down. This will avoid
damage to your speakers and avoid excessive noise.
2). Properly connect all external devices such as microphone, power amplifier, speakers etc.
3). Connect the 24V AC adapter to the mixer and main power.
4). Now, turn on the power of any perpheral devices, and then power up the mixer.
Note: the power amplifier or powered monitors shall be turned on after the mixer and turned off before the mixer.
5). Set the output level of your GHIBLI 16(FX) or the connected power amplifier at no more than 75%.
6). Now, set the PHONE level at no more than 50%.
7). Set HI, MID and LOW EQ controls on the middle position
8). Set panoramic controls on the middle position.
9). While speaking into the mic (or playing the instrument), adjust the channel level control so to maintain a good
headroom and ideal dynamic range.
10). You can shape the tone of each channel by adjusting the equalizer controls as desired.
11). Now repeat the same sequence for all other input channels. The Main LED Meter could move up into the red section.
In this case you can adjust the overall output level through the MAIN MIX control.
12). For GHIBLI 16FX, you can select desired DSP sound effects via PRESET and FX & REVERB LEVEL controls.
10
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5.1 SOME FINAL TIPS ON WIRING CONFIGURATION
You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schemes.
Ring=Right Signal
Tip
Sleeve
Ring
Strain Clamp
Tip=Left Signal
Sleeve=Ground/Screen
Use for Headphone
1/4" Stereo (TRS) Jack Plug
Tip
Sleeve
Tip=Signal
Strain Clamp
Sleeve=Ground/Screen
Use for Mono Line In, Mono 1/4"Jack Plugs
1/4" Mono (TS) Jack Plug
Ring=Return Signal
Tip
Ring
Sleeve
Strain Clamp
Tip=Send Signal
Sleeve=Ground/Screen
Use for Insert Points
1/4" Stereo (TRS) Jack Plug
2
2
1
1
2=Hot(+)
2=Hot(+)
1=Ground/Screen
1=Ground/Screen
3
3
3=Cold(-)
Use for Balanced Mic Inputs
(For unbalanced use, connect pin 1 to 3)
3=Cold(-)
Use for Main output
(For unbalanced use, leave pin 3 unconnected)
3-pin XLR Male Plug
(seen from soldering side)
3-pin XLR Line Socket
(seen from soldering side)
11
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Ring=Return Signal (Connected together)
To Channel Insert
Sleeve=Ground/Screen
Tip=Signal
To Tape or FX Input
Sleeve=Ground/Screen
'Tapped' Connection Direct Output Lead
(Enables the Insert to be used as a Direct Output
while maintaining the channel signal flow)
To Processor Input
Sleeve=Ground/Screen
Tip
Tip=Send Signal
To Channel Insert
Ring=Return Signal
Ring
Sleeve
To Processor Output
-Stereo lead for insert Connection
(To be used when the processor does not employ a
single jack connection for the In/Out Connections)
12
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6. PRESET LIST FOR GHIBLI 16FX
Eff.1 Variat (REVERB)
Spring Rev.
Spring Rev.
Tape Rev.
Eff.2 Variat (FX)
Position
Name
Vibraflange
Funky
1
2
Waves
Funky style
Rockabilly
Bigstage
Slow & Soft Flanger
3
Solo Flanging
4
Hall Rev.
Vibrato modul. Speed 4
Vibrato modul. Speed 3
Vibrato modul. Speed 2
Vibrato modul. Speed 1
Flanger modul. Speed 3 + mod. Depth + Feedbk
Flanger modul. Speed 4 + mod. Depth + Feedbk
Flanger modul. Speed 2
Flanger modul. Speed 1
Chorus modul. Speed 4
Chorus modul. Speed 3
Chorus modul. Speed 2 + mod. Depth
Chorus modul. Speed 1
5
Vibrato4
Vibrato3
Vibrato2
Vibrato1
Flanger4
Flanger3
Flanger2
Flanger1
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
6
7
8
9
10
11
12
13
14
15
16
Chorus4
Chorus3
Chorus2
Chorus1
13
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7. SYSTEM BLOCK DIAGRAMS
GHIBLI 16
2
X - A U
A U X
1 -
S U B T - H G R I
S U B - T F L E
14
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7. SYSTEM BLOCK DIAGRAMS
GHIBLI 16
2
X - A U
A U X
1 -
S U B T - H G R I
S U B - T F L E
14
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8. TECHNICAL SPECIFICATION
Mono input channels
Microphone input
electronically balanced
15Hz to 20kHz, +/3dB
Bandwidth
Distortion (THD & N)
Gain range
0.007% at +4dBu, 1kHz, Bandwidth 20KHz
0dB to 50dB (MIC)
SNR (Signal to Noise Ratio)
Line input
unbalanced
15Hz to 60kHz, +/3dB
0.007% at +4dBu, 1kHz, Bandwidth 60KHz
-20dBu to +30dBu
Bandwidth
Distortion (THD & N)
Line level range
Max input level
Line input
Stereo input channels
+10dBu
unbalanced
Bandwidth
10Hz to 55kHz, +/3dB
0.007% at +4dBu, 1kHz, Bandwidth 80KHz
Distortion (THD & N)
Equalization
Hi shelving
+
+
+
15dB @12kHz
15dB @600~5kHz
15dB @80Hz
Mid bell
Low shelving
Max output
Main Mix Section
+26dBu balanced
+22dBu unbalanced
+22dBu unbalanced
AUX Sends max out
Phones Out
Center, Surround output
Signal-to-Noise Ratio
+22dBu unbalanced
112dB, all channels at Unity Gain
USA/Canada ~115VAC, 60Hz;
Europe ~230VAC, 50Hz;
U.K./Australia ~240VAC, 50Hz
Japan ~100VAC, 60Hz
Power Supply (AC/AC Adapter) Main voltage
Physical
Dimension (W D H)
270mm 198mm 43mm
1.73Kg
Net weight
Shipping weight
2.45Kg
16
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9. WARRANTY
10.1 WARRANTY REGISTRATION CARD
To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty Registration Card
within10 days of the Purchase Date.
All the information presented in this Warranty Registration Card gives the manufacturer a better understanding
of the sales status, so as to purport a more effective and efficient after-sales warranty service.
Please fill out all the information carefully and genuinely, miswriting or absence of this card will void your warranty
service.
10.2 RETURN NOTICE
a. In case of return for any warranty service, please make sure that the product is well packed in its original shipping
carton, and it can protect your unit from any other extra damage.
b. Please provide a copy of your sales receipt or other proof of purchase with the returned machine, and give detail
information about your return address and contact telephone number.
c. A brief description of the defect will be appreciated.
d. Please prepay all the costs involved in the return shipping, handling and insurance.
10.3 TERMS AND CONDITIONS
a. LTO warrants that this product will be free from any defects in materials and/or workmanship for a period
of 1 year from the purchase date if you have completed the Warranty Registration Card in time.
b. The warranty service is only available to the original consumer, who purchased this product directly from the
retail dealer, and it can not be transferred.
c. During the warranty service, LTO may repair or replace this product at its own option at no charge to you for
parts or for labor in accordance with the right side of this limited warranty.
d. This warranty does not apply to the damages to this product that occurred as the following conditions:
Instead of operating in accordance with the user's manual thoroughly, any abuse or misuse of this product.
Normal tear and wear.
The product has been altered or modified in any way.
Damage which may have been caused either directly or indirectly by another product / force / etc.
Abnormal service or repairing by anyone other than the qualified personnel or technician.
And in such cases, all the expenses will be charged to the buyer.
e. In no event shall LTO be liable for any incidental or consequential damages. Some states do not allow the exclu-
sion or limitation of incidental or consequential damages, so the above exclusion or limitation may not apply to you.
f. This warranty gives you the specific rights, and these rights are compatible with the state laws, you may also
have other statutory rights that may vary from state to state.
17
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SEIKAKU TECHNICAL GROUP LIMITED
No. 1, Lane 17, Sec. 2, Han Shi West Road, Taichung 40151, Taiwan
All rights reserved to ALTO. All features and content might be changed
without prior notice. Any photocopy, translation, or reproduction of part of this
c
manual without written permission is forbidden. Copyright
2006 SEIKAKU GROUP
NF01889-1.2
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