Nikon Digital Camera 1 V2 Black User Manual

DIGITAL CAMERA

Reference Manual

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Getting the Most from Your Camera

Table of Contents

Introduction

Auto Mode

t, u, v, and w Modes

Best Moment Capture Mode

Advanced Movie Mode

Motion Snapshot Mode

See Also

For information on toggling photo info on or off, see page 81. See page

89 for information on slide shows.

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Deleting Pictures

To delete the current picture, press O. Note that once deleted, pic-

tures can not be recovered.

1 ^{Display the photograph.}

Display the photograph you wish to delete as described on

the preceding page.

2 ^{Press O.}

A confirmation dialog will be dis-

played.

O button

3 ^{Delete the photograph.}

Press O again to delete the picture and

return to playback, or press K to exit

without deleting the picture.

Deleting Multiple Pictures

The Delete option in the playback menu (0 87) can be used to delete

selected pictures, all pictures, or pictures taken on selected dates.

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Recording Movies in Auto Mode

In auto mode, the movie-record button

can be used to shoot movies with sound

at an aspect ratio of 16 : 9 (the movie

crop is shown in the display). Press the

movie-record button to start and stop

recording.

Movie-record button

Taking Photographs During Recording

Photographs can be taken at any time dur-

ing recording by pressing the shutter-

release button all the way down. Movie

recording is not interrupted.

See Also

See page 56 for information on viewing

movies.

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t, u, v, and w Modes

t, u, v, and w modes offer varying

degrees of control over shutter speed

and aperture. Choose a mode and adjust

settings according to your creative intent.

❚❚ Adjusting Settings

In t, u, v, and w modes, the settings below can be accessed

directly from the shooting display. Press the & button and rotate

the command dial to highlight a setting and press the dial to

select.

Picture Control (0 136)

White balance (0 130)

Focus mode (0 149)

Metering (0 128)

ISO sensitivity (0 135)

AF-area mode (0 153)

Once selected, the setting can be

changed by rotating the command dial.

Press the dial again to save changes and

exit to shooting mode.

Available Settings

For information on the options available in t, u, v, and w modes, see

page 181.

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Taking Photos in t, u, v, and w Modes

t Programmed Auto

In this mode, the camera automatically adjusts shutter speed

and aperture for optimal exposure in most situations. This mode

is recommended for snapshots and other situations in which

you want to leave the camera in charge of shutter speed and

aperture.

❚❚ Choosing a Combination of Shutter Speed and Aperture

Although the shutter speed and aperture

chosen by the camera will produce opti-

mal results, you can also choose from

other combinations that will produce the

same exposure (“flexible program”).

Rotate the command dial right for large

Command dial

apertures (low f-numbers) that blur back-

ground details or fast shutter speeds that

“freeze” motion. Rotate the dial left for

small apertures (high f-numbers) that

increase depth of field or slow shutter

speeds that blur motion. U is displayed

while flexible program is in effect.

Restoring Default Shutter Speed and Aperture Settings

To restore default shutter speed and aperture settings, rotate the com-

mand dial until U is no longer displayed, choose another mode, rotate

the mode dial, or turn the camera off. The default shutter speed and

aperture is automatically restored when the camera enters standby

mode.

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u Shutter-Priority Auto

In shutter-priority auto, you choose the shutter speed while the

camera automatically selects the aperture that will produce the

optimal exposure. Use slow shutter speeds to suggest motion by

blurring moving subjects, fast shutter speeds to “freeze” motion.

Fast shutter speed (¹

/16 00 s)

Slow shutter speed (1 s)

❚❚ Choosing a Shutter Speed

Rotate the command dial right for faster

shutter speeds, left for slower shutter

speeds. Choose from values between

30 s and

4000 s. The electronic shutter,

which can be enabled either by selecting

On for Silent photography (0 125) or

by choosing a frame rate of 15, 30, or

60 fps (0 125) in continuous shooting

Command dial

mode (0 63), supports shutter speeds as

fast as

16,000 s; the slowest shutter speed

available with the electronic shutter is

30 s (silent photography) or

and 60 fps continuous).

60 s (15, 30,

Continuous Shooting

The selected shutter speed may change

when continuous shooting (0 63) is in effect.

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v Aperture-Priority Auto

In aperture-priority auto, you choose the aperture while the

camera automatically selects the shutter speed that will produce

the optimal exposure. Large apertures (low f-numbers) reduce

depth of field, blurring objects behind and in front of the main

subject. Small apertures (high f-numbers) increase depth of

field, bringing out details in the background and foreground.

Short field depths are generally used in portraits to blur back-

ground details, long field depths in landscape photographs to

bring the foreground and background into focus.

Large aperture (f/5.6)

Small aperture (f/16)

❚❚ Choosing an Aperture

Rotate the command dial right for

smaller apertures (higher f-numbers), left

for larger apertures (lower f-numbers).

The minimum and maximum values

depend on the lens currently in use.

Command dial

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w Manual

In manual exposure mode, you control both shutter speed and

aperture.

❚❚ Choosing Shutter Speed and Aperture

Adjust shutter speed and aperture with

reference to the exposure indicator (see

below). Shutter speed is set by rotating

the command dial right for faster speeds

and left for slower speeds: choose from

values between 30 s and

4000 s (30 s and

Command dial

16,000 s when the electronic shutter is

enabled by selecting On for Silent pho-

tography, or

/60 s and /16,000 s when the

electronic shutter is enabled by selecting

a frame rate of 15, 30, or 60 fps in contin-

uous shooting mode; 0 63, 125), or

select “Bulb” or “Time” to hold the shutter

open indefinitely for a long time-expo-

sure. Aperture is selected by rotating the

multi selector clockwise for smaller aper-

tures (higher f-numbers) and counter-

clockwise for larger apertures (lower f-numbers): choose from

values between the minimum and maximum for the lens.

Continuous Shooting

The selected shutter speed may change when continuous shooting

(0 63) is in effect.

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The Exposure Indicator

When shutter speeds other than “Bulb” or “Time” are selected, the

exposure indicator shows whether the photograph would be under- or

over-exposed at current settings.

Optimal exposure

Underexposed by ¹

/3EV

Overexposed by over 2 EV

❚❚ Long Time-Exposures (Manual Exposure Mode Only)

Select the following shutter speeds for

long time-exposures of moving lights,

the stars, night scenery, or fireworks.

• Bulb: The shutter remains open while

the shutter-release button is held down.

To prevent blur, use a tripod.

• Time: Requires an optional ML-L3

remote control (0 170). Start the expo-

sure by pressing the ML-L3 shutter-

release button. The shutter remains

open until the button is pressed a sec-

ond time.

1 ^{Ready the camera.}

Mount the camera on a tripod or place it on a stable, level sur-

face. To prevent loss of power before the exposure is com-

plete, use a fully charged EN-EL21 battery or an optional

EH-5b AC adapter and EP-5D power connector. Note that

noise (bright spots, randomly-spaced bright pixels, or fog)

may be present in long exposures; before shooting, choose

On for Long exposure NR in the shooting menu (0 146).

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2 ^{Choose a shutter speed.}

Select mode w and choose a shutter

speed as follows:

• Bulb: Rotate the command dial left

until “Bulb” is selected for shutter

speed.

• Time: Rotate the command dial left

until “Bulb” is selected for shutter

speed, and then select # (remote

control mode) for Continuous/self-

timer (0 63).

Command dial

3 ^{Open the shutter.}

Bulb: After focusing, press the shutter-release button all the

way down. Keep the shutter-release button pressed until the

exposure is complete.

Time: Press the ML-L3 shutter-release button all the way down.

The shutter will open immediately or after a two-second

delay.

4 ^{Close the shutter.}

Bulb: Take your finger off the shutter-release button.

Time: Press the ML-L3 shutter-release button all the way down.

Shooting ends automatically after two minutes. Note that some

time may be required to record long exposures.

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Recording Movies in t, u, v, and w Modes

In t, u, v, and w modes, the movie-

record button can be used to shoot

movies with sound at an aspect ratio of

16 : 9 (the corners of the movie crop are

shown in the display). Press the movie-

record button to start and stop record-

ing. Note that regardless of the mode

selected, movies are recorded using

programmed auto exposure; to adjust

exposure when shooting movies, select

advanced movie mode (0 49).

Movie-record button

Taking Photographs During Recording

Photographs can be taken at any time during recording by pressing the

shutter-release button all the way down. Movie recording is not inter-

rupted.

See Also

See page 56 for information on viewing movies.

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Best Moment Capture Mode

This mode is ideal for fast-changing, hard-to-capture subjects.

Choose when to release the shutter as the scene plays back in

slow motion (slow view), or let the camera choose the best shot

based on composition and motion (Smart Photo Selector).

Slow View

In this mode, the camera captures a short sequence of still

images and plays them back in slow motion so that you can

choose the precise moment for a photograph. While the shutter-

release button is pressed halfway, the camera records up to 40

frames over about 1.3 s and plays them back in a continuous

slow-motion loop. When the frame you want to keep is dis-

played, press the shutter-release button the rest of the way

down to record the current frame and discard the remaining

images.

1 ^{Select u mode.}

Rotate the mode dial to u.

Available Settings

For information on the options available in best moment capture

mode, see page 181.

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2 ^{Frame the photograph.}

Compose the photograph with your

subject in the center of the frame.

3 ^{Press the shutter-release button halfway.}

The camera will focus (0 24) and then,

over a span of about 1.3 s, record 40

frames to a temporary memory buffer.

4 ^{View the buffer contents.}

Progress indicator

Keep the shutter-release button

pressed halfway to play the frames in

the buffer back in a continuous loop

about 6 s long. The position of the cur-

rent frame is shown by a progress indi-

cator.

The Capture Illuminator

The optional SB-N5 flash unit is equipped with a capture illuminator

which lights during buffering (0 74).

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5 ^{Record the desired frame.}

Press the shutter-release button all

the way down to record the current

frame and discard the remaining

images. To exit without recording a

photograph, release the button with-

out pressing it all the way down.

❚❚ Choosing a Capture Mode

Pressing the & button in best moment

capture mode displays the following

options. Rotate the command dial to

highlight the desired capture mode and

press the dial to select.

• Slow view: Take pictures in slow view

mode (0 41).

& button

• Smart Photo Selector: Take pictures using

the Smart Photo Selector (0 44).

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Smart Photo Selector

Choose Smart Photo Selector mode to let the camera help you

take photos that capture a fleeting expression on the face of a

portrait subject or other hard-to-time shots such as group pho-

tos in party scenes. Each time the shutter is released, the camera

automatically selects the best shot and a number of best shot

candidates based on composition and motion.

1 ^{Select u mode.}

Rotate the mode dial to u.

2 ^{Select Smart Photo Selector mode.}

Press &, then rotate the command dial

to highlight Smart Photo Selector

and press the dial to select.

& button

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3 ^{Frame the photograph.}

Compose the photograph with your

subject in the center of the frame.

4 ^{Begin buffering photographs.}

Press the shutter-release button half-

way to focus (0 24). An icon will be

displayed as the camera begins

recording images to the memory

buffer. The camera continuously

adjusts focus to account for changes

in the distance to the subject while

the shutter-release button is pressed

halfway.

Buffering

Buffering begins when the shutter-release button is pressed halfway

and ends after about 90 seconds or when the shutter-release button is

pressed all the way down.

Shutter-release

button pressed

halfway to focus

Shutter-release button

pressed all the way

down

Shooting ends

Buffering

The optional SB-N5 flash unit is equipped with a capture illuminator

which lights during buffering (0 74). Buffering ends automatically and

the capture illuminator turns off after shooting or if the shutter-release

button is kept pressed halfway for about six seconds.

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5 ^Shoot.

Smoothly press the shutter-release

button the rest of the way down. The

camera will compare shots recorded

to the buffer both before and after the

shutter-release button was pressed all

the way down, and select five to copy

to the memory card. Note that some

time may be required. The best pic-

ture is displayed in the monitor when

recording is complete.

Smart Photo Selector Files

Do not delete the “NCSPSLST.LST” file from the “NCFL” folder on the

memory card or change the file names of images taken with the Smart

Photo Selector. The camera will no longer recognize the affected files

as Smart Photo Selector images and will instead handle them as inde-

pendent photographs.

See Also

Use the Number of shots saved option in the shooting menu to

choose the number of shots selected by the Smart Photo Selector

(0 125).

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Viewing Photos Taken with the Smart Photo Selector

Press K and use the multi selector to

display photographs taken with the

Smart Photo Selector (0 30; pictures

taken with the Smart Photo Selector are

indicated by a y icon). Of the photo-

graphs recorded by the Smart Photo

K button

Selector, only the best shot will be dis-

played (when you press the multi selec-

tor right to view the next picture, the

camera will skip over the best shot can-

didates, with the result that the next pic-

ture displayed will not have a file

number that immediately follows that of

the current picture). To end playback

and return to shooting mode, press the

shutter-release button halfway.

Choosing the Best Shot

When a photograph taken with the

Smart Photo Selector is displayed, you

can choose the best shot by pressing J.

Press 4 or 2 to view the other pictures

in the sequence and press J to select

the current picture as the best shot. To

return to normal playback, press D.

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Deleting Pictures

Pressing O when a picture taken with the

Smart Photo Selector is selected displays

a confirmation dialog; press O again to

delete the best shot and the best shot

candidates, or press K to exit without

deleting the pictures. Note that once

deleted, pictures can not be recovered.

O button

Deleting Individual Photographs

Pressing the O button in the best shot selec-

tion dialog displays the following options;

highlight an option using the multi selector

and press J to select.

• This image: Delete the current photo (note

that the picture currently selected as the

best shot can not be deleted).

• All except best shot: Delete the best shot candidates, but not picture cur-

rently selected as the best shot.

A confirmation dialog will be displayed; to delete the selected image or

images, highlight Yes and press J.

Best Moment Capture Mode

The camera automatically chooses a scene mode appropriate to the

subject. Movies can not be recorded, and pressing the movie-record

button has no effect. The flash can not be used.

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Advanced Movie Mode

Choose this mode to film slow-motion movies or to shoot high-

definition (HD) movies in mode t, u, v, or w.

HD Movies

Record movies with sound at an aspect ratio of 16 : 9.

1 ^{Select advanced movie mode.}

Rotate the mode dial to v. An HD

movie crop with an aspect ratio of

16 : 9 will appear in the display.

2 ^{Frame the opening shot.}

Frame the opening shot with your

subject in the center of the display.

Available Settings

For information on the options available in advanced movie mode, see

page 183.

The 0 Icon

A 0 icon indicates that movies can not be recorded.

See Also

For information on choosing an exposure mode, see page 122. Frame

size and frame rate options are described on page 126.

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3 ^{Start recording.}

Press the movie-record button to

begin recording. A recording indica-

tor, the time elapsed, and the time

available are displayed while record-

ing is in progress.

Audio Recording

Movie-record button

Be careful not to cover the microphone

and note that the built-in microphone

may record sounds made by the camera

or lens. By default, the camera focuses

continuously; to avoid recording focus

noise, select a focus mode of AF-S (0 149).

The Movie sound options item in the

shooting menu offers sensitivity and wind

noise options for both built-in and exter-

nal microphones (0 147).

Recording indicator/

Time elapsed

Time available

4 ^{End recording.}

Press the movie-record button again

to end recording. Recording will end

automatically when the maximum

length is reached (0 126), the mem-

ory card is full, another mode is

selected, the lens is removed, or the

camera becomes hot (0 xvi).

Movie-record button

Maximum Length

At default settings, HD movies can be up to 4 GB in size and 20 min-

utes in length (for more information, see page 126); note that

depending on memory card write speed, shooting may end before

this length is reached (0 172).

Focus and Exposure Lock

Focus and exposure will lock while the A (multi selector up) button is

pressed (0 129, 1 54).

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❚❚ Taking Photographs During HD Movie Recording

Press the shutter-release button all the

way down to take a photograph without

interrupting HD movie recording. Photo-

graphs taken during movie recording

have an aspect ratio of 3 : 2.

Taking Photographs During Movie Recording

Up to 20 photographs can be taken with each movie shot. Please note

that photographs can not be taken with slow-motion movies.

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❚❚ Choosing the Movie Type

To choose between high definition and

slow motion recording, press &, then

rotate the command dial to highlight one

of the following options and press the

dial to select:

• HD movie: Record movies in HD (0 49).

• Slow motion: Record slow-motion movies

(0 53).

& button

Recording Movies

Flicker, banding, or distortion may be visible in the displays and in the

final movie under fluorescent, mercury vapor, or sodium lamps or if the

camera is panned horizontally or an object moves at high speed

through frame (flicker and banding can be reduced in HD movies by

choosing a Flicker reduction option that matches the frequency of the

local AC power supply, but note that the slowest shutter speed avail-

able is ¹100 s at 50 Hz, ¹

/60 s at 60 Hz; 0 164). Bright light sources may

leave after-images when the camera is panned. Jagged edges, color

fringing, moiré, and bright spots may also appear. When recording

movies, avoid pointing the camera at the sun or other strong light

sources. Failure to observe this precaution could result in damage to

the camera’s internal circuitry.

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Slow Motion

Record silent movies with an aspect ratio of 8 : 3. Movies are

recorded at 400 fps and play back at 30 fps.

1 ^{Select advanced movie mode.}

Rotate the mode dial to v.

2 ^{Select slow-motion mode.}

Press the & button, then rotate the

command dial to highlight Slow

motion and press the dial to select. A

slow-motion movie crop with an

aspect ratio of 8 : 3 will appear in the

display.

& button

3 ^{Frame the opening shot.}

Frame the opening shot with your

subject in the center of the display.

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4 ^Focus.

Focus area

5 ^{Start recording.}

Press the movie-record button to

begin recording. A recording indica-

tor, the time elapsed, and the time

available are displayed while record-

ing is in progress. The camera focuses

on the subject at the center of the dis-

play; face detection (0 27) is not

available and focus and exposure can

not be adjusted.

Movie-record button

Recording indicator/

Time elapsed

Time available

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6 ^{End recording.}

Press the movie-record button again

to end recording. Recording will end

automatically when the maximum

length is reached, the memory card is

full, another mode is selected, the lens

is removed, or the camera becomes

hot (0 xvi).

Movie-record button

Maximum Length

Up to 3 seconds or 4 GB of footage can be recorded; note that

depending on memory card write speed, shooting may end before

this length is reached (0 172).

See Also

Frame rate options are described on page 126.

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Viewing Movies

Movies are indicated by a 1 icon in full-frame playback (0 30).

Press J to start playback.

Movie playback indicator/

1 icon/Length

Current position/total length

Guide

Volume

The following operations can be performed:

Use

Description

Pause

Pause playback.

Resume playback when the movie is paused

or during rewind/advance.

Play

Press 4 to rewind, 2 to advance. Speed

increases with each press, from 2× to 4× to 8×

to 16×. If playback is paused, the movie

rewinds or advances one frame at a time; keep

the button pressed for continuous rewind or

advance. You can also rotate the multi selector

to rewind or advance when playback is

paused.

Advance/

rewind

Adjust

volume

Rotate the command dial to adjust volume.

Return to

full-frame

playback

/K Press 1 or K to exit to full-frame playback.

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Deleting Movies

To delete the current movie, press O. A

confirmation dialog will be displayed;

press O again to delete the movie and

return to playback, or press K to exit

without deleting the movie. Note that

once deleted, movies can not be recovered.

O button

See Also

See page 116 for information on trimming

unwanted footage from movies.

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Motion Snapshot Mode

Record brief movie vignettes with your photographs. Each time

the shutter is released, the camera records a still image and

about 1.6 s of movie footage. When the resulting “Motion Snap-

shot” is viewed on the camera, the movie will play back in slow

motion over approximately 4 s, followed by the still image; play-

back is accompanied by a background track about 10 s long.

Shooting in Motion Snapshot Mode

1 ^{Select Motion Snapshot mode.}

Rotate the mode dial to z.

2 ^{Frame the picture.}

Compose the photograph with your

subject in the center of the frame.

Available Settings

For information on the options available in Motion Snapshot mode, see

page 0 183.

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3 ^{Begin buffering.}

Press the shutter-release button half-

way to focus (0 24). An icon will be

displayed as the camera begins

recording footage to the memory

buffer.

4 ^Shoot.

Smoothly press the shutter-release

button the rest of the way down. The

camera will record a photograph,

together with about 1.6 s of movie

footage beginning before and ending

after the time the shutter-release but-

ton was pressed all the way down.

Note that some time may be required.

When recording is complete, the pho-

tograph will be displayed for a few

seconds.

Buffering

Buffering begins when the shutter-release button is pressed halfway

and ends after about 90 seconds or when the shutter-release button is

pressed all the way down.

Shutter-release

button pressed

halfway to focus

Shutter-release button

pressed all the way

down

Shooting ends

Buffering

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❚❚ Choosing a Theme

To choose the background music for the

movie, press & and use the command

dial to select from Beauty, Waves, Relax-

ation, and Tenderness. Rotate the com-

mand dial to highlight an option and

press the dial to select.

& button

To play the background music for the

highlighted theme, press the $ but-

ton and use the command dial to adjust

volume.

$ button

Motion Snapshot Mode

Live audio is not recorded. Movies can not be recorded using the

movie-record button and the flash can not be used.

The optional SB-N5 flash unit is equipped with a capture illuminator

which lights during buffering (0 74). Buffering ends automatically and

the capture illuminator turns off after shooting or if the shutter-release

button is kept pressed halfway for about six seconds.

See Also

See page 127 for information on choosing what portions of the buffer

are included in the movie footage. For information on saving Motion

Snapshots in a format that can be viewed in most movie playback soft-

ware, see page 128.

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Viewing Motion Snapshots

Press K and use the multi selector to dis-

play a Motion Snapshot (0 30; Motion

Snapshots are indicated by a z icon).

Pressing J when a Motion Snapshot is

displayed plays back the movie portion in

slow motion over a period of about 4 s,

followed by the photo; the background

track plays for about 10 s (to choose a

new background track, use the Change

theme option in the playback menu;

0 117). To end playback and return to

shooting mode, press the shutter-release

button halfway.

K button

Deleting Motion Snapshots

To delete the current Motion Snapshot,

press O. A confirmation dialog will be dis-

played; press O again to delete the photo

and movie and return to playback, or

press K to exit without deleting the file.

Note that once deleted, Motion Snapshots

can not be recovered.

O button

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See Also

For information on choosing how long the camera will wait for a signal

from the remote, see page 163. See page162 for information on choos-

ing the shutter-release delay in self-timer mode.

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Exposure Compensation

Exposure compensation is used to alter exposure from the value

suggested by the camera, making pictures brighter or darker.

–1 EV

No compensation

+1 EV

1 ^{Display exposure compensation options.}

Press 2 (E) to display exposure com-

pensation options.

2 ^{Choose a value.}

Use the multi selector to choose from

values between –3 EV (underexpo-

sure) and +3 EV (overexposure) in

increments of

3 EV. In general, posi-

tive values make the image brighter

while negative values make it darker.

Normal exposure can be restored by setting exposure compen-

sation to 0. Except in auto mode, exposure compensation is

not reset when the camera is turned off.

Exposure Compensation

Exposure compensation is most effective when used with center-

weighted or spot metering (0 128).

Using a Flash

When used with a flash, exposure compensation affects both back-

ground exposure and flash level.

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The Built-in Flash

To use the flash, raise it by pressing the N

button. Charging begins when the flash

is raised; once charging is complete, a

flash-ready indicator (N) will be displayed

when the shutter-release button is

pressed halfway. The following flash

modes are available; choose a flash mode

as described on the following page.

N button

Fill flash: The flash fires with every shot. Use when the subject is

poorly lit or with back-lit subjects to “fill in” (illuminate) shad-

ows.

Red-eye reduction: The red-eye reduction lamp lights before the

NY flash fires, reducing “red-eye” caused by light reflecting from

your subject's retinas.

Red-eye reduction + slow sync: Combines red-eye reduction with

slow shutter speeds to capture background details at night or

under low light. Use for portraits taken against a backdrop of

NYp

night scenery.

Fill flash + slow sync: Combines fill flash with slow shutter speeds

to capture details of poorly-lit backgrounds.

Rear curtain + slow sync: Combines rear-curtain sync (see below)

Nr with slow shutter speeds to capture poorly-lit background

details.

Rear-curtain sync: While in other modes the flash fires as the shut-

ter opens, in rear-curtain sync the flash fires just before the

shutter closes, creating streams of light that appear to follow

moving light sources.

Lowering the Built-in Flash

To save power when the flash is not in use,

press it gently downward until the latch

clicks into place. Do not use force. Failure to

observe this precaution could result in prod-

uct malfunction.

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Choosing a Flash Mode

1 ^{Display the flash mode options.}

Press 3 (N) to display a list of flash

modes. The modes available vary with

the shooting mode (0 7).

Auto mode

Fill flash

t, v

Fill flash

NY Red-eye reduction

Red-eye reduction +

slow sync

NYp

u, w

Fill flash

Np Fill flash + slow sync

NY Red-eye reduction

Nr Rear curtain + slow sync

Nq Rear-curtain sync

2 ^{Select a flash mode.}

Use the multi selector to highlight a

flash mode (0 69) and press J to

select.

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Using the Built-in Flash

The built-in flash can be used in auto and t, u, v, and w modes only;

note, however, that the flash can not be used with live image control

(0 28) and will not fire when On is selected for HDR in the shooting

menu (0 145), or in I mode (0 63) when a frame rate of 15, 30, or

60 fps is selected for Continuous in the shooting menu (0 125). If the

flash is fired multiple times in quick succession, the flash and shutter

may be temporarily disabled to protect the flash. Shooting can be

resumed after a brief pause.

Objects close to the camera may be overexposed in photographs taken

with the flash at high ISO sensitivities.

To avoid vignetting, remove lens hoods and shoot at ranges of at least

0.6 m (2 ft). Some lenses may cause vignetting at greater distances or

obstruct the red-eye reduction lamp, interfering with red-eye reduc-

tion. The following illustrations show the effect of vignetting caused by

shadows cast by the lens when the built-in flash is used.

Shadow

Aperture, Sensitivity, and Flash Range

Flash range varies with sensitivity (ISO equivalency) and aperture. With

the standard zoom lens at maximum aperture and ISO sensitivity set to

ISO 160 to 6400, the range is approximately 0.6 m–7.0 m (2 ft–23 ft)

when the lens is zoomed all the way out, 0.6 m–4.2 m (2 ft–13.8 ft) at

maximum zoom.

See Also

See page 157 for information on flash control, or page 158 for informa-

tion on adjusting flash level.

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Optional Flash Units

In still image mode, optional flash units for Nikon 1 cameras can

be used for lighting effects such as bounce-flash photography

or, when an optional SB-N5 flash unit is attached, to provide cap-

ture illumination in best moment capture and Motion Snapshot

modes. The built-in flash does not fire when an optional flash

unit is attached.

In the instructions that follow, the optional SB-N5 flash unit is

used for illustrative purposes.

Attaching Flash Units

Mount optional flash units on the camera multi accessory port.

1 ^{Remove the multi accessory port cover.}

Remove the cover as shown at right.

Keep the cover in a safe place and

replace it when the port is not in use.

2 ^{Attach the flash unit.}

Turn the camera off and mount the

flash unit on the multi accessory port

as described in the manual provided

with the flash unit.

Supported Flash Units

The camera supports only flash units designated for use with Nikon 1

cameras.

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Taking Pictures

Follow the steps below to take pictures with the flash.

1 ^{Turn the camera and flash unit on.}

2 ^{Choose a flash mode.}

Choose a flash mode as described on page 70.

3 ^{Position the flash head.}

Rotate the flash head so that it points

directly ahead.

4 ^{Take pictures.}

Flash status indicator

Before shooting, confirm that the flash

status indicator on the rear of the flash

unit is lit and that the flash-ready indi-

cator (N) appears in the camera dis-

play. To take pictures without the

flash, turn the flash unit off.

Capture-illuminator

status indicator

See Also

See page 157 for information on flash control, or page 158 for informa-

tion on adjusting flash level.

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❚❚ Bounce Lighting

Light from the flash can be “bounced” (reflected) from a ceiling

or wall, diffusing the light from the flash to make shadows less

harsh and reduce glare from hair, skin, clothing and foreground

objects.

Flash head rotated upward 90 °

(bounce lighting)

Flash pointed directly ahead

(normal lighting)

Bounce Lighting

If possible, bounce flash lighting from a reflective white or near-white

surface; light reflected from other surfaces may change the colors in

the photograph. If no suitable surface can be found nearby, a piece of

white paper (A4 or letter sized) can be used instead, but be sure to

check the results in the camera display.

The Capture Illuminator

The optional SB-N5 flash unit offers a capture

illuminator that lights to illuminate subjects

in best moment capture and Motion Snap-

shot modes (0 41 , 59). In Smart Photo Selec-

tor and Motion Snapshot modes, the

illuminator will light for about 6 seconds dur-

ing buffering, illuminating subjects about

1 m (3.3 ft) from the camera. In slow view, the illuminator will light for

about 1.3 seconds, starting when the shutter-release button is pressed

halfway. Before shooting, confirm that the capture-illuminator status

indicator is lit. The indicator lights during buffering.

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Optional Flash Units

Detailed instructions may be found in the manual provided with the

flash unit. Optional flash units can be used in auto and t, u, v, and w

modes only; note, however, that the flash can not be used with live

image control (0 28) and will not fire when On is selected for HDR in

the shooting menu (0 145), or in I mode (0 63) when a frame rate of

15, 30, or 60 fps is selected for Continuous in the shooting menu

(0 125).

The Flash/Capture-Illuminator Status Indicators

If the flash status or capture-illuminator status indicator on the rear of

the SB-N5 flashes, one of the following errors may have occurred:

Display

Description

The flash has fired at full power and the

photograph may be underexposed. Try

reducing the distance to the subject or

increasing ISO sensitivity (0 135).

Continuous use has caused the tempera-

The flash status indicator flashes

for about 3 seconds after a photo-

graph is taken.

The flash or capture status indica- ture of the flash unit to rise and the unit

tor flashes once a second.

has been disabled to protect the flash.

Turn the unit off and wait for it to cool.

The flash and capture status indi- A data transfer error has occurred. Check

cators flash once every 2 seconds. that the flash unit is correctly attached.

An error has occurred in the unit’s inter-

nal circuitry. Turn the camera off, remove

the flash unit, and take the camera and

times a second.

The flash status indicator flashes 8

flash unit to a Nikon-authorized service

center for consultation.

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The GP-N100 GPS Unit

GP-N100 GPS units (available separately) can be used to record

information on your current position when pictures are taken.

This information can be viewed on a computer using ViewNX 2

(supplied) or Capture NX 2 (available separately; 0 171).

ViewNX 2 can be installed from the supplied ViewNX 2/

Short Movie Creator CD.

Attaching the GP-N100

The GP-N100 attaches to the camera multi accessory port.

1 ^{Remove the multi accessory port cover.}

Remove the cover as shown at right.

Keep the cover in a safe place and

replace it when the port is not in use.

2 ^{Attach the GP-N100.}

Turn the camera off and mount the

GP-N100 on the multi accessory port

as described in the manual provided

with the GPS unit.

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Setup Menu Options

The GPS item in the setup menu contains the following options.

To display GPS options, press G and select GPS in the setup

menu.

• Auto power off: Choose whether the displays turn off automati-

cally when the GP-N100 is attached.

Camera displays turn off automatically if no operations are

Enable performed for the time selected for Auto power off in the

setup menu (0 162). This reduces the drain on the battery.

The displays do not turn off automatically while the

GP-N100 is attached.

Disable

• Position: This item is only available if the GP-N100 is currently

receiving GPS data, when it displays the current latitude, longi-

tude, altitude, Coordinated Universal Time (UTC), and expiry

date for Assisted GPS data (0 78) as reported by the GP-N100.

• Use GPS to set clock: Select Yes to synchronize the camera clock

with the time reported by the GPS device.

Coordinated Universal Time (UTC)

UTC data is provided by the GPS device and is independent of the cam-

era clock.

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Connection Status

Connection status is shown by the h icon in the camera display (0 4)

and the LED on the GP-N100:

h icon

LED

Description

The GPS unit is searching for a signal. Pictures

taken while the h icon is flashing do not

include GPS data.

Flashes

(red)

h (flashes)

The unit is receiving signals from three GPS

satellites. GPS data will be recorded with pho-

tographs.

Flashes

(green)

h (static)

The unit is receiving signals from four or more

GPS satellites. More precise GPS data will be

recorded with photographs.

(green)

h (static)

GPS data are only recorded while the GP-N100 is receiving signals from

at least three satellites. If no signal is received for over two seconds, the

h icon will clear from the camera display and no GPS data will be

recorded.

Assisted GPS

When connected to a computer using its supplied USB cable, the

GP-N100 can use resources provided by Nikon servers to reduce the

time needed to acquire GPS data (GPS data can still be acquired with-

out these resources, although the time needed to do may increase).

This method of determining position using supplementary informa-

tion stored in a file supplied by a network is known as “Assisted GPS”

(A-GPS or aGPS). To connect to Nikon servers and receive Assisted GPS

files, the GP-N100 uses GP-N100 Utility software, available for down-

load from the following website:

http://nikonimglib.com/gpn100u/

For information on using GP-N100 Utility, see the above website or

online help. The Assisted GPS file provided by the servers is valid for

two weeks, after which time it can no longer be used to assist global

positioning. Use GP-N100 Utility regularly to keep the GP-N100 up to

date.

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The WU-1b Wireless Mobile Adapter

Attach an optional WU-1b wireless mobile adapter to the cam-

era USB connector to copy images to, or control the camera

from, smartphone or tablet devices running the Wireless Mobile

Adapter Utility app.

1 ^{Connect the WU-1b.}

After removing the rubber cap from

the WU-1b USB connector, turn the

camera off and attach the adapter to

the camera USB connector.

2 ^{Activate the adapter.}

Reset file numbering

Select Wireless mobile adapter in

Time zone and date

Activate the wireless

mobile adapter?

the setup menu (0 159). A confirma-

tion dialog will be displayed; select

Yes to activate the WU-1b, allowing

Yes

Firmware version

wireless connection to smart devices,

or No to deactivate the WU-1b and

prevent wireless connection.

Using the WU-1b for the First Time

After connecting the WU-1b, you will need to adjust smart device

wireless settings. See the WU-1b manual for more information.

3 ^{Launch the Wireless Mobile Adapter Utility.}

Launch the Wireless Mobile Adapter Utility on the smart

device.

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4 ^{Take pictures remotely.}

Reset file numbering

Time zone and date

Once a wireless connection is estab-

lished, the smart device will display

the view through the camera lens; the

camera will display a message stating

that a wireless connection is active.

Wireless mobile

adapter active

End

Firmware version

Wireless Networks

Camera settings can not be adjusted while the camera is connected to

a wireless network. To end the connection, press the G button.

The Wireless Mobile Adapter Utility

The Wireless Mobile Adapter Utility is available from Google Play and

the App Store. System requirements and Information on installation,

wireless connections and use may be found in the Wireless Mobile

Adapter Utility manual available in pdf format from the following URL:

http://nikonimglib.com/ManDL/WMAU/

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See Also

See page 128 for information on Motion Snapshot file formats.

117

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118

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The Shooting Menu

To display the shooting menu, press G and select the shoot-

ing menu tab (C, t, u, v, w, u, z, or v).

G button

The shooting menu contains the following options:

Option

Description

Default

—

Reset shooting Reset shooting options to

options

122

default values.

Scene auto selector

Exposure

mode

Choose how the camera sets (Motion Snapshot mode)/

122

shutter speed and aperture.

t Programmed auto

(other modes)

Choose a file format and com-

pression ratio.

Choose a size for new photos.

Choose the frame rate for con-

tinuous shooting (0 63).

Choose whether to mute shut-

Image quality

Image size

Continuous

Silent

JPEG normal

4608 × 3072; 14.2 M

15 fps

123

125

Off

125

photography ter and control sounds.

Choose the number of shots

selected by the Smart Photo

Selector (0 44).

Number of

shots saved

Choose a frame rate for slow-

motion movies (0 53).

Choose HD movie frame size

and frame rate (0 49).

Frame rate

400 fps

125

126

Movie settings

1080/60i

119

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Option

Description

Default

Choose when the movie por-

tion of Motion Snapshots is

recorded (0 59).

Movie before/

after

1.0 s : 0.6 s

127

Choose a file format for new

Motion Snapshots (0 59).

Choose how the camera

meters exposure.

Adjust settings for different

types of lighting.

Control the camera’s sensitivity

to light.

Choose how the camera pro-

cesses pictures.

File format

NMS file

Matrix

Metering

White balance

ISO sensitivity

Picture Control

Auto

Auto (160–3200)

Standard

—

CustomPicture Create custom Picture Con-

Control

trols.

Choose whether the camera

corrects barrel and pincushion

distortion.

Autodistortion

control

Off

142

Choose a color space for new

pictures.

Avoid loss of detail in high-

lights and shadows.

Color space

sRGB

143

144

Active

D-Lighting

Enhance detail in highlights

and shadows when photo-

graphing high-contrast scenes.

HDR

Off

145

Long exposure Reduce noise in long time-

NR exposures.

High ISO noise Reduce noise at high ISO sensi-

reduction tivities.

Off

146

Microphone:

Auto sensitivity (A)

Wind noise reduction: On

Movie sound Choose

options options.

sound

recording

147

120

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Option

Description

Adjust settings for 1 NIKKOR

lenses with vibration reduc-

tion.

Default

Vibration

reduction

Active/On ¹

148

Choose how the camera

focuses.

Focus mode

See page 149

149

Choose how the focus area is

selected.

Face-priority Turn face priority on or off.

AF-area mode

Auto-area ²

On³

153

156

Built-in AF

assist

Control the built-in AF-assist

illuminator.

Choose a flash mode for the

Flash control built-in flash and optional flash

TTL (Manual: Full)

157

158

units.

Flash

Control flash output.

compensation

0.0

1 Varies with lens (0 148).

2 The camera focuses on the subject in the center of the frame when Slow

motion is selected in advanced movie mode.

3 Face detection is not available when Slow motion is selected in advanced

movie mode.

121

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Reset Shooting Options

Select Yes to reset the options in the shooting menu and other

shooting settings to default values (0 119, 185).

Exposure Mode

The options in the exposure mode menu offer varying degrees

of control over shutter speed and aperture.

An automatic, “point-and-shoot” mode in which the

h Scene auto camera not only chooses shutter speed and aperture

selector

but adjusts other settings to suit the subject (automatic

scene selection; 0 26).

The camera sets shutter speed and aperture for optimal

t Programmed exposure (0 34). Recommended for snapshots and in

auto

other situations in which there is little time to adjust

camera settings.

You choose the shutter speed; the camera selects an

aperture for best results (0 35). Use to freeze or blur

motion.

u Shutter-

priority auto

You choose the aperture; the camera selects a shutter

v Aperture-

speed for best results (0 36). Use to blur the back-

priority auto ground or bring both foreground and background into

focus.

You control both shutter speed and aperture (0 37). Set

w Manual

shutter speed to “Bulb” or “Time” for long time-expo-

sures.

ISO Sensitivity (t, u, v, and w Modes)

When an “auto” option is selected for ISO sensitivity (0 135), the cam-

era will automatically adjust sensitivity within the selected range if

optimal exposure can not be achieved at the selected shutter speed or

aperture.

122

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Image Quality

Choose a file format and compression ratio for photographs.

Option File type

Description

Compressed 12-bit raw data from the image sensor

are saved directly to the memory card. White bal-

ance, contrast, and other settings can be adjusted

on a computer after shooting.

Record JPEG images at a compression ratio of

roughly 1 : 4 (fine quality).

NEF (RAW)

JPEG fine

NEF

Record JPEG images at a compression ratio of

roughly 1 : 8 (normal quality).

JPEG normal JPEG

Record JPEG images at a compression ratio of

roughly 1 : 16 (basic quality).

JPEG basic

NEF (RAW) + NEF/ Two images are recorded: one NEF (RAW) image

JPEG fine JPEG and one fine-quality JPEG image.

Image Size

Choose the size of photographs taken in still image and Smart

Photo Selector modes.

Option

Size (pixels) Approximate print size at 300 dpi (cm/in.) ^*

# 4608×3072; 14.2 M 4608 × 3072

$ 3456×2304; 8.0 M 3456 × 2304

% 2304×1536; 3.5 M 2304 × 1536

39 × 26/15.4 × 10.2

29.3 × 19.5/11.5 × 7.7

19.5 × 13/7.7 × 5.1

* Print size in inches equals image size in pixels divided by printer resolution

in dots per inch (dpi; 1 inch=approximately 2.54 cm).

123

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NEF (RAW)/NEF (RAW) + JPEG

The option selected for image size does not affect the size of NEF (RAW)

images. NEF (RAW) images can be viewed on the camera or using soft-

ware such as Capture NX 2 (available separately; 0 171) or ViewNX 2

(supplied).

When photographs taken at NEF (RAW) + JPEG are viewed on the cam-

era, only the JPEG image will be displayed. When photographs taken at

these settings are deleted, both NEF and JPEG images will be deleted.

File Names

Photos and movies are stored as image files with names of the form

“xxx_nnnn.yyy,” where:

• xxx is either NMS (Motion Snapshots recorded with NMS file selected

for File format; 0 128) or DSC (photos, MOV-format Motion Snap-

shots, and movies, including copies created with Edit movie; 0 116),

• nnnn a four-digit number between 0001 and 9999 assigned automat-

ically in ascending order by the camera, and

• yyy one of the following three letter extensions: “NEF” for NEF (RAW)

images, “JPG” for JPEG images, or “MOV” for movies.

The NEF and JPEG files recorded at settings of NEF (RAW)+JPEG have

the same file names but different extensions. Trimmed copies created

with Edit movie (0 116) have file names beginning with “DSC”; copies

created with the other retouch options in the playback menu have file

names beginning with “CSC” (e.g., “CSC_0001.JPG”). Images recorded

with Adobe RGB selected for Color space (0 143) have names that

begin with an underscore (e.g., “_DSC0001.JPG”).

Image Quality and Size

Together, image quality and size determine how much space each pho-

tograph occupies on the memory card. Larger, higher quality images

can be printed at larger sizes but also require more memory, meaning

that fewer such images can be stored on the memory card (0 186).

124

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Continuous

Choose the frame rate for continuous shooting (0 63) from 5,

15, 30, and 60 fps. An electronic shutter is used at rates of 15 fps

and above; except when On is selected for Silent photography,

a mechanical shutter is used when 5 fps is selected.

Silent Photography

Select On to reduce camera noise in quiet surroundings. The

camera uses an electronic shutter and silences the sounds pro-

duced when the camera controls are operated. Selecting Off

restores normal operation.

Number of Shots Saved

Choose the number of shots selected by the Smart Photo Selec-

tor. If 5 is selected, the camera will save the best shot and 4 best

shot candidates. If 1 is selected, the camera will save only the

best shot.

Frame Rate

Choose a frame rate for slow motion movies (0 53). The faster

the frame rate, the smaller the frame size.

Bit rate

(approx.)

2 Mbps

1 Mbps

Maximum length Maximum length

Option Frame size (pixels)

(shooting)

3 seconds

(playback) ^*

40 seconds

2 minutes

400 fps

1200 fps

640 × 240

320 × 120

* All figures are approximate. Slow motion movies will play back over a period

of about 13.2 (400 fps) or 40 (1200 fps) times the recording time.

See Also

For information on the total length of movies that can be stored on the

memory card, see page 187.

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Movie Settings

Choose a frame size and frame rate for HD movies (0 49).

Bit rate

Option

Frame size (pixels) Recording rate (approx.) Maximum length

t 1080/60i

r 1080/30p

u 720/60p

s 720/30p

59.94 fields/s ^*24 Mbps

1920 × 1080

1280 × 720

20 minutes

29 minutes

29.97 fps 24 Mbps

59.94 fps 16 Mbps

29.97 fps 12 Mbps

* Sensor output is about 60 fps.

Photo Frame Size

Photographs recorded by pressing the shutter-release button all the

way down during movie recording have an aspect ratio of 3 : 2. The

frame size varies with the option selected for Movie settings:

• 1080/60i and 1080/30p: 4608 × 3072

• 720/60p and 720/30p: 1280 × 865

See Also

For information on the total length of movies that can be stored on the

memory card, see page 187.

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Movie Before/After

Choose whether the movie portions of Motion Snapshots end

when the shutter-release button is pressed all the way or about

0.6 s after (0 59).

Movie footage starts about a second before the shutter-

release button is pressed all the way down and ends about

0.6 s after.

Shutter-release button

pressed halfway

Shutter-release button

pressed all the way down

1.0 s : 0.6 s

1.0 s

0.6 s

Movie footage

The camera records about 1.6 s of movie footage, ending

when the shutter-release button is pressed all the way down.

Shutter-release button

pressed halfway

Shutter-release button

pressed all the way down

1.6 s : 0 s

1.6 s

Movie footage

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File Format

Choose the file format for Motion Snapshots (0 59).

Motion Snapshots are recorded as a 4 s MOV file and a JPEG

NMS file image. Motion Snapshots can only be viewed on the camera or

using ViewNX 2.

Motion Snapshots are recorded as a 10 s MOV file that can be

viewed in a variety of computer applications. The Motion Snap-

MOV file shot is not displayed automatically when shooting ends (0 60);

for information on viewing Motion Snapshot movies, see page

56.

Metering

Choose how the camera sets exposure.

The camera meters a wide area of the frame and adjusts for

L Matrix contrast (tone distribution), color, composition, and subject

distance, producing natural results in most situations.

The camera meters the entire frame but assigns the greatest

Center- weight to the center area. This is the classic meter for por-

weighted traits and is recommended if you are using filters with an

exposure factor (filter factor) over 1×.

The camera meters the current focus area; use to meter off-

center subjects (if Auto-area is selected for AF-area mode

as described on page 153, the camera will meter the center

focus area, while during face priority the camera will meter

the focus area closest to the center of the selected face;

N Spot

0 27). Spot metering ensures that the subject will be cor-

rectly exposed, even when framed against a background

that is much brighter or darker.

Metering and Shooting Mode

In auto and best moment capture modes, and when h Scene auto

selector (0 122) is chosen in Motion Snapshot mode, metering is

adjusted automatically according to the scene.

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Autoexposure Lock

Exposure lock is used to recompose photographs after metering

exposure. It is most effective when used with center-weighted

or spot metering (0 128) to frame off-center subjects that are

much brighter or darker than their surroundings or to optimize

exposure for an object other than your main subject.

1 ^{Meter exposure.}

Position the subject in the center of

the frame and press the shutter-

release button halfway to meter expo-

sure. Check that the focus area is dis-

played in green.

2 ^{Lock exposure.}

With the shutter-release button

pressed halfway and the subject posi-

tioned in the focus area, press 1 (A)

to lock exposure. While exposure lock

is in effect, an AE-L/AF-L indicator will be

displayed. Exposure will remain

locked until 1 (A) is pressed again,

even if you later remove your finger

from the shutter-release button.

See Also

For information on changing the role of

the 1 (A) button, see page 163.

3 ^{Recompose the photograph.}

Recompose the photograph and shoot. To end exposure lock,

press 1 (A) again.

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White Balance

White balance ensures that colors are unaffected by the color of

the light source. Auto white balance is recommended for most

light sources, but other values can be selected if necessary

according to the type of source.

Automatic white balance adjustment. Recom-

mended in most situations.

v Auto

Incandescent

Fluorescent

Use under incandescent lighting.

Use with cool-white fluorescent lighting.

Direct sunlight Use with subjects lit by direct sunlight.

Flash

Use with built-in or optional flash units.

Use in daylight under overcast skies.

Use in daylight with subjects in the shade.

Cloudy

Shade

L Preset manual Measure white balance (0 132).

White Balance and Shooting Mode

In auto and best moment capture modes, and when h Scene auto

selector (0 122) is chosen in Motion Snapshot mode, white balance is

adjusted automatically according to the scene.

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Fine-Tuning White Balance

Options other than Preset manual can be fine-tuned as follows:

1 ^{Display fine-tuning options.}

Highlight an option other than Preset

manual and press 2 to display the

fine-tuning options shown at right.

Coordinates

Adjustment

2 ^{Fine-tune white balance.}

Use the multi selector to fine-tune white balance.

Increase green

Increase blue

Increase amber

Increase magenta

White Balance Fine Tuning

The colors on the fine-tuning axes are relative, not absolute. For

example, moving the cursor to B (blue) when a “warm” setting such

as J (incandescent) is selected will make photographs slightly

“colder” but will not actually make them blue.

3 ^{Save changes and exit.}

Press J. An asterisk will appear next to the white balance

icon (0 4) in the detailed display (0 5) to show that white

balance has been altered from default values.

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Preset Manual

Preset manual is used to record and recall custom white balance

settings for shooting under mixed lighting or to compensate for

light sources with a strong color cast.

1 ^{Light a reference object.}

Place a neutral gray or white object under the lighting that

will be used in the final photograph. A standard gray panel

can be used for increased precision.

2 ^{Select Preset manual.}

Highlight Preset manual in the white

balance menu and press 2. The dialog

shown at right will be displayed; high-

light Yes and press J to overwrite the

existing value for preset manual white

balance.

The message shown at right will be

displayed.

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3 ^{Measure white balance.}

When the camera is ready to measure

white balance, a flashing L will be

displayed. Before the indicator stops

flashing, frame the reference object so

that it fills the display and press the

shutter-release button all the way

down. No photograph will be

recorded; white balance can be mea-

sured accurately even when the cam-

era is not in focus.

4 ^{Check the results.}

If the camera was able to measure a

value for white balance, the message

shown at right will be displayed. To

return to shooting mode immediately,

press the shutter-release button half-

way.

If lighting is too dark or too bright, the

camera may be unable to measure

white balance. The message at right

will be displayed. Return to Step 3 and

measure white balance again.

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Auto Power Off

White balance measurement will end without a new value being

acquired if no operations are performed for the time selected for Auto

power off in the setup menu (0 162; the default is 1 minute).

Preset White Balance

The camera can store only one value for preset white balance at a time;

the existing value will be replaced when a new value is measured. Note

that exposure is automatically increased by 1 EV when measuring

white balance; in mode w, adjust exposure so that the exposure indica-

tor shows 0 (0 37).

Color Temperature

The perceived color of a light source varies with the viewer and other

conditions. Color temperature is an objective measure of the color of a

light source, defined with reference to the temperature to which an

object would have to be heated to radiate light in the same wave-

lengths. While light sources with a color temperature in the neighbor-

hood of 5000–5500 K appear white, light sources with a lower color

temperature, such as incandescent light bulbs, appear slightly yellow

or red. Light sources with a higher color temperature appear tinged

with blue. The camera white balance options are adapted to the follow-

ing color temperatures (all figures are approximate):

• Sodium-vapor lamps: 2700 K

• J (incandescent)/

• H (direct sunlight): 5200 K

• N (flash): 5400 K

Warm-white fluorescent: 3000 K

• White fluorescent: 3700 K

• I Cool-white fluorescent: 4200 K

• Day white fluorescent: 5000 K

• G (cloudy): 6000 K

• Daylight fluorescent: 6500 K

• Mercury-vapor lamps: 7200 K

• M (shade): 8000 K

134

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ISO Sensitivity

The higher the ISO sensitivity, the less light needed to make an

exposure, allowing faster shutter speeds or smaller apertures,

but the more likely the image is to be affected by “noise” in the

form of randomly-spaced bright pixels, fog, or lines.

The camera adjusts ISO sensitivity in response to

q Auto (160–6400) lighting conditions. ISO sensitivity is adjusted in

x Auto (160–3200) the range given in brackets; choose larger ranges

w Auto (160–800) for increased sensitivity when lighting is poor,

smaller ranges to reduce noise.

160, 200, 400, 800,

ISO sensitivity is fixed at the selected value.

1600, 3200, 6400

“Auto” ISO Sensitivity Options

When auto ISO sensitivity control is in effect,

the display shows an ISO-AUTO icon and the

current ISO sensitivity.

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Picture Control

Choose how the camera processes photographs.

Standard processing for balanced results. Recom-

mended in most situations.

Q Standard

Minimal processing for natural results. Choose for

photographs that will later be extensively processed

or retouched.

R Neutral

Pictures are enhanced for a vivid, photoprint effect.

Choose for photographs that emphasize primary col-

ors.

S Vivid

T Monochrome Take monochrome photographs.

Process portraits for natural texture and a rounded

feel.

e Portrait

Take vibrant photographs of landscapes and city-

scapes.

f Landscape

Modifying Picture Controls

Existing preset and custom Picture Controls (0 140) can be

modified to suit the scene or your creative intent.

1 ^{Display options.}

Highlight an item in the Picture Con-

trol menu and press 2 to display Pic-

ture Control settings (0 138; the

settings available with custom Picture

Controls are the same as the preset

controls on which they are based). To

use an unmodified Picture Control, highlight it and press J.

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2 ^{Adjust settings.}

Press 1 or 3 to highlight the desired

setting and press 4 or 2 to choose a

value. Repeat this step until all set-

tings have been adjusted, or select

Quick adjust to choose a preset combination of settings.

Default settings can be restored by pressing the O button.

3 ^{Save changes and exit.}

Press J.

Preset Picture Controls Versus Custom Picture Controls

The Picture Controls supplied with the camera are referred to as preset

Picture Controls. Custom Picture Controls are created through modifica-

tions to existing Picture Controls using the Custom Picture Control

option in the shooting menu (0 140). If desired, custom Picture Con-

trols can be saved to a memory card and copied to other Nikon 1 V2

cameras or loaded into compatible software (0 141).

Modified Picture Controls

Picture Controls that have been modified

from default settings are indicated by aster-

isks (“*”) next to the Picture Control name and

icon in the Picture Control menu (0 136) and

next to the Picture Control icon (0 4) in the

detailed display (0 5).

Picture Control and Shooting Mode

In auto and best moment capture modes, and when h Scene auto

selector (0 122) is chosen in Motion Snapshot mode, the camera auto-

matically chooses a Picture Control according to the scene.

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❚❚ Picture Control Settings

Choose from options between –2 and +2 to reduce or

exaggerate the effect of the selected Picture Control

(note that this resets all manual adjustments). For

example, choosing positive values for Vivid makes pic-

tures more vivid. Not available with Neutral, Mono-

chrome, or custom Picture Controls.

Quick adjust

Control the sharpness of outlines. Select A to adjust

sharpening automatically according to the type of

Sharpening scene, or choose from values between 0 (no sharpen-

ing) and 9 (the higher the value, the greater the sharp-

ening).

Select A to adjust contrast automatically according to

the type of scene, or choose from values between –3

and +3 (lower values prevent highlights in portrait sub-

jects from being “washed out” in direct sunlight, while

Contrast

higher values preserve detail in misty landscapes and

other low-contrast subjects).

Choose –1 for reduced brightness, +1 for enhanced

brightness. Does not affect exposure.

Brightness

Control the vividness of colors. Select A to adjust satu-

ration automatically according to the type of scene, or

choose from values between –3 and +3 (lower values

Saturation

reduce saturation and higher values increase it).

Choose negative values (to a minimum of –3) to make

reds more purple, blues more green, and greens more

yellow, positive values (up to +3) to make reds more

Hue

orange, greens more blue, and blues more purple.

Simulate the effect of color filters on monochrome pho-

tographs. Choose from Off, yellow, orange, red, and

green (0 139).

Filter

effects

Choose the tint used in monochrome photographs

from B&W (black-and-white), Sepia, Cyanotype (blue-

tinted monochrome), Red, Yellow, Green, Blue Green,

Toning

Blue, Purple Blue, and Red Purple (0 139).

138

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“A” (Auto)

Results for auto sharpening, contrast, and saturation vary with expo-

sure and the position of the subject in the frame.

The Picture Control Grid

Pressing the command dial in Step 2 displays

a Picture Control grid showing the contrast

and saturation for the selected Picture Con-

trol in relation to the other Picture Controls

(only contrast is displayed when Mono-

chrome is selected). Release the dial to

return to the Picture Control menu.

The icons for Picture Controls that use auto

contrast and saturation are displayed in

green in the Picture Control grid, and lines

appear parallel to the axes of the grid.

Previous Settings

The line under the value display in the Picture

Control setting menu indicates the previous

value for the setting. Use this as a reference

when adjusting settings.

Filter Effects (Monochrome Only)

The options in this menu simulate the effect of color filters on mono-

chrome photographs. The following filter effects are available:

Y (yellow)

O (orange) of the sky in landscape photographs. Orange produces

more contrast than yellow, red more contrast than orange.

Enhance contrast. Can be used to reduce the brightness

R (red)

G (green) Softens skin tones. Can be used for portraits.

Note that the effects achieved with Filter effects are more pronounced

than those produced by physical glass filters.

Toning (Monochrome Only)

Pressing 3 when Toning is highlighted dis-

plays saturation options. Press 4 or 2 to

adjust saturation. Saturation control is not

available when B&W (black-and-white) is

selected.

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Custom Picture Control

The Picture Controls supplied with the camera can be modified

and saved as custom Picture Controls.

Edit/Save

To create a custom Picture Control, select Edit/save and follow

the steps below.

1 ^{Select a Picture Control.}

Highlight an existing Picture Control

and press 2, or press J to proceed to

Step 3 to save a copy of the high-

lighted Picture Control without fur-

ther modification.

2 ^{Edit the selected Picture Control.}

See page 138 for more information. To

abandon any changes and start over

from default settings, press the O but-

ton. Press J when settings are com-

plete.

3 ^{Save the Picture Control.}

Highlight a destination (C-1 through

C-9) and press J to save the custom

Picture Control and return to the

shooting menu.

The new Picture Control will be listed

in the Picture Control menu.

140

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Load from/Save to Card

Custom Picture Controls created using the Picture Control Utility

available with ViewNX 2 or optional software such as

Capture NX 2 can be copied to a memory card and loaded into

the camera, or custom Picture Controls created with the camera

can be copied to the memory card to be used in other

Nikon 1 V2 cameras and compatible software and then deleted

when no longer needed.

To copy custom Picture Controls to or from the memory card, or

to delete custom Picture Controls from the memory card, select

Load from/save to card in the Custom Picture Control menu.

The following options will be displayed:

Copy custom Picture Controls from the memory card to

Copy to camera

custom Picture Controls C-1 through C-9.

Delete selected custom Picture

Controls from the memory

card. The confirmation dialog

shown at right will be dis-

played before a Picture Control

Delete from card

is deleted; to delete the

selected Picture Control, high-

light Yes and press J.

Copy a custom Picture Control (C-1 through C-9) to a

selected destination (1 through 99) on the memory card.

Copy to card

Copy to Card

Up to 99 custom Picture Controls can be stored on the memory card at

any one time. The memory card can only be used to store user-created

custom Picture Controls. The preset Picture Controls supplied with the

camera can not be copied to the memory card or deleted.

Custom Picture Control > Delete

The Delete option in the Custom Picture Control menu can be used to

delete selected custom Picture Controls from the camera when they

are no longer needed.

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Auto Distortion Control

Select On to reduce barrel distortion in photos taken with wide-

angle lenses and to reduce pin-cushion distortion in photos

taken with long lenses (note that the edges of photographs may

be cropped out, and that there may be an increase in the time

needed to process images before they are saved). This option is

available only with 1 NIKKOR lenses and not with other NIKKOR

lenses attached using the FT1 mount adapter. Results are not

guaranteed with third-party lenses.

142

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Color Space

The color space determines the gamut of colors available for

color reproduction. Choose sRGB for photos that will be used

“as is,” with no further modification, Adobe RGB for photos that

will be extensively processed or retouched after leaving the

camera. Note that regardless of the option selected, sRGB is

used for movies and Motion Snapshots and for photos taken

during movie recording.

Color Space

Color spaces define the correspondence between colors and the

numeric values by which they are represented in a digital image file.

The sRGB color space is widely used, while Adobe RGB is typically used

in publishing and commercial printing. sRGB is recommended when

taking photographs that will be printed without modification or

viewed in applications that do not support color management, or

when taking photographs that will be printed with ExifPrint, the direct

printing option on some household printers, or kiosk printing or other

commercial print services. Adobe RGB photographs can also be

printed using these options, but colors will not be as vivid.

JPEG photographs taken in the Adobe RGB color space are DCF compli-

ant; applications and printers that support DCF will select the correct

color space automatically. If the application or device does not support

DCF, select the appropriate color space manually. For more informa-

tion, see the documentation provided with the application or device.

Nikon Software

ViewNX 2 (supplied) and Capture NX 2 (available separately) automati-

cally select the correct color space when opening photographs created

with this camera.

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Active D-Lighting

Active D-Lighting preserves details in highlights and shadows

for natural contrast. Use with high contrast scenes such as a

brightly lit outdoor view framed in a door or window or a sub-

jects in the shade on a sunny day. It is most effective when used

with Matrix metering (0 128).

Active D-Lighting: Off

Active D-Lighting: Y On

Active D-Lighting

Noise (randomly-spaced bright pixels, fog, or lines) may appear in pho-

tographs taken with Active D-Lighting. Uneven shading may be visible

with some subjects.

“Active D-Lighting” Versus “D-Lighting”

The Active D-Lighting option in the shooting menu adjusts exposure

before shooting to optimize the dynamic range, while the D-Lighting

option in the playback menu (0 113) brightens shadows in images

after shooting.

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HDR (High Dynamic Range)

Select On to preserve details in high-contrast scenes. Each time

a picture is taken, the camera quickly takes 2 shots at different

exposures and combines them to capture a wide range of tones,

from shadows to highlights. While the shots are combined, a

message is displayed and the shutter release is disabled. The

final photograph is displayed when processing is complete.

First exposure (darker)

Second exposure

(brighter)

Combined HDR image

While HDR is in effect, Z appears in the display and continuous

shooting (0 63) is disabled.

HDR

The edges of the image will be cropped out and neither the built-in

flash nor optional flash units will fire. The desired results may not be

achieved if the camera or subject moves during shooting. Depending

on the scene, shading may be uneven and shadows may appear

around bright objects or halos around dark objects.

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Long Exposure NR

Photographs taken at slow shutter speeds are automatically pro-

cessed to reduce “noise” (bright spots, randomly-spaced bright

pixels, or fog), slightly increasing recording times. Selecting On

increases the amount of noise reduction performed at shutter

speeds slower than 1 s and increases the time required to record

images by roughly 1.5 to 2 times. During processing, a warning

will be displayed and pictures can not be taken (if the camera is

turned off before processing is complete, the picture will be

saved but noise reduction will not be performed). In continuous

release mode, frame rates will slow and while photographs are

being processed, the capacity of the memory buffer will drop.

High ISO Noise Reduction

Select On to reduce “noise” (randomly-spaced bright pixels,

lines, or fog). If Off is selected, noise reduction will only be per-

formed at high ISO sensitivities; the amount of noise reduction is

less than that performed when On is selected.

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Movie Sound Options

Adjust movie sound recording settings for the built-in micro-

phone and optional ME-1 external microphones.

❚❚ Microphone

Select Microphone off to disable sound recording. Selecting

any other option enables recording and sets the microphone to

the selected sensitivity.

The 2 Icon

Movies recorded with the microphone off are indicated by a 2 icon in

full-frame and movie playback.

❚❚ Wind Noise Reduction

Select On to enable the low-cut filter, reducing noise produced

by wind blowing over the microphone (note that other sounds

may also be affected).

Wind Noise Reduction

To disable wind noise reduction when using an optional ME-1 stereo

microphone, slide the microphone low-cut filter switch to FLAT and

select Off for Wind noise reduction.

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Vibration Reduction

This option is available with 1 NIKKOR lenses that support vibra-

tion reduction (VR). The options available vary with the type of

lens: Normal/Active/Off for lenses that support active vibration

reduction and On/Off for other VR lenses. Choose Active, Nor-

mal, or On to reduce the effects of vibration; choose Active

when shooting from a moving vehicle or while walking or for

other forms of strong camera shake, Normal for the relatively

mild camera shake that occurs while standing still.

Vibration Reduction

When the camera is panned, vibration reduction applies only to motion

that is not part of the pan (if the camera is panned horizontally, for

example, vibration reduction will be applied only to vertical shake),

making it much easier to pan the camera smoothly in a wide arc. The

composition may appear to change after the shutter is released, but

this does not indicate a malfunction.

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Focus Mode

Choose how the camera focuses.

Auto-select AF: The camera automatically selects AF-S if the subject is

stationary, AF-C if it is moving.

AF-A

Single AF: For stationary subjects. Focus locks when the shutter-

AF-S

release button is pressed halfway. ^*

Continuous AF: For subjects in motion. The

camera focuses continuously on the sub-

ject in the AF area brackets while the

shutter-release button is pressed half-

way (note that the AF area brackets are

AF-C

only shown in the detailed display; 0 5).

Photos can be taken whether or not the

camera is in focus.

AF area brackets

Full-time AF: For subjects in motion. The camera focuses continu-

ously; photos can be taken whether or not the camera is in focus.

Manual focus: Focus manually (0 151). Photos can be taken whether

or not the camera is in focus.

AF-F

* Shutter can only be released if camera is able to focus.

Focus Mode

The options available vary with the shooting mode.

Shooting mode Focus mode

t, u, v, w

Advanced movie HD movie

mode Slow motion

AF-A (default), AF-S, AF-C, MF

AF-F (default), AF-S, MF

AF-S (default), MF

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Getting Good Results with Autofocus

Autofocus does not perform well under the conditions listed below.

The shutter release may be disabled if the camera is unable to focus

under these conditions, or the focus area may be displayed in green

and the camera may sound a beep, allowing the shutter to be released

even when the subject is not in focus. In these cases, focus manually

(0 151) or use focus lock (0 154) to focus on another subject at the

same distance, and then recompose the photograph.

There is little or no contrast between

the subject and the background.

The subject contains areas of sharply

contrasting brightness.

Example: The

subject is the

same color as

the back-

Examples: The

subject is half

in the shade; a

night scene

with point illu-

mination.

ground.

The subject contains objects at differ- Background objects appear larger

ent distances from the camera. than the subject.

Example: The

Example: A

building is in

the frame

behind the

subject.

subject is

inside a cage.

The subject is dominated by regular

geometric patterns.

The subject contains many fine details

or is made up of objects that are small

or lack variation in brightness.

Example: Blinds

or a row of

Example: A field

of flowers.

windows in a

skyscraper.

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The AF-Assist Illuminator

If the subject is poorly lit, the AF-assist illumi-

nator will light automatically to assist the

autofocus operation when the shutter-

release button is pressed halfway. The AF-

assist illuminator does not light in advanced

movie mode or during movie recording; in

other situations it lights only if:

AF-assist illuminator

• AF-S is selected for focus mode or single AF

selected in AF-A focus mode,

• Auto-area is selected for AF-area mode (0 153) or the center focus

area (0 153) is selected for Single-point, and

• On is selected for Built-in AF assist in the shooting menu (0 156).

Larger lenses may prevent the illuminator lighting all or part of the sub-

ject. Remove lens hoods when using the illuminator.

Manual Focus

Manual focus can be used when autofocus does not produce the

desired results.

1 ^{Select manual focus.}

Select Manual focus for Focus mode

(0 149).

2 ^{Display the manual focus guides.}

Press J to magnify the view at the

center of the frame and display man-

ual focus guides (this feature is not

available during movie recording or in

slow-motion movie mode).

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3 ^Focus.

Multi selector dial: Focus

Rotate the multi selector until the sub-

ject is in focus. Rotate the multi selec-

tor clockwise to increase the focus

distance, counterclock wise to

decrease; the faster you rotate the

multi selector, the quicker the focus

distance changes. The focus indicator

shows the approximate focus dis-

tance. Press J when the subject is in

focus.

Command dial:

To magnify the view in the display by

up to about 10× for precise focus,

rotate the command dial right. Press

1, 2, 3, or 4 to view areas of the

frame not currently visible in the dis-

play; the visible portion is shown by

the navigation window. To zoom out,

rotate the command dial left.

Zoom in or out

Focus indicator

Navigation window

Movies

The multi selector can also be used to choose the focus distance if man-

ual focus is selected during movie recording. Rotate the multi selector

clockwise to increase the focus distance, counterclockwise to decrease;

the faster you rotate the multi selector, the quicker the focus distance

changes.

Focal Plane Position

To determine the distance between your

subject and the camera, measure from the

focal plane mark on the camera body. The

distance between the lens mounting flange

and the focal plane is approximately 17 mm

(0.7 in.).

Approx.

17 mm

Focal plane mark

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AF-Area Mode

Choose how the focus area for autofocus is selected.

Auto-

area

The camera automatically detects the subject and selects

the focus area.

Press J to view the focus area

selection display, then use the

multi selector to position the

Single- focus area over your subject

point

and press J; the camera

focuses on the subject in the

selected focus area only. Use

with stationary subjects.

Focus area

Press J to view the focus area

selection display, then use the

multi selector to position the

focus area over your subject

and press J. The focus area

will track the subject as it

moves through the area shown

at right. The camera will focus

on the selected subject when

the shutter-release button is

pressed halfway. To end focus

tracking when shooting is

complete, press J.

Focus area

Subject

tracking

Subject tracking area

Subject Tracking

The camera may be unable to track subjects if they move quickly, leave

the frame or are obscured by other objects, change visibly in size, color,

or brightness, or are too small, too large, too bright, too dark, or similar

in color or brightness to the background.

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Focus Lock

Focus lock can be used to change the composition after focusing

on the subject in the center of the frame, allowing you to focus

on a subject that will not be in the center of the final composi-

tion. If the camera is unable to focus using autofocus (0 150),

you can also focus on another subject at the same distance and

then use focus lock to recompose the photograph. Focus lock is

most effective when an option other than Auto-area is selected

for AF-area mode (0 153).

1 ^Focus.

Position the subject in the center of

the frame and press the shutter-

release button halfway to initiate

focus. Check that the focus area is dis-

played in green. If AF-S is selected for

focus mode (0 149), focus will lock

while the shutter-release button is

pressed halfway.

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2 ^{Lock focus.}

With the shutter-release button

pressed halfway, press 1 (A) to lock

both focus and exposure (an AE-L/AF-L

indicator will be displayed; 0 129).

Focus will remain locked until 1 (A)

is pressed again, even if you later

remove your finger from the shutter-

release button.

See Also

For information on changing the role of

the 1 (A) button, see page 163.

3 ^{Recompose the photograph and shoot.}

Focus will remain locked between

shots.

Do not change the distance between the camera and the sub-

ject while focus lock is in effect. If the subject moves, press

1 (A) to end focus lock and then focus again at the new dis-

tance.

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Face-Priority

Choose On to enable face priority (0 27).

Built-in AF Assist

When On is selected, the built-in AF-

assist illuminator will light to illuminate

poorly-lit subjects if:

AF-assist illuminator

• AF-S is selected for focus mode (0 149)

or single AF is selected in AF-A, and

• Auto-area is selected for AF-area

mode (0 153) or the center focus area

is selected for Single-point.

The AF-assist illuminator will not light to assist the focus opera-

tion in advanced movie mode, during movie recording, or when

Off is selected. If the AF-assist illuminator does not light, autofo-

cus may not produce the desired results when lighting is poor.

See Also

See page 151 for information on using the AF-assist illuminator. Infor-

mation on the modes in which AF-assist is available may be found on

page 181.

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Flash Control

Choose a flash control mode for the built-in and optional flash

units.

Flash output is adjusted automatically in response to shoot-

ing conditions (TTL flash control).

1 TTL

Choose a flash level between Full

and 1/32

(

/32 of full power). At full

power, the built-in flash has a guide

number of about 5/16 (m/ft, ISO

100, 20 °C/68 °F; at ISO 160, the

guide number is about 6.3/20.7).

2 Manual

A Y icon flashes in the display

during flash photography when

this option is selected.

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Flash Compensation

Flash compensation alters flash output from the level suggested

by the camera, changing the brightness of the main subject rel-

ative to the background. Choose from values between –3 EV

(darker) and +1 EV (brighter) in increments of

3 EV; in general,

positive values make the subject brighter while negative values

make it darker.

A Y icon is displayed when flash com-

pensation is in effect. Normal flash out-

put can be restored by setting flash

compensation to 0. Flash compensa-

tion is not reset when the camera is

turned off.

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The Setup Menu

To display the setup menu, press G and select the setup

menu tab (B).

G button

The setup menu contains the following options:

Option

Description

Reset setup menu options to

default values.

Default

—

Reset setup options

160

161

Format memory card Format the memory card.

—

Allow the shutter to be

Slot empty release released when no memory

Release locked

161

lock

card is inserted in the cam-

era.

Display brightness Adjust display brightness.

Off

161

162

Grid display

Display a framing grid.

Choose the auto power off

delay.

Choose the self-timer delay.

Choose the remote control

mode shutter-release delay.

Choose how long the cam-

Auto power off

Self-timer

1 min

10 s

162

163

Remote control

Quick response

Remote on duration era waits for a signal from

10 min

163

an ML-L3 remote control.

Assign AE/AF-L

button

Choose the role played by

the 1 (A) button.

AE/AF lock

Choose whether exposure

Shutter button AE locks when the shutter-

Off

163

lock

release button is pressed

halfway.

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Option

Description

Default

Choose whether remote

controls for HDMI-CEC

devices to which the cam-

era is connected can be

used to operate the cam-

era.

HDMI device control

101

Flicker reduction

Reset file numbering Reset file numbering.

Reduce flicker or banding.

—

164

Time zone and date Set the camera clock.

Daylight saving time: Off 165

Choose a language for the

camera displays.

Record camera orientation

with pictures.

Enable or disable the wire-

less mobile adapter.

Language

—

165

166

Auto image rotation

Wireless mobile

adapter

—

Adjust settings for optional Auto power off: Disable

GPS

GPS units.

Use GPS to set clock: Yes

Check and optimize the

camera image sensor and

image processors.

Display the current firm-

ware version.

Pixel mapping

Firmware version

—

167

—

Reset Setup Options

Select Yes to reset all setup menu options other than Flicker

reduction, Time zone and date, and Language to default val-

ues.

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Format Memory Card

Select Yes to format the memory card. Note that this permanently

deletes all data on the card, including protected images; before

proceeding, be sure to copy important pictures and other data

to a computer (0 95). To exit without formatting the memory

card, highlight No and press J.

The message shown at right is displayed

while the card is formatted; do not remove

the memory card or remove or disconnect

the power source until formatting is com-

plete.

Slot Empty Release Lock

If Enable release is selected, the shutter can be released when

no memory card is inserted. No pictures will be recorded,

although they will be displayed in demo mode. Select Release

locked to enable the shutter only when a card is inserted.

Display Brightness

Highlight Monitor brightness or View-

finder brightness and press 2 to display

brightness options for the selected dis-

play. Brightness can then be adjusted by

pressing 1 or 3; choose higher values

for increased brightness, lower values for

reduced brightness.

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Grid Display

Select On to display a framing grid (0 6).

Auto Power Off

Choose how long the displays remain on

when no operations are performed

(0 18). Choose shorter delays to reduce

the drain on the battery. Once the dis-

plays have turned off, they can be reacti-

vated by operating the camera buttons

or mode dial.

The GP-N100

To enable auto power off when an optional GP-N100 GPS unit is

attached, select Enable for the GPS > Auto power off option in the

setup menu (0 76).

Self-Timer

Choose the length of the self-timer shutter-release delay (0 65).

Choose 2 s to reduce blur caused by the camera moving when

the shutter-release button is pressed, 10 s for self-portraits.

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Remote Control

Choose how the camera responds to the shutter-release button

on the optional ML-L3 remote control (0 65). If Quick response

is selected, the shutter will be released immediately; if 2 s delay

is selected, the shutter will be released after a 2 s delay.

Remote on Duration

Choose how long the camera will remain

active while waiting for a signal from the

remote control (0 63). Choose a shorter

delay to reduce the drain on the battery.

Note that remote control mode must be

reselected once the timer has expired.

Assign AE/AF-L Button

Choose whether the 1 (A) button locks

both focus and exposure (AE/AF lock),

exposure only (AE lock only), or focus

only (AF lock only). Focus lock is

described on page 154, exposure lock on

page 129.

1 (A) button

Shutter Button AE Lock

If On is selected, exposure will lock while

the shutter-release button is pressed

halfway.

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Flicker Reduction

Reduce flicker and banding in the displays and in movies while

shooting under fluorescent or mercury-vapor lighting. Choose a

frequency which matches that of the local AC power supply.

Flicker Reduction

If you are unsure as to the frequency of the local power supply, test

both options and choose the one that produces the best results. Flicker

reduction may not produce the desired results if the subject is very

bright, in which case you should select mode v or w and choose a

smaller aperture (larger f-number).

Reset File Numbering

When a photograph is taken or a movie is

recorded, the camera names the file by

adding one to the number of the previ-

ous file (0 124). If the current folder is

numbered 999 and contains either 999

photographs or a photograph numbered

9999, the shutter-release button will be disabled and no further

photographs can be taken. To reset file numbering to 0001,

select Yes for Reset file numbering and then either format the

current memory card or insert a new memory card.

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Time Zone and Date

Change time zones, set the camera clock,

choose the date display order, or turn

daylight saving time on or off (0 19).

Choose a time zone. The camera clock is automatically set

to the time in the new time zone.

Date and time Set the camera clock.

Time zone

Choose the order in which the day, month, and year are

displayed.

Date format

Turn daylight saving time on or off. The camera clock will

automatically be advanced or set back one hour. The

default setting is Off.

Daylight

saving time

Language

Choose a language for camera messages and displays.

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Auto Image Rotation

Photographs taken while On is selected contain information on

camera orientation, allowing them to be rotated automatically

during playback or when viewed in ViewNX 2 or Capture NX 2

(available separately; 0 171). The following orientations are

recorded:

Landscape (wide)

orientation

Camera rotated 90°

clockwise

Camera rotated 90°

counterclockwise

Camera orientation is not recorded when Off is selected. Choose

this option when panning or taking photographs with the lens

pointing up or down.

Auto Image Rotation

Image orientation is not recorded in movie or Motion Snapshot modes.

Rotate Tall

To automatically rotate “tall” (portrait-orientation) photographs for dis-

play during playback, select On for the Rotate tall option in the play-

back menu (0 112).

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Pixel Mapping

Check and optimize the camera image sensor and image proces-

sors if you notice unexpected bright spots in your pictures (note

that the camera comes with the sensor and processors already

optimized). Before performing pixel mapping as described

below, check that the battery is fully charged.

1 ^{Attach a lens and lens cap.}

Turn the camera off and attach a 1 NIKKOR lens. Do not

remove the lens cap.

2 ^{Select Pixel mapping.}

Turn the camera on, press G, and select Pixel mapping in

the setup menu.

3 ^{Select Yes.}

Pixel mapping begins immediately. Note that other opera-

tions can not be performed while pixel mapping is in

progress. Do not turn the camera off or remove or disconnect

the power source until pixel mapping is complete.

4 ^{Turn the camera off.}

Turn the camera off when pixel mapping is complete.

Firmware Version

View the current firmware version.

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Technical Notes

Read this chapter for information on compatible accessories,

cleaning and storing the camera, and what to do if an error mes-

sage is displayed or you encounter problems using the camera.

Optional Accessories

At the time of writing, the following accessories were available

for your camera.

Lenses

Mount

1 mount lenses

Mount Adapter FT1: The FT1 allows NIKKOR F mount lenses to be

adapters used with Nikon 1 interchangeable lens format digital cam-

eras. The angle of view of an F mount lens mounted on the

FT1 is equivalent to that of a 35 mm format lens with a focal

length about 2.7 × longer. See page 205 for information on

using the FT1. For information on attaching the FT1 and pre-

cautions for use, see the FT1 Mount Adapter User’s Manual. For

information on the lenses that can be used, see Compatible

NIKKOR F Mount Lenses. The FT1 Mount Adapter User’s Manual

and Compatible NIKKOR F Mount Lenses are included with the

FT1.

Power

sources

• Rechargeable Li-ion Battery EN-EL21 (0 12 –14): Additional

EN-EL21 batteries are available from local retailers and

Nikon-authorized service representatives.

• Battery Charger MH-28 (0 12): Recharge EN-EL21 batteries.

• Power Connector EP-5D, AC Adapter EH-5b: These accessories can be

used to power the camera for extended periods (EH-5a and

EH-5 AC adapters can also be used). An EP-5D power connec-

tor is required to connect the camera to the EH-5b, EH-5a, or

EH-5; see page 174 for details.

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Flash

units

• SB-N5 (0 72): The SB-N5 has a Guide Number of 8.5/27.9 (m/ft,

ISO 100, 20 °C/68 °F; Guide Number at ISO 160 is 10.8/35.4).

When mounted on the Nikon 1 V2, it supports i-TTL and man-

ual flash control (0 157).

• SB-N7 (0 72): The SB-N7 has a Guide Number of 18/59 (m/ft,

ISO 100, 20 °C/68 °F; Guide Number at ISO 160 is 22.8/74.8).

When mounted on the Nikon 1 V2, it supports i-TTL and man-

ual flash control (0 157).

Guide Number

To calculate the range of the flash at full power, divide the Guide

Number by the aperture. For example, at ISO 100 the SB-N5 has

a Guide Number of 8.5 m or 27.9 ft (35 mm zoom head position);

its range at an aperture of f/5.6 is 8.5÷5.6 or about 1.5 meters (or

in feet, 27.9÷5.6=approximately 5 ft). For each twofold increase

in ISO sensitivity, multiply the Guide Number by the square root

of two (approximately 1.4).

Remote Wireless Remote Control ML-L3 (0 65): The ML-L3 uses a 3 V CR2025

controls battery.

Pressing the battery-chamber latch to the right (q), insert a

fingernail into the gap and open the battery chamber (w).

Ensure that the battery is in the correct orientation (r).

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Software Capture NX 2: A complete photo editing package offering such

features as white balance adjustment and color control points.

Note: Use the latest versions of Nikon software; see the websites

listed on page xvii for the latest information on supported oper-

ating systems. At default settings, Nikon Message Center 2 will

periodically check for updates to Capture NX 2 and other Nikon

software and firmware while you are logged in to an account on

the computer and the computer is connected to the Internet. A

message is automatically displayed when an update is found.

Body caps Body Cap BF-N1000: The body cap keeps the image sensor free of

dust when a lens is not in place.

Micro-

Stereo Microphone ME-1 (0 147): Connect the ME-1 to the camera

phones microphone jack to record stereo sound while reducing the

noise caused by lens vibration being recorded during autofo-

cus.

GPS units GP-N100 (0 76): Record the time (UTC) and the camera’s current

latitude, longitude, and altitude with every picture taken.

Wireless WU-1b (0 79): Create a wireless connection that can be used by

mobile

smart devices running the Wireless Mobile Adapter Utility to

adapters download pictures or control the camera remotely.

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Approved Memory Cards

The following cards have been tested and approved for use in

the camera. Cards with class 6 or faster write speeds are recom-

mended for movie recording. Recording may end unexpectedly

when cards with slower write speeds are used.

SD cards

SDHC cards ²

SDXC cards ³

SanDisk

Toshiba

64 GB

2 GB ¹4 GB, 8 GB, 16 GB, 32 GB

4 GB, 8 GB, 16 GB

Panasonic

Lexar Media

Platinum II

Professional

Full-HD Video

48 GB, 64 GB

—

4 GB, 8 GB, 16 GB, 32 GB

4 GB, 8 GB, 16 GB

1 Check that any card readers or other devices with which the card will be

used support 2 GB cards.

2 Check that any card readers or other devices with which the card will be

used are SDHC-compliant. The camera supports UHS-1.

3 Check that any card readers or other devices with

which the card will be used are SDXC-compliant.

The camera supports UHS-1.

Other cards have not been tested. For more details on the above

cards, please contact the manufacturer.

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Approved Eye-Fi Cards

When inserted in the camera, Eye-Fi cards can be used to upload

photographs to a preselected destination. As of September

2012, the camera supports 8 GB Pro X2 SDHC cards. Eye-Fi cards

are for use only in the country of purchase in accordance with

local regulations. Eye-Fi cards may not be available in some

countries or regions; consult the manufacturer for more informa-

tion. Be sure the Eye-Fi card firmware has been updated to the

latest version.

Card status is indicated by an icon in the

display:

• f (static): Eye-Fi upload enabled; wait-

ing to begin upload.

• f (animated): Eye-Fi upload enabled;

uploading data.

• e: Eye-Fi upload enabled but no pictures available for upload.

• g: Error.

Eye-Fi Cards

Note that pictures will not be uploaded if signal strength is insufficient,

and that Eye-Fi upload is disabled during movie recording. In locations

in which wireless devices are prohibited, turn the camera off and

remove the card. See the manual provided with the Eye-Fi card, and

direct any inquiries to the manufacturer.

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Attaching a Power Connector and AC Adapter

Turn the camera off before attaching an optional power connec-

tor and AC adapter.

1 ^{Ready the camera.}

Open the battery-chamber cover.

2 ^{Insert the EP-5D power connector.}

Be sure to insert the connector in the

orientation shown, using the connec-

tor to keep the orange battery latch

pressed to one side. The latch locks

the connector in place when the con-

nector is fully inserted.

3 ^{Close the battery-chamber cover.}

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4 ^{Connect the AC cable.}

Connect the AC adapter AC cable to the AC socket on AC

adapter.

5 ^{Connect the DC cable.}

Open the camera power connector

cover and plug the AC adapter DC

cable securely into the DC socket on

the EP-5D. A P icon is displayed in

the monitor when the camera is pow-

ered by the AC adapter and power

connector.

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Storage and Cleaning

Storage

If the camera will not be used for an extended period, remove

the battery and store it in a cool, dry area with the terminal cover

in place. To prevent mold or mildew, store the camera in a dry,

well-ventilated area. Do not store your camera with naphtha or

camphor moth balls or in locations that:

• are poorly ventilated or subject to humidities of over 60%

• are next to equipment that produces strong electromagnetic

fields, such as televisions or radios

• are exposed to temperatures above 50 °C (122 °F) or below –10 °C

(14 °F)

Cleaning

Use a blower to remove dust and lint, then wipe gently with

a soft, dry cloth. After using the camera at the beach or sea-

side, wipe off sand or salt with a cloth lightly dampened in

distilled water and dry thoroughly. Important: Dust or other

Camera body

foreign matter inside the camera may cause damage not cov-

ered under warranty.

These elements are easily damaged. Remove dust and lint

with a blower. If using an aerosol blower, keep the can ver-

tical to prevent the discharge of liquid. To remove finger-

prints and other stains, apply a small amount of lens cleaner

Lens,

viewfinder

to a soft cloth and clean with care.

Remove dust and lint with a blower. When removing finger-

prints and other stains, wipe the surface lightly with a soft

cloth or chamois leather. Do not apply pressure, as this

Monitor

could result in damage or malfunction.

Do not use alcohol, thinner, or other volatile chemicals.

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Caring for the Camera and Battery: Cautions

Do not drop: The product may malfunction if subjected to strong shocks or

vibration. Physical shocks may also cause the shutter to malfunction.

Keep dry: This product is not waterproof, and may malfunction if

immersed in water or exposed to high levels of humidity. Rusting of the

internal mechanism can cause irreparable damage.

Avoid sudden changes in temperature: Sudden changes in temperature, such

as those that occur when entering or leaving a heated building on a cold

day, can cause condensation inside the device. To prevent condensation,

place the device in a carrying case or plastic bag before exposing it to

sudden changes in temperature.

Keep away from strong magnetic fields: Do not use or store this device in the

vicinity of equipment that generates strong electromagnetic radiation

or magnetic fields. Strong static charges or the magnetic fields produced

by equipment such as radio transmitters could interfere with the dis-

plays, damage data stored on the memory card, or affect the product’s

internal circuitry.

Keep the lens mount covered: Be sure to attach the body cap if the camera is

without a lens.

Do not touch the image sensor: The image sensor is

easily damaged. Under no circumstances

should you exert pressure on the sensor, poke

it with cleaning tools, or subject it to powerful

air currents from a blower. These actions could

scratch or otherwise damage the sensor.

Image sensor

Turn the product off before removing or disconnecting the power source: Do not

unplug the product or remove the battery while the product is on or

while images are being recorded or deleted. Forcibly cutting power in

these circumstances could result in loss of data or in damage to product

memory or internal circuitry. To prevent an accidental interruption of

power, avoid carrying the product from one location to another while

the AC adapter is connected.

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Cleaning: When cleaning the camera body, use a blower to gently remove

dust and lint, then wipe gently with a soft, dry cloth. After using the cam-

era at the beach or seaside, wipe off any sand or salt using a cloth lightly

dampened in pure water and then dry the camera thoroughly.

The lens is easily damaged. Dust and lint should be gently removed with

a blower. When using an aerosol blower, keep the can vertical to prevent

discharge of liquid. To remove fingerprints and other stains from the

lens, apply a small amount of lens cleaner to a soft cloth and wipe the

lens carefully.

Storage: To prevent mold or mildew, store the camera in a dry, well-venti-

lated area. If you are using an AC adapter, unplug the adapter to prevent

fire. If the product will not be used for an extended period, remove the

battery to prevent leakage and store the camera in a plastic bag contain-

ing a desiccant. Do not, however, store the camera case in a plastic bag,

as this may cause the material to deteriorate. Note that desiccant gradu-

ally loses its capacity to absorb moisture and should be replaced at reg-

ular intervals.

To prevent mold or mildew, take the camera out of storage at least once

a month. Turn the camera on and release the shutter a few times before

putting it away.

Store the battery in a cool, dry place. Replace the terminal cover before

putting the battery away.

Notes on the monitor and viewfinder: These displays are constructed with

extremely high precision; at least 99.99% of pixels are effective, with no

more than 0.01% being missing or defective. Hence while these displays

may contain pixels that are always lit (white, red, blue, or green) or

always off (black), this is not a malfunction and has no effect on images

recorded with the device.

Images in the monitor may be difficult to see in a bright light.

Do not apply pressure to the displays, as this could cause damage or

malfunction. Dust or lint on the displays can be removed with a blower.

Stains can be removed by wiping lightly with a soft cloth or chamois

leather. Should the monitor or viewfinder break, care should be taken to

avoid injury from broken glass and to prevent liquid crystal from the dis-

play touching the skin or entering the eyes and mouth.

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Do not leave the lens pointed at the sun: Do not leave the lens pointed at the

sun or other strong light source for an extended period. Intense light

may cause the image sensor to deteriorate or produce a white blur effect

in photographs.

Moiré: Moiré is an interference pattern created by the interaction of an

image containing a regular, repeating grid, such as the pattern of weave

in cloth or windows in a building, with the camera image sensor grid. In

some cases, it may appear in the form of lines. If you notice moiré in your

photographs, try changing the distance to the subject, zooming in and

out, or changing the angle between the subject and the camera.

Lines: Noise in the form of lines may in rare cases appear in pictures of

extremely bright or backlit subjects.

Batteries: Batteries may leak or explode if improperly handled. Observe

the following precautions when handling batteries:

• Use only batteries approved for use in this equipment.

• Do not expose the battery to flame or excessive heat.

• Keep the battery terminals clean.

• Turn the product off before replacing the battery.

• Remove the battery from the camera or charger when not in use and

replace the terminal cover. These devices draw minute amounts of

charge even when off and could draw the battery down to the point

that it will no longer function. If the battery will not be used for some

time, insert it in the camera and run it flat before removing it and stor-

ing it in a location with an ambient temperature of 15 °C to 25 °C (59 °F

to 77 °F; avoid hot or extremely cold locations). Repeat this process at

least once every six months.

• Turning the camera on and off repeatedly when the battery is fully dis-

charged will shorten battery life. Batteries that have been fully dis-

charged must be charged before use.

• The internal temperature of the battery may rise while the battery is in

use. Attempting to charge the battery while the internal temperature is

elevated will impair battery performance, and the battery may not

charge or charge only partially. Wait for the battery to cool before

charging.

• Continuing to charge the battery after it is fully charged can impair bat-

tery performance.

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• A marked drop in the time a fully charged battery retains its charge

when used at room temperature indicates that it requires replacement.

Purchase a new EN-EL21 battery.

• Charge the battery before use. When taking photographs on impor-

tant occasions, ready a spare EN-EL21 battery and keep it fully charged.

Depending on your location, it may be difficult to purchase replace-

ment batteries on short notice. Note that on cold days, the capacity of

batteries tends to decrease. Be sure the battery is fully charged before

taking photographs outside in cold weather. Keep a spare battery in a

warm place and exchange the two as necessary. Once warmed, a cold

battery may recover some of its charge.

• Used batteries are a valuable resource; recycle in accord with local reg-

ulations.

Image Sensor Cleaning

Each time it is turned on or off, the camera performs image sensor

cleaning to remove dust from the image sensor (note that operating

camera controls before cleaning is complete interrupts this process,

and that image sensor cleaning may be temporarily disabled if the

camera is turned on and off several times in succession). Dust not

removed by this method may appear in images recorded with the cam-

era, in which case you should have the sensor cleaned by Nikon-autho-

rized service personnel.

Servicing the Camera and Accessories

The camera is a precision device and requires regular servicing. Nikon

recommends that the camera be inspected by the original retailer or

Nikon-authorized service representative once every one to two years,

and that it be serviced once every three to five years (note that fees

apply to these services). Frequent inspection and servicing are particu-

larly recommended if the camera is used professionally. Any accesso-

ries regularly used with the camera, such as lenses or optional flash

units, should be included when the camera is inspected or serviced.

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Available Settings

The following table lists the settings that can be adjusted in each

mode.

❚❚ C Auto, t, u, v, w, and u Best Moment Capture Modes

—

✔

—

✔

Exposure mode

Image quality

Image size ²

—

✔

Continuous

✔

Silent photography

Number of shots saved

Frame rate

Movie settings

Movie before/after

File format

Metering

White balance

ISO sensitivity

Picture Control

Custom Picture Control

Auto distortion control

Color space

Active D-Lighting

HDR

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

Long exposure NR

High ISO noise reduction

Movie sound options

Vibration reduction⁵

Focus mode

✔

—

✔

—

✔

—

✔

AF-area mode

Face-priority

✔

Built-in AF assist

✔

Flash control ⁶

—

✔

—

Flash compensation ⁶

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—

✔

—

✔

—

✔

—

✔

—

✔

—

Focus area selection

Flexible program

Autoexposure lock

Focus lock

Self-timer

Exposure compensation

Flash mode ⁶

✔

—

✔

—

✔

—

✔

Advanced movie

Theme

—

1 Has no effect on movies recorded with movie-record button.

2 NEF (RAW) images fixed at 4608 × 3072.

3 Smart Photo Selector mode only.

4 Not available at image qualities of NEF (RAW) or NEF (RAW) + JPEG fine.

5 VR lenses only.

6 Available only when built-in flash is raised or optional flash unit is used.

7 Not available when I is selected for Continuous/self-timer and 15 fps,

30 fps, or 60 fps is selected for Continuous.

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❚❚ v Advanced Movie and z Motion Snapshot Modes

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

Exposure mode

Image quality

Image size

—

✔

—

✔

—

✔

—

✔

—

✔

Continuous

Silent photography

Number of shots saved

Frame rate

Movie settings

Movie before/after

File format

Metering

White balance

ISO sensitivity

Picture Control

Custom Picture Control

Auto distortion control

Color space

Active D-Lighting

HDR

Long exposure NR

High ISO noise reduction

Movie sound options

Vibration reduction³

Focus mode

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

AF-area mode

Face-priority

Built-in AF assist

Flash control

Flash compensation

✔

—

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—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

Focus area selection

Flexible program

Autoexposure lock

Focus lock

Self-timer

Exposure compensation

Flash mode

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

—

✔

Advanced movie

Theme

—

1 Slow motion selected in advanced movie mode.

2 HD movie selected in advanced movie mode.

3 VR lenses only.

184

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Defaults

Defaults for the options in the playback, shooting, and setup

menus may be found on pages 109 , 119, and 159, respectively.

Defaults for other settings are listed below.

Option

Focus area (0 153)

Flexible program (0 34)

Autoexposure lock (0 129)

Focus lock (0 154)

Default

Center ^*

Off

Continuous/self-timer (0 63)

Exposure compensation (0 68)

Flash mode (0 69)

Best moment capture (0 43)

Advanced movie (0 49)

Theme (0 61)

8 (single frame)

0.0

Fill flash

Slow view

HD movie

Beauty

Picture Control settings (0 136)

Unmodified

* Not displayed when Auto-area is selected for AF-area mode.

185

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Memory Card Capacity

The following table shows the number of pictures or amount of

movie footage that can be stored on a 16 GB Toshiba SD-E016GUX

UHS-I SDHC card at different image quality, size, or movie set-

tings. All figures are approximate; file size varies with the scene

recorded.

❚❚ C Auto, t, u, v, w, Slow View, and Smart Photo Selector¹

Image quality

(0 123)

Image size

(0 123)

4608 × 3072

3456 × 2304

2304 × 1536

—

File size

26.6 MB

23.1 MB

20.5 MB

17.4 MB

9.2 MB

5.6 MB

3.1 MB

4.6 MB

2.9 MB

1.6 MB

2.4 MB

1.5 MB

0.8 MB

No. of images Buffer capacity ²

591

682

100

NEF (RAW) +

JPEG fine ³

766

902

NEF (RAW)

4608 × 3072

1700

2700

5000

3300

5400

9800

6600

10700

18600

JPEG fine 3456 × 2304

2304 × 1536

4608 × 3072

JPEG normal 3456 × 2304

2304 × 1536

4608 × 3072

JPEG basic 3456 × 2304

2304 × 1536

1 Off selected for Silent photography and Number of shots saved set to 1.

2 Maximum number of pictures that can be stored in memory buffer at

ISO 160. Drops if long exposure noise reduction is on (0 146).

3 Image size applies to JPEG images only. Size of NEF (RAW) images can not

be changed. File size is the total for NEF (RAW) and JPEG images.

186

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❚❚ Smart Photo Selector ¹

Image quality (0 123)

Image size (0 123)

4608 × 3072

File size

133.1 MB

115.4 MB

102.7 MB

87.1 MB

45.9 MB

28.2 MB

15.6 MB

23.2 MB

14.3 MB

8.0 MB

No. of shots

118

136

153

180

342

557

1000

679

1000

1900

1300

2100

3700

NEF (RAW) + JPEG fine ²3456 × 2304

2304 × 1536

NEF (RAW)

—

4608 × 3072

3456 × 2304

2304 × 1536

4608 × 3072

3456 × 2304

2304 × 1536

4608 × 3072

3456 × 2304

2304 × 1536

JPEG fine

JPEG normal

JPEG basic

11.8 MB

7.4 MB

4.2 MB

1 Number of shots saved set to 5. File size is total for 5 images.

2 Image size applies to JPEG images only. Size of NEF (RAW) images can not

be changed. File size is the total for NEF (RAW) and JPEG images.

❚❚ HD Movies

Movie settings (0 126)

Maximum total length (approx.) ^*

1 hour 28 minutes

1080/60i

1080/30p

1 hour 28 minutes

720/60p

720/30p

2 hours 12 minutes

2 hours 56 minutes

* For information on the maximum length that can be recorded in a single

clip, see page 126.

❚❚ Slow Motion Movies

Frame rate (0 125)

Maximum total recorded length (approx.) ^*

1 hour 4 minutes

400 fps

1200 fps

2 hours 8 minutes

* Up to 3 s of slow motion footage can be recorded in a single clip. Playback

length is about 13.2 (400 fps) or 40 (1200 fps) times the recorded length.

❚❚ Motion Snapshots

Image quality

Image size Format (0 128)

File size

21.6 MB ^*

30.8 MB

No. of shots

729

510

—

NMS

MOV

* File size is the total for a single photograph and movie.

187

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Troubleshooting

If the camera fails to function as expected, check this list of com-

mon problems before consulting your retailer or Nikon repre-

sentative.

Battery/Display

The camera is on but does not respond: Wait for recording or any other process-

ing to end. If the problem persists, turn the camera off. If the camera still

does not respond, remove and replace the battery or disconnect and

reconnect the AC adapter, but note that this will delete any data not yet

saved. Data already saved to the memory card are unaffected.

The displays are off:

• The camera is off (0 18) or the battery is exhausted (0 12 , 21).

• The monitor has been turned off (0 5). Press the $ button to turn

the monitor on.

• An object has come close to the eye sensor, turning the viewfinder on

and the monitor off (0 6).

• The displays have turned off automatically to save power (0 162). The

displays can be reactivated by operating buttons or the mode dial.

• The camera is connected to a computer (0 95) or television (0 100).

The displays turn off without warning:

• The battery is low (0 12, 21).

• The displays have turned off automatically to save power (0 162). The

displays can be reactivated by operating buttons or the mode dial.

• The camera’s internal temperature is high (0 xvi, 194). Wait for the

camera to cool before turning it on again.

The viewfinder is out of focus: Focus the viewfinder using the diopter adjust-

ment control (0 6).

Indicators are not displayed: Press the $ button (0 5).

188

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Shooting (All Modes)

The camera takes time to turn on: Delete files or format the memory card.

The shutter-release is disabled:

• The battery is exhausted (0 12, 21).

• The memory card is locked (0 15) or full (0 21).

• The flash is charging (0 69).

• The camera is not in focus (0 24).

• You are currently filming a slow motion movie (0 51).

Only one picture is taken each time the shutter-release button is pressed in continuous

release mode: 5 fps is selected for Continuous and the built-in flash is

raised.

The camera does not focus automatically:

• The subject is not suited to autofocus (0 150).

• The camera is in manual focus mode (0 149, 1 51).

Focus does not lock when the shutter-release button is pressed halfway: Use the 1

(A) button to lock focus when AF-C is selected for focus mode or when

photographing moving subjects in AF-A mode (0 149 , 154).

Focus area selection is unavailable: Focus area selection is not available in

auto-area AF (0 153) or face priority (0 27). In other AF-area modes, the

focus area can be selected by pressing J.

Subject-tracking AF not available: Select a non-monochrome Picture Control

(0 136 , 153).

AF-area mode selection is unavailable: The camera is in auto or best moment

capture mode (0 41), manual focus mode is selected (0 149), or the h

Scene auto selector is used (0 122).

Image size selection is unavailable: NEF (RAW) is selected for image quality

(0 123).

The camera is slow to record photos: Turn long exposure noise reduction off

(0 146).

Noise (bright spots, randomly-spaced bright pixels, fog, or lines) appears in photos:

• Lower ISO sensitivity or enable high ISO noise reduction (0 146).

• Use long exposure noise reduction at shutter speeds slower than 1 s

(0 146).

No photo taken when ML-L3 remote control shutter-release button is pressed:

• Replace battery in remote control (0 170).

• Choose a remote control mode (0 63).

• The remote control standby timer has expired (0 163).

• The remote is not pointed at the camera or the infrared receiver is not

visible (0 2, 6 6).

• The remote is too far from the camera (0 66).

• Bright light is interfering with remote.

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189

Smudges appear in photographs: Clean the front and rear lens elements.

Flicker or banding appears in movies or in the displays: Choose a Flicker reduc-

tion setting that matches the local AC power supply (0 164).

No flash: The camera is in best moment capture or Motion Snapshot mode

or is recording a movie, or I is selected for Continuous/self-timer

(0 63) and the Continuous is 15 fps or above (0 125).

Menu items are unavailable: Some options are only available in particular

shooting or exposure modes (0 181) or when the built-in flash is raised

(0 69) or a flash, GPS unit, or wireless mobile adapter is attached (0 72,

76 , 79).

Shooting (t, u, v, and w Modes)

The shutter release is disabled: You selected mode u after choosing a shutter

speed of “Bulb” in mode w (0 35).

Some shutter speeds are not available: You are using a flash.

Colors are unnatural:

• Adjust white balance to match the light source (0 130).

• Adjust Picture Control settings (0 136).

Cannot measure white balance: The subject is too dark or too bright (0 133).

Picture Controls produce varying results: A (auto) is selected for sharpening,

contrast, or saturation. For consistent results over a series of photos,

choose another setting (0 138).

Metering can not be changed: Exposure lock is in effect (0 129).

Noise (reddish areas and other artifacts) appears in long time-exposures: Enable

long-exposure noise reduction (0 146).

Movies

Cannot record movies: The movie-record button can not be used to record

movies in best moment capture or Motion Snapshot mode (0 48 , 61).

No sound is recorded for movies:

• Microphone off is selected for Movie sound options > Microphone

(0 147).

• Live audio is not recorded with slow-motion movies (0 53) or Motion

Snapshots (0 59).

190

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Playback

NEF (RAW) images are not displayed: The camera displays only the JPEG copies

of NEF (RAW) + JPEG fine images (0 123).

“Tall” (portrait) orientation photos are displayed in “wide” (landscape) orientation:

• Select On for Rotate tall (0 112).

• The photos were taken with Auto image rotation off (0 166).

• Camera was pointed up or down when the photo was taken (0 166).

• Photo is displayed in image review (0 112).

Cannot hear movie sound:

• Rotate the command dial right to raise the volume (0 56). If the cam-

era is connected to a television (0 100), use the controls for the TV to

adjust the volume.

• Live audio is not recorded with slow-motion movies (0 53) or Motion

Snapshots (0 61).

Cannot delete images:

• Remove protection from the files before deletion (0 112).

• The memory card is locked (0 15).

Cannot select photos for printing: The memory card is full (0 21) or locked

(0 15) or the photos are in NEF (RAW) format. To print NEF (RAW) pho-

tos, transfer the pictures to a computer and use the supplied software or

Capture NX 2 (0 95).

Pictures are not displayed on TV: The camera is not correctly connected

(0 100).

Pictures cannot be transferred to a computer: If your system does not meet the

requirements on page 93, you may still be able to transfer pictures to the

computer using a card reader.

Photos are not displayed in Capture NX 2: Update to the latest version (0 171).

Miscellaneous

The date of recording is not correct: Set the camera clock (0 19 , 165).

Menu items are unavailable: Some options are only available at particular

settings (0 181) or when a memory card is inserted (0 14).

191

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Error Messages

This section lists the error messages that appear in the display.

Message

Solution

If the subject is too bright, lower ISO

sensitivity or choose a faster shutter 35 , 36,

speed or smaller aperture (higher 37 , 135

f-number).

(Shutter-speed or

aperture display

flashes)

If the subject is too dark, raise ISO sen-

sitivity, use a flash, or choose a slower

shutter speed or larger aperture (lower

35 , 36,

37 , 69,

72 , 135

f-number).

A lens with a retractable lens barrel

button is attached with the lens barrel

retracted. Press the retractable lens 17 , 202

barrel button and rotate the zoom ring

to extend the lens.

Keeping the zoom ring

button pressed, rotate

the zoom ring to

extend the lens.

Check lens. Pictures

can only be taken

when a lens is

attached.

Attach a lens.

Cannot take pictures. Turn the camera off and recharge the

Insert fully-charged

battery.

battery or insert a fully charged spare 12, 14

battery.

Start-up error. Turn the Turn the camera off, remove and

camera off and then replace the battery, and then turn the 14, 18

on again.

camera on.

The clock has been

reset.

Set the camera clock.

19, 165

Turn the camera off and confirm that

the card is correctly inserted.

No memory card.

This memory card is Select Yes to format the card, or turn

not formatted. Format the camera off and insert another 14 , 161

the memory card?

memory card.

Turn the camera off and slide the card

write-protect switch to the “write” 15

position.

Memory card is locked

(write protected).

192

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Message

Solution

Eye-Fi cards cannot be

used with the write

protect switch in the

“lock” position.

Turn the camera off and slide the card

write-protect switch to the “write” 173

position.

• You may be able to record additional 123

images if you reduce image quality or

size.

Memory card is full.

• Delete unwanted images.

• Insert another memory card.

• Use an approved card.

14, 17 2

172

This memory card

cannot be used. Card

may be damaged;

• Format the card. If the problem per- 161

sists, the card may be damaged. Con-

tact a Nikon-authorized service

insert a different card. representative.

• Insert a new memory card.

14, 17 2

If the current folder is numbered 999 and

contains either 999 photographs or a

photograph numbered 9999, the shut-

ter-release button will be disabled and

no further photographs can be taken.

Choose Yes for Reset file numbering

and then either format the current mem-

ory card or insert a new memory card.

The movie-record button can not be

Cannot create

additional folders on

memory card.

164

The movie-record

button cannot be used used in best moment capture or 48 , 61

in this mode. Motion Snapshot modes.

Photographs cannot The shutter-release button can not be

be recorded in this

mode.

used to take photographs while

slow-motion movie is being recorded.

The capture

The capture illuminator on the

illuminator has been optional SB-N5 flash unit turns off

used consecutively for automatically after extended use. 74

the maximum time

and has turned off.

Photographs cannot be

Remove your finger from the shutter-

release button for a short period.

taken in shutter- priority Choose a different shutter speed, or

auto mode at a shutter select mode w.

speed of “Bulb”.

35 , 37

193

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Message

Solution

Turn the camera off and then on again

and reattempt the update. If the prob-

lem persists or reoccurs frequently,

Failed to update

speedlight firmware.

Try again after turning

the camera off and on.

—

contact

Nikon-authorized service

representative.

Turn the camera off and then on again

and reattempt the update. If the prob-

lem persists or reoccurs frequently,

Failed to update lens

firmware. Try again

after turning the

—

contact

Nikon-authorized service

camera off and on.

representative.

Press the shutter-release button. Con-

tact a Nikon-authorized service repre-

sentative if the problem persists or re-

occurs frequently.

An error has occurred.

Press the shutter-

release button again.

—

xvi

An error has occurred Turn the camera off and then on again.

in the internal circuitry. If the problem persists or reoccurs fre-

Try again after turning quently, contact a Nikon-authorized

the camera off and on. service representative.

The camera’s internal

temperature is high.

The camera will now

Wait for the camera to cool.

turn off.

Memory card contains To view pictures, insert a memory card

—

no images.

containing images.

The file has been created or modified

Cannot display this file. on a computer or different make of

camera, or is corrupt.

Check printer.

Check the printer.

—

Select Resume after loading paper of

the correct size.

Check paper.

Paper jam.

Clear the jam and select Resume.

Insert paper and select Resume.

Select Resume after checking the ink.

Replace the ink and select Resume.

—

Out of paper.

Check ink supply.

Out of ink.

* See the printer manual for more information.

194

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Specifications

Nikon 1 V2 Digital Camera

Type

Digital camera with support for interchangeable

lenses

Lens mount

Nikon 1 mount

Effective angle of view Approx. 2.7× lens focal length (35 mm format

equivalent)

Effective pixels

14.2 million

Image sensor

13.2 mm × 8.8 mm CMOS sensor (Nikon CX for-

mat)

Dust-reduction system Image sensor cleaning

Storage

Image size (pixels)

Still images (C, t, u, v, w, u modes; aspect ratio 3 : 2)

• 4608 × 3072

• 3456 × 2304

• 2304 × 1536

Still images (v mode; aspect ratio 3 : 2)

• 4608 × 3072 (1080/60i, 1080/30p)

• 1280 × 856 (720/60p, 720/30p)

Still images (Motion Snapshots; aspect ratio 16 : 9)

4608 × 2592

File format

• NEF (RAW): 12-bit, compressed

• JPEG: JPEG-Baseline compliant with fine (approx.

1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16)

compression

• NEF (RAW) + JPEG: Single photograph recorded in

both NEF (RAW) and JPEG formats

Picture Control system Standard, Neutral, Vivid, Monochrome, Portrait,

Landscape; selected Picture Control can be mod-

ified; storage for custom Picture Controls

Media

File system

SD (Secure Digital), SDHC, and SDXC memory cards

DCF (Design Rule for Camera File System) 2.0, DPOF (Digi-

tal Print Order Format), Exif (Exchangeable Image File Format

for Digital Still Cameras) 2.3, PictBridge

195

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Electronic viewfinder

0.47-in., approx. 1440k-dot color TFT LCD viewfinder

with diopter control and brightness adjustment

Approx. 100% horizontal and 100% vertical

18 mm (–1.0 m^–1; from center surface of view-

finder eyepiece lens)

Frame coverage

Eyepoint

Diopter adjustment

Eye sensor

–3–+2 m^–1

Camera switches to viewfinder display when it

detects that viewfinder is in use

Shooting modes

C auto, t programmed auto, u shutter-priority

auto, v aperture-priority auto, w manual,

u best moment capture (slow view and Smart

Photo Selector), v advanced movie (HD and

slow motion), z Motion Snapshot

Shutter

Type

Electronically-controlled vertical-travel focal-

plane mechanical shutter; electronic shutter

Speed

• Mechanical shutter:

/4000–30 s in steps of

/3 EV;

Bulb; Time (requires optional ML-L3 remote control)

• Electronic shutter:

/16,000 –30 s in steps of

3 EV;

Bulb; Time (requires optional ML-L3 remote control)

Note: Bulb and Time end automatically after approximately 2 min-

utes

Flash sync speed

• Mechanical shutter: Synchronizes with shutter at

X=¹

250 s or slower

• Electronic shutter: Synchronizes with shutter at

X=¹

60 s or slower

Release

Mode

• Single frame, continuous

• Self-timer, remote

Frame advance rate

Self-timer

Approximately 5, 15, 30, or 60 fps

2 s, 10 s

Remote control modes Delayed remote (2 s); quick-response remote

196

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Exposure

Metering

Metering method

TTL metering using image sensor

• Matrix

• Center-weighted: Meters 4.5 mm circle in center of

frame

• Spot: Meters 2 mm circle centered on selected

focus area

Mode

t programmed auto with flexible program;

u shutter-priority auto; v aperture-priority auto;

w manual; h scene auto selector

Exposure compensation –3–+3 EV in increments of ¹

u, and v modes)

/3 EV (user controlled in t,

Exposure lock

Luminosity locked at metered value with A

(AE-L/AF-L) button

ISO sensitivity

ISO 160–6400 in steps of 1 EV; auto ISO sensitiv-

(Recommended Exposure ity control (ISO 160–6400, 160–3200, 160–800) available

Index)

(user controlled in t, u, v, and w modes)

Active D-Lighting

On, off

Focus

Autofocus

Hybrid autofocus (phase detection/contrast-

detect AF); AF-assist illuminator

• Autofocus (AF): Single AF (AF-S); continuous AF

(AF-C); auto AF-S/AF-C selection (AF-A); full-

time AF (AF-F)

Lens servo

• Manual focus (MF)

AF-area mode

Focus area

Single-point, auto-area, subject tracking

• Single-point AF: 135 focus areas; the center 73

areas support phase-detection AF

• Auto-area AF: 41 focus areas

Focus lock

Focus can be locked by pressing shutter-release

button halfway (single AF) or by pressing A (AE-

L/AF-L) button

Face priority

On, off

197

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Flash

Built-in flash

Guide Number (GN)

Raised by pressing flash button

Approx. 5/16 (m/ft, ISO 100, 20 °C/68 °F; at ISO

160, Guide Number is approx. 6.3/20.7)

i-TTL flash control using image sensor

Fill flash, fill flash + slow sync, red-eye reduction,

red-eye reduction + slow sync, rear-curtain sync,

rear curtain + slow sync

Control

Mode

Flash compensation

Flash-ready indicator

–3–+1 EV in increments of ¹

3 EV

Lights when flash is fully charged

White balance

Auto, incandescent, fluorescent, direct sunlight,

flash, cloudy, shade, preset manual, all except

preset manual with fine tuning

Movie

Metering

Metering method

TTL metering using image sensor

• Matrix

• Center-weighted: Meters 4.5 mm circle in center of

frame

• Spot: Meters 2 mm circle centered on selected

focus area

Frame size (pixels)/

recording rate

HD movies and movies recorded in C, t, u, v, and w

modes (aspect ratio 16 : 9)

• 1920 × 1080/60i (59.94 fields/s ^*)

• 1920 × 1080/30p (29.97 fps)

• 1280 × 720/60p (59.94 fps)

• 1280 × 720/30p (29.97 fps)

Slow-motion movies (aspect ratio 8 : 3)

• 640 × 240/400 fps (plays at 30p/29.97 fps)

• 320 × 120/1200 fps (plays at 30p/29.97 fps)

Motion Snapshot (aspect ratio 16 : 9)

1920 × 1080/60p (59.94 fps) (plays at 24p/23.976 fps)

MOV

File format

Video compression

H.264/MPEG-4 Advanced Video Coding

Audio recording format AAC

Audio recording device Built-in or optional external ME-1 stereo micro-

phone; sensitivity adjustable

* Sensor output is about 60 fps.

198

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Monitor

7.5 cm (3-in.), approx. 921k-dot, TFT LCD with

brightness adjustment

Playback

Full-frame and thumbnail (4, 9, or 72 images or

calendar) playback with playback zoom, movie

playback, slide show, histogram display, auto

image rotation, and rating option

Interface

USB

Hi-Speed USB

HDMI output

Multi accessory port

Audio input

Type C mini-pin HDMI connector

Used for designated accessories

Stereo mini-pin jack (3.5 mm diameter)

Supported languages

Arabic, Chinese (Simplified and Traditional),

Czech, Danish, Dutch, English, Finnish, French,

German, Greek, Hindi, Hungarian, Indonesian,

Italian, Japanese, Korean, Norwegian, Polish, Por-

tuguese (European and Brazilian), Romanian,

Russian, Spanish, Swedish, Thai, Turkish, Ukrai-

nian, Vietnamese

Power source

Battery

AC adapter

One rechargeable Li-ion EN-EL21 battery

EH-5b AC adapter; requires EP-5D power connec-

tor (available separately)

Tripod socket

4-in. (ISO 1222)

Dimensions/weight

Dimensions (W × H × D) Approx. 107.8 × 81.6 × 45.9 mm (4.2 × 3.2 ×

1.8 in.), excluding projections; thickness of body

(from mount to monitor) is 33.2 mm (1.3 in.)

Weight

Approx. 337 g (11.9 oz) with battery and memory

card but without body cap; approx. 278 g (9.8 oz),

camera body only

199

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Operating environment

Temperature

0 °C–40 °C (+32 °F–104 °F)

Humidity

85% or less (no condensation)

• Unless otherwise stated, all figures are for a camera with a fully-charged bat-

tery operating at the temperature specified by the Camera and Imaging

Products Association (CIPA): 23 3 °C (73.4 5.4 °F).

• Nikon reserves the right to change the specifications of the hardware and

software described in this manual at any time and without prior notice.

Nikon will not be held liable for damages that may result from any mistakes

that this manual may contain.

MH-28 battery charger

Rated input

AC 100–240 V, 50–60 Hz, 0.2 A

Rated output

DC 8.4 V/0.6 A

Supported batteries

Charging time

Nikon EN-EL21 rechargeable Li-ion batteries

Approx. 2 hours at an ambient temperature of

25 °C (77 °F) when no charge remains

Operating temperature 0 °C–40 °C (+32 °F–104 °F)

Dimensions (W × H × D) Approx. 67.0 × 28.0 × 104.0 mm (2.6 × 1.1 × 4.1

in.), excluding plug adapter

Weight

Approx. 88 g (3.1 oz), excluding plug adapter

EN-EL21 rechargeable Li-ion battery

Type

Rated capacity

Rechargeable lithium-ion battery

7.2 V, 1485 mAh

Operating temperature 0 °C–40 °C (+32 °F–104 °F)

Dimensions (W × H × D) Approx. 37.6 × 49.7 × 18.1 mm (1.5 × 2.0 × 0.7 in.)

Weight

Approx. 57 g (2.0 oz), excluding terminal cover

200

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1 NIKKOR VR 10–30mm f/3.5–5.6

Type

1 mount lens

Focal length

10–30 mm

Maximum aperture

Construction

Angle of view

Vibration reduction

f/3.5–5.6

12 elements in 9 groups (including 3 aspherical elements)

77°–29° 40′

Lens shift using voice coil motors (VCMs)

Minimum focus distance 0.2 m (0.7 ft) from focal plane at all zoom positions

Diaphragm blades

Diaphragm

7 (rounded diaphragm opening)

Fully automatic

Aperture range

• 10 mm focal length: f/3.5–16

• 30 mm focal length: f/5.6–16

Filter-attachment size 40.5 mm (P=0.5 mm)

Dimensions

Approx. 57.5 mm diameter × 42 mm (distance from

camera lens mount flange when lens is retracted)

Weight

Approx. 115 g (4.1 oz)

1 NIKKOR 11–27.5mm f/3.5–5.6

Type

1 mount lens

Focal length

Maximum aperture

Construction

11–27.5 mm

f/3.5–5.6

8 elements in 6 groups (including 1 ED lens element and

1 aspherical lens element), 1 protective glass element

72°–32° 20′

Angle of view

Minimum focus distance 0.3 m (1.0 ft) from focal plane at all zoom positions

Diaphragm blades

Diaphragm

7 (rounded diaphragm opening)

Fully automatic

Aperture range

• 11 mm focal length: f/3.5–16

• 27.5 mm focal length: f/5.6–16

Filter-attachment size 40.5 mm (P=0.5 mm)

Dimensions

Approx. 57.5 mm diameter × 31 mm (distance from

camera lens mount flange when lens is retracted)

Weight

Approx. 83 g (3.0 oz)

Specifications subject to change without notice. Nikon will not be held liable

for damages that may result from any mistakes that this manual may contain.

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❚❚ 1 NIKKOR Lenses

1 NIKKOR VR 10–30mm f/3.5–5.6

Lens hood mounting mark

Zoom ring

Lens mounting mark

Lens cap

CPU contacts

Focal length mark

Focal length scale

Retractable lens barrel button

1 NIKKOR 11–27.5mm f/3.5–5.6

Zoom ring

Lens cap

Lens mounting mark

CPU contacts

Focal length mark

Focal length scale

Retractable lens barrel button

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1 NIKKOR lenses are exclusively for Nikon 1 interchangeable lens

format digital cameras. The angle of view is equivalent to a

35 mm format lens with a focal length about 2.7× longer. The

1 NIKKOR VR 10–30mm f/3.5–5.6 supports normal and active

vibration reduction and vibration reduction off (0 148).

Use the zoom ring to zoom in and out.

Detaching the Lens

Before removing or exchanging lenses,

retract the lens and turn the camera off

(0 17). To remove the lens, press and hold

the lens release button (q) while turning the

lens clockwise (w). After removing the lens,

replace the lens caps and camera body cap.

Lens Care

• When using an optional lens hood, do not pick up or hold the lens or

camera using only the hood.

• Keep the CPU contacts clean.

• Use a blower to remove dust and lint from the lens surfaces. To

remove smudges and fingerprints, apply a small amount of ethanol or

lens cleaner to a soft, clean cotton cloth or lens-cleaning tissue and

clean from the center outwards using a circular motion, taking care

not to leave smears or touch the glass with your fingers.

• Never use organic solvents such as paint thinner or benzene to clean

the lens.

• A lens hood or NC filter can be used to protect the front lens element.

• Attach the front and rear caps when the lens is not in use.

• If the lens will not be used for an extended period, store it in a cool,

dry location to prevent mold and rust. Do not store in direct sunlight

or with naphtha or camphor moth balls.

• Keep the lens dry. Rusting of the internal mechanism can cause irrep-

arable damage.

• Leaving the lens in extremely hot locations could damage or warp

parts made from reinforced plastic.

203

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Supplied Accessories

• 40.5 mm snap-on Front Lens Cap LC-N40.5

• Rear Lens Cap LF-N1000

Optional Accessories

• 40.5 mm screw-on filters

• Bayonet Hood HB-N101 (for use with the 1 NIKKOR VR 10–30mm

f/3.5–5.6; attaches as shown below).

• 40.5 mm screw-on Hood HN-N102 (for use with the 1 NIKKOR

11–27.5mm f/3.5–5.6; attaches as shown below)

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❚❚ The Optional FT1 Mount Adapter

Read this section for information on using the optional FT1

mount adapter. Before proceeding, be sure that you have read

and understood this manual and the documentation for the FT1

and lenses.

Autofocus

Autofocus is available only with AF-S lenses; other lenses sup-

port manual focus only. Set the camera focus mode to AF-S (the

camera will not focus in other autofocus modes). The only AF-

area mode available is Single-point and the camera focuses on

the subject in the center focus area only. Face priority is not sup-

ported. In some cases, a beep may sound, the in-focus indicator

may be displayed, and pictures can be taken when the camera is

not in focus; if this occurs, focus manually.

Manual Focus

Follow the steps below to focus manually when using the FT1

with a NIKKOR F mount lens.

1 ^{Select manual focus mode.}

Select Manual focus for Focus mode in the shooting menu.

2 ^Focus.

Rotate the lens focus ring until the

subject is in focus.

If the lens supports autofocus with manual override, after

focusing using autofocus you can keep the shutter-release

button pressed halfway and rotate the lens focus ring to fine-

tune focus manually. To refocus using autofocus, press the

shutter-release button halfway again.

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To zoom in on the display for more

precise focus, press J (note that this

feature is not available during movie

recording or in slow-motion movie

mode). A navigation window will

appear in a gray frame at the bottom

right of the display.

Navigation window

Rotate the command dial right to

zoom in to a maximum of 10×, left to

zoom out. Use the multi selector to

scroll to areas of the frame not visible

in the display. Press J to exit zoom.

Command dial

The Electronic Rangefinder

If a CPU lens is attached in manual focus

mode, the focus indicator can be used to

check whether the camera is focused on

the subject in the center focus area.

Focus indicator

Status

In focus.

Camera focused in front of subject.

Camera focused behind subject.

Unable to determine focus.

(flashes)

Note that with some subjects, the in-focus indicator (I) may be

displayed when the camera is not in focus. Check focus in the

display before shooting.

206

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Error Messages and Displays

The following warnings appear in the camera aperture display.

Display

Problem

Solution

When using CPU lenses, lock

aperture ring at minimum aper-

ture (highest f-number).

When using non-CPU lens, rotate

lens aperture ring to adjust aper-

ture.

Lens aperture ring is not

locked at minimum aperture.

FEE

Non-CPU lens is attached, or

no lens is attached.

F––

Restrictions

• Auto and best moment capture modes are not supported.

• Motion Snapshots can be recorded only when an AF-S lens is

attached and AF-S (Single AF) is selected for focus mode and

then only when the camera is in focus. Do not attempt to

adjust focus using the focus ring.

• Shutter speeds of 1 s or slower are not available.

• The sound monitor switch and focus operation button (Focus

Lock/MEMORY RECALL/AF Start) have no effect.

Precautions for Use

• Lenses over 380 g (13.4 oz) should be supported at all times.

Do not hold the camera or carry the camera by the strap with-

out supporting the lens. Failure to observe this precaution

could damage the camera lens mount.

• Lines may appear in photographs taken with non-CPU lenses

stopped down to minimum aperture.

• The camera continues to adjust exposure during movie record-

ing. Select mode v or w to prevent sounds made by the lens

being picked up by the microphone.

• During continuous shooting, focus is fixed at the position for

the first shot in each burst. Frame rates will slow when 5 fps is

selected for Continuous.

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• Certain lenses will block the AF-assist illuminator and, at some

distances, the flash.

• The tops and bottoms may be missing from circular bokeh

shapes created at wide apertures using lenses with a maximum

aperture of f/1.4.

❚❚ Supported Standards

• DCF Version 2.0: The Design Rule for Camera File Systems (DCF) is

a standard widely used in the digital camera industry to ensure

compatibility among different makes of camera.

• DPOF: Digital Print Order Format (DPOF) is an industry-wide

standard that allows pictures to be printed from print orders

stored on the memory card.

• Exif version 2.3: The camera supports Exif (Exchangeable Image

File Format for Digital Still Cameras) version 2.3, a standard in

which information stored with photographs is used for optimal

color reproduction when the images are output on Exif-com-

pliant printers.

• PictBridge: A standard developed through cooperation with the

digital camera and printer industries, allowing photographs to

be output directly to a printer without first transferring them to

a computer.

• HDMI: High-Definition Multimedia Interface is a standard for

multimedia interfaces used in consumer electronics and AV

devices capable of transmitting audiovisual data and control

signals to HDMI-compliant devices via a single cable connec-

tion.

208

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Trademark Information

Macintosh, Mac OS, and QuickTime are registered trademarks of Apple

Inc. in the United States and/or other countries. Microsoft, Windows,

and Windows Vista are either registered trademarks, or trademarks of

Microsoft Corporation in the United States and/or other countries. The

PictBridge logo is a trademark. Google Play is a trademark of Google

Inc. The SD, SDHC, and SDXC logos are trademarks of SD-3C, LLC. HDMI,

the HDMI logo and High-Definition Multimedia Interface are trade-

marks or registered trademarks of HDMI Licensing LLC.

All other trade names mentioned in this manual or the other documen-

tation provided with your Nikon product are trademarks or registered

trademarks of their respective holders.

FreeType License (FreeType2)

MIT License (HarfBuzz)

(http://www.freedesktop.org/wiki/Software/HarfBuzz). All rights

reserved.

209

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Battery Life

The number of shots or movie footage that can be recorded with

fully-charged batteries varies with the condition of the battery,

temperature, the interval between shots, and the length of time

menus are displayed. Sample figures for EN-EL21 (1485 mAh)

batteries are given below.

• Still images: Approximately 310 shots

• Movies: Approximately 65 minutes of HD footage at 1080/60i

Measured according to CIPA standards at 23 3 °C (73.4 5.4 °F)

with the camera at default settings, a fully-charged battery, a

1 NIKKOR VR 10–30mm f/3.5–5.6 lens, and a 16 GB Toshiba

SD-E016GUX UHS-I SDHC card. Value for still images obtained

under the following test conditions: photographs taken at

intervals of 30 s with the built-in flash fired with every other

shot and the camera turned off and then on after every ten

shots. Value for movies obtained under the following test con-

ditions: a series of 20 minute movies with a file size of up to

4 GB were recorded; recording was only interrupted when tem-

perature warning was displayed.

The following can reduce battery life:

• Keeping the shutter-release button pressed halfway

• Repeated autofocus operations

• Taking NEF (RAW) photographs

• Slow shutter speeds

• Using a wireless mobile adapter or Eye-Fi cards

• Using vibration reduction mode with VR lenses

• Using zoom with power zoom lenses

To ensure that you get the most from rechargeable Nikon

EN-EL21 batteries:

• Keep the battery contacts clean. Soiled contacts can reduce

battery performance.

• Use batteries immediately after charging. Batteries will lose

their charge if left unused.

210

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Index

Y (red-eye reduction) .................... 69

p (slow sync) .................................... 69

q (rear curtain sync) ...................... 69

N (flash-ready indicator) .......... 69, 73

Symbols

C (Auto mode) ..................................23

t (Programmed auto) ........... 34, 1 22

u (Shutter-priority auto) ...... 35, 1 22

v (Aperture-priority auto) ... 36, 1 22

w (Manual) ................................ 37, 122

u (Best moment capture mode) 41

v (Advanced movie mode) .........49

z (Motion Snapshot mode) ..........59

h (Scene auto selector) ............. 122

c (Portrait) .........................................26

d (Landscape) ...................................26

f (Night portrait) .............................26

e (Close up) .......................................26

g (Night landscape) .......................26

Z (Auto) ..............................................26

U (flexible program) .........................34

G (menu) button ....10, 109, 119,

159

K (playback) button ..........30, 47, 62

O (delete) button ..........48, 5 7, 62, 87

$ (display) button ................. 5, 81

& (feature) button .. 9, 28, 5 2, 61, 88

J (OK) button ......................47, 56, 62

A (AE-L/AF-L) ............ 129, 155, 163

E (exposure compensation) .........68

C (continuous shooting/self-timer) .

63, 65

N (flash mode) ....................................70

L (Preset manual) ....................... 132

L (matrix) ......................................... 128

M (centerweighted) ...................... 128

N (spot) ............................................. 128

e (auto-area) ................................. 153

c (single-point) ............................ 153

9 (subject tracking) .................... 153

8 (Single frame) ...............................63

I (Continuous) .................................63

E (Self-timer) ......................................63

# (Remote control) ............................63

AC adapter ............................... 169, 174

Accessories ........................................169

Active D-Lighting ............................144

Adobe RGB ........................................143

Advanced movie mode .................. 49

AE lock ...................................... 129, 163

AE-L ............................................ 129, 155

AF ................................................ 149, 153

AF-A .....................................................149

AF-area mode ...................................153

AF-assist illuminator ............ 151, 156

AF-C .....................................................149

AF-F ......................................................149

AF-S ......................................................149

Aperture ........................................ 36, 37

Aperture-priority auto .................... 36

Assign AE/AF-L button ..................163

Assisted GPS ....................................... 78

Attaching the lens ............................ 17

Auto distortion control .................142

Auto image rotation ......................166

Auto mode .......................................... 23

Auto power off ...................18, 77, 162

Auto-area AF (AF-area mode) .....153

Autofocus ................................. 149, 153

Automatic scene selection ............ 26

Auto-select AF ..................................149

Available settings ............................181

Background track ................ 62, 8 9, 98

Battery ............................12, 14, 21, 200

Beep ................................................ 24, 65

Best moment capture mode ......... 41

Best shot ........................................ 44, 47

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Body cap ....................................1, 2, 171

Border ..................................................107

Bounce lighting .................................74

Brightness ..........................................138

Buffering ........................................45, 60

Built-in AF assist ..................... 151, 156

Built-in Flash .......................................69

Bulb ........................................................38

Detailed display ............................... 4, 5

Detailed photo information ......5 , 82

Digital Print Order Format ...........208

Diopter adjustment control .............6

Display brightness ..........................161

D-Lighting .........................................113

DPOF ................................104, 108 , 208

DPOF print order ................... 104, 108

Calendar ........................................85, 89

Calendar playback ............................85

Capture illuminator ..... 42, 45, 61, 74

Capture NX 2 ..................124, 141, 171

CEC .......................................................101

Center-weighted (Metering) .......128

Change theme .................................117

Charging a battery ............................12

Clean image sensor ........................180

Clock ...............................19, 20 , 77, 165

Clock battery .......................................20

Close up ................................................26

Color space ........................................143

Color temperature ..........................134

Command dial ......................9, 30, 152

Compatible lens ..............................169

Computer .............................................91

Continuous .................................63, 125

Continuous AF ..................................149

Contrast .................................... 138, 144

Creating short movies ..............97, 98

Crop ...........................................107, 115

Custom Picture Control ....... 137, 140

Edit movie ..........................................116

Electronic viewfinder ................ 6, 161

Exif version 2.3 ....................... 143 , 208

Exposure ..................68, 122, 128 , 129

Exposure compensation ................ 68

Exposure indicator ........................... 38

Exposure lock ......................... 129 , 163

Exposure mode ...............................122

Eye sensor ...............................................6

Eye-Fi ...................................................173

Face priority ...............................27 , 156

File format .........................................128

Fill flash ................................................. 69

Filter effects ............................ 138 , 139

Fine-tuning white balance ..........131

Firmware version ............................167

Flash ....................69, 72, 157, 158 , 170

Flash compensation .......................158

Flash control .....................................157

Flash mode .......................................... 70

Flash range .......................................... 71

Flash-ready indicator ................ 69, 73

Flexible program ............................... 34

Flicker reduction .............................164

Focal length ................................. 27, 82

Focal length scale ....................27 , 202

Focal plane mark ........................ 2, 152

Focus ......................................... 149, 153

Focus area ...................................24, 153

Focus lock ..........................................154

Focus mode ......................................149

Date and time ............................19, 165

Date format ................................19, 165

Daylight saving time ...............19, 165

DCF version 2.0 ...................... 143, 208

Defaults ..............................................185

Delete ........................ 31 , 48, 57, 62, 87

Delete all images ...............................87

Delete selected images ...................87

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Focusing the viewfinder ................... 6

Format ......................................... 15, 161

Format memory card ............. 15, 1 61

Frame rate .................................. 81, 1 25

FT1 ....................................................... 205

Full-frame playback ...................30, 81

Full-time AF ...................................... 149

Load from/save to card .................141

Long exposure NR ..........................146

Manual .........................................37, 122

Manual focus ....................................151

Matrix (Metering) ............................128

Maximum aperture ........................201

Memory card ...14, 16, 161, 172, 186

Memory card access lamp ............. 25

Memory card capacity ..................186

Metering .............................................128

Microphone ...............................50, 147

Mode dial ................................................7

Monitor ......................................4, 5, 161

Monitor brightness ........................161

Monochrome ....................................136

Motion Snapshot mode .................. 59

Mount adapter ....................... 169, 205

MOV .....................................................124

Movie before/after .........................127

Movie settings ..................................126

Movie sound options .....................147

Movie type ........................................... 52

Movie-record button .. 32, 40, 5 0, 54

Movies ..........................................49, 126

Multi accessory port ................. 72, 76

Multi selector .........................................8

GP-N100 ................................................76

GPS .........................................................76

Grid display ...................................6, 1 62

H.264 ................................................... 198

HD Movies .................................. 49, 1 26

HDMI ..........................................100, 208

HDMI device control ..................... 101

HDMI-CEC ......................................... 101

HDR ..................................................... 145

High definition .......................100, 2 08

High ISO noise reduction ............ 146

Histogram ............................................83

Hue ...................................................... 138

Image quality ................................... 123

Image review ................................... 112

Image selection .............................. 111

Image size ......................................... 123

Index print ........................................ 104

Infrared receiver ............................ 2 , 66

ISO sensitivity .................................. 135

NEF ............................................. 123, 124

NEF (RAW) ................................ 123, 124

Neutral ................................................136

Night landscape ................................ 26

Night portrait ..................................... 26

Nikon Transfer 2 ................................. 95

Number of shots saved .................125

JPEG ..................................................... 123

Landscape .................................. 26, 136

Language ................................... 19, 165

Lens .................... 17, 27, 148, 169, 201

Lens cap ............................................. 203

Lens mount ....................................... 152

Live image control ............................28

Optional flash ..................................... 72

Photo information ........................5, 81

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PictBridge ................................. 102, 208

Picture Control .......................136, 140

Pixel mapping ..................................167

Playback ........................................30, 81

Playback menu .................................109

Playback zoom ...................................86

Portrait .........................................26, 136

Power connector ................... 169, 174

Power drive zoom switch ...............27

Power switch .......................................18

Preset manual .........................130, 132

Press the shutter-release button all

the way down ............................25, 26

Press the shutter-release button

SD card ...............................................172

Select by date ...................................104

Select images for printing ...........104

Self-timer ....................................63, 162

Sensitivity ..........................................135

Setup menu ......................................159

Sharpening ........................................138

Shooting menu ................................119

Short Movie Creator ........... 91, 97, 98

Shutter button AE lock .................163

Shutter speed .............................. 35, 37

Shutter-priority auto ....................... 35

Shutter-release button .... 24, 26 , 42,

45, 6 0, 163

halfway .........................................24, 26

Print date ............................................108

Print DPOF print order ...................104

Printing ...............................................102

Programmed auto ....................34, 122

Protect .................................................112

Silent photography ........................125

Simple photo information ............. 81

Simplified display ................................5

Single AF ............................................149

Single frame ........................................ 63

Single-point ......................................153

Size .................114, 123, 126, 195 , 198

Slide show ........................................... 89

Slot empty release lock .................161

Slow motion ..............................53, 125

Slow sync ............................................. 69

Slow view ...................................... 41, 43

Smart photo selector ................ 43, 44

Speaker ....................................................2

Speedlight ........................................... 72

Spot (Metering) ...............................128

sRGB .....................................................143

Standard .............................................136

Strap ...................................................... 12

Subject tracking ..............................153

System Requirements ..................... 93

Quick adjust ......................................138

Rating ...........................................88, 112

Rear-curtain sync ..............................69

Red-eye reduction ............................69

Remote control .........................63, 163

Remote on duration .......................163

Removing the lens from the camera

203

Reset file numbering .....................164

Reset setup options .......................160

Reset shooting options .................122

Resize ...................................................114

Retractable lens barrel button ....17,

18, 202

Television ...........................................100

Temperature warnings ....................xvi

Theme ................................................... 61

Thumbnail playback ........................ 84

Time .......................................19, 38 , 165

Rotate tall ...........................................112

Saturation ..........................................138

Scene auto selector ........................122

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Time stamp ....................................... 107

Time zone .......................................... 165

Time zone and date ....................... 165

Timer ......................................................63

Toning .......................................138, 139

Trimming movies ........................... 116

USB ........................................ 79, 95, 1 02

USB cable ................................... 95, 1 02

Use GPS to set clock .........................77

UTC .........................................................77

Vibration reduction ....................... 148

Viewfinder .....................................6, 161

Viewfinder brightness .................. 161

ViewNX 2 ..............................................91

Vivid .................................................... 136

Volume ...........................................56, 90

VR ......................................................... 148

White balance .................................. 130

Wind noise reduction ................... 147

Wireless mobile adapter ....... 79, 1 71

Zoom guide .........................................27

Zoom ring .................................. 27, 2 02

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No reproduction in any form of this manual, in whole or in

part (except for brief quotation in critical articles or reviews),

may be made without written authorization from NIKON

CORPORATION.

SB2J01(11)

6MVA3611-01

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